Buscar:und

HitSquad Records bringt die Größen des deutschsprachigen Musicals endlich dort hin, wo sie hingehören : Auf die
schönsten Vinyl-Schallplatten. Nach dem handsignierten Solo-Album von Everybody’s Darling Pia Douwes, einem von
den Fans-kurierten Best-Of der Songs aus Elisabeth, und einer Kompilation der Tanz Der Vampire Melodien, die die
Show unsterblich machen, erscheint nun ein weiteres KUNZE-LEVAY Meisterwerk auf WEISSEM Vinyl: Auch die
größten Hits aus MOZART! glitzern schon bald auf 12 hochwertig präsentierten Zoll.

Nach Norden ausgerichtet, europäisch, offen, persönlich und melancholisch - das sind alles Begriffe, die sich mit Kari Bremnes" Musik verbinden lassen. Und immer mit einer großen Nähe zu den Menschen und ihren Schicksalen. Die vielfach preisgekrönte Singer-Songwriterin, für die einzelne Genre-Schubladen immer zu eng waren und sind, schreibt seit fast vierzig Jahren Songs, die auf neunzehn Soloalben veröffentlicht sind. Derzeit hat sie ein größeres Publikum als je zuvor, in ihrem Heimatland und weit darüber hinaus. "Immer noch hier" bedeutet der norwegische Albumtitel Ennu her in der deutschen Übersetzung und nach vielen Jahren der Veröffentlichungsstille von Kari Bremnes und in unserer - laut Kari - "beängstigenden und unbeherrschbaren Welt" haben diese Worte einen wohltuenden Klang. So wohltuend und schön wie Karis "glasklarer und doch warmherziger Gesang" wie Audio über das letzte Album sagte. Viel ist über die Künstlerin von den Lofoten geschrieben worden - hier kommt sie selbst zu Wort und führt uns in ihre Gedankenwelt zum neuen Album ein: "Sechs neue Songs. Diese Geschichten sagen viel darüber aus, was mich derzeit beschäftigt. Es gab sie schon eine Weile, bevor sie ihre Form und ihre Musik gefunden haben. Es hat Spaß gemacht und war nervenaufreibend und herausfordernd, sie bei all den Wendungen, Rückschlägen und Fortschritten zu begleiten. Jetzt fühle ich, dass es an der Zeit ist, sie aus dem Haus zu holen."

”Made In Japan” von Deep Purple ist eines der ikonischsten Live-Alben der Rockgeschichte.
Es enthält u.a. Klassiker wie ”Smoke On The Water”, ”Highway Star”, ”Child In Time” und ”Space
Truckin”, alle im Rahmen dreier Konzertabende in Tokyo und Osaka 1972 aufgenommen. Um das (erweiterte) 50. Jubiläum von ”Made In Japan” gebührend zu feiern, erscheinen nun drei neue Editionen.
Entdecke die 5CD-Box inkl. BluRay Audio, auf der sich zusätzlich der Steven Wilson Dolby ATMOS
Mix des Originalalbums befindet. Der neue Referenzmix des Original-Doppelalbums ist auch auf der 2LP
Gatefold Edition zu hören.
Ein muss für jeden Fan von Rock- oder Live-Musik und für jede Sammlung!

Eine streng limitierte Erstpressung von Arcas legendärem Mixtape @@@@@, das vor der Veröffentlichung ihrer KICK-Serie für Furore sorgte. Mit 62 Minuten voller Sounds, die jegliches musikalischen Quantensystem sprengen. Diese Arbeit ist eines ihrer bisher feinfühligsten und wohl erstaunlichsten Werke - hart, sanft, emotional, brutal, aufrichtig und verspielt - ein brutalistisches Kunstwerk auf Doppel-Vinyl mit einer gravierten D-Seite.

2025 Repress

At last, we get doused from the source; four priors of reissued gems and newer beauts now land us at the quintus maximus: the inaugural Spray on Spray. It’s large and in charge, as we pull back the velvety curtain to reaffirm the exquisite curator is just-as-exquisite a melody maker. OT Rails adjusts the prog antenna to broadcast 3 anthems from the great big dance satellite in the sky, including a collaboration with French cuties Baraka. You’ve had your trad, now dance!

The title track struts along its psychedelic catwalk with a sexy house swagger, unlocking a wobbly stack of pineal-tickling melodies en route. The angels soon sing in positiva harmony, before the piano-lude calls for a tight embrace with those closest to you on the dancefloor. Raise those hands aloft, you know what’s coming; that hard house’d snare roll soon erupts and, before you know it, you’re soaring like the white dove you are. Why does it feel so good?

Spray then switches channel to Ceathair, coaxing the prog spirit from the motherland as the psilocybinised breaks wisp through the undergrowth. The vibe is bouncy, as the diva croons and bassline sings, before the vista opens and the sprayed piper summons you home. Open that third eye, súil eile.
Our swan song is reserved for Baraka and Spray, conjoining their tech trance powers on Think Of Me. The trio up the pace for the grand finale, rolling the tight groove from the off while igniting its hybridised trance rump with hypnotic fervour. The friendly mantra floats heavenly above throughout, absorbing you in a semi-lucid ecstatic state. It’s a whirlwind of dancefloor energy from beginning to end, and Spray wouldn’t have it any other way.

The tale of this disc that has been given the name “Flashbacks” come from two brothers from Uruguay, Nico and Fede Lampariello. The vast knowledge of musical production has been demonstrated, all within the true style of the underground. Produced with a Uruguayan flavor, putting that cherry on the top that we all know and love. With the musical flavor that the Lampariello’s have provided its essence can be felt through whole of the dark universe as its existing. It is an utmost pleasure to be welcoming these particularly talented siblings to the label with these four club-ready cuts, that has been pressed for the specific time when the action needs to be shown. The mechanical quantum gears of it have begun shifting and spinning rapidly for the unified idea of love for the nonstandard audio frequencies.

A pioneer of the NYC underground returns to Psionic. After a highly sought after release in the label’s early years, Reade Truth delivers once again with the Life In Review EP. With decades of experience shaping the sonic landscape, his signature blend of analog vintage textures and modern flair shines across four diverse cuts. From hazy minimal electro and dusty broken beats to hypnotic, mind-bending energy—this is Reade Truth in full force. A vital new weapon in the Psionic arsenal from a legend, one of the true originals.

Straight from the heart of the Motor City, Detroit Techno Records presents From The Basement With Love, a double-vinyl transmission from the legendary Detroit Basement, where the pulse of real techno still beats in raw electricity and sweat. This isn’t nostalgia. This is living history, a direct line from the city that invented techno to the artists who continue to keep its soul alive. Across two slabs of black wax, the pioneers and torchbearers of Detroit gather in one place: Suburban Knight, Body Mechanic, Erotek, Ray 7, The BS Project, Detroit Electronic Authority, Spade The Specialist, and more. Each cut drips with the signature elements that defined a movement, machine funk, militant rhythm, deep emotional circuitry, and that unmistakable underground grit. Curated straight out of the Detroit Basement, this compilation captures the true spirit of a city that never stopped creating, never stopped fighting, never stopped dancing. Every groove is a love letter to the origin, pressed by the hands that built the sound — not a recreation, but a continuation.

The mighty Trelik label has long led the way when it comes to the best minimal in the underground and nothing about that changes with this new one from German pair Anro and Kuyateh. They collide their creative minds on four cuts starting with 'All We Have', which, like many of the sounds on this label, fizzes with a light synth touch while rolling on frictionless drums. 'Crocket' is another luminous sound with dubby drum loops that are supple and seductive, as spaced out motifs up top bring a curiousness. 'Gametime' layers in some warped and molten acid sounds to dubby tech rhythms and 'Hi' is a final sophisticated closer for those who like it deft and deep.

Berlin-based Australian musician and producer Declan McDermott steps forward with his debut EP for Delusions Of Grandeur,

bringing a raw yet soulful sound that reflects his unique journey through disco, funk, and soul music.

Having cut his teeth as a multi-instrumentalist before delving deep into house and club culture, Declan naturally fuses his live musical talents with warm, analog-driven grooves. The result is a record that feels equally at home on the dance floor and in the living room, carrying both emotional depth and undeniable energy. Remixes from Tom Trago & Lovetempo !

Back in 1988, disco rap aficionado and collector Dave Lee put together a compilation titled 'Back To The Old School', showcasing some of the best of the genre, most of which had never been issued before in the UK . Fast forward to 2025 and Dave's label Z Records has managed to procure the rights to a few choice old school cuts for a (sort of) follow up. The difference is this time Mr Lee has remixed and re-worked the songs for today's dancefloors while preserving their original flavour and integrity. In this first part of the series we have TJ Swann's 1981 jam 'Get Fly', re-tracked and taken into lo-slung yacht rock funk territory with a sizzling synth solo for good measure, a perfect compliment to TJ's smooth NYC flow. Terry Lewis & Wild Flower are up next on the A-side, with a boogie rich, mid-tempo stomper with a heavy funk bottom end and a message that still rings true in this day and age. Mike T's 'Do It Anyway You Wanna' finishes things up with a compulsive dose of jazz-tinged disco rap that goes straight for the jugular, super charged slap bass underpinning sharp sax and flute motifs while the rich tones of Mike T slide over the top. Dave Lee yet again providing a masterclass in production.

The ever-prolific Mihai Popoviciu returns with a stunning three-tracker on Sublease Music, delivering another masterclass in groove-oriented deep house. Known for his unmistakable precision and subtle emotional touch, the Romanian producer continues to bridge the space between warm underground energy and refined studio craftsmanship.
Over the past two decades, Popoviciu has become one of Eastern Europe’s most respected exports in electronic music, releasing on labels such as Bondage, Poker Flat, and Hudd Traxx, and earning international acclaim for his deep yet functional approach to house. On Sublease, he strips things back to their essential form: hypnotic basslines, crisp percussion, and fluid arrangements that move the dance floor without ever shouting for attention.
Each track radiates Popoviciu’s signature flow, a careful balance between drive and depth, tension and release. Sublease Music, the sister label of Poker Flat, continues its mission to present pure, modern house music from some of the most consistent artists in the scene. This release fits perfectly into that lineage, deep, timeless, and irresistibly groovy. From intimate after-hours sessions to peak-time sets in discerning clubs, these cuts prove once again that Mihai Popoviciu doesn’t follow trends, he defines the standard.

The ever-prolific Mihai Popoviciu returns with a stunning three-tracker on Sublease Music, delivering another masterclass in groove-oriented deep house. Known for his unmistakable precision and subtle emotional touch, the Romanian producer continues to bridge the space between warm underground energy and refined studio craftsmanship.
Over the past two decades, Popoviciu has become one of Eastern Europe’s most respected exports in electronic music, releasing on labels such as Bondage, Poker Flat, and Hudd Traxx, and earning international acclaim for his deep yet functional approach to house. On Sublease, he strips things back to their essential form: hypnotic basslines, crisp percussion, and fluid arrangements that move the dance floor without ever shouting for attention.
Each track radiates Popoviciu’s signature flow, a careful balance between drive and depth, tension and release. Sublease Music, the sister label of Poker Flat, continues its mission to present pure, modern house music from some of the most consistent artists in the scene. This release fits perfectly into that lineage, deep, timeless, and irresistibly groovy. From intimate after-hours sessions to peak-time sets in discerning clubs, these cuts prove once again that Mihai Popoviciu doesn’t follow trends, he defines the standard.

Wenn du zehn Jahre in die Vergangenheit reisen könntest, was würdest du deinem jüngeren Ich sagen wollen? Das war eine Frage, die sich Khruangbin selbst stellten, als sie sich dem zehnjährigen Jubiläum ihres Debütalbums näherten - dem einstigen Kultklassiker, der heute als genreprägend gilt: The Universe Smiles Upon You". Wenn wir zurückgehen und uns selbst sagen könnten, wie viel nach diesem Album auf uns zukommen würde, was würden wir feiern wollen?" fragte Laura Lee, Bassistin, Sängerin und Gründungsmitglied der Band. Stattdessen dachten sie: Lasst es uns noch einmal machen." The Universe Smiles Upon You ii" wurde vom 4. bis 6. Januar 2025 in derselben Familien-Scheune des Gitarristen Mark Speer aufgenommen, an denselben Tagen, an denen TUSUY vor zehn Jahren erstmals entstand. Obwohl die Bedingungen dieselben waren - Schmutzboden, brutal kalt, minimale Schalldämmung, alle Aufnahmen live - sind die Songs es nicht. Sie wurden neu angegangen, einige stärker verändert als andere, mit der eingefangenen Blitz-in-der-Flasche"-Energie des ursprünglichen Albums, während gleichzeitig entdeckt wurde, was diesmal einzigartig sein würde, in dieser Phase des Bandlebens. Das Ergebnis bewegt sich wie Wellen auf dem Wasser über zehn hypnotisierende Tracks, die Scheune erzeugt ein Gefühl von Weite, Gelassenheit und kreativer Freiheit, die nahegelegene Tierwelt ist hörbar (achtet auf die Vögel bei August Twelve ii"), ebenso das Knarren und Klappern der Scheune. Es ist ein Geflecht aus kleinen Bewegungen in nuancierten Arrangements, das langsam das neue Leben, die Geschichten und den Charakter von jemandem enthüllt, den man nach zehn Jahren wieder wie zum ersten Mal trifft.

We welcome Toronto’s own Demuir to Makin’ Moves. A “rare breed” in the world of electronic music. With a passion that runs deep in his veins, Demuir has risen to the top of the underground house scene with his soulful, funky, and unapologetically authentic sound. Here he presents a classy three track EP, all tracks worthy of working the dance floor in equal measure! “What Deep House Use To Be” is the first of two instrumental tracks. This one is a bouncy house groove taking us back to the early roots of house music, with a very catchy groove. “What’s Happening To Me?” is a full on jazzy house affair, and uplifting feel good instrumental with a guitar solo which keeps the toes tapping and energy high! “Emotional Seasons” completes the package, another infectious chunky house groove filled with jazzy keys and stabbing chords sending a positive house message!
Demuir has only continued to push boundaries. In 2024 and 2025, he’s released stand out projects on his Purveyor Underground and Purveyor Underground Limited imprints. His output remains in demand across respected labels including Hot Creations, Kaoz Theory, Heist, Nervous.

Recordings from the Åland Islands, the duo debut by synthesist Jeremiah Chiu and violist Marta Sofia Honer, is a truly unique series of pieces that marry acoustic and electronic sounds with field recordings, all captured on a trip to the titular Baltic archipelago.
By the time Åland Islands was released in 2022, Honer had already been working with Makaya McCraven and Daniel Villarreal, but this project brought her to the front as a lead artist. And Åland Islands was the label's first collaboration of any kind with Chiu, who has since released the solo outing In Electric Time and the genre-breaking debut of his co-led supergroup SML, in addition to a trio album with Honer and the late Ariel Kalma (2024's The Closest Thing to Silence).

Recordings from the Åland Islands is far more than its context within the world of IARC, however, and it’s certainly more than its context as a travel document. Here Chiu and Honer have created a new world out of an old one with work that sees them in dialogue with their own source material. Like early masterpieces by Franco Battiato or Alvin Lucier, Åland Islands repeatedly presents the listener with a palpable sense of place, only to pluck them up and drop them into an entirely new one.
“...so tranquil and beautiful...” – Jayson Greene, Pitchfork