Repress
This new Acid Avengers EP celebrates the new UK electro scene with two of his most talented ambassadors : London-based producer Nite Fleit, known for some killer records on Unknown To The Unknown, Return to Disorder and International Chrome, and Bornemouth-based producer False Persona, who just released an EP on Nite Fleit's label Atomic Alert. The result of this association is six punchy acid tracks, somewhere between funky electro and dark techno !
More than a decade after the release of ´Land Lines', the mythical Humboldt County, California based duo of Brian Pyle and Merrick McKinlay reappears seemingly out of nowhere with 'Atheistsaregods'. With past releases on such cult-like labels as Root Strata, Weird Forest, Blackest Rainbow or Digitalis, Starving Weirdos were an indelible part of a sprawling and loose network of artists in Northern America whose DIY work ethic and extreme activity revolved around shoestring-budget constant touring, numerous limited editions on CDR, tape and vinyl and a relentless drive to push the boundaries of genre.
Out of that cauldron, Starving Weirdos stood out as one of the most persistent and visionary acts, developing a mind altering body of work that went from warm soundscapes through droney digressions, freeform improvisation and raucous noise summoned from a myriad of instrumentation and low budget processing - vocals, keyboards, violin, flute, percussion and an assortment of less identifiable sound sources. 10 years on their legacy remains a timeless and wildly under-appreciated one, but hopefully this new album will shine a light on their idiosyncratic approach. As time itself was never a constraint. This is music suspended outside of it.
Right from the start with the echoing percussion, dissonant keys and processed vocals of 'Haiku Nagasaki', 'Atheistsaregods' draws a continuous flux of psychedelic elevation that goes from the gloomy electronic motifs not unlike the early Cluster vibes of 'Invocation' into the dank percussive maze of the appropriately titled 'Barulho do Samba'. The self titled track induces a sense of post-apocalyptic vertigo via hallucinatory scraps of voice, suspended synth tones and reverberating field recordings, connecting into the droney mystics of 'Dudukahar (Reed Prayer)'. Coming full circle, 'For Vinny' brings back the echoing percussion amidst hypnotic cello lines until it drifts off into the unknown. With the same palpable sense of urgency, Starving Weirdos feel as vital as ever. And even if we didn't realize it we were in need of them. Welcome back.
The EP FACE II is a continuation of the Faces EP series, of which the first EP was released in october 2022. The basis here is also a literary fixpoint with KAFKAS VER- WANDLUNG.
the examination of the urban modern man has its origin in the album JAHRE and is now explored in more detail here. What happens to us in a time of digital transparency as a glass human of the city and night.
It starts with THE VOID, which was originally intended as a poem about being lost. We go out into the night, some to search, some to forget and some to never come back as the same again. On our journey we often take substances that we expect to make this journey easier and faster. the escape from ourselves and from our relationships to the environment and humans can‘t just be skipped. a fast way is always a dangerous way and often leads to an even bigger EMPTINESS.
In THE GHOST something appears to us late at night, it is like a shadow of the previous hours, something that has followed us on the streets and accompanied us un- discovered until we reached our home. We wake up and at first it is unclear whether we are dreaming.
In half-sleep the dimensions blur together and the whole polyva- lence of the different existences gapes open. We blink into the DARKNESS and try to recognize something, the light remains far away and yet we hear this piercing sound, which in the end leaves us only with ourselves. we are the spirit of the night, trapped on an old tape in the chest of nothing.
The next section THE MOON shows us the light in the darkness. The shadows and ghosts give way for a moment and the light flows through our veins and molecules. The poem describes our unspoken longing to follow the light, in the light our fears disappear and everything blurs into an unknown familiarity. We stagger back and forget the encounters with our inner DAWN.
In the light the ghosts disappear like childhood memories left behind.
The last chapter is written by THE DAWN, a stanza from the poem of the same name as a spoken reconciliation with the world. In spite of everything, we seek harmony and connectedness. No one wants to become an exile, even if we can‘t always bring it about ourselves. We love LIFE and we hear and feel everything around us, if we let ourselves ...
ALL LOVE
AMAS_DHE / AMAS_PHI
Originally released on Island Records in September 1998, the soundtrack to the box-office smash film, written and directed by Guy Ritchie, quickly became a must-own album, and is frequently cited as one of the best movie soundtracks of all time.
Lock, Stock and Two Smoking Barrels redefined the British gangster film and established Guy Ritchie as one of the greatest directing and writing talents of his generation. Using a frenetic mixture of filmic styles, humour, violence, breakdown of the fourth wall, narration, and vast amounts of swearing, it is hard to imagine a time when this film and its influence was not around. It made a star of the-then unknown Jason Statham, and, amazingly, hard man footballer Vinnie Jones, who as Big Chris, had several scene-stealing moments. Taking his cue from Quentin Tarantino, who had been meticulously curating his film soundtracks since the early 90s, Ritchie made the music to his film tell its own story, complete with memorable snatches of dialogue between many of the tracks.
It offers a beautifully eclectic selection of songs from the preceding three decades, plus then-current artists providing some of their best material, such as Hundred Mile High City by Ocean Colour Scene or E-Z Rollers' drum'n'bass masterpiece Walk This Land. Of the heritage tracks, Dusty Springfield sings her sultry take on Spooky; James Brown appears twice with The Boss and The Payback; The Stooges with I Wanna Be Your Dog, and two versions of Pete Wingfield's masterful one-hit-wonder 18 With A Bullet; in its 1975 original and a contemporary cover by Lewis Taylor and Carleen Anderson. And this is only half of it.
The tartan terror returns with his fifth offering.
Two roaring reworks celebrating all things Bollywood. Riotous ‘Ayo!’ on the A weaves uplifting pianos with drum machine lines, Minimoog & fecks of 303.
‘Shoes Off’ on the flip, an atmospheric builder with creeping pads, tabla & the return of the tartan whistle.
DJ Support :
Hunne, Palms Trax, Dar Disku, Tia Cousins
This board appears to be highly advanced and buggy as ever.
The system is realised… a ton of blinking lights and information.
The fourth release on 0 produced by c3d-e and hashman.
LODE
(by Memory Remains)
present,
unknown.
but well-known artists.
limited vinyl
2023 repress !
After his debut on PoleGroup last year with a track 'Hate' selected for the compilation release Unknown Landscapes - EP 1, Kwartz makes a proper return to the label with Form and Void EP. Hailing from Madrid, DJ and producer Kwartz started his career in 2011 and within fairly a short time he has developed and refined his own hypnotic, dark and enveloping techno. Amongst notable releases to date is his first vinyl EP Fenomen (2013), a joint release with Pole Group artist Exium on their Nheoma imprint.
Form and Void EP features two strong originals and two equally powerful remix supports from the label mates and core members of Pole Group, Reeko and Exium. The title track 'Form and Void' kicks off with straight forward 4/4 rhythmic groove that gradually builds up layer by layer in to the darker shade to meet the mysterious break, followed by heavy brooding bass tones slashing through the kick drums, deepening the atmosphere with the hollowing echoes. Reeko's remix elevates the dark mood of original while pumping in even more energy with rolling kick/hat combo and psychedelic swirling chaos of synth that intensifies throughout the entire length of the track.
'Breakage' on the flip side possess much more hardened groove, pounding out the drums packed with blinding force. Exium's remix takes the tension-filled doomsday feel of original to another level and gives a new dimension to the heavy merciless percussion by adding haunting howling echoes that growls like that of ghosts combined with more muted drums and subtle layers of stabs of kicks and effects.
Kwartz holds nothing back with Form and Void EP, delving in to the darkest and deepest realm of subterranean pulses that fit perfectly for the dance floor with dimmed light and big sound system.
We are back with our series CVRD003, this time we uncover two artists for our next split EP from South America.
We are happy to introduce you first: FURZ
He embraces eclecticism and constantly pushes creative boundaries.
Inspired by the club sound of the 90s, he explores a diverse sonic palette, creating music that appeals to both nostalgia and contemporary sensibilities.
As a second not unknown artist: PRODOT
DJ/Producer from Villa Carlos Paz, Córdoba
Enamored with the roots of House music and the intricate nature of Minimal, his style emerges from the fusion and interplay of these elements, along with influences that are part of his regular listening, such as Jazz, Ambient, Trip/Hip Hop, Funk, and Rock among others.
purple marbled vinyl
The Normandy duo MAMAN KÜSTERS delivers one of the best electro-ebm sound we could find in planet earth, their fully analog sequences create an immediate kind of state of trance that only very few artists reach to delivery.
This EP, that comes out at the same time as their new albumb ” Le Petit Chaos De” released via our partners of UNKNOWN PLEASURES RECORDS, arrives with 2 mind-blowing remixes by GARETH JONES (renowned as Depeche Mode producer, among many other gigantic acts) and the techno producer INSIDER. If you like to make dance, buy this plastic immediately.
Comes presented in a one-off truly limited edition of 300 copies lacquered pressed on 180gr. high quality solid black vinyl.
All tracks have been specially remastered for long cut vinyl by Daniel Hallhuber at Young and Cold Studios.
Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 2012 the two labels co-released it on tape and CD in a cardboard box with a handmade booklet of my illustrations.
In 2016 Clay Pipe reissued it on 10” vinyl, in an edition of just 300, which has since become sort after. The new 2023 pressing is on blue and transparent marbled vinyl, with a reverse board cover and inner sleeve, and the booklet of illustrations has been given a complete redesign. Frances Castle 2023
The pastoral, wistful yet ineffably disquieting music of Tyneham House is made by artists who wish to remain anonymous here, save for their eponymous title. The musicians are happy, however, to let it be known that these recordings have been around for some years (many of them complied from old cassettes) and that they take inspiration from the 1960s/’70s/’80s work of the Children’s Film Foundation – a body who really ought to have made a film about this mysterious West Country curio. At least now we have its endlessly poignant soundtrack.
The small village of Tyneham, on the beautiful Isle of Purbeck, in Dorset, was once a thriving little community – that is until the British Government requisitioned it for training manoeuvres and other ‘strategic purposes’ in the run up to WWII. This was supposed to be a temporary measure, but the area remained in military possession long after hostilities had ceased, causing distress among former inhabitants, many of whom were farmed out to prefabs in nearby Wareham and Swanage.
Tyneham was characterised by its red telephone box, a tiny parade of shops – Post Office Row – and a grand country pile which stood about half a mile away from the village: Tyneham House. The army removed the building’s oak panelling and ornate decorative details and promptly set about using it for target practice. So great was the shame expressed locally about the damage inflicted upon one of Dorset’s grandest houses that the powers that be decided to grow a copse around the remains of the structure to give the impression that it was no longer there. Despite this, a substantial part of the structure remains intact, including its Saxon hall.
Land access around Tyneham was opened up in the 1970s, but admission to the house remains strictly verboten. Those who’ve been found around the premises, especially anyone wielding a camera, have felt the full weight of military trespass law. Tyneham today is regarded as a nature reserve by some – as a national embarrassment by others. It’s still a political hot potato, in Dorset at least.
TELUM010 has landed - 4 dance floor weapons for all hours with early support around the world from Raresh, tINI, Arapu, Mihai Pol, Alci, Janeret, Prichindel and more
After his well received "Unknown Pharmacy" EP Rambal Cochet is back on Griffé almost a year later to the day with his "Matrix Convoy" EP! Once again the producer pleases us with his proggy touch filled with tribal & trancey motives for a full shamanic dancefloor experience. Liso his joigning him on the eponym track while Remotif serves an outstanding breaky downtempo remix of Virus Funk.
The Key To Our Love compilation series is an in-depth exploration of Black & Brown American soul artists from back in the day.
Focusing on the sweeter side of these obscure singles, the album comprises of musicians who shared their hope & dreams through independent vinyl releases. The obscurity of these private pressed singles has limited their audience; originally released in small quantities and sold locally, the artists remained largely unknown but created some of the most poignant & timeless tracks.
Each song released in direct collaboration with the artists & producers.
Artwork by El Ponk
Im Zentrum von Grandbrothers Musik stand schon immer die Verbindung von Altem und Neuem. Auf ihrem vierten Album "Late Reflections", welches am 14. April auf City Slang erscheint, stellen sie nun ihr Schaffen in Verbindung zu einer Institution, die ihrer eigenen Musik sieben Jahrhunderte vorausgeht: der Kölner Dom.
Das ikonische Monument gotischer Architektur, UNESCO-Weltkulturerbe und Deutschlands meistbesuchte Sehenswürdigkeit, diente als Aufnahmestudio für das neue Album des deutsch-schweizerischen Duos. Das Ergebnis ist ein Album mit einem präzisen Sinn für Geschichte und Architektur, ein Album, das die räumlichen Eigenschaften dieses prachtvollen Baus zum Teil seiner hypnotischen Komposition selbst werden lässt und in Klang überführt. Für ein Konzeptalbum ist "Late Reflections" eindringlich und immersiv, und es stellt ebenso viele Fragen, wie es Antworten gibt: Was bedeutet es für Musik, mit Architektur und Raum zu interagieren? Wie klingt eigentlich eine Kirche, die seit Jahrhunderten wegen ihrer Opulenz verehrt wird? Was kann zeitgenössische Kunst aus 700 Jahren Geschichte ziehen? Und wie können Musiker ihren eigenen kompositorischen Ansatz nach mehr als einem Jahrzehnt frisch und unverbraucht halten? Von Beginn an haben Grandbrothers Musiktraditionen in Frage gestellt. So gelang es dem vor mehr als einem Jahrzehnt in Düsseldorf gegründeten Klavierduo mit seiner vielschichtigen Musik immer wieder, die Grenzen zwischen Ambient, Minimal und Electronica zu verschieben. Das Ergebnis klingt immer anders, doch immer geprägt durch die außergewöhnliche Zusammenarbeit zwischen dem deutsch-türkischen Pianisten Erol Sarp und dem Schweizer Elektroniker und Software-Entwickler Lukas Vogel. Auf bisher drei Alben – Dilation (2015), Open (2017) und All The Unknown (2021) – zog das Duo seine besondere Inspiration aus einer konzeptuellen Beschränkung: Jeder Klang, jede Note stammt von nur einem einzigen Instrument – dem Konzertflügel.
CCCP Edits is back with five new razor-sharp edits by an Unknown Artist from the lands of the lost, spanning different genres from Breaks, Drum & Bass and Vintage-tinted Electro to Minimal and Trip Hop. Essential for all collectors looking for creative electronic music reinterpretations of USSR music.
Originally released in the mid 80's on UK cassette label Bite Back!, this nearly lost gem finds new life 30 years later on Cocktail D'Amore Music. Steve has cobbled together a superbly melancholic electronic concept album. Wistful melodies often evoke sentiments of a lost childhood and hazy English mornings.
Each song within remains untitled allowing full perceptive freedom as to what they all communicate, a language for the feelings that have no name.
Untitled A1 - A6 leads one along intimate soundscapes of pattering drums and tinkering piano, a sense of closeness and trust develops with the introduction of each new idea much like the beginning of a bed time story. Untitled B1 - B3 then begin to breathe more openly awash in angelic colours before abruptly turning downward on B4, a wall of booming drums and atmospheres from the furthest reaches of the galaxy before the last trio of songs settles gently back on Earth.
Time for some serious Dancefloor Bombs >>>180g Vinyl only! <<<
On this second delivery of Uruguayan Sound, Mephis presents us with two like-minded producers with a love for machines and their sound.
On the A side we have Elias Sternin, with his particular nostalgic, mysterious and trance-inducing sound. The EP opens up with Wah Wah y Phaser, evoking the feeling of a spaceship lifting off, into the big Other. Bass rolls into the stratosphere, whilst sharp and poignant synths push us past the space rubble that surrounds our planet. The second Track is a proper mood work, landing us in an uncharted yet familiar alien landscape. You can breathe the mystery in, whilst closing your eyes and embracing the unknown.
On the B side we continue travelling through a path of esoteric and questioning vibes. Artesano Titer delivers an ominous mind trip with Science to Music, an utterly mesmerising soundscape to question yourself and your Umwelt. Closing off the EP, we have White Rabbit, a profoundly narcotic trip to the centre of our own perception. Slides, breaks, smooth lines and an acidic bass that spiral down to the core of the self.
Detective of Perspective; Need to try and get a bigger eye, Open wide.
Tapping into the seductive unease of the unexplained, Modula lands on Tartelet Archives with Paranormal Phenomena – The Icelandic Expedition, a nine-track album that evokes alien synth- electro and New Age soundscapes.
During a trip to Iceland in February 2020, Naples native Filippo Colonna Romano (Modula) experienced the raw power of the island’s otherworldly natural forces. Inspired by his field recordings and a rekindled interest in sci-fi, Paranormal Phenomena – The Icelandic Expedition was born. Steeped in haunting LA synthesis and cinematic tension, the album is an imagined soundtrack to a supernatural thriller, cast in the icy tones of the Roland JD-800.
“When I went to Iceland I was so excited about the ambience and sounds,” says Modula. “I felt everything was stronger than normal; the wind was brutal, the waves fast and noisy. I came to the conclusion that what I had captured all sounded strangely eerie and otherworldly. I decided to compose music that had the same vibe as the field recordings – cold and strange, mysterious and alien.”
The album includes nine tracks each representing a scene in the “movie” ranging from alien synth-electro to New Age ambient moods and soundscapes, inviting the listener on a journey through cold landscapes and into dark caves where unknown creatures lurk in the shadows. Paranormal Phenomena leads logically on from Modula’s previous work for Bordello A Parigi and Firecracker, not to mention his Alba – Tempesta – Notturno EP on Tartelet Records which drew on field recordings from the jungles of South America. Merging extreme environments with a rich palette of classic outboard gear, Modula’s music transports listeners through space and time. Given the heavy motion-picture theme present in Paranormal Phenomena – The Icelandic Expedition, the album is a fitting release to inaugurate Tartelet Archives, a new sub-label to Tartelet Records focusing on electronic obscurities and sounds from the past.
The Kniteforce White label is renowned for its original content and authentic old skool sound. The deepest of the underground cuts released by Kniteforce, this sub label gives new artists space to experiment, but keeps the vibe rare and sought after by never repressing and never remixing....
Next up on our White Series are these 4 bangers from Italy.
Two tracks from Numero’s Eccentric Soul compilation which documented Bob Abrahamian’s passion and devotion to celebrating unknown Chicagoland group harmony music. His untimely passing in 2014 left a huge hole for many music devotees. SO, I CAN MAKE THIS CHANGE was THE KRASH BAND’s only record, it came out in 1976 and is a revered 45 amongst serious collectors. With it’s crisp bass, phased harmonies and the crowning accomplishment, the seraphic falsetto by Evelyn Holder!ONENESS previously known as The Audition’s recorded HARD TO KNOW in 1977 for Cincinnati’s AMG label, alas this sweet harmony jewel never got released and was only heard by those who tuned into Bob’s Sitting in the Park radio shows until the compilation put that to rights.
Please note this song was rescued / restored and there is tape damage in parts.
After 6 years, label boss Ewan Jansen circles back to Red Ember’s main with a new EP.
A concept journey equally for the mind and the dancefloor that strays from his house roots with themes of mysticism pushing wider rhythm palettes and creative synthesis.
The opener ‘Solanoid’ marches over the horizon; a solid progression of sun-scorched chords, goaded by some distinctive chanting synths and driving bass.
‘Caravania’ answers as a stomping IDM-esque fable, joined by bubbling rhythms on the ground and a central writhing serpentine synth guided from high above by voices unknown.
The flip side quickly de-camps from the physical, with the organic ‘Mistik’ seeing elements of rave and tribal electronica driven by tuned kicks, sub-bass and resonant rhythms.
Lastly, a stoic tome of stone and water is left with ‘Gecko’ – a skittish chunky groove, with isolated melancholic tones that find harmony in the end.
A lost MPB gem from rural Finland! We Jazz presents the first ever reissue of this rare 1990 local release by Brazilian duo Rosanna & Zelia. 7" EP with inside out 3mm spine sleeve. RIYL: Gilberto Gil, Joyce, Musica Popular Brasileira, bossa nova, bossa jazz
Liner notes by Mikko Mattlar:
"Rosanna & Zélia were a Brazilian duo of singers and musicians Rosanna Guimarães Tavares and Zélia Nogueira da Fonseca. They moved from Minas Gerais, Brazil to Europe in 1988, released five albums in Germany between 1993–2004 and featured vocals on an Ian Pooley house track Coração Tambor before Rosanna died of cancer in 2006. Zélia still continues her career in Germany, touring actively and releasing new music.
The duo's journey from Brazil to Germany also included two brief visits to Finland. In the years 1989–1990, they spent time in the small town of Seinäjoki in Ostrobothnia. Rosanna & Zélia performed Brazilian music in Finnish clubs and festivals and recorded a 7" EP for local label Maumau Music. The record was distributed mostly in the Seinäjoki area, but the three songs are well-performed and authentic Brazilian MPB, so the largely unknown record now gets its first reissue for a wider audience on We Jazz Records.
But how did two Brazilian women find their way to a small Finnish town to record an EP? The main reason for this was music journalist and promoter Risto Vuorinen, who was on a holiday in Albufeira, Portugal, where a friend of his lived. The streets were almost empty that evening, but Vuorinen and his friend heard fine guitar playing and singing from a bar. There were Rosanna and Zélia performing on a small stage, and the two Finnish men happened to be the only customers. When the artists ended their performance, Vuorinen's friend, who spoke Portuguese, went to talk to them. Rosanna and Zélia told him they had recently come from Brazil and are trying to gain ground in Europe with their music.
Because Rosanna and Zélia didn't know where they would head next, and because Vuorinen liked their music, he thought of bringing the duo to his hometown, Seinäjoki. They immediately liked the idea, and in the autumn of 1989 they arrived in Finland. The national Finnish jazz festival was held in Seinäjoki, and Vuorinen thought Rosanna & Zélia's Brazilian music would fit right in. They performed at the festival and in November 1989, also made recordings in a local studio with backing musicians from Seinäjoki.
Music enthusiast Pertti Hakala had a record shop and label Maumau Music in Seinäjoki releasing music from local artists. He released a three-track EP from the sessions. with two tracks written by Rosanna & Zelia themselves and their cover version of Extra (Brazilian Reggae), written and originally performed by Gilberto Gil in 1983. A small pressing was made for the Finnish market, and Hakala also sent a box of records to Brazil, but for some reason it was sent back.
After their first visit to Finland, Rosanna & Zélia headed back to central Europe, but Vuorinen decided to organize more performances for them for the next summer. Maybe he also wanted to show them the beautiful Finnish summer, as Rosanna and Zélia had so far seen the country only during the darkest autumn. The duo came back to Finland for the summer of 1990 and performed at the Womad world music festival organized as a part of local Provinssirock. They also played in Nummirock and Puistoblues, both respected music festivals, and performed on TV in Helsinki.
Rosanna and Zélia lived in a small apartment in Seinäjoki and played two to three gigs per week all summer. Because there were only two of them, even small pubs could afford to book them, and in 1990 the economic situation in Finland was good. It was before a major economic depression hit the country. The duo travelled by bus or train, and because they were an acoustic duo, they could easily carry their instruments in public transport. Vuorinen got excellent feedback from organizers. Rosanna and Zélia were good performers, but also really nice people.
With the income from their summer gigs, Rosanna and Zélia could buy a PA mixer and other musical equipment. When the summer 1990 turned to autumn, they continued their journey from Seinäjoki to Germany where they settled down."
Vinyl Only
Putch strikes again with Dee! Jay! Belters! only for diamond geezers and brilliant geezerets out there.
Exploring the unknown can be both exciting and intimidating, and that's exactly what electronic music producer Oleka, captures in his new underground industrial techno EP, "Xenisation” on Snork Enterprises.
This four-track release follows a traveler as he ventures into unfamiliar territory, where every step is a new discovery. From pulsing beats to metallic soundscapes, the EP takes listeners on a journey through the highs and lows of traveling to a new place. "Xenisation" sets the stage with its accentuated beat and crisp synths, evoking the feeling of a long journey ahead. "Fjord" takes the listener on a journey to the furthest reaches with its driving futuristic rhythms. "Sudor" ratchets up the intensity with its pounding drums conveying the sense of excitement and anxiety that comes with exploring new worlds. Finally, “Point Nemo” brings the journey to a close.
"Xenisation" is a must-listen for fans of underground industrial techno. Oleka's signature sound is on full display in this snorky crafted release, making it another thrilling addition to a decent techno collection.
Part 9 of the TELUM story has landed! Three dance floor certified bombs tested worldwide by Priku, Petre Inspirescu, Raresh, Prichindel, Mihai Pol, Dewalta, Lizz, Cap, Alci and more
