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Love From San Francisco – 'Keep Rockin' (+ Unreleased mixes)

A true underground classic returns via Mint Condition — 'Keep Rockin' by Love From San Francisco (aka Charles Webster) is back on wax in this freshly remastered 2025 edition. Originally released in the mid-'90s and long out of print, this deep house essential defined a generation of smoky after-hours and West Coast groove.

This deluxe 12" reissue stays true to the original deep, dubby sound but adds extra value for crate diggers and collectors alike with two previously unreleased mixes, recovered from the original DATs. These alternate takes give a new dimension to an already timeless track — stripped-down, hypnotic, and primed for modern floors. Pure vinyl heat from the golden era of deep house.

2022 Repress
Previously unreleased mixes of a few well known Truncate tracks.

DJ support - Danny Krivit, Francois K and Joe Clausell to name a few.

Calm presents K.F.'s 'Shining of Life' returns with an array of unreleased mixes that breathe new life into the iconic 2004 Japan-only release. This special edition features innovative reinterpretations by Calm, offering a fresh auditory experience that blends the past with the present in an extraordinary musical journey.

This new package contains four unreleased versions, including the mesmerizing 'Flutemental' mix and the expansive 'Space Ritual Dub' rendition.

This collector's edition is a must-have for true music aficionado

We are excited to continue our work with Art P / Art Programming by finally offering the first full-length work from this Bremen-based electronic group. Originally released only on cassette in 1983, the self-titled album has now been fully restored and remastered, complete with bonus tracks and unreleased mixes unearthed from a rare demo.

The LP opens with "Wesen vom anderen Stern" ("Beings from Another Planet"), a downtempo, 808-driven electro synth wave track with German lyrics telling a story of aliens capturing earth, becoming the new "Herren" (lords), while humans are reduced to mere "objects." Art Programming founding member Jens-Markus Wegener notes that this track has always been a favorite during live performances, and it's easy to imagine how the futuristic sounds would have blown people away at the time.

Next is the electro/proto-techno title track "Art Programming," which we previously issued on a limited 12" in its full-length form. With its straightforward Roland 808 rhythms, catchy synth lines, and vocoder vocals, it's a classic example of German electro, and one of the earliest proto-techno tracks - long before Cybotron claimed the techno mantle. Its extensive break and electronic twist make it an early precursor to the genre. Wegener recalls that this track was created exclusively by him and Grotelüschen, with Grotelüschen contributing most of the melodic elements, while Wegener focused on drum machine programming and vocoder vocals.

On "That's Me," the album welcomes back singer Claudia Roebke. Although it's an electronic composition, Roebke adds a rock-infused, almost psychedelic vibe to the song. The lyrics, written by Wegener, depict a person obsessed with their appearance, using irony to critique societal beauty norms, questioning the obsession with perfection and attraction.

The album continues with a series of uptempo electro tracks: "Videoscreen," "La Gare," and "Genscher Pull 'N' Push." The first two feature slightly different mixes from an earlier demo that we personally prefered over the versions that were available on the final cassette release. "Videoscreen" expands on the theme of social isolation, with lyrics reflecting on a world obsessed with watching video all day - a topic that resonates strongly with today's culture of doom scrolling and social media addiction.

Next up, "Genscher Pull 'N' Push" is an incredible electro/wave/proto-techno track recorded in October 1982 with a political edge. Originally omitted from the album, it was only available on the demo cassette we mentioned earlier. The song takes aim at German politics, with lyrics that shout "bitte geh nach links / bitte geh nach rechts" ("please go to the left" and "please go to the right"), referencing the shifting political allegiances during the 1982 coalition change, when Genscher's party, the FDP, left the Helmut Schmidt cabinet to join the CDU/CSU opposition. The track was never released as the political topic had become outdated just a few months later.

The album closes with "Light and Fire," which originally served as the album's opening track. Its quirky, upbeat vibe now makes for a fitting outro.

The gear used on this album reads like a dream list for early 80s electronic music production: Roland Jupiter 4, TR 808, TB 303, System 100, SVC 350, Korg Mono/Poly, Moog Prodigy, FRICKE-Sequenzer, Roland CSQ-100 Sequenzer, Coron DS-8, MM 12/2, Sony TC 399, TEAC-244 Portastudio, Ibanez DM 1000, EH-Electric Mistress, EV-Micro. This unique lineup of equipment sets the album apart from NDW releases of the era, lending it a distinct sound with heavy proto-techno leanings and that straightforward electro vibe we all love.

The album is being released as a very limited edition of 300 copies on transparent red vinyl, complete with a full picture sleeve and lyrics inlay. This is yet another rediscovered and restored 80s gem on our label that you definitely don't want to miss!

2026 Repress
Fellow long time in the disco trench dweller his graciousness Dimitri of Paris kindly offered us employment on a remix for him as his friend Malik, after doing said job we asked if we could impose a tariff of releasing our unused mixes, because he’s a super nice guy he complied with our art of the deal for art….Welcome to another EDM banger from BTD.

Wah Wah 45s present a limited edition vinyl special from Afro-dub masters, Soothsayers. With a history that goes back three decades, having released two classic LPs (Tradition and We Are Many) and numerous EPs and remixes on the imprint, the band deliver two brand new and exclusive versions of one of the highlights of their new LP, entitled Fly Higher.

Love Will Find a Way features vocalists Maia Avery and Akin Soul, both former members of Youthsayers - a South London based music performance and education group, taught by Soothsayers band members. With new mixes by acclaimed Sao Paulo based producer Victor Rice, it's a stepping reggae vocal duo piece with a strong, universal message asserting that despite the current divisive political rhetoric and the championing of greed over human empathy by those in power, love will always be a more powerful force than hatred and division. Maia and Akin Soul's distinctive voices blend and weave beautifully over a hypnotic groove with a fresh and poignant emotional energy contributing to what should be a future steppers classic. These previously unreleased mixes are available in both vocal and dub versions on hand-stamped 7-inch vinyl and Bandcamp only. "We are so proud and happy to be able to feature Maia and Akin on this beautiful song. Both are former members of Youthsayers, the youth music education organisation set up by Soothsayers in 2016. Maia (from recent Wah Wah 45s signings Kotoa) and Akin are now great artists in their own right and it feels very satisfying to feature them on this new Soothsayers release." Robin Hopcraft (Soothsayers)

a A1: Love Will Find A Way (Light Still Shines Version) [feat. Maia Avery & Akin Soul]
[b] B1: Love Will Find A Way (Victor Rice Dub) [feat. Maia Avery & Akin Soul]

[a] A1 | Love Will Find A Way (Light Still Shines Version) [feat Maia Avery & Akin Soul]
[b] B1 | Love Will Find A Way (Victor Rice Dub) [feat Maia Avery & Akin Soul]

For its 30th anniversary, Kruder & Dorfmeister’s DJ-Kicks is available for the first time in mixed form on 3LP, remastered by Bernie Grundman and packaged in a special box set including original imagery. Kruder & Dorfmeister's rendition of the series created an era defining moment, which tied together a glowing array of musical registers. The Viennese downtempo royalty blended a fusion of slowed down moments across many genres with rolling Drum and Bass from the likes of Aquasky, the melting acid lines of deep Hardfloor and the 90s boom bap sampling, smoked out atmospherics of Thievery Corporation amongst many more.

These masters of mood channeled the sound of a moment with their DJ-Kicks, which still retains a certified cinematic sheen, the patina of the real – curation and mixing at its most playful and refined. It remains to this day one of the most recognizable DJ-Kicks and mixes of all time. Containing two certified cuts from K&D themselves; the wooze is strong on “High Noon” with Dorfmeister's intoxicating jazz flute licks and a trembling harmonica atop a mirage of breaks. Their DJ-Kicks original and legendary tune “Black Baby” closes the mix providing a piece of grandeur, riding off into the distance deep to the vanishing point.

When the mix dropped in 1996, the slo-beat pioneers were among the hottest producers in the dance universe. Even though they only produced two unreleased maxis, names like Count Basie, Bomb The Bass, Alex Reece or United Future Organization had some of their tracks remixed by these exceptional producers. Rumour has it during the work for DJ-Kicks and their debut album they refused doing remixes for U2, Grace Jones, Elvis Costello and the Fantastic Four! ‘DJ-Kicks: Kruder & Dorfmeister’ took its place in the pantheon a long while back, effortless in its ability to traverse sounds, styles and tempos while retaining a selection which remains timelessly recognisable as: Kruder & Dorfmeister.

Reissue 2026

"Call Me" is an electronic/house track by DJ Dino (Dino Lenny) on Nu-Tella Records, released in 2003.

It's praised for its deep, emotional, and melodic atmosphere, occasionally shifting from darker tones to uplifting major keys,

recalling classic electronic sounds with modern touches, though specific aggregate scores are scarce.

Official 2026 reissue includes, in addition to the original and remixes by Par-T-One and Santos, the previously unreleased version by Walterino.

Mixes completely remastered by Gianni Bini at HOG Studio.

Abacus - The Relics E.P. - A Deep-House Masterpiece from 1994 Re-Released Somewhere around 1993 or '94, a quietly profound landmark in deep house emerged: The Relics E.P. by Austin Bascom, better known as Abacus, originally released on Chicago's Prescription Records (catalogue #006). With four tracks spanning roughly 26 minutes, this record has since gained cult status among DJs, collectors, and aficionados of the deeper, more soulful yet futuristic side of house music. Abacus crafted a quintessential deep-house journey: warm grooves, lush textures, scorched sub-bass, and a deeply introspective futuristic atmosphere. Bascom produced a record that never chased trends, but instead quietly built a lasting legacy. This record remained rare and highly sought after. In an era when house music was splintering into countless directions - even reaching the pop charts - The Relics E.P. planted its flag firmly in the underground, soulful terrain. Collectors and DJs continue to cite it as essential deep house, often describing it as ''one of the finest deep-house records of all time.'' Its scarcity and enduring emotional pull have only strengthened its legend. Decades on, The Relics E.P. continues to surface in DJ mixes and playlists, and as a touchstone for producers seeking that timeless balance of groove and emotion. Now, three Decades later, Clone Classic Cuts is proud to present a fully remastered edition of The Relics E.P., including previously unreleased material from the same recording sessions. Pressed on 140-gram virgin black vinyl, this edition restores and elevates a true cornerstone of deep-house history.

The legacy of wipE′out′′ has transcended time and cemented itself as a true transgenerational phenomenon. Launched in 1995, it didn’t just revolutionise the gaming industry, it created a bridge between the gaming ecosystem and the raver community. Its futuristic aesthetics and forward-thinking sound left a mark not only on mainstream audiences but also on the most demanding corners of the underground.

Decades later, the game’s impact is still alive. The release in 2023 of The Zero Gravity Soundtrack on Lapsus Records proved once again that wipE′out′′’s accompanying audio will go down in history as much more than just an anti-gravity racing game soundtrack.

This is why we decided to go deeper into the slipstream and build the second volume you’re now holding in your hands. Drawn from the original archives of Tim Wright, aka CoLD SToRAGE, this new collection surfaces unreleased cuts, pieces that couldn’t fit on the first edition, and a suite of self-authored ambient reworks that translate pure velocity into wide-screen atmospherics engineered for the long straights, the drone of airbrakes, the blue hour between checkpoints. It also reconnects the circuit, gathering selections and variants tied to later chapters of the saga — wipE′out′′ HD and wipE′out′′ Pure — plus alternative mixes that, until now, only existed in the Sega Saturn dimension of the franchise.

Finally, the material takes a leap into the future in the hands of four remixers especially chosen for this release: Tim Reaper, SHERELLE, Mantra, and NikNak, who collectively forge links between CoLD SToRAGE’s pioneering musical vision, the sound world of the game, and the contemporary breakbeats and drum & bass vanguard.

Expect the DNA you remember — accelerated breaks, trance-vector synths, jungle influences, sub-bass rumbling neatly beneath the craft’s hull, and at times even echoes of classic hardstyle — now revealed with new angles and air. The previously unheard material carries the same aerodynamic design sense that made these tracks feel faster than the track map itself, while the ambient versions open the field of view with melodies hovering at the lip of overdrive. Without a doubt, here you’ll find a strong sense of nostalgia. But this isn’t just nostalgia; it’s also proof that this sound world continues to evolve when you ease off the throttle.

For the faithful — crate-digging ravers, speed-run obsessives, and design nerds — this is an essential expansion pack: compiling rarities, restoring context, and reframing the emotional core of wipE′out′′ for late nights and early mornings alike. Bridging memory and momentum, club and console, rush and afterglow. Strap in.

Detailed tracklist, with annotations by Tim Wright aka CoLD SToRAGE

· Scratch Pad 1: “This track was composed using incomplete tracks that were developed around the time of the first wipE′out′′. It’s so long because it was used for a marathon-length Psygnosis promotional video.”

· Messij Received: “Messij was a firm favourite with wipE′out′′ fans, so it made sense that there’d be more where that came from — this was one of those re-workings.”

· God’s Gift: “I was always very fond of Erasure’s track Love to Hate You with the canned crowd FX sounds. God’s Gift was a tongue-in-cheek reference to how some musicians think they are just that. This was way before I even played live as CoLD SToRAGE.”

· Tentative: “I wasn’t sure about introducing some wacky beats and distorted sounds into one of the tracks, because it was kinda heading away from the other tracks, hence Tentative — but it turned out OK.”

· Canada 2048: “When wipE′out′′ 2048 was launched I decided to re-make Canada as a kind of tribute, but in a slightly new-tech, laid-back way, using Propellerhead Reason and all software synths.”

· Wiped Out: “Based on a few riffs from a MIDI file unused at the time of the original wipE′out′′ game compositions, this featured on my debut album MELT.”

· Body in Motion (Body Plus Mix): “A more trippy interpretation of Body in Motion that featured on non PlayStation versions of the game e.g. Sega Saturn.”

· Onyx (“Dark Side of the Moon”): “Onyx was my sole contribution to wipE′out′′ Pure on the Sony PSP handheld gaming console. This version was something I developed in a darker style, that eventually erupts into a crescendo.”

· Messij Received (WSTWGBE Mix): “Like I say, Messij was a hit with most wipE′out′′ fans, so when I was asked to compose more music for non-PlayStation versions, I adapted this tune into a parallel-universe version for PC and Sega Saturn. By the way, WSTWGBE refers to Who Said This Was Going To Be Easy?”

· Canada (Drunken Ausländer Mix): “In early 2018 I released a fresh album called Ch'illout′′, a re-working of many of my wipE′out′′ tracks in an ambient, Sunday-morning vibe style — it was a few years’ work, here and there.”

· Tentative (Woffenfum Mix): “Another chilled re-working of one of my wipE′out′′ tracks, the mix named with a nod to a good friend of mine, Carl Woffenden — someone who I've worked with for many years in the games industry.”

· Messij (Bobbing Boat Mix): “A nice cheesy computer blip-blop start belies its deep and upbeat chilled-out melodic finale.”

· Body in Motion (Timeless Techno Mix): “Another classic track given the chilled-out vibe mix, as featured originally on my Ch'illout′′ album. This one’s a really trippy, deep-space take on the original.”

· DOH-T (AM / FM Mix): “The idea with this chilled-out mix was to imagine all the melodic parts of this varied track being broadcast on terrestrial radio, so each theme drifts in and out through the radio static.”

· ’95 Future Echoes: “Originally developed as a companion album for wipE′out′′ HD, this track actually has its roots in a tiny loop of a song that never progressed to anything special back in the mid-’90s when I was composing for the original game.”

· Turbine: “Also from my wipE′out′′ HD album, it leans heavily into the upbeat, uplifting tunes from the original game, but also steals a bit of vibe and energy from The Prodigy, with those distorted flute sounds.”

· Pencil Neck: “This excerpt from my wipE′out′′ HD album features lots of sounds centre-stage and forward from Propellerhead Reason’s Subtractor virtual synth. I learned to love this more than my JD-800!”

· Messij 2005 (New Science Mix): “Yet another take on the track that still raises a smile, this time through a mix of samples from the original and Propellerhead Reason — the ‘new science’ when compared to an Amiga 1200 running Bars and Pipes.”

2025 Repress

"Cake" was a New York band formed in 1973, following a line-up tweak and a change from their previous name "Mixed Company» (referring to the racially mixed personell). At Arabellum Studios in Colony, Albany, NY, the band recorded their only 7-inch single. "Make Up Your Mind" / "Let Your Body Go» was released on Key Records in 1979.



Half a life time later, after appearing in DJ mixes and online auctions in the late 2000s, the single started gaining notoriety among DJs and diggers. Working its way up to "holy grail" status on the modern soul and disco collector scene, original copies of the sought after record would eventually sell for as high as $1000.



In 2012, Hans Jørgen Wærner (Mutual Intentions Co-Founder and notorious disco collector) got in touch with Arabellum studio owner Art Snay who produced the record. This lead him to lead singer Bob Treffiletti who had a cassette tape with unreleased long versions of the songs. The sound quality of the tape was not adequate for what Hans had in mind, and so the hunt for the original master tapes began! Unfortunately, Art Snay later passed away. At one point chances of finding the original recordings seemed so slim, the project was all but abandoned….



Luckily, Bob managed to get hold of the master tapes via Art's wife and they were sent away to legendary disco mixer / remixer John Morales, who transferred the tape to digital format. After several rounds in one of Norway's best mastering studios (Strype Audio), noise reduction and sound surgery were done while retaining the soul of the original recordings. The songs were finally ready to be pressed on the format they have always deserved: the 12-inch disco single!



The 12-inch comes with four 5 min + long songs and can be pre-ordered now. The high-quality lacquer cut pressing is produced at Optimal Media in Germany and limited to 300 copies worldwide.

This 1998 album compiles unreleased sessions from the late 70s featuring Weldon Irvine, Don Blackman and a young Marcus Miller. Known for his rare groove classics like Spirit Man in 1975 and Sinbad in 1976, Irvin's work shines here and highlights come thick and fast. They include the soulful 'Morning Sunrise' which was famously sampled by Jay-Z and Drake, the jazzy funk of 'The Sisters' with Miller's bass and Tom Brown's trumpet and the smooth 'Heard It All Before' which mixes urban sophistication with mellow fusion. Toni Smith's dynamic vocals on the funky 'Think I'll Stay A While' is another doozy which makes this masterpiece rich with jazz, soul and funk goodness.

Orca is back with some serious hardcore business. Here we’ve got four mixes of his classic “4AM”: the original version, remix #2, and two never before heard remixes from back in the day!

2026 Repress

Chicago deep house pioneer Merwyn “Merle” Sanders needs no introduction to true heads.As one half of the legendary Virgo Four (alongside Eric Lewis) and under a slew of aliases, Merwyn helped shape the sound of late ’80s deep and acid house. Their records, now considered foundational, continue to echo across dancefloors and DJ sets worldwide.In the late ’90s, after years of trying to release more material through Trax Records, Merwyn took matters into his own hands. He self-produced his first 12” under the Merle alias — a record that sadly flew under the radar at the time, with most copies eventually destroyed. But one track survived and thrived: “Fannie Likes 2 Dance.” What started as a quiet release became an underground classic, highly sought after by DJs and collectors alike.

Now, Still Music and Jerome Derradji proudly present the full reissue of this cult favorite — featuring the two original mixes along with a never-before-heard unreleased remix by Merle himself.

This special edition comes housed in a full sleeve, complete with a detailed backstory written by Jerome Derradji about the track’s origins and legacy. A true slice of Chicago house history, back where it belongs — on wax.

We are very happy to announce the re-issue of this new age / synthpop masterpiece from the early nineties. An uptempo and timeless floorfiller with extra unreleased mixes on vinyl: Low Spirite Remix and the German lyric version of Golden Dreams.
The band come up with a totally new cover design making this release truly special. Limited copies.

We are very happy to announce the re-issue of this new age / synthpop masterpiece from the early nineties. An uptempo and timeless floorfiller with extra unreleased mixes on vinyl: Low Spirite Remix and the German lyric version of Golden Dreams.
The band come up with a totally new cover design making this release truly special. Limited copies.

"MYSTIKAL MAJIC FEAT. ELF TRANZPOTER." 4 unreleased & never-before-heard mixes of LEE SCRATCH PERRY's last known recording. LSP teamed up with Aussie beat maker INKSWEL for this twisted beat-boogie influenced dub vibe. Featuring club ready mixes from JAMES CURD & SOFATALK. (INNER TRIBE)

2025 Repress

Tobias Bernstrup is a contemporary musician and video artist born 1970 in Gothenburg, Sweden. He received an MFA from Royal College University of Fine Arts Stockholm in 1998. Using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. Dressed in elaborate costumes of skin-tight rubber suits and fetish gear, Tobias' external appearance is androgynous. He raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. Between 1997 and 1998 he self-released two limited CD-R EPs. In 2002 his debut album 'Re-Animate Me' was released by Tonight Records followed by two limited 12' singles for the song 27' and the Italian version Ventisette'.
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27' is a 5-song EP collecting 4 different mixes of the title track plus one unreleased song from the 'Re-Animate Me' recording sessions. The material on this EP is closely connected with the world of computer games which Bernstrup also inhabits. Bernstrup's music is influenced by 1980s Italo disco and synth pop, reminiscent of Kraftwerk, Depeche Mode and Ken Lazlo. On the A-side is the original mix at 115 bpm followed by the Lazer Mix set to an faster beat and additional arpeggiations and heavier bass drum beats. Lyrically the song tells the story of a good looking 27-year old boy from a small town searching for love with any man who can spoil him. On the B-side are both the vocal and instrumental of Ventisette', the Italian translation of the song 27.' Both versions of Ventisette' are stripped back compared to the A-side but keep the melodies in tact. Also released for the first time ever is the demo Dirty Money' a Pet Shop Boys influenced song about male prostitutes ready for a night out working the streets.

All songs have been remastered for vinyl by George Horn at Fantasy Studios. For the jacket Eloise Leigh transformed the original portrait of Tobias into a Warhol-like painted polaroid with a striking likeness to Liza Minelli with blue eye shadow and red lipstick. Each copy includes a photo postcard with lyrics and notes. I would rather create alternative routes to experiencing and understanding the world, understanding what it means to be human today,' says Bernstrup. We are more artificial than we want to admit.'