Buscar:urban d k
- A1: Lady Madonna ~Melancholy Spider~
- A2: Your Song
- A3: Last Smile (Extension Mix)
- A4: I Mean Love Me
- A5: Moon Only
- B1: Are You Still Dreaming Ever-Free?
- B2: I Miss You
- B3: Nostalgic '69
- B4: These Days
- B5: Low (Ver. 1.1)
- B6: A Day For You
LOVE PSYCHEDELICO is celebrating its 25th anniversary.
Under the full supervision of KUMI & NAOKI, seven original albums will be released on vinyl.
The long-awaited rebirth of "THE GREATEST HITS," a landmark of 2000s Japanese rock, is here.
180g heavyweight vinyl / Cutting: Toru Kogetsu (JVC Mastering Center)
Demon Records Single Club are delighted to introduce a reissue of
Urban Cookie Collective’s 1994 mega hit The Key, The Secret and
Feels Like Heaven.
Urban Cookie Collective was founded by Rohan Heath in the late 80s.
The Key, The Secret was the groups first single from their debut album High On A Happy Vibe. The track was an instant hit landing at the top of the charts cross Europe and today the track is widely regarded as one of the biggest dance music anthems of the 90s.
Flip it over and on the B-side is Feels Like Heaven, the follow up to The Key, The Secret. Another mega chart smash in the UK and across
Europe. Now newly remastered and with fresh artwork – an adaptation of the original High On A Happy Vibe sleeve
Chicago DJ/producer SEAN SMITH brings 3 classic dance floor weapons. The A-side contains an edit of disco funk classic "DANCE ON THE FUNK" alongside a dub version, while the B-side offers an edit of 90's jazz house track "GOOD BEAT." Proper weapons for today's dance floors. White label 12" in paper sleeve
M-Scape is a solo project by Japanese DJ/producer/remixer Makoto Nakatani.
Urban Reconstruction is a release that blends House, Techno and Broken-Beat in a very skilful way.
The title track is, dare we say, a Los Hermanos sounding track that holds both the energy and harmonies Gerald Mitchell would produce.
'I Do' is house on a broken beat tip while 'Freedom' got more of the M-Scape sound fusing House, Jazz and Techno.
Ending the EP is 'Let The Drums Play' which is not far from what electronic-Jazz pioneer Mark de Clive-Lowe does and a great way to end an EP that makes a stellar debut on Local Talk.
We all know that great feeling of finding a hidden gem as diggers, but as a label, it’s just the same ! When we came across Urban CC’s music, we just knew we had something special in our hands… We’re happy to welcome the exciting new project formed by techno heavy weight Obscure Shape & classically trained musician Conrad for get-traum’s 15th installment. With the amount of requests label head Traumer had every time he played “Mana”, delivering his own take of this club hit was the only option – we hope you’ll enjoy this incredible pack as much as we did gathering it for you !
- A1: Godless
- A2: Mohammed
- A3: Nietzsche
- B1: Country Leaver
- B2: Solid
- B3: Horse Pills
- C1: Get Off
- C2: Sleep
- C3: Cool Scene
- D1: Bohemian Like You
- D2: Shakin
- D3: Big Indian
- D4: The Gospel
The Dandy Warhols - 'Thirteen Tales from Urban Bohemia' jetzt als Reissue auf Vinyl!
Das Kultalbum der Dandy Warhols vereint Psychedelic-Rock, Alternative-Pop und entspannten Indie-Vibe. Mit Hits wie 'Bohemian Like You', dem hypnotischen 'Godless' und der treibenden Energie von 'Get Off' ist es ein Soundtrack voller Attitüde und lässigem Charme. Jetzt als 2LP auf transparent-blauem Vinyl, bringt diese Neuauflage frischen Glanz in einen modernen Klassiker. Ein Must-have für Fans von 90s-Alternative und darüber hinaus!
- Ltd. Col. 2LP: (Transparent Blue Vinyl)
- A1: Basis Rahouma - بسيس رحومة,- Yana Alla Nafsa Masouda يانا اللي نفسي مسدوده (Blocked From What I Want)
- A2: Sheikh Amin Abde -L Qader الشيخ أمين عبد القادر, Mould Fi Madina Tanta مولد في مدينة طنطا (Born In The City Of Tanta)
- A3: Samah سماح, - Shawish Aldawriat شاويش الدورية, (Patrol Sargeant)
- A4: Mahmoud Al-Sandidi محمود الصنديدي, - Ana Mish Hafwatak (Part 2) انا مش حفوتك, (I Don’t Miss Your Love)
- B1: Abu Bakr Abdel Aziz (Aka Abu Abab) أبو بكر عبد العزيز,- Al Bint Al Libya أل بينت أل ليبيا (The Girl From Libya)
- B2: Sheikh Amin Abdel Qader الشيخ أمين عبد القادر, - Mawal Al Layl Kolo Makasib موال الليل كله مكاسب (Mawaal: The Spoils Of An All-Nighter)
- B3: Abu Saber أبو صابر, - Ya Allah Ank Zinat يا الله انك زينة (Oh, God, You Are Beautiful)
- B4: Reem Kamal ريم كمال, - Baed Al Yas Yjini بعد اليأس يجيني (After Hopelessness, He Comes To Me)
“Egypt’s “official” popular music throughout much of the 20th Century was a complex form of art song steeped in tradition, well-loved by the middle and upper classes, and even accommodating to certain non-Arabic influences. It was highly structured by professional musicians working an established industry centered in the capitol, Cairo. However, far from the bustling cosmopolitan center of Cairo, north and northwest, in towns like Tanta and Alexandria and extending across the Saharan Desert to the Libyan border, dozens of fully marginalized artists were developing a raw, hybrid shaabi/al-musiqa al-shabiya style of music, supported by smaller upstart, independent labels, including the short-lived but deeply resonant Bourini Records. Launched in the late 1960s in Benghazi, Libya, Astuanat al-Bourini اسطوانات البوريني (Bourini Records) published some 40 to 50 titles from 1968 to 1975. Bourini released 7-inch 45 RPM singles by 15 artists, all but one of them Egyptian, igniting brief careers for Alexandrian singer Sheikh Amin Abdel Qader and the blind Bedouin legend Abu Bakr Abdel Aziz (aka Abu Abab). The tracks compiled here comprise a full range of styles covered by the label, while highlighting some of its most gobsmacking moments, from Basis Rahouma’s beastly transformation into a growling and barking man-lion by the end of “Yana Alla Nafsa Masouda,” to Reem Kamal’s hopeful-if-bitter handclapping party pivot “Baed Al Yas Yjini,” which descends into an almost Velvet Underground outro-groove of nihilistic dissonance. All the tracks on this compilation were laid down in stark divergence from the mainstream Egyptian popular music topography of heightened emotions buoyed by lush arrangements. The contrast is most evident in Mahmoud al-Sandidi’s “Ana Mish Hafwatak,” wherein his voice weaves heavily but deftly through a constant accordion drone, and Abu Abab’s “Al Bint al Libya,” a sparse, slow-burning lament with minimal percussion, violin, and Abab’s nephew Hamed Abdel Muna'im Mursi on lyre. Whereas the Egyptian mainstream was aspirational, attempting to reflect Egyptian culture at its most refined, the performances captured by Bourini were manifestations of everyday life lived by the mostly otherwise ignored masses. More than half century old, this music has lost none of its urgency, presence, or relevance. We hear these artists as if they’d just joined us in our living room, and not on a stage decades ago surrounded by tens of thousands of long-forgotten acolytes.
- A1: Future Nostalgia (3 06)
- A2: Don't Start Now (3 00)
- A3: Cool (3 30)
- A4: Physical (3 10)
- A5: Levitating (3 22)
- A6: Pretty Please (3 16)
- B1: Hallucinate (3 28)
- B2: Love Again (3 41)
- B3: Break My Heart (3 57)
- B4: Good In Bed (3 38)
- B5: Boys Will Be Boys (2 44)
- C1: Dua Lipa X Angele - "Fever" (2 36)
- C2: We're Good (2 40)
- C3: Miley Cyrus - "Prisoner" (Feat Dua Lipa) (2 50)
- C4: If It Ain't Me (3 09)
- C5: That Kind Of Woman (3 13)
- C6: Not My Problem (Feat Jid) (3 14)
- C7: Levitating (Feat Dababy) (2 32)
- C8: J Balvin, Dua Lipa, Bad Bunny - "Un Dia (One Day)" (Feat Tainy) (3 44)
- D1: Levitating (Feat Madonna And Missy Elliott - The Blessed Madonna Remix) (3 59)
- D2: Hallucinate (Paul Woolford Remix - Extended) (5 24)
- D3: Don't Start Now (Kaytranada Remix) (4 13)
- D4: Physical (Feat Gwen Stefani - Mark Ronson Remix) (2 56)
- D5: Love Is Religion (The Blessed Madonna Remix) (3 36)
- D6: Break My Heart (Moodymann Remix) (5 52)
- E1: That Kind Of Woman (Jacques Lu Cont Remix) (4 50)
- E2: Pretty Please (Masters At Work Remix) (3 56)
- E3: Boys Will Be Boys (Zach Witness Remix) (3 54)
- E4: Good In Bed (Gen Hoshino Remix) (3 32)
- E5: Future Nostalgia (Joe Goddard Remix) (4 49)
- E6: Love Again (Horse Meat Disco Remix) (5 30)
- F1: Cool (Jayda G Remix) (4 05)
- F2: Don't Start Now (Yaeji Remix) (4 12)
- F3: Hallucinate (Mr Fingers Deep Stripped Mix) (8 06)
- F4: Pretty Please (Midland Refix) (4 36)
- F5: Good In Bed (Zach Witness Remix) (3 49)
Dua Lipa veröffentlicht zum bevorstehenden 5-jährigen Jubiläum ihres mit einem GRAMMY Award ausgezeichneten und mit Platin zertifizierten zweiten Studioalbum Future Nostalgia eine 3LP Special-Edition.
Gepresst auf einer gelben Splatter-Vinyl und zwei schwarzen Vinyl, enthält das 3-LP-Set die 11 OriginalTracks des Albums sowie die Deluxe Moonlight Edition und das Remix-Album Club Future Nostalgia.
Composed of the techno heavy weight Obscure Shape (formerly known as part of Shdw & Obscure Shape) and classically trained musician Conrad, BERG AUDIO is proud to welcome the duo’s exciting new project, URBAN CC. Focused on the raw side of house & dub techno, the pair’s debut release is already supported by some of the industry’s key players, setting an incredibly high standard for both their future productions as well as live performances that they have been working on during the past two years. URBAN CC’s “The Introduction” also gives the label a chance to showcase a wider array of genres, by releasing its first drum and bass output, something the well-regarded imprint has been planning to do for a long time, and is eager to keep on doing. URBAN CC is here, join the journey!
2025 marks the return of Cologne-based electronic outfit Urban Homes with their first new music in over eight years, following an unintentional hiatus driven by side projects, relocations, the pandemic, and the unpredictability of »life.« After over eight years, the duo is back with their first new material: a fresh batch of purely instrumental downtempo and dub-influenced tracks, marked by a somber and atmospheric vibe that distinctly separates this new material from their previous work. Inspired by themes of extraterrestrial life and the paranormal, the four new tracks compiled on the »U.F.O.« EP release were crafted during recording sessions split between Cologne and Berlin before languishing for years on neglected hard drives, finally »ripening« into their current form.
Formed in 2008, Urban Homes initially emerged as a post-punk group, debuting live in 2009. Their first release—a four-track demo tape recorded in late 2010—already hinted at an evolving sound that would soon embrace a more experimental and electronic direction. By 2011, the band swapped their live drums for a drum machine, a shift that would profoundly shape their sound in the years to follow. Over the years, Urban Homes has explored a broad sonic landscape, merging electronic production, rhythm-driven compositions, and experimental song structures. Drawing influences from early house, balearic, disco, dub, avant-garde electronica, and pop, their music continues to defy easy categorization.
In March 2013, the duo released their debut album »Centres«, earning the Pop NRW Prize for Best Newcomers that same year. Their 2016 follow-up, »Jams«, was met with critical acclaim. A love letter to dance music's roots, Jams fused pop sensibilities with open-ended experimentation, built from years of MIDI-driven jam sessions that were painstakingly edited and reconstructed. Both released by Altin Village & Mine, »Jams« was also licensed by the Japanese label Fennely / Moorworks for an exclusive CD edition in 2017. Over the years, Urban Homes supported their releases with numerous tours and festival appearances across Germany and a memorable tour of Japan in 2017.
Berq präsentiert sein heiß ersehntes Debütalbum! „Berq“ vereint innovative Off-Pop-Klänge mit tiefgründigen Texten und stellt traditionelle Song Strukturen auf den Kopf. Mit Songs wie »Still« und »Heimweg«
ist das Album ab dem 25.10.2024 als hochwertige und limitierte Vinyl mit Pearl Effekt erhältlich.
Remastered vinyl copy in a Vinyl Fanatiks housebag with a black paper inner. Pressed on 180g Black Vinyl. The original red vinyl pressing sold out back in 2021. Cut by Beau at Ten Eight Seven. Limited run of 150.
- A1: Girma Bèyènè - Ené Nègn Bay Manesh Mètch Ené Terf Fèlèghu
- A2: Seyoum Gèbrèyès And Wallias Band - Fèlèghu
- A3: Hirut Bèqèlé - Ewnètègna Feqer
- A4: Samuel Bèlay - Qèrèsh Endèwaza
- A5: Girma Bèyènè - Yebèqagnal
- B2: Muluqèn Mèllèssè - Djémérégne
- B3: Kebrèt - Mètché Nèw
- B4: Gétatchèw Mèkurya - Gèdamay
- B1: Mahmoud Ahmed - Lomiwen Tèqèbèlètch
Compilation selected from the etiopiques CD series.
"A few years ago the world discovered a unique sound coming from the distant Ethiopian capital Addis Abeba. The emotional blow was only matched by the brightness of this original and magnificent discovery. The Ethiopiques series directed by Francis Falcetto and edited by Buda Musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. This new Ethiopian Urban Modern Music release follows the first Soul & Groove installment and keeps revealing some essential parts of the modern Ethiopian puzzle. An unequalled soul funk signature until today."
Thirty years after it was released on CD and cassette, Fuemana’s cult classic New Urban Polynesian album is finally available on vinyl. Born from the blood, sweat and tears of the late great Polynesian renaissance man Phil Fuemana and his family and friends, Fuemana’s music transports the listener back to the autumn and winter days of 1994 in the antipodes, where they turned love, loss, grief and acceptance into the finest R&B/street soul album ever recorded in Aotearoa New Zealand.
Fuemana spent several late nights tracking one-take sessions at The Lab Recording Studio with engineers Simon Taylor, Chris Sinclair and Mark Tierney. From there, New Urban Polynesian came together quickly. Across the album, Phil showed off his prodigious skills as a multi-instrumentalist and producer, playing most of the smooth, sophisticated, and heartfelt music himself. In the studio, he shared the lead with Christina and Matty J, supported by a cast of backing vocalists, musicians and guest vocalists, including a young Carly Binding.
From the lush openings of their soulful Roberta Flack, Donny Hathaway, and Stevie Wonder covers ‘Closer’ and ‘Rocket Love’ to the misty new jack swing serenade of his original ‘Seasons,’ Phil’s goal was to craft material that would let the music industry know the Fuemanas had arrived while also inspiring the next generation.
In 1995, the Fuemana family’s youngest sibling, Pauly, borrowed the initials from Ōtara Millionaires Club and began performing as OMC. Not long after, he changed everything for New Zealand music by recording the feelgood guitar-laced Polynesian pop global mega-hit ‘How Bizarre’ with producer Alan Jansson.
Consumed by a desire to do more musically, Phil established Urban Pacifika Records, where he launched the careers of a new wave of Pacific hip-hop and R&B talent, including Lost Tribe, Moizna, AKA Brown, and Sani Sagala, aka Dei Hamo.
In 2005, Phil tragically passed away from a heart attack aged 41. Five years later, Pauly, equally tragically, joined him after an extended battle with a rare neurological disorder, leaving Tony and Chirstina to grieve and make sense of their family’s extraordinary story.
When New Urban Polynesian first hit record store shelves in 1994, the Fuemanas dedicated the album to their father, Takiula Fuemana. Three decades later, it has expanded in meaning to become a remembrance of their youngest brother Pauly and a celebration of the life and times of their big-hearted big brother, Mr. Fuemana, Mr. Phil Fuemana.
Words by Martyn Pepperell in conversation with Tony & Christina Fuemana.
Gazebo Records feel honoured for the opportunity to share this important album for our inaugural release, now available for the first time on vinyl with remastering by Mikey Young.
All proceeds from this record flowing to the Fuemana family.
Berq präsentiert sein heiß ersehntes Debütalbum! „Berq“ vereint innovative Off-Pop-Klänge mit tiefgründigen Texten und stellt traditionelle Song Strukturen auf den Kopf. Mit Songs wie »Still« und »Heimweg«
ist das Album ab dem 25.10.2024 als hochwertige und limitierte Vinyl mit Pearl Effekt erhältlich.
We are honored to present a proper house music classic from 1991 to y’all which was huge back in the day and we had the pleasure to re-vamp for today´s house heads: Urban Soul ft. Roland Clark- Alright! This project is a brainchild from one of house music´s most prolific figures, Roland Clark, who actually wrote and produced the original track that we all love. Vocal credits also go to Roland and to the late Ceybill Jeffries. The remixes on this beauty are rather huge! First up Baltimore´s finest DJ Spen and MicFreak team up and do a masterclass on remixing, what a soulful house monster, beautiful new chords and a baseline to die for. One of Peppermint Jam´s first artists on the roster, Mellow Man, just couldn´t stop and delivered a fantastic remix with that jackin´ groove which puts us back right to the glorious days of house music in the naughties. Vinyl Only Mixes!
It´s allllllllllllllllllllright!
















![Urban Wax [Aphrodite & DJ Phantasy] - Rollin Intelligence / Take Me Up](https://www.deejay.de/images/l/3/9/1108139.jpg)



