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Tokyo's DJ Nozaki, the man behind the incredible label 10 Inches Of Pleasure debuts on UTTU with a frenzied baltimore infused acid houz ghetto bomb! Backed with a DJ Haus remix and a re-work-reverse from Nozaki himself! TIP!

Fourth studio album by East Coast hip hop collective. Originally released in 2001 & now reissued on double black 140gm vinyl with download code insert.

Profusion (noun): an abundance of something rich.

The sonic partnership of K15 and Emeson originated in the days of MySpace. A future of combining their skills was inevitable, and now in 2017, it's time to unleash their debut studio album into the ether.

The solo-projects of Tottenham-raised Kieron Ifill (aka K15) date back a decade, but were truly kick-started on labels such as Kyle Hall's Wild Oats and WotNot Music, with a number of genre-crossing releases dropping ever since, including the WU15 project (along with Yussef Kamaal's Henry Wu, on Eglo Records). Additionally to his production work, he has established himself internationally as a DJ, from the Jazz Cafe to the CoOp parties.

Partner in Profusion, Emeson, has many skills to his bow - singing, songwriting, producing, promoting, DJing (under the alias Ed Nice) and acting. As a musician, his varied skill-set has seen him work with Chico Hamilton, Carla Duke, Karmasound, Uzo Madu and Chris Jerome. A frontman for soul-jazz groups LifeSize, The One and Saturn's Children, he has featured on releases for BBE and Tokyo Dawn, and appeared live on stage at the likes of Ronnie Scott's.

The debut single was supported by tastemaker blogs Wonderland, XLR8R and Stamp The Wax, has been bumped by selectors such as Lefto and Jazzie B, and played on NTS, Worldwide FM, Mi-Soul, LeMellotron, Balamii Radio, Itch FM, Invader FM, Soho Radio and various stations across Europe and the US.

This album is full to the brim with summery sun-soaked synths, drifting across the warmest of basslines and heavyweight beats. Emeson's rich vocals gracefully ride atop of K15's delectably bruk twist on neo-soul sonics and electronics, this is some seriously classy contemporary London soul music, that manages to incorporate flashes of various dance music techniques, sound-system etiquette and jazz-tinged rhythms. As future-thinking as it is subtly retrospective, it doesn't lend itself to one genre, it intentionally embodies the best of many. An array of everything that is great about British black music in 2017. The message the album conveys itself couldn't have come at a more poignant time. Where do we begin

Profusion - an abundance of something rich indeed.

4 tracks from Zavor shows at his most versatile yet and clearly displays the producers talent for constructing both strong atmosphere as well as sheer dance-floor effectiveness.
Enjoy!

Our first release is by Jay Clarke, a London based producer and resident of the renowned monthly party. The first release will showcase killer cuts from Jay himself, each showcasing a brand of Techno narrative that's become now synonymous with his contradistinctive sound.

Jay's production methods are by no means homogeneous to one strain of dancefloor Techno, his DJ sets regularly encompass tracks, tools or elements from the broader spectrum of electronic music, and you're sure to find an array of influences in abundance throughout his own productions. So it's not just First Flight by name, it's also First Flight by nature here for Jay.

First Flight features three original tracks from Jay himself and UK producer JoeFarr has been drafted in to take care of remix duties here, and brings his trademark rough- edged Techno sound along for the ride. This really isn't one for the faint-hearted; a great addition to what is a supremely versatile and well-rounded release.

Support from:

Dave Clarke, AnD, Phase, DVS1, Kriz!, Inigo Kenedy, Ben Sims, Shifted, Marcel Dettmann, Kwartz, Answer Code Request, Adam X, Surgeon, Norman Nodge, Henning Baer, Luke Slater, Nihad Tule, Francois X, Len Faki, Abstract Division, Slam, Pfirter, Happa, Rivet, Thomas Schumacher, Brendon Moeller, Ame, CTRLS, Joseph Capriati, Richie Hawtin, Steve Lawler, Sasha, Hernan Cattaneo, John Selway, Dave Angel, Dave Tarrida, Juho Kusti, Bas Mooy, Psyk, 2000 and One, Dax J, Espen Lauritzen, Arnaud Le Texier Fundamental Interaction, Vincent Neumann, Lee Holman, Gareth Wild, UZB, Mr Jones, Submerge, Sandrien, Setaoc Mas, Annie Hall, Matthias Woot

Italian DJ & Producer who relocated in Dublin in the 90's before coming to prominence with a series of productions for great labels like Uzuri, Osgut Ton, Million Of Moments to name a few. Now for the thirteenth release of HotMix, realizes a special EP with four Techno/Hypnotic tracks highest level

Aroy Dee's MOS Deep returns with a new EP from Italians Ksoul & Muteoscillator, both of whom have appeared on labels like Uzuri and Ksoul's own Kinda Soul with a gauzy, dense sound somewhere between techno, acid and full on electronica.
'Criminology' comes in two parts on the a-side: the first is a fizzing, almost impenetrable network of analogue lines with acid buried deep below sharp percussion and behind a mysterious little melody phrase, whilst the second features a different sort of acid: it's brighter and seems to twist and turn with a life of its own.The b-side is 'Aphrology' as edited by Aroy himself. The underlying vibe here is house, though a squealing world of ticking machines, squirming synths and jangling percussive rhythms make it a heady and intense listen.Finally, the same track appears in its original form where tumbling drums, bleeding acid and a steppers rhythm join the dots between many different worlds: the heady results are sure to make dancefloors go cerrrrazy.