D'Angelo is an American R&B and neo soul singer-songwriter, multi-instrumentalist and record producer. His debut solo album, Brown Sugar, released in July 1995, received rave reviews and was certified Platinum in the US. Following this, D'Angelo embarked on a hiatus before releasing Voodoo in January 2000 which debuted at number one, its lead single "Untitled (How Does It Feel)", was a smash on the R&B charts and won a Grammy for Best Male R&B Vocal; likewise, Voodoo won for Best R&B Album. Both albums are pressed as 180g heavyweight LPs and include an audio download voucher.
Buscar:v v brown
- A1: Love Me Do
- A2: Please Please Me
- A3: From Me To Yo
- A4: She Loves You
- A5: I Want To Hold Your Hand
- A6: All My Loving
- A7: Can't Buy Me Love
- B1: A Hard Day's Night
- B2: And I Love Her
- B3: Eight Days A Week
- B4: I Feel Fine
- B5: Ticket To Ride
- B6: Yesterday
- C1: Help!
- C2: You've Got To Hide Your Love Away
- C3: We Can Work It Out
- C4: Day Tripper
- C5: Drive My Car
- C6: Norwegian Wood (This Bird Has Flown) (This Bird Has Flown)
- D1: Nowhere Man
- D2: Michelle
- D3: In My Life
- D4: Girl
- D5: Paperback Writer
- E1: I Saw Her Standing There
- E2: Twist & Shout
- E3: This Boy
- E4: Roll Over Beethoven
- E5: You Really Got A Hold On Me
- E6: You Can't Do That
- F1: If I Needed Someone
- F2: Got To Get You Into My Life
- F3: I'm Only Sleeping
- F4: Taxman
- F5: Here, There & Everywhere
- F6: Tomorrow Never Knows
- G1: Strawberry Fields Forever (2015 Mix) From (2017 Mix) – 4’10”
- G2: Penny Lane (2017 Mix) – 3’01”
- G3: Sgt. Pepper’s Lonely Hearts Club Band (2017 Mix) – 2’03”
- G4: With A Little Help From My Friends (2017 Mix) – 2’46”
- G5: Lucy In The Sky With Diamonds (2017 Mix) – 3’29”
- G6: A Day In The Life (2017 Mix) – 5’03”
- G7: All You Need Is Love (2015 Mix)– 3’48”
- H1: I Am The Walrus (2023 Mix) – 4’36”
- H2: Hello, Goodbye (2015 Mix)– 3’28”
- H3: The Fool On The Hill (2023 Mix) - 3’00”
- H4: Magical Mystery Tour (2023 Mix) – 2’50”
- H5: Lady Madonna (2015 Mix) From (2023 Mix)– 2’17”
- H6: Hey Jude (2015 Mix) – 7’06”
- H7: Revolution (2023 Mix) – 3’25”
- D6: Eleanor Rigby
- D6: Eleanor Rigby (2022 Mix)– 2’07”
- I1: Back In The U.s.s.r. (2018 Mix) – 2’45”
- I2: While My Guitar Gently Weeps (2018 Mix) – 4’45”
- I3: Ob-La-Di, Ob-La-Da (2018 Mix) – 3’09”
- I4: Get Back (2015 Mix) – 3’12”
- I5: Don’t Let Me Down (2021 Mix) – 3’39”
- I6: The Ballad Of John And Yoko (2015 Mix)– 3’00”
- I7: Old Brown Shoe (2023 Mix) – 3’19”
- J1: Here Comes The Sun (2019 Mix) – 3’06”
- J2: Come Together (2019 Mix) – 4’20”
- J3: Something (2019 Mix) – 3’03”
- J4: Octopus’s Garden (2019 Mix) – 2’51”
- J5: Let It Be (2015 Mix) From (2021 Mix) – 3’53”
- J6: Across The Universe (2021 Mix) – 3’49”
- J7: The Long And Winding Road (2021 Mix)– 3’41”
- K1: Now And Then (2023) – 4’05”
- K2: Blackbird (2018 Mix) – 2’19”
- K3: Dear Prudence (2018 Mix) – 3’55”
- K4: Glass Onion (2018 Mix) – 2’18”
- K5: Within You Without You (2017 Mix) – 5’08”
- L1: Hey Bulldog (2023 Mix) – 3’12” –
- L2: Oh! Darling (2019 Mix) – 3’28”
- L3: I Me Mine (2021 Mix) – 2’26”
- L4: I Want You (She’s So Heavy) (2019 Mix) – 7’48”
- D7: Yellow Submarine (2022 Mix)– 2’39”
- D7: Yellow Submarine
The Beatles 1962 – 1966 & The Beatles 1967 – 1970 (2023 Edition) 6LP BLACK
These landmark compilations have introduced generations of fans to the incredible history of the most storied band in music. For its 50th anniversary, the collections have been expanded: ‘Red’ has 12 additional tracks, including for the first time some of George Harrison’s earliest songs and some classic Beatles versions of R&B and rock ‘n’ roll hits that were so influential on the band. ‘Blue’ has 9 additional tracks including “Blackbird” and “Glass Onion” including the last new Beatles song, “Now And Then” for a total of 21 new additions which are all compiled onto the 3rd disc, effectively creating a ‘new’ LP for each set.
Together the 6LP’s contain 75 tracks, 36 of which have new mixes for 2023. The inserts contains new sleeve notes by journalist and author John Harris. For current fans and future generations alike, the new 1962 – 1966 & 1967 - 1970 collections are a joyous celebration of The Beatles’ timeless musical legacy.
- A1: Strawberry Fields Forever
- A2: Penny Lane
- A3: Sgt Pepper's Lonely Hearts Club Band
- A4: With A Little Help From My Friends
- A5: Lucy In The Sky With Diamonds
- A6: A Day In The Life
- A7: All You Need Is Love
- B1: I Am The Walrus
- B2: Hello, Goodbye
- B3: The Fool On The Hill
- B4: Magical Mystery Tour
- B5: Lady Madonna
- B6: Hey Jude
- B7: Revolution
- C1: Back In The Ussr
- C2: While My Guitar Gently Weeps
- C3: Ob-La-Di, Ob-La-Da
- C4: Get Back
- C5: Don't Let Me Down
- C6: The Ballad Of John & Yoko
- C7: Old Brown Shoe
- D1: Here Comes The Sun
- D2: Come Together
- D3: Something
- D6: Across The Universe
- D7: The Long & Winding Road
- E1: Now & Then
- E2: Blackbird
- E3: Dear Prudence
- E4: Glass Onion
- E5: Within You Without You
- F1: Hey Bulldog
- F2: Oh! Darling
- F3: I Me Mine
- F4: I Want You (She's So Heavy) (She's So Heavy)
- D4: Octopus's Garden
- D5: Let It Be
DE Red LP[83,40 €]
Die legendären RED & BLUE Compilations der Beatles gehören seit fünfzig Jahren in jeden Plattenschrank und jedes CD-Regal. Um die Veröffentlichung des letzten Beatles-Songs "Now And Then" zu würdigen, erscheinen am 10.11. Neuauflagen mit erweiterten Tracklists im neuen Stereo- und Dolby Atmos Mix. "Now And Then" ist die Fertigstellung von John Lennons Gesangs- und Klavier-Demo aus den 1970er Jahren. Sowohl neu eingespielte Parts von Paul McCartney und Ringo Starr als auch alte Gitarrenaufnahmen aus den 90ern vervollständigen das emotionale Stück. Das RED Album („1962 – 1966“) wird mit 12 neuen Songs ausgestattet; mit dabei sind einige von George Harrisons frühesten Songs sowie Beatles-Versionen von R&B und Rock ’n’ Roll Hits, die prägend für die Band waren. Auf der BLUE Version („1967 – 1970“) werden 9 zusätzliche Songs zu hören sein, unter anderem auch "Now And Then".
Die Alben werden als Vinyl-Versionen, als CD und digital erscheinen. "Now And Then" erscheint am 03.11. als 7" und 12".
- A1: Aretha Franklin - Try A Little Tenderness
- A2: Otis Redding - These Arms Of Mind
- A3: Peggy Lee - Fever
- A4: Aaron Neville - How Could I Help But Love You?
- A5: Stevie Wonder - Contract On Love
- A6: Gene Chandler - Duke Of Earl
- A7: Booker T. & The Mg's - Green Onions
- A8: Ben E. King - Stand By Me
- B1: James Brown & The Famous Flames - Think
- B2: Etta James - I Just Want To Make Love To You
- B3: Ray Charles - Unchain My Heart
- B4: Marvin Gaye & The Vandellas - Stubborn Kind Of Fellow
- B5: Dionne Warwick - Don't Make Me Over
- B6: The Supremes With Diana Ross - Your Heart Belongs To Me
- B7: Dinah Washington - Mad About The Boy
- B8: Sam Cooke - (What A) Wonderful World
- A1: Poor Old Mr Woogie
- A2: Bored Stiff
- A3: Don’t Anyone Speak English?
- A4: Turn That Noise Down
- A5: Beer Belly
- A6: Behave Yourself
- B1: Ain’t No Pleasing You
- B2: I Miss Ya Girl
- B3: Lonnie D
- B4: Wallop
- B5: Rabbit
The whole of the UK mourned when Chas Hodges passed away in September 2018, and the parade of stars (including Eric Clapton, Joe Brown, Gary Brooker, Ralph McTell and Albert Lee) who performed at the tribute concert in December that year is testament to the regard in which Chas and his musical partner Dave Peacock are held.
Originally released on the duo’s Rockney record label in 1981, the “Mustn’t Grumble” album includes their two biggest hit singles – “Ain’t No Pleasing You” (# 2) and “Rabbit” (# 8) – as well as “I Miss Ya
Girl” and “Turn That Noise Down”.
This special edition has been mastered from the recently-found original ¼” production masters, and now also contains a newly-created inner sleeve. This features all the lyrics, photos, singles packshots and a brand new note by Dave Peacock himself about the writing and recording of the album.
Off World presents the final album in its trilogy of surreal and spacious leftfield electronics. "A stellar project headed by Sandro Perri, one of the most singular producers in contemporary music" (Boomkat), this third volume is another distinctive collection of tracks constructed from semi-improvised ensemble recordings made over the past decade with a varied cast of coconspirators. Drew Brown, Matthew Cooper, Susumu Mukai and Andrew Zukerman join Perri again on a variety of synths and machines, along with violinist Jesse Zubot (Tanya Tagaq, Fond Of Tigers). Perri also continues to add organ and piano to the mix, while Volume 3 notably features first-time Off World contributors Nicole Rampersaud on trumpet and Martin Arnold on guitar, both mainstays of Toronto's vibrant improv and out-music scenes. The Quietus calls Off World "genuinely explorative_the musical equivalent of a Dali-esque landscape" which through all sorts of genre-defying twists and turns, at times evokes "offkilter, late Miles Davis ambience". Off World 3 doubles down on that jazz-adjacent trope in certain respects, while holding fast to Pitchfork's dictum that Perri "cultivates his own genreless brand of futurism." Marked by longer tracks than previous collections, three of the album's five songs clock in around the 10-minute mark, where overtly improvised instrumental playing wends its way across alternately bubbling and woozy electronic beds. "Impulse Controller" is a languidly skewed rhumba where ambling melodic undercurrents and dubby electronic pointillism provide a dulcet promenade for Rampersaud's Miles-esque trumpet excursions. "Ludic Loop" see-saws along in a slow synthy two-step, punctuated by Perri's restrained piano chords and Arnold's fried electric guitar. "Empasse" is perhaps most reminiscent of earlier Off World collections, though again slowed and stretched, with oozing synth bass ostinatos counterposed by ambient layers of viola and violin filigree from Zubot. These three centerpiece longform tracks each highlight one of the album's instrumental improvisers, and taken together, make for the most scintillating sedate and ruminant album in the trilogy. Off World 3 sounds as sui generis as ever, but in wrapping up the series, Perri sprinkles the project's emblematic alien surrealism with decidedly anthropic elements and temporalities. This final volume in the trilogy could also be seen as a re-statement of Perri's politico-aesthetic mission, as aptly celebrated by Pitchfork and its glowing 8.0+ reviews of Perri's 2018/2019 solo albums In Another Life and Soft Landing (released between Off World 2 and the present volume): a uniquely purposeful, subtly detailed cannon of songs "busy, vibrant, and bursting with life, but that aren't ever in a rush to get anywhere."
- 1: Bob Marley & The Wailers - Sun Is Shining
- 1: 2 Wayne Smith - Under Me Sleng Teng
- 1: 3 Clint Eastwood - Another One Bites The Dust
- 1: 4 Marcia Aitken - I'm Still In Love With You
- 1: 5 Max Romeo - Material Man
- 1: 6 Alborosie - No Cocaine
- 1: 7 Alpha Blondy - Sweet Fanta Diallo
- 1: 8 John Holt - Police In Helicopter
- 1: 9 Horace Andy - Ain't No Sunshine
- 1: 0 Lee "Scratch" Perry & The Upsetters - Throw Some Water
- 1: Culture - Two Sevens Clash
- 1: 2 Biga*Ranx - 7 Days (Feat. Atili)
- 2: 1 Chaka Demus & Pliers - Murder She Wrote
- 2: Sister Nancy - Bam Bam
- 2: 3 Winston Mcanuff & Fixi - Garden Of Love
- 2: 4 The Heptones - Take Me Darling
- 2: 5 Black Uhuru - Sinsemilla
- 2: 6 Gregory Isaacs - Babylon Too Rough
- 2: 7 Freddy Mcgregor - Big Ship
- 2: 8 Althea & Donna - Uptown Top Ranking
- 2: 9 Alton Ellis - It's A Shame
- 2: 10 Inna De Yard Feat. Cedric Myton - Youthman
- 2: 11 Dillinger - Cool Operator
- 2: 1 Dennis Brown - Revolution
- 3: Don Carlos - Rivers Of Babylon
- 3: 4 Johnny Osbourne - Buddy Bye Bye
- 3: 5 Eek-A-Mouse - Ganja Smuggling
- 3: 6 Ini Kamoze - World A Music
- 3: 7 Yellowman - Zungguzungguguzungguzeng
- 3: 8 Tenor Saw - Ring The Alarm
- 3: 9 Soom T - Free As A Bird (Tom Fire Version)
- 3: 10 Beres Hammond & Zap Pow - Last War
- 3: 11 The Abyssinians - Satta Amassa Gana Dub
- 3: 12 Morgan Heritage - Down By The River
- 3: 1 The Wailers - I Shot The Sheriff (Dub)
- 3: 2 The Congos - La La Bam-Bam
Easterly Winds—the 2nd of 3 Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s—found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass and Billy Higgins on drums
Multi-instrumentalist Oscar Browne's roots lie in the foundational intricacy of golden-age songwriting A founding member of the London based folk- collective Broadside Hacks (amongst other banded- ventures), Oscar Browne's debut solo endeavour 'Never Quite Right' was released in 2022 to critical acclaim; an established inauguration which saw him eventually signing to So Young Records in the spring of 2023. Following a six-month spree in which Browne found himself tirelessly writing in order to process the changes taking place around him, the five songs which would eventually go on to form his debut EP 'If Only', are a deep- dive into the heart and soul of an artist who masterfully captures all the joys and heartaches of life in your early-twenties. Recorded over one week at Bristol's The Playpen, home to producer Ali Chant (Aldous Harding, Katy J Pearson), 'If Only' was all-in-all, a long time coming. Selfaccustomed to doubling things up and hiding imperfections, it was through the art of collaboration, and Ali's teachings in the power of emotional transparency that the pairing of Browne and Chant really shined. "Ali was a massive part in keeping the recordings minimal" notes Browne "he kept the rawness". Oscar Browne's creative- capability is a limitless array of captivating delights. These aren't simply re-interpretations of eras gone by. Browne channels as much Ben Howard or Kurt Vile as he does Nick Drake and John Martyn. Rather, it's through his ear for musical- lucidity, highlighted throughout the course of these selected songs, that enables Browne to transport his love of traditional folk and folklore, into a uniquely contemporary realm. His fearlessness in baring- all to those who'll listen creates an artistic magnitude will only keep growing with fine prowess, as Browne continues to cut his teeth as a beguiling 'one to watch'
Copenhagen’s Terry Tester (Brownswood / BBE) serves up five slabs of deep and gritty Detroit-inspired house on new outing ‘Walkin’’ for Creak Inc., seamlessly weaving snappy snares and crunchy kicks into soulful chord progressions in his trademark MPC-infused sound. For fans of Kyle Hall, Zopelar, DJ Spinna, Jason Hogans or Jay Sound
Within Terry Tester’s two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood, Jahi ft. singer Dwele, and Marc Mac on BBE remixing alongside DJ Jazzy Jeff.
Terry’s latest efforts has yielded spins from influential selectors such as Carista, Sassy J, Alexander Nut, Mr Beatnick, Soulection and FS Green.
Walkin’ releases via sonic soulseekers Creak Inc. – a Copenhagen-based label specializing in groundbreaking Danish music.
Copenhagen's Terry Tester (Brownswood / BBE) merges his love for Midwest house and cosmic funk butter on four-tracker 'Space Million' for Creak Inc., journeying through dream state deep house, gritty MPC workouts and low-end boogie territory for an undeniably original take on four-to-the-floor rhythms.
Within Terry Tester's two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his 'Bubblers' compilation series on Brownswood Recordings, Jahi featuring american neo-soul singer Dwele, and Marc Mac (4Hero, Visioneers, Nu Era) on BBE remixing alongside DJ Jazzy Jeff, as well as releasing two full-length solo albums 'Horses and Diamonds' and 'Short Suite'.
- A1: Give Me Love
- A2: Forever
- B1: Style (Sweet Girl Mix)
- B2: Style (Cool Girl Mix)
- C1: Sess
- C2: Sess (Remix)
- D1: Peeni Porni
- D2: Peeni Porni (Dub)
- E1: Dark Magnet (Mix 1)
- E2: Dark Magnet (Mix 2)
- F1: Dark Magnet (Mix 3)
- F2: Rough Like Me
- G1: Dark Dub
- G2: Surrender
- H1: Rumble
- H2: Rumble (Remix)
- I1: Booyaka (Lion Mix)
- I2: 247
- J1: Booyaka (Rhino Mix)
- J2: Dance The Night Away
After a quarter-century hiatus, the legendary jungle artist M-Beat has resurfaced with Mekatune, his newly established label. Mekatune serves as a platform for unveiling not only his extensive back catalog but also fresh, innovative material from himself and other luminaries of the jungle music scene.
This exclusive boxset comprises five vinyl records, each elegantly housed in a black paper sleeve ensconced within a high-quality, 3mm-spined card housebag. Renowned DJ Mag designer Martin Brown has lent his artistic touch to each housebag, featuring a captivating montage of M-Beat's illustrious history spanning three decades. The reverse side of these housebags reveals an in-depth interview conducted by Dave Jenkins, delving into M-Beat's origins, his prolific career, and the enigmatic disappearance that kept fans in suspense for so long. The five housebags nestle snugly within a beautifully crafted card slipcase, forming a stunning piece of jungle and drum & bass history.
Moreover, each track in this boxset has undergone meticulous remastering by Dapz at Compound Audio and precision vinyl cutting by Beau at Ten Eight Seven Mastering, ensuring an unparalleled audio experience. These 20 handpicked gems represent the pinnacle of M-Beat's discography, each highly sought after and commanding a premium on Discogs. With a limited run of just 500 units, the majority of which have already been claimed through pre-sale, this is a rare opportunity to own a piece of music history. Once sold out, there are no plans for a repress, making it an essential addition for collectors and jungle music enthusiasts alike.
- A1: Magic In The Air - The Attack
- A2: The Madman Running Through The Fields - Dantalian's Chariot
- A3: Magic Horsemen - Tintern Abbey
- A4: Maybe Someday - Alex Harvey
- A5: In The Beginning - Genesis
- A6: The Wall - The Fruit Machine
- A7: The World Goes On Around You - The Mirage
- B1: Dream In My Mind - Rupert's People
- B2: Mary Jane (Single Version) - Elmer Gantry's Velvet Opera
- B3: Midsummer Night's Scene - John's Children
- B4: I Hope You're Happy - The Merseys
- B5: Teagarden Lane - Jason Crest
- B6: Pools Of Blue (Advision Studios Version) - Barclay James Harvest
- B7: Leave Me Here - The 23Rd Turnoff
- B8: I Unseen (Ibc Studios Version) - The Misunderstood
- C1: The Train To Disaster - The Voice
- C2: Remember The Times - Mike Stuart Span
- C3: Jane - Living Daylights
- C4: Wake Me Up - Plastic Penny
- C5: Don't Go 'Way Little Girl - The Shame
- C6: Spontaneous Apple Creation - The Crazy World Of Arthur Brown
- C7: Created By Clive - The Syn
- C8: Mr. Second Class - The Spencer Davis Group
- D1: The Laughing Man - John Carter And Russ Alquist
- D4: The Otherside - Apple
- D5: Rosemary's Bluebell Day - Picadilly Line
- D6: Grey Man - Paper Blitz Tissue
- D7: When The Alarm Clock Rings - Blossom Toes
- D2: Mr. Universe - Episode Six
- D3: Things You Cannot See - The Action
After 14 years and nearly 150 CD releases, Cherry Red's psychedelic imprint Grapefruit finally produces its first-ever vinyl issue.
A 90-minute, 30-track anthology, ‘When The Alarm Clock Rings’ is an all-encompassing overview of the late 60s British psychedelic scene.
The set features major underground names (Crazy World of Arthur Brown, Blossom Toes, Dantalian's Chariot, John's Children), cult 45s (The Voice, Paper Blitz Tissue, The Syn), future legends (Alex Harvey, Genesis, Greg Lake's early venture The Shame) and pop groups who occasionally turned dayglo (The Merseys, Plastic Penny, Picadilly Line).
Limited to 1000 copies and containing Grapefruit's trademark combination of photos and annotation on stylish 12” x 12” inserts, ‘When The Alarm Clock Rings’ is an essential purchase for vinyl aficionados and a tantalising taster of further plastic platters!
Erlebe den hypnotisierenden Soul und Blues von Robert Finleys neuestem Album Black Bayou. Mit seiner reichen und kraftvollen Stimme nimmt Finley die Zuhörer mit auf eine Reise durch die eindringlichen, mystischen Bayou-Landschaften von Louisiana und erzählt dabei sehr persönliche Geschichten. Vom langsam brennenden Funk von ”Livin’ Out A Suitcase” bis zum beschwingten und groovigen ”Sneakin’ Around” zeigt jeder Titel auf diesem Album Finleys außergewöhnlichen Ton und stimmliche Vielseitigkeit. Die Kombination aus Soul, Rhythm and Blues und fachmännisch ausgearbeiteten Gitarrenriffs, jede Note auf diesem Album ist ein Zeugnis von Finleys musikalischem Können und seinem unerschütterlichen Engagement für diese Genres.
Aufgenommen in den Easy Eye Sound Studios in Nashville und produziert von Dan Auerbach, der Finley als ”den größten lebenden Soulsänger” bezeichnet, ist Black Bayou der Nachfolger seiner von der Kritik hochgelobten Alben Sharecropper’s Son und Goin’ Platinum! Neben Auftritten bei America’s Got Talent (2019) und America’s Got Talent (All-Stars 2023) war Finley Headliner bei Shows in ganz Nordamerika und Europa und tourte unter anderem mit The Black Keys, Greta Van Fleet, Lake Street Dive, Nathaniel Rateliff, Dan Auerbach und Low Cut Connie.
Featuring: Dan Auerbach, Kenny Brown, Eric Deaton, Patrick Carney, Jeffrey Clemens
That band released the digital-only album "The Southpaw Trail" in 2014. In 2018, the band had changed a few of its members and released "Mountain Street Songs" on vinyl on their own label Sublevels records.
The band played a few gigs around their hometown of Stockholm, most notably opening for Refused and Hot Snakes.
Limited red vinyl is for Indies only while stocks last. Feature two tracks taken from the EPs that marked the inauguration of the band Ghost Funk Orchestra, their new 45 highlights two heavy hitters. The A-Side track, 'Brownout,' is the song that officially kicked off Ghost Funk Orchestra as a recording project. Along with 'Boneyard Baile' on the B-side, these two songs have been staples of GFO's live and recorded presence since the very beginning. Adriana Muniz provides stellar vocals for both tracks.
Two hidden gems from the P&P vaults courtesy of a scarcely known talent from Georgia, Florence Miller get an official reissue 'I'm Just A Lonely Girl' and 'The Groove I'm In'. With only two releases to her name, both of which came on Peter Brown’s P&P Records, ‘The Groove I'm In’ released around 1975 got the attention of the Northern and Modern Soul scenes in the mid ‘90s becoming a real star of the show. Since then, it’s maintained consistent demand on the second-hand market with originals selling for over £200.
As with most of Peter Brown's artists, they briefly emerged on the sparsely distributed P&P label, for a brief stab at stardom only to disappear when Peter's attentions moved on to the next releases. Consequently, very little is known about the multi-talented and sadly ignored Florence Miller following her two releases on the Harlem label. Clearly though, the music speaks for itself with the quality of the P&P catalogue and this Florence Miller slice of magic shining through to this day.
One of the most fondly remembered duos in the history of American roots music (and the most widely recognized duo in the annuals of the blues, Sonny Terry and Brownie McGhee worked for decades in the genre of acoustic folk-blues.
Originally released in 1958 on the Folkways label, 'Sings' is one of their finest albums as a duo. "One of the duo's best acoustic folk-blues collaborations" - **** 1/2 AllMusic
- Needed That - A Boogie Wit Da Hoodie , Pnb Rock
- Food For Thought
- B.r.o. (Better Ride Out) (Feat. Roddy Ricch)
- Take Shots (Feat. Tory Lanez)
- Water (Drowning Pt.2) (Feat. Kodak Black)
- Money Conversations
- Turn Off The Radio
- Last Time (Feat. G Herbo)
- I Need It
- Ballin
- Emotions
- Bounce Back
- Come Here
- Damn Homie (Feat. Lil Durk)
- Friends With Benefits
- Chanelly (Feat. Don Q)
- February
- Regular
- Soul Snatcher
- 24: Hours (Feat. Lil Durk)
- Man In The Mirror
- Back It Up
- Playa (Feat. H.e.r.) (Bonus)
A Boogie Wit da Hoodie veröffentlicht Vinyl-Version seines aktuellen Albums " Me vs. Myself ".
Die Doppel-LP ist ab 20. Oktober im Handel erhältlich.
Der globale Multi-Platin-Superstar A Boogie Wit da Hoodie ist seit seinem Erscheinen in der Szene im Jahr 2016 eine Kraft, mit der man rechnen muss. Der aus der Bronx stammende Rapper wurde von der New York Times als "der vielversprechendste junge Rapper, den die Stadt seit einiger Zeit hervorgebracht hat" bezeichnet und kann bis heute fast 18 Milliarden globale Streams und über 50 RIAA-Platin- und Gold-Zertifizierungen vorweisen.
Mit einem dynamischen Katalog weltbekannter Hits ("My Shit", "Drowning (feat. Kodak Black)", "Swervin", "Look Back At It" und mehr) und drei von der Kritik gefeierten Alben (HOODIE SZN, THE BIGGER ARTIST und ARTIST 2.0) hat A Boogie bewiesen, dass er einer der hellsten Stars der Musikindustrie ist.
A Boogie ist auch einer der gefragtesten Kollaborateure der Musikbranche und hat mit einer Vielzahl von Künstlern zusammengearbeitet, von Ed Sheeran, Maroon 5 und Khalid bis hin zu Chris Brown, DJ Khaled, Paulo Londra, Meek Mill, Pop Smoke und vielen anderen.




















