- A1: Santa Claus Is Back In Town (Take 7, Master)
- A2: One Night (Of Sin) (Master)
- A3: It Feels So Right (Take 3)
- A4: A Mess Of Blues (Take 3)
- A5: Like A Baby (Take 2)
- A6: I Fee So Bad (Take 1)
- A7: Give Me The Right (Take 2)
- A8: Beach Boy Blues (Movie Version)
- A9: Reconsider Baby
- B1: Blue Moon Of Kentucky (Master)
- B2: Have I Told You Lately That I Love You (Take 13)
- B3: When My Blue Moon Turns To Gold Again (Take 10, Master)
- B4: Old Shep (Take 5)
- B5: Your Cheatin' Heart (Take 9)
- B6: A Fool Such As I (Take 3)
- B7: Just For Old Times Sake (Take 4)
- B8: I'm Left, You're Right, She's Gone
- B9: I Forgot To Remember To Forget
- C1: (There'll Be) Peace In The Valley (Take 7)
- C2: It Is No Secret (What God Can Do) (Take 5)
- C3: His Hand In Mine (Take 4)
- C4: I'm Gonna Walk Dem Golden Stairs (Take 5)
- C5: Milky White Way (Take 5)
- C6: I Believe In The Man In The Sky (Take 1)
- C9: Working On The Building (Take 4)
- D1: Mean Woman Blues (Take 7, Version 2)
- D2: Baby I Don't Care (Take 1)
- D3: King Creole (Take 17)
- D4: Blue Suede Shoes (Take 1, Master, Movie Version)
- D5: Rock-A-Hula Baby (Take 3)
- D6: What A Wonderful Life (Take 2)
- D7: King Of The Whole Wide World (Take 1)
- D8: Girls! Girls! Girls! (Take 3, Master)
- D9: One Broken Heart For Sale (Take 1, Movie Version)
- E1: Tonight Is So Right For Love (Take 7)
- E2: Wooden Heart (Take 1)
- E3: Tonight's All Right For Love (Take 8)
- E4: It's Now Or Never (Take 4)
- E5: Surrender (Take 6)
- E6: Can't Help Falling In Love (Take 26, Movie Version)
- E7: Almost Always True (Take 5)
- E8: No More (Take11)
- E9: Silent Night (Take 9, Master)
- F1: How Do You Think I Feel (Take 7)
- F2: Ito Eats (Take 2)
- F3: Kiss Me Quick (Take 4)
- F4: For The Millionth And The Last Time (Take 7)
- F5: You'll Be Gone (Take 4)
- F6: Fountain Of Love (Take 9)
- F7: We'll Be Together (Take 10)
- C7: Joshua Fit The Battle (Take 2)
- F8: The Walls Have Ears (Take 12, Master)
- F9: Mama (Take 9)
- C8: Swing Down Sweet Chariot (Take 3)
Search:vàli
- Hell On Wheels
- Over The Edge
- Boogie Van
- King Of The Road
- No Dice
- Blue Tile Fever
- Grasschopper
- Weird Beard
- Drive
- Hotdoggin
- Freedom Of Choice
- Breathing Fire
- Hanglider
Like a fine wine, Fu Manchu's 1999 classic, King Of The Road, gets better with age and fans continue to demand hearing these tunes the way the band intended - on wax. Out of print since 2019, the Joe Barresi (Tool, Avenged Sevenfold, Queens Of The Stone Age) helmed work is back and this time on yellow and black splatter vinyl in a limited edition. This is a repressing of the 2015 remaster done by Carl Saff, which includes 2 bonus tracks: "Breathing Fire" (originally on the German vinyl release) and "Hanglider" (which was previously unreleased). "After a bit of a break from albums, not counting the Return to Earth singles compilation, Fu Manchu fully fired up and took off again with King of the Road, an album that doesn't so much follow on from The Action Is Go as flat out continue it. Hill has a touch more bite to his vocals this time around, but otherwise there's little to differentiate the two records -- and that's very much meant as a compliment. With plenty of touring and other things under their belts, the lineup has fully jelled and sounds it, Bjork's bad-ass drumming (and occasional cowbells, of course) and Balch's insane lead guitar crunch possibly even better than ever. Together it's all one megariff and nasty, slamming rhythm after another, and face it, anyone expecting anything else from Fu Manchu really needs to find another band. Joe Barresi co-produces with the band, and while there's no extra keyboard/organ weirdness this time around, it hardly matters. In as much as there's a theme to King of the Road beyond the basics of driving, drugs, and that demon rock & roll, it's driving -- there's a reason why the cover and internal art features a slew of great '70s-era photos from a massive van rally. The one shot of the fully leather-covered interior of one mobile love nest, complete with black curtains, about says it all. Then there's the megachugging title track ("King of the road says you move too slow!"), "Hell on Wheels," "Boogie Van," and so forth -- call it a concept album that doesn't waste time with elves and yogis. As with the last album, a punk/new wave nugget gets the cover treatment here -- none other than Devo's "Freedom of Choice." Needless to say, now it sounds just like a Fu Manchu original." ALLMUSIC
- 1: Jimmy Reed Highway
- 2: Baby What You Want Me To Do
- 3: Bright Lights Big City
- 4: Big Boss Man
- 5: Good Lover
- 6: Caress Me Baby
- 7: A W Shucks, Hush Your Mouth
- 8: You Up S Et My Mind
- 9: I'll Change My Style
- 10: Bad Boy
- 11: Baby, What's Wrong
- 12: Hush Hush
- 13: You Made Me Laugh
180g schwarzes Vinyl
Das 2007er Album der beiden Gitarristen und Sänger erscheint hiermit erstmalig auf Vinyl
Mit Gary Clark Jr, James Cotton, Delbert McClinton, Kim Wilson und Lou Ann Barton
12 Tracks von Jimmy Reed, oder von ihm inspiriert
Jimmie Vaughan ist der ältere Bruder von Stevie Ray Vaughan
With its mind-altering, waltzing-through-hot-asphalt take on the Supremes' "You Keep Me Hanging On" scorching the '67 charts, Vanilla Fudge burst to the forefront of all the "heavy" new combos. The group's debut disc is relaunched here in its rare and unique mono mix, a decidedly different and more powerful listening experience than the more common stereo release. Pressed on blue vinyl, cut from the original Atco analog reels!
- A1: Breakthrough
- A2: Innocence
- A3: Be Free
- A4: Blaze Awa
- A5: Goal
- A6: Honoo No Running Back
- B1: Dang Dang
- B2: Be Survivor
- B3: Blaze Line
- B4: A Day Dreaming…
- B5: Flower
- B6: Song Of Power
- C1: Go!!
- C2: Futari No Imi
- C3: Max Wind
- C4: Go For It!!
- C5: Atarashii Kaze
- D1: Make My Way
- D2: Thanks
- D3: Chain Of Power
- D4: Midnight Sunshine
- D5: Run To Win!
The story of Eyeshield 21 follows the protagonist Sena, the whipping boy of his classmates, who wants to earn respect by joining a club at the start of the school year. He crosses paths with Hiruma, head of the American soccer club, who recruits him for his exceptional running skills. They must quickly find 11 other players, as the inter-school championship begins in 24 hours.
Numerous artists and composers were involved in creating the theme music and accompanying songs, including Kosuke Morimoto, who contributed to various theme songs for Fullmetal Alchemist and One Piece. Any fan of the series will have a strong feeling of nostalgia when they recall the music that marked them during their teenage years. The very Pop-rock and J-pop tones will remind them of those after-school afternoons watching episodes of this epic anime on Game One. You'll also be able to hear the voices of the Japanese cast, including the voice of the main character, Sena Kobayakawa, on many of the credits and accompanying songs.
The manga turns 21 in 2023. To celebrate, the author wrote a 55-page one-shot called “Brain X Brave”, which appeared in early January 2024 in Weekly Shonen Jump. The anime has been broadcast frequently on Game One since September 2009 and on France Ô since September 2012.
- Opening
- Sapphire
- Zephyrs I
- Nward Landscapes
- A Dark & Graceful Wilderness
- Spirit Masked Wolf
- Nights Tender Reckoning
- Mother Destroyer
- Concealed Descent
- Unworld
- Phoebus
HEXVESSEL erkunden auf ihrem epischen siebten Album "Nocturne" liminale Räume, z.B. zwischen Licht und Dunkelheit sowie Natur und Einsamkeit. Die sich kontinuierlich wandelnde finnische Band besinnt sich wieder auf ihre Wurzeln im Folk und im psychedelischen Rock, indem sie akustische Zwischenspiele, kosmische Synthesizer und geisterhafte Pianoklänge kunstvoll mit den frostgesponnenen Fäden ihres Black Metal Geflechts verwebt. "Nocturne" klingt sowohl vertraut als auch unverhohlen progressiv, da HEXVESSEL ihre eigene Tradition mit einer frischen Neuerfindung ihres charakteristischen Sounds vermischen. Der Keim für dieses Meisterwerk wurde durch die Aufführung eines Auftragswerks beim Roadburn Festival 2024 gesetzt, das ursprünglich den Titel "Music for Gloaming: A Nocturne" trug. Mit diesem Album nimmt das Projekt eine ausgearbeitete physische Gestalt an. Dieses opus magnum verbindet den rauen Geist von Quorthons Black Metal mit dem komplexen Minimalismus zeitgenössischer Komponisten wie Philip Glass, György Ligeti und Avro Pärt. Den eklektischen Charakter von "Nocturne" unterstreichen ausgewählte Gastauftritte wie der ätherische Gesang von Saara Nevalainen oder die harschen Stimmen der Avantgarde Black Metal Vorreiter Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD) und ORANSSI PAZUZUs Juho Vanhanen. HEXVESSEL stammen zwar aus dem finnischen Tampere, die Band wurde aber vom englischen Sänger und Songwriter Kvohst alias Mat McNerney gegründet, nachdem er im Jahr 2009 in das nordische Land gezogen war. In vielerlei Hinsicht spiegeln HEXVESSEL die Natur ihres Gründers wider. Der Sänger und Songwriter war schon in vielen erfolgreichen Gruppen und Projekten aktiv, deren Spektrum von der britischen Black Metal Band CODE über einen Abstecher bei den norwegischen Legenden DHG bis hin zu den Rock-Shootingstars BEASTMILK reicht, die er später mit GRAVE PLEASURES fortsetzte. Mit "Nocturne" laden HEXVESSEL alle dunklen Seelen der Erde zu einem transzendentalen Nachtritual ein, das unter anderem die Klangvisionen von DARKTHRONE, TANGERINE DREAM und Philip Glass aus der toten Vergangenheit erweckt und mit neuem Leben erfüllt.
With their seventh full-length "Nocturne", HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom. "Nocturne" sounds both familiar and fearlessly progressive as echoes of tradition entwine with a fresh reinvention of their characteristic sound. The seed of this masterpiece was sown by the performance of a commissioned work at Roadburn Festival 2024 that was originally entitled: "Music for Gloaming: A Nocturne". With this album, it arrives fully fleshed in recorded form. This opus magnum blends the raw spirit of Quorthon's black metal with the intricate minimalism of contemporary composers such as Philip Glass, György Ligeti, and Avro Pärt. Its eclectic nature is elevated and underlined by select guest performances, including the vocals of Saara Nevalainen, as well as the avant-garde black metal luminaries Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD), and ORANSSI PAZUZU's Juho Vanhanen. While HEXVESSEL are based in Tampere, Finland, they were founded by English singer & songwriter Kvohst aka Mat McNerney after he moved to the country in 2009. In many ways, HEXVESSEL reflect their founder. The vocalist and songwriter has instigated and been involved in various bands ranging from UK black metal act CODE, a stint in Norwegian legends DØDHEIMSGARD, and to rock shooting stars BEASTMILK – later 'continued' with GRAVE PLEASURES to name but a few of his success stories. With "Nocturne", HEXVESSEL invite all souls on earth to a transcendental night ritual that is imbued with DARKTHRONE, TANGERINE DREAM, Philip Glass, and sounds unearthed from the dead past, now instilled with new life.
- Creative Director Blues
- Dog Race
- Jukebox
- Six Music Dads
- Twenty Year Cycle
- Shout
- Get Clean
- Modern Love
- Get Clean (Live)
- Birkenstocks (Live)
- Six Music Dads (Live)
- Creative Director Blues (Live)
- Modern Love (Live)
After leading the cult performance art collective Lazarus Kane, Ben Hambro took a more introspective, lyrically driven approach with Vegas Water Taxi. Their debut album, Things Are Gonna Be Alright, was self-released in November 2023a beautiful yet jarring collection of songs capturing the chaos and contradictions of your twenties. Now, the album is getting reissued, along with its first-ever vinyl release via PNKSLM Recordings (ShitKid, Clutter, Chemtrails), featuring four exclusive bonus tracks recorded live at The Windmill. Hambro, who's also collaborated with artists such as Katy J Pearson, continues to craft music that resonates and surprises. RIYL: Stephen Malkmus, Townes Van Zandt, Courtney Barnett
- 1: Overture
- 2: Illusions Of Polyphony
- 3: Echos Et Fantasies
- 4: In Simplicity We Trust
- 5: Octus
- 6: Volatiles
- 7: Resonances
- 8: 224 Steps
- 9: Subtracting The Superflous
Crafted entirely on an analog monophonic synthesizer with no overdubs, Pièces Monophoniques is a tribute to simplicity in an era of limitless digital possibilities. Since his debut album, Music For Prophet (Les Disques du Festival Permanent, 2017), Majorca-born composer Marc Melià, now a long-time resident of Brussels, has been redefining the contours of electronic music through a minimalist, reductionist approach. Much like a solitary hike through the vastness of mountains, where one carries only the essentials, Melià’s work invites listeners on a journey stripped of excess, focusing instead on the purity of sound and intention.
While some have dismissed monophonic music as overly simplistic, others have embraced its distinct charm. Historical records, such as those by Johannes Quasten, reveal that early Church leaders were drawn to monophonic music because it resonated with the era's cosmological beliefs, highlighting the harmony and unity of all creation. In an age of digital abundance, Marc Melià deliberately embraces constraint, crafting an album that thrives within a limited palette of choices. Yet, from these self-imposed boundaries emerges a stunning universe, brimming with rich textures and elegant harmonies. For his debut album, Melià worked exclusively with a Sequential Prophet. With Pièces Monophoniques, his third LP, he returns armed solely with an analog monophonic synthesizer and handcrafted MIDI sequences etched directly onto a single stereo track. These recordings seek to uncover beauty within the boundaries of limitations and simplicity, rejecting any embellishments that are not essential. Melià presents the bare skeleton of music, highlighting the power of absence and silence as creative forces. Like the hidden mass of an iceberg, what is not heard becomes as significant as what is heard.
The album navigates the boundary where the quest for an uninhibited emotional response intersects with the mechanical sounds generated by synthesizer circuitry. Despite being a collection of beatless tracks, a pulse occasionally surfaces, like in the closing piece, "224 Steps. A sharp sequence blended with multiple delays and reverbs creates the vaporous celestial specter of multiple voices in "Illusions of Polyphony", while "Échoes et Fantasies" conjures the illusion of dual harmony. The expansive reverbs and silences between the euphoric synth phrases in "Overture" transport us to an imaginary magestic landscape shaped out of an electric field. "Resonances," a one-note drone-like sequence, embodies the album's aims as a series of resonances created with the synth filter emerge from the fundamental note.
"Pièces Monophoniques," aims to contribute to a tradition that dates back to the dawn of humanity. After all, there is no denying that the earliest music crafted by humanity was monophonic, from the soothing lullabies sung to newborns to Gregorian chants, traditional labor songs, and the repertoire of solo compositions by countless composers.
- A1: Menu Diving
- A2: Slidin In Yo Dm's (Ft. Hyrr Iv)
- A3: Worldwideweb
- A4: Refresh (Ft. Jon Mikiver)
- A5: Up In The Cloud
- A6: Chonky Cat Meme (Ft. Maihe)
- A7: Nutiboi
- A8: Like Comment Share And Subscribe (Ft. Mirtel Pohla)
- A9: Just Scrolling (Kitty Florentine)
- B1: Fiber-Optic Cable
- B2: Onlyfans (Ft. Helgi Saldo)
- B3: Surfing The Dark Web (Ft. David)
- B4: Data Harvesting
- B5: There's No One New Around You
- B6: Ainternet Radio
- B7: Crypto (Ft. Maiduk)
- B8: Accept All Cookies B9 You're All Caught Up
Rando Arand is an Estonian electronic music producer from Tallinn. With a strong foundation in sound design, Arand released his debut record on Asphalt Soliloquies in 2017 and has since captivated audiences at clubs and festivals across the Baltics with his unpredictable and unique live sets. Drawing inspiration from a range of genres such as broken jazz, dubtechno, breakbeat and jungle, Arand incorporates modular synth patches into his performances. He has shared the stage with artists like Dorian Concept, Gerry Read and King Midas Sound. In 2019, Arand released the "Alles" EP on Ali Asker's LIITHELI imprint, which focuses on promoting local talent from Estonia's capital. Arand's latest EP, "Aru" (2022), showcases his exploration of a new "Linki" format. In addition to his musical pursuits, Arand was also a host at the underground venue Ulme in Tallinn.
About the album „Child of the Internet”
The new album by experimental sound designer and electronic music producer Rando Arand takes the artist on a completely different path compared to the previously known dance music influenced deep and contemplative instrumental tracks. Featuring several notable guest artists, the album is a sizzling hot record that makes feet tapping and bodies grooving. On the artist’s most listener-friendly work to date, an impressive lineup of Estonian vocalists makes an appearance: Hyrr IV, the lead singer of the indie band Ouu; Jon Mikiver from Elephants from Neptune; actress Mirtel Pohla; alternative pop artist Kitty Florentine; queer artist Helgi Saldo; comedian Maiduk; and hobby musicians Maihe and David.
The conceptual album "Child of the Internet" is dedicated to young kids for whom the internet has been a defining part of growing up. Genre-wise, the album is very flexible, weaving through various musical chapters and styles with the help of numerous musical sketches, touching on both the comedic and the darker oddities that circulate online.
The album features scorchingly hot, electrified synth-funk jams with a nostalgic touch reminiscent of Prince ("Slidin in Yo DM’s", "Refresh"). Kitty Florentine delivers a sensual neo-soul ballad ("Just Scrolling"), filled with soft tones, soulful warmth, and a smooth groove. For more demanding listeners, the record also explores elements of chillwave, glitch, lo-fi hip-hop, techno, house, and breakbeat. Longer tracks and shorter interludes come together like a bouquet of favorite memes or a collection of countless open web browser tabs that we all keep running. At the same time, the album hints at the immense impact the internet has on our everyday lives.
Rando Arand’s latest studio album is an intriguing listen — perfect for enjoying alone with good headphones or as an ideal background soundtrack for a larger gathering with friends.
- I Love Myself For You
- Don't Ask Don't Tell
- Let Me Let You Let Me Down (Featuring Julien Gasc)
- Being Missed
- The Backyard 6. You're More Than Welcome 7. Bramley River Road
- Touch And Go
- Dollar Bills
- It Hurts Me To Sing
- Men's Hair
- Always Gonna Love You More
- Grinding My Teeth
- Really I'm Fine
Guy Blackman aus Melbourne, Australien, ist ein Songwriter für Songwriter. Seine geschickt konstruierten Songs befassen sich offen mit Themen wie Liebe, Sexualität und Engagement. Wenn Serge Gainsbourg, Tim Hardin oder Kevin Ayers Lieder schreiben würden, die in schwulen Saunen oder auf Websites für Pornoseiten spielen, könnte man sich eine Vorstellung von Guys Ansatz machen. "Out Of Sight" ist ein sanftes, klagendes Album, das unter seinen komplizierten Arrangements und dem luftigen Softrock humorvolle und verletzende Momente verbirgt. Es enthält ein träges Duett mit dem französischen Künstler Julien Gasc (Aquaserge und Stereolab) und den Backgroundgesang der australischen Songwriter-Ikone Laura Jean. Das Album wurde in drei Sessions zwischen 2022 und 2024 aufgenommen, zuerst in Melbourne mit Liam Parsons und Stefan Blair von Good Morning, dann 2023 in London mit Liam Parsons und 2024 wieder in Melbourne mit Liam Halliwell (Snowy Band). Die schönen Streicherarrangements stammen von Paddy Mann von Grand Salvo. Als Solokünstler hat Guy die Bühne mit Joanna Newsom, Bill Callahan, Vashti Bunyan, Stereolab, John Grant, Beach Fossils, Owen Pallett, Jens Lekman und anderen geteilt. In seinen früheren Bands Sleepy Township, Minimum Chips und Montero hat er mit Elliot Smith, Cat Power, Pavement, War On Drugs, Kurt Vile und vielen anderen gespielt. Guy tourte durch die USA, Großbritannien, Europa und Japan und spielte mit Mt Eerie, Tenniscoats, Dear Nora, Julien Gasc und anderen. Sein erstes Soloalbum "Adult Baby", mit einem heißen Duett mit dem schwedischen Popstar Jens Lekman, sowie Beiträgen von Mitgliedern der Dirty Three, des Eddy Current Suppression Ring und vielen anderen, wurde 2024 vom französischen Label Pop Superette auf Vinyl neu aufgelegt. Guy ist auch die treibende Kraft hinter Chapter Music, einem der am längsten bestehenden und beliebtesten unabhängigen australischen Plattenlabels, das er 1992 im Alter von 17 Jahren gründete. Chapter Music wurde bei den Australian Independent Record Label Awards 2019 und 2023 als bestes Label ausgezeichnet.
Enjoy The Ride Records, in partnership with Paramount Pictures, proudly presents Novocaine (Music from the Motion Picture), featuring Music by Lorne Balfe and Andrew Kawczynski. Nathan Caine can't feel pain. When the girl of his dreams (Amber Midthunder) is kidnapped, everyman Nate (Jack Quaid) turns his inability to feel pain into an unexpected strength in his fight to get her back. Directed by Dan Berk and Robert Olsen, this action comedy will have you laughing (and grimacing) as we follow Nathan through the mishaps and adventures, in order to save Sherry. Balfe and Kawczynski have created an exciting and charged score that is a fantastic adventure, we hope you enjoy it as much as we do! Pressed on limited edition colored vinyl, Novocaine (Music from the Motion Picture) is limited to 1,200 copies across 5 exclusive variants.
- A1: High Noon
- A2: Real Ones
- A3: Elevator
- A4: Go Brooklyn
- A5: Maybe So
- B1: One Life
- B2: Valleys
- B3: Eye See U
- B4: Free Nt Woke
- B5: Thank You
Following their 2021 collaboration on “To Kill A Sunrise”, Brooklyn native Kota The Friend runites with iconic Boston producer Statik Selektah, now also a full time BK resident, on the follow-up “To See A Sunset”. The two have crafted yet another classic album, picking up where they left off with some fresh and soulful boom bap anthems, continuing with the always inspiring theme of turning your dream into a reality and the realisation that you’re living your best life!
- Freda Payne - Band Of Gold
- Robert Knight - Love On A Mountain Top
- Lynne Randell - Stranger In My Arms
- Marvin Gaye & Tammi Terrell - Ain't No Mountain High Enough
- Stevie Wonder - Nothing's Too Good For My Baby - Single Version
- Dean Courtney - I'll Always Need You
- The Velvelettes - A Love So Deep Inside - 2004 Anthology Version
- Barbara Mcnair - Baby A Go-Go - Cellarful Of Motown Version
- Darrell Banks – Angel Baby (Don’t You Ever Leave Me)
- Carolyn Crawford - Forget About Me
- Holly St. James - That's Not Love
- The Trammps - Scrub Board
- Major Lance - Um, Um, Um, Um, Um, Um
- The Supremes - He's All I Got - Stereo Version
- Gladys Knight & The Pips - Just Walk In My Shoes - Single Version
- Four Tops - Shake Me, Wake Me (When It's Over) - Single Version / Mono
- Frank Wilson - 'Til You Were Gone - Writer/Producer Demo Version
- Lou Johnson - Unsatisfied
- Four Below Zero – My Baby's Got Esp
- David Ruffin - Walk Away From Love - Single Version
- Dusty Springfield - Long After Tonight Is Over
- Chairmen Of The Board - Give Me Just A Little More Time
- The Marvelettes - Your Love Can Save Me
- Roy Hamilton - Crackin' Up Over You
- Towanda Barnes - You Don't Mean It
- Vibrations - 'Cause You're Mine
- San Remo Golden Strings - Festival Time - Single Version
- Just Brothers - Sliced Tomatoes
- Sandi Sheldon - You're Gonna Make Me Love You
- Marvin Gaye - Little Darling (I Need You)
- The Spinners - I'll Always Love You - Single Version
- The Elgins - Put Yourself In My Place - Single Version
- Frankie Valli - You're Ready Now
- The Isley Brothers - Tell Me It's Just A Rumor Baby
- Smokey Robinson & The Miracles - Whole Lot Of Shakin' In My Heart (Since I Met You)
- Kim Weston - I'm Still Loving You
- Kiki Dee - The Day Will Come Between Sunday And Monday - Album Version
- Tony Clarke - Landslide
- Edwin Starr - Time
- The Impressions - You've Been Cheatin' - Single Version
- Brenda Holloway - Just Look What You've Done - Single Version
- Martha & The Vandellas - My Baby Loves Me - Single Version / Mono
Head back to the floor with this brand-new 2LP compilation featuring 42 more of the world’s most remarkable Northern Soul tunes.
Expand your collection and freshen up your dancing shoes with this must-have sequel including none other than the incredible Stevie Wonder, Dusty Springfield, Freda Payne, Robert Knight, The Supremes, Major Lance and the all-time classic duet between Marvin Gaye & Tammi Terrell, Ain't No Mountain High Enough.
- 1: Jimmy
- 2: I'm Out
- 3: Gimme The Bone
- 4: Never Enough
- 5: Cement Shoes
- 6: Concrete Jungle
- 7: I've Seen It All
- 8: Don't Wanna Be Like Me
- 9: One Big Step
- 10: Blood On The Streets
- 11: Pressure
This is not the end of a dark alleyway in some US city, this is not the bottom of a platform heel in England, this is not the back corner of some dusty drawer at a record fair in Holland. These are not the places you’ll find rock and roll. This is Quebec: A different sensory perception of rock and roll. A heightened awareness of the highest highs and the lowest lows. This is Belgium with snowmobiles, Catholic Texas, Ugly France. All the crumbling highways, the coldest beers, and the loudest joints. Guitars do different things in Quebec. PUFFER shimmy across the invisible barricade between Montreal and the rest of the world not just as another crop of punks but as the great descendants and inheritors of modern greats like INEPSY’s “Rock and Roll Babylon” and ANNIHILATION TIME's “II.” Loud, brash, unrelenting. You’ll go deaf before you get bored of it.
Self produced, self recorded, and mixed by the band, this is the vanguard of punk that has lived long beyond it’s moments of origin. This pure blast of 1979 by way of the hellish weimar end-times of 2025 never made the necessity of punk rock feel so real.
FFO SLAUGHTER AND THE DOGS, the 222s, THE DISCORDS, MOTORHEAD, INEPSY, AA Restaurant, Montreal pool room, Katacombes, and the eternal flame of punk in La Belle Provence.
- A1: Prologue -Determination
- A2: Let's Play A Game God
- A3: If, I Win
- A4: A Cruel Question
- A5: Fallen Confession
- A6: Oh!!!
- A7: A Sign Of The Great War
- A8: Now, Let The Games Begin
- A9: Please Let Me Stay With You Forever
- B1: The True Target
- B2: Good Evening, Scrap
- B3: Really, I Love You
- B4: Stale Mate -Final Battle
- B5: Let's Play Again ~The Light Of A New World
Welcome to the ancient Disboard where the 10 rules of the game did not yet exist. War consumes the world, splits the heavens, destroys the stars and even threatens the human race. In the midst of this chaos, a young man named Riku tries to lead humanity towards a tomorrow he firmly believes in. One day, in the ruins of an Elven city, he finds Schwi, an "ex-machina" android who wishes to understand the heart of Man. Their meeting will change the course of history...
Music composed by Yoshiaki Fujisawa, arranger and composer. He is a member of the group Franz Maxwell I. He worked on the anime of LoveLive!, Issekai Cheat Magician and GATE.
He knew, through his music, to transport us in the universe at the origin of this "Issekai" to make us feel all the emotion of a meeting between two completely different beings.
- A1: In The Shadows Of The Sunbeams
- A2: Wandering Thoughts
- A3: You Can Stay The Way You Are
- A4: Sunrise
- A5: A Couple Of Sighs
- A6: About To Be Trifled With
- A7: Embrace
- A8: I Don't Understand The Meaning Of "Special“
- A9: Never Fall In Love With Me
- B1: Touko Nanami's Confusion
- B2: Expectations And Anxiety
- B3: Repressed Memories
- B4: Wavering Night
- B5: Earnest Wish
- B6: Embracing Loneliness
- B7: Festering Thoughts
- B8: I Want To See You
- B9: Eye-Catch 1
- B10: Eye-Catch2
- B11: Eye-Catch 3
Yû enters high school hoping to finally discover love. But nothing happens, even when a boy makes a declaration...
She then meets Tôko, the perfect girl of the high school, in charge of the Students' Office and who seems to be like her because she rejects all her suitors.
Michiru OSHIMA is a prolific composer, arranger, conductor and lyricist, she started her career in background music for NHK (Japanese television) and movies. Her career is punctuated with participations and arrangements for major video games such as Ico (Playstation) or The Legend of Zelda: Twilight Princess (Nintendo). But it is in animation that she writes her most emblematic compositions. She is at the origin of the music of the famous series Full Metal Alchemist, of 2 parts of Star Wars: Visions (The Elder, The Twins) among others.
With "Bloom into you", she signs a dreamlike ode that beautifully accompanies the two students in their quest for themselves
- Just Another Sucker On The Vine
- Dream
- La Vie En Rose
- Johnsburg, Illinois
- You Don't Know Me
- Falling In Love Again
- I Guess I'll Get The Papers And Go Home
- Picture In A Frame
- The Song Is Ended (But The Melody Lingers On)
- What'll I Do?
- Moonlight Serenade
- I'll Be Seeing You
- Ragtime
What's Not To Love? is an album of music from John C. Reilly's vaudeville-inspired show where he embodies a character called Mister Romantic. Mister Romantic marks the Academyr, GRAMMYr, and TONYr award nominee's most personal project to date. The show, which was created to foster empathy and love for one another, has been described by Vanity Fair as "fiercely funny," while Theaterly hailed it as one of the best performances of 2024 following a one-night show in New York City. John is backed by a band of multi-time GRAMMYr-winners performing songs from the Great American Songbook as his character sets out on a mission to get someone (anyone!) to fall in love with him.
Iori Wakasa, one of the leading lights of the Tokyo club scene is set to release his second 12” from his own label, “BOTANICA” which he established to express his own primal sensibilities.
The Concept of the Label:
Tokyo-based DJ/producer, Iori Wakasa launched BOTANICA to assert that his label’s activities in itself is art and a palette for his creative, self-expression. It is also based on 2 main concepts: To integrate the sensibilities of both "nature" and “artificial and human activities" and to “contribute music that presents a scenery from the listener's point of view”.
For Iori, his label is an interface of some sort and is also a symbol of his own personal musical expectations.
Iori produced these 2 new tracks during the recent pandemic when the world was under severe restrictions. While taking into account and focusing on both 'his current outlook' and returning to “the roots of his own production aesthetic', he strived to produce something that would substitute it and as a result, created these two new tracks and the artwork that are presented in the label's second release, 'The Party Is Here EP’.
In this EP, he also attempts to express the sentiment that 'the experience that music provides to people is invaluably infinite' and that 'if you truly want to go out and party, it will happen, then and there!’.
About the tracks:
For the track, ’Bedroom Disco’, Iori tries to express his memories of 'a virtual night of partying’ that he experienced during Covid and created this track while being ‘in a state of wanting to break free from oppression’ and reminiscing about a party in a bedroom at night.
He also wanted to express the idea that no matter what situation or environment you are in, you can go to anywhere you want if you really want to and with that sentiment, he wanted to express a scenerio that transcends it and at the same time, he also wanted to convey his feelings of nostalgia for the past, rebellion against the environment and his feelings of desire.
For this track, Iori did not use any sampled voices or field recordings and created it by layering pure sonic imagery repeatedly folded and desolved which triggered the creation of new developments while imagining the thought that “a party actually begins when you step out” and the swaying of emotions that take place from it.
’Tropica' is a track that Iori produced by heavily mixing a utopian feel that people have inside of them with his own sensuality and is designed to ‘guide you to a tropical seaside', regardless of what the listener may have experienced in the past.
Unlike 'Bedroom Disco', this track uses a variety of samples and envisages "many elements intertwining with each other, working together to create this sound structure”. And it also expresses that equal opportunity exists for anyone who wants to visit an imaginary tropical land as well as the hope that even a brief break of the mind can be created by yourself and those close to you, if one pursues it.
About the artwork:
The cover of this new EP, the concept text 'Is your window open?', and the label's logo was designed by illustrator, HILOSHI SHINOZAKI who also worked on the first release, BOTANICA EP. For over 10 years, he has been a regular visitor of Hawaii, where he tries to cultivate his "true way of life” in his art.
And, artwork for the cover and label design of the EP is complemented by the label design and art direction of the record by hiro, a graphic designer who has been his partner and best friend since the first Botanica EP.
hiro expresses Bedroom Disco track's shifting compositional changes and its complex series of sound waves by creating an intricately multi-layered design that is a perfect representation of the way he sees it.
Also initially inspired by the fluctuations of waves, islands, sun, rays, sky and time, the artwork of Tropica also found inspiration from a drawing that made by Iori’s daughter who drew a picture of a scenery when she listened to the track. So through this design, one of the label’s concept of “the label’s activities is in itself art” was realised via the surprising contribution coming from his own family.
Robsoul Recordings launches its 2025 campaign in style with the release of the ‘Make Love' EP, an impressive label debut from Italian producer and MPC virtuoso, Bress Underground.Following a strong 2024, which saw him release on GLB Dom, SNATCH!, Jackies Music, Special Grooves, and Slothboogie, as well as delivering unforgettable sets at iconic venues such as Sisyphos and NYC Downlow (Glastonbury), Bress Underground rolls out a sumptuous four-track selection of impeccable House music.“The EP was created by mixing a variety of production techniques, including the MPC, sampling, and Ableton Live,” explains Bress Underground, real name Andrea. “These were all projects I'd started and, for whatever reason, remained incomplete for some time. Each track started with a specific mood but evolved into something new as I finished them.”A love for all shades of House is evident throughout the EP, from the bumping horns and infectious shuffle of opener ‘Chick House' to the smooth, chiming keys and soulful tones of fellow A-side cut ‘Keep On'. On the flip ‘I Don't Pray' delivers a powerful, sermon-like groove whilst title track, ‘Make Love,' closes the release with its timeless 303 energy and undeniable dancefloor appeal. As Bress Underground himself puts it, this EP is “the perfect musical omelette,” blending textures, moods, and influences into a flavorful collection of House tracks.
- Ramping
- Cross-Temporal Sync
- Mosh
- Particles
- The Cyclical Culture
- The Violet Lux
- The Alignment Movement
- Zero-Ones
- Countdown
- Reclaimers
- Quantum Modern
PHASE SHIFTING INDEX is a time capsule record of Jeremy Shaw's vast original artwork that includes audio excerpts, voiceover passages and music composed by There in Spirit and Konrad Black. Shaw's seven-channel video, sound and light installation-that premiered at Centre Pompidou in 2020-uses science fiction, documentary, visual effects and synchronisation to induce an ecstatic experience in narrative temporality. Each video details the belief systems of one of seven fictional subcultural groups spread across time that aspire to induce parallel realities that could redirect the evolution of the human species through embodied forms of ritual, ideology and movement. The vinyl release serves as a gathering of the piece's key audio elements, focussing on their importance to the engineering of the artwork and their stand-alone listening qualities. Side A of the record follows the dramaturgy of the artwork in full-swing, including audio segments from four of its five distinct chapters. Written by long time collaborators Konrad Black and Jeremy Shaw together as There in Spirit, "Cross- Temporal Sync" soundtracks the strobing peak of the installation at the moment when all seven disparate videos fall into a unified choreography in which every person on every screen performs the same ecstatic series of slow-motion movements. The pulsing, hypnotic dirge aligns with the locked choreography in mood and action, caught somewhere between ecstatic trance and somatic takeover. A steady sub line, clipped stabs and a swooping choral gasp harmonise with the dancers movements onscreen while restrained filters open slowly to reveal a submerged melody that builds in intensity towards the chaotic rupture of Black's "Mosh". Here the score breaks into digital shards as heard through analog bodies colliding and pixelating into each other. The dancers eventual dissolution into "Particles" sounds like the field recording of a disembodied neural cosmos. The B-side of the record contains a narrative outline edit of the artwork comprised of music, excerpts and pieces of narration from each video. Listeners can follow along in an accompanying thirty-six page booklet of full-bleed film stills documenting each of the seven groups as they move through the five chapter dramaturgy. Composer Konrad Black's authentically backwards-glancing production and sound design is as disparate as the groups represented on screen. From the bespoke-16mm-tribal-techno of "The Cyclical Culture" and retro-cyber-funk of the "Zero-Ones," to the VHSdark- wave of "The Violet Lux" and skewed vocal/piano minimalism of the "Quantum Modern," each group exists in its own custom-made world out-of-time. The record ends where it began, with the full sequence of "Ramping" playing out as each subcultural world begins to lose control, galvanise, sync, rupture, atomise and scatter throughout the universe, only to loop back into another inevitable beginning. Phase Shifting Index premiered at Centre Pompidou, Paris, in 2020 and has since been exhibited in nine international venues including ARoS, Denmark, MONA, Tasmania, MAC, Montreal and Hamburger Bahnhof, Berlin




















