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NOW Music proudly presents the next release in our “NOW That’s What I Call An Era” series - Such A Good Feeling: 1988-1995 – a euphoric celebration of a truly transformative time in music.

This stunning 3LP set pressed on blue, white and yellow vinyl showcases 46 essential tracks that soundtracked the dancefloors, charts, and airwaves from the late ’80s through the ’90s — an era when dance culture reshaped the mainstream, soundtracked a generation, and lit up the charts across the UK and beyond

LP1 – Side A opens in style with ‘Such A Good Feeling’ from Brothers In Rhythm, this collection’s inspiring title…followed by Black Box with ‘Ride On Time’ — the best-selling UK single of ’89, and one of dance music’s defining tracks. Massive club classics continue with C+C Music Factory’s ‘Gonna Make You Sweat (Everybody Dance Now)’, house anthems from Inner City with ‘Good Life’, and ‘Dirty Cash (Money Talks)’ from Adventures Of Stevie V, plus dance-pop gems ‘Not Over Yet’ from Grace, and Billie Ray Martin with ‘Your Loving Arms’…Flip the LP over for the pioneering ‘Theme From S-Express’, a chart-topper from 1988, before dancefloor earworms from Kenny “Dope” Presents The Bucketheads with ‘The Bomb! (These Sounds Fall Into My Mind)’, Nightcrawlers with ‘Push The Feeling On’ and ‘People Hold On’ from Coldcut and Lisa Stansfield. The influential ‘Beat Dis’ from Bomb The Bass is up next ahead of Tony Di Bart’s #1 ‘The Real Thing’, Saint Etienne’s sophisticated dance-pop nugget ‘He’s On The Phone’, and LP1’s closer from D:Ream with the Perfecto radio remix of ‘U R The Best Thing’.

LP2 – kicks off with a run of electrifying Eurodance – all massive club anthems. ‘Rhythm Is A Dancer’ from SNAP! leads off; a UK No. 1 and another defining track of the decade – followed by smashes from Corona, Real McCoy, Dr. Alban, Haddaway, KWS and Cappella, before the side closes with the techno-pop of Opus III with ‘It’s A Fine Day’… The party continues on Side B with an irresistible lineup led by Deee-Lite with ‘Groove Is In The Heart’, their brilliant fusion of funk, house and pop that continues to be a massive floor-filler… as is ‘Dreamer’ from Livin’ Joy, a 1995 No. 1 smash, and vocal house classic ‘Finally’ from CeCe Peniston. Urban Cookie Collective scored a huge hit with ‘The Key, The Secret’, which is followed by the rave energy of Oceanic, N-Trance, Felix – and Utah Saints who sign-off LP2 with the epic ‘Something Good’.

Kicking off the final LP, Side A explodes into life with massive feel-good tunes:- Yazz & The Plastic Population’s ‘The Only Way Is Up’ – a 1988 No. 1 and landmark UK house hit ahead of 49ers with ‘Touch Me’ and Baby D with their #1 ‘Let Me Be Your Fantasy’. Another run of floor-fillers from Rozalla with ‘Everybody’s Free (To Feel Good)’, JX with ‘Son Of A Gun’, Blue Pearl’s ‘Naked In The Rain’ and ‘U Sure Do’ from Strike follows and the side closes with the electronic acid house of ‘Killer’ from Adamski that hit the top of the charts and introduced Seal… and over on the final side, the collection moves toward it's close with stunning and enduring tracks of the era – opening with Soul II Soul & Caron Wheeler’s #1 ‘Back To Life (However Do You Want Me)’ blending soul, R&B and club rhythms to perfection, while Beats International’s fusion of dub reggae and house: ‘Dub Be Good To Me’ (another chart-topper) follows with its iconic bassline and leads us into the stylish and smooth ‘Turn On, Tune In, Cop Out’ from Freak Power. The journey through this incredible era is completed with genre pioneers The Prodigy with ‘Charly’, ‘Infinity’ from Guru Josh, and closing with ambient house, ‘Pacific - 707’ from 808 State, and the timeless ‘The Sun Rising’ from The Beloved.

An unforgettable journey through the sounds that defined an era:- NOW That’s What I Call An Era - Such A Good Feeling: 1988-1995 — the definitive celebration of a golden age of dance music.

Swiss label keepitgoing. returns with La Buena Muerte, a three-tracker uniting Ricardo Villalobos & Washington Miranda, Siddhartha, and Wata with Jorge González of Los Updates — a cross-section of Chile’s most vital electronic voices brought together on one record.

The EP opens with Bajo Tierra – Mis Juguetes, a ten-minute drift of slow-burning minimalism where Villalobos’ elastic modular textures and patient rhythmic detail entwine with Miranda’s hypnotic vocal, processed and stretched into new shapes and forms — a continuation of the deep, organic dialogues the pair first explored on De Cada Uno in 2022. On the flip, Siddhartha – Poema 4 slides into minimal electro and broken beat territory, sparse yet restless. Razor-sharp drums and pulsing bass unfold through dynamic structures that thrives on tension and space where a menacing voice cuts through with insistence. Closing the record, Wata – El Soul de Los Que Sobran (feat. Jorge González) brings González’s unmistakable voice into Wata’s playful framework, a looser, rather light-hearted cut where percussion and gentle melodies expand the palette and connect the EP back to Chile’s rich electronic lineage.

With artwork by Damian Schopf, brother of Martin Schopf aka Dandy Jack, La Buena Muerte stands as a collective statement of Chilean experimentalism — free of borders, rooted in collaboration, and tuned for the floor.

After a much acclaimed series opener, the creators of The Hidden Beauty Of Dutch House ’94-’98 are back! They’re bringing us this second batch of eight carefully selected masterpieces from The Netherlands’ blossoming scene of the day.

Just like volume I, its sequel is filled with thought-to-be-lost tracks from Dutch producers whose names you rarely come across. It took another deep and long dive into the "Atlantis" of Dutch House to gather this collection. Most of the original master tapes literally had to be dusted off before playing…

Suitable for any true House afficionado, you’ll find a panoramic range of styles and flavours on this second selection, as there was on the first. A truly representative flashback has to show the versatility and broadness of both the music and culture of the nineties. The days of open minds and dancing-like-nobody’s-watching. When we went to the club to discover new sounds and dimensions. The time when this attractively fresh music was the hero of every successful night.

Lovingly compiled for your listening pleasure. So, sit back, open up, and surrender to the beauty of Dutch House!

Celebrating another phenomenal year, Jackies Music Records proudly presents Finest Vol. 2 — a curated selection of modern house music from some of the most respected names in the scene.

This 7-track vinyl-only release features standout cuts by Piem, CASSIMM, St. David, Moon Boots, David Penn, Fleur De Mur, and a special collaboration between Jason Herd and Todd Terry. Crafted for timeless energy and pressed on vibrant red wax, each track delivers the signature Jackies groove.

Strictly limited to 300 copies, this collector’s edition is a tribute to the label’s rise and the unforgettable atmosphere of the Barcelona party series.

We are proud to present Dawg On Wax Vol.2, our 100th release-a milestone celebration of our journey through innovative sounds. This vibrant compilation features an eclectic blend of Jackin House, Jazz House and Hip House styles. Limited to only 200 copies, this exclusive 12" LP is pressed on stunning yellow flame-colored vinyl, making it a collectible must-have for all the real House heads.
Showcasing an impressive lineup of talented artists-including FederFunk & Raffaele Ciavolino, Ralph C, Darren Marshall, Luccio B, Makson (PL), and Steve Robinson (UK)-the compilation delivers over 30 minutes of energetic grooves and soulful rhythms that take listeners on a rich sonic journey.
Celebrate our milestone with this limited edition vinyl, crafted to bring you the best in underground house music. Don't miss your chance to own this special release!

10 years ago in 2015, The Golden Lion in Todmorden opened its doors under the guidance of Gig & Waka, Cloudwater brewed their first ever beers, the dance floors of Manchester got introduced to the world of Supernature Disco and from his spare room at home in Bolton Chris Massey started Sprechen.

What followed over the next decade has been a wild ride of amazing people, memorable (though fuzzy!) parties, creativity, art, expression, performance and at the centre of it all of course, the music.
Sprechen has never been one style or sound. A reflection of varied musical tastes without any limitations of style or genres, just a passion to share good music.
Over the last decade, Sprechen has been lucky enough to both work with and meet many like-minded cosmic creatives that share this mindset and that have all played a major role in the story.

Ein Null is a collection of original tracks from some of Sprechen's nearest & dearest who, for the last 10 years, have helped shaped the label via releases, remixes or performing at events.
It's wonky & weird, banging & beautiful, cosmic & consciousness-expanding and it continues to connect the invisible dots of club music and more abstract listening experiences.

From basements & beyond to sunsets & psychedelic socials...we are pleased to present this electronically charged selection of soundscapes courtesy of like-minded musical humans including; The Utopia Strong, A Certain Ratio, Lena C., Gina Breeze, Low Pulse, Psychederek, Lindstrøm, Supernature Disco, PBR Streetgang and of course Chris Massey.

Limited to a run of 300 vinyl with double-sided screen-printed sleeve.

A compilation of tracks that rearrange Okinawan folk songs into Jazz Funk, crossover, and large ensemble jazz, featuring works by Kiyoshi Yamaya, who was also highlighted in "Diggers Dozen" (BBE) by the Japanese DJ MURO, known as the "King of Diggin," and "Wamono Groove: Shakuhachi & Koto Jazz Funk 1976" (180g). This collection debuts as the latest installment in the "Ryukyu Rare Groove" series, which was originally released in Japan in 2003 to great acclaim.

Selecting melodious and groovy crossover, fusion, and jazz-funk tracks from the Nippon Columbia catalog, including its sub-label Better Days, that City Pop fans will love.
The track selection and commentary are curated by Hitoshi Kurimoto, the most popular City Pop influencer in Japan.
This unique selection includes tracks from Soul Media, Hiromasa Suzuki, Kazumi Watanabe, and Kiyoshi Sugimoto, along with previously unreissued gems.
The artwork is designed by Stereo Tennis, known for its popular '80s-inspired graphics.
A must-have for fans of Japanese Jazz and City Pop.

A compilation of rare and unique pop songs sung in Okinawa's unique musical scale with rock and soul grooves. It is based on “Ryukyu Rare Groove” released in 2003 and its sequel “Ryukyu Rare Groove 2” in 2006. This is a renewed version of those two albums, with more carefully selected and new songs included.

The Yara Families, the symbol of this series, as well as songs by Shokichi Kina, the originator of Okinawan folk rock, Mitsuko Sawamura, who made a breakthrough from Okinawa into American musical films, and Teiko Saito (Teiko Taira), a jazz singer who released her debut album in 2022 at the age of 86 and became a topic of conversation, The album contains 14 precious tropical groove songs. A renewed version of “Ryukyu Rare Groove” is now available in analog format!

The compilation “Ryukyu Rare Groove” became a hot topic as many people became addicted to its unique groove, which was created by applying Western arrangements to Okinawan scales and traditional Okinawan music. Ryukyu Rare Groove Revisited” is now available in analog format.
It features 14 precious tropical grooves, including not only the iconic Yara Families from this series, but also songs by Shokichi Kina, the originator of island song rock, and Teiko Saito (Teiko Taira), a jazz singer who released her debut album in 2022 at the age of 86 and became a hot topic.
Ryukyu Rare Groove Crossover,” a selection of jazz arrangements of Okinawan melodies and folk songs, was also released simultaneously, featuring MURO selection
‘Diggers Dozen’ and Kiyoshi Yamaya's Okinawan folk song Jazz Funk, which was featured on the ‘Ryukyu’ 7-inch from Tropic Night Records. and other instrumentals,

including Latin big band jazz by Naoteru Misuna and the Tokyo Cuban Boys.

Proud to present you our third RETROFUTUR compilation, including 6 tracks by our most regular artists.

Endrik Schroeder opens the ball with the pure warehouse banger “Automated” ! The track’s sonic intensity never falters, driven by a relentless rhythmic structure and saturated synthetic textures. The modulated layers and the syncopated break recreate the visceral urgency worthy of the underground raves of the 90s.



With “Happy End,” Brandski distils a contagious euphoria, designed to set the dancefloor ablaze with collective joy. A leading figure of the Italian-French new wave, he creates a track as jubilant as it is unstoppable, where rhythmic mastery flirts with festive instinct. An invitation to luminous abandon: arms raised, shared smiles, communion guaranteed.

With “Eldorado” John Lord Fonda reaffirms his status as a key ambassador of French techno on the international scene. The track unfolds a relentless, extremely tense groove, where darkness becomes driving tension. A rigorous, almost martial sound signature, serving an uncompromising vision.

“White Light” by Panthera is a polished track that transports us on a euphoric journey. The heavy, incisive kick blends with atmospheric layers and heady arpeggios, creating a constant tension that culminates in thunderous drops. The whole thing is supported by a deep, vibrant bassline, typical of the 90s rave scene.

Once again, Berlin’s My Secret Playground stands out as the architect of a muscular German nu-disco, flirting with the boundaries of techno. “Don’t Panic” combines percussive pulses and dark tension, while distilling subtle reminiscences of the disco aesthetic. A masterful sonic hybrid, between retro hedonism and contemporary intensity.

Club Mayz delivers a masterful closing performance with “Tonight I Have To Hide”, an electro track fueled by the raw heritage of Detroit techno and the dark textures of EBM. The track combines dramatic tension and synthetic precision in a nocturnal and introspective aesthetic.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition. This release is the second in a series of EPs on which the label's favourite contemporaries pay homage to past masters for ‘10 Year Anniversary’. 4 new Remixes: limited edition on black vinyl (AR032). With the first volume still singing out both in our ears and on our turntables, Archeo Recordings lifts the veil on the second chapter of its celebratory EP series - another shimmering tribute to the timeless and the timely. Once again, the torch is passed to a new ensemble of sonic sculptors, who delve into the archives and emerge with reimagined treasures, equal parts reverence and reinvention. Philosopher and musical polymath Riccardo Giagni made his name as a cultural curator for RAI TV and radio, before lending his expertise in ethnomusicology as a studio musician and songwriter. Originally released to little fanfare and long overlooked until its Archeo reissue in 2019, his 1988 debut LP Kaunis Maa is a masterwork of Balearic ethno-jazz - a guitar-led journey through imagined geographies and dreamt-up dialects. Its closing track, Passeggera, pairs Mediterranean nylon with synth halos, sampled percussion, and the unplaceable vocals of Matia Bazar’s Antonella Ruggiero, singing not in language but in emotion. Now, Claremont 56’s Paul Murphy aka Mudd lends his gentle hand to the piece, reworking its al fresco fusion into something even more languorous. Highlighting the South American sway hinted at in the original, Mudd introduces jazzy synth flourishes, airy percussion, and occasional organ bass, casting the piece anew as a hammock-swung hymn - less a remix than a relocation, from the hills of Lazio to the lush gardens of Mudd’s imagination.

Tauche ein in den epischen Sound von Destiny 2 mit der Original-Soundtrack-Collection von Volume 1. Diese Sammlung enthält die Musik aus der ersten großen Kampagne "Die Rote Schlacht" und bietet dir mehr als eine Stunde legendärer Musik auf zwei schwarzen LPs.Das Gatefold zeigt Artwork-Illustrationen, die die drei Hüter-Klassen inmitten der Ruinen der Roten Schlacht darstellen. Zusätzlich erhältst du eine Sammelkarte mit Artwork von Dominus Ghaul, dem Antagonisten der Roten Schlacht, sowie Commander Zavala von den Hüter-Vanguard - und ein Code für das exklusive Destiny 2-Ingame-Emblem "Drop the Needle".

Ketapasando presents “Mesetarian Breaks” (KTPV004): a high-speed journey through breakbeat terrains Madrid-based label Ketapasando returns with its fourth vinyl release: “Mesetarian Breaks” (KTPV004) — a 12” compilation that celebrates the raw energy and diversity of breakbeat in all its forms.

Four artists, four unique visions, one common goal: break the dancefloor. Pressed on 180g vinyl with full-color artwork and a protective silicone sleeve, this EP delivers an explosive blend of jungle, technoid, ragga-core, and futuristic breaks.

Each track showcases a distinct approach to rhythm, crafted by key figures from both the Spanish underground and the broader European scene.

THE ARTISTS:

FFF, a cornerstone of the European jungle scene, brings a ragga-core blast soaked in rave heritage and hardcore attitude.

Berman, co-founder of Madrid’s Bellota Dubs, delivers a rolling cut built on tight vocal samples and chopped-up 160 bpm energy.

Jailed Jamie, known for his audiovisual storytelling, blends jazzy melodies with sharp breaks for a cinematic yet floor-ready experience.

Tarek, core Ketapasando producer, makes his vinyl debut with a deep, heavyhitting technoid track forged in the fires of the 174 bpm realm.

“Mesetarian Breaks” is more than a record — it's a love letter to broken rhythms, a sonic dive into the Iberian underground, and a statement of intent from a label fully committed to the breakbeat spectrum. Snippets available in this email.

Sarturan Records is back with its 2nd Various Artists release. A powerful gathering of DJs from all over France, offering a dynamic mix of rhythmic electro, break and minimal touches in this 4 tracks EP. Let’s ride with RVR and Kapik from the PSS crew, alongside Lazer Man and Kiss The Future for an enchanting journey.

The second Suture Records release from Spanish label boss Punto is a banger! Pressed in 200 copies and limited. Four killer acid techno tracks that are truly impressive! Suture Records is part of the Flatlife Records Label Group.

Craving wild trips and faraway skies? This record is like a fancy piece of chocolate for your ears — pure endorphin rush! Snack on it anytime and get a front-row seat to a sea of dreamy mist. It’s bursting with colors, waves, and epic getaways. Think sunset vibes turned into sound. Big shoutout to the magic mushroom squad and all the amazing talents on this EP!

ANTAM takes a seat for its 11th release to enjoy a dessert in the milky way. A deep-space VA featuring Jamie Leather, Kiddy Castle, Antoine Sy, and Karaba. From sunrise grooves to disco-tinged machines and seductive after-hour vibes, each track offers a unique flavour of the label’s bleepy, groovy identity. Strictly vinyl, strictly dancefloor.

The Knowledge Imprint 'Selected Reissues' series brings together handpicked tracks from the label's back catalogue to be pressed for the first time on high quality vinyl. Previously available only as digital and small-batch dubplate editions, these tracks will also be given new life with fresh remastering and simple repackaging.

This second release of the edition brings together a collection of standout tracks that have been highly requested on vinyl since their initial releases between 5 and 7 years ago. Yant & William Arist's tracks were the foundation of the 10th label release back in 2020, while label-owner Deano's track 'Tension' was largely responsible for putting the label on the radar in 2018. VIL's 'Golpe de Estado' taken from the label's first VA back in 2019 closes the package.

King Street Sounds return for the fifth sampler in the series. This release showcases four releases from six house music aficionados such as Mood II Swing, DJ Romain, Jon Cutler, Studio Apartment, Quentin Harris and Pal Joey under his Loop Trick guise.

The EP opens with New York duo Mood II Swing’s “Driving Me Crazy” originally released in 1995 and still sounds as good now, 30 years later. Up next is DJ Romain & Jon Cutler with De Ja Vu (Mr.V Roots Main Mix) featuring Jeannie Hopper delivering a mesmerizing vocal. This one’s built for those dim lit rooms.

Kicking things off on the B side is “Beat Freak” (The Shelter Dub) by Loop Trick (otherwise known as Pal Joey). An already outstanding record got a distinguished touch up from New York house legends Blaze.

Drawing this wonderful EP to a close is Studio Apartment featuring Terrance Downs with “We Are Lonely” (Quentin Harris Vocal Mix). The NYC legend adds his deft touch to the Japanese duo’s soulful offering.

Once more King Street Sounds have delivered a powerful EP that any respected collectors & DJ need in their collection.

On Wednesday, September 10th, WHIRLWIND TRAX drops its debut vinyl release, presented under the banner of the label's ULTRANOVA clubnight series. Marking two years of ULTRANOVA at RSO.BERLIN, this first edition brings together a heavyweight selection of past guests and standout producers, including Bours?, Danny Wabbit, Faster Horses, KTK, and label founder Xiorro. Packed with dark, driving grooves, each track is built for maximum impact-essential peak-time weapons for any record bag.

Det Gode Selskab presents its latest vinyl release, DGS10Y2. This exclusive drop continues the label's 10th-anniversary festivities, encapsulating the sound that has shaped Oslo’s underground house music scene. DGS10Y2 brings together a standout selection of tracks, each crafted to capture Det Gode Selskab's unique blend of dance floor energy and rich musical storytelling.


Label founder, Tod Louie opens Side A with Trixie, a playful, modular-heavy progression that shifts between intense stabs and melodic synths, embodying a “devil on the shoulder” vibe. Mike Shannon’s Data Missive follows, blending crunchy modular tones with evolving percussion. Side B features Since Day One by Ohm Hourani, adding hopeful synths and trippy vocals, while Karl Fraunhofer’s Protect The Party closes with a low-slung groove and distinctive vocal effects, telling a well-known late-night tale.


With 200 copies only, this limited edition release stands as a piece of the label’s history. Make sure and don’t sleep on this.

Some of the finest contemporary electric artists come together on one compilation and given that unique Yage remix treatment under the direction of The Future Sound Of London, and including one track by FSOL themselves on this instalment.

From Turin to the World: Neon Reflections Marks 5 Years of Early Reflex with a Genre-Defiant Club Compilation Featuring Pépe, Emily Jeanne, Sonia Calico, Sobolik, & More.

As Early Reflex turns five, the label marks this milestone with a landmark 30th release: a global-minded, rhythm-forward compilation that captures the spirit and evolution of the imprint since its inception. This 12-track release features a cross-section of cutting-edge producers shaping the contours of contemporary club music.

From Seoul to Valencia, New York to Milan, Taipei to London—this collection brings together a constellation of artists whose sonic identities reflect the genre-defying ethos of Early Reflex. Propulsive yet detailed, physical yet intricate, the compilation traverses bass-heavy terrains, syncopated percussive structures, and otherworldly textures, acting as both a retrospective and a projection of what’s next.

Whether you're locked into headphones or immersed in a full club system, these tracks carry the uncompromising, future-facing energy that defines Early Reflex.

Alec Pace said about Neon Reflections:
“It’s incredible to think that six years have passed since our very first Early Reflex event here in Turin—featuring Sonia Calico and Hence Therefore alongside myself—and now we’re celebrating five years of the label with our 30th release. Watching the project evolve from local nights into a platform connecting artists across the globe has been nothing short of surreal. This compilation brings together an outstanding lineup—featuring established names like Pépe, Emily Jeanne, Sonia Calico and Arecibo, longtime collaborators such as Sobolik, Capiuz, Martini, and Ikävä Pii, as well as exciting up-and-coming and new-born talents from across the club spectrum such as Aeery, Biased and Natsumi Hirota. It feels like the perfect way to mark this journey: a milestone release that reflects our identity and community, pressed into a special limited-edition vinyl piece. I couldn’t be more proud.”

Müne isn’t just a label—it’s a sonic language carved somewhere between the imagined and the real. Born from the fusion of the Japanese words 夢 (yume, “dream”) and 音 (oto, “sound”), Müne exists as a liminal space where emotion, memory, and sound design blur into something that feels. Less about genre, more about atmosphere. Less formula, more intuition.

The debut release capture that vision into four tracks shaped by hardware grit, dusty grooves, and moods that shift between tension and warmth.

A-side
Jose Daguerre sets the tone with Barbaria, a hypnotic loop-based workout with gritty low-end, dry drums, and a subtly evolving structure. It’s meditative, but with weight. Electro Reunión leans into stripped-down electro mechanics—tight sequencing, foggy FX, and a lingering sense of space. With Patricio Felip collab on the keyboard, both tracks feel tactile, intentional, and refreshingly unpolished.

B-side
Dani Labb brings Resfr0m, a broken-beat track that feels like it’s breathing—loose and raw, wrapped in textures that drift between dreamy and distorted. Finally, Veloz y Raptor by Juan Proeliis & Cohema closes this first release with a bouncy, dark cut full of kinetic energy, tape color, and playful detail.

MÜNE 001 is a declaration of intent: warm, human, and left-of-center. Built for deep listening and late-night systems.

Berlin's ://about blank club has long been a top hangout for the city's more discerning heads and this year it marks 15 years in the game. It does so with this tenth release on its label arm - a triple EP compilation that brings together 12 exclusive tracks from key artists tied to the venue and who reflect its adventurous musical identity. Kalipo's vocal-driven anthem 'My Heart Is A Hotel' kicks off with cold wave synth energy, then Lawrence's dreamy minimalism casts your mind adrift. There is also Alex.Do and Sylvie Maziarz deliver high-energy techno and rave, deeply cinematic cuts from Inigo Kennedy and Hagen Richter, while Rodmin and Ahu offer lush, hopeful house. The final slab offers moody hypnosis from Anja Zaube, Erik Jaahalli, Irakli and Fragen shuts down on a cosmic note. A great snapshot of ://about blank's sound.

After careful consideration, Black Angus Records has changed its name to BKA Records – short for ""Beats Kickin' Again."" The label relaunches with an EP that fully reflects its roots: four impactful tracks by Italian artists who are now well established in the international house music scene. The first track comes from DJ Soch, founder of the label. It's marked by a powerful beat, driving bassline, and a flowing synth solo that builds tension and energy, aiming straight for the dancefloor. Next is Issam Dahmani, a young DJ and producer, now also a partner in the label, with a warm, full-bodied track that in some sections recalls the sonic approach of Kerri Chandler. A track that's hard not to play. The third cut is by Manuold, a seasoned producer from Palermo, who delivers a sound inspired by early '90s New York house, dreamy and atmospheric, with a strong groove throughout. Closing the EP is Nicholas (of Aura Safari) with a classic flavored production pulled from his archive: gospel touches, piano house elements, and swinging rhythms come together in a track that perfectly embodies the essence of house music.

Second release from Zaragoza’s underground label, Senoidal Records. Just like with their debut, Senoidal 002 brings together a diverse crew of artists, blending generations and styles from the deeper ends of electronic music.

Side A (the info side) kicks off with Wreckoning by 3morph. With a clear UK influence, this track comes loaded with groove and attitude the kind of tune that gets you moving without asking twice.
Up next is Silenzi Imbarazzanti by Italian producer Vikkei: introspective, heavy, and full of intent. Bassline mastery and a top-tier kick make this a pure Acidcore statement.

We turn the record over with Les Enfants Sages and their Magnitude 13.12 sur l´échelle de Deter´, which operates with surgical precision the richness of a powerful kick and the play it can bring.
Closing the record is Mafia Business by Lemurian. A trancecore gem packed with energy, magic, and razor-sharp creativity.

Senoidal Records doesn’t follow trends. We’re not here for algorithms. We’re here to support raw talent, leave behind a worthy musical legacy, make something that truly lasts.

After its first year of existence, the young Madrid-based label Darkhorse Music takes a confident step into the physical format with "Foundation." A release that lays the groundwork for both the musical and aesthetic identity of the label, crafted by some of its most prominent members.

Tarek, Iron, Dreadmaul, and Offish are responsible for creating this intense journey with four stops through the universe of broken rhythms. Breakbeat, Jungle, Halftime, and Techstep are some of the genres that resonate between the grooves of this bomb. (ES) Tras su primer año de vida, el joven sello madrileño Darkhorse Music da un paso en firme al formato físico con "Foundation".

Un lanzamiento que sienta las bases de la identidad tanto musical como estética del sello de la mano de algunos de los mas notorios miembros del equipo. Tarek, Iron, Dreadmaul y Offish son los encargados de confeccionar éste intenso viaje de 4 paradas por el universo de los ritmos rotos. Breakbeat, Jungle, Halftime o Techstep son algunos de los géneros que resuenan entre los surcos de ésta bomba.

Finally, I was able to devote some time to actually getting some collaborations completed for a new release of the Meeting Of The Minds series, with some brand new names arriving to Future Retro London!

Nebula is one of my favourite artists making new jungle atm, his versatility in music on the darker & lighter sides of the spectrum, the richness of his atmospherics and melodies & the way his drum edits flow throughout his tracks, I consider him a big inspiration in what I make. It was an absolute pleasure to be able to work with him on "Without Fear".

I've been enjoying some of what Stekker's been doing in his music, representing the ruffer lo-fi side of production and he's been putting out some great stuff on his own label Ruff 'n' Tuff as well as on a release he did for Coco Bryce's label Myor. I reached out to him about a collaboration and he had started something, which I was really into and that led to "The Quest".

I owe a lot to DJ Trace, as he was one of the first big names in jungle/d&b to really show me support for what I was doing. He gave me my debut vinyl release when he asked me to remix an old classic of his called "Final Chapta", which he released in 2011 on his label DSCI4. I also had music released on a label he started a few years after that called 117 (which I also helped design artwork for), so we go way back. He's been making more music than ever before recently and I was lucky enough to be able to get a collaboration in with him and "Patterns Of Thought" is the end result of that.

I've known Ark X & Duburban for a number of years, I would see them at a lot of events up north, as well as at events in London that they'd travel down for. They also were good friends with Kid Lib and would drive down with him whenever he was visiting/DJing in London & I was becoming familiar with their music through him, through Ark X's labels Supercharger & Hypercharger (where some of Ark X's music was being released under his previous alias of Black Orchid) & through Duburban's collaborations with Jahganaut. Big up to both of them for collaborating with me on "Come A Dance"

It's time for a new compilation in our house and we have some good music to fill it up. This collection of talent is going to be served in two flavours, the physical one a four cut vinyl EP featuring previously only digital tracks and the second one a ten track selection from our back catalogue featuring some of the best producers in our family.

Asier Morillas ( A4 ) is probably one of the most original sci fi specialists out there and he's been part of our sound since his first steps into production. His track Kynosoura is a perfect example of hi tech jazz.

David Reina is also a science fiction specialist, also featured with a full length work in our catalogue, our pick for this collection is Autoscopy, a mental and complex sonic voyage into the best outer space techno.

From Mod 21 we have selected one of his most played tools, Escalation of Violence, the perfect hypnotic drill to boost your mixes properly.

Vertical Spectrum brings us to hyperspace in BALN006 combining a distorted groove with floating alien bleeps in a sci-fi techno masterpiece.

This four cuts will be pressed on wax, let's talk about the next eight:

From his Idle Ep we have chosen Temudo's Spiritual Song, a merciless floor weapon heavily tested on the best clubs and big stages out there.

Next comes BiiBii by Null Forms approaching a more abstract and sci-fi terrain, maintaining the danceable pulse and well-managed distortion. The result is more mental and synthetic. A kind of controlled chaos.

Axial Rotation from Translate starts with a fast paced groove, heavily bass fuelled with a continuous synth line moving across the basement. All sound elements are constantly mutating and evolving although the mood is linear and loopy.

Eight cut comes from Dutch veteran Dimi Angelis, the third from his
A Journal of Impossible Things EP from 2023. The hypnotic bleep penetrates your mind while the dirty sound of the old drum machine sets the pace for your feet. Special mention to the occasional resonant sweep that appears from time to time creating the required tension.

On the ninth, Ruman's Lizard from Where The Ring Ends LP, mental and hypnotic, perfect for adding tension to a mix, again heavily tested on the best dancefloors extensively.

Closing the release, CONCEPTUAL with Red Sun a magnificent closing anthem, no more words needed here.

With this collection you get a tiny snapshot of the sonic palette of Warm Up Recordings sound. Check our full catalogue to get the proper picture.

The 6th instalment in the Clergy 10 years series; featuring tracks from ANNE, Kabay, Truncate, Hyden, Klint and Cleric.






f B3 Albert Zhrinov - Old Malt Cleric 6/10 Remix

The second in Void+1's "Convergence" vinyl-series, "Chapter 2", is a unique, must-have, mini-compilation with a variety of crossover-styles by Tensal, Scalameriya & Cam Lasky, Znzl, Liza Aikin & Monolog.
"Convergence Chapter 2" includes tracks from V+1020D, V+1021D, V+1022D & V+1023D.

Die legendäre Vinyl-Serie für alle Italo Disco-Fans geht in die nächste Runde!

Mit The Italo Disco Collection Vol. 3 erwartet dich eine exklusive 4LP-Box, randvoll mit den größten Klassikern der Italo Disco-Ära der 80er Jahre – ein Muss für Sammler, Nostalgiker und Liebhaber des typischen Synthie-Sounds.

Diese Box bringt den Sound der Tanzflächen der 80er Jahre zurück – authentisch, analog und mit jeder Menge RetroFeeling. Ideal für DJs, Fans der Italo Disco-Szene oder als stilvolles Geschenk.

Hip Hop legends Micall Parknsun, Joker Starr & MCM (Caveman) join forces over a dope Jazz T boom bap killer "Nebula X". 7" vinyl with the instrumental on the B-side and amazing artwork by Matt Littler!

The fifth installment of Greyscale’s Exposure series is nothing short of essential. Pressed on stunning clear 180g vinyl, Refractive Index is a masterclass in dub techno and dub house - deep, textured, and endlessly playable. Built for selectors and sound purists alike, this release embodies the timeless beauty of the genre and the label’s unwavering commitment to vinyl culture. A future classic.

Muzik & Friendz Records is absolutely thrilled to announce a momentous milestone: we are celebrating our 10th anniversary! To mark a full decade of music, community, and friendship, we are incredibly proud to present a special various artists vinyl compilation.
This celebratory record sees us reunite with some of our closest friends and talented artists who have been integral to the Muzik & Friendz journey. We are so happy to come back with this new release featuring captivating contributions from JR From Dallas, Pat Lezizmo, Rawdio, Franksen, and an exciting, previously secret collaboration project known as Padeera. Each track has been carefully selected to deliver genuinely groovy, infectious, and compelling house cuts that embody the sound and spirit of the label.
Join us in celebrating ten years of passion for music with this essential vinyl release, packed with fresh tracks from the family.

Mother Recordings is back for summer 2025 with a bang! Get ready for a lineup bursting with exciting releases, features, and remixes starting this August.
We are thrilled to introduce Nesi, Catalonia's hottest female export and a rising star in the electronic music scene. This time, Nesi teams up with New York house legend Mr. V for a collaboration you won't want to miss. Their track, "Feel Blessed," is destined to become a classic, featuring a monster bass line groove and infectious vocals from Mr. V himself.

This awesome 4 tracker EP comes also with some other dope collaborations as Scotty Cal, Garry Todd ft. Queen Rose, C´mon, Nhan Solo, Otistic ft. Lyric Christian and Mark Maxwell ft. Steve Obsidian.

Tracks are heavy supported and played by Matthias Tanzmann, Piem, Franky Rizardo, Jamie Jones, Claptone, Cassimm, Junior Sanchez and many more.

SEVEN is proud to release their second Various Artists compilation on double 12" Clear Vinyl and Cassette. Again the label introduces 7 new artists to the label including a production debut by Carmen Electro who releases her first ever track plus music from Berghain / Panorama bar DJ's Zombies in Miami, Byron Yeates and Pink Concrete.

SEVEN is proud to release their second Various Artists compilation on double 12" Clear Vinyl and Cassette. Again the label introduces 7 new artists to the label including a production debut by Carmen Electro who releases her first ever track plus music from Berghain / Panorama bar DJ's Zombies in Miami, Byron Yeates and Pink Concrete.

Ten years, a compilation. It"s not a conclusion, nor a greatest hits. More like a pause, a moment to reflect - a look back to better move forward. Since 2015, Les Disques Bongo Joe have been navigating instinctively, yet with a compass all their own: a love for free-spirited sound, a curiosity for the undefined, and a clear idea of what a label can be - a space for listening, care, and invention. The compilation offers a journey - subjective, fluid, and unapologetic - through ten years of sonic activism. A selection of tracks drawn from the label"s corners and crevices: from early releases to recent ones, from essentials to rarities, from cult reissues to contemporary works that carry the label"s energy forward. The record flows between raw intensity and sonic finesse, between remastered archives and flashes of electronics, between fragile voices and hammered percussion.

It’s that time of year again… DEXT Recordings returns with the next instalment in our strictly limited vinyl series. DEXT LIMITED COMP VOL. 2 brings together four essential cuts from the DEXT catalogue, two recent digital standouts now making their wax debut, alongside two brand new exclusives you won’t find anywhere else.

Mak & Pasteman kick things off with the 2-step mind-bender "Gold Teeth", which has been tearing up clubs all summer, while Pugilist delivers deep, dubby percussive pressure on "Machinic". Flip the record for L Major’s rave-ready "Hole in the Speaker", and Hooverian Blur’s futuristic breakbeat workout "Twice Removed".

Limited to just 200 copies and mastered for maximum dancefloor impact, this one’s for DJs & collectors.

Flickering, the holodeck screen displayed the decrypted data… Schematics for an illegal type of field generator… Waves of Full Metal Frequencies could override any anti-music technology… A tetrad fusion core is required… Scour the edges of the planet to find it… “These guys from Zeta Reticuli are no joke”… “You’d have to be insane to pilot this thing”…


The year is 1989 and it's the peak of the Belgium New Beat craze. Not limited to records and clubs, the New Beat lifestyle was marketed to death with all sorts of fashion items, a plethora of accessories, and at least one erotic movie.

Fast forward a few decades. In the middle of nowhere, Switzerland, tucked inside a long-forgotten video store that closed its doors in 1999 and sat untouched for 20 years, we stumbled upon a strange treasure amongst tons of VHS hidden in the adult section. A mysterious VHS labeled "Erotiques New Beat."

What we found was pure 1989 Belgian erotica-low budget, fog-drenched, and neon-soaked. Minimalist sets. Girls in PVC. Flashing lights. Mirrors. Fog machines. Loud colors. It was erotic, sure-but also oddly sweet, almost innocent in its surreal, lo-fi dreaminess.

And then came the soundtrack.

That's what really floored us. A collection of New Beat gems, raw, simple, irresistible. Somehow, it captured the full spectrum of the genre: 100-110 bpm grooves with shades of EBM, sleazy coldwave rhythms, sensual synths, proto-Goa pulses, monk choirs, oriental melodies, and a healthy dose of movie samples. It felt alive. Timeless. Utterly perfect.

We had to know more. We dug, tracked down the source, and in 2020, reissued the soundtrack on vinyl. It sold out fast. Now, five years later, we thought about pressing one final batch. A special edition on picture disc, featuring the original smileys from the VHS.

White Vinyl

432HERTZ BERLIN Returns With a Fierce Second Vinyl: “303rd Dimensions”

After the hypnotic depths of its debut release, 432HERTZ BERLIN surges back with a blistering six-track compilation crafted for the more daring corners of the dancefloor.
“303rd Dimensions” is a raw and relentless journey through acid-laced techno and electro, where analog grit meets mind-expanding energy.

The label continues to push boundaries, cementing its place in Berlin’s underground with a second release that’s as functional as it is uncompromising.

Side A: Acid Pressure and Dancefloor Dynamics

• A1: Cognitive Dissonance – Dan Piu
An acid-drenched techno voyage from Dan Piu, where 90s-inspired psycho vocals intertwine with layered pads and driving TB-303 lines. Tension builds, reality blurs.

• A2: Reverse – Rinaldo Makaj
Rinaldo Makaj delivers a raw analog workout with “Reverse”: pounding drums, sizzling acid riffs, and sensual vocal snippets collide in a late-night warehouse ritual.

• A3: TAR 1000 – Electric City
A full-throttle electro weapon — massive analog sound design, laser-sharp grooves, and pure machine funk engineered for peak-time destruction.


Side B: Acid Tension and Mind Games

• B1: Drop The Bass – Gela
Obscure, elegant, and acid-infused — Gela crafts a stripped-back electro trip that hypnotizes dancers with subtle menace and percussive clarity.

• B2: Pressure – Mathii
Mystical vocals echo through a lattice of electro arpeggios, as Mathii channels tension and atmosphere into a slow-burning, magnetic groove.

• B3: Functionality – Gianluca Pellerano
A masterclass in minimal effectiveness — Gianluca Pellerano’s contribution is pure dancefloor utility, built with MPS precision, rhythmic control, and vocal finesse.

A Testament to Underground Electronic Music

Curated by Rinaldo Makaj, 432HERTZ BERLIN's second vinyl release is a powerful testament to the boundless creativity and diversity of underground electronic music.

200 Records marks its 50th release with a four-track EP showcasing both fresh faces and long-time contributors to the label. M.R.E. opens with a vibrant house cut, full of energy and warmth. Blauert follows with a deep, dub-tinged house track, subtle but with a steady, driving rhythm that keeps things moving. Havantepe contributes a deep and intricate Detroit-inspired techno track, rich in texture and unmistakably his own. Till Krüger rounds off the release with a timeless B2 track: —subtle, melodic, and unmistakably his in style.

Highly recommended by Paul Nazca, Tim French, Chad jackson, Brett Gould, Johan, Sinca, Spencer Brown, Steve parry, Ruede Hagelstein,
Karotte, Alexander maier, Greg Eversoul, Dibby Dougherty / Island Hill, Adi Shabat, Michel de Hey, Francesco Chiocci, Paul James Nolan,
Yas Cepeda, Urmet K, Satoshi Fumi, Steve Raschke, Siavash, Ranj Kaler, Nhar / Bernhard Siefert, Four Candles, Alex Neri, Dimitri Schnider / Definition,
Yves Eaux, Cerillio, Paco Osuna, Lonya, Richie Hawtin, Just Her, Stefano Lotti, Nick Stoynoff, Joseph Capriati, Luke Garcia, Mihai Popoviciu, Daniel Mehlhart, Joris Voorn, Jamie Jones, Greg Fenton, Audio Jack, Stefan Weise....to name a few!

Welcome to Candyland, somewhere between a sugar rush and a lucid dream?

Merov', Evock, Occibel and Roulade 2000 have cooked up some sugar-coated, syrupy tracks, sweet enough to rot your teeth?

Best enjoyed as part of a healthy diet.

Who’s ready? Release your release.

2025 Repress


Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves. Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her husband Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson's investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as (pronounced 'Tch Tch Tch"). Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want. The short lived project also featured Philip Jackson, whose husband-wife duo The Couch is restored from Fast Forward's dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

Colored Repress

Unveiling a pure vinyl-only gem, altēr:altēr brings together the underground brilliance of RQZ, Nomen (aka Akyra), Atef and Ragan. This meticulously curated release is laser-focused on the dancefloor, weaving a spectrum of minimal grooves that perfectly complement every moment of the night.
From hypnotic late-night rollers to peak-time drivers, each track delivers a raw, unfiltered energy that speaks directly to true connoisseurs of the underground. With its versatile yet cohesive flow, altēr:altēr ensures you’re armed with the essential sounds to shape the mood and elevate the vibe of any clubnight.

No frills. No compromises. Just the essence of the dancefloor pressed into wax.

Deep Steppe begins its journey with A Steppe Into The Sphere, a debut release that stretches across California's coastline, from San Diego to San Francisco. The EP moves through sonic spaces-shaped by deep rooted influences. The A-side looks back while carving a path forward for deep house and minimal lovers. The B-side shifts focus, pushing into the future with raw, kinetic tech house and electro energy. A steppe into the sphere, a step into the future-this is just the beginning.

With two critically acclaimed compilations already under his belt, DJ / collector miche returns to Mr Bongo with the third instalment of his With Love series. Testament to his ever-expanding taste, Volume 3 isn’t just a subs bench call-up from the past compilations, it’s an evolution and progression casting the net deeper and wider than before.

Keeping true to the series, but with some fresh surprises along the way, this carefully curated compilation is a celebration of soulful, independently released music from across the globe, and the amazing (often unsung) musicians and vocalists that made these sublime records.

Across the third volume, miche explores a jazzier side of his tastes. “The deeper I went, the more I found myself gravitating towards jazzier music - not leaving soul behind, but following that same feeling into new territory”, he explains. Tracks like the gliding jazz funk found on Late Nite Music Band’s ‘Sundance’, or the glorious jazz-soul number ‘In Flight’ by Spectrym are shining examples of this.

That defining soulful thread of previous volumes is still in full effect throughout this latest edition. “There’s a healthy dose of impossible-to-find soul gems that have that unmistakable, heartwarming feel. Tracks like John Simmons' 'Ain't Nothing Like The Love', which I've adored ever since Zaf Love Vinyl played it, sit perfectly alongside records like Le Cop and New Way”, states miche.

The addition of some top-tier Turkish music showcases another side to his ever-broadening taste. Nükhet Ruacan's 'Gölge' is something unique, a floaty Brazilian-inspired gem recorded in Turkey and not what you’d typically expect from Turkish records of this era. 

It also wouldn’t feel right to leave out a stop in Brazil, with miche looking to the work of Carlos Bivar whose track 'Amargo Amar' carries that undeniable groove of samba-funk from Rio.

Spreading the With Love message far and wide the series has led to miche DJing across the globe, “from batucada sessions in Timisoara, to all-night sets in a club in Beijing, and even an eight-hour Root Down With Love stage takeover at We Out Here festival, joined by Danilo Plessow, Jeremy Underground, and of course, my mentor and buddy Rainer Trüby.”

Volume 3 then, carries that message even further. It’s an eclectic but intentional collection, built for the music lover who wants to discover something new. Working just as well as a soundtrack to cook dinner to, as it does keeping a packed dancefloor moving into the small hours.

next instalment in our ongoing ‘Yearbook’ series – pressed in lovely-lime-green vinyl on a 3-LP set packed with 47 stellar tracks celebrating a brilliant year of pop singles. NOW – Yearbook 1976.



LP1: Kicking off in magnificent style with signature songs from legendary artists: A #2 in 1976, Queen’s ‘Somebody To Love’ is first up, followed by Electric Light Orchestra with ‘Livin’ Thing’, Fleetwood Mac with ‘Say You Love Me’, and 10cc with ‘I’m Mandy Fly Me’. Dr. Hook had a huge hit with ‘A Little Bit More’, and Chicago hit #1 with their all-time classic ballad ‘If You Leave Me Now’, while the side closes with Eric Carmen’s enduringly popular ‘All By Myself’. Flip the LP over for huge hits from the year – including 4 #1s: 14 years after making their UK chart debut, Frankie Valli & The Four Seasons enjoyed their first chart-topper with ‘December 1963 (Oh What a Night)’, whilst Leo Sayer reached #2 in the UK, and #1 in the US with ‘You Make Me Feel Like Dancing’. Pop gems follow from David Dundas, Bryan Ferry, Sailor, Smokie – and Slik, featuring a pre-Ultravox Midge Ure reached the top with ‘Forever And Ever’. Showaddywaddy celebrated their biggest hit and their first #1 with ‘Under The Moon Of Love’, and the UK won at Eurovision, with the winner ‘Save Your Kisses For Me’ by Brotherhood Of Man not only hitting the #1 spot but also becoming 1976’s biggest seller and bringing the first LP to a close.



LP2: Opening with a stellar run of pure-pop classics. Elton John celebrated his first UK #1 single, in a duet with Kiki Dee on ‘Don’t Go Breaking My Heart’, and Cliff Richard with ‘Devil Woman’, ahead of dance-floor favourites – and both #1s in ’76: Tina Charles with ‘I Love To Love’ and The Real Thing with ‘You To Me Are Everything’. More pop nuggets follow from Billy Ocean and Dana, before the side finishes with R&J Stone with ‘We Do It’ and the sublime ‘Midnight Train To Georgia’ from Gladys Knight & The Pips. Over on the second side, ‘Silly Love Songs’ gave Wings a UK #2 and became ‘76’s biggest seller in the US and opens a run of great vocalists; Neil Diamond, Daryl Hall & John Oates with ‘She’s Gone’, Paul Simon’s ’50 Ways To Leave Your Lover’ and a trio of the year’s classic rock smashes: ‘The Boys Are Back In Town’ from Thin Lizzy, ‘Squeeze Box’ from The Who, and closing with the epic ‘Music’ from John Miles.



LP3: Celebrating ‘76’s dancefloor with a stunning collection of disco and soul gold: First up, Donna Summer with her debut smash ‘Love To Love You Baby’ before ‘More More More’ from Andrea True Connection and Candi Staton’s timeless ‘Young Hearts Run Free’. Melba Moore with ‘This Is It’ comes ahead of Diana Ross with the genre-defining ‘Love Hangover’, and the side is completed with huge floor-fillers from Tavares and Barry White ahead of The Isley Brothers with the soul standard ‘Harvest For The World’ and over on the final side country music is represented with Dolly Parton making her UK singles chart debut with ‘Jolene’ three years after it was a hit in the US, but it was a Dutch band, Pussycat, who hit the top with their country-pop track ‘Mississippi’. Bonnie Tyler made her chart debut with ‘Lost In France’, and ‘Forever And Ever’ gave Demis Roussos a ’76 chart topper, and an easy-listening classic, whilst Guys N Dolls had a second Top 5 hit with their cover of ‘You Don’t Have To Say You Love Me’. The LP ends with a trio of the year’s most beautiful ballads: Gallagher And Lyle with ‘Heart On My Sleeve’, ‘Love And Affection’ the stunning singles chart debut for Joan Armatrading, and finishing with a second peerless single on this collection from Elton John with ‘Sorry Seems To Be The Hardest Word’.



NOW – Yearbook 1976 – a celebration of the diversity and wonderful creativity of a truly fabulous year in pop.

Breidenbach returns with its third vinyl release, a four-track V.A. titled Nothing Can Go Wrong — a confident outing from the Heidelberg-based imprint, built around minimal house aesthetics, dub accents, and deeply hypnotic cuts. Uniting artists from Japan, Germany, and Sweden, the EP brings together three distinct voices aligned by a shared sense of groove, texture, and restraint.

On the A-side, Sasaki Hiroaki opens with "Groove Keep Practice", a warm, rolling Deep House track laced with sensual female vocal snippets and dubby pads. Subtle delays, spaced-out beats, and a fluid rhythm create the perfect recipe for dancefloor hypnosis. FilOu follows with two cuts: "Stampede" on A2 is crisp and crunchy, driven by a syncopated, funk-leaning bassline and surrounded by micro-glitches, sampled stabs, and airy textures that keep things moving. On the flip, "Astral" expands the palette with similar percussive tightness, but the basslines hit deeper, growling through the arrangement with attitude — hypnotic, consistent, and built for long blends. Chris Llopis closes the V.A. with "Aetherial Haze", a bright and melodic entry full of FM-style synths, scattered vocal snippets, and dubby echoes. It’s the most playful moment of the EP, but still rooted in the heady minimalism that runs through the entire release.

With Nothing Can Go Wrong, Breidenbach continues to define its space — thoughtful, functional records built for DJs who know that less is often more.

PANORAMA 2 VA marks the celebration of Rummel's first anniversary, featuring tracks from Abuk, Agustin Giri, Djolee, Gespona, Golden Hour, and Last Men On Earth!
Limited Edition / Red Vinyl.

theBasement Discos is back with another heavy wax instalment: a four-track journey split between groovy flavour and straight-up dancefloor heat.

On the A-side, Cabin Luv Affair brings a Latin-tinged bomb with "Toma Todo", followed by Bauhouse’s "Whole Lotta Groove", a dusty jam laced with rhythm and soul. Flip it and the B-side gets nastier: Romeo Louisa drops "Can’t Let You"; peak-time house pressure with attitude, while Gabi Fischer rounds it off with "Hit That", a raw jacker built to move feet and shake walls.

Anothr World steps onto the bridge between Paris, the Ruhr Area, and Berlin.

Marking its debut with a vinyl-only release, the label presents a compelling Various Artists compilation that sets the tone for its unique sonic identity.
From France, Berlin-based Casual Treatment and Paris-native Hemka contribute powerful tracks. Representing the Ruhr Area, Rostom and Verschwender bring their own distinctive energy, grounding the release with gritty, hypnotic textures and raw groove.

This first offering is a bold statement of intent - a fusion of cities and sounds.

The maiden voyage for ANIMA's forthcoming label - ANIMA Records, debuts with a bang. Assembling a powerful group of artists including Arthur Robert, Glaskin, Red Rooms, and Temudo for its first release, the message is clear. This is not only a musical project, it's turning the page for the next phase of electronic music. The team behind ANIMA is determined to translate the ethos of our events into the project; a quality, diverse, and global-thinking sound.
Team: Enlisting the help of Florian Deckers (who built the BCCO label), Esquive Studio (the brain behind all the anima graphics), and Rene Wise (as a long term mastering partner), we hope to help transform the direction that dance music is evolving. By offering the local and international music scene... something different.

We’re thrilled to finally unveil our highly anticipated second vinyl VA release, Mindblender. This record brings together four unique minds: Anoesis, Volen, Joel Brittain and 4:32 AM, each blending their own distinct flavour into one deep, cohesive journey.

Expect hypnotic grooves, twisted rhythms and heavy basslines guiding you through introspective soundscapes.

This is more than a VA — it’s a collision of perspectives, a true blend of minds.

Techno Club Retro Vol. 1 – Vinyl Edition

Sechs legendäre Trance-Tracks aus den 90ern & 2000ern – in den erfolgreichen Talla 2XLC Reworks – auf exklusiv farbiger, streng limitierter Vinyl!

Mit seinem Label Technoclub Retro! lässt Talla 2XLC unvergessene Trance-Klassiker mit viel Liebe zum Detail kraftvoll und emotional neu aufleben.

Techno Club Retro Vol. 1 ist eine Zeitreise durch die Trance-Geschichte, präsentiert durch die ersten sechs erfolgreichen Veröffentlichungen des Labels. Perfekt für Liebhaber, DJs und Sammler gleichermaßen ein Statement auf Vinyl!

Side A:
• Dito – Shadows (Talla 2XLC Remix): Das Original aus 2000 – melancholisch und hypnotisch – erhält eine treibende Dynamik mit Gänsehautmomenten.
• Triple Concept – Tonetwister (Talla 2XLC Remix): Von 1998, bekannt für das ikonische NASA-Sample. Der Remix liefert eine wuchtige Bassline und modernes Clubfeeling.
• Alpha Breed – Epic Future (Talla 2XLC Remix): Ralphie B’s Meisterwerk von 1999, jetzt mit psytrancigen Akzenten – energetisch und atmosphärisch zugleich.

Side B:
• Talla 2XLC – Follow The Meteor: Ein Remake des Vectrex-Hits von 2004 – zwischen mystischem Drive und Adrenalinschub, perfekt für die Peak-Time.
• Plastic Angel – Schatten 2021 (Talla 2XLC & Para X Remix): „Schatten“ von 2001, neu aufgelegt von zwei Trance-Veteranen – emotional, druckvoll und voller Tiefe.
• Traveller – Bright Sign (Talla 2XLC Remix): Hardtrance trifft Psy – der 2002er Kulttrack bekommt fette Breaks, bunte Strings und kompromisslose Energie

Official Movie Soundtrack of the future cult "RAVE ON".
Produced and Edited by Inland (Ed Davenport).
Tracklist curated by Ed Davenport, Freddy K & Viktor Jakovleski.
RAVE ON is a brave, captivating feature film that portrays the subculture of techno like rarely before. Made by real club culture lifers and ravers, it stars Aaron Altaras with appearances by Hieroglyphic Being and Lucia Lu.
A movie by Berlin based filmmakers Viktor Jakovleski & Nikias Chryssos.

Death Is Not The End release a second part collecting pre-partition film music, compiled by Gary Sullivan of Bodega Pop.

As the 1940s began, South Asian cinema entered a transformative phase. Playback singing, still a new idea in the previous decade, quickly became standard practice. Actors no longer had to sing, and singers no longer had to act, opening the door to a wave of dedicated vocal talent that redefined the sound of the industry.

Voices like Noor Jehan, Shamshad Begum, and Suraiya rose to prominence, becoming household names across the subcontinent. Behind them, composers like Naushad, Anil Biswas, and Ghulam Haider were expanding the sonic palette of film music, blending ragas with Western orchestration, folk tunes with jazz-era instrumentation. Harmoniums, sarangis, violins, accordions, and clarinets filled out increasingly complex arrangements, while ghazals and qawwalis continued to influence mood and structure.

Although the post-Partition years are often considered to be Bollywood's "Golden Age," thanks to filmmakers like Raj Kapoor, Bimal Roy, and Guru Dutt, the music started its peak just before the divide. By 1947, Naushad and others were producing some of the most emotionally rich and musically intricate work in the industry's history, compositions that would prove challenging to surpass in the decades that followed.

Yet this high point came during a time of immense upheaval. The Second World War, the Bengal famine, and the crumbling of colonial rule all loomed large. Film songs often reflected the uncertainty, sometimes mournful, sometimes romantic, sometimes defiant. And when the Partition finally came, it fractured the world that had created this music. Artists became refugees, studios were split, and careers were thrown into flux. Noor Jehan, who would go on to become Pakistan's most iconic singer, recorded many of her most beloved songs in Bombay. Khursheed, another major star, faded from public life after migrating. K.L. Saigal, a towering figure of the 1930s and '40s, died in Lahore just months before the split.

This collection spans those final years before Partition, a time of creative flowering and looming catastrophe. Like Part 1, these songs were sourced from immigrant-run music shops in New York and New Jersey. They are fragments of a vanishing world, each one a snapshot of the art, longing, and resilience that defined this extraordinary era.

In celebration of the iconic film’s 30th anniversary, this is a standard weight vinyl reissue of the platinum-selling original motion picture soundtrack, featuring songs by Radiohead, Supergrass, Beastie Boys and many more!

On their last trip to Silberland, Bureau B hurtled along the chrome highways and glass skyways of the kosmische landscape, powered ever onwards in perpetual motorik motion. This time, however, the Hamburg imprint opt for an unhurried itinerary, coasting far beyond the familiar rhythmic terrain to explore crystal caverns and emerald pastures, immersing listeners in the ambient side of this alternative Allemagne. Building on the tape loops, tone poems, and minimalist compositions of the 60"s avant-garde, these musicians utilised the sweeping scope of the synthesiser to create expansive meditations on outer-planetary escapism, human connection, and the natural world. This compilation offers a survey of this singular era, blending pioneering voices with lesser-known artists for an immersive sonic experience.

The third release on the B.I.T. Productions ALTERNATIVE label features another 4 Track E.P. with 4 different artists, K69 Dream Frequency, Stu Chapman, Matty D & Avit & A.PLUS.

The K69 Dream Frequency track is a new 2024 version of the K69 release from 2021, itself a cover of the Elevation track from1992, and it's much more energetic but still keeps the catchy vocals and the hands in the air pianos.
Matty D & Avit "Africa" is the Stu Chapman Remix with plenty of pianos, throbbing bass, strong breakbeat and catchy vocals.
Stu Chapman "Just Can't Get Enough" is a banging breakbeat track with a big piano riff, dirty synths and catchy vocal.
A.PLUS is a piano driven breakbeat track with catchy vocals &nice synth melodies that is even better than the A.PLUS track from COLLECTIVE E.P.1.
A great 4 track E.P.

Kicking off our VA series we’re pleased to present Frequencies Vol. 1. Six brilliant artists covering a variety of dancefloor moods and energies.

The Belgian duo A.G. & Kompo have delivered an extended slice of punchy minimal techno for the A1, with elements of tech house and progressive leaning synths scattered throughout. David Agrella’s welcome return to Seven Hills sees him developing the late morning atmosphere titled Amfexa, utilising a groovy bassline, classy pads and some expertly organic drum programming.

On the B side the Hamburg based Rupert Marnie and our beloved Dutch friends Young Adults add a darker tinge to this release. Parapsychic is a gurgling meditation; very minimal which allows the drums and alien sounding bass sounds to punch hard through the mix. Closing us off is Exothermic, a monstrous, almost hellish bit of deep tech house.

Lots of textures, a rubber elastic kick drum, and a hypnotic, groaning vocal which sounds as if it was dredged up from the underworld.

In the previous episode, the Vibracid technique was discovered as a way to deactivate memories imposed by technocratic elites.

Now, with VIBRACID 2, its real deployment begins: a series of sonic attacks targeting control systems through rave vibrations.

Each track is a weapon. Each producer, a node of resistance. “Vibracid Advent,” the single that launched the assault, opens the mini album with acidic force — delivering the first sonic strike that breaks through imposed control. From the acidic and powerful aggression of Calagad 13 (Spain), through the modular precision and acid techno of C.C.O (Contra Communem Opinionem, Switzerland), to the dark, industrial electro of Mokotron (New Zealand). Atix brings the French 90s rave energy; Wicked Wes, from Florida (USA), builds grooves with bifasic rhythms and glitch textures; and Romphea (Greece) closes with distorted breaks exploring chaos and sonic escape.

Careful sound and mastering, and exceptional design for a limited edition of 150 copies on solid red vinyl.

Queen Dem features multi-talented artists, writing, singing, producing, creating new genres of sound. This album offers a snapshot of the current writing of musical history by women who embody confidence and conviction in their art – whether they are firmly-established artists such as Yaya Bey, Yaeji, Dizzy Fae, Sudan Archives, COUCOU CHLOE and Georgia Anne Muldrow or under the radar rising stars such as Queenie, Aunty Rayzor, Vanessa Tha Finessa, MC Yallah or Nira.