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Ro70 - Ro70 2x12"

Ro70

Ro70 2x12"

2x12inchSMLP2
Sister Midnight
04.04.2022

In the vast musical archive that is Roman Flügel’s discography, Ro70 holds a special place. Written, performed and produced between January and July 1995, it is his debut album as a full-fledged solo artist. Enquired and inspired by a certain David Moufang from Heidelberg, who used to share a classroom with Jörn Elling Wuttke at the SAE Institute and revealed himself to be an Acid Jesus fan and also of the Roman IV 12“ project, it seemed like a good fit for his (and Jonas Grossmann’s) Source Records label.
In the days before file sharing that meant going back and forth with various DATs in his mom’s Volkswagen Polo Fox for actual listening sessions between Darmstadt and Heidelberg. The time was as special and idiosyncratic one as was the sound of Source Records and of course Ro 70 itself. While the rave-olution was ready to eat its kids with the commercial outlook of former underground phenomena looked bright and the scene’s prophecy seemed grim, enterprises like Source and artist like Roman Flügel were defying any competition out of those corners with their own means.
Listening back to the ten tracks of Ro 70, it proves them, their taste and artistic vision right. Probably still being put into the ambient, downtempo, electronica or chill out sections of most record shops, this music could have been made, relished and cherished anytime between 1995 and now. Made in Roman’s home studio in his parent’s house or in the Klangfabrik studio in Egelsbach, this was made for before or after the rave – or for people who din’t want to have to do anything with it at all. His signature is all over it. Well balanced soundscapes with an almost uncanny presence and clarity. Bittersweet symphonies that doesn’t seem to be in an inferior position to modern classical or electronic studies.
It is also a very personal testament to a time in the artists’s life that was ready to get caught in the maelstrom of the oscillating techno city called Frankfurt am Main and its halcyon days between the Delirium record shop, Sven Väth’s marathon sets, the early days of the label triumvirate Playhouse, Klang & Ongaku. In a musical journal without lyrics, those memories will have to stay pantomimic and private. All for the better, that we can at least still listen to them.

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19,79

Ültimo hace: 3 Años
Various - Hip Hop Collected LP (2x12")
 
25
También disponible

Black[39,71 €]


Hip Hop Collected will take you on a musical journey through the history of hip hop. This 2LP covers the first 20 years of the genre, showcasing 25 early pioneers who participated in the rise of hip hop. This compilation features music from the new labels that started to rise from the underground scene, like Sugar Hill Records, Profile and of course Def Jam. Including artists that defined a genre, a lifestyle and most of all, artists that inspired millions of young kids with both socially critical lyrics as well as classic party anthems.

This hip hop compilation album is part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia and uncovering new musical grounds at the same time.

The 2LP features Kurtis Blow “The Breaks”, Grand Master Flash & The Furious Five “The Message”, Beastie Boys “She’s On It”, Rob Base & DJ E-Z Rock “Get On The Dancefloor”, and Eric B. & Rakim “Paid In Full” amongst many others.

Hip Hop Collected is available as a limited edition of 5000 individually numbered copies on red (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos and credits.

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37,61

Ültimo hace: 4 Años
SIMONE AHÀ - CONSTRUCTIONS EP

Constructions seeks to explore the world of pulsing rhythms, gritty synth lines and corny vocals. Through a nostalgic glance towards the 80’s italo disco era Love a la Carte attempts to recreate the almost naive atmosphere that was unavoidable through 80’s music charts, while Over These Hills is a contemporary boogie tune partly inspired by the likes of Sade, Chic and even Tears For Fears. Assault, a synth dominated piece of storytelling, samples dialogue from John Carpenter’s 1976 cult classic Assault on Precinct 13, and Mechanical Bird is an instrumental journey through various electronic soundscapes.

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11,56

Ültimo hace: 2 Años
Spindrift - Classic Soundtracks Vol. 3

Described as a ’60s garage rock band performing as a mini-orchestra stuck within a Tarantino film, Los Angeles-based Spindrift is a cinematically inspired rock band that has also been described as “Heavy Western” or “psychedelic spaghetti-western rocknroll.” Led by songwriter-producer-composer Kirpatrick Thomas on guitar and lead vocals, along with Portland-based guitarist Becca Davidson, bass / baritone guitarist, producer, and vocalist Riley Bray, and aerospace engineer Joe Zabielski on drums and electronics, Spindrift creates a cinematic scope that has been heard on their compilation albums like Classic Soundtracks Vol 1, 2, and The West (released by Xemu Records), HBO’s Eastbound & Down (Seasons 1 & 2), the Quentin Tarantino-produced biker exploitation film Hell Ride, the film Diablo (featuring Scott Eastwood), and “The Ballad of Darrell Lemaire” from Season 1 Episode 9 of Hamilton’s Pharmacopeia (Viceland). Classic Soundracks Vol. 3 is their tenth studio soundtrack compilation album, co-produced by Riley Bray and Jello Biafra. Released by Jello’s own Alternative Tentacles Records, it completes a trilogy of themes from various feature films, documentaries, and TV mini-series. This final installment reveals a new level of maturity from the band, opening doors to new genres including espionage-esque Bond themes, upbeat guitar duets, “Italian Polizia” car chase electronica, hard rock from the Middle East, psychedelic disco, and progressive “kung fu” rock." "Los Angeles-based cinematically inspired rock band’s third in a trilogy of themes from various features. Songs have been heard on HBO’s Eastbound & Down, the Tarantino-produced Hell Ride, Diablo and Hamilton’s Pharmacopeia on Viceland.

Reservar18.03.2022

debe ser publicado en 18.03.2022

24,33
Various - LOWRIDERS ~ SWEET SOUL HARMONY FROM THE GOLDEN ERA LP

Our Lowriders album is an amalgam of the two “This Is Lowrider Soul” CDs. We have chosen 14 tracks that represent the sounds loved by Los Angelenos, often of Mexican descent, that emanate from their fabulously designed motors while cruising Whittier Boulevard in East LA or, say, Van Nuys Boulevard in the northwest of the city.

The classic Los Angeles vocal group the Superbs are featured here on their glorious ‘It Hurts So Much’, but it is mainly the records discovered by sweet soul collectors that dominate. The Carnival label has a great reputation on this scene; Lee Williams & the Cymbals’ ‘Please Say It Isn’t So’ and ‘Follow Your Heart’ by the Manhattans are a pair of killer ballads perfect in tempo and harmony for the cruisers. Other East Coast offerings include the Persians’ captivating ‘Here It Comes’ and two gems which were only on master tape prior to their Kent releases – Melvin Hicks & The Versatiles’ ‘I’m Just Passing Time’ and the similarly unknown outfit the Exceptions, with the wailing ‘So Much In Love’.

Chicago has always been a breeding ground for black harmony groups. The Esquires saw much success at Bunky; ‘No Doubt About It’ was their equally great first release at Wand. Little Ben & The Cheers hailed from the same city; their ‘I’m Not Ready To Settle Down’ fetches big bucks due to Lowrider demand, as does ‘What Am I Gonna Do’ by the mysterious Houston Outlaws – their origins are uncertain, but must be Midwestern. The Vanguards hailed from Indianapolis and deservedly charted with ‘Somebody Please’, licensed to LA’s Whiz label. All of their seven singles on Lamp are also fine, harmonic soul tracks. The Lovers were a Bay Area group who recorded in Los Angeles with the maestro Arthur Wright; their ‘Someone’ was tipped for the charts when licensed to Philips, but flopped, leaving it ripe for revival by the soul connoisseurs. Like the Lovers, the reputation of Reuben Bell’s ‘It’s Not That Easy’ has grown over the decades and a record once considered common can now fetch hundreds of dollars – class will out.

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20,55

Ültimo hace: 4 Años
Various - Lost Gomma Mixes

Various

Lost Gomma Mixes

12inchTOYT129
TOY TONICS
28.02.2022

This is a very special EP. As many might know Toy Tonics started as a sublabel of now sleeping German indie dance label Gomma records. Gomma, along with DFA, Output Records and a few other was knownn for a very ecclectic, different approach in dance music. On this LOST GOMMA MIXES EP you find 4 now lost tracks that came out ca 10 - 20 years ago on Gomma, but fit very well in today’s zeitgeist again. Pete Herbert, In Flagranti, Jacques Lu Cont are featured. Who knows about modern disco - knows these producers. And there is a very special name here too: Nicky Siano. The now legendary New York DJ used to be resident at Studio 54 and other legendary NYC venues of the 1970ies and 1980ies. One of his are remix works was for the Gomma rcords band The KDMS. Pure disco euphoria.

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9,54

Ültimo hace: 23 Meses
Various - 20 Years Sound Of Speed #3

The third compilation EP to commemorate the 20th anniversary of the establishment is Coastal Haze under the umbrella of Church,

An up-and-coming duo from New Zealand, Manuel Darquart, released on Wolf Music and others. The long-awaited first vinyl version of the popular song released digitally only in 2016.

The dense sound world with a wide range, including the impressive synth bass that penetrates the song, is unique to vinyl release. Including mastering by

Mr. KUNIYUKI, this work that realized a thick groove that is different from the time of digital sound source, there is no doubt that it will shake the entire space.

The up-and-coming French beatdown house S3A, whose long-awaited first album from Dirt Crew was well received. It's no wonder that he grew up listening to Detroit house,

and his unique sense of exquisite combination of sleezy beats, muffled texture and breathing such as disco funk is an excellent work.

The space is gradually filled with layers of euphoria that folds down, and the feeling of exhilaration and sophistication is irresistible!

The Japanese twin duo SATOSHI & MAKOTO, whose two albums released from YOUNG MARCO's label attracted a lot of attention, remixed the songs of SATOSHI FEAT and KUNIYUKI.

It is a remix of the work that was recorded in the label's 20th anniversary edition "20 YEARS SOUND OF SPEED RECORDS VOL.2" and was well received, but it seems that they were strongly influenced by early techno, and there is a melancholic synth work that drifts. The finish that is drawn into. It's a wonderful remix with respect for the original and a fusion of your own colors.

KUNIYUKI is in charge of mastering

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13,40

Ültimo hace: 3 Años
Various - Zeroes Collected 2x12"

Various

Zeroes Collected 2x12"

2x12inchMOVLP2940C
Music On Vinyl
10.02.2022
 
29
También disponible

Black Vinyl[38,45 €]


The Decades Collected compilations are part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favorite tunes while uncovering new musical grounds at the same time.

Various Artists - Zeroes Collected features Nelly Furtado “I’m Like A Bird”, The Script “Breakeven”, The Black Eyed Peas “I Gotta Feeling”, Alphabeat “Fascination”, T.A.T.U. “All The Things She Said” and Mika “Grace Kelly” amongst others.

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36,09

Ültimo hace: 4 Años
VARIOUS - CHICHA POPULAR: LOVE & SOCIAL POLITICAL SONGS FROM PERU’S DISCOS HOROSCOPO 1977-1987
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31,93

Ültimo hace: 4 Años
La Retreta Mayor - Zambo

La Retreta Mayor

Zambo

7"-VinylMSR031
Matasuna Records
02.02.2022

Matasuna's latest tidbit takes us back to the South American continent once again - to Venezuela to be exact. The song "Zambo" by the band "La Retreta Mayor", which was released in 1976 on the self-titled LP, is now available as an official reissue and the very first time ever on a 7inch vinyl single! The 45 is complemented by an excellent rework of the American producer & DJ "King Most" from San Francisco.

The A-side features the original of the song. "Zambo" is a furious mix with versatile influences of Latin, Jazz & Funk. The rich horn section and percussion of the guest quartet bring pure heat to the track - the drums, bass and piano intensify this even more. An absolute heater for any dance floor!

The B-side features the "King Most" Redirection. The talented producer gently takes on the song, keeping the organic vibe of the original but still giving it a different, new side. His re-arrangement and additional in/outro and a new passage in the middle of the song fit exquisitely. Also his crunchy drums and own piano passages are very tasty and give the song an own flavour!

"Alexandro Rodríguez" was born in Caracas in 1952 and is considered one of Venezuela's most important jazz guitarists of the seventies. He studied classical guitar in his early years, played electric guitar in various rock groups and performed at various national music festivals. He also had the opportunity to play as a musician for renowned orchestras such as "Onda Nueva", "Renny Show's Orchestra" on Venezuelan Television and "Radio Caracas TV's Orchestra".

In the late 1970's he recorded two significant works that may be considered a reference in Venezuelan music history. He formed the short-lived band "La Retreta Mayor" to record a self-titled album, which was released as an LP on the Venezuelan label "Discomoda" in 1976. The 10-piece band and numerous guest musicians created a jazz-funk & fusion gem. The band unfortunately broke up right after the recording and did not play live or record any more music.

His self-released album "Busqueda", released in 1978 under his name, was recorded between New York and Caracas and has an excellent reputation not only in connoisseur circles. In 2012, the album was reissued on CD by a Japanese label, proving the influence Alexandro's music still has in the jazz scene today.

Between 1979 and 1982, Alexandro lived in "New York", where he worked as a composer, arranger, performer and orchestrator in the jazz scene with renowned orchestras before returning to Venezuela. Subsequently, his musical career turned to the classical guitar, both as a composer and performer. In 2013, he settled in "Pittsburgh", Pennsylvania (USA), where he continues his activity as composer, arranger, guitarist, bassist and teacher to the present time.

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9,45

Ültimo hace: 4 Años
Esperanto - Vegas

Esperanto

Vegas

12inchFVR181LP
Favorite
28.01.2022

After the recent reissue of their first eponymous album, Favorite Recordings proudly presents Vegas, the second LP from Venezuelan band Esperanto. Rare and sought-after for many collectors, it was recorded in between Las Vegas and Caracas and originally released in 1981. Following bandleader Jorge Aguilar in his musical trip to the infamous American city bathing into flashing lights and vivid colors, we're invited to an excursion in Disco, Boogie and Jazz-Funk territories. Finally reissued, fully remastered, Vegas will be available as Gatefold Tip-On Vinyl LP.

With great care and attention to details, Esperanto managed to create a very convincing sequel to their Jazz-Funk debuts. Vegas keeps indeed a perfect balance between various influences. Through energic disco beats with intense funky solos, catchy AOR-influenced songs, where Jorge delivers convincing vocal performance, or sunny jazz-funk slow jams, the album still reveals something quite authentic. And this feeling echoes surely the one that could have been felt by Jorge Aguilar while discovering USA on a trip - where it all started for the music he loves. Like sometimes a foreigner's enriching view on some local specialty, he surely brought with the band all his authenticity and young but vibrant experience while convincing at the same time major labels for distribution.

With certain notoriety coming with the release of their first album, Jorge Aguilar and his drummer Pablo Matarazzo planned to go to Los Angeles for a few gigs. But once there, they realized their contact had to leave for Tina Turner's tour in Europe. Before that, he invited them to come along to Las Vegas and eventually meet musicians there. Luckily, the plan worked perfectly: Jorge came back to Los Angeles with a lot of contacts then moved to Boston and NYC before finally coming back to Caracas. He told: "I was so impressed with this trip that I told myself that one day I would return to Los Angeles and Las Vegas. The first tracks I did them in Los Angeles with Kenny More, James Gadson and other session musicians from that city. Later, I took the tracks to Caracas where the musicians of the band recorded overdubs. After that, I returned to Los Angeles to master with Bernie Grundman who was still working in his small studio at A & M records studios in Hollywood. As can be seen in the title of some of the songs like "Hollywood", "Vegas", "Kenny's Place", were only the translation of my experiences at the time."

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19,79

Ültimo hace: 3 Años
Various - DOWNTOWNSOUNDS CLASSICS VOL.5

For their 5th volume of the 'Downtownsounds Classics' series, Fatty Fatty Phonographics are proud to present these gems from the West End Records catalogue, the famed underground disco label that gave us so many of our dancefloor staples.

"Tell You Today" is probably the Downtownsounds anthem, a sweet song of yearning, regret and innocent joy married to Arthur Russell's wonky, wobbly percussive genius, with a perfect pop climax that has led to many moments of collective disco joy on the DTS dancefloor.

We didn't need to do much on this edit beyond adding some elements from Arthur's B-side dub, so the joy goes on for just that little bit longer.

On the flip is 'When The Shit Hits The Fan', a no-nonsense, hit-the-floor and forget your troubles disco-rap stompout from 1980.
A favourite with the likes of Theo Parrish and Dave Lee, this one always get the sneaky shebeen vibes a going...Check those lyrics!

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10,04

Ültimo hace: 3 Años
Various - Nervous Records 30 Years (Part 1) 4x12"
 
13
También disponible

part 2[37,77 €]


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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33,57

Ültimo hace: 17 Meses
VARIOUS - BISBI
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27,69

Ültimo hace: 3 Años
Various - Thee Church Ov Acid House - Volume 1

„Sounds like Burial who listened to Psychic TV instead of UK Garage. For me the best Pudel Produk-te so far, I'm thrilled. And you know me, I find a lot of things good, but only super cool super cool, best Pudel Produkte ever. How did you find them, do they come from Mainz or the surrounding area or what? Top record, I would also like to have it on vinyl for grandpa's cupboard“.

// Superdefekt


„The record sounds great!
This is the MFOC record, you can't get more MFOC than this.
Every track is awesome !!!!! It's on rotation here :))))"

// Rvds


„The Masterpiece, can only be topped by the Volume 2!"

// Ralf Köster
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12,90

Ültimo hace: 4 Años
Various - Yakuza 0

Various

Yakuza 0

2x12inchLMLP119S
Laced Records
12.11.2021

– 27 tracks from the soundtrack to Yakuza 0, picked by the Yakuza team

– Two 180g vinyl (light blue and green)

– Printed inner sleeves in a widespined outer sleeve

SEGA and Laced Records have formed a pact to present the music of Yakuza 0 (Ryū ga Gotoku Zero: Chikai No Basho) on vinyl.

The double LP set features 27 remastered tracks picked by the Yakuza team. Two heavyweight 180g LPs in light blue and green will come in printed inner sleeves, all housed in a widespined outer sleeve.

The game’s vibrant soundtrack includes a modern — yet often ‘80s-inflected — blend of pop, rock and electronic dance styles. The vast array of composition and production talent was led by long-time SEGA composer Hidenori Shoji.

Reservar12.11.2021

debe ser publicado en 12.11.2021

45,84
Various - SOMEWHERE BETWEEN: MUTANT POP

LTD. COLORED VINYL

Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of YMO), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.

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The McClintons - 7th Galaxy

Welcome to our last instalment from Eryk and Antoinette McClinton. Brother and sister duo who recorded these demo tracks with Detroit legends Mike Theodore and Dennis Coffey. Recorded around 1979 these cuts were a spotlight on the duo's talents, hoping land them a record deal. Both had been active in the past with various recordings. Erik & the Vikings, and together as Eryke and Aronnette on Honey records. Here we have Four cracking disco fused funky songs, "Love doctor" made it on to our record store day lp "Long Distance Love Affair" so you may have already heard this. Accompanying this track are two more disco funk cuts. "Its all in your mind" & "Funky time Saturday night". Last and not least is the 2 step jam of "Recollections". All four cuts included some tasty breakdowns.

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