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The album was pressed on double 180g black vinyl.

Limited edition of 200 copies worldwide.

J Dilla passed away 20 years ago. Metro himself paid tribute to the production master.

"Donutroit" is a meticulously crafted tribute to James Dewitt Yancey. Reinterpretations, reworks, and original compositions – a total of 24 tracks produced by Metro, who pays tribute to the legend with this album. Maciej returns with the album after a somewhat lengthy break, but he does it with a bang. This kind of hip-hop with soul elements has been unheard of in Polish music for a long time. This is the first Polish full-length tribute to Dilla. The guests are few, but they are impressive. Emade himself plays drums on two tracks, and Immortal Onion reworked one of James's iconic recordings.

Dawid ObyOby Frańczak is responsible for the full artwork.

The legendary Polish underground label JuNouMi Records is responsible for the pressing.












l 12: The Look Of Love (Medley No. 1) feat. Immortal Onion










[w] 23: The Look Of Love (Medley No. 2) [feat. Immortal Onion]












[l] B7: The Look Of Love (Medley No. 1) [feat. Immortal Onion]










[w] D4: The Look Of Love (Medley No. 2) [feat. Immortal Onion]












[l] B7 | The Look Of Love (Medley No 1) [feat. Immortal Onion]










[w] D4 | The Look Of Love (Medley No 2) [feat. Immortal Onion]

Audaciously innovative sound designer/producer/live artist Enrico Sangiuliano reaches #0 in his countdown from ‘NINETOZERO’ on his eponymous ephemeral imprint, triggering its built-in autodestruct by the release of provocative 3-track EP ‘Absence’, out March 19th on vinyl & digital. The digital EP will also feature an Edit of ‘Step Into The End’.

The Italian tech maestro and artistic pioneer eschews populism, yet still storms charts & wins hearts – notably/recently in his unsettling, compelling manifesto x battle cry ‘The Techno Code’. Says Enrico of his label, ‘NINETOZERO is a cycle of listening, making, and letting go. Born from silence, shaped by space, directed by reflection, altered by change, revealed by glitch, unified through interconnection, lifted toward transcendence, refined by discipline, clarified by chaos, and finally returned to absence.’

On his ‘Absence’ EP: ‘With ‘Absence’ we come full circle, back to the womb of nothingness but charged with the echo of everything we have experienced. It is an ending, yes, but also an invitation. A new kind of silence is born, shaped by the memory of every frequency we unleashed.’ Enrico Sangiuliano can thrill listeners with his music, but dares to challenge, to trust them.

Main track ‘Step Into The End’: a full-on barrage of trustworthy techno danceability & energy, bookended by soulful violin, high horns & sirens, with spoken incantations as if summoning to a sacred rite. A ten-minute timeless dance track as ‘all we’ve learned converges into a single point where presence & silence merge.’

Title track ‘Absence’: The (Techno Code-esque) Voice speaks of sound, space, absence, trace... the track’s background noise is the almost- silence of his studio ‘through a magnifying glass’.. His breathing can just be heard in the recording. Melodic, beautiful, free-form chords in the middle section act like a breakdown in reverse. ‘A provocation, a track of silence, incidental noise. A tale of a story that just finished, but also a background for a story to be shaped. No one is intentionally performing for us. Here, the responsibility and work of listening is on you, to figure out what you can hear and what to make of it, to craft your own soundtrack based on the sounds that surround you, beyond the track. You can perform your own version yourself. Close your eyes and just listen. Engage with your environment. Be present. Expand your senses. Enjoy absence.’

‘The Aftermath’: a 40-second provocative coda. A snatch of stirring conversation signing off the EP and label alike. What will be launched post-zero by Enrico Sangiuliano? Watch this space, this absence.

Ben is a Detroit-based producer who makes up half of Symptoms of Love, along with BPT records alum Ryan Spencer. He here brings us a 4 tracker of the absolute highest order. It both sounds like music that no one else is making, while also sounding like a pastiche of everything that you've ever liked in the past. The magic formula baby!!!!!!! Shall we walk thru the music together?

BPT founder and music's #1 man Jeremy Castillo has described the EP absolutely brilliantly as such: "YMO style dissonant electro with a Detroit touch on the a side, with pitched down Patrick Cowley psychedelic Macarena on the B-side.

The A1 and title track is an incredible statement of intent from Ben - it really does sound like if Hosono grew up in Detroit listening to Electrifying Mojo. It's an absolute blast of sunlight coming through your headphones. Press play and watch your vitamin D levels rise baby!!!

A2 cut "Music Remembers" is a groovy joy ride reminiscent of Galaxy II Galaxy, complete with re-pitched vocal chops and 808 claps galore. This will hit SO hard on a spring day if you live in a city currently blanketed in snow.

On the flip, B1 "Whose Water" will be a big hit with anyone who dug Dam Funk's Garret project. Introspective downtempo synth fans rejoice!!! And we wrap a stellar outing with B2's "New Sun" - a propulsive Cosmic workout that will open up any dancefloor. The psychedelic Macarena is right baby!!!

With a soaring, emotionally-charged sonic signature all his own, Sam Goku returns to Dekmantel for his latest four-track EP, Bliss Drift.

As Sam Goku, over the past few years Robin Wang has edged into the beating heart of the contemporary house and techno scene with a rejuvenating sound that reaches from peak time maximalism to immersive introspection. Across a run of acclaimed albums and EPs — including 2024's Radiants on Dekmantel — he's balanced the heavyweight impact of his rhythms with mesmerising melodies and swirling atmospheres. It's precisely this blend he brings to Bliss Drift, writing and recording from the heart and accurately capturing what he describes as a sense of blossoming — "a renaissance into something new yet familiar."

Make no mistake, this is music to make you move. 'Rhythm Drift' and 'Bliss Drift' lead on rock-solid rhythms as springboards for Goku's ascendant tones. Airy, mysterious pads and sampled choral voices meet with glistening chimes that soften the tough edges of the drums — a quintessential demonstration of how to make a tender banger. 'Warm Soils' strikes a deeper, more meditative note enriched with haunting flutes and a heads-down roll to the percussion, while 'Infinity Keys (Sina's Song)' lets rich layers of melodic sequencing dictate the pace in a poised demonstration of techno composition at its most expressive.

Catching the mood as the Northern Hemisphere heads out of the winter months, Goku's unique energy hails a return to the light via four distinct twists on the house and techno tradition.

Since debuting in the mid-1990s, Kurt Spichiger aka Shaka has released rather a lot of high-quality deep house, in the process notching up appearances on the likes of Local Talk, Traxx Underground, Yore, Housewax and, most recently, Mate. Here he evokes the atmosphere of a 'smoky' basement club via a three-track Seasons Limited label debut. Title track 'Smoky Club' is undeniably classy and carefully crafted, with starry electronic motifs, dreamy pads and jammed-out Wurlitzer organ motifs rising above a languid, leisurely deep house groove. Spichiger's love of jazz comes to the fore on the even warmer and more seductive 'City Park' - all sampled disco drums, smooth jazz-funk bass and extended electric piano solos - while 'The World Goes Oriental' sounds like vintage Larry Heard mixed with the afterglow of late night lovin'.

The rare and deeply funky LP "Yoga – Be An Enlightened Soul – Stay Young And Pure With Yoga"
by Osunfisan Brothers & Sisters is set to return to vinyl in an official reissue, marking the first
authorized repress of one of Nigeria’s most elusive spiritual records.
Originally released in limited circulation, Yoga occupies a unique place in many collectors grail list.
According to Mr Femi Osunfisan, the album was conceived by his senior brother and bandleader, "We
chose yoga to as a concept to channel our music, but it was not intended to practise yoga with the
music". Neither pop record nor conventional boogie LP, the album is highly sought-after for the amazing
production by the Sound master Odion Iruoje and for the heavy afro-disco workouts.
At a time when Nigerian music was dominated by Afrobeat, highlife, and disco, Osunfisan Brothers &
Sisters charted a more introspective path—using rhythm, voice, and repetition as tools for enlightenment
and personal grounding.

Curtea veche serii speciale’s 10th release comes from the man on fire , Ukrainian maestro Fedo! 4 minimal heaters for the dance floor ! Comes on a red slab of vinyl! Be quick with this . LTD press

2026 Repress
Ivy Lab return for 2015 with their most ambitious and most accomplished EP yet, spanning across the most pearlescent of D&B through to rough, rugged glitch and raw half time grooves. Adding extra freshness is man of the moment Sam Binga and Brighton based El Train, each bringing their own take on the Lab sound. A stunning collection of work presented on multiple formats including limited edition vinyl with hand-crafted packaging from the Ivy Lab boys themselves.

The new PST release on B?rft rec is a dance groove oriented record with a twist. 3 bangers on the A-side and a surprising ambient work on the B-side. Here is nice house music & techno beats with a sniff of 90's with rolling bass, vocal hooks and driving hihats giving you the night that never will ends... Classic and old school from deep house to Chicago house, heavy claps pumping bass, moody accords... 124 - 127 - 139 BPM on A-side while no BPM on the B-side. For the club or the Yoga lesson. Review by Jesper Rydberg

Jack’s House Recordings kick starts 2026 with a brand new VA featuring talent from all corners of the globe, with artists coming from Portugal, to Australia, the USA and Ibiza !

First up is Alex Arnout with “Baby Let You Know” which is another solid production giving punchy and techy energy with a baseline that will wake you right up when it drops in ! It’s dark, edgy, and has a powerful signature sound that is perfect for the big dance floors as well as your underground intimate ones. Alex is no stranger to the imprint, having been the first artist signed to the label which is about to celebrate it’s 10th year as an independent record label.

Next up, we welcome back popular and talented producer Carlo Gambino with “Time Of Need” which takes you through 6 and a half minutes of a lovely gritty underground groove, and vocal snippets of the track title throughout the arrangement with his warm and unmistakable signature sound.

Then we have AMO (um) & Mills with the more minimal track of the VA, “Therapy” This is a stripped back track but instantly memorable after just one listen. Driven by a simple kick, snare, haunting fills and a riding dark baseline, the track also presents a conversation between two Women having a slightly confusing conversation in a therapy session.

Last up, it is a pleasure to introduce and welcome USA’s Jordan Bernardo & Sharktooth from the Tasteless Thieves crew to the label with their excellent collaboration on the track “So Sorry” This is the light on the VA with this massively uplifting infectious groove. The track is giving skippy swinging beats, filtered vocals which tease in and out of the arrangement, and a great energy that takes you back to the early 2000’s era.

In a nut shell, this fresh Jacks Tracks VA offers 4 unique tracks that can serve any DJ at various points of the night, from warming up, a hands up moment, 3am pushing energy, and a perfect afterparty vibe too. That is always the aim with the Jacks Track VA series, to give vinyl buyers a bit of everything while maintaining talent and the nature of the underground.

Biz has some serious techno credentials, having landed on esteemed labels like Transmat and Acquit Records before now, and here he is back on his Subjekt label with a third outing in his limited series. This is cerebral techno steeped in Detroit style but looking to the future. 'No Pain, No Gain' is awash with crystalline pads over a surging groove, 'Monozukuri' gets more prickly with metallic percussive textures and a forlorn lead. 'Manipulate' unhinges from reality with trippy synth cascades that remind of 8bit video games and the flip then has a more introverted sound across three minimalistic, deep rhythmic excursions.

A new release curated by Mystic Jungle, founder of Periodica Records, who - together with a small group of artists - has spent the past decade shaping a distinctive sound in his recording studio based in one of the most remote areas of Napoli.

This second release on the West Hill Music catalogue features the voice of American singer Roxana, alongside guitar contributions by Yugoslavian musician Igor Sekulović.

The A-side, "Can’t Make You Out", unfolds as a crepuscular track with a laid-back, exotic atmosphere, marked by subtle funk-rock influences. On the B-side, a stripped-down mutant-funk track built around electronic drums and a repeated vocal chorus leaves space for minimal arrangements and textured guitar lines to emerge.

Limited vinyl-only release.

Enrico Fierro, known as Milord, a daytime engineer and researcher of human mind states during dreaming, has collaborated for years with Periodica Records and co-produced projects such as Danger Boys and Space Garage. In “Perfect Crime”, he presents a nostalgic vision of twilight synth-pop, capturing an urban landscape alive at night and in constant motion, blending street soul and echoes of classic house with textured synths, 808 patterns, and subtle new wave influences

Wind of Oirat is the full length debut by Mongolian independent musician and sound artist Ts Bayandalai. Following his acclaimed 2020 EP Kimel, he now presents a further matured, composed and refined version of his signature sound, which combines traditional Mongolian music and instruments with influences from experimental music and post-rock. Deeply rooted in the cultural traditions of his homeland, Ts Bayandalai, who grew up in a nomadic family in the Mongolian steppe, explores nature and its myths, his ancestral roots, and the relationship between humans, animals and nature.

Artist Bio:

Ts Bayandalai is a Mongolian independent musician and sound artist. His childhood on the steppes shaped a deep sensitivity to natural and ethnic sound. To create his individual, deeply rooted yet modern soundscape, he combines traditional Mongolian musical elements with post-rock, experimental and electronic music, as well as from outernational music influences.

Born into a nomadic family on the steppes, Ts Bayandalai grew up wandering the vast grasslands with shepherds, absorbing the resonances of the horse fiddle and guitar — experiences that remain a primordial source of inspiration in his work.

Founder of the avantgarde band Horse Radio (2012) and the experimental project December3AM (2015), his compositions navigate cultural memory and contemporary aesthetics, reconstructing pastoral landscapes, temporal layers, and emotional spaces through sound.

His EP Kimel, released in 2020, manifested a delicate sculpting of sound, space, and cultural motifs, presenting a listening experience that is at once primal and modern.

Ts Bayandalai’s performances span China, Mongolia, and major independent music venues and festivals across Asia. His artistic vitality and creative autonomy have earned him critical acclaim and a devoted following in the international folk music and experimental music communities.

2x12" Brown Marbled Vinyl 2026 Repress

A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.

SY3 (pronounced ‘sigh’) is a new project from LA-based Chinese-American artists Kelly Guan, Alex Ho, and Phil Cho. The trio started working on music together in 2023 after connecting over a shared love of Hong Kong New Wave cinema, Cantonese pop songs, r&b, and melody-driven dance music. Singer Kelly Guan aka Jia Pet has been independently releasing ‘bubbly’ pop music since 2022, and recently toured with the genre-bending indie artist Sasami. Multi-instrumentalists Ho (keyboards, saxophone) and Cho (guitar, bass) have collaborated frequently over the past decade, most notably on Ho’s 2021 debut album 'Move Through It' for Music From Memory.

Lead single ‘Tell Me,’ the track that initially caught the ears of MFM's Jamie Tiller and Tako, nods to the hazy downtempo explored by Chinese pop stars like Faye Wong and Zhou Xun in the ‘00s, while also recalling Japanese producer Yoshinori Sunahara’s iconic album 'Lovebeat'. Beyond musical influences, SY3’s neon-drenched pop songs draw from a cinematic language, particularly y2k-era films like Made in Hong Kong and Suzhou River, which speak to a generation of disillusioned youth in an increasingly fast-paced world. Guan’s lyrics depict characters caught in bittersweet love affairs (‘dial tone, when I’m alone, you promised we’ll be in touch') forever looking towards an escape from their current realities (‘I know the walls are high, these graceless hands are slipping’). Title track ‘梦游 Sleepwalker’ features a Cantonese spoken-word story about a sleepwalking young girl who sits alone on a balcony wondering where she might have gone the night before. The drifting ambient production loosely references a traditional Chinese folk melody, and closes out the EP with a delicate, layered saxophone solo from Ho.

Balancing intimacy with a wider emotional and visual language, SY3’s debut unfolds as a series of nocturnal pop vignettes shaped by memory, cinema, and place. Released digitally and on vinyl through Music From Memory on March 25th. Sleeve art and design by Michael Willis.

The fifteenth release from electro label Gladio Operations once again brings us a multi-artist format, featuring new faces and a distinctly Spanish flavour.

This EP opens with the return of producer Cycloplex, with his characteristic minimalist sound.
This track, titled ‘EP01-A’, once again showcases his powerful and aggressive bass lines.
From Gerona comes one of the new and talented artists on the Spanish electro scene. David Pasajero makes his debut on Gladio Operations with ‘Dislektro’, a fluid journey of melodies and warm textures infused with acidic touches.

On the B-side we find Barcelona producer Dark Vektor, who needs no introduction, as he is one of the Spanish icons of electro sound. This artist also makes his debut on the label with ‘Te Voy A Dar Ahhhhh’, a dizzying track with suspenseful melodies and a powerful bass line that will keep you on the dance floor no matter what.

The Spanish duo Slit Observers is another of the label’s new faces and treats us to this vibrant track titled ‘Green Machine’, where we encounter dark passages with a perfect dose of acid and embellished with subtle vocoders.

The EP closes with a collaboration between German producers Intergalactic Noize Commander and Elektrotechnik, the latter an artist who has released music previously. ‘Informationen’ is a rough track, created in the most hidden German bunkers, featuring arpeggios and robust bass lines that dominate throughout the whole track, accompanied by gloomy vocals.

Next in the vinyl-only Kontra-Musik White Label series is a new collaboration between founder Ulf Eriksson and the label's most prolific artist, Andreas Tilliander, also known as TM404. The record opens in housier territory and ends with the deepest of dubs. In between, the duo carve out a distinct sonic language through two stripped, old school Detroit techno-inspired cuts, built around rolling basslines, subtle swing and a dense sense of depth.

Since establishing his Stereo:type imprint, former Papa Records contributor Risk Assessment (real name Glyne Braithwaite) has released a dizzying amount of material, both digitally and on vinyl. His latest wax outing boasts four superb, tried-and-tested cuts. He gets straight to the point on opener 'Get Up', a chunky, emotive and life-affirming affair that appears to make liberal use of orchestral and vocal samples from what sounds like a luscious, maximalist Philly Soul workout of the mid 1970s, before going percussion crazy on 'Circus' (which also boasts samples from a much-loved disco record). 'I Had Enuff' is a colourful and piano-rich classic house number boasting fine vocals from Kathy Brown, while 'Man Like Mike Delgrado' is a swirling, filter-heavy chunk of swirling disco-house hedonism.

Funkyjaws Music is back with more sounds to get those mouths and asses moving. It comes from Elado, originally from Poland, and an artist with a 30-year obsession with his craft. 'Love' is a big-hearted disco pumper with jangling riffs and bluesy vocals. 'Happy Days' has a similar vocal but more raw and guttural and offset by female harmonies. 'Benko' cuts back with a more supple, sun-kissed and Balearic sound with some nimble piano work bringing plenty of spice. 'Higher' is a smoochy 80s-influenced disco sound with vibes to spare.