Search:vin gordon

Vin Gordon, also known as Don Drummond Jr, is a celebrated trombonist from Jamaica who now drops a second 12" on Finnish Dub & Sound International with the Dubsetters. It carries on the good work of their first outing with rootsy and organic reggae rhythms topped with the signature smooth sounds of Gordon's melodies up top. After the original version of 'Get On The Groove', the B-side keeps things sweet with a Groove Dub that is as deep as they come and stacked with echo and reverb for that lovely authentic sound and then closing it out is 'Groove 78 Style' which is more percussive, splashy and cavernous with some deft studio effects added in.

* A classic roots instrumental from the late 1970s from legendary trombonist Vin Gordon, who played on numerous Studio One classics, as part of the in-house band Soul Vendors as well as countless sessions with Joe Gibbs, Lee Perry and many more.
* Vin played on Aswad’s classic `Warrior Charge’, which from that recording session, `Kojo Hoy’ was born.
* Featuring Aswad Riddim Section - Tony Gad on bass & keys, Angus Gaye on drums and “Bammie” Rose on flute.
* Previously released by Partial in 2015 on 10” (PRTL10005) which rapidly sold out. This issue features an extended dub version.

Dub & Sound International returns for a third time and this one welcomes legendary Jamaican trombonist Vin Gordon who is rightly 'Digging The Vibes.' The title track kicks off and pairs his playful patterns with a Dubsetters rhythm and some nice sunny and soothing melodies from Trommie aka Don Drummond Jr.. After the horn-led, organic and unhurried instrumental comes a dub that is fleshed out with a little more echo and is a sublime bit of roots. A second version adds another perspective to the original and we already look forward to hearing more from this project.

Presenting the 5th release on the Dub Conductor Music label. This one comes in a different style to usual, and we have been lucky enough to feature the legendary trombonist Vin Gordon on a brand new dancehall-tinged bubbler! The horns were recorded in The Rolling Lion Studio, London in July 2014 . The rest of the track was mixed and produced by Dub Conductor in our Ireland based studios.

REISSUE FOR THIS ERROL THOMPSON- PRODUCED CLASSIC FROM 1980, ORIGINALLY ON THE JOE GIBBS LABEL

We are delighted to present our fourth release on 12” format, a very special collaboration with legendary Jamaican trombone player Vin Gordon.
"Bowl go, packy come" is an old Jamaican proverb equivalent to “what goes around comes around”, or in a more positive form “one good turn deserves another”. In this EP it symbolises the migrations and cultural exchanges between Jamaica and UK and back from UK to Jamaica and the rest of the world, pretty similar to the life journey of Vin Gordon himself. The music and the artwork here try to represent that continuum of exchange between both shores.
The Ep contains two uptempo instrumental tracks that are a mix of classic Jamaican sounds with a UK influence, combining classic live instrumentation and modern programming. Each track comes with it’s own dub version mixed analog live by Ojah in traditional fashion.
Also available complementing this release is ALDBS7008 “What Goes Around Comes Around”, a 7” that contains an additional Hammond and melodica solo version and an additional dub of the “Packy” riddim.
Limited edition of 600 copies, 180g heavyweight 12” vinyl, hand-numbered, served in a spined sleeve with outstanding artwork by Victor Castro.

Hammond & melodica recorded by Nik Torp at Squat Sound Studio, London, UK, 2015
Percussion & keys recorded by Ojah at Rollover Studios, London, UK, 2015
Trombone recorded by Jamez at Black Lindy Studio, London, UK, 2015
Guitars recorded by Puppa Shan at Discoinferno, Madrid, Spain, 2018
All tracks produced, mixed and mastered by Oscar Pablos “Ojah” at Alchemy Dubs Studio, London, UK, 2018
Graphic design by Victor Castro

Soul Jazz Records’ long out of print classic ‘Studio One Funk’ collection is being re-released in three new one-off limited-edition coloured pressing 18th anniversary format editions!
Firstly, a heavyweight special limited edition one-pressing only red 2xLP vinyl + download. Secondly, there is also a new special limited-edition one-off pressing edition red-pressed CD enclosed in jewel case and slipcase. And thirdly there is a very limited unique new one-off pressing red-cased cassette format (200 copies only)! 18 years on from its original release Studio One Funk remains one of our Studio One releases most in-demand titles and like all our earlier special coloured editions is sure to sell out fast!
Studio One Funk is made up of rare and unreleased Reggae Funk from the vaults of Studio One. Ever since the birth of Funk in America, the sound has been an ever-present ingredient in the melting pot of Studio One’s musical output.
The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphis’ famous Stax Records with ‘Hang Em High’, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker T’s super-funky ‘Melting Pot’ is also covered by the little-known Underground Vegetables.
Other versions include Isaac Hayes’ classic Blaxploitation soundtrack ‘Shaft’ again by Cedric Im Brooks track - another unreleased gem, straight from the tape master. Motown gets a look in with Alton’s stripped-down version of the Spinners classic ‘It’s A Shame’, written by Stevie Wonder and Syreeta.
James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut “Now” by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on ‘Reggae Feet’.
Version-wise, we have ‘Idleberg’, Cedric Im Brooks tough instrumental cut on Horace Andy’s seminal ‘Skylarking’. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, ‘See A Man’s Face’.
Pablove Black’s cut of Sidewalk Doctor (A/K/A Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pablo’s trademark instrument, the melodica, played by Black himself.
Add to these original cuts from Studio One’s heavyweight session players including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy ‘Horsemouth’ Wallace, Richard Ace, Vin Gordon and more and you have one of the finest selections of reggae and funk you will ever hear.







"This collection goes deep into the Brentford Road vaults and unearths a rake of previously unreleased gems alongside hard to find classics. Heavy and inspirational, totally unique and essentially timeless." Straight No Chaser
"An absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own." Echoes
"A superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.” Touch
"The most satisfying listening experience so far in the Studio One series." The Wire
"Rare and unreleased grooves from Jamaica's house of excellence." Mojo

To celebrate the launch of the 4th and last DLC of Atomic Heart, Kid Katana Records teamed up with Mundfish to bring you this high quality album for the first time on an exclusive double vinyl.

With over 10 million players since its release, and a nomination at the 14th Hollywood Music in Media Awards, Atomic Heart has kept on bringing new content in the game, enriching the players’ experience with new Stories, Threats and Music to pursue the fight for freedom and progress.

The physical edition is a premium 2LP designed in close relationship with the game's creative team: Track selection handpicked by Atomic Heart team, including tracks from Mick Gordon, GeoffPlaysGuitar and Boogrov, and 1 new track (DLC #4 trailer exclusive) 2-colored vinyls with unique red and black “corona” effect: handmade vinyl effect melting red and black colors to shape a unique vinyl color on each product, mirroring the cover art.

Exclusive cover art with mat finishing and glossy effect on the Twin and motorcycle

Diagonal welcomes Scott Gordon to the fold. Scott has previously released on Editions Mego as one half of Oto Hiax, a collaborative project with Mark Clifford of Seefeel (Warp Records). He's also released a series of EPs and one album under his Loops Haunt alias via the Black Acre imprint. For his Diagonal debut, Scott offers up "Metals", a double EP of sorts: two sides of wax with two separate titles, "And Away" on side one backed with "Tilts" on side two. Each set is a study in using mechanical means to seek tone, rhythm and texture via unexpected objects and instruments. Both sides feature Scott's custom made Spinning Plate Instrument SPI. The SPI is a large, motorised vertical frame that spins a series of metal plates. These can be struck via midi - mechanical 'beaters'. These recordings also feature Scott playing the SPI manually. The results are both gripping and provocative. Mastered by Russell Haswell. Direct Metal Mastering (DMM) to vinyl.

Fruits Records proudly presents ‘Let Peace Reign’, the brand new instrumental single by Nat Birchall and The 18th Parallel.

Hailed by Gilles Peterson as ‘one of the best musicians in the UK’, jazz and reggae saxophonist Nat Birchall has grabbed listeners attention with his soulful sound and inspirational spiritual music. He has produced some of the finest vintage roots reggae instrumentals including majestic works with Vin Gordon and Al Breadwinners. His ethereal tone reminiscent of reggae giant Cedric ‘Im’ Brooks (Light of Saba) is the perfect match to The 18th Parallel raw and heavy sound.

Recorded fully live on 2-inch tape by the Swiss rhythm section, the session captures the raw, authentic energy of roots reggae at its purest. With warm, organic tones and a timeless feel, ‘Let Peace Reign’ not only pays homage to the greatest days of instrumental music and to the golden era of reggae recording, but also send a much needed message to a troubled world: Let Peace Reign. Pressed with care on 7-inch vinyl, with a super heavy dub mix on B side by French duet Dub Shepherds, this release is more than just a record – it’s a tribute to the culture of collecting records, preserving sound, and sharing vibes across generations.

London hi-fi bar Space Talk's in-house label, ST Records, kicks off with a 12-track vinyl-only compilation featuring exclusive music from artists who performed at the venue of the same name over the past year. Crafted specifically for the unique acoustics and energy of the venue, some tracks were even recorded live or during intimate Sunday sessions. There is everything from murky dub soundscapes like Kristina May's 'Slow Down, You're Missing Out' to classic era hip-hop from The Village Fools, blue-eyed soul from Sholto's 'There Once Was A Talk Space' and plenty in between. All profits from ST01 will be donated to a UK charity supporting young musicians from underrepresented backgrounds.

Collecting Orders For 2025 Repress

Paris-Based Record Label Phonogramme Proudly Announces Its Milestone 50th Release, a Spectacular Various Ep Featuring 4 Exclusives and Unreleased Tracks From Legendary Artists Abacus, Fred P, Byron the Aquarius, and Felipe Gordon. This Special Edition, Showcasing the Finest in House and Deep House Music, Will Be Available on Limited Red Marbled Vinyl. Dive Into the Rich Sounds and Exceptional Artistry of These Iconic Musicians, Each Bringing Their Unique Style and Creativity to This Landmark Release. Don't Miss Out on This Collector's Item, a Testament to Phonogramme's Enduring Legacy and Bright Future in the World of Electronic Music....

Since we finally brought Countdown into the Acid Jazz orbit
four years ago, we have released a series of excellent records,
all tied to our own Ed Piller’s roots in the mod scene. After all,
Ed originally founded the label (with Maxine Forte and Terry
Rawlings), as an offshoot of Stiff Records, against the backdrop
of the mod revival of the early ‘80s.
Something that we have been looking to do for a while is launch
a special series of Countdown 7” singles, looking back at the
original Mod classics of the 1960s – and the time is now!
The first release is from the Fleur De Lys – who we have been
working with for some time – pairing their 1965 cover of Pete
Townshend’s ‘Circles’, with the first-time single release of their
cover of The Temptations’ ‘You’ve Got To Earn It’.
The band emerged from the vibrant Southampton scene with a
love of Soul and R&B, and were signed to the Immediate label
by Tony Calder, who had connections on the South Coast. Their
first single was ‘Moondreams’ (produced by Jimmy Page no
less), before their incendiary take on ‘Circles’ – a number
originally slated as The Who’s follow up to ‘My Generation’,
before getting caught up in legal matters. The Fleur De Lys
version remains one of the finest slices of the Pop Art Mod
sound, and is as fresh today as it was then. Originally released
to take advantage of The Who’s misfortunes, it was rushreleased and failed to chart. It proved to be their final release on
Immediate, before they signed with Frank Fenter.
‘You’ve Got To Earn It’ is from a tantalising, lost session from
1966 (which also included takes of The Impressions ‘Amen’ and
Don Covay’s ‘Sookie Sookie’). All that survived from the
session was an acetate of this amazing cut, found by group
member Gordon Haskell, from which this cut derives. We
originally released it as the title track of the first Fleur De Lys
compilation on Acid Jazz in 2013. It has never before been
available on 7” vinyl.

Clear Green Vinyl

Prolific Colombian producer Felipe Gordon returns to RNT to deliver his first offering in a two-EP and album project series.

The records kicks off with the swingy Strings of the Afterlife, evoking classic Chez-N-Trent vibes and moves to the sultry emotive tones of The Fall of A Withered Empire. On the flip, Felipe takes us into high gear with the hypnotic looped synth groove and relentless beats of Clásico, and lets us down easy with the jazzy lilt of Julia y Luis. A truly standout EP, even for Felipe who delivers quality time and time again.

London's SlothBoogie return with the second instalment of their 'Dancing With Friends' series this August, featuring exclusive new music from Kemback, Felipe Gordon, Mak z, Bill Mango, The Revenge and more.

Following the success of the inaugural 'Dancing With Friends', which featured the likes of Kassian, Letherette, Joe Cleen and Ruff Stuff amongst others, the crew are back with that ever so tricky... second album. This sequel however, will not disappoint. The team have scoured the four corners of the globe to provide listeners with a comprehensive follow up that showcases more brand-new music from their favourite producers.

'Dancing With Friends Vol.2' is a deftly curated selection of the diverse styles synonymous with the SlothBoogie sound, ranging from the hazy deepness of cuts by Amy Dabbs, DJ Counselling, Bill Mango, Metropolitan Soul Museum and Kristy Harper to Disco tinged, jazzy, bumpy numbers from the likes of Jesse Bru, T.U.R.F. and Felipe Gordon through to more tripped out acid workouts by The Revenge, Fede Lng & Mojeaux, Togethrs and Pablot.

With this latest collection you can trust SlothBoogie to bring some much-needed dancefloor unity and sun-drenched energy to the world for the summer of 2021. The perfect soundtrack to reconnect and begin dancing with friends once again.

The vinyl format will come as a Gatefold Cover with 2 x 12" cream speckled clear vinyl and will include the full digital album download cards.

Explores the brutalist machine house vein: Brodanse "Sleep Won't Come" (Audio Soul Project & Awoke remix), By Gordon Gartrelle "Aesthete", ASP & Awoke "We Come Together"

To celebrate the 20-year anniversary of our label Jamaican Recordings and to mark the sad one year passing of the musical maestro reggae producer Bunny `Striker’ Lee, we have pulled together a brand new collection of some great Bunny Lee rhythms.

Our label started way back with initial meetings with Bunny Lee and a promise to keep his music available, out on the streets. He will be sorely missed but will live on through his extraordinary musical legacy and we hope to add to this by including this release to the stable of an unbeatable catalogue.

Legendary record producer Bunny `Striker’ Lee’s vast selection of rhythms were ever present at any Sound Clash or Dance worth talking about in the early to mid-1970’s.
Where the version found on the b-side of a single or special dub cut on acetates, would be played to win over the people and conquer the dance. Bunny Lee was the undisputed rhythm master and on this special release he is also the MC telling the crowd how it is and that any rival sound system should watch out as he has the rhythms that can reign supreme. The band cutting these timeless rhythms were a group of top Jamaican musicians Bunny had put together called The Aggrovators.

The Aggrovators were a group of reggae musicians that usually featured Carlton `Santa’ Davis on drums playing alongside Robbie Shakespeare on bass, with other musicians added like Earl `Chinna’ Smith on guitar and Tommy McCook and Vin Gordon and Lennox Brown added for horn arrangements. Keyboards and organ duties normally fell
to musicians Ansel Collins and Bernard ‘Touter’ Harvey. The band was named after singer Eddie Grant had repeated the phrase to Bunny Lee on one of his many trips to England, that such and such artist was giving him `Aggro’. This was a term used in England in the 1970’s by the Skinhead followers of reggae music. A term shortened
from the word `Aggrovation’, meaning trouble, fighting or making the situation worse. Bunny Lee was so taken with this term that on returning to Jamaica, not only did he name his group of musicians the `Aggrovators’ but he also named his record shop situated at 101 Orange Street `Agro Records’.

We have compiled some great tracks recorded by this fantastic group of musicians. With the added extra magic of Mr Bunny Lee calling it out as only he can on the microphone.
Yes Run Sound Boy Run the version master is here…Respect

Über Jahre hinweg hat Cactus Lee still und leise ein einzigartiges Werk geschaffen, indem er in Honky-Tonks rund um Austin auftrat und gleichzeitig in einem gleichmäßigen, selbstbestimmten Tempo Alben veröffentlichte. Lee's Dream, sein zweites Album für Western Vinyl, wirkt wie die natürliche Essenz dieser Reise - unterwegs geschrieben, zu Hause verfeinert und geprägt vom Spannungsfeld zwischen der Hingabe zur Musik und der Hingabe zur Familie. Die Songs entstanden während einer einmonatigen Solotournee durch den Mittleren Westen und den Süden und begannen als Skizzen, die in Transportern und Motelzimmern geschrieben wurden, teilweise inspiriert durch einen Besuch in Guy Clarks rekonstruiertem Keller in der Country Music Hall of Fame. Die Songs entstanden während einer einmonatigen Solotournee durch den Mittleren Westen und den Süden und begannen als Skizzen, die in Transportern und Motelzimmern geschrieben wurden, teilweise inspiriert durch einen Besuch in Guy Clarks rekonstruiertem Keller in der Country Music Hall of Fame. Die Songs entstanden während einer einmonatigen Solo-Tournee durch den Mittleren Westen und den Süden und begannen als Skizzen, die in Transportern und Motelzimmern geschrieben wurden, teilweise inspiriert durch einen Besuch in Guy Clarks rekonstruiertem Keller in der Country Music Hall of Fame. Als Kevin Dehan nach Hause zurückkehrte und dort persönliche Umbrüche erlebte, wandte er sich nach innen und schrieb Songs, die Unruhe mit Entschlossenheit, Sehnsucht mit Verantwortung in Einklang bringen. ,Lee's Dream" wurde in den Fort Horton Studios mit Produzent Billy Horton aufgenommen und lehnt sich an klassische Country-Formen und die Sensibilität der Sun-Ära an, geleitet von Vorbildern wie John D. Loudermilk, Glen Campbell und dem frühen Gordon Light Aufgenommen in den Fort Horton Studios mit Produzent Billy Horton, lehnt sich Lee's Dream an klassische Country-Formen und die Sensibilität der Sun-Ära an, geleitet von Vorbildern wie John D. Loudermilk, Glen Campbell und dem frühen Gordon Lightfoot. Das Album, das mit Beiträgen eines engen Kreises von Mitwirkenden fertiggestellt wurde, wirkt gemeinschaftlich und lebendig - gleichermaßen fröhlich und melancholisch. Verwurzelt in texanischen Bildern und Country-Folklore, wirkt Lee's Dream wie ein vertrauter Fiebertraum, der die Tradition ehrt und sie gleichzeitig leise an Dehans unverwechselbare Stimme anpasst.

L.A.-based soul singer Leela James started out singing backup vocals on Hip-Hop albums in the late 90s and early 2000s. In 2004, she recorded the song "No Tears" on Pete Rock's "Soul Survivor 2", shortly after she signed a deal with Warner Bros Records and released her debut album A Change is Gonna Come, named after her cover of the Sam Cooke song. A true soul singer, with a voice comparable to Mavis Staples and Betty Wright, Leela enlisted Commissioner Gordon to oversee production, which included tracks by Kanye West, Raphael Saadiq, Wyclef Jean, and Chucky Thompson. The lead single, "Music," is an ode to the soul singers of yesterday, with a Hip-Hop feel. She performs a soulful R&B cover of No Doubt's "Don't Speak" and alternates between funky uplifting tracks like "Good Time" and "Soul Food" with downtempo, soulful ballads like "When You Love Somebody" and "My Joy." Leela James departed from Warner after the release of her debut and went on to release seven more studio albums. It's been twenty years since A Change is Gonna Come was released in June of 2005, and Get On Down is proud to present this underrated gem for the first time on vinyl. The album is pressed on "Golden Pearl" colored vinyl and packaged in a gatefold jacket, limited to 1000 copies. It's been a long time coming, but this is a must-have for neo-soul and R&B music lovers.

'The World in Air Quotes' is a genre-shifting style-melting kaleidoscope of art-rock, jazz, techno, folk & industrial. The God In Hackney sound like very little else from the early 2020's and whilst 'The World In Air Quotes' innovative progenitors are manifold - Eno, Coil, The Durutti Column, 1980s ECM jazz to name a few - it sounds beholden to none of them.

The God In Hackney's first album 'Cave Moderne' was Andrew Weatherall's album of the year for NTS Radio.

The God In Hackney's second LP, 'Small Country Eclipse', was album of 2020 for critic Sukhdev Sandhu of The Colloquium for Unpopular Culture: "Mordant music: stuttering, dread, black humour. A record that felt truly independent, beholden to no genre, out of step with all centres and signposted nodes."


'The World In Air Quotes' is The God In Hackney's 3rd album and their most musically emotive and lyrically inventive to date. It's an album that resonates with feelings about climate change, isolation, extinction, the social impact of technology, the flattening of history—and illuminates the darkness with imaginative rhythm, melody, noise & poetry. Songs range from widescreen, anthemic rock, to strange intricately arranged jazz-influenced songs, to abstract, textural electronic pieces. There's a strain of dark and surreal comedy too that runs through the lyrics and some of the choices the band makes in their sounds and arrangements.

The core God in Hackney quartet of Andy Cooke, Dan Fox, Ashley Marlowe and Nathaniel Mellors has expanded to include American multi-instrumentalists and composers Eve Essex (Eve Essex & The Fabulous Truth, Das Audit, Peter Gordon & Love of Life Orchestra, Peter Zummo, Liturgy) and Kelly Pratt (Father John Misty, David Byrne/St Vincent, Beirut, and Lonnie Holley among many others), signalling a new and ambitious direction for the band.

The album cover features original artwork by Iranian-American artist Tala Madani, recently the subject of a career survey exhibition at the Museum of Contemporary Art, Los Angeles.

Advertising:

The Wire, Maggot Brain

Reviews & features:

Maggot Brain - forthcoming feature

Hi-Fi+ Magazine - album review in April 2023 issue

Dereck Higgins (You Tube review)

Sonosphere - interview / feature

Weirdo Shrine - interview

It's Psychedelic Baby - interview

Spettacolo (Italy) - feature.

Ghettoblaster Magtazine (USA) - feature

Airplay:

Gilles Peterson - BBC Radio 6 Music

Steve Lamacq - BBC Radio 6 Music

Dublab - playlisted & featured in Dublab Recommends (Los Angeles)

Cian Ó Cíobháin - RTE Raidió na Gaeltachta (Ireland)

WFMU - playlisted

Resonance FM - The Wire presents Adventures In Sound & Music

Human Pleasure Radio (New Zealand)

Pete Wiggs & James Papademetie - The Seance (Repeater Radio, Sine FM & others)

Peter Hollo's Utility Fog - FBI Radio (Australia)

Jonathan Lethem & Sam Sousa on Radio Free Aftermath (KSP Claremont 88.7)

Life Elsewhere

WRPB Princeton

In Memory of John Peel

Mike Watt's Watt from Pedro Show

"The Virgin Suicides", AIR's zweites Album und der unvergessliche Soundtrack zu Sofia Coppolas Regiedebüt wird zum 25. Jubiläum als "The Virgin Suicides Redux" neu aufgelegt. Ein brandneuer analoger Mix des Original-Albums verleiht den eindringlichen Klanglandschaften, die wie der dazugehörige Kultfilm über die Jahre an Bedeutung gewonnen haben, neue Tiefe. "The Virgin Suicide Redux" ist als analoges Vinyl-Album sowie in einem 2-CD/Blu-Ray Digipack erhältlich. Dieses Set enthält den neuen Analog-Mix von 2025, eine Blu-Ray mit dem Album in Dolby Atmos und eine Auswahl bisher unveröffentlichter Demos und Raritäten.

Dijon hatte mit Absolutely (2021) bereits bewiesen, wie man musikalische Narrative durch Performance-Visuals neu definiert. Nach diesem Generationen-Debüt zog sich Dijon zurück, gründete eine Familie und ließ Fans gespannt auf das Nachfolgewerk warten.Am 15.08.2025 veröffentlichte Dijon sein neues Album "Baby".Das neue Album entstand hauptsächlich in Isolation zu Hause, in enger Zusammenarbeit mit musikalischen Mitstreitern wie Andrew Sarlo, Henry Kwapis und Michael Gordon. Baby ist erneut ein definierendes Werk von Dijon, das bereit ist, die zeitgenössische Musiklandschaft zu prägen und damit auch für Vinyl-Enthusiasten von großem Wert sein wird.

Acclaimed experimental hip-hop artists Pink Siifu and Turich Benjy are thrilled to announce the release of a limited edition vinyl of their groundbreaking 2023 collaborative album, IT’S TOO QUIET..’!!. This exclusive pressing includes six previously unreleased bonus tracks, offering fans an expanded auditory journey through the duo's innovative soundscape.

Originally released on October 31, 2023, IT’S TOO QUIET..’!! was lauded for its genre-defying fusion of underground hip-hop, alternative trap, and electronic influences. The album showcases Pink Siifu's visionary artistry and Turich Benjy's dynamic versatility, creating a sonic experience that is both immersive and boundary-pushing. The project fea-tures collaborations with notable artists such as Nick Hakim, WiFiGawd, Vayda, Lance Skiiiwalker, and Kamilah, among others.

Critics praised the album's eclectic production and cohesive vision. HipHopDX noted that "IT’S TOO QUIET..’!! is a grab bag of deliriously joyful rap songs that span all sorts of popular subgenres," highlighting the album's ability to blend diverse musical elements seamlessly. In Search of Media commended the album's high energy and eclectic sound, stating that it "combines both their skills as emcees poignantly."

In addition to the original 17 tracks, this special release includes six unreleased bonus tracks, providing listeners with new material that delves deeper into the duo's creative synergy. All packaged in a beautiful 2LP vinyl in gatefold sleeve — don't miss out!





[d] A4. lookin..’!![gorgeous] featuring WifiGawd, Vayda produced by Tony Seltzer, iiye

2025 Record Store Day title - now available for general sale. A nice blend of afro, jazz, rare groove funk and reggae, for your listening and dancing pleasure. Featuring Vin Gordon, Abdul-Teejay, AJ Franklin, Barry Issac, Ashanti Selah, and many more.

Bone White & Orange Splatter Vinyl. John Carpenters Soundtracks für die jüngste Halloween-Trilogie, die er zusammen mit seinen langjährigen Mitarbeitern Cody Carpenter und Daniel Davies komponierte, markierten die Rückkehr des legendären Regisseurs und Komponisten zur Filmmusik nach fast zwei Jahrzehnten Pause. Halloween (2018), Halloween Kills (2021) und Halloween Ends (2022) wurden alle von David Gordon Green inszeniert, der Carpenter bereits früh in die Vorproduktion einbezog und ihn schließlich als ausführenden Produzenten und Soundtrack-Komponisten für die Trilogie engagierte. Halloween Expanded, ursprünglich 2019 veröffentlicht, erscheint nun in einer brandneuen Verpackung und ist damit ein neues Highlight für Fans, das sie ihrer Sammlung hinzufügen können. Halloween aus dem Jahr 2018 war ein Erfolg, der die kühnsten Träume aller Beteiligten übertraf. Der Film startete mit den höchsten Einspielzahlen in der Geschichte von Blumhouse und den höchsten in der Geschichte der Halloween-Reihe. Es war unvermeidlich, dass bald zwei Fortsetzungen, Halloween Kills und Halloween Ends, grünes Licht erhielten. Green unterschrieb für die Regie beider Filme, wollte aber nicht davon ausgehen, dass John, Cody und Daniel für die Filmmusik zurückkehren würden. ,Ich nehme nichts als selbstverständlich hin", sagt er. ,Man hofft also, dass sie eine gute Erfahrung gemacht haben. Ich weiß, dass wir Spaß an dem Projekt hatten, aber man weiß nie, wie die zeitlichen und finanziellen Interessen der Leute aussehen und all diese Dinge. Die Realitäten des Geschäfts, des Filmemachens, laufen nicht immer so reibungslos ab. Aber es gab keine Probleme. Wir sahen uns an und sagten: ,Wie können wir das hinbekommen? Lassen Sie es uns noch einmal versuchen.` Zweimal." Die erweiterte Version von Halloween enthält mehr als 28 Minuten zusätzliche Musik aus dem Film und bietet ein noch vollständigeres, immersives Hörerlebnis. Das zusätzliche Material der erweiterten Ausgabe umfasst insgesamt 24 neue Titel, die auf zwei weiteren Seiten der Deluxe-Doppel-LP verteilt sind. Diese neue erweiterte Ausgabe enthält brandneues Artwork von Chris Bilheimer und ein exklusives 24x36-Zoll-Poster, das von Creepy Duck entworfen wurde. Erweiterte Versionen der Soundtracks zu ,Halloween Kills" und ,Halloween Ends" sowie ein Box-Set mit allen drei erweiterten Editionen werden ebenfalls am selben Veröffentlichungstag bei Sacred Bones erhältlich sein.

Orange & Red Splatter Vinyl. John Carpenters Soundtracks für die jüngste Halloween-Trilogie, die er zusammen mit seinen langjährigen Mitarbeitern Cody Carpenter und Daniel Davies komponierte, markierten die Rückkehr des legendären Regisseurs und Komponisten zur Filmmusik nach fast zwei Jahrzehnten Pause. Halloween (2018), Halloween Kills (2021) und Halloween Ends (2022) wurden alle von David Gordon Green inszeniert, der Carpenter bereits früh in die Vorproduktion einbezog und ihn schließlich als ausführenden Produzenten und Soundtrack-Komponisten für die Trilogie engagierte. Nun erscheint erstmals eine Deluxe-Edition des Soundtracks zu ,Halloween Ends" als 2xLP-Erweiterung bei Carpenters langjährigem Label Sacred Bones Records. ,Halloween" aus dem Jahr 2018 war ein Erfolg, der die kühnsten Träume aller Beteiligten übertraf. Der Film startete mit den höchsten Einspielzahlen in der Geschichte von Blumhouse und war der erfolgreichste Film der ,Halloween"-Reihe. Es war unvermeidlich, dass bald zwei Fortsetzungen, Halloween Kills und Halloween Ends, grünes Licht erhielten. Green unterschrieb für die Regie beider Filme, aber er wollte nicht davon ausgehen, dass John, Cody und Daniel für die Filmmusik zurückkehren würden. ,Ich nehme nichts als selbstverständlich hin", sagt er. ,Man hofft also, dass sie eine gute Erfahrung gemacht haben. Ich weiß, dass wir Spaß an dem Projekt hatten, aber man weiß nie, wie es um die Zeit und die finanziellen Interessen der Leute steht und all diese Dinge. Die Realitäten des Geschäfts und des Filmemachens laufen nicht immer so reibungslos ab. Aber es gab keine Probleme. Wir sahen uns an und sagten: ,Wie können wir das hinbekommen? Lassen Sie es uns noch einmal versuchen.` Zweimal."Die erweiterte Version von Halloween Ends enthält 10 bisher unveröffentlichte Stücke und wird mit brandneuen Artworks von Chris Bilheimer und einem exklusiven 24 x 36"-Poster von Creepy Duck geliefert. Erweiterte Versionen der Soundtracks zu Halloween und Halloween Kills sowie eine Box mit allen drei erweiterten Editionen werden ebenfalls am selben Tag bei Sacred Bones erhältlich sein.

Orange & Green Splatter Vinyl! John Carpenters Soundtracks für die jüngste Halloween-Trilogie, die er zusammen mit seinen langjährigen Mitarbeitern Cody Carpenter und Daniel Davies komponierte, markierten die Rückkehr des legendären Regisseurs und Komponisten zur Filmmusik nach fast zwei Jahrzehnten Pause. Halloween (2018), Halloween Kills (2021) und Halloween Ends (2022) wurden alle von David Gordon Green inszeniert, der Carpenter bereits früh in die Vorproduktion einbezog und ihn schließlich als ausführenden Produzenten und Soundtrack-Komponisten für die Trilogie engagierte. Nun erscheint zum ersten Mal eine Deluxe-Edition des Soundtracks zu ,Halloween Kills" als 2xLP-Erweiterung bei Carpenters langjährigem Label Sacred Bones Records. ,Halloween" aus dem Jahr 2018 war ein Erfolg, der alle Erwartungen der Beteiligten übertraf. Der Film startete mit den höchsten Einspielzahlen in der Geschichte von Blumhouse und war der erfolgreichste Film der ,Halloween"-Reihe. Es war unvermeidlich, dass bald zwei Fortsetzungen, Halloween Kills und Halloween Ends, grünes Licht erhielten. Green unterschrieb für die Regie beider Filme, wollte aber nicht davon ausgehen, dass John, Cody und Daniel wieder für die Filmmusik verantwortlich sein würden. ,Ich nehme nichts als selbstverständlich hin", sagt er. ,Man hofft also, dass sie eine gute Erfahrung gemacht haben. Ich weiß, dass wir Spaß an dem Projekt hatten, aber man weiß nie, wie es um die Zeit und die finanziellen Interessen der Leute steht und all diese Dinge. Die Realitäten des Geschäftslebens und des Filmemachens laufen nicht immer reibungslos ab. Aber es gab keine Probleme. Wir sahen uns an und sagten: ,Wie können wir das hinbekommen? Lassen Sie es uns noch einmal versuchen.` Zweimal." Die erweiterte Version von ,Halloween Kills" enthält 25 bisher unveröffentlichte Stücke und wird mit brandneuen Artworks von Chris Bilheimer und einem exklusiven 24x36-Zoll-Poster von Creepy Duck geliefert. Erweiterte Versionen der Soundtracks zu ,Halloween" und ,Halloween Ends" sowie eine Box mit allen drei erweiterten Editionen werden ebenfalls am selben Tag bei Sacred Bones erhältlich sein.

Was ist das Leben anderes als eine endlose Reihe von ,Oh oh"-Momenten? Von unseren frühesten Kindheitsunfällen bis hin zu unseren überwältigenden Ängsten als Erwachsene - dieser kleine Ausdruck prägt unser gesamtes Dasein. Fragen Sie einfach den Indie-Pop-Maestro Patrick Watson aus Montreal, der kürzlich mit dem größten ,Oh oh"-Moment konfrontiert wurde, den ein professioneller Sänger erleben kann. Eines Morgens im Winter 2023 wachte Patrick auf und stellte fest, dass seine Stimme - das engelsgleiche Instrument, das 2006 sein kunstvolles Art-Rock-Opus ,Close to Paradise" auf das Podium des Polaris Music Prize katapultierte - komplett kaputt war. ,Natürlich singe ich gerne für Menschen, aber ich hatte auch viel Spaß mit meinem Modular Synthesizer und tauchte tief in die Instrumentalmusik ein" - eine natürliche Neigung für Patrick, der bis heute über 15 Filmmusiken komponiert hat. ,Aber dann dachte ich mir: ,Oh, es wäre cool, Songs für all diese verschiedenen Sänger zu schreiben, die ich wirklich gerne singen hören möchte - so finde ich einen Ausweg aus dieser Situation.` Denn meine Stimme sollte eigentlich nicht zurückkommen. Und als sie es doch tat, dachte ich einfach, dass es für ein Album immer noch cooler wäre, all diese anderen Sänger zu haben, als mich selbst singen zu hören." Einzelne schwarze Vinylplatte in einer Gatefold-Hülle mit bedruckter Innenhülle.

Was ist das Leben anderes als eine endlose Reihe von ,Oh oh"-Momenten? Von unseren frühesten Kindheitsunfällen bis hin zu unseren überwältigenden Ängsten als Erwachsene - dieser kleine Ausdruck prägt unser gesamtes Dasein. Fragen Sie einfach den Indie-Pop-Maestro Patrick Watson aus Montreal, der kürzlich mit dem größten ,Oh oh"-Moment konfrontiert wurde, den ein professioneller Sänger erleben kann. Eines Morgens im Winter 2023 wachte Patrick auf und stellte fest, dass seine Stimme - das engelsgleiche Instrument, das 2006 sein kunstvolles Art-Rock-Opus ,Close to Paradise" auf das Podium des Polaris Music Prize katapultierte - komplett kaputt war. ,Natürlich singe ich gerne für Menschen, aber ich hatte auch viel Spaß mit meinem Modular Synthesizer und tauchte tief in die Instrumentalmusik ein" - eine natürliche Neigung für Patrick, der bis heute über 15 Filmmusiken komponiert hat. ,Aber dann dachte ich mir: ,Oh, es wäre cool, Songs für all diese verschiedenen Sänger zu schreiben, die ich wirklich gerne singen hören möchte - so finde ich einen Ausweg aus dieser Situation.` Denn meine Stimme sollte eigentlich nicht zurückkommen. Und als sie es doch tat, dachte ich einfach, dass es für ein Album immer noch cooler wäre, all diese anderen Sänger zu haben, als mich selbst singen zu hören." Limitierte Edition auf canary-yellow Vinyl in einer Gatefold-Hülle mit bedruckter Innenhülle.

”The Birth of Bop” kann ab heute hier vorbestellt werden und erscheint am 31. März in verschiedenen Formaten, darunter ein Vinyl-Boxset mit fünf 10-Zoll-LPs, ein 2-CD-Format und digitale Editionen. Jeder Titel der Sammlung wurde von Joe Tarantino bei Joe Tarantino Mastering frisch restauriert und neu gemastert, während die physischen Formate neue, ausführliche Liner Notes des GRAMMY-gekrönten Autors und Moderators Neil Tesser sowie alte Fotos aus dieser Zeit enthalten. Es ist eine unverzichtbare Einführung in
diese wichtige Periode der Jazzmusik: The Savoy 10-Inch LP Collection enthält 30 ausgewählte Aufnahmen von vielen der Pioniere des Genres, darunter Charlie Parker, Dexter Gordon, Stan Getz, Milt Jackson, Allen Eager, Fats Navarro und viele mehr.
Diese bahnbrechenden Aufnahmen aus den Jahren 1944 bis 1949
trugen maßgeblich zur Entwicklung des modernen Jazz bei und brachten junge Künstler dazu, die Grenzen des Genres in einer Zeit zu erforschen, in der Swingmusik der vorherrschende Sound war und Big Bands den Äther beherrschten.

Bringing together over 50 of Jamaica's greatest session musicians, whose work spans from the birth of reggae in the late 1960s until today, Roots Architects is the largest gathering of Jamaican musical talent on one all-instrumental album. Never before have so many veterans, who helped create the immortal rhythms that made reggae internationally successful, been assembled to play on new material without vocals. This project aims to celebrate and pay tribute to the unsung heroes of reggae music: the rhythm builders or Roots Architects. Following the outstanding success of the first chapter of the project, From Then 'Til Now (2024), Fruits Records is pleased to reveal the dub album From Dub 'Til Now. A veritable immersion in the mythical sound of Kingston studios in the late 1970s. Dub master Roberto Sánchez sublimates the work of the Roots Architects with wildly inventive sound experiments. Reminiscent of the finest years of King Tubby, Lee "Scratch" Perry and Scientist.

The project is the brainchild of Swiss keyboardist and producer Mathias Liengme. In 2013, he travelled to Kingston, Jamaica, to produce The Inspirators project, an all-star album gathering Leroy ”Horse-mouth” Wallace, Lloyd Parks, Earl ”Chinna” Smith and Sangie Davis, the four of them acting both as musicians and vocalists. This first experience in Kingston studio life paved the way to what would become the Roots Architects project. In February and March 2017 Mathias Liengme travelled for the fifth time to Kingston to record as many of reggae’s greatest living veteran musicians as he could. With the help of a few of these Architects like Robbie Lyn, Fil Callender or Dalton Browne, he managed to gather over 50 session musicians aged 60 to 85 on nine instrumental songs.

Roots Architects are legends back together in Kingston studios doing what they do best: creating in-strumental music all together!

Pond Life Records presents Humble B Flat’s third vinyl release – Blessings of the Sun, a spiritual jazz-infused deep house double LP.

His previous album, Source of the Nile - promoted through a more grassroots approach than this forthcoming release — saw great success, with purchases via Bandcamp by deep house legends like Osunlade and Kai Alce. It also received radio play on shows such as Macca’s acclaimed The Glove That Fits on NTS, among others.

The release has garnered heartwarming messages from the likes of Coflo, Tour-Maubourg, Delfonic, and Felipe Gordon, and was recently spotted in FloFilz’s Spotify recommendations.

Blessings of the Sun has already been lighting up dance floors at loft-inspired parties such as Giant Steps, Luar, and Beija Flor.

Blessings of the Sun is receiving a more focused promotional rollout. It has already been played on rising star Millie McKee’s NTS show. As with past releases, only a limited number of copies will be pressed. Artwork is by renowned artist Annie Fiddian Green, and more new music from Humble B Flat is on the horizon.

With a Pond Life stage takeover set for one of Resident Advisor’s top festival picks, Gottwood, pre-empting the release, we’re excited to see where this double LP from Humble B takes us.

2025 Record Store Day title - now available for general sale. A selection of top quality tracks from some of reggae’s legendary singers backed by some of the best musicians - Tyrone Taylor, Joseph Cotton, Errol Dunkley, Gregory Isaacs,Frederica Tibbs, J Nile featuring his son J Nile, Cornell Campbell, Jimmy James (of Jimmy James and the Vagabonds fame, one of the first Jamaican recording artists), Winston Reedy (Mr Dim The Lights – lovers rock king) , The Heptones - top Jamaican group who recorded countless hits for Studio One, and BB Seaton (one of Jamaicas best songwriters). Recorded at the Room in the Sky Studio, Tuff Gong Jamaica, Music Lab Jamaica, and Ariwa,. Musiciams: Sly Dunbar, , Winston Horseman Williams, Michael ""Megahbass"" Fletcher, Flabba Holt, Alan Weekes, Vin Gordon,,Noel Fish Salmon, ,Ashanti Selah, Bongo Herman.

2025 Record Store Day title - now available for general sale. A very special album to mark Room In The Sky’s 200th physical release. A selection of beautiful instrumental tracks, and featuring some of the best reggae musicians: Vin Gordon who basically played 90% of all the reggae hit horn lines , from Studio One to Bob Marley & the Wailers; Ernest Ranglin top jazz/reggae guitarist, now 93 yrs old and still playing, he produced the first Jamaican number 1 record “My Boy Lollipop” for Island Records; Dean Fraser, the number 1 Jamaican sax player; The Megahband - Michael Fletcher and Alborosies’ riddim section; Sly Dunbar the greatest reggae drummer; Alan Weekes - UK jazz reggae guitarist who played on most of UK reggae created in the late 70s, and 80s, and produced Carrol Thompson’s Hopelessly in Love LP; Jackie Mittoo responsible for 80% of all the biggest reggae riddims.

Hi-Dynamic Instrumental & Dub is the latest release from Breadwinners records released on 2nd May 2025. With 11 tracks in total, it has been manufactured in the UK at Press On Vinyl. After a series of vocal-led albums on Breadwinners records, this is first full length instrumental based dub album in a number of years. Featuring the legendary Vin Gordon on Trombone and two of the finest saxophonists in the north west of England in Nat Birchall and Stally. Drawing on rhythm tracks created over the last few years by Al Breadwinner at his analogue Bakery Studio in Manchester, the album utilises various vintage outboard effects and lost dub techniques to create this “Hi-dynamic” sound.

Ltd edition in transparent yellow vinyl!



The Mystery Lights 2nd outing on Daptone's rock subsidiary, Wick, sees them digging deeper into their cavern of influences, taking on tips from Suicide, The Kinks and Television as they look to build on their already party fuelled, raucous sound.

The Mystery Lights story begins in 2004 in the small town of Salinas California when friends Michael Brandon and Luis Alfonso -whose shared fondness for groups like The Mc5, Velvet Underground, Dead Moon, and The Fall (just to name a few) -decided to join forces and craft their own brand of unhinged rock and roll. From there they spent the better part of 10 years touring relentlessly before migrating to Queens, New York in 2014.

With a live show known for its raw, visceral energy and relentless assault –leaving little to no stoppage between songs –they barreled through countless NYC haunts and DIY venues, quickly amassing a fervent local following. The buzz soon caught the attention of Daptone Records execs who were in the beginning stages of launching a new rock-centric imprint, Wick Records. Impressed by the groups’ musicianship, groove, endless supply of energy, and understanding of musical history the Mystery Lights were quickly signed to Wick. Though a rock band at heart, the parallels to what Daptone Records had traditionally looked for in their Soul artists was undeniable. Soon sessions were booked with Producer/Engineer Wayne Gordon, and the release of their debut single “Too Many Girls” b/w “Too Tough to Bear” launched to mass critical fanfare.

Upon the release of their self-titled full-length on June 24th 2016 The Mystery Lights were quickly crowned “one of New York’s finest garage rock bands” by NME. Extensive touring, including multiple stops in Europe, Asia and Australia followed which found the group graduating from support slots at hole-in-the-wall clubs to headlining stages at major festivals worldwide.

After two years of break-neck, non-stop touring, the group settled back into Queens to prepare for their second full-length record, Too Much Tension(out May 2019). With Wayne Gordon in the producer’s chair and several intense writing sessions under their belt the group were back at Daptone’s House of Soul and ready to track. While keeping the hard-hitting approach of the first LP, Too Much Tension finds the group digging deeper into their well of eclectic influences, enriching their sound without echoing the past. Mixing the eerie, insistent synth sounds of groups like The Normal and Suicide, the energy and swagger of punk’s golden age, the pop sensibility of The Kinks, and the stark, deliberate execution of Television -The Mystery Lights are taking their idiosyncratic brand of rock and roll to dizzying new heights.

The long-rumored, sweat-soaked live album from the night Bill Davis (Dash Rip Rock) and Fred Le Blanc (Cowboy Mouth) dared Jello Biafra to join them during Jazzfest and sing all classic New Orleans soul, rhythm and blues, and (at Jello's request) garage songs! Joining in were piano Wildman Pete Wet Dawg' Gordon (Mojo Nixon), Pepper Keenan (Down, Corrosion of Conformity) and a wacky horn section from Egg Yolk Jubilee and Morning 40 Federation that even includes a sousaphone! You want loose We got loose! You want crazy That's here, too. Walk on Jindal's Splinters is one of the all-time great you are there' high-energy live albums—audience participation galore, plenty of trademark Jello banter, and full-on soul / trash / frat / garage gumbo from eleven of New Orleans' finest, just playing their asses off and having a good time doing it. The album also showcases a whole 'nother side of Jello Biafra: his deep, pre-punk roots known only to a handful of vinyl junkies and anyone lucky enough to catch his DJ gigs. For all those whose interest in Jello goes beyond the punk persona to Jello Biafra, the singer, this is for you. Maximum trash appeal! Southern roadhouse debauchery at its finest! Calls to mind those sing-along, clap-along frat-rock platters from The Premiers to The Kingsman to Geno Washington's Hipsters, Flipsters... series, Swingin' Medallions, or even Slade Alive! You can almost feel the grease and voodoo dripping from the walls!" Showcases a rarely seen side of Jello—his pre-punk roots. Personnel includes members of Dash Rip Rock, Cowboy Mouth, Mojo Nixon, Corrosion of Conformity, etc. Vinyl includes digital download card

The long-rumored, sweat-soaked live album from the night Bill Davis (Dash Rip Rock) and Fred Le Blanc (Cowboy Mouth) dared Jello Biafra to join them during Jazzfest and sing all classic New Orleans soul, rhythm and blues, and (at Jello's request) garage songs! Joining in were piano Wildman Pete Wet Dawg' Gordon (Mojo Nixon), Pepper Keenan (Down, Corrosion of Conformity) and a wacky horn section from Egg Yolk Jubilee and Morning 40 Federation that even includes a sousaphone! You want loose We got loose! You want crazy That's here, too. Walk on Jindal's Splinters is one of the all-time great you are there' high-energy live albums—audience participation galore, plenty of trademark Jello banter, and full-on soul / trash / frat / garage gumbo from eleven of New Orleans' finest, just playing their asses off and having a good time doing it. The album also showcases a whole 'nother side of Jello Biafra: his deep, pre-punk roots known only to a handful of vinyl junkies and anyone lucky enough to catch his DJ gigs. For all those whose interest in Jello goes beyond the punk persona to Jello Biafra, the singer, this is for you. Maximum trash appeal! Southern roadhouse debauchery at its finest! Calls to mind those sing-along, clap-along frat-rock platters from The Premiers to The Kingsman to Geno Washington's Hipsters, Flipsters... series, Swingin' Medallions, or even Slade Alive! You can almost feel the grease and voodoo dripping from the walls!" Showcases a rarely seen side of Jello—his pre-punk roots. Personnel includes members of Dash Rip Rock, Cowboy Mouth, Mojo Nixon, Corrosion of Conformity, etc. Vinyl includes digital download card

"Donald Duck, kill Minnie!" These words, ordered with urgency against a circular series of drum strikes and manipulated guitar/electronic textures, come over three fourths of the way through the album known as SYR 5 (aka "Olive's Horn"). While the words and sounds taken on their own may shock, their appearance within this collaborative effort between Kim Gordon (Sonic Youth, Body/Head, solo efforts), Ikue Mori (DNA, solo) and DJ Olive (We, solo) by this point in the album are not surprising. Taken on whole, SYR 5 sees its creators' respective histories forged in the 80s downtown noise scene, No Wave zone and Marclay-inspired club collide head on to create the audio equivalent of a slow-playing J.G. Ballard novel. Starting from the album's initial impressions where shimmering tones are interrupted by the sounds of winding clocks and bird calls before giving way to a cinematic sweeps of percussion, alien samples and blown out wasteland subs, the listener is constantly taken on a guided journey through a waking dream state where anything is possible. It is a world where dub samples, gurling beats and plaintive vocals (as only Gordon can deliver) fit together like the final locking puzzle pieces, the only elements needed to fully grasp a new reality. Re-appearing on vinyl for the first time in 25 years, these sounds have proven to be jaw-droppingly timeless. - Cory Rayborn, 2025

Tappa Zukie is not only one of Jamaica’s greatest DJ’s, is also a much respected producer and arranger. Looking back through his master tapes we have found a lost release that due to being a worldwide recording artist and the pressures that this carries, it has stayed on his musical shelf and been passed over... until now.

When rhythm was King way back in the 1970’s, the predominant feature of the final mix down would in most cases be the drums and bass. Bringing drums and bass to the fore, the other instruments that create the tunes mood would take a back seat in the mix. With such fine musicians in the horn sections as Vin Gordon, Deadly ‘Headley’ Bennett and the unstoppable Tommy McCook, it sometimes felt, their services if nothing else were slightly underused.

So one way of rectifying this situation was one that Tappa himself instigated, putting a release together by picking some of his favourite productions that carried classic horn lines alongside those tightly recorded rhythms. Pushing those horn lines up in the mix and so making a feature of some of those touches that although added some colour to the original cut, laid back in the mix to the more Sound System friendly drum and bass cut.

When looking at the music with this approach, some of the other influences that were also in Tappa’s mind can be noticed more. Maybe it’s a Jazzier / Bluesy feel shining through. A strange thing happens that almost takes the song down the avenue of a soundtrack album. An unreleased film score to accompany an unreleased film.

So sit back and enjoy a lost release that time and place did not find time to see the light of day. As the opening track testifies and in the immortal words of Mr Tappa Zukie himself.. “Your Musical Daddy is back... Horns Up !!!!”

21 tracks - pressed on limited edition 180g vinyl.This special LP edition showcases all of Elvis Presley's 1957 rock & roll studio sides

The core group backing him on all sides are Scotty Moore on guitar, Bill Black on bass, and D. J. Fontana on drums, plus The Jordanaireson backing vocals.

All tracks recorded at Radio Recorders, Hollywood between January and September 1957. Additional musicians to core group: Gordon Stoker (piano) Tiny Timbrell guitar), Dudley Brooks (piano).

When I first heard Elvis' voice, I just knew that I wasn't going to work for anybody; and nobody was going to be my boss. Hearing him for the first time was like busting out of ail." - Bob Dylan

Elvis was a unique artist... an original in an area of imitators." - Mick Jagger

WRWTFWW Records is very excited to announce the first ever release of the highly-sought after original soundtrack from 1987 cult horror movie Dolls by multi-instrumentalist, composer, producer, music man extraordinaire Fuzzbee Morse. The limited-edition LP is a miracle of lostthen-found VHS era film scores and is housed in a heavyweight 350gsm sleeve with a bloody cutout sticker and exclusive composer notes.

Directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) and released by Charles Band’s infamous Empire Pictures (which later morphed into Full Moon Productions), Dolls is 80s campy VHS horror in all its glory, a fan-favorite with all the attributes needed for a frightening popcorn night, including one hell of a soundtrack with a very welcomed heavy dose of menacing synths, thunderous orchestrations, and quirky interludes.

The haunting score comes from master Fuzzbee Morse who composed it in Richard Band’s garage with a Yamaha QX-1 sequencer, an arsenal of vintage synthesizers, and a wide array of instruments. The result is a must-have (and never released before!) soundtrack that blends horror tropes with influences ranging from Igor Stravinsky’s The Rite of Spring to Bernard Herrmann, Frank Zappa, Beethoven, Charles Ives and Eleanor Rigby!

Dolls follows the WRWTFWW release of Fuzzbee Morse’s Ghoulies II (1988) as well as 3 other soundtracks from the Empire Pictures vaults: Richard Band’s Ghoulies (1985), TerrorVision (1986), and Troll (1986). All still available – complete the collection now!

Points of interests

- For fans of soundtracks, horror, cult, synth, ambient, classical, 80s, VHS, Charles Band, Full Moon Productions, Stuart Gordon, John Carpenter, b-movies, sci-fi, Gremlins, toys, evil toys, Toys R Us, the good old days, toys you can play with at 33rpm, Christmas presents.
- First ever release for the soundtrack of cult horror movie Dolls (1987), with cut out sticker and composer notes.

The hornsman instrumental has a long legacy in the realms of reggae music. Don Drummond, Tommy McCook, Vin Gordon, Rico Rodriguez, Eddie Tan Tan. The list players behind this tradition could go on and on. The notes they played across eras from ska to rock steady to the deepest dubwise steppers bellow through the wind and the wire like a Warrior Charge ….

…It is within this tradition that Ital Counselor’s next weighty contribution to the musical world of QUALITY reggae fits…

…From the very first sonorous note emanating from the mighty Soothsayer’s Horn Section the listener can tell the Dub Organiser means business. That’s right. Once again, the Ital Counselor teams up with Chris Lane of Fashion Records for a cantankerous churning steppers meant to burn out all weak heart sound who try come test.

As evidenced from this 12”s namesake, the humble Soul Dragon Temple of Tone Sound System and IC partners in crime out of Philadelphia, USA, the Soul Dragon Anthem breaths some serious fire. The hard hard rhythm churns relentlessly while the bassline rolls like Dragon’s breath calling all in the dance to spring heel skank straight through all four cuts.

The Dub Organiser stirs a cauldron of dense dub at points conjuring aspects of Lee Perry’s classic Black Ark sound while maintaining his own distinctive spin on the mystical mixing arts. Shards of sound echo and delay. Mr. Lane takes the bassline to aquatic depths as the DRAGON DIVES DEEP……Cut 1…Cut 2…Cut 3…Cut 4…

This one is dedicated to all home town hi-fi’s forwarding reggae and sound system culture outernationally. So without further ado, all soundman and woman worth your salt it is time to DROP the needle on this track. Watch the Dragon FLY and let the Dub Organiser and the Soothsayer Horn’s “Soul Dragon Anthem” BREATH FIRE through your SPEAKER BOX!!!!!!

“Waxwork Records is thrilled to present CASTLE FREAK Original Motion Picture Soundtrack composed by Richard Band (Re-Animator, From Beyond, Puppet Master). This 1995 direct-to-video release directed by Stuart Gordon (Re-Animator, From Beyond) has gone on to become a sought after Horror cult classic.

Jeffrey Combs and Barbara Crampton star as John and Susan Reilly, and Jessica Dollarhide as their blind daughter Rebecca. After visiting John’s newly inheri- ted 12th-century castle, the family soon realizes that they are not alone amongst the medieval stone walls. Chained up in the dungeons is Giorgio, the hideously disfigured son of the castle’s former owner. When Gior- gio escapes and wreaks havoc upon the unsuspecting Reillys, the family is brought to their breaking points.

Richard Band is an award-winning American com- poser who has written the music for over 100 fea- ture films, television series, and more. His score for Castle Freak features the innovative use of a string quartet in the film’s prologue, bringing a classical flair to his tense and terrifying score.

Waxwork Records is proud to release Castle Freak on vinyl for the first time. Featuring a heavyweight die- cut gatefold jacket with all new artwork by Anthony Petrie and pressed on “”Dungeon Splatter”” colored vinyl.”

COMES WITH INSERT & BONUS TRACK FT. PINK SIIFU

Featuring PINK SIIFU, FLY ANAKIN, SIRI IMANI, DEVIN BURGESS, PESO GORDON and more

Productions handled by MICHAELXWHITE, AUTUMN JIVENCHY, GUIDO, JAY KURZWEIL, COUSIN VINNY and more

Turich Benjy, from Cincinnati Ohio, is a shapeshifter. He is a frequent collaborator of the great Pink Siifu, and in 2023 the pair released a magnificent album called ”IT’S TOO QUIET..’!!”. Throughout the album, Benjy showcases his versatility and his ability to have as much fun as possible on a track. His voice reminds me so much (and I say this with all seriousness) of Young Thug.

Benjy feels like what you’d get if Young Thug took a deep dive into exploring alternative trap and neo-soul production. He manages to always find the most creative possible way to navigate a beat, best showcased on his songs like “Sparkz (In The Air)” and “WYWD..’!?” with Pink Siifu.























u b9. Sparks [Remix] (Bonus) 04:00





















[u] b9. Sparks [Remix] (Bonus) 04:00

1.12Bangin' On The Freeway - Bonus Track
1.13ECRP - Bonus Track

In diesem Jahr hat Kim Gordon ihr hochgelobtes und bahnbrechendes zweites Soloalbum The Collective veröffentlicht. Das Album wurde von Fans und Kritikern gleichermaßen gelobt. Die New York Times, Pitchfork, Rolling Stone, VOGUE, Vulture, NME, The Quietus und viele mehr nannten es bereits eines der besten Alben des Jahres 2024. Nun erscheint eine Deluxe Edition des Vinyls. Die Deluxe Edition enthält zwei neue Songs, das bereits veröffentlichte "ECRP" und den neuen Track "Bangin" On The Freeway", der von einem Video unter der Regie ihrer Tochter Coco Gordon Moore begleitet wird. Kim sprach über die neue Veröffentlichung und 2024 und sagte: "Ich fühle mich, als würde ich gerade erst anfangen! Danke für die ganze Liebe!" Die limitierte Deluxe-Version der Vinyl-Platte enthält eine 7" mit den 2 Bonustracks im LP-Sleeve und ist auf silbernem Vinyl gepresst. Gordon hatte ein turbulentes Jahr, in dem sie in ausverkauften Sälen und auf Festivals auf der ganzen Welt spielte, darunter Auftritte beim Glastonbury, Le Guess Who, Bumbershoot Festival und Ohana Festival. Das in Gordons Heimatstadt Los Angeles aufgenommene Album The Collective folgt auf ihr 2019 erschienenes Debüt No Home Record und setzt ihre Zusammenarbeit mit Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor) fort, mit zusätzlicher Produktion von Anthony Paul Lopez. Das Album treibt ihre gemeinsame Welterschaffung voran, wobei Raisens beschädigte, aufgeblasene Dub- und Trap-Konstruktionen die Folie für Gordons intuitive Wortcollagen und hooky Mantras bilden, die Kommunikation, kommerzielle Sublimierung und sensorische Überlastung beschwören.

GFATC Exploring hip-hop’s dustier grooves, sounding similar at times to his early solo work or the 2020 Fly Anakin collaboration Fly Siifu’s.

GFATC’s mode and presentation help distinguish it: It has the air of a daisy-chained DAT tape reel that somehow found its way into your speakers. Without separated tracks, the beginnings and endings of songs (producers include Siifu’s alias iiye, Tony Seltzer, XVII, MVW, West, and IMDEAD) are left to the listener to determine. On paper, it’s a suite; in practice, it becomes more like a sculpture, where multiple angles of engagement over time bring a more weighty understanding.

LTD BLACK VINYL TO 150 COPIES ONLY

Comes with 2 unreleased bonus cuts.

Production: iiye, Tony Seltzer, XVII, MVW & West, IMDEAD
Sound design: iiye x Apollo Rome
Featuring: Butch Dawson, Peso Gordon, Turich Benjy, Apollo Rome
Mixed: iiye, zeroh, kei$ha, anwalk
Mastered: devin burgess, zeroh

In 1962, Gordon relocated to Paris, where he became part of a vibrant jazz community

He was already a well-established figure in the jazz world due to his groundbreaking work in the 1940s and 1950s. His decision to live in Europe revitalized his career, allowing him to continue evolving as a musician away from the struggles in the USA: he enjoyed enormous respect in Europe, which allowed him to perform freely, often in clubs and on tours, without the burdens of American racism. Paris had long been a haven for jazz musicians: artists like Miles Davis, Thelonious Monk, and John Coltrane were celebrated in Europe, and the French jazz scene, in particular, became a hotspot for both American expatriates and European musicians. Dexter Gordon quickly became one of the leading figures in that scene. Our Man in Paris is a celebrated jazz album and it is widely regarded as one of Gordon's best works. It is considered one of Gordon's finest albums due to its blend of bebop virtuosity, lyrical improvisation, and the tight interplay between world-class musicians: a classic jazz record, beloved for its authenticity and the inspired performances of Dexter Gordon and his ensemble. This album is now considered a classic in the jazz canon that's not only a remarkable album because of its flawless execution and historical significance, but it also captures a pivotal moment in jazz history where American jazz musicians were embracing new experiences and sounds in Europe and captures the essence of Gordon's bebop roots while showcasing the influence of his time in Europe.

Our favourite Colombian of all time is by far Felipe Gordon. His individual (and jazzy) take on house music and beyond has given him a big following within the underground dance community. We reached out to Felipe and asked him if he wanted to do a release on GAMM with only one request..."do whatever you want".

The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.

The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.

Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs.

7A Records is proud to present our deluxe reissue of Robert Gordon's Rock Billy Boogie album. It has been remastered and expanded with four bonus tracks, features extensive liner notes and is pressed on 180g Pink Vinyl. Robert Gordon entered New York City's Plaza Sound Studio in April 1977 to record his first album. Four months later, Elvis Presley was found dead in his Memphis mansion, Graceland, at the age of 42. The media was anxious to anoint a successor to the late King of Rock and Roll, and Gordon-twelve years Presley's junior-was high atop many lists. Gordon's vocal resemblance to Elvis Presley was hard to ignore, although the singer never crossed the line into impersonation. He retained his originality and an attitude honed in New York's vibrant punk scene. In late 1978, Gordon was signed to Presley's longtime home of RCA Records. He inaugurated his label tenure with the early 1979 release of his third and perhaps finest album, Rock Billy Boogie. The power-packed LP would become a cornerstone of the so-called rockabilly revival. Four additional recordings round out this deluxe, expanded edition of Rock Billy Boogie: Gordon's 1980 cover of John Beveridge and Peter Oakman's "A Picture of You," a # 1 U.K. hit for entertainer Joe Brown in 1962; and three tracks looking back to his seminal partnership with Link Wray from the Private Stock years: "Lonesome Train (On a Lonesome Track)," "Summertime Blues," and "Red Cadillac and a Black Moustache."

Classic no filler roots rockers selection from Jimmy Radway's Fe Mi Time productions.

180 Gram Vinyl The album `A Jolly Christmas from Frank Sinatra' was released in 1957 and features the Ralph Brewster Singers along with an orchestra conducted by Gordon Jenkins. It's devided in two parts with side one featuring secular holiday tunes, while side two has more religious Christmas carols. Sinatra is regarded as one of the most popular entertainers of the mid-20th century. He is among the world's best-selling music artists, with an estimated 150 million record sales globally. Over the course of his career Sinatra received eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award, and the Grammy Lifetime Achievement Award. He was included in Time magazine's compilation of the 20th century's 100 most influential people. American music critic Robert Christgau called him "the greatest singer of the 20th century" and he continues to be regarded as an iconic figure.

180 Gram, gold marble Vinyl The album `A Jolly Christmas from Frank Sinatra' was released in 1957 and features the Ralph Brewster Singers along with an orchestra conducted by Gordon Jenkins. It's devided in two parts with side one featuring secular holiday tunes, while side two has more religious Christmas carols. Sinatra is regarded as one of the most popular entertainers of the mid-20th century. He is among the world's best-selling music artists, with an estimated 150 million record sales globally. Over the course of his career Sinatra received eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award, and the Grammy Lifetime Achievement Award. He was included in Time magazine's compilation of the 20th century's 100 most influential people. American music critic Robert Christgau called him "the greatest singer of the 20th century" and he continues to be regarded as an iconic figure.

2024 Repress

Re-mastered from original stereo master tapes.

Limited edition 1000 copies.

180 gr vinyl pressed by Pallas in Germany.

Deluxe high-gloss flipback album jacket.

Facsimile reissue using the original cover art (front photo is lost).

Double insert using an original photo by JP Leloir from 1959.

Each record has been visually checked to prevent defects.

Recorded December 19 and 20, 1958 at the studio Hoche, Paris.

Original LP issue: Barclay 84.063.

Belgian jazz artist Bobby Jaspar died far too young at age 37 in 1963, but fortunately made a handful of memorable dates as a leader. This is the last studio session under his name. Jaspar sticks exclusively to flute on these December 1958 studio recordings. He’s joined by drummer Kenny Clarke, Sadi Lallemand or Michel Hausser (who also doubles on xylophone) on vibes, and either Paul Rovere or Jymie Merritt on bass, as well as percussionist Humberto Canto (on one of the two sessions). Jaspar’s soft arrangements prove very appealing for his originals, standards such as ‘Lullaby of the Leaves’ and ‘There Will Never Be Another You’, and classic jazz tunes (an exotic ‘Misterioso’ and a Latin-flavored ‘Chasin’ the Bird’, the latter featuring Hausser on xylophone). This is easily one of Jaspar’s finest recordings as a leader.

Ken Dryden / All Music

Bobby Jaspar (Flute)
Michel Hausser (Vibes) (tracks 1 to 4, 6,8,9)
Sadi Lallemand (Vibes) (tracks 5,7,10)
Paul Rovère (Bass) (tracks 1 to 4, 6,8,9)
Jymie Merritt (Bass) (tracks 5,7,10)
Humberto Canto (Percussion)
Kenny Clarke (Drums)

Suave saxophone master Dexter Gordon had been living in Europe for several years when he returned to make his final Blue Note album Gettin’ Around in 1965. This sublime set features a unique instrumentation with Dexter’s tenor the lone horn holding the spotlight with nuanced accompaniment by Bobby Hutcherson, Barry Harris, Bob Cranshaw, and Billy Higgins. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal..

Colombian artist Kabinett brings a soul and harmonic proposal in the many forms of alternative disco and house through embellished productions and DJ sets finding himself every time as medium for all possibilities.

Involved in music from an early age through classical music, while being exposed and inspired by his older brothers in the many forms of what electronic music was developing, Nicolás, his given name, knew that his future and purpose was only going to be around what matters him the most, music. After learning different instruments in the early years and through a mix of self-education and formal education in contemporary music and music production, as well his first steps as a DJ, at age 20 he was ready to get involved in Colombia's capital electronic music scene as curator, DJ, label owner and music producer.

Founder of vinyl house label Nómada Records next to established artist such as Felipe Gordon & Joint4nine, his mentors, Kabinett have been fed enough to developed a full curation career working for Kaputt Club, El Coq & W Hotels, and more recently Casa Cruxada where he has helped to develop an identity for each which as of today has only enriched the local scene.

More recently as head of Kaputt.wav, his new label, which is now house of artist such as Curses, Iñigo Vontier, Theus Mago, Dombrance, Damon Jee, among many more, promises to keep growing and develope music overseas.
As of his personal artist career, have count on releases in labels such as Glitterbox, Midnight Riot Records, Partyfine, Platino Records, Duro, Playground, Sonido Moderna and more recently in Prins Thomas own label, Intersnajonal which will release his third solo EP in summer 2024.
With a deep understanding and experience on the music scene and a strong influence on dance genres, Kabinett and his music transcends the listeners souls and dive deep into a conscious dance.

Originally released on KLIK Records, in 1975, Dread Locks Dread became one of the new Front Line label’s first key releases when reissued in 1978.

One of reggae’s best and most recognizable ‘toasters’, Big Youth broke new ground as a DJ in the early ’70s with a flowing, chant-like cadence that was equal parts melodic and invigorating, applying his infectious vocal approach to heavy social and political lyrics.

A huge favourite of the punk and new wave artists at the time of release, Big Youth was embraced by The Clash, via Don Letts, and PiL, amongst others. John Lydon was part of Richard Branson’s A&R envoy to Jamaica, helping sign credible artists to his new Front Line reggae label.

Featuring the legendary Skin, Flesh & Bones band, formed around Lloyd Parks (bass), drummer Sly Dunbar (before he started working with Robbie Shakespeare), Ansel Collins on keyboards, and trombonist Vin Gordon. The album was produced by Tony Robinson and Errol Thompson and mixed at the famous Joe Gibb’s studio.

Dread Locks Dread skanks from punchy, rhythm-heavy reggae to the deepest, dubbiest roots. The hypnotic Some Like It Dread reworks Dennis Brown’s “Some Like It Hot”, where the DJ’s toast is entwined with a bluesy harmonica (the dub version re-titled (Black Man Message). Also features a fiery version of Burning Spear’s “Marcus Garvey” (Marcus Garvey Dread), a tasty take on the John Holt classic “Keep on Moving” – Moving On and a scintillating dub of the Techniques’ rocksteady masterpiece You Don’t Care.

Not your typical DJ album by any means, the music equals the toasts and vice versa – an essential release for a dub fan or a Big Youth supporter.

Re-mastered at Abbey Road Studios, London.

Out of print for over 20 years!

20 vom DOOM-Team ausgewählte Tracks.
Erschienen in Zusammenarbeit zwischen Laced Records und Bethesda Softworks®, einem Unternehmen von ZeniMax® Media und id Software®.
Aufgenommen in den weltberühmten Abbey Road Studios und ausgezeichnet als „Beste Musik“ bei den The Game Awards 2016, ist DOOM (Original Game Soundtrack) jetzt endlich wieder auf Vinyl erhältlich.
Mick Gordon, ein langjähriger Mitarbeiter von Bethesda, hat eine intensive Vision von Industrial Metal komponiert, die das schnelle und kraftvolle Ego-Shooter-Gameplay von DOOM in 20 Synth- und Metal-Tracks widerspiegelt. Ein unverwechselbares, pulsierendes und dämonentötendes Klangerlebnis.

- Ltd. Col. 2LP: (Deluxe 2LP auf 180g schwerem roten Vinyl, Deluxe-Hülle, vollflächig bedruckte Innenhülle)

Buddy Rich (1917 - 1987) was described and announced around the world as 'The World's Greatest Drummer.' Rich is still considered one of the most legendary drummers of all time. A master of his instrument, his technique, energy, and speed were praised globally. The jazz drummer and bandleader began his drumming career as a child. When Rich was 18 months old, he started playing the instrument and later performed as a child, becoming known as 'Traps the Drum Wonder.'

Buddy Rich always sought to surpass himself; the next show was always better than the previous one. Nothing could hinder this goal—not even a broken arm or a heart attack could stop Rich from giving a better performance than the last.
In 1978, Buddy Rich and his 14-piece big band played a spectacular show, and thanks to NSJ Records, NTR, AVROTROS, and MOJO, this legendary concert is now available on LP!

Buddy Rich is one of the LPs that is part of the North Sea Jazz Concert Series. Other concerts in this series feature artists like Dizzy Gillespie, Ray Charles, Dexter Gordon, and Jan Akkerman.

The North Sea Jazz Concert Series will include officially licensed releases that will be released as standard on 180-gram white vinyl in a sleeve of heavy paper and printed on reversed board. The records will be captured in mainly black-and-white artwork by Hans Pol in his signature style of the festival with inspiration from the covers of classic older jazz releases from the Blue Note label, for example. The liner notes are written by journalist and jazz expert Jeroen de Valk.

John Birks "Dizzy" Gillespie (1917 - 1993) was a legendary trumpeter, composer, and bandleader. Gillespie was praised worldwide for his trumpet playing, using not just any trumpet, but one with a bell bent at a 45-degree angle. The unique shape of the instrument, according to his autobiography, was not intentional but the result of an accident. Fortunately, Gillespie liked the altered sound, and this unique shape and sound became the artist's trademark.

Gillespie began playing the trumpet at the age of 13 and formed his first big band in 1937 with Teddy Hill (1909 - 1978). Later, Dizzy Gillespie led his own big band from 1946 to 1950, making pioneering contributions to the jazz world. Gillespie was a versatile musician, known not only as a memorable trumpeter but also as a fantastic pianist and trombonist. He even made an unsuccessful bid for the presidency.

In the 80s, Dizzy Gillespie gave some beautiful and unforgettable performances at North Sea Jazz, and thanks to NSJ Records, NTR, AVROTROS, and MOJO, this legendary concert is now available on LP!

Dizzy Gillespie is one of the LPs that is part of the North Sea Jazz Concert Series. Other concerts in this series feature artists like Dizzy Gillespie, Ray Charles, Dexter Gordon, and Jan Akkerman.

The North Sea Jazz Concert Series will include officially licensed releases that will be released as standard on 180-gram white vinyl in a sleeve of heavy paper and printed on reversed board. The records will be captured in mainly black-and-white artwork by Hans Pol in his signature style of the festival with inspiration from the covers of classic older jazz releases from the Blue Note label, for example. The liner notes are written by journalist and jazz expert Jeroen de Valk

The late, great guitarist Tony Rice grew up in a bluegrass family and learned to play at the feet of Kentucky Colonel and Byrd Clarence White. In the mid-‘70s, he joined J.D. Crowe’s seminal newgrass group The New South, thus launching one of the most celebrated careers in modern bluegrass, folk, and acoustic string band music. Along the way, Rice collaborated with David Grisman, Jerry Garcia, Bela Fleck, Alison Krauss, Chris Hillman, Doyle Lawson, Norman Blake…the list goes on. This record, 1988’s Native American, is one of his most beloved, a beautiful blend of bluegrass, jazz, and folk featuring soaring interpretations of some of his favorite songwriters, like Gordon Lightfoot (“Shadows”), Joni Mitchell (“Urge for Going”), Phil Ochs (“Changes”), and Ian Tyson (“Summer Wages”). And on the more contemporary side, Mary Chapin Carpenter sings on the record and contributes a song (“John Wilkes Booth”) about the Lincoln assassination, long an obsession of Rice. That’s the great Vassar Clements on fiddle and Jerry Douglas on dobro, too…first-ever vinyl reissue, pressed in “root beer” vinyl and limited to 750 copies!

Enjoy The Ride Records in conjunction with Morgan Creek proudly presents Stay Tuned (Music From the Original Motion Picture). Available on vinyl for the first time, Bruce Broughton's score to the 1992 cult classic comedy featuring John Ritter, Pam Dawber, Jeffrey Jones & Eugene Levy takes listeners on a musical adventure.

Saying Roy Knable loves television is an understatement. He's so hooked on it that his wife takes a baseball bat to the screen and shatters it. Mr. Spike soon appears at the Knable's door, selling Roy a Satellite dish with 666 channels that aren't available on regular cable (because Spike is sent from hell, and the Knables are about to become part of the Hellevision network lineup). The Knables have 24 hours to make their way through the channels (which are hilariously gory parodies of popular television shows and films of the era) to survive.

Stay Tuned (Music From the Original Motion Picture) is a 2xLP pressed at 45 RPM. It's housed in a gatefold jacket featuring original cover art by Drew Struzan, along with new gatefold and back cover art by Garreth Gibson. Pressing is limited to 1,000 copies.

True Acid Wizards of the 1980s/1990s Psychedelic Underground TreaTmenT performed at Stonehenge Free Festival and at squats and clubs all over London including the now legendary Alice In Wonderland, The Crypt and Club Dog where they assaulted the minds of those present with their unique and somewhat terrifying blend of '60s psychedelia and '70s space rock all liberally spiked with a questioning punk attitude. Performing with Dr & The Medics, Ozric Tentacles, The Magic Mushroom Band, Naz Nomad and The Nightmares and other luminaries of the neo-psychedelic space rock revival, TreaTmenT were an integral part of the scene and possibly the most psychedelic band of them all.

Hardcore to the max, the band insisted on performing in a psychedelicised state, looking like a cross between Arthur Brown's Kingdom Come and early Pink Floyd and often with a lightshow. Firmly fixated on taking their audience on the trip of a lifetime TreaTment consisted of Adam Blake (Jacket Xerxophon) on guitar and vocals, Gordon Leach (Gordon Zola) on further guitar and vocals, Clive Leach (Evil C. Live, Ron Number, Curtis Vile) on bass/trombone, Paul Ross (The Big Beat, Mr Raagh) on drums/percussion and Paul McWhinnie (Mutant) on keyboards, noises and vocals. They were without doubt a live phenomenon, and although they released a couple of singles, cassettes, a live album and a studio album - Cypher Caput - on the Delerium label (home to Porcupine Tree), they never really managed to commit their mind-blowing magic to vinyl. Now, nearly 20 years after it was recorded TreaTment are releasing a limited-edition double vinyl LP of their second studio album How Much is Enough? in memory of guitarist Gordon Leach who sadly passed away in 2021.

The album was intended to be released on Delerium in 2000 but never was and whilst one track 'Keep Ahead' appeared on the Cherry Red box set Last Daze of The Underground - Delerium Records Anthology in 2011 nothing else has seen the light of day until now. Fans of the band will note cornerstones of their live set such as the wondrously trippy 'What The Hell to do' the humorous swipe at the music press 'Hate The Band' the melodic keyboard swirling 'Restless', the frenetic guitar cross fire of 'No Understanding' and the nihilistic nightmare 'Blot Out'.

Housed in a gatefold sleeve packed with photos and memorabilia as well as for the first time the full history of the band and limited to only 300 on 180-gram vinyl How Much is Enough? will no doubt be seen in the future as one of the landmark releases of the '80s/90s Neo-Psychedelic revival.

Past collaborators of Decosimo include indie/folk artists Jake Xerxes Fussell, Wye Oak, and Hiss Golden Messenger. Past collaborators of Schrey include experimental/sound artists Alvin Lucier, Gordon Mumma and Yasunao Tone. In April 2021, Joseph Decosimo, Luke Richardson, and Cleek Schrey three of the most compelling interpreters in the American traditional music scene gathered at a cabin in Tennessee to explore their collective repertoire of Old-time fiddle and banjo tunes, gleaned from visits with older players, field recordings, and vintage 78s. Working with fiddle, hardanger d’amore (a fiddle with sympathetic strings), banjos, and a 19th-century pump organ, the trio captured both the sonic details of their instruments and a generous musical interplay rooted in a dozen years of collaboration. Their debut album, Beehive Cathedral, presents resonant, thoughtful, and expansive explorations of Appalachian and American music. The results showcase deep Details study and enveloping, exhilarating performances. A rich vein of stories and relationships to people and places underpin Beehive Cathedral. Much of the album draws on Decosimo’s experiences learning the music of Tennessee’s Cumberland Plateau, where he grew up and worked as a folklorist. A key source of inspiration was fiddler Clyde Davenport (1921-2020), “Clyde was a social and musical trickster who knew hundreds of old tunes and had an uncanny ability to recall each piece in exquisite detail,” says Decosimo. “During my visits, he’d play breathtaking local pieces from his father Will, who was born in 1868. His father had learned some of them from a neighbor who was born in 1829.” "This record expresses some of what we hear in Southern traditional music: the ring of the strings, the buzz of the tunings, the hum of the organ,” explains Schrey. Spending time listening to old recordings and imagining how those sounds were made has made the trio keenly interested in the relationship between physical motion and sound in their source material. The result is a dense layering of sounds and interaction. Of this sonic interplay, Irish fiddle luminary Martin Hayes observes, “The sound of a beehive conveys the idea of a unified harmonious soundscape which is how this recording sounds. Beehive Cathedral is a sonic delight, a beautiful blend of Old-time soundscapes and more. This is a hypnotic recording that is grounded, subtle and refined

The Fall Of The House Of Usher by Newton Brothers, released 28 June 2024, includes the following tracks: "Burial", "Aftermath", "Opportunity", "Trowel" and more.

This version of The Fall Of The House Of Usher comes as a 2xLP in a(n) Gatefold Sleeve packaging. This release comes with (a) Insert(s).

The vinyl is pressed as a green disc. Another vinyl is pressed as a green disc.