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Freerange have commissioned a limited repress of Reflections Vol. 1 on splendid pink vinyl. The four track VA contains the much-prized Better by Cody Currie plus complementary tracks from James Kumo, Jimpster & Bishy, and Radic The Myth.

Join Kirika and Mireille on their dangerous adventures!

Noir is an anime series created by Ryôe Tsukimura, produced by Victor Entertainment and Bee Train and directed by Kôichi Mashimo. First broadcast in 2001, it enjoyed worldwide success and is now considered a classic of Japanese animation.

It was with this original soundtrack that composer Yuki Kajiura truly defined her signature style, creating a fascinating contrast between the violence of the plot and music imbued with melancholy and sacredness. The music for the series was unanimously acclaimed, particularly for its unforgettable songs Canta per me and Salva nos, performed by Yuriko Kaida.



The Noir original soundtrack is available for the very first time, remastered on vinyl in this double LP collector's edition!

After releasing her first project, ‘Magenta’, in August 2025, Ariane Bonzini gained recognition from a much wider audience thanks to a series of unreleased tracks posted on social media. These excerpts, combining vulnerability, poetry and enveloping melodies, went viral and established her signature style: intimate, minimalist music charged with emotion. This organic success confirmed the growing attachment of a community that recognised in her a rare approach, both contemporary and timeless.
The first extract, ‘J'ai besoin de toi’ (I need you), has just been unveiled by Colors Studio.


Her project of the same name will be released on 20 February on all streaming platforms and on vinyl on 24 April 2026.

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KITCHEN. LABEL is proud to present AGATE, the latest album by Japanese artist MEITEI, marking a deepening of the world he first shaped through his Kofū trilogy released between 2020 - 2023.

Named after the mineral agate, a stone formed through slow accumulation, pressure, and time, the album reflects MEITEI’s patient approach to sound. AGATE brings together extended and newly rearranged works from across the Kofū cycle alongside new compositions and passages, refining material developed through years of performance and sustained practice.

The album presents seven tracks:

HAŌ (Previously unreleased track)
SHIN-OIRAN (Remodeled from Oiran I, Kofū 2020)
SHIN-SADAYAKKO (Remodeled from Sadayakko, Kofū 2020)
SHIN-WAROSOKU (Remodeled from Wa-rōsoku, Kofū III 2023)
KYŪGEKI (Remodeled from Shinobi and Akira Kurosawa, Kofū II 2021)
SHIN-OIRAN II (Remodeled from Oiran II, Kofū 2020)
SHIN-EDOGAWARANPO (Remodeled from Edogawa Ranpo, Kofū III 2023)
Across these works, MEITEI expands the musical vocabulary first introduced in Kofū, a sound he once described as “lost Japanese mood.” While Kofū drew from fragments of folklore, theatre, ghost stories, and forgotten urban memory, it was never an act of historical reconstruction. Rather, it reflected a sensibility of the past observed from the present. With AGATE, this worldview is clarified as Shinpu, a process of discovery in which historical awareness becomes a foundation for contemporary creation rather than a constraint.

During five years of Kofū tours across Japan, Europe, and Asia, MEITEI performed this material in a wide range of spaces, from underground live houses and listening rooms to culturally significant sites. These environments influenced pacing, dynamics, and structure, shaping how the material evolved over time. AGATE is therefore not only a studio album, but the result of material refined through repeated performance.

If the Kofū albums were windows into forgotten eras, AGATE explores what lies beneath, sediment and strata formed through time and pressure. MEITEI’s approach to sound mirrors the nature of agate itself. Grains become texture. Texture becomes narrative. Voices drift through decaying layers of sound, while ancient instruments are used in non-traditional ways, forming distinctive percussive rhythms and melodies that appear and vanish without fixed resolution.

The album’s visual materials were developed under MEITEI’s direction through physical art-making processes. The cover artwork originates from a letterpress print created by Kamisoe, a Karakami atelier in Nishijin, Kyoto, using Kyo-karakami paper. The original artwork, produced through traditional woodblock techniques on handmade washi, was subsequently reproduced on print for the album edition. Kamisoe continues to reinterpret this historical Kyoto craft with a contemporary sensibility.

The title calligraphy was created by Bio Xie, whom MEITEI personally invited to participate in the project. During his performances abroad, MEITEI encountered in Taiwan a lingering atmosphere reminiscent of “Shitsunihon” — a sense of old Japanese memory that quietly endures beyond time. He was deeply drawn to Bio Xie’s distinctive use of Chinese characters, which resonated with this experience, and asked him to contribute to the visual expression of AGATE.

In parallel, MEITEI continues to reinterpret Japanese sensibility through his concept of “Shitsunihon,” presenting it as a contemporary musical language. The refined Kyoto motifs envisioned by Kamisoe and the distinctive calligraphic expression by Bio Xie intersect with MEITEI’s singular artistic direction, weaving together a newly articulated worldview.

The accompanying visual imagery, including the liner photographs, was created by photographer Hiroshi Okamoto, who was also responsible for the visual direction of MEITEI’s previous work, “Sen'nyū.” It draws from MEITEI’s lived experiences of winter seas, solitary cliffs, and breaking waves. These scenes symbolize the inner conflicts of the ten years he spent living in Hiroshima, and his confrontation with solitude and the sounds he creates.

AGATE will be released on 17 April 2025 via KITCHEN. LABEL on 180g vinyl, CD, and digital formats. The album is mastered by Kelly Hibbert, known for his work with Flying Lotus, Madlib, and J Dilla.

With AGATE, MEITEI returns to the material of Kofū with greater focus and discipline, continuing an ongoing process of working forward with inherited material.

Following two 12-inch singles released via the self-run label Plastic & Sounds, which launched unexpectedly this past July, the culmination of their work to date—the album Silent Way, comprising ten tracks—will be released on 27th March as a coloured vinyl 2LP (gatefold sleeve/33RPM/limited press) and digitally.

Mastering and record cutting by Rashad Becker in Berlin. The artwork centres on photographer Yusuke Yamatani's work, with Satoshi Suzuki—who handles all P&S releases—constructing the overall aesthetic.
Last October, they appeared on Resident Advisor's popular series “RA Podcast”, with audio from their world premiere live performance in April 2023 released. They held the “Plastic & Sounds” label launch party at Shibuya. In January 2026, they performed a live set of their acclaimed album “Haet” at the venue's New Year's party.

This release comes amidst growing international acclaim, with their previous album ‘Discipline’ featured in Pitchfork's ‘The 30 Best Electronic Albums of 2025’, and one of their signature tracks, ‘Butterfly Effect’, selected for RA (Resident Advisor)'s ‘The Best Electronic Tracks of 2000-25’.

Błoto has never cared much for dominant aesthetics. Instead, the band has consistently chosen paths less travelled, unexplored territories and uncharted routes where experimentation is not so much a conscious decision as a natural state of being. After years of a rather hermetic approach to recording their albums, the time for change has come. A trip to Bucharest and the opportunity to collaborate with the community of musicians associated with the underground label Future Nuggets, led by Ion D, resulted in many hours of recordings, which will be presented by Astigmatic Records in a series of releases across 2026. It opens with a 7-inch vinyl titled Zmiany / Schimbări, recorded in collaboration with Ion D and Plevna.

KIZZY is the breakthrough EP from rising East London artist Bel Cobain, one of the most distinctive new voices emerging from the UK alternative R&B and soul landscape. Written across 18 months of late-night ideas, scattered sessions, and quiet breakthroughs, the project captures an artist in motion. Following a string of singles that introduced her raw lyricism, KIZZY marks a confident step forward with intimate, sharp, and melodically rich songs that sit in the space between endings and new beginnings.

Across these six tracks, Bel moves with striking emotional honesty through a rich palette that encompasses rock’s bite, jazz’s looseness, R&B warmth, hip hop rhythm, folk intimacy, and fractured breaks. She blends conversational storytelling with her distinct smoky vocals, reflecting on change, learning to let go, and finding light in the aftermath. The EP invites the listener to listen closely to the cracks, the softness, and the pulse of the beauty that still rises when a chapter turns.

Bel Cobain is fast becoming known for her ability to connect deeply with audiences, pairing classic songwriting instincts with a contemporary sonic edge. Early support has come from tastemaker radio and press, with momentum building across streaming platforms as listeners discover her unique perspective on vulnerability and self-awareness. Released as Brownswood Recordings celebrates its 20th year, KIZZY continues the label’s tradition of championing the most singular artists.

Marking a significant milestone in her career, this release is Bel Cobain's first-ever record. It is presented as a Collector's Edition Limited Edition 1xLP gatefold vinyl, pressed on Terracotta colored wax. With short-form video campaigns, targeted digital marketing, radio support, and a growing live presence, this release positions Bel Cobain as one of the UK’s most compelling new artists for 2026.

Angelo De Augustine kehrt mit ,Angel in Plainclothes" zurück, seinem fünften Album und bisher inspiriertesten Werk - eine tief empfundene Darstellung seiner mehrjährigen Reise der Heilung und Erneuerung. Das Album präsentiert De Augustines kraftvolle Melodien und ergreifende Texte in Titeln wie der eindringlichen Elegie ,Empty Shell", dem hoffnungsvollen ,Spirit of the Unknown" und dem herausragenden psychedelischen Country-Stück ,Mirror Mirror". Die Themen befassen sich mit der Zerbrechlichkeit des Lebens, zweiten Chancen und dem Wiederaufbauen seines Lebens, nachdem eine nicht diagnostizierte Krankheit ihn zwang, grundlegende Fähigkeiten neu zu erlernen: ,Ich versuche herauszufinden, wer ich jetzt bin", sagt De Augustine. ,Ich habe das Gefühl, dass mir eine zweite Chance im Leben gegeben wurde, und ich möchte sie leben." Das Album wurde vom Künstler in seinem Aufnahmestudio ,A Secret Place" in Südkalifornien geschrieben, aufgenommen, arrangiert, produziert und gemischt. Es ist das erste Mal seit Jahren, dass er wieder mit anderen Künstlern zusammengearbeitet hat, darunter der Streicharrangeur Oliver Hill (Kevin Morby, Helado Negro), den Harfenisten Leng Bian, die Backgroundsängerin/Percussionistin Wendy Fraser, den Produzenten Thomas Bartlett (der De Augustines ,Tomb" sowie St. Vincent und Bebel Gilberto produziert hat) und den Co-Produzenten Jonathan Wilson (Angel Oisen, Father John Misty) bei ,The Cure". Das Ergebnis ist ein kraftvolles Statement der Hoffnung: ,Eine der größten Hilfen, die mich am Leben gehalten haben, waren die Menschen in meinem Leben, die mir gesagt haben, dass letztendlich alles gut werden würde. Ich hoffe, dass diese Songs die gleiche Wirkung auf die Menschen da draußen haben und ihnen helfen zu erkennen, dass Wunder möglich sind."

Naya Beat is excited to announce 'PAWA!', a soaring disco-funk anthem celebrating feminism and the power (pawa) of togetherness. It is a mouthwatering collaboration between legendary jazz vocalist and disco pioneer Asha Puthli and NYC’s punk-chic, discodelic stars Say She She.

A fortuitous and fleeting window between touring schedules allowed Puthli and Say She She’s Nya Gazelle Brown, Sabrina Cunningham, and Piya Malik to write and record Pawa! with members of the cult funk band Orgone in the English countryside at Mike Oldfield’s (Tubular Bells) studio. Pawa! is a tribute to female fortitude and an anthemic call to action for unity and collective action. PAWA TO THE PEOPLE! Asha’s spoken word bursts into a soaring falsetto while Say She She’s celestial three-part harmonies make for a sublime call and response between the fabled mentor and her gifted disciples. Throw in a stellar bassline and one of tightest rhythm sections around, and you have an instant classic. And if that wasn’t enough, four remixes bring Pawa to the dancefloor! The UK’s legendary Crazy P deliver not one, but three future classics – an epic house take with a stomping bassline, a stripped-down vocal dub, and a sunshine-ready disco dub. Not to be outdone, Greece’s favourite dance duo Boys’ Shorts add magical disco touches and reimagine the original as an eight-minute balearic opus.

Featuring beautiful artwork and a premium poly-lined inner sleeve, the 12" has been cut to vinyl for the discerning DJ and listener by Grammy-nominated Frank Merritt from The Carvery, London.

On 27 March, fabric Originals presents Shō, a five track EP of introspective, transcendent electronics from Japanese techno icon DJ Nobu. Inspired by the Buddhist Brahmavihāras - joy, compassion, loving-kindness and equanimity - Shō unfolds as a meditative, emotional journey rooted in Nobu’s experiences of Tokyo, mindfulness and inner clarity. From kinetic renewal to serene minimalism, the EP channels presence, acceptance and the simple truth that breathing itself is living.

Each track on ‘Shō’ marks a step in an emotional and spiritual journey, channelling the foundational virtues of the Brahmavihāras, which are the four ‘Sublime States’ of Buddhist practice: ‘Muditā’ (joy), ‘Karuṇā’ (compassion), ‘Mettā’ (loving-kindness), and ‘Upekkhā’ (equanimity). Together these principles form a path towards an open, boundless heart, which is mirrored in the EP’s unfolding sonic narrative.

“In recent years I became overly sensitive to my surroundings and society, finding myself strongly affected by every daily occurrence. It was during this time that I discovered meditation. And beyond that lay Buddhism. Through this, my sensibilities became able to express themselves more naturally. I decided to portray my feelings, and the scenery in Tokyo, conveying what I was experiencing in real-time, as music.

The EP title ‘Shō’ denotes views, thoughts, and actions aligned with Buddhist truth, and encapsulates my striving for presence, clarity, and acceptance. It also represents the conscious, mindful understanding that simply breathing is living.” DJ Nobu

Hrishikesh Hirway, Musiker, Komponist und Podcast-Ersteller, bekannt für seinen preisgekrönten Podcast und die Netflix-Serie ,Song Exploder" sowie Kompositionen für Film und Fernsehen, darunter ,Companion", Save The Date, Our Nixon und Everything Sucks!, begann sein eigenes Musikprojekt unter dem Namen One AM Radio und änderte seinen Namen mit der Veröffentlichung von To Call My Own EP im Jahr 2022. Produziert vom Grammy-Gewinner Philip Weinrobe (Big Thief, Adrienne Lenker, Theo Katzman, Cass McCombs), In the Last Hour of Light ist eine Erinnerung daran, loszulassen - von Menschen, von Erinnerungen, vom Wunsch, die Zeit davon abzuhalten, zu schnell zu vergehen. Die Songs entstanden nach dem Tod von Hrishikeshs Mutter, als die Jahre sie immer weiter in die Vergangenheit drängten; in den Momenten, in denen er in seinem Krankenhauszimmer darauf wartete, dass sich sein Vater erholte; in dem Traum von einer Tochter, die er nie haben wird. Es gibt auch Liebeslieder - aber es ist die Art von Liebe, die die Patina eines langen gemeinsamen Lebens trägt, in dem man ebenso viel Zeit hinter sich hat wie vor sich. Die Band von Hrishikesh bestand aus Shahzad Ismaily (Feist, Arooj Aftab), Ken Pomeroy, Mike Haldeman (Moses Sumney, Dawn Richards) und Joshua Crumbly. Zur Besetzung von Hrishikeshs Band gehörten Shahzad Ismaily (Feist, Arooj Aftab), Ken Pomeroy, Mike Haldeman (Moses Sumney, Dawn Richards), Joshua Crumbly (Leon Bridges, Kamasi Washington), Oliver Hill (Kevin Morby, Broken Bells, Vagabon), Sean Mullins (Sam Evian) und Cole Kamen-Green (Beyoncé, Taylor Swift); mit Gastauftritten von Iron & Wine, Fenne Lily, Ken Pomeroy und Uwade Hart (St. Vincent), Zosha Warpeha (L'Rain) und Dustin O'Halloran.

WRWTFWW Records releases THE GENTLE PEOPLE - The Peel Sessions, available on vinyl for the first time ever, in conjunction with the worldwide expanded reissue of the group's Soundtracks for Living. Lounge/Chill Out music reborn !

This is an exclusive 4-song EP recorded in 1997 on BBC's Peel Sessions, as The Gentle People were doing the rounds for the release of their legendary debut album. These live versions have never seen the light of day before - a must have for all the gentle fans !
When The Gentle People first glided into the mid-90s on clouds of strings, sugar and sine waves, they sounded like visitors from another, more glamorous planet. Signed to Richard D. James and Grant Wilson-Claridge's cult label Rephlex, this multinational "E-Z-Core" lounge unit took the aesthetics of 50s/60s easy listening and exotica and gently smuggled them into 1990s club culture.

Imagine KLF's Chill Out or Space growing up on French 60/70s pop, bossa nova, soundtracks, vocal harmony groups, library music and easy listening then slipping out for a late-night date with dub, ambient techno and bubble-bath pop. That's The Gentle People : music that can score cocktail hour, 4am taxi rides, and daydreams in headphones with the same effortless grace.

The Gentle People weren't just a curiosity on a weird label; they became unlikely icons of a whole loungecore moment, gracing TV, compilations and magazine spreads, and proving that tenderness could be as futuristic as any drum machine.

"FEELING FULLY YOURS" PRE-ORDER ONLY EDITION:
Heavyweight Vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Bandcamp Limited Edition 30 pages paperback booklet printed on "Favini Tintoretto Bianco" 350 gram cardboard / "Watoji" Japanese hand-bound with black cotton / hand painted cherry red fore-edge / Full interview to Jym Marks by Tony Higgins printed on 90 gram "Fedrigoni Constellation Snow"/ full album lyrics printed on 90 gram "Favini Seaweed Paper"and exclusive full format B&W picture printed on high quality photographic paper, Books front cover printed on 300 gram Moldmade paper.

Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall.

In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wave/art rock band "D Face" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' "Ambience" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.

Initially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.

After completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city record stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show.

These days Ripley-Marshall has moved away from music and is predominantly focused on visual art. "Green Chaos" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.

Following “The Red Pill” and “Suicide Neighborhood”, VHS Horror Tape marks the next chapter in the sonic universe of Dutch synthwave wizard Adam Tristar. The album expands on his signature sound with darker tones, gritty analog textures, and a strong cinematic horror influence, evoking late-night VHS aesthetics, neon-lit nightmares, and retro-futuristic suspense. It’s a haunting journey that blends nostalgia with menace, pushing his synthwave style into deeper, more ominous territory. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK viny. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Strickly for the DJs and strickly vinyl only. M.A.D White returns with two dub infused DJ tools. These wont stick around for long.

The Bluebeaters enjoyed a revival with their 2025 album Everybody Knows, released by Record Kicks. In 2023, to be included in a compilation created by Freedom Sounds Festival in Cologne (Germany), we reworked an extra track entitled TRINITY that had been left off the album. In addition to being included in the compilation, it became the first single on 7-inch vinyl released by the newly formed Caribb Roots.

Although we played it live, the recording of the song had been left half-finished, so we picked it up again, recorded the horns and vocals, and finished mixing it.

The song is linked to the very Italian tradition of Western film soundtracks, and Trinity is a seminal song in this sense.

Limited Silver Vinyl Repress!

Mexican brothers Soul Of Hex are back on Delusions Of Grandeur and deliver an absolute gem of an EP entitled Constellation. With recent releases on Underground Resistance (as Mano De Fuego) and an upcoming release on Kilometro 4.5 which features Mad Mike Banks and Kuniyuki it’s safe to say Soul Of Hex are keeping good company and have earned the respect they deserve through their talent, consistency and hard work.

Leading the charge we have Face Down which is an absolute barnstormer of a track which features a killer electric bass line and low slung dubby disco drums and twisted FX. Simple, powerful and funky AF!

Constellation is up next, picking up the BPM’s for a full on soulful piano house jam which features Javonntte and Mariana Phelts on vocals. Far from being a retro throwback, Soul Of Hex have successfully created a fresh and original slice of feel good, disco-influenced house music while doffing their caps to to the OG maestro Marshall Jefferson.

Next up is Dimension Spell which brings some full on funk vibes to the table courtesy of More Lotion’s heavy guitar work. Euphoric synth pads bring the deep ness while the stripped back beats and punchy Moog bassline ensure maximum dance floor pressure.

Closing out this brilliant EP we have Into The Night, a beast of a tune which fizzes with an understated energy thanks to it’s rolling, minimal groove. In your face syncopated Rhodes stabs skip around the disco drums while a repeating vocal sample brings that top line ear candy.

4am Kru make a return to vinyl with the Love On The Line EP, an exploration of the familiar, bittersweet story of a romantic relationship between two people, from start to finish.

Across seven tracks led by collaborator Layla Sibelle, we feel every facet of this universal human experience. Exploring the more vulnerable shades of 4am Kru’s proven dancefloor technique, each track on the Love On The Line EP shakes sound systems, while staying true to the record’s emotional core.

From the tingle of excitement depicted on 'Rush', to the disappointment of being let down on ‘Boy’, the relationship ending on ‘Hush Now’, alongside everything in between, Love On The Line EP keeps bodies moving, while pushing the sound and songwriting of 4am Kru in unexpected new directions.