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With her captivating voice and richly detailed songwriting, Sarah Jarosz has emerged as one of the most compelling musicians of her generation. A four-time Grammy Award-winner and ten-time nominee at the age of 30, the Texas native started singing as a young girl and became an accomplished multi-instrumentalist by her early teens. After releasing her full-length debut Song Up in Her Headat 18-years-old, she went on to deliver such critically lauded albums as Follow Me Down, Build Me Up From Bones, and Undercurrent, in addition to joining forces with Sara Watkins and Aoife O’Donovan to form the acclaimed folk trio I’m With Her. Her fifth studio album, World On The Ground, produced by John Leventhal, went on to win the Grammy award for Best Americana Album. In 2021 Jarosz released the Grammy-nominated Blue Heron Suite, a much-anticipated song cycle which she composed after being the recipient of the FreshGrass Composition Commission.

The seventh album from Sarah Jarosz finds the highly decorated songwriter at the apex of change. A Texas native, she’s spent most of her adult life living in New York City, but shortly before writing the album Jarosz left her adopted home to join her soon-to-be husband in Nashville, TN. The geographic shake-up led to a sonic one as well for Polaroid Lovers. For the first time in her career she opened herself up to collaborators, leading to writing sessions with Daniel Tashian, Ruston Kelly and Natalie Hemby. The creative reorganization of her writing process evolved to include a much richer and more electric sound in the studio and being in Nashville meant access to a world of hot shot players. She tapped guitarist Rob McNelley (Miranda Lambert, Carrie Underwood), Tom Bukovac (Tom Petty, Vince Gill) on guitar and organ, her husband- bassist Jeff Picker (Nickel Creek), and drummer Fred Eltringham (Sheryl Crow, Lucinda Williams) for the album recording. Tashian took the helm as producer and the whole album was laid down at the legendary Sound Emporium.

As it goes with all change, Jarosz’s major life events had her feeling contemplative. While sitting on the precipice of adulthood, Polaroid Lovers finds her reflecting on past loves, childhood dreams, the places she lived in and all the versions of herself that she’s been. Although the listener experiences the sonic shift forward, the album’s subject matter is a photo album of the past. Jarosz has never sounded more assured. Polaroid Lovers is filled with the kind of confidence that comes from hard won life experiences and the conviction of someone who truly knows herself.

Blue Cheer were the loudest, heaviest band of the 1960s. What they played and how they played it was labeled Heavy Metal partly from a reference by the Beat writer William F. Burroughs and partly from a lyric in Steppenwolf's Born To Be Wild (Heavy Metal Thunder). It described them perfectly and they ushered in a new age of searingly loud and upfront rock which would quickly establish itself as the outer-fringe of psychedelia. These three early demo tracks predate their debut album Vincebus Eruptum, and have more grind, guts, and grit than anything they've ever recorded! Pressed on white vinyl!

The Bollock Brothers are a British punk act formed in 1979 by the London promoter, DJ, and manager Jock McDonald. They are best known for their English language cover of Serge Gainsbourg’s song “Harley David (Son of a Bitch)” (originally in French) and Alex Harvey’s “Faith Healer”. ​

As well as being known for their original songs “Horror Movies”, “The Bunker”, “The Legend Of The Snake” and "The Slow Removal of The Left Ear of Vincent van Gogh" which featured Martin Glover of the band Killing Joke, they are known for their release of cover versions by artists Led Zeppelin, The Sensational Alex Harvey Band, Steppenwolf, David Bowie, and Vangelis among others.

In den letzten fünf Jahren hat sich Kenny Beats zu einer der wichtigsten Persönlichkeiten im Rap entwickelt. Er hat karrierebestimmende Musik für Leute wie NBA Youngboy, FKA twigs, Dominic Fike, Rico Nasty, Freddie Gibbs und Vince Staples produziert, absurden christlichen Rap mit dem Komiker Zack Fox gemacht und Agit-Punk für IDLES aus Bristol aufgenommen. Er hat auch neu definiert, was es heute bedeutet, ein Produzent zu sein, indem er eine Generation von Heim-Beatbastlern durch seine verschiedenen Tutorial-Livestreams und die episodische Produktionsserie "The Cave" angeleitet hat. "LOUIE" ist Kennys allererste Veröffentlichung als Solokünstler. Er schöpft aus der reichen, soulgetränkten Tradition von Ausreißern wie J.Dilla, Madlib und D"Angelo, um zum ersten Mal Themen seiner eigenen Familie, Kindheit und Erziehung zu erkunden. "LOUIE" ist eine Hommage an Kennys Beziehung zur Musik insgesamt und bietet mit einem Ensemble von Kollaborateuren und Musikern von Mac De Marco bis Thundercat ein neuartiges Produzentenalbum, das seiner eigenen, immer noch wachsenden Stimme ganz neue Schichten hinzufügt.

Samosa Records quickly follows up the first volume of Afrikano treats with Volume 2; a veritable melting pot of Afro beats and rhythms packed in to an exceptional four tracker.

Kicking the EP off on the A-side is Vincent Galgo and J’ngolo. This hypnotic Afro sizzler takes full advantage of the effortless bass, congo beats, African horns and (subtle) funky guitar. Add the mesmerising chanting and you have a perfect ‘Bunny Chow’ of a tune that will tantalise the tastebuds for a long time after the music has stopped. Second helpings? Why not?

A2 unleashes ‘Zaire’ by the supremely talented Matalo! Dark and broody beats take centre stage with this one, as you’re slowly enveloped in a ritual you never knew you were part of but now you can’t help sway with the rest of the worshippers. ‘Zaire’ is one of those rare tracks that you feel could create fire if you let it. With sweeping synths, tribal chanting and a detached sense of being, this monster lives under your bed and waits for lights out. Beware!

On the B-side Leslie Lello ups the tempo with ‘Alcyone’. Solid, punchy bass, driving guitar and gorgeous piano riff and vocal combine with a synth lead you absolutely need in your life. The track morphs and transforms into a full-on (almost housey) stomper; nailing its tribal colours to the mast with intent. A real beast of a tune.

Closing this superbly diverse EP is label boss De Gama and ‘E.T.A’. You know De Gama doesn’t mess about. You know De Gama wants to hit you with all he has and with ‘E.T.A’ he unleashes his ‘inner Chief. Indigenous beats pound, roll and build up to a Ramkie guitar infused chorus that’s as joyful, uplifting and inspiring as the dawn itself. A genuine, incredible slice of Afrikano from a master of the genre.

Afrikano Vol. 2 proves once again that Samosa Records know this genre like no other label out there. If this isn’t in your record box on release day, then we simply can’t be friends.

Großartige Songs aus dem reichen Fundus der Popularmusik von Scott Walker über Robert Wyatt bis St. Vincent. Auf ihren Wesenskern reduziert, in ein neues Licht getaucht und niemals übermotiviert vorgetragen. Lyrischer Jazz, Kontemplation. Pianist, Arrangeur und Produzent Uwe Schenk hatte mit Jochen Feucht (reeds), Florian Dohrmann (b) und Michael Kersting (dr) bei den Aufnahmen zu dieser LP drei äußerst routinierte Musiker an seiner Seite. Musiker, die die Schönheit der Reduktion schätzen. Die Auswahl der Songs übernahm Co-Produzent Andreas Vogel. Der DJ und Musikconnaisseur wusste dabei genau, welche Stücke bei Uwe Schenk auf fruchtbaren Boden fallen würden. Schenk schrieb daraufhin sieben Arrangements, die die Grundlage von Since You've Asked bilden. Im Jazzidiom verankert, mit einem Fokus auf Holzbläserklängen, sorgt vor allem das warme Timbre der Klarinette für den unverbrauchten und frischen Sound der Songs. Beste Voraussetzungen für eine entspannte Recording-Session und im Ergebnis eine LP, die dazu einlädt, sich ganz dem Klang hinzugeben, um tief in die Musik einzutauchen.

Parisian quintet En Attendant Ana's third album "Principia" is without a doubt their best yet. Bandleader Margaux Bouchaudon's voice anchors many of the songs on "Principia". The songs were composed from a place of confusion about the state of the world and their place in it, looking outward and inward for answers. Guitarist Max Tomasso - newly joined just before the recording of "Juillet" - feels more "moved-in", his guitar-work gliding effortlessly through. New member Vincent Hivert's bass-work is rubbery & flexible, urging on drummer Adrien Pollin's metronomic swing. The band's secret weapon, multi-instrumentalist Camille Frechou's trumpet & saxophone add a new layer of sophistication to the group's debonair indie pop. Bouchaudon says "One of the most important points we tried to focus on was the place given to each instrument. For the first time, we withdrew parts, we were careful not to play everyone at once and I think that the result is a much lighter album in which every musician has a specific place and moment". "Principia" is a great step forward without sacrificing the things that make the band unique, and absolutely feel like the next great phase of an already great band.

Dinner Party is the super-group of Terrace Martin, Robert Glasper, 9th Wonder, & Kamasi Washington, a collection of some of Hip-Hop’s finest current producers and contributors. With 14 GRAMMY Nominations between the group, Dinner Party utilizes the strengths of each musician seamlessly, blending their styles to create something soulful for these trying times. At just over 20 minutes, the album leaves the listener with just enough to satisfy them but yearn for more.

Capitane Records freut sich, die Veröffentlichung von Moping in Style ankündigen zu können: Eine Hommage an Adam Green. Auf diesem mitreißenden Doppelalbum sind Regina Spektor, Father John Misty, Devendra Banhart, The Libertines, Jenny Lewis, Sean Ono Lennon, Frankie Cosmos, The Lemonheads und viele andere bekannte Namen zu hören, deren Beiträge Adam Greens Position als feste Größe des Indie-Rock der letzten zwei Jahrzehnte belegen. Mit einer Songauswahl aus Adams Soloalben, angefangen bei Garfield aus dem Jahr 2002 bis hin zu seinem letzten Album That Fucking Feeling, zeigt dieses Tributalbum Adams bemerkenswerte Bandbreite als Songwriter.Weithin bekannt als eine Hälfte des Songwriter-Duos The Moldy Peaches, hat Adam Green seit den frühen 2000er Jahren einen einzigartigen Einfluss auf seine Generation von Musikern und Künstlern ausgeübt. Seit den frühen Nuller, als Bands wie The Strokes, The Libertines und The White Stripes begannen, das neue Kapitel der Indie-Kultur zu schreiben, spielte Adam eine wesentliche Rolle dabei, an einem Dienstag voller gezielter Katastrophen zu verlieren? oder Bartholemew, bring me a fork? Von seinen frühen bis zu seinen jüngsten Songs haben sich die Fans von Adam Green an der kaleidoskopischen Landschaft der Sprache erfreut, die er malt. Mit seiner lyrischen Vorstellungskraft öffnet er Türen möglicher Bedeutungen und schafft es, absurd zu sein, ohne absurd zu sein, und anzüglich, ohne offenkundig provokativ zu sein. Er fädelt die sehr zarten künstlerischen Nadeln von Zärtlichkeit und Humor, Kitsch und hoher Kunst, Rock'n'Roll und Fackellied. Neben den Moldy Peaches und seinen Soloalben umfasst Adam Greens beeindruckendes Werk mehrere Serien von Gemälden, Skulpturen, zwei Filme in voller Länge und sogar epische Gedichte. Um es nicht zu sehr auf die Spitze zu treiben, aber für viele seiner Generation - zumindest für die Eingeweihten - hat Adams Statur fast Warhol-ähnliche Ausmaße erreicht. In einer Zeit, in der die im vorigen Jahrhundert Geborenen vielleicht den Verlust dessen bedauern, was wir kollektiv als "Gegenkultur" in Erinnerung haben, erinnert Adam Green uns alle an eine komplexere und reichere Ära des künstlerischen Dialogs. Für eine jüngere Generation von Songwritern, von denen einige auf Moping in Style zu hören sind, hat Adam den Weg geebnet und die Richtung gewiesen. Aus den geschickten musikalischen Händen seiner brillanten Mitwirkenden hören wir neue Sichtweisen auf Adams Songs und stellen fest, dass Adam Green vielleicht genauso sehr wie jeder andere der oben erwähnten Koryphäen des 20. Jahrhunderts dem großen George Gershwin ähnelt, einem Meister der Melodie und des Liedes. Dopple-Vinylalbum/CD Mit Devendra Banhart / Regina Spektor & Jack Dishel / Father John Misty / The Lemonheads / Sean Lennon / The Libertines / Binki Shapiro / Jenny Lewis / The Lemon Twigs / Frankie Cosmos / Ben Kweller / Kyp Malone (TV on the Radio) / Rodrigo Amarante / Joanna Sternberg / Hubert Lenoir / Jeffrey Lewis / Turner Cody / The Cribs / The Pirouettes / Vincent Delerm / Herman Dune / Cut Worms / Ben Lee / Lou Barlow / Jonathan Rado (Foxygen).

Stefan Vincent is set to release his first solo EP on newly founded Boomstraat 1818. Following his contribution on the label's previous release, the Dutch producer has crafted four tracks in his signature style. The A-side provides two club-ready tracks, leaving the B-side to take on a more restrained approach, offering two deeper cuts. ‘Yearning Echoes’ is a high-energy track with filtered stabs and aggressive hihats, clocking in at 138 bpm. In contrast, ‘Merest Hint Of A Pulse’ takes the tempo down a notch and offers a multi-layered percussion-based tool. On the B-side, 'Silent Observer' takes a deeper and introspective route with its hypnotic rhythms and subtle melodies, while 'Fetishizing Oblivion' offers a colorful electro track guided by a prominent bassline and elegant pads.

Released here on vinyl for the first time ever, this collection of rare recordings by Australian rock legends FRATERNITY was unearthed and curated by author and co-manager Victor Marshall from the archives of original band manager Hamish Henry whilst performing research for his book on the band, entitled 'Fraternity: Pub Rock Pioneers' (Brolga Publishing 2021). - Original cover artwork by renown Australian artist Vytas Serelis who also designed the cover artwork for Flaming Galah. - Deluxe package includes gatefold jacket packed with original press clippings and previously unpublished period band photos plus extensive liner notes by original band co-manager Victor Marshall. - Album features legendary AC/DC front man BON SCOTT on lead vocals! His work with FRATERNITY put Scott on the radar of George Young, AC/DC co-producer and older brother of Angus and Malcolm, eventually leading to Scott replacing then-front man Dave Evans in 1974.

Almighty duo Hyperculte strikes back with a tremendous third album, La Pangée. More than a band, Hyperculte is a superband (!) reuniting two figures of the Geneva subculture scene: Vincent Bertholet (Orchestre Tout Puissant Marcel Duchamp) and Simone Aubert (Tout Bleu, Massicot). If you"re not familiar with the band expect some angry krautrock, high-energy post-punk and etheric voices.

Artists like Jalen Ngonda come around once in a lifetime, so it is our privilege and distinct pleasure to announce the release of his debut album Come Around and Love Me.


Anyone who has had the pleasure of seeing Jalen perform live knows that he is one of the most captivating performers on today's soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm-disarming packed rooms of rowdy concert goers, leaving them silent as they hold fast to every syllable sung. Plans for the album were struck just months before the COVID 19 pandemic shut the world down. Notwithstanding, Jalen eventually made it to Hive Mind Studios in Brooklyn, NY where he began writing and recording with the help of producer/arrangers Mike Buckley and Vincent Chiarito (both members of Charles Bradley's Extraordinaires) and a crack team of a-list musicians from the Daptone family.

The team skillfully blends heavy arrangements and introspective lyrics with motown sophistication, leaving the listener in a blissful wash of wonderment. Jalen has been writing songs since he was 14, and his compositions are also very much of these times. He explains, "I love music from the 20th century- I listen to it all the time, but I?m in this world and the 21st century. ...to a stranger, I?d describe my music as modern soul and R&B, while trying to fit in the Beach Boys and the Beatles somewhere in between." Come Around and Love Me reveals how he creates a classic approach that is rooted in the sounds of revered pioneers, without falling into imitation-leaving no doubt that Jalen will continue to shine within the superlative, timeless musical tradition that is Daptone?s hallmark.
Now it's your turn to come around and love one of the finest soul albums of the decade.

John Vincent III, ein 26-jähriger Americana-Künstler, intensivierte seine Liebe zur Musik 2014 in Houston,
TX. Inspiriert von einzigartigen Lyrikern wie Bon Iver, The Districts und The Doors, begann John Vincent
III mit der Kreation seiner eigenen Songs. John Vincent III verbindet mühelos folkige, rhythmische Gitarrenklänge mit gefühlvoller, verletzlicher Lyrik und schafft so die perfekte Mischung aus Indie-Folk-Pop.
John hat seine Singles, seine EP und sein von der Kritik gelobtes Album ”Songs from the Valley” selbst
geschrieben und produziert. Ein großer Teil von Johns musikalischem Erfolg kommt von der unbestreitbaren
Leidenschaft und den rohen persönlichen Erfahrungen, die in ihm leben.
Es ist an der Zeit, das zweite Album von John Vincent III, ”Songs For The Canyon”, der Welt zu präsentieren. Dieses Album wurde in Zusammenarbeit mit renommierten Produzenten wie Tom Elmhirst (Amy
Winehouse, James Bay, HAIM, Florence & The Machine, Mumford & Sons), Tony Berg (Phoebe Bridgers)
und Ryan Hadlock (Lumineers) geschaffen. Es ist Johns erste Veröffentlichung seit seinem 2019er Debütalbum ”Songs from the Valley” und zeigt seine Weiterentwicklung als Musiker und Songwriter im Indie-FolkGenre. Das Album verspricht eine fesselnde musikalische Reise, bei der John Vincent III seine künstlerische
Reife zum Ausdruck bringt.

Ennio Morricone composed and arranged scores for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 50s. The Legend of 1900 (Italian: La leggenda del pianista sull’oceano).

The Legend of 1900 is a 1998 Italian drama film directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince, and Mélanie Thierry. The film is inspired by Novecento, a monologue by Alessandro Baricco. The Legend Of 1900 was nominated for a variety of international award, winning several for its soundtrack, including a Golden Globe for Best Original Score - Motion Picture. This release includes the song “Lost Boys Calling” featuring Roger Waters & Eddie van Halen.

Throughout his career, Morricone received an unprecedented amount of awards, including Grammys, Golden Globes, and BAFTAs. Ennio Morricone has influenced many artists including Danger Mouse, Dire Straits, Muse, Metallica, Radiohead, Hans Zimmer, and many more.

The Legend of 1900 is available limited edition of 5000 numbered copies on smoke coloured vinyl. The package includes an insert.

A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter. A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture - and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with." Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "SolutionismÖs careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability - and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonometry," that "white dove is a pigeon - you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."

A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter.



A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture—and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with."



Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "Solutionism"'s careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability-and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonome- try," that "white dove is a pigeon-you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."






[f] Kyanite Toothpick [feat. Hanni El Khatib]




[k] Bermuda [feat. Lealani Teano]


[n] Forward Compatibility Engine [feat. Rob Sonic]



[r] Black Snow [feat. Nikki Jean]

Shatter And Fall - mächtiger Melodic Death Metal in all seinen finstersten Nuancen

Die aufstrebende US-amerikanische Melodic Death Metal Band HINAYANA veröffentlicht am 10. November 2023 ihr zweites Studioalbum Shatter and Fall via Napalm Records. Das Werk besticht mit beeindruckendem Songwriting und den namhaften Feature-Gästen Vincent Jackson Jones (Aether Realm) und Tuomas Saukkonen (Wolfheart). Produziert von Frontmann Casey Hurd und Kevin Butler, wurde Shatter and Fall von Dan Swanö in seinem Unisound-Studio gemastert.

Wie keine zweiten lassen die Texaner moderne Elemente in ihren Melodic Death Metal einfließen womit sie sich von Genregrößen wie Insomnium, Amorphis und Swallow the Sun abheben und ihrem markanten Sound ein frisches Alleinstellungsmerkmal verleihen. Nach der Veröffentlichung der ersten Demo EP sicherte sich die 2014 gegründete Band mit dem Debütalbum Order Divine (2018) einen festen Platz in der Metal Szene und zog zugleich die Aufmerksamkeit von Napalm Records auf sich. Es folgte die Veröffentlichung der Labeldebüt-EP Death Of The Cosmic (2020), mit der HINAYANA der Pandemie strotzten.

Nun sind sie bereit ihre elf neuen Songs diesen Herbst auf der großen Europa Tour mit ihren Labelkollegen von Wolfheart und Before The Dawn zu präsentieren.

Another release of Musical Mayhem Records is here!!

The best oldschool Hardcore classics from the 90s on this cool red vinyl compilation album. With classics by DJ Isaac, DJ Rob & MC Joe, BodyLotion, Forze DJ Team, Neophyte vs Stunned Guys en The Dark Raver & DJ Vince, ………….. and others.

Auf dem neuen Album SUCKER liefert das kreative Mastermind Jilian Medford aka IAN SWEET ihre stärksten und persönlichsten Songs ab – voller Verzweiflung, Verletzlichkeit und Reue. Aufgenommen im Outlier Inn mitten in den Catskill Mountains im Süden des Bundesstaates New York und gemischt von Al Carlson (St. Vincent, Weyes Blood, Jessica Pratt), beweist die LP Medfords Fähigkeit, wunderschöne Popsongs zu schreiben, die das Herz berühren, während gleichzeitig Schichten benommener Synthesizer und dröhnender Gitarren explodieren. Diese Songs sind voller Kummer und Sehnsucht – eine Traurigkeit, die Medford in ihrem zweifellos bisher besten Album direkt thematisiert.

Death Walks Behind You ist das zweite Studioalbum der britischen Rockband Atomic Rooster. Es wird allgemein als das archetypische Album von Atomic Rooster angesehen, aufgenommen von der 'klassischen' Besetzung mit Vincent Crane, John Du Cann und
Paul Hammond.

Es ist sowohl kritisch als auch kommerziell ihr erfolgreichstes Album und wird oft als ein Klassiker des Progressive Rock-Genres gefeiert. Es brachte auch die Hit-Single "Tomorrow Night" (UK #11) hervor, die zu einem der bekanntesten Songs der Band wurde. Das Cover des Albums zeigt den Monotypen "Nebuchadnezzar" von William Blake.
Der Titeltrack wurde 1992 von Paradise Lost, 2000 von Bigelf (auf ihrem Album "Money Machine") und 2012 von der schwedischen Death-Metal-Band NonExist gecovert.

Death Walks Behind You ist als Limited Edition von 1000 einzeln nummerierten Copies auf Clear & Black Marbled Vinyl erhältlich und wird in einem Gatefold-Cover präsentiert.

The Blowback is the new album by Emily Wolfe. Emily wrote or co-wrote most of the tracks with bassist Evan Nicholson. Produced by Emily Wolfe Engineered by Matt Gerhard (Spoon, Tennis, Future Islands) Mixed by Cian Riordan (St. Vincent, Sleater-Kinney, Paul McCartney, Lana Del Rey) Mastered by Chris Gehringer - Sterling Sound Emily Wolfe asserts her talent as a dynamic vocalist, sharp songwriter, and an accomplished guitarist and producer. She delivers a brand of rock ‘n’ roll that’s raw and relevant, anchored by emotionally charged lyrics and a powerhouse stage presence. This young and impassioned artist has amassed millions of streams and garnered widespread acclaim from The Wall Street Journal, MTV, Guitar Player, PASTE, American Songwriter as well as her hometown paper, the Austin-American Statesman and many others. Recognized as a force on the instrument, Emily has collaborated with Epiphone/Gibson Guitars on two signature Sheraton models which is a rarity for an artist that isn't yet selling out stadiums. After quietly emerging as a phenomenon, Emily projects her voice like never before on her third full-length album, which she produced

Das "Rock-Album" der Mountain Goats enthält 13 formidable Songs, die an so interessanten und unterschiedlichen Plätzen wie Fairbanks, Stockholm, Seattle, San Francisco oder Durham geschrieben wurden. Diese Vielfalt der Ortschaften spiegelt sich auch in der fesselnden Andersartigkeit der Songs wieder. John Darnielle fasziniert erneut mit intensiven Texten, die z.B. von Krimi-Autoren, dem letzten Sex mit der Freundin, einem See-Monster, Splatter-Filmen und vielen anderen Kuriositäten handeln. "Heretic Pride" entstand in Zusammenarbeit mit vielen guten alten Freunden von John, zu denen sich diesmal aber auch einige neue gesellten. Schon beinahe als feste Bandmitglieder fungieren Peter Hughes am Bass, John Wurster an den Drums, Franklin Bruno am Klavier und Erik Friedlander am Cello. Zudem steuerte St. Vincents Annie Clark einige bezaubernde Gitarrenchords und Backing Vocals bei.

Formed in 2016, The Scratch recognised for their contemporary and experimental approach to heavy metal and Irish folk music, rose to prominence following a performance at the annual Rory Gallagher festival which went viral. Releasing their debut album “Couldn’t Give A Rats” one month into the Covid lockdown in 2020, the band re-emerged triumphantly, building a loyal fanbase and selling-out venues across Ireland including two shows in Dublin’s 3Olympia, the UK, Europe, and North America. Produced by James Vincent McMorrow, ‘Mind Yourself’ sees the band evolve both creatively and sonically, demonstrating a balance between their acoustic side and energetic, raucous sound. Double Black LP Vinyl

Rutilance doubles its efforts to celebrate his 10 years in the music industry with this new various artists double pack. All the Rutilance friends reunite to produce 8 house tracks where everyone can find what they're looking for. 3 digital bonus tracks will be available to complete this master piece....

Musical innovators, Red Snapper, have announced that they will release a new album on Lo Recordings on the 20th of October 2023.

‘Live at The Moth Club’, the follow up to 2022’s acclaimed ‘Everybody Is Somebody’ long player, features nine tracks from a vast and impressive back catalogue on Warp Records and Lo Recordings and captures perfectly the energy of their celebrated sold out London show from May 2022 in Hackney.

With an incredible and genre bursting career that spans nearly thirty years, the new album demonstrates the band’s ability to constantly rework classic and new tracks, keeping them impassioned, experimental and relevant. The collection includes a version of ‘Suckerpunch’ which originally appeared on their 1998 album ‘Making Bones’ and will now be released as a single on the 15th of September 2023.

Notorious for casting convention aside, and remaining one of the UK’s most forward thinking and rule breaking live bands, Red Snapper embrace a unique blend of live, euphoric Afro-Jazz, Future Funk, Dub, Dark Hip-Hop and fragile soundscapes.

Formed in 1994, the original line up of Rich Thair (drums), Ali Friend (double bass) and David Ayers (guitar) released three EPs on Rich Thair and Dean Thatcher’s label Flaw Recordings. The first EP ‘Snapper’ featured Beth Orton on vocals.

Over the initial years the band released the sonically pioneering albums; ‘Reeled and Skinned’, ‘Prince Blimey’, ‘Making Bones’ and ‘Our Aim Is To Satisfy Red Snapper’ (Warp records), touring globally and supporting the likes of Massive Attack, Bjork, The Prodigy, De La Soul and The Fugees. They also acquired a reputation for innovative and expansive remixing – reworking tunes by Trouble Funk, David Holmes, Sabres of Paradise, Garbage, Lamb, S-Express and Edwyn Collins amongst others.

Since then the band have released the eponymous ‘Red Snapper’ and ‘A Pale Blue Dot’ on Lo Recordings followed by ‘Key’ on V2 Records which featured the track ‘Spikey’ which was on the soundtrack for El Camino, the Netflix Breaking Bad film directed by Vince Gilligan in 2019.

In 2013 Red Snapper composed a new soundtrack to the 1970’s Senegalese, psychedelic road movie Touki Bouki which had been restored by Martin Scorsese. The band toured Europe performing the soundtrack live to the film, culminating in the celebrated sell-out show at The Queen Elizabeth Hall on London’s Southbank. In 2014 the album ‘Hyena’ was released on Lo Recordings featuring all the music from their original film score.

End of Ways is a bridge to healing as it was written during the period of helping a loved one escape an abusive household while working though its lingering horrors to find peace. On this second album
release by indie label Kill Rock Stars, 18-year-old Elliott Fullam touches on even darker subject matter than his predecessor What’s Wrong which was a dissociative trip that reached out to thousands of
like-minded music enthusiasts who hailed the record as their album of the year.

And End of Ways is the next record that will continue in that same gentle melody which alleviates the emotional storm that
torments so many of us. Elliott’s sophomore full-length is a blend of home recordings as well as studio recordings which bring some extra depth within the songs to suit their somber settings in the tracks
Throw It Away, Forget, and Better Way. But the record still retains its stripped down, lo-fi vibe in songs like Let’s Go Somewhere and Remember When with their clear Elliott Smith and Nick Drake
influences in both the acoustic guitar lines and quiet vocals. The addition of young pianist Jeremy Bennett also beautifully adds candle-light melody through-out the album with his haunting notes in the opening song Mistake and his Tim Burton-meets-Vince Guaraldi style in the album’s escapist-themed title track End of Ways along with the dramatic climax to Timeless Tears and the album closer, Over
the Moon which is Elliott’s profession of love to his present companion who he saved from her former home. Nick Drake, Big Thief, Crumb, and Alex G that explores childhood, dissociation, heartbreak and ultimately, survival

Label : Croque Macadam / Requiem Pour Un Twister
Playing : Maxence Tomasso / Etienne Chuc / Samuel Ramon / Ilhan Palayret / Stanislas de la Fuzz
Recording : Alexis Fugain & Vincent Hivert
Mixing : Vincent Hivert & Samuel Ramon
Mastering : Luc Gyrou
Photos : François Grivelet
Illustration : Audrey Matt-Aubert
Artwork : Etienne Gimenez

contains a remix by piec bucci and a very strong hot chip remix !!!

SEVENDUST is an American rock band from Atlanta, Georgia, formed in 1994 consisting of members Lajon Witherspoon (lead vocals), Clint Lowrey (lead guitarist), Vince Hornsby (bassist), Morgan Rose (drummer), and John Connolly (rhythm guitar). Since formation, SEVENDUST have attained success with three consecutive RIAA gold-certified albums, a Grammy nomination, and have sold millions of records worldwide. The group has released a total of thirteen studio albums, and this compilation features 7 incredible records from their catalog

A resurgent Dog Meat Records is thrilled and proud to release a new album by a resurgent rock'n'roller and an old friend, PAT TODD and his band THE RANKOUTSIDERS. The seventh album by LA's finest rock'n'roll band comes some 36 years after the label's first dalliances with Pat, back when he fronted the legendary Lazy Cowgirls. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he's got another killer band behind him, one that mixes classic '70s punk rock roots with country, blues and rock'n'roll in a manner that sits somewhere between Exile on Main Street and LAMF. The new album is highlighted as usual by Pat Todd's fantastic songs. A prolific writer with an eye on life in the margins - whether they be in small towns or the big sprawling city he has called home for 40 years - Todd routinely hits the mark where youth and the advancement of age find common ground in alienation and wilfulness. Pat knows that rock’n’roll is not necessarily a young person's game, and nor is it a glamourous one; the name he gave this band accurately points to where he and they are coming from. New originals like 'All We Have To Show', the horn-riffing rocker 'Living In A World of Hurt' and the raucous country-folk punker 'Goodbye to the World' are up there with anything he has ever written, and the Rankoutsiders play them even better than ever. Indeed, a couple of choice covers - a version of 'Hi Ho Silver Lining', sung by guitarist Nick Alexander and cut before Jeff Beck's unfortunate passing, and a version of David Johansen's old heartbreaker 'Donna' cut before word of Martin Scorsese’s Johansen documentary got out - shows by comparison to the original versions just how well these guys can crank it out. *** For over 20 years - from the early 80s to the early 00’s- Pat Todd fronted the undisputed Los Angeles roots-punk kings: THE LAZY COWGIRLS. Having landed in LA from the mid-west-meets-the south outpost of Vincennes, Indiana early in the decade, the Cowgirls sparked a new LA punk scene; their live album Radio Cowgirl was the first release on scene prime mover SFTRI -and ultimately inspired a resurgence of classic 1976 Ramones/Saints/ Heartbreakers-style punk that stretched across the US into Europe, Japan and elsewhere, inspiring bands like the New Bomb Turks, Oblivions, Teengenerate, Onyas and countless others. THE LAZY COWGIRLS were but a memory in 2006 when PAT TODD and the RANKOUTSIDERS’ 28 song double-disc debut, The Outskirts of Your Heart was released. Where most bands would have exhausted their creative gas to fumes with such an ambitious first release, this was only the beginning for the RANKOUTSIDERS. Prior to the new album Sons of the City Ditch, the RANKOUTSIDERS have released six full-length albums (yes, some are double discs) and over a dozen singles and EPs and have more releases queued up. Each and every one of them is a testament to Pat’s personal vision of raw, high energy rock’n’roll infused with elements of country and rhythm & blues, and documentary proof that the RANKOUTSIDERS are one of the hottest rock'n'roll bands on the planet. Indeed, it must be said the RANKOUTSIDERS truly are a band: energetically flanking Pat stage left is long-time guitarist and vocalist Kevin Keller; to the right is guitarist and founding member, Nick Alexander- the cool, calm and collected eye of the storm; bassist Steven Vigh holds the lower frequencies in check with steadfast authority, pushing the chorus to the next harmonic level, while drummer Walt Phelan drives the engine hard while keeping the band on the rails.

A resurgent Dog Meat Records is thrilled and proud to release a new album by a resurgent rock'n'roller and an old friend, PAT TODD and his band THE RANKOUTSIDERS. The seventh album by LA's finest rock'n'roll band comes some 36 years after the label's first dalliances with Pat, back when he fronted the legendary Lazy Cowgirls. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he's got another killer band behind him, one that mixes classic '70s punk rock roots with country, blues and rock'n'roll in a manner that sits somewhere between Exile on Main Street and LAMF. The new album is highlighted as usual by Pat Todd's fantastic songs. A prolific writer with an eye on life in the margins - whether they be in small towns or the big sprawling city he has called home for 40 years - Todd routinely hits the mark where youth and the advancement of age find common ground in alienation and wilfulness. Pat knows that rock’n’roll is not necessarily a young person's game, and nor is it a glamourous one; the name he gave this band accurately points to where he and they are coming from. New originals like 'All We Have To Show', the horn-riffing rocker 'Living In A World of Hurt' and the raucous country-folk punker 'Goodbye to the World' are up there with anything he has ever written, and the Rankoutsiders play them even better than ever. Indeed, a couple of choice covers - a version of 'Hi Ho Silver Lining', sung by guitarist Nick Alexander and cut before Jeff Beck's unfortunate passing, and a version of David Johansen's old heartbreaker 'Donna' cut before word of Martin Scorsese’s Johansen documentary got out - shows by comparison to the original versions just how well these guys can crank it out. *** For over 20 years - from the early 80s to the early 00’s- Pat Todd fronted the undisputed Los Angeles roots-punk kings: THE LAZY COWGIRLS. Having landed in LA from the mid-west-meets-the south outpost of Vincennes, Indiana early in the decade, the Cowgirls sparked a new LA punk scene; their live album Radio Cowgirl was the first release on scene prime mover SFTRI -and ultimately inspired a resurgence of classic 1976 Ramones/Saints/ Heartbreakers-style punk that stretched across the US into Europe, Japan and elsewhere, inspiring bands like the New Bomb Turks, Oblivions, Teengenerate, Onyas and countless others. THE LAZY COWGIRLS were but a memory in 2006 when PAT TODD and the RANKOUTSIDERS’ 28 song double-disc debut, The Outskirts of Your Heart was released. Where most bands would have exhausted their creative gas to fumes with such an ambitious first release, this was only the beginning for the RANKOUTSIDERS. Prior to the new album Sons of the City Ditch, the RANKOUTSIDERS have released six full-length albums (yes, some are double discs) and over a dozen singles and EPs and have more releases queued up. Each and every one of them is a testament to Pat’s personal vision of raw, high energy rock’n’roll infused with elements of country and rhythm & blues, and documentary proof that the RANKOUTSIDERS are one of the hottest rock'n'roll bands on the planet. Indeed, it must be said the RANKOUTSIDERS truly are a band: energetically flanking Pat stage left is long-time guitarist and vocalist Kevin Keller; to the right is guitarist and founding member, Nick Alexander- the cool, calm and collected eye of the storm; bassist Steven Vigh holds the lower frequencies in check with steadfast authority, pushing the chorus to the next harmonic level, while drummer Walt Phelan drives the engine hard while keeping the band on the rails.

Das kommende zweite Album CrazyMad, For Me führt Popstar CMAT durch eine Neufindung: Es ist das große Statement eines ehrgeizigen, reifen Sounds, eines texturierten Klangbilds und Details einer komplexen emotionalen und metaphorischen Landschaft. "Es ist etwas abstraktes, was passiert, wenn man immer noch wütend über etwas ist, das vor 10 Jahren passiert ist. "Es ist großartig, voller Hooks und malerischer Texte, die von ihrer einzigartigen Stimme projiziert werden. Es ist der Mainstream-Indie, den CMAT als Teenager liebte, gefiltert durch Country-Musik des 20.Jahrhunderts und durch die Kenntnis der Pop-Hits der 80er und 90er Jahre mit einer Slide Gitarre und einem Camp-Twist erweitert.Komplex, intim und mit Einflüssen, die weit über Zeit und Ort verstreut sind, ist CrazyMad, For Me ein sofortiges klassisches Album für ein breites Publikum.

The MERCYFUL FATE vinyl re-issues continue! After re-releasing 'Time' and 'In The Shadows' in August - the three remaining Metal Blade classics will get the 'Original Series' treatment: original layout, 400g spine sleeves (inside-out print), 250g insert, large artwork poster ('Into The Unknown', '9') or 350g Gatefold-sleeve + large poster ('Dead Again'). *2023 new vinyl pressing *Original Release Date: June 15th, 1999. * Format Details: Single LP + poster. Mastered for vinyl by Patrick W. Engel BAND LINE-UP: King Diamond: Vocals Hank Sherman: Guitar Mike Wead: Guitar Sharlee D’Angelo: Bass Bjarne T. Holm: Drums Recorded and mixed at Nomad Recording Studio, Carrollton, Texas, USA February – March 1999 Produced by Kol Marshall and Mercyful Fate Mixed by Kol Marshall and Mercyful Fate Engineered by Kol Marshall 2nd Engineer Vince Rossi

The MERCYFUL FATE vinyl re-issues continue! After re-releasing 'Time' and 'In The Shadows' in August - the three remaining Metal Blade classics will get the 'Original Series' treatment: original layout, 400g spine sleeves (inside-out print), 250g insert, large artwork poster ('Into The Unknown', '9') or 350g Gatefold-sleeve + large poster ('Dead Again'). *2023 new vinyl pressing *Original Release Date: June 15th, 1999. * Format Details: Single LP + poster. Mastered for vinyl by Patrick W. Engel BAND LINE-UP: King Diamond: Vocals Hank Sherman: Guitar Mike Wead: Guitar Sharlee D’Angelo: Bass Bjarne T. Holm: Drums Recorded and mixed at Nomad Recording Studio, Carrollton, Texas, USA February – March 1999 Produced by Kol Marshall and Mercyful Fate Mixed by Kol Marshall and Mercyful Fate Engineered by Kol Marshall 2nd Engineer Vince Rossi