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After his successful collaboration on 'Notice' with Dout last year, De Yan is back on Pirka with his debut solo vinyl. The A side features two original tracks, delivering deep and housey grooves perfect for the clubs. On the flipside, Varhat's remix of 'Dream Team' adds a fresh perspective, making this record a must-have for DJs and house music enthusiasts alike.

Heavenly Recordings release the next two volumes in their series of remixed classics and unreleased versions. ‘Heavenly Remixes 7 & 8’ sees the label going back into the archive, as well as picking off some more recent remixes, and both albums primarily feature either previously unreleased versions or re-workings available for the first time on vinyl and CD.

Heavenly have always seen immense value in the remix, a value way beyond what it might bring commercially. Since their first release in 1990 (where Andrew Weatherall overhauled a one-off single by club kids Sly and Lovechild) Heavenly remixes have been carefully curated and treated as a key part of the A&R process. It’s an opportunity to view an artist through a different prism, to play out a musical ‘what if’ scenario. It’s the kind of exploration that’s happened consistently through the thirty plus years the label has released music.



The ‘Heavenly remixes’ series continues to showcase the very best remixes, versions, meditations, re-rubs and dubs from all around the world of artists right across the roster of the country’s most exciting record label. In most cases, the albums offer the first physical release for a remix, elevating them from streaming playlists to their rightful, spiritual home on super heavy vinyl (or shiny, super-packed compact disc).



‘Heavenly remixes 7’ heads to Belfast, where David Holmes - a producer who first appeared on Heavenly in 1994 amping up the acid on Saint Etienne’s ‘Like A Motorway’ - appears as solo artist and as one third of Unloved, who get a lift right to the heart of a Vauxhall sweatbox by Horse Meat Disco. It draws a line between Amsterdam and Frankfurt as Ludwig A.F. amps up the electronics on Pip Blom’s ‘Keep It Together’. It stops off in a south London studio where super producer Dan Carey plays the desk with Toy, then relocates LA psych rock band Fever The Ghost to an Ibizan shoreline as the sun sets on the horizon. It cements Sheffield’s reputation as the home of modern British techno with the return of true originators Forgemasters. And it pitches up in front of a renegade soundsystem late night at Glastonbury as Erol Alkan’s mighty rework of Con Man gets its third rewind of the night.



‘Heavenly remixes 8’ opens with Space Afrika’s lush, ambient reimagining of the Orielles’ ‘BEAM/S’ before Justin Robertson stretches Amber Arcades’ ‘Turning Light’ into eight minutes of electronic dub. Elsewhere, Baxter Dury’s peerless ‘Miami’ becomes a string-laden electro skank in the hands of French producer Pilooski; Edinburgh’s bedroom techno genius Eyes of Others’ ‘Safehouse’ turns into an East End bathhouse courtesy of disco deviants Decius; Ashley Beedle’s Black Science Orchestra turns Unloved’s heartworn torch song into seven minutes of glimmering dreamlike percussive house and Katy J. Pearson’s freak flag is flown high thanks to The Umlauts’ throbbing filtered electro mix. It ends similarly to how it began as TONE takes

Fran Lobo’s ‘All I Want’ on a gorgeous slow motion spacewalk.

Limited Edition Pink Vinyl Version - 500 Units Only

Berlin-based, DJ, label owner and record store head honcho, Cinthie, provides a sublime remix of Frankie Knuckles ‘The Whistle Song’ for Frankie Knuckles Day via SoSure Music, alongside the ‘Re-Directed’ Director's Cut version of the track.

Known and loved as ‘The Godfather Of House’, Frankie Knuckles’ pioneering sound inspired a movement of love across dancefloors of the Chicago warehouse and beyond. In retrospect of a career that spanned over four decades, there are moments that were pivotal to the movement of House Music and ultimately changed the course dance music forever. Frankie’s 1991 studio album ‘Beyond The Mix’ on Virgin Records, featured one particular moment that would remain in the hearts and minds of generations to come…

‘The Whistle Song’ went on to earn Frankie’s first US Dance Chart number one and has become one of house music’s most iconic and recognisable productions. More recently, the track has been ‘Re-Directed’ under the Director's Cut project that Frankie worked on with Eric Kupper; his long-time studio collaborator and close friend. With Frankie Knuckles Day approaching on 25th August, Cinthie now delivers a brand-new remix on this stone-cold classic.

Berlin based DJ and producer, label owner 803 Crystal Grooves and its sub-label Collective Cuts, we_r house, the Elevate record store and proud parent, Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years. Her unfaltering drive and dedication to all things House alongside her wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence, pinned her as an ideal candidate for a remix of this piece of dance music history.

Living up to exactly that, Cinthie’s remix is a divine update of the original, holding the iconic whistle sample at the forefront whilst including dreamy electronic blends that allow the track to be heard from all angles; peak time club moments, sunrise sets, garden raves, festivals and airwaves…. just in time for the positive times that are ahead.

2024 Repress

What if Kraftwerk's "Computer World" had a more dystopian message? Then you would get this album: "Control Paradox" by T/Error. This double 12 inch vinyl is filled with Kraftworkian moments, but is more updated to our current times. Today computers, smart phones, AI and algorithms have taken over our daily lives. This release features 9 original tunes and 3 remixes by none other than: Cygnol, Lloyd Stellar and Heinrich Dressel. The track "Cheerleaders Are Eating Flesh" is a homage to the legendary maestro I-F and his cult hit: "Space Invaders Are Smoking Grass".

On All Centre’s second vinyl outing, label regular Endless Mow and co-boss Simkin join forces for a split EP of adventurous club excursions. Endless Mow kicks off proceedings with two sparkling mutated club jams, whilst Simkin contributes two tracks on the flip that display his aggressive paired back style!

Introducing the highly anticipated first EP, ‘Flat Earth Mafia Edits Vol.1,’ by illusive underground artist, Flat Earth Mafia. This four-track vinyl release promises to take your turntable game to the next level with rave-ready dance floor edits for the club. The EP effortlessly blends breakbeat, bass, and rave tracks drawing on nostalgic vocals to create a euphonic journey for listeners.

Flat Earth Mafia remains shrouded in secrecy, allowing their edits to speak for themselves. With limited availability, don’t miss your chance to own a copy of this EP.

Introducing the highly anticipated first EP, ‘Flat Earth Mafia Edits Vol.1,’ by illusive underground artist, Flat Earth Mafia. This four-track vinyl release promises to take your turntable game to the next level with rave-ready dance floor edits for the club. The EP effortlessly blends breakbeat, bass, and rave tracks drawing on nostalgic vocals to create a euphonic journey for listeners.

Flat Earth Mafia remains shrouded in secrecy, allowing their edits to speak for themselves. With limited availability, don’t miss your chance to own a copy of this EP.

Red hot Italian DJ and production collective Aura Safari is back with a second full-length album, Island Dreams. It lands on Hell Yeah Recordings on September 15th and is another live and sun-kissed odyssey through balmy Mediterranean evenings, gorgeous sundown sessions and funky analogue grooves.

Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.

Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.

The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.

'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.

Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn.

Club U Nite Records presents 'Purple Kush': A Captivating Journey through Energetic House and Reggae Dub Fusion

Named after the renowned cannabis strain, 'Purple Kush' exudes a captivating blend of energetic house tracks and relaxing reggae dub elements.

On the A-side, prepare to be enchanted by the groove of 'Let The Spirit Flow.' This track's driving beats, pulsating rhythms, and deep house organ theme create an irresistible dancefloor anthem that will elevate the energy of any party.

Continuing the sonic journey on the A-side, 'La Bahia' takes us back to the roots of old-school house music. With its addictive organ riff and swing beat, this song instantly transports listeners to a nostalgia-laden dancefloor where the vibe is contagious.

Flipping the record to the B-side, 'Make Your Mind Up' keeps the momentum going with its pumping beats and soulful vocal samples. This track demands to be heard on a club's sound system, as it kickstarts an infectious dance atmosphere that will keep party-goers moving until the early hours.

Rounding off the vinyl, 'Purple Kush Theme' takes us on a mellow yet captivating journey. Seamlessly blending house vocal samples with the laid-back vibes of reggae dub, this track presents a refreshing fusion that invites listeners to let loose and unwind.

For the 30th anniversary of the release of the first single by Frankie HI NRG MC 'Fight Da Faida' Irma Records together with the artist have decided to pack an unreleased collector's version of the song.

The new look is in 7-inch format (45 rpm) in a limited edition on white vinyl with a gatefold format cover containing, in addition to a photo of the artist of the time and one of today, the original lyrics of the song and a text by the well-known journalist and radio and television host Luca De Gennaro who was the first to notice the artist.
The song Fight Da Faida has been seminal for the evolution of Italian Hip Hop.

At the time, few such songs had come out and they were all known mostly on the alternative circuits. Fight Da Faida, despite its harsh and explicit text against the mafias, was the first to have real radio programming on national networks.

It was also obviously the launching pad of the artist who later released his first album 'Verba Manent' which also contains this single.
The new format contains the original version, the instrumental version and the 'famous' Sicilian nursery rhyme 'Tri Tri Tri Trinacria Breakdown' which over the years has been repeatedly sampled abroad for club music songs.

Wir setzen unsere Compilation-Serie “80s Techno Tracks” für alle Schallplattenliebhaber als Vinylausgabe fort.

Der Technosound der 1980er Jahre hat weiterhin viele Fans, die sich hier auf weitere Kultsongs aus den damals angesagten Clubs freuen dürfen.

Auf dieser Vinyl gibt es 8 handverlesene Techno-Klassiker in extra langen Versionen. MCL, Hypnopedia , Aircrash Bureau dürfen auf dieser Zusammenstellung nicht fehlen.

For all record lovers, we continue our compilation series „80s Techno Tracks“ in form of a vinyl edition.

1980s techno sound has more fans than ever, and they can look forward to a variety of cult tracks straight out of the hottest clubs of the glittering decade.

This vinyl features 8 expertly handpicked techno classics in
extra-long versions.
Get down to tracks by MCL, Hypnopedia , Aircrash Bureau and more!

David Byrne & Fatboy Slim’s acclaimed 2010 album Here Lies Love receives its first-ever vinyl release to coincide with a new production opening on Broadway this summer. Here Lies Love is a double-disc song cycle – improbably poignant, decidedly surreal, surprisingly thought provoking – about the rise and fall of the Philippines' notorious Imelda Marcos. It was conceived by David Byrne; composed by Byrne and DJ/recording artist Fatboy Slim, AKA Norman Cook; and performed by a dream cast drawn from the worlds of indie rock, alt country, R&B and pop. Byrne's taste in collaborators is as imaginative as it is impeccable, including Cyndi Lauper (who recounts, to lighthearted disco beats, Imelda's courtship with Ferdinand Marcos), Steve Earle (as the power-hungry Ferdinand), Dap-Kings vocalist Sharon Jones (recalling Imelda's introduction into New York society) and Natalie Merchant (as spurned Imelda confidante Estrella, anticipating the onset of martial law). Along with vocals turns from such stars as Tori Amos and the B-52's Kate Pierson, Byrne works with rising indie rockers St. Vincent and My Brightest Diamond; New York chanteuses Nellie McKay and Martha Wainwright; and dance-music divas Róisín Murphy and Santigold. Byrne himself appears as the voice of imperialistic America on ‘American Troglodyte’, a send-up that wouldn't have seemed out of places in Talking Heads' True Stories.



Byrne originally envisioned this as a musical theatre piece, to be mounted in disco and nightclub settings, reflecting the globe-trotting Marcos' taste for such velvet-roped spots as Studio 54 and Regine's. In 2006, he performed work-in-progress versions to enthusiastic audiences at New York City's Carnegie Hall and the Adelaide Festival in Australia. While plans for a US theatrical production continued to evolve, he delivered this unique recording. The award-winning theatrical production eventually premiered at The Public Theater in New York in 2013, travelled to London’s National Theater for a sold-out run (2014–15), and was remounted at the Seattle Repertory Theater (2017).



Here Lies Love has an effervescent disco feel, redolent of Fatboy Slim's own dance-floor anthems, with warm undercurrents of the Latin rhythms that have percolated through Byrne's recent solo work. The sunny arrangements act in counterpoint to the reality of the Marcos' increasingly repressive regime, reflecting the imagined inner life of the glamour-obsessed Imelda. Explains Byrne, "For me, the darker side of the excesses are, for the most part, a matter of record. A lot of the audience is going to come with that knowledge already. What's more of a challenge is to get inside the head of the person who was behind all of that, and understand what made them tick." Byrne offers no judgment and avoids the obvious – there is no mention of Imelda's infamous shoe collection.



Many of Byrne's lyrics are, astonishingly enough, constructed from actual Imelda quotes, including the project's title, the words that Imelda, now returned to the Philippines from US-assisted exile in Hawaii, would like to have inscribed on her gravestone. In addition to his new liner note, Byrne illustrates the story with archival photos. In a detailed preface, he reveals what drew him to this subject and the bumpy route he took to launch the project and, ultimately, record this album. The booklet is indeed a page-turner, just as Here Lies Love is a wonderfully old-school album that rewards start-to-finish listening. Once again, Byrne – beloved as musician, thinker and bicyclist-about-town – reveals the breadth and singularity of his vision.



The new production of Here Lies Love will premiere at the Broadway Theatre in New York City. Performances begin June 17, ahead of an official opening night on July 20. Tony Award winner Alex Timbers (direction) and Olivier Award nominee Annie-B Parson (choreography) reunite with Byrne (concept, music, and lyrics) and Fatboy Slim (music) to bring Here Lies Love to Broadway, continuing a ten-plus year collaboration on the project. Tom Gandey and J Pardo contribute additional music. Here Lies Love is produced on Broadway by Hal Luftig, Patrick Catullo, Diana DiMenna for Plate Spinner Productions, Clint Ramos, and Jose Antonio Vargas. The staging at the Broadway Theatre will transform the venue’s traditional proscenium floor space into a dance club environment, where audiences will stand and move with the actors. A wide variety of standing and seating options will be available throughout the theatre’s reconstructed space. The producers of Here Lies Love said, “As a team of binational American producers – Filipinos among us – we are thrilled to bring Here Lies Love to Broadway! We welcome everyone to experience this singularly exuberant piece of theatre. The history of the Philippines is inseparable from the history of the United States, and as both evolve, we cannot think of a more appropriate time to stage this show. See you on the dance floor!”



David Byrne’s recent works include the launch of Reasons to be Cheerful, an online magazine focused on solutions-oriented stories about problems being solved all over the world (2019); Joan of Arc: Into the Fire, a theatrical exploration of the historical heroine that premiered at the Public Theater in New York (2017); The Institute Presents: NEUROSOCIETY, a series of interactive environments created in conjunction with PACE Arts + Technology that question human perception and bias (2016); Contemporary Color, an event inspired by the American folk tradition of color guard and performed at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre (2015); Here Lies Love; Love This Giant, a studio album and worldwide tour created with St. Vincent (2012); and How Music Works, a book about the history, experience, and social aspects of music (2012).



Byrne curated Southbank Centre’s annual Meltdown festival in London in 2015. A co-founder of the group Talking Heads (1976–88), he has released eight studio albums as a solo artist and worked on multiple other projects, including collaborations with Brian Eno, Twyla Tharp, Robert Wilson, and Jonathan Demme, among others. He also founded the highly respected record label Luaka Bop. Recognition of Byrne’s various works include Obies, Drama Desk, Lortel, and Evening Standard awards for Here Lies Love; an Oscar, Grammy, and Golden Globe for the soundtrack to Bernardo Bertolucci’s The Last Emperor; and induction into the Rock and Roll Hall of Fame with Talking Heads. Byrne’s work as a visual artist has been published and exhibited since his college days, including photography, filmmaking, and writing. He lives in New York City. In addition to 2019’s cast album for American Utopia on Broadway, Nonesuch has released eight other David Byrne records since 2003, including 2018’s American Utopia studio album and two versions of his musical Here Lies Love.



















q C6. Please Don't feat. Santi White Santigold

Next up on Toolroom’s 4-track vinyl sampler series is another tasty collab from label founder, Mark Knight with legendary House DJ and producer Todd Terry and the Darryl James & David Anthony Project. Diving straight back into that classic 90’s House sound, Mark Knight delivers a taste of his finest production to date after unearthing Todd Terry’s edit of ‘Buddah’ by Darryl James & David Anthony Project, shaping up a seriously killer reworking of this gem fresh for the dance floor in 2023.

Next up, renowned German selector Eddie Thoneick makes a label debut with his club orientated big room weapon ‘Take It Back’. Taking it back straight through to the dance floor, Eddie Thoneick has become a name synonymous with high quality productions, providing remixes for Armand Van Helden, Steve Angello, Bob Sinclar and David Guetta. Eddie’s chunky production style shines through on ‘Take It Back’, offering up a slice of raw Tech House with deep, rumbling bass lines, metallic percussive elements and a resonating hook which will cause uproar in any club its played in.

Up next is another heater from DJ, producer and Toolroom Academy tutor Pete Griffiths who drops what can only be described as a House anthem in the making, with his brand-new track ‘Get Together’. A peak time record that sees Pete Griffiths dive deep into the sound of 90’s nostalgia, dropping a seriously well-produced and classy House banger. Also featuring on the record is American R&B, Gospel vocalist Ann Nesby, formerly the lead vocalist of the Sounds of Blackness ensemble who brings her powerful vocals to the forefront, elevating this release to anthemic status.

Last but not least, Hungarian duo Muzzaik return to the label with StadiumX on their collab track ‘Echoes’. Together, Muzzaik and StadiumX bring their signature sound to Toolroom with ‘Echoes’, a record that’ll command any dance floor it’s dropped on. Featuring a toughened-up groove, rolling bass line, and chopped vocal cuts mixed with just the right amount of edge.

Sounds Of The Universe | The 12" Singles, a deluxe collector's
edition box set, contains seven 12" vinyl discs presenting
singles--including Wrong, Peace, the double A-side Fragile
Tension/Hole To Feed--alongside B-sides, remixes, dub
versions and other recordings contemporaneous to Depeche
Mode's 12th studio album, Sounds Of The Universe, originally
released by Mute Records in April 2009.
Sounds Of The Universe | The 12" Singles offers a full range of
ear-grabbing mixes--radio, club, dub and more--of Depeche
Mode originals with three discs (Discs Two, Four and Seven)
newly compiled for this collection, bringing together B-sides
and mixes first released across CD and maxi-singles
contemporaneous to the album's release.
When it came time to record the Sounds Of The Universe
album, DM's classic core (Dave Gahan, Martin Gore, Andrew
Fletcher) returned to the studio to make their second album
with producer Ben Hillier, whose intuitive contributions to
their previous studio album, 2005's Playing The Angel, had
created new sonic possibilities for the band expanding
Depeche Mode's vision and repertoire while continuing their
tradition of issuing monumental 12“ singles.

After the inevitable success of L'Hiver des crêtes (aka season 1 of their major new project celebrating 40 years of approximate punk), Ludwig Von 88 are back for new adventures in a second season entitled Le Printemps du Pogo. This second vinyl album (of the four planned this year) is this time illustrated by LauL (iconic graphic designer of the 80s - Bérurier Noir, Ludwig Von 88, Mylène Farmer, Patrick Topaloff).

Fourteen tracks packed with love, joy, shitty jobs, noisy neighbours, flowery pogos, fried chicken, unsanitary dungeons and a negative carbon footprint.

There are some good traditional Keupon numbers, but also ska, reggae, yodelling (Yodel to Hell), a universal anthem of destructive punk (Youplapunk), swing, the follow-up to Fistfuck Playa Club (New Club) and Kaliman (Kaliman saves the world), and the long-awaited conclusion, 38 years later, to their interstellar hit J'ai tué mon père (J'ai sauvé mon père). Or the hit Let it burn, which we'll probably be able to sing along to during the long hot days to come.

Thirteen of these songs have already been released on the internet (at a rate of one a week, because the Ludwigs like periodicity, and that's why they keep coming back and coming back) but the fourteenth track, Casques Rouges, is completely new to the galaxy.

So here's something to liven up the weeks of holiday that are just around the corner. On the beach, in the mountains or in the forest, approximate punk remains salvific and Ludwig Von 88 are its most faithful servants.

Youplapunk to you all!

Circa Groove are squashing their first EP into wax with red-hot house talent Donnie Cosmo, after a successful run of digital releases over the past 3 years.

Donnie's sound has been turning heads and moving dance floors in a special way, with a celebrated EP under Gene on Earth's Limousine Dream. His second vinyl EP will now come into existence under the Circa Groove imprint in the form of a 4-track solo EP.

Commencing the EP is the Track 'Stargazer (Highway Mix)', like Neil deGrasse Tyson this one is seriously intergalactic. The track holds tight and shuffling drums, with no-nonsense synth leads lifting the whole track and making it shimmer. The bassline bubbles and rocks underneath the top end giving the track an unrelenting energy.

Followed on by Wired Nag, this is a track that flexes monstrous sound design to construct a deep and flowing number. Laced with electro pings and undulating synth leads, this is deep and weighty club-ready music with nods to 90s house and electro.

In a similar fashion, on B1 and B2 Donnie has delivered 2 chrome-plated, slamming numbers, likely to cause axial tilt on the dancefloor

In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the fourth in a series of vinyl album samplers.

Sampler 4, another stunning gatefold, double 12 inch package sees Kerri place himself front and centre in six more of the best clubs the world has to offer. Setting up shop in the dancefloor meccas that are Ministry of Sound, Rex, Razzmatazz, De Martkantine and Watergate, Kerri bottles up the atmosphere, euphoria and vibe that each hallowed spot nurtures, in a way that only he knows how. Trademark precision, packed with soul and delivered with a weighty bottom end, this is Kerri Chandler of the highest order.