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British four-piece rock band Collateral are set to release their highly anticipated sophomore album Should’ve Known Better on May 24, 2024. The album is distributed worldwide by Cargo. The album will be released on CD, red vinyl, picture disc, limited edition cassette, and digital. Friday February 9th saw the release of the lead single “Glass Sky.”. The new single “Glass Sky” and the forthcoming album Should’ve Known Better is produced by Dan Weller (Those Damn Crows, Enter Shikari, Monster Truck, Kris Barras, Holding Absence, Bury Tomorrow). "I love massive riffs, massive hooks and feel-good guitar music,” says Weller. “When Collateral sent me their demos, I jumped at chance to produce their new record. I’m proud of what we managed to create. It’s Collateral mk2 - ambitious, daring and refined. I can’t wait for people to hear it." Since the band released their debut album (Top 5 UK Rock Album Chart) at the start of 2020 Collateral have spent no time standing still. Covid came only weeks after the debut album was released and forced the band to cancel their highly successful tour with Phil X (Bon Jovi) halfway through. This made the band hungry to keep the momentum. With innovative ways to produce top quality live streams, the band became special guests supporting the likes of Skid Row, H.E.A.T and Reckless Love. The exciting and flamboyant Kent-based rock and roll band are comprised of Angelo Tristan (lead vocals, guitar), Louis Malagodi (guitar), Jack Bentley-Smith (bass) and Ben Atkinson (drums). On October 21, 2022, Collateral independently released a re-mixed and re-mastered version of their debut album “Re-Wired” which featured Jeff Scott Soto, Phil X, Kee Marcello, Rudy Sarzo, Danny Vaughn, and Joel Hoekstra. The re-release saw the band in the Official UK Rock Charts at #12. After the gruelling back-to-back tours with Skid Row, H.E.A.T and Reckless Love, the band ignited a spark and strengthened their already loyal fanbase leading them to win the opening slot at 2023s Stonedead Festival, leading the band to perform their biggest show. Collateral’s hotly tipped sophomore album looks like it will take them to the next level. A lot of people don’t know what to expect from the new album, as the band have been tight-lipped about the new songs. Collateral have created a state-of-the-art rock album that will immerse listeners in their rock music universe, enabling fans to feel the blood, sweat and glory that went into the recording of every song. “We felt that our debut album was lacking the production,” reflects Collateral’s frontman, Angelo Tristan. “For the sophomore album, I wanted to make sure that this time we left no room for error and so got one of the hottest producers in the music industry, Dan Weller, to help lift these songs into a new dimension. With Dan’s pioneering studio expertise, this album has massive production quality that enables you to get lost in each character-filled track. Dan really brought out the emotions we were trying to portray and has achieved it with his own unique style.” “We wanted this album to express where we were in our own lives since the release of our first. So much has happened since then, I mean the world shut down for what felt like a lifetime! And it was obvious that people were going to need some sort of optimism. I hope ‘Glass Sky’ is one of those songs that gives people the belief to find themselves again.” “Whereas, the feel-good ‘Just One Of Those Days’ is trying to find the good side of a bad day. Me being me, couldn’t help but to write a big power ballad, ‘The Long Road’, that I wrote from a very hard and deep place, in hope that it could maybe bring some peace and comfort to people who need it. I think there’s all aspects of life running though this album and what it means to us will remain in our hearts forever. ”Should’ve Known Better” is an album that goes beyond specific music genres,” says Angelo. “It’s almost like a soundtrack to a beating heart. It’s an album that will remain timeless in years to come

The second solo record from the Wu-Tang OG is finally on vinyl for the first time! With beats from the legendary Ayatolla, this is essential for any True Wu fan.

Produced by the Rza and featuring Ol’ Dirty, U-God, Inspectah Deck, Cappadonna, and many more. This album is reissued on vinyl for the first time since its initial release in 2002.

w The music is classic blues rock with a psychedelic edge. Michael's songs run the gamut from bad love gone worse ("Driving to Tecopa"), to a prescription for dealing with the contemporary malaise ("Sleeping Pill"), to an epic journey across America ("AnnieMolly"), plus a quick trip to New Orleans with "Keep Your Fingers Crossed."

Spare Time Records has chosen packaging that fits the nature of the music. This 12- inch LP is on Clear Highlight Yellow vinyl. The cover includes a psychedelic gatefold image.

'The Raging River' 2nd pressing edition. Red Creek's debut release, 'The Raging River', is a seamless continuation of the writing process and the creative mindset that has guided Cult of Luna for the last
couple of years.

Available on Black vinyl (RC001LPND), collector edition colour in colour black & beer vinyl (RC001LPND1), collector edition milky clear vinyl w/ black speckles (RC001LPND3), collector edition A-Side/B-Side black & white vinyl (RC001LPND4) and collector edition half/half transparent & brown vinyl (RC001LPND6). Gatefold LP w/ UV varnish & 12 page booklet

Yes, once again, CATS in SPACE are firing on all cylinders and ready to launch their long-awaited, blistering, double, live album this June, together with a documentary style film about their successful 2023 tour. FIRE in the NIGHT - Live was recorded during the ‘Kickstart the Sun - Part II’ theatre tour in 2023 when our fabulous sound crew captured the full two-hour show. As always, this release will be available in CD, vinyl and digital formats and due to the sheer length of the performance will once again be delivering both quality and value on double CD and limited double vinyl LP in a choice of colour variants - Fire red vinyl and spotlight white vinyl. A lead single, and crowd favourite, ‘Johnny Rocket’ was released ahead of the album in March 2024 on all digital platforms. 'For The Love Of It', a film made by James Heron of Carriage Return productions, chronicles the stage production from conception to delivery of the CATS in SPACE Kickstart the Sun tour. It is a detailed insight into the highs and lows of modern-day touring for original rock bands and shows the unique way that the tour was put together. All in all a fantastic opportunity to see behind the curtain before the release of the album! Whilst on the subject of ‘Johnny Rocket’, he is also set to appear later this year, in a full-length feature cartoon book designed and published by Sentinel Publications. The team are putting together the full ‘Johnny Rocket’ story that first appeared on the 2019 Daytrip to Narnia album and is set to be a very special publication. “We are super hopped-up with the recording of the album, thanks to our amazing live engineer Pete Russell and the fans who made every night so special throughout the tour. It really has captured the power and excitement of the band’s show...It will be a fitting finale to our time with Harmony Factory label, as we head down a new flight path for a very exciting future for all of us in CATS in SPACE. More to be revealed soon! As ever we have a LOT going on this year so keep your eyes peeled for updates…we are all thrilled to bits!”

Yes, once again, CATS in SPACE are firing on all cylinders and ready to launch their long-awaited, blistering, double, live album this June, together with a documentary style film about their successful 2023 tour. FIRE in the NIGHT - Live was recorded during the ‘Kickstart the Sun - Part II’ theatre tour in 2023 when our fabulous sound crew captured the full two-hour show. As always, this release will be available in CD, vinyl and digital formats and due to the sheer length of the performance will once again be delivering both quality and value on double CD and limited double vinyl LP in a choice of colour variants - Fire red vinyl and spotlight white vinyl. A lead single, and crowd favourite, ‘Johnny Rocket’ was released ahead of the album in March 2024 on all digital platforms. 'For The Love Of It', a film made by James Heron of Carriage Return productions, chronicles the stage production from conception to delivery of the CATS in SPACE Kickstart the Sun tour. It is a detailed insight into the highs and lows of modern-day touring for original rock bands and shows the unique way that the tour was put together. All in all a fantastic opportunity to see behind the curtain before the release of the album! Whilst on the subject of ‘Johnny Rocket’, he is also set to appear later this year, in a full-length feature cartoon book designed and published by Sentinel Publications. The team are putting together the full ‘Johnny Rocket’ story that first appeared on the 2019 Daytrip to Narnia album and is set to be a very special publication. “We are super hopped-up with the recording of the album, thanks to our amazing live engineer Pete Russell and the fans who made every night so special throughout the tour. It really has captured the power and excitement of the band’s show...It will be a fitting finale to our time with Harmony Factory label, as we head down a new flight path for a very exciting future for all of us in CATS in SPACE. More to be revealed soon! As ever we have a LOT going on this year so keep your eyes peeled for updates…we are all thrilled to bits!”

First time on vinyl!
Newly remastered. LP housed in a gatefold jacket.
Featuring Herbie Hancock, Martha Reeves, Alphonse Mouzon, Chuck Rainey, Patryce “Choc’let” Banks, Carlos Morales, and members of The Pointer Sisters.

In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music – a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved the way for generations of future artists who said “funk you” to the music industry and social norms.

In 1979, when Davis entered an L.A. studio to record her fifth and final album, she was reeling from a series of setbacks. Three years earlier, after recording her fourth album, Is It Love Or Desire, Davis was dropped from her label and the LP was subsequently shelved. In 1978, her beloved band Funk House went their separate ways. Looking for a fresh start, Davis relocated to Hollywood to focus on songwriting. Before long, British manager Simon Lait (Toni Basil), offered to fund her next project.

With renewed vigor, Davis reunited with former Funk House guitarist Carlos Morales and brought together industry veterans like fusion drummer Alphonse Mouzon and session bassist Chuck Rainey. Old friends Anita and Bonnie Pointer (The Pointer Sisters) and Patryce “Choc’let” Banks joined Davis on vocals, as did Motown legend Martha Reeves. The resulting album, Crashin’ From Passion, was her most musically diverse, blending elements of reggae and calypso (“I’ve Danced Before”), jazz (“Hangin’ Out in Hollywood,” “Tell Me a Few Things”), dark synth-pop (“She’s a Woman”), and even disco (“All I Do Is Think of You”). Equally exploratory are Davis’ vocals, as she trades in her signature sass and snarls for more nuanced stylings.

Among the album’s few funk tracks is “Quintessence of Hip,” in which Davis hails musicians like Bob Dylan, Billie Holiday, Stevie Wonder, and John Coltrane, while deftly integrating elements of their work. The song also offers a moment of stark vulnerability, as she sings, “Isn’t rich? Isn’t it queer? Losing my timing so late in my career.” It would prove to be a prophetic line in the months to follow.

The mixing process was mired by artistic differences and then cut short, amid the death of Davis’ beloved father. Bereft and exasperated, Davis returned home for the funeral, setting into motion her retirement from the music industry. Crashin’ From Passion, meanwhile, would be shelved for 15 years and licensed for a CD-only release, without Davis’ consent, in the ‘90s. This 2023 edition of the album, made with Davis’ full approval and cooperation, marks its first official release and first time ever on vinyl. The package was designed by GRAMMY®-winning artist, Masaki Koike, while the album cover features an incredible shot of Betty captured in London in the mid-1970s by renowned photographer Kate Simon.

Crashin’ From Passion was remastered by Dave Cooley at Elysian Masters and pressed on vinyl at Record Technology, Inc. (RTI). The accompanying booklet includes a treasure trove of rare photos from the era, plus lyrics, and new liner notes by writer, ethnomusicologist, and Betty’s close friend, Danielle Maggio, who integrates interviews that she conducted with Davis, marking her last ever interviews.

Acid Mothers Temple & The Melting Paraiso U.F.O. oder einfach nur Acid Mothers Temple sind eine japanische Psychedelic-Rock-Band, deren Kern 1995 gegründet wurde. Die Band wird von dem Gitarristen Kawabata Makoto geleitet. Kawabata gründete Acid Mothers Temple ursprünglich mit der Absicht, ,extreme Trip-Musik" zu kreieren, indem er frühere Aufnahmen bearbeitete und überspielte, die von Progressive Rock, Karlheinz Stockhausen und Krautrock beeinflusst waren. Die erste Vinyl-Pressung von Paralyzed Genius Brain gab's zum RSD 2023 statt und war ein aisverkaufter Erfolg. Noch immer mit dem Original-Artwork von Carl Glover kommt nun die lang erwartete Neuauflage in transparentem lila Vinyl (500 Exemplare weltweit). Paralyzed Brain wurde ursprünglich für den Verkauf auf der Europatournee des Künstlers 'The Electric Dream Ecstasy Tour 2018' produziert und war in Italien nur auf CD erhältlich. Dieses sind die ersten Pressungen überhaupt auf Vinyl. Nicht so wild wie einige andere AMT-Alben, bietet es eine leicht alternative Sichtauf die einzigartigen und talentierten musikalischen Fähigkeiten dieses legendären japanischen Outfits. Als Doppel-LP bietet die Vinylversion zusätzlich einen Bonustrack.

Dark Distorted Signals proudly presents their 50st release: "Ordin Air - Ordinize" with a sampler vinyl, including 3 tracks, and a full album, 10 tracks as a cd and via downloadcode, all in one sealed package.
The digital release is also available on all mayor platforms. The vinyl comes as a black and white splatter. That same graphical theme extends to the layout of the cd. This special release is of the hand of Ordin Air, who again delivers his craftsmanschip in melodic techno. Hint: for those who bought the fysical package, look for the hidden gemns!
This full album is not a retrospective of himself, nor of the label. But all tracks combined are like a milestone, a beacon for those who need a textbook example of true dark melodic techno. Each track is unique and independently playable and essential for any DJ who wants to play relevant music. These are power tools! Play it loud!

Tim Burton’s 2005 adaptation of Roald Dahl’s classic children’s book was conceived as long ago as 1991 and was in development for several years before Burton was involved in the production. He immediately brought regular collaborators Johnny Depp and Danny Elfman aboard.

Charlie and the Chocolate Factory represents the first time since The Nightmare Before Christmas that Elfman contributed to a film score using written songs and his vocals. The film was released to critical praise and was a box office success, grossing $475 million worldwide.
The wonderfully quirky melodic score and songs from one of Hollywood’s great composers harks back to Edward Scissorhands, Burtons’ and Elfman’s most personal work, and is a return to the composer’s “vintage” sound from the late 1980s and early 1990s.
First released on vinyl in 2015, this latest edition brings the popular soundtrack back to vinyl on Marshmallow Pink and Chocolate Brown Vinyl.

“It was more fun than I ever had working on a movie. It was so crazy and doing all the vocals was so much fun. I found myself falling into voices, singing vocal mannerisms. I was having such a gas.”
- Danny Elfman

First time on vinyl!
Newly remastered. LP housed in a gatefold jacket.
Featuring Herbie Hancock, Martha Reeves, Alphonse Mouzon, Chuck Rainey, Patryce “Choc’let” Banks, Carlos Morales, and members of The Pointer Sisters.

In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music – a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved the way for generations of future artists who said “funk you” to the music industry and social norms.

In 1979, when Davis entered an L.A. studio to record her fifth and final album, she was reeling from a series of setbacks. Three years earlier, after recording her fourth album, Is It Love Or Desire, Davis was dropped from her label and the LP was subsequently shelved. In 1978, her beloved band Funk House went their separate ways. Looking for a fresh start, Davis relocated to Hollywood to focus on songwriting. Before long, British manager Simon Lait (Toni Basil), offered to fund her next project.

With renewed vigor, Davis reunited with former Funk House guitarist Carlos Morales and brought together industry veterans like fusion drummer Alphonse Mouzon and session bassist Chuck Rainey. Old friends Anita and Bonnie Pointer (The Pointer Sisters) and Patryce “Choc’let” Banks joined Davis on vocals, as did Motown legend Martha Reeves. The resulting album, Crashin’ From Passion, was her most musically diverse, blending elements of reggae and calypso (“I’ve Danced Before”), jazz (“Hangin’ Out in Hollywood,” “Tell Me a Few Things”), dark synth-pop (“She’s a Woman”), and even disco (“All I Do Is Think of You”). Equally exploratory are Davis’ vocals, as she trades in her signature sass and snarls for more nuanced stylings.

Among the album’s few funk tracks is “Quintessence of Hip,” in which Davis hails musicians like Bob Dylan, Billie Holiday, Stevie Wonder, and John Coltrane, while deftly integrating elements of their work. The song also offers a moment of stark vulnerability, as she sings, “Isn’t rich? Isn’t it queer? Losing my timing so late in my career.” It would prove to be a prophetic line in the months to follow.

The mixing process was mired by artistic differences and then cut short, amid the death of Davis’ beloved father. Bereft and exasperated, Davis returned home for the funeral, setting into motion her retirement from the music industry. Crashin’ From Passion, meanwhile, would be shelved for 15 years and licensed for a CD-only release, without Davis’ consent, in the ‘90s. This 2023 edition of the album, made with Davis’ full approval and cooperation, marks its first official release and first time ever on vinyl. The package was designed by GRAMMY®-winning artist, Masaki Koike, while the album cover features an incredible shot of Betty captured in London in the mid-1970s by renowned photographer Kate Simon.

Crashin’ From Passion was remastered by Dave Cooley at Elysian Masters and pressed on vinyl at Record Technology, Inc. (RTI). The accompanying booklet includes a treasure trove of rare photos from the era, plus lyrics, and new liner notes by writer, ethnomusicologist, and Betty’s close friend, Danielle Maggio, who integrates interviews that she conducted with Davis, marking her last ever interviews.

Drei Jahrzehnte Doro - drei unvergessliche Nächte - für immer festgehalten auf Blu-ray/DVD, CD und Vinyl.
"Strong And Proud - 30 Years Of Rock And Metal" erscheint nun als Re-Release auf DOROs eigenem Label Rare Diamond Productions und ist als Ltd. Edition Gatefold Doppel Vinyl in transparent Curacao erhältlich. 14 Killersongs inkl. der unverzichtbaren Megahits "All We Are und "Für Immer".
Eine fantastische Erinnerung für alle, die Doro während ihres 30 Jahre-Jubiläums weltweit live gesehen haben, und eine Offenbarung für alle Fans von guter, harter Rockmusik und erstklassiger Live-Performance.

Limited vinyl edition of 300 copies on 180g white vinyl with download card. Deleted Scene, the 8th studio album from UK producer Stumbleine, overflows with beautiful nostalgia-tinged electronica. The album is steeped with cloud-like beauty, with opener I Can Stop Anytime I Like fusing addictive sampled vocals with soft, glassy guitars, as if a reflecting pool of the listeners' memories. Cinderhaze ripples that pool with a more driving, magnetic force, shifting and pulling its emotional weight in cyclic waves. Ursa Minor Sleeps Forever is fittingly sleepy, circling soft slow synth arpeggios in a dreamy haze, a sound built upon by Somnia to an epiphany-like string bed, never straying too far from Stumbleine's serene haven of melodic grace. On Catastrophette Stumbleine crafts a more dramatic and poignant web of sound, as if running through the memories created by the rest of Deleted Scene. The album as a whole is an escape to a dream-state of Stumbleine's making, captivating, yet familiar, and completely enveloping. According to Peter, "Deleted scene refers to the memories that play over and over inside your own head, replaying hazy copies of hazy copies that evolve into a bittersweet fever dream. Everybody has their own unique collection of deleted scenes slowly distorting and fading away." 'Stumbleine is the alias of Peter Cooper. With roots in the UK post rock scene, the reclusive producer began blending slow dream-like pop with fractured lo-fi beats as Stumbleine in 2012. Melancholic rnb vocals ebb and flow above submerged guitar ballads. Sand blasted samples intertwine with broken beats to create music with a nostalgic fragile warmth. Stumbleine is known for a DIY ethic, releasing music directly to fans or via the independent label Monotreme Records.'

We will be dropping the second volume of Fraudulent by Homeliss Derilex on double vinyl for the first time ever. Just like the first volume released in 2004, this compilation presents tracks that originally only appeared on demos, tape promos, and vinyl singles. The music ranges from 1991 up to 2004 and as an extra you will get the Cash Money (Mike B Remix) and 2 of their earliest recordings taken from old 4-track tapes dating back to 1991. As always all tracks have been remastered and the album cover is an ode to their first tape release from 1993 where it all got started. ?

The new album ”ICON” by Sweden’s Liar Thief Bandit is something else. After 200 shows and numerous landmark anthems, everything has led up to the fourth full-length album that truly lives up to its name. ”ICON” is a staple and instant classic on the rock scene, blending everything you would ever wish for in a melodic rock record. The raw and pure elements are caught on tape in a live setting to capture the true essence of the band, the melodies are added with clinical precision. The heartfelt lyrics set the tone to deliver a melancholic and insightful message. From the first intense second to the last, you’ll be overwhelmed with a dynamic soundscape rarely witnessed in this genre. Every element serves its purpose musically as well as lyrically. The listener should be prepared for an 11 track long journey through exceptional audible environments, dark passages and hopeful awakenings. ”ICON” is recorded, produced and mixed at Studio Sickan in Malmö by the multiple award-winning Joakim Lindberg who has worked with The Dahmers, Terrible Feelings, Nightmen, Black River Delta, Solen, Arre! Arre! among many others. ICON is released by The Sign Records on May 24, 2024. The album is released on black vinyl, transparent orange vinyl, and digitally. For fans of: The Hellacopters, Turbonegro, Kiss, Danko Jones, Foo Fighters, Thin Lizzy

The new album ”ICON” by Sweden’s Liar Thief Bandit is something else. After 200 shows and numerous landmark anthems, everything has led up to the fourth full-length album that truly lives up to its name. ”ICON” is a staple and instant classic on the rock scene, blending everything you would ever wish for in a melodic rock record. The raw and pure elements are caught on tape in a live setting to capture the true essence of the band, the melodies are added with clinical precision. The heartfelt lyrics set the tone to deliver a melancholic and insightful message. From the first intense second to the last, you’ll be overwhelmed with a dynamic soundscape rarely witnessed in this genre. Every element serves its purpose musically as well as lyrically. The listener should be prepared for an 11 track long journey through exceptional audible environments, dark passages and hopeful awakenings. ”ICON” is recorded, produced and mixed at Studio Sickan in Malmö by the multiple award-winning Joakim Lindberg who has worked with The Dahmers, Terrible Feelings, Nightmen, Black River Delta, Solen, Arre! Arre! among many others. ICON is released by The Sign Records on May 24, 2024. The album is released on black vinyl, transparent orange vinyl, and digitally. For fans of: The Hellacopters, Turbonegro, Kiss, Danko Jones, Foo Fighters, Thin Lizzy

Originally released in 1990, Royal Trux's 'Twin Infinitives' is being re-issued in all its (yet to be translated) alien glory, by Fire Records. A dismantled overture that sprawls out over two records, an avant-garde masterpiece that was the spark for Drag City Records and generations of new sound seeking musicians. Hailed in the same immortal breath as Beefheart's 'Trout Mask Replica', the Velvets' at their frenzied peak and Ornette Coleman at his most avant-garde, the duo of Pussy Galore's Neil "Michael" Hagerty and Jennifer Herrema recorded 'Twin Infinitives' while imbibing all kinds of mind-altering substances to create an inadvertent blueprint for what the duo was building with moog's, guitars and melodicas to name a few ingredients. It is the legendary second album from the masters of the genre mashup - long before "genre mashups" even existed. Arguably, the term "mashup" was coined to describe what Trux, as they subconsciously scrolled through the radio stations of their lives. The album's chaotic sound and offbeat construction laid the foundations for a string of Royal Trux albums that spiralled between genres, tunings, and noise. Through the 90s they would re-invent the rock 'n' roll ethic, straddle alien surf music, re-align boogie rock, not to mention 80s hair metal, and confound critics by their wildly meandering and courageous rites of passage. Remastered as part of a career spanning catalogue deal with Fire Records. The infamous and influential duo of Jennifer Herrema and Neil Hagerty will be delving into the archive with a comprehensive reissue series, unearthing the vaults and revisiting what made them such a compelling benchmark for their contemporaries and imitators. Reawakening their prolific output within a new monochrome vinyl series covering 1988-1993, they begin with their seminal deconstructed rock masterpiece Twin Infinitives. "Sounding like a subway ride inside a television inside an earthquake inside the end of the world and a pounding death rhythm of apocalyptic now." Pitchfork Ltd Double Silver Vinyl, Monochrome edition artwork, DL card.

Wiederveröffentlichung der audiophilen 180-Gramm-Vinyl-Doppel-LP mit dem neuen Artwork-Layout von 2019 in kräftigem Grün. Neu gemastert von John Rivers im Woodbine Street Studio speziell für die Vinyl-Veröffentlichung. Does The Cosmic Shepherd Dream Of Electric Tapirs? ist nicht nur eine Frage, die eine Antwort verdient, sondern auch der Titel von Acid Mother Temples allererster Veröffentlichung auf Space Age Recordings. Als japanisches Soul-Kollektiv sind Acid Mothers Temple und The Melting Paraiso UFO so etwas wie ein Rätsel für die westliche Welt, und wahrscheinlich auch für östliche Ohren. Ihre Musik kann als Acid-Rock, experimentell, psychedelisch oder eine ganze Reihe von Genres beschrieben werden, je nach Stimmung des Hörers. Die lange erwartete Wiederveröffentlichung dieses wilden Angebots von AMT ist seit einiger Zeit vergriffen und kommt als solides grünes Doppelvinyl mit dem verführerischen, unzensierten Artwork der Originalhülle. Limitiert auf 500 Exemplare weltweit.

Back Home Again was originally released in June 1974 when John Denver was at his peak and is home to several of his most popular and enduring songs – "Annie’s Song" and "Thank God I’m A Country Boy". The album topped the charts in the US and reached No 3 in the UK. The album is presented in a gatefold sleeve as per the original release and makes a welcome return having been unavailable on vinyl for many years. This is the 50th anniversary edition in a x12 trk, Black LP Vinyl in gatefold sleeve. Marketing activity.

Enjoy The Ride Records, in conjunction with Paramount Music proudly presents Star Trek: The Motion Picture – The Director’s Edition, Music Composed and Conducted by Jerry Goldsmith.

Jerry Goldsmith's iconic score to the 1979 film has been restored, remixed, and mastered from the first-generation multi-track masters by Bruce Botnick (Original album Executive Producer and Goldsmith's long-time engineer). Mike Matessino co-produced the album with Botnick, handling the restoration, editing, and track assembly.

With over 80 minutes of music, Star Trek: The Motion Picture – The Director’s Edition is available on vinyl for the first time in this definitive assembly. Pressed on 2xLP 140g colored vinyl and housed in a high gloss gatefold jacket with black poly-lined inner sleeves, there is also a double-sided full-color insert nestled inside.

Enjoy The Ride Records and Enjoy The Toons Records - in conjunction with Paramount Pictures and Enjoy The Ride Records - proudly present Sonic The Hedgehog 2: Music From The Motion Picture by composer Tom Holkenborg. Holkenborg, also known under the moniker Junkie XL, is back for the second installment in the Sonic series with another rollercoaster of a score! Available on vinyl for the first time, Sonic The Hedgehog 2 is presented on 2xLP limited edition colored vinyl, pressed at 45RPM for optimal sound quality. It is housed in a 350gsm gatefold jacket designed as an homage to the SEGA video game box, and has a full-color double sided insert.

We are proud to introduce you our next and tenth release on which we have been working for more than a year.

This release is intended to be the soundtrack to an experimental short film/ballet we are currently working on.

This 9-tracks VA is a journey through different visions of music production, but all unique, bold, passionate — the order of the tracklist is designed to follow the story of the short film.

On the vinyl side it will be a 12” 140g double disc with inner sleeves and printed outer sleeve pressed at Vinyl de Paris (100 copies limited edition).

2024 Reissue

Restaurierte 'Original Gold Sleeve Edition' auf klassischem schwarzem Vinyl. Ein intensives neo-psychedelisches Juwel, das eine Reise durch die Gelassenheit unternimmt, bevor es in seinem eigenen, zuckenden Comedown zusammenbricht. Eine glorreiche Verschmelzung von dissonanter Psyche, Lou-Reed-Getöse und Gospel-Surrealismus. Eine kaleidoskopische Blaupause für alles, was danach kam, mit einem liebevoll restaurierten Artwork. Das zweite Album von Spacemen 3 ist eine bemerkenswerte Abkehr vom Debüt Sound Of Confusion von 1986. Reduziert auf ein Trio (die Gitarristen/Keyboarder Pete ,Sonic Boom" Kember, Jason ,Spaceman" Pierce und der Bassist Pete Bassman), nutzen Spacemen 3 den neu entdeckten Mangel an Perkussion und verleihen The Perfect Prescription einen deutlich weniger rockorientierten Sound mit viel mehr Freiraum in ihren abwechslungsreichen, subtilen Arrangements. "Like taking an acid bath in the dungeon of the mind." Pitchfork //

Recorded in 1961 and released by Contemporary Records the same year, Maggie's Back in Town!! Is the second album released on the label by jazz trumpeter Howard McGhee. Also featured are the players Phineas Newborn Jr, Leroy Vinnegar and Shelly Manne. This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

Das nordirisch-niederländische Duo Fräulein hat in Zusammenarbeit mit der in London ansässigen US-Band Cosmorat seinen turbulenten Sound in gestochen scharfer Wiedergabetreue eingefangen und so sowohl eine exakte Momentaufnahme seiner Livepower und Skills geliefert, als auch unendlich neue Türen zu weiteren Experimenten geöffnet. Die kraftvolle Debüt-Mini-LP "Sink Or Swim" wechselt zwischen grüblerischem Aufbau, rhythmisch-komplexen Wirbelstürmen und seekrankem Geprügel. Kritiker wie DIY, The Independent oder BBC Radio 1 & 6Music sind bereits auf Fräulein aufmerksam geworden. Transparent-blaues Vinyl, exklusiv für Indies.

Limited Anniversary Edition: 180g vinyl, hand numbered, 1000 copies available!
In 1974, Cluster entered the sugar era. This doesn"t mean that they had finally arrived in their promised land, but they had simply moved from Berlin to the country, to a small place called Forst on the river Weser. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster.

Limited Anniversary Edition: embossed, reverse board, hand numbered, limited edition blue vinyl, 500 copies available! Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The blue album ("Blau") from 1974 was Schnitzler"s second solo LP

Sechstes Studioalbum und zweifellos das bislang radikalste der britischen Psychedelic und Doom-Band. 'Nell' Ora Blu' sticht aus der sterilen Rock'n'Roll-Wüste des Jahres 2024 hervor wie ein blutdurchtränktes Leuchtfeuer. Eine epische Hommage an das italienische Kriminalkino der späten 60er/frühen 70er Jahre. Inkl. exklusiver Gastauftritte von Topstars der italienischen Giallo- und Poliziotteschi-Filmgenres, darunter Franco Nero und Edwige Fenech. Was uns dieser schillernde Abstecher über die Zukunft von Uncle Acid & The Deadbeats verrät, bleibt ein Rätsel, aber Nell' Ora Blu ist eine exzentrische Glanzleistung der Band. Eine aurale Fortsetzung italienischer Kult-Soundtracks, Musik für Träume und nicht zuletzt…Albträume.
Live-Auftritte des Albums in voller Länge an ausgewählten europäischen Veranstaltungsorten werden bald bekannt gegeben. Neben der CD gibt es schwarzes Doppel-Vinyl und eine limitierte Version in Türkis.

Sechstes Studioalbum und zweifellos das bislang radikalste der britischen Psychedelic und Doom-Band. 'Nell' Ora Blu' sticht aus der sterilen Rock'n'Roll-Wüste des Jahres 2024 hervor wie ein blutdurchtränktes Leuchtfeuer. Eine epische Hommage an das italienische Kriminalkino der späten 60er/frühen 70er Jahre. Inkl. exklusiver Gastauftritte von Topstars der italienischen Giallo- und Poliziotteschi-Filmgenres, darunter Franco Nero und Edwige Fenech. Was uns dieser schillernde Abstecher über die Zukunft von Uncle Acid & The Deadbeats verrät, bleibt ein Rätsel, aber Nell' Ora Blu ist eine exzentrische Glanzleistung der Band. Eine aurale Fortsetzung italienischer Kult-Soundtracks, Musik für Träume und nicht zuletzt…Albträume.
Live-Auftritte des Albums in voller Länge an ausgewählten europäischen Veranstaltungsorten werden bald bekannt gegeben. Neben der CD gibt es schwarzes Doppel-Vinyl und eine limitierte Version in Türkis.

Celebrating its 30th, Seal releases a deluxe edition of his second studio album on 2CD + Blu ray, along with a 2LP Black vinyl set it includes the original album newly remastered, alongside a mix of alternate versions of albums cuts, previously unreleased music, and some unexpected yet satisfying covers.

Seal burst to the top of the pop charts with the release of his self-titled debut album in 1991. In 1994, he returned with a stylistic advance and another collection of pop, dance, soul fusion and electronic gems – all meticulously assembled on yet another self-titled album. Seal II, as It has come to be known, features the International mega-smash Kiss From A Rose, as well as the Wendy & Lisa featuring track Bring It On and a rare appearance by none other than Joni Mitchell on If I Could.

Opaque Red Vinyl. California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On his 1972 sophomore album, Burchette channels dreamy early music, druid folk, electric fingerstyle, psychedelic balladry, and new age ontology to create a visionary guitar technique all his own. This faithful reproduction includes the original 12-page full color instruction book for the secret method of piercing the psychic heart.

Small jazz groups brought out the best in Billie Holiday — especially groups as good as the one heard on this classic 1957 recording. Ben Webster, Barney Kessel and the other members of this stellar ensemble were not just gifted soloists but sensitive accompanists as well. Lady Day was rarely more ably supported than she was on this program of sturdy standards. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

First vinyl pressing of the long out of print 1993 classic many consider not only Skullflower's apex, but one of the finest noise rock records of the 90's. Edition of 600 clear smoke 2xLP in deluxe embossed sleeve.

Nach ihren 30+-Jubiläums-EPs und zugehöriger Reissue-Serie sind FU MANCHU endlich mit brandheißem neuem Material zurück!



The Return Of Tomorrow ist das erste neue Album von Fu Manchu seit sechs Jahren, und sie haben sichergestellt, dass sich das Warten gelohnt hat. Ihr 14. Album ist ihre erste Doppel-LP mit neuem Material und wurde als Vinyl-Hörerlebnis konzipiert. Die erste LP enthält sieben Songs in ihrem ikonischen Heavy-Fuzz-Sound, darunter die erste Single "Hands Of The Zodiac" und das unerbittlich eingängige "Loch Ness Wrecking Machine". Auf der zweiten LP wird die Band mit sechs langsameren Stücken, darunter das Synthie-beeinflusste "Solar Baptized" und der Titeltrack, etwas ruhiger. Beide LPs haben 45 Umdrehungen pro Minute für den bestmöglichen Sound. CD-Hörer brauchen sich keine Sorgen zu machen, da diese Version des Albums speziell für dieses Format gemastert wurde.Wie das letzte Album der Band, Clone Of The Universe, und die dreiteilige Fu30 EP-Serie wurde The Return Of Tomorrow im Racket Room in Santa Ana, Kalifornien, von Jim Monroe (Adolescents, Ignite) aufgenommen und gemeinsam mit Fu Manchu produziert.

High Roller Records, reissue 2024, black vinyl, ltd 250, gatefold, 16 pages A4 booklet, Original cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2023.

High Roller Records, reissue 2024, black vinyl, ltd 250, gatefold, 16 pages A4 booklet, Original cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2023.

Live-Mitschnitt des Attwenger Konzerts vom 6.12.23 im Chelsea in Wien, verteilt auf vier Seiten aus gelbem Vinyl mit Schwerpunkt auf den letzten beiden atmender-alben "Spot" und "Drum", angereichert mit Slangpunksongs aus den Neunzigern und Nullern. Attwenger ist live sowieso eine andere Geschichte als ein Studioalbum, ein Live-Album ist eine Momentaufnahme, licht, lärm und Leute bestimmen den Augenblick, der Augenblick ist schnell vorbei, aber den Mitschnitt unseres aktuellen Programms, der auf dieser Doppel-LP wiedergegeben wird, kannst du dir in hundert Jahren auch noch anhören und es wird trotzdem ein live-konzert sein. Attwenger live heißt Binder und Falkner auf der Bühne, singen und quetschen, verstärkt und verzerrt, Drums, Maultrommeln und Elektro-Beats, Stücke von 1990 treffen auf Songs, die grade erst im Entstehen sind, Lieder aus unterschiedlichen Entstehungsphasen werden zu ausgedehnten, groovigen Mixes kombiniert, geht alles. Die Reihenfolge der Stücke kann sich ändern, genauso wie die Reihen auf der Ziehharmonika und die Reime der Texte. alles Moment, alles bewegt sich, dreht sich, verästelt sich, die körperliche Intensität ist teilweise arg, die Gedanken sind oft woanders, das Publikum ist da, der Austausch zwischen Spielen und Tanzen führt zu einer Musik, die so dynamisch, stürmisch und euphorisch werden kann, dass du vom Akteur zum Passagier wirst in einem kollektiven Taumel, der alle beteiligten reinzieht, herumwirbelt, fortweht. Als Bonus-Track eine Aufnahme vom Juni 94, als wir mit unserem Gegenbesuch zur Zimbabwe-Tour im Oktober 93, Oliver Mtukudzi and The Black Spirits, einen gemeinsamen Auftritt in der Linzer stadtwerkstatt hatten. Zu hören ein Ausschnitt aus "I wanna know whats going on", in dem es schon damals geheißen hat: es is immer hoiba 8i.

High Roller Records, picture disc, ltd 500, handnumbered, lyric sheet, deluxe plastic bag, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021.

High Roller Records, picture disc, ltd 500, handnumbered, lyric sheet, deluxe plastic bag, mastered for vinyl by Patrick W. Engel at Temple of Disharmony in March 2021.