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'Oonops Drops' is the eponymous name of DJ Oonops' monthly broadcast on Brooklyn Radio (NYC). It's not your average radio show without talk and comments for which he invites renowned guests with their exclusive mixes from around the globe to create timeless and thematic episodes. In the last sixty shows he got visited by artists like Morcheeba, Guts, Nickodemus, The Herbaliser, Nostalgia 77, Boca 45, Blundetto, Chinese Man and many more.

Born in 1977 he got in contact with music at an early stage and soon discovered his medium of choice: vinyl. Oonops is a dj, selector, digger and is known for his smooth mixing skills to rock parties in his unmistakable wildstyle of jazz, soul, funk, hip hop, beats, edits, reggae, dub and afro. He shared the stages with acts like Nightmares on Wax, The Beatnuts, Jeru The Damaja, Ebo Taylor, Myron & E, Akua Naru and The Artifacts to name just a few.

As a longtime friend of the label and as a resident of its own club night he now gets his own compilation series to showcase his manifold taste in digging, selecting and mixing. His matter was to create a compilation of manifold genres of undiscovered, previously unreleased and for the first time on vinyl delicacies for any avid and discernable listener and dj. Especially for the vinyl lovers he dug many tracks which are treats for every set from warm-up until peak time. This compilation will stay for a long time in the bags.

Between stints in JA for legends like Glen Brown and Junjo Lawes, WJ commuted to the Bronx from Connecticut. With Clive Hunt in full effect, Showcase follows the six-track dubwise format of Dance Hall Style (Wayne never sounding more like Horace), including four utterly lethal Studio One versions — Azul's killer Rockfort Rock, Sleepy's Every Tongue (with outrageous Isleys fuzz), yet another Wackies' Heptones via Leroy Sibbles, and a murderous Drum Song.

Second installment of the Best of series of Tripmastaz' label Plant 74 featuring supreme grooves from the back catalog of the label as well as a few fresh names.

Vinyl only versions.

The Tel Aviv based music label 'Raw Tapes Records' has been getting a lot of attention in the last few years, broasdcasted around the world (Gilles Peterson/BBC, The Gaslamp Killer, Toshio Matsuraa/Tokyo Moon FM, Dom Servini/Wah Wah 45 London, Peanut Butter Wolf/Stones Throw LA, Radio Nova/France, Wicked Jazz Sounds/Amsterdam, KCRW/LA, Andrew Jervis/Bandcamp).

With more than 70 albums released out of around 20 local artists within an 10-years work, this is no doubt the most productive independant music label in the history of Israel, and surely Tel Aviv's leading Beats/Hip Hop label and collective.

Puzzles vol.3 is the third volume in the Puzzles Compilations Series from Raw Tapes, featuring 13 of the current artists on the label, including Buttering Trio, Sol Monk & Nitai Hershkovits. The release features cooperations with MNDSGN, vocalist Jenny Penkin, Uzi Ramirez and more.

Curated by KerenDun, this album ranges from Beats & Hip Hop to Jazz and Electronics.

The album marks the 10-years-Anniversary for Raw Tapes.

Dedicated to giving newcomers an honest platform to showcase their talents, this run of compilations is to be comprised of crystalline electronic music, spanning out across various forms. The inaugural offering sees Villanova and Time team up to reshape La CHICA's Oasis with brushstrokes of subtle melancholy, TEHO fuse contemporary Deep House with UKG and YEUZ' pair of idiosyncratic compositions, for the modern dance floor. Label founder, Agoria, ventures South of one hundred and ten beats per minute on his remix of Embers, cloaking Stefan Smith's original in humility and innocence. A FEW WORDS FROM THE ARTISTS ... about their tracks Oasis: 'The original track brings us a very unique vibe, the work of the analog textures implement perfectly the unique voice of La CHICA ...as soon as I listen to it I was hooked to make a remix that would keep the same feeling .. but adding the energy and dynamic to make it floor friendly.' Embers: 'Other than Music, Stefan's only other Passion in life is reading Samuel Beckett. Whilst reading his radio play Embers he got a call from Nicolas Becker asking him to contribute some work to a project. He set about composing this track with Becketts words reverberating around his head. This track somehow made it into the hands of Becketts friend/collaborator Agoria and here we are.

KosmoramaDisco Vol. 1 is the first of a series of compilations that KosmoramaDisco label wants to release from this year to the near future. The Vol. 1 shows a sampler of few of the first tracks produced by different electronic artists. The label presents a wide range of electronic styles all with a spaceship common ground, from Italo to Dark Disco and Slow Mo all wrapped in club dancing format

It's already been two years since Leonardo Martelli's debut with the four-tracker Menti Singole. He has since been following the direction he took with this first release, at a rather slow path, releasing a lone and haunted mini-album, Previsto, in the meantime. With Menti Singole Vol.2, Martelli establishes a picture of his music, an update of his aspirations in the feminine.
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Sparse, clear-cut and slightly nerve-racking, Micaella opens the record with the precision of a neurosurgeon. The song can be seen in many ways as a good introduction to the music of the Italian musician - past and probably future. Ethereal string machines balance the nagging acid leitmotiv: as often with Martelli's music, there's something going on in the background, some anonymous forces operating off-screen.

We can make the same assessment with Alice, the most obviously desperate tune on the record: the sad synth melody comes in as if it was trying to fill an emotional void, but the supposedly reassuring sentence is not complete, notes are missing. On Laura - just like with Alice - Martelli keeps on playing with the potential of abstraction of rap samples, a process we're familiar with since Previsto.

Sofia gives a particularly striking example of this weird game he likes to play as Biggie Smalls' words get progressively eviscerated from their meaning. Backed by bare percussive samples (a numerical metronome, copyright-free digital ersatz of percussions), Sofia depicts - without any artifice - despair in a post-industrial world, where everything has lost any sense of materiality - while Previsto was still set in a industrial world of steaming factories. Disarmingly simple, Menti Singole Vol.2 offers electronic mourning music at its most elegant.

Finale Sessions launch a new series entitled Unreleased, and their kicking things off with label boss Michael Zucker sparring with Jonno & Tommo (more commonly found lurking around labels like Ornate). As you would expect from Finale, it's a deep house masterclass, with Jonno & Tommo leading the proceedings with the deft piano licks and hard grooving sub bass of "Dirty Nylons" before Zucker steps in with the pattering rhythms and swooning pads of "Just Believe". On the flip Zucker embraces a gentle strain of electro for "Narrow Is The Gate" before Jonno & Tommo round the record off with the immersive tones of "Shark City".

**INITIAL 400 LPs CONTAIN A BONUS 7" BY MEL-O-MADNEZZ**

IT'S TIME TO PAAAARTY! Why The Universe knows that Tramp is celebrating their 40th trip around the sun in 2018. And what about planet Earth Well... it is as blind as it is in so many other situations. Therefore, it is time to shine the light on Tramp for all of its unremitting efforts. As musical diversity is vanishing, especially in the field of African American music from the 1960s/70s, it is our duty to stop the extinction of threatened species of music in the same way an animal welfare activist would do anything to save a gorilla's life. Tramp Records keeps this beautiful heritage alive, every single day, again and again and again. So we are here wondering why Earth people and especially to those from our beloved home country, why why are you just sitting there, going about your life unaware of this historic event What a pity!

The announcement is especially striking when it comes to the prestigious "Movements" series. Like all its predecessors, this ninth volume contains Rare Groove nuggets recorded between the early 1960s and the late 1970s. The fact that only one of the songs appear anywhere else is a jaw-dropping phenomenon! The chronological track listing starts with two amazing cover versions: "Fever" by Gee Gee Shinn & the Boogie Kings and "I'm A Woman" by Connie Kaye Trio. Bus Brown, Earl Demus and Chuck Finney remain in the same direction although their contributions are slightly jazzier. Chick Willis' gut-wrenching "Sometime Soon" easily rivals James Brown's "It's A Man's World" and the recordings by Australia, J.R. and Joe Akens are beautiful examples of privately produced soul from the 1970s. The latin-soul of "Cho Cho San" by Hummingbird 4 heads the sound in another direction for the next three tunes, highlighted by one more stunning cover version, Oscar Brown Jr.'s "Brother, Where Are You". The album closes with some pre-disco tracks from the mid-to-late 1970s. Funk 7" collectors will freak out to finally get a chance to listen to Mel-O-Madnezz' superheavy "What You Getting High On" but will certainly also enjoy The Counts, Reunion and Hot Cakes' dance floor bomb cover of "Harlem Shuffle".

Over a hundred great unknown songs have been re-released on the first eight volumes in the "Movements" series, the majority of which can not be found elsewhere, and Vol. 9 is no exception. The work of Germany's tiniest but grooviest record label is still incomprehensibly underestimated. We know you diggers, collectors, mavens, aficionados, fanatics, completists, enthusiasts, and just plain record geeks know what's up and we heartily salute you! Without your support there would be no Tramp Records. But now it's time for a broader cultural shift for good music and a sweeping move to uphold the legacy of the unsung heroes of funk and soul. Therefore, we humbly petition you: in 2018, Don't keep all this glory to yourself! Turn your friends and neighbors on! Thank you!

- initial 400 LPs contain a bonus 7" by Mel-O-Madnezz ("What You Getting High On")

- the double vinyl LP comes with a full album download code

- deluxe double-gatefold LP with detailed liner notes, label scans & unseen photographs

- all but one song appear on vinyl-LP for the very first-time

SAPIENS TALKS - JACQUES Jacques is like no other. A cult artist already. Loved or hated. Jacques divides. Who better to follow the exciting and passionate Emmanuelle Duez for this new volume of the Sapiens Talks This initiative of a label usually familiar to dancefloors who promised to break the carcans of the traditional music label. Asking questions about the world around us. Give a voice to actors in civil and cultural life. Speak to another audience. A slowdown in the frenzy of everyday life, which favours thoughts, the Talks Sapiens are rare moments. Available on vinyl in a limited edition of 500ex. Discover Jacques an odd personnality. Spontaneity, inspiration, sharpness, equanimity and digressions are all part of the Sapiens Talks 2!

Here is the 2nd Part of 2 Eps of remixes for Djebali's first Album « 5 »The man Satoshi Tomiie and the french fellaz Terence :Terry :

Stiff Little Spinners Vol. 9+10 Release info This is the end, my friend. 10 LPs, 24 different artists, 61 tracks, almost 7 hours of music. With Stiff Little Spinners Vol. 9+10 we will release the last two volumes of the housey techno compilation series as a double 12 vinyl on 24/11/2017 via Hold Your Ground, Audiolith's new sublabel. The intention of Stiff Little Spinners was always to keep the party going and most of all to keep it interesting. With every new release, we introduce new artists and almost always new genres - shoo-bi-doo house, rumble tec, abrasive electronica, stress ambient, you name it! Stiff Little Spinners Vol. 9+10 showcases new and known talent from Hamburg to Berlin via Warsaw and Texas. Side A The first side of the four starts with Ben Böhmer and Antoni Sierakowski who get straight on it and pick you up with around 124 bpm and loopy hypnotic perfect deep house. We then slow down a little with Piotr Bejnar who gives us a dreamy slow-jam masterpiece that can only be described as the intonation of a summer longing daydream. The first side is definitely for the MDMA kids amongst you. Side B Side two starts off with Thomas Atzmann, who seems to only produce progressive house operas these days. This nine minute epos will take you on a trip through time and space, it tells a story of tension and precariousness.

Here is the 1st Part of 2 Eps of remixes for Djebali's first Album « 5 »The Legendary Andres and the romanian Arapu

The Patchouli Brothers first began throwing parties in an Albanian dive bar in Toronto's east end, but have gone on to grace the stage at a spectrum of the city's establishments.

They hold down a residency at a rotating disco jam called Beam Me Up which, while held monthly at the Piston, has taken place in a film studio, an artist commune, above a furniture store and inside the Great Hall.

Their debut 12" for Basic Fingers features two cuts.
First up 'Wicked One', a fiery slice of gospel served with a rich piano hook.
On the flip we're treated to 'Magic Rhythm (Of Love)', a masterclass in pure disco-funk insanity.

Looking for a peak-time workout with lots of percussion Look no further...

In the spirit of cultural pride, Rune Lindbaek provides the audio tour guide into the unexplored back streets of Norwegian Disco

His deep knowledge of Disco delicacies from the frozen north may be a revelation to those who've heard his more mediterranean outings,
however here we have an extended EP on untapped treats, leading with three hefty slabs of late seventies, matured Brunost on the A &
moving into more obscure territory on the flip, where the sought after I Dekning is followed by two more idiosyncratic jams, which possess the dancefloor heft of a well roasted reindeer shank

SUPER LIMITED !

"This release is individually 200 hand-numbered limited edition CASSETTE (100 PINK and 100 SMOKE TRANSPARENT) with a sort of 'greatest hits' of (almost) all Archeo releases (AR001-AR011) + an unreleased bonus track from Roberto Aglieri (Ticino parte 4 - Il merlo), celebrating 3 years of the label, from 2014 to 2017 - selected with love by Manu- Archeo (AR001C).

Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls."

It's been almost two years to the day since we've last heard from our dear friend & resident Grodno beat-smith Funkyjaws.

From Riga via New York to Berlin on a one way ticket! There is no return now!

The latest release from Bjarki Runar's bbbbbb label sees Bjarki delving back into his vast archives and shines a light on a bizarre detour during the early days of the label that involved
a peculiar commission from the Icelandic state. Bjarki introduces the story; 'It was back in 2015 and we were only just putting together the original plans towards making bbbbbb a label. While this was happening, I got a call from a friend who was
working for a local tech start-up and marketing company. They'd been contacted by the Icelandic Ministry of Fisheries and Agriculture who came to them with a weird proposition.
They were looking at the idea of marketing Icelandic lamb as this user-exclusive commodity for high end restaurants, the same way they do with Kobe beef in Japan. His marketing company was going all in with this idea of creating an elite herd of sheep that would get the 5-star treatment - fresh food and beer, shampoo and geothermal baths for their fleece, and entertainment such as TV and music for when they were in the hills. That's where I came in'. The initial meeting between Bjarki and the marketeers however didn't go as smoothly as they hoped; 'When I met my friend and his team, they were going to have music pumped through a series of remote speakers across the hillside' Bjarki explains. 'But when they showed me what they were going to play to them, I almost fell of my chair laughing! It was all this
cheesy, easy listening, orchestral Icelandic bullshit. I said to them 'This is nonsense! Why are you bringing me into this project if that's all you're going to be playing' In the end, I told
them I would completely redo all the sounds and music they were going to be using. I was going to drag the Icelandic sheep into the 21st Century'. Bjarki was as good as his word. Over the summer of 2015, he spent several weeks at farm
locations near Kirkjubæjarklaustur and Reykholtsdalur, walking the hills and playing a variety of sounds and beats to various flocks of sheep to see what the best approach was. It
was tough going at first; 'At the beginning, I was working totally blind', Bjarki explains. 'Imean how can you possibly know what sort of modern music and sounds Icelandic sheep
would go for' But Bjarki persevered and he found certain sounds and tones made the sheep more active and engaged.
From this point, he began to make tracks that would encapsulate what the lambs were drawn to the most. 'A track like Soda 'Sugarlicious' for example, came about when I started
playing Candy Crush on the hillside. As I kept playing, the sheep began to gather around me showing interest in the bright chintzy sounds coming from my laptop and that deep voice that
would keep speaking to you. I simply put together a track that was all shiny colours and heavy on the chimes. The sheep fucking loved it!' A track like 'Drab' meanwhile was suited
for less sunny moments. 'I got caught in a nasty rainstorm, so I started playing these synth lines I had made, along with an improvised kick drum. The mix of the softness of the tones
along with the hit of the bass cased the sheep to follow me all the way back to the farm I was staying at. The farmer wasn't too impressed with that, but the flock was completely
hypnotized'. In the end Bjarki, amassed several tracks ranging from soft ambient to gnarly hardcore bangers to present to the Ministry. But in the end, they decided not to go with the whole
proposal. 'These people were fools', Bjarki says. 'They just couldn't get their heads around doing something completely different, that was a bit of fun yes, but was completely done in a
serious manner. We all spent weeks doing this stuff so yeah, it was a bit gutting'. In the end though, there is a silver lining to this story as these efforts were not wasted for we can now hear the best of Bjarki's efforts from this admittedly weird project on a limited 12'release that marks a storming 2017 for the bbbbbb label.

Tact Recordings launch their new vinyl only sub-label 'Tactics' this November, with the first EP coming courtesy of Yard One, who deliver three excellently programmed cuts in the shape of 'Tactics Vol.2'.

Launched by Yard One, aka Jordan Bruce and Larry Jones, and Richard Fletcher (who produces under numerous guises including Adventures In Daydreams and Fletcher), Tactics is set to become the labels latest project with a focus on solely vinyl releases. Inspired by the 2012 Various Artists release 'Tactics Volume 1' on Tact Recordings, which featured productions from Isherwood (Sharingtones/Imprints/Lize Records), journalist Per Boisen-Moller, and label regular Luke Black, the sub-label is set to showcase a more stripped back and minimal side to the Tact Recordings family with releases coming courtesy of Yard One, Fletcher, Luke Black and their close friends only.

The EP opens up with 'Avenoir', a raw and hypnotic production that utilises a multitude of lasers, glitches and pops at the forefront to keep listeners firmly on their toes, whilst a delicate and captivating melody floats fluently amongst ever-evolving percussion shots and twisting bass licks below.

On the flip, 'Granular Movements' snakes its way through swinging drums and hazy, jazzy melodies to reveal an effortless rolling groove, before 'Hexad' keeps the focus on percussive elements strong, whilst a moody bassline goes to work under layers of meditative pads and subtle background nuances to punctuate an excellent debut offering from the label. (Vinyl Only).

'On Line': a collaborative album in parts, focused on themes of repetition, poly-metrics, transformation and abstraction. Volume 1 features contributions from Livity Sound protégé, Simo Cell, Berceuse Heroique regular, Don't DJ, and Wisdom Teeth label head, K-LONE. All of the tracks were written specifically for the project and in tandem, and all are connected by a constant pulse and communal headspace. The record opens with Simo Cell's 'Symmetry': a slow crescendo of whirring pads, melodic percs and dotted rhythms, all underpinned by thick slabs of sub-bass that, with each heavy hit, seem to collapse the track's atmosphere down and in on itself. Next, Don't DJ follows with the oblique, discordant chug of 'Übergang Zur Metrotram'. As with all of Florian's works, the track pulses with an organic, animal quality that completely belies its mechanical origins. Again, the track's space is filled with drifting pads and clanging chimes - but this time the atmosphere is close, discordant and chokingly dense. Last up, K-LONE clears the air with 'Woniso'. The track grows slowly out of a series of beautiful harmonic counterpoints - morphing patterns that come and go in the mix to reveal their individual colours and contours.

As we move forward, Corseque Records introduces a concept which we simply call Faction. A series of joint releases between artists from different corners of our beloved scene and label head Ascorbite. For the third vinyl we are pleased to have with us Berlin based producer Mike Wall (Wall Music/Wall Music Limited).

It is a distinct honour and privilege to welcome the legendary musicianWally BadaroutoDiskotopiawithThe Unnamed Trilogy Vol.1, a collection of recent solo work presented for the first time as a limited-edition 12" and select digital EP,marking the first vinyl release of his solo music since 1989.The release has already gained a great deal of excitement following its announcement on FACT magazine, The Vinyl Factory, Resident Advisor and other media in early August.

Wally Badarou is a visionary musician who over the years has forged a history that is immensely storied, diverse and creatively rich. He has not only released timeless solo material such as the incredible Echoes LP in 1984 (part of which reached a new generation of music fans when the track Mambo was sampled for Massive Attack's Daydreaming), but has also recorded on classic albums with luminaries such as Grace Jones, Sly & Robbie, Mick Jagger, Fela Kuti, Robert Palmer, Jimmy Cliff, Black Uhuru and Talking Heads to name just a few. Both co-founders of Diskotopia have been huge fans of Mr. Badarou's work since before the label's inception and are elated to present The Unnamed Trilogy Vol.1 to the world at large.

Release number 2 for Burnin Music sees two local heroes of the London underground house music scene, Leonidas and Kay Suzuki, joining forces for a unique project : Synqlock vol II

Hard to describe in a few words 11:24 of pure sonic bliss. With 'Interstellar Meditation' the artists seem to have reached a certain wisdom in the making: rain falling, organic sounds of the forrest and a beautiful analogue symphony. A very very emotional track. A unique journey.

Asteroid (Jackin' Acid Dub) is a short pumped up techno tune which manages to keep the soul from 'Asteroid' (on the flip side) while adding acid elements.

Undercurrent opens the B side with layers of analogue synths on a beatless groove. It feels like the start of an epic journey into sounds where time and space are relative.

With 'Asteroid' you get to full speed: again layers of analogue synths respond to a breathless beat. The hypnotic bassline pulls you to an 'emotional' dancefloor: it is not only a 'dance' track but also feels like an emotional experience.

Time for some gentlemen cuts - again! Quintessentials spotted some hot european talents and welcomes Kian-T, Replica, Giovanni Damico and Kolja Gerstenberg to the family. Expect some freakyness, some funkyness, some deep basslines and some dope beats. And a lot of coolness. 4 cuts not to be missed! Thank you.

Steppas Records presents 'Osaka Steppas' Vol. 2, the second in a series of releases showcasing the Japanese underground dub movement. This edition features Osaka producers Dub Kazman and Roots Masashi. The Osaka Steppas' raw and unrelenting sound developed in the subterranean clubs of Osaka, a port city famous for its counterculture night life. Inspired not only by the sounds of Jamaica, but also drawing inspiration from UK and European soundsystem culture with enough bassweight to test even the toughest of soundsystems. Presented in a beautifully designed full colour sleeve inspired by the works of the legendary ukiyo-e woodblock artist, Hokusai. This release is not to be missed.

Büchsenöffner Vol. 6 - Spreiz Sells

One bloody Subhead style techno side and one big Hardcore /tribe mid-tempo old school banger... well both sides are fat on the compo and fat on the sound... Dancefloor pagan system !

For our 13th release, Subaltern is proud to present a selection of various artists compiled on one record - different styles of sound, blending together like a Kaleidoscope... For the avid vinyl junkies the first 300 copies have been pressed with locked grooves from each artist and come in a full colour sleeve.

* Alter: Opening the release is Japanese producer Helktram, who debuts on Subaltern with a relentless hypnotic roller. Distorted drums and percussive interludes complete this banger, which has proven to mash up the dance every time.

* Fibers: Being the only resident Subaltern artist on the release, D-Operation Drop doesn't fail to prove why they have returned to Subaltern yet again with this trippy masterpiece.

* Bomb: German producer ILL_K makes his first appearance on the imprint with this mighty stomper. "Bomb" is probably the most accurate title this powerful tune could have been given.

* Landfall: The only collaborative track of the EP, - Landfall' concludes the record in style - dark and eerie atmospheres mark the signature sound of German producer Shu and Belgian producer Zygos.

This is volume 1 out of 2 of hip hop gone wrong from John Daly's West 2 West project.
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Following up last years well received The Smoke Clears, John Daly returns to the label under another alias - West 2 West which was debuted on Jheri Tracks Vol 1. Equally as atmospheric as the ethereal Smoke Clears, this project is the result of his ongoing hip hop obsession. MPC workouts inspired by current listening, the result isn't quite hip hop, but sits nicely in the all city beat discography. There's an after hours headphone feel to the set - spanning twenty four tracks split evenly over two 12 inches - Volume 1

Lanthan.Audios 10th release extracts and converts to a piece of music where label-known souls join together to celebrate the jubilee in a reasonable way. This sets the focus on the human form and thereby Lanthan presents itself in a new vestment for this anniversary. The architecture of mother nature.
This is Lanthan.Extracts Vol I.

The 8th volume in the Riviera Disco series with Model Man and Kraver from The Netherlands, Iamnotarobot from Spain and Can Love Be Synth from Germany!

DMC World Champion and IDA World Champion. A deep cut non skip 7" DJ scratch tool by Ritchie Ruftone, with one side at 83 bpm and the flip-side at 133 bbpm. Weighing in at 40 gms.

Some of these edits came before on a now hard to get 12"... remastered and cut now with some dope additions.

First Compilation of 9 Modern Soul & Nu Boogie Slices.
Featuring various artists such as Dee Nasty, Funkmaster Ozone,
Parisian Soul, Modogsta, Lord Funk, Will The Funkboss, Djazzafonk,
and SNS.

The MLH crew brings House music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between Chicago, New York, London, Berlin and Paris.
After their first solo EP, MLH bring back the 90's New York vibe with two veterans of this sound : The Dat Project aka William Rosario and Transitive Elements aka Enrico Mantini

This circular item is the OAKS 04 by Prostitutes. Musica Techno Para Discoteca VOL.1 its title.
If you drop the needle on this side (A) Mighty Arms and A Glancing Kiss will play. If you flip it side (B) Albion Remains and Churns Up Into Stone will do the same. Eleven times three revolutions per minute.
Recommended for Dj use.

"Musica Techno Para Discoteca is the new series from OAKS. In it I'll showcase the Techno music that inspires me, the Techno music that I love to play, the Techno music that in my opinion should get a decent exposure due it's originality and honesty. Without paying attention to the market demand or industry standards."