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Ültimo hace: 5 Años
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* Idealz has been involved with Kniteforce since the early Influential days, all the way through KFA and into this new relaunch of Kniteforce Records. This EP is a long time coming - Idealz should always have had a Kniteforce release under his belt, as he has always been, and remains, a distinct sound within the label. This EP brings his unique sound to its perfect place - proper Jungle / D'n'B, but in the old style, and on vinyl where it deserves to be. Run The Tune is one of the best examples of this style released this year, and would fit in perfectly in any 1994-96 jungle set. It is a classic slice of precision jungle, one that moves the dance floor and the mind equally.
On the flip side, Ice Breaker and War On Jungle take the same themes but twist those vibes into other directions. This release, and Mannik's (KF73) really put the flag in the sand for Kniteforce. We do old skool the way it should be done, and embrace all the styles. This is a proper EP for the real underground!
Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others
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If you are looking for raw, psychedelic hard-rock, look no further! We present the complete recordings (1968-1972) from Wicked Lady, the legendary UK underground power trio leaded by ace guitarist Martin Weaver, later a member of Dark on their "Round the edges" album.
Here's the first volume of our Wicked Lady collection, both a CD version and a lavish double vinyl of "The Axeman Cometh". Our edition features new artwork and liner notes by doomy psychedelic guitar God in person, Martin Weaver, who tells the real (and bizarre!) story behind Wicked Lady for the first time. The stuff of a legend, this is a real fest of fuzz, wah-wah and heavy riffs that will blow the mind of any hard-psych collector.
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Repress
Zodiak Commune Records continues the Insectum serie with a brand new EP from Acidupdub called "Longhorn Beetle". He specially made this 4-tracker in various styles of techno and acid.
A1. War of The Worlds
This track is a perfect dj tool. Very nice progressive acid techno floor filler with heavy energy on the 303 patterns. This beat goes on!
A2. Coffee Spliff
A mysterious opening on this one. The punchy kick will make a perfect minimal techno track out of it. Let the dreamy atmosphere take over.
B1. Dark Summer
On the b-side you can notice the energy is building up. The reverb on the acid sweep creates lots of space around you. High quality acid techno.
B2. Zodiak Prophecy
He ends this journey with an uptempo acid techno piece with a dark progressive touch. The delay on the 303 glues the whole track together. This prophecy is fulfilled.
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East Man is a new project from Anthoney Hart and its material predates his previous work as Basic Rhythm. His unique take on grime reduces the sound to its steely fundamentals, bringing in influences from dancehall, drum and bass and techno to gird the voices of the MCs he works with. His own name for this hardcore continuum mongrel is 'Hi Tek'.Anthoney struck a friendship with the academic and theorist Paul Gilroy, who wrote the album introduction.
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Max Romeo has teamed up with UK based, Grammy Nominated Producer Daniel Boyle, to create a stunning return to form, Roots Reggae album with accompanying Dub versions.
''Max is noted for his critically acclaimed work with Lee Scratch Perry in the 1970's, and for his timeless classic songs penned over the last 50 years - Such as 'War ina Babylon' 'Melt away' 'one step forward' and the worlds most sampled reggae song ever -''Chase the Devil'. Picked up by artists such Jay Z, Kanye West, The Prodigy and Blockbuster hit movies.
Max and Daniel have teamed up with an all-star cast of musicians to create a true Part 2, to Max's legendary, ''War Ina Babylon'' album. Using strictly Studio equipment ranging from between the 1950's - 1970's, recorded and mixed in 100% analogue format, and presented with stunning artwork in Physical format.
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debe ser publicado en 31.01.2018
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Rude Operator's dissonant intro on Witchdoctor synthesizes a half-time beat with jazz undertones before bouncing into a percussive bassline. Constantly evolving drum patterns, punctuated with horn bursts and upright bass from Ornette Hawkins, keep the dance floor moving.
Gunman's blissed-out atmospherics pave the way for a heavy combination of chopped up breakbeats and a juked-out drumline. Equally influenced by early jungle and contemporary footwork, 808 percussion and congas punctuate the undulating bassline.
Arrowhead fuses dubbed out elements with a running apache break and ominous synths. Percussive vocal stabs propel the song forward, while a deep, driving bassline and amen cuts bring the pressure.
War Diamond pays homage to DC's indigenous sound, Go-go. A hypnotic conga drum workout rinses oscillating bass with nature sounds, taking you above the canopy with a relentless swing. Lightly toasted by Born I Music, this fresh take on jungle delivers a heavy, tribal perspective.
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Last volume of this compilation series, again a great one.., Holding amazing tunes from across the globe that you probably already have been looking for.... TIP!!
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Over the last five years and as many volumes of their Beach Diggin' compilations, Guts and Mambo have explored the reefs of five continents, dredged the sea beds of countless seas and oceans, examined every single seashell with the aim of making sure that no vinyl pearl should escape their notice.
Tunisian reggae, Japanese disco, West Indian jazz-funk, the duo's aesthetic dribbling skills would stop the savviest Brazilian football player dead in his tracks, and it was with this in mind that they proceeded to select their discoveries. With a marked preference for meditative free-diving rather than tour package scuba diving, and isolated spots rather than massively overdeveloped beachfronts.
For this latest instalment of their adventures, Guts and Mambo have organised another expedition around the world, to salute the spots where for the last five years they have uncovered rare specimens, saving some of them from total extinction, while shining a light on others that amply deserved it.
Though each Beach Diggin' compilation can be listened to independently of the others, the five together now form a kind of navigational chart signalling with its green flags the places where, in Africa, Europe, Asia, America, and the South Pacific, they gambolled on sandy beaches, avoiding the well-trodden path, becoming more and more demanding with each passing year.
Beach diggin' is a state of mind...
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2x Colored Vinyl[27,19 €]
Deconstructed royal-court music from the forgotten kingdoms of the Buganda, reconstructed electronic wedding music, fluorescent pink African pop, crunched 8-bit drum machines and a 10-foot long monster xylophone are just a few of the many sounds of Ennanga Vision.
This post-modern African soundtrack follows London producer Jesse Hackett's heady musical journey into the heart of Uganda - recording with chief collaborator, multi instrumentalist and singer Albert Ssempeke and featuring assorted vocal legends from the north of the country. The music blends a fully electronic sensibility with unusual, hand-crafted, African one-string fiddles, a 200-year-old harp and an enormous, group-played xylophone. It mixes traditional Ugandan folk songs and modern pop forms into a new PLASTIC ORGANIC VISION.
Hackett is influenced as much by the music of the African continent as he is by European electronic compositions and soundtrack scores. The sounds of hauntingly-dark vocoded vocals, crushed electronics, and poly-rhythmic drum machines sit alongside chiming African fiddles, rippling harps and children's laughter. He is a member of Owiny Sigoma band having sung on and co-written a lot of their work spanning three albums. He is also touring keyboard player for the Gorillaz and has released records on Stones Throw, Honest Jon's and DEEK Recordings, to name a few.
Albert Ssempeke is the son of a prestigious royal court musician who played in the days of the old Buganda kingdom - one of more than twenty five musical siblings, Albert is simultaneously an educator, performer and preservationist of this intricate and complex traditional form of music. Here he plays over ten traditional Ugandan instruments including Amadinada (xylophone), Ngindidi (fiddle), Endongo (harp), Ennanga (flute) and many more
debe ser publicado en 02.06.2017