The iconic Hôtel Costes music collection, a veritable benchmark of Parisian luxury and refinement, continues to captivate lovers of sophisticated sounds. Famous for its unique blends of warm vocals, funk, jazzy and pop grooves, fusing electronic sounds and acoustic instruments, this series is a must for connoisseurs of refined music.
This eighth volume, orchestrated by the talented Stéphane Pompougnac, offers light electro soul and racy house, perfect for livening up the most elegant evenings and keeping the most reluctant dancing until the wee hours. The Hôtel Costes series has revealed exceptional talents such as Pink Martini, Flight Facilities, General Elektriks, Angus & Julia Stone and Brigitte, while mixing hidden nuggets with masters such as Gotan Project, Femi Kuti, Trentemøller, Thievery Corporation, Shirley Bassey and Grace Jones.
With over 5 million copies sold worldwide, following the resounding success of the reissue of the first six volumes, this eighth opus is finally available for the first time on vinyl. A true gem that will delight long-time fans and appeal to a new generation of listeners worldwide.
Suche:we love electro
- A1: The Ballad Of Sacco Vanzetti
- A2: No One In This World
- A3: All I Want
- A4: One
- B1: Emotional Rescue (2 Many Beats Remix)
- B2: Diferente
- B3: Con Mi Sombra
- B4: Kiss Me Twice
- C1: You Aint Really Down (Jazzanovas Hey Baby Remix)
- C2: Little White Roses
- C3: Free For All (Soundstream Remix)
- D1: Bluebird
- D2: Et Toutes Ces Choses
- D3: Paris...demain Matin
- D4: Womb
- D5: Belle
The iconic Hôtel Costes music collection, a veritable benchmark of Parisian luxury and refinement, continues to captivate lovers of sophisticated sounds. Famous for its unique blends of warm vocals, funk, jazzy and pop grooves, fusing electronic sounds and acoustic instruments, this series is a must for connoisseurs of refined music.
This ninth volume, orchestrated by the talented Stéphane Pompougnac, offers light electro soul and racy house, perfect for livening up the most elegant evenings and keeping the most reluctant dancing until the wee hours. The Hôtel Costes series has revealed exceptional talents such as Pink Martini, Flight Facilities, General Elektriks, Angus & Julia Stone and Brigitte, while mixing hidden nuggets with masters such as Gotan Project, Femi Kuti, Trentemøller, Thievery Corporation, Shirley Bassey and Grace Jones.
With over 5 million copies sold worldwide, following the resounding success of the reissue of the first six volumes, this ninth opus is finally available for the first time on vinyl. A true gem that will delight long-time fans and appeal to a new generation of listeners worldwide.
LP + insert. A cosmically poetic duo playing Afro-Roots-Electro with a clear nod to spiritual jazz. Esinam Dogbatse (flute, synths, vocals, fx, percussion) | Sibusile Xaba (guitar, vocals, percussion).
ESINAM & Sibusile Xaba is a meeting of nomadic, wandering and kindred spirits in music. Both artists draw upon their ancestry: Belgian-Ghanaian(ESINAM) and Kwazulu Natal-South Africa (Sibusile Xaba) through a unique connection, a deep artistic and spiritual level, they use rhythms and grooves to translate stories to the audience. Their vocal chanting enhances trance to rhythmic patterns that grace us by melodies of the future and past.
On April 25th 2025, ESINAM & Sibsile Xaba will release their first joint album entitled 'Healing Voices'.
This album is a reflection of the kaleidoscopic multitude of musical inspirations running through the veins of two very talented solo artists. Both multi-instrumentalists, they provide many different layers to their music. Each track is a reflection of their cross-pollination. Musically inspired by Ghanaian Highlife and traditional songs from Zulu and Ewe culture, but with a distinct contemporary interpretation where their acoustic sound is enhanced by electronic gadgets.
As multi-instrumentalists, the two artists translate messages from their ancestors through rhythms and grooves. Their vocal chanting enhances trance to rhythmic patterns that grace us by melodies of the future and past.
Thanks to their Belgian-Ghanaian and South-African roots, they are unique in their being, strong in their union and connected on deep artistic and spiritual levels. The collaboration between ESINAM and Sibusile Xaba is bringing healing to body and soul.
In 2018 Esinam discovered Sibusile Xaba during his European (solo)tour. She was enchanted by his musical energy and craftsmanship and invited him as a vocal guest feature on the track 'Flowing River', from her debut album 'Shapes in Twilights of infinity'. When she was asked at the first edition of WOMAD Festival in South Africa if she wanted to collaborate with a 'local artist', she didn't have to think twice.
So in October 2022, Esinam and Sibusile seized this opportunity to dive into the rehearsal and recording studio, and discover and combine each other's musical universes to shape up new music together.
In May 2023 this collaboration continued with rehearsals, recordings and a first European tour with performances in Belgium, The Netherlands, France, Germany and Slovenia.
In March 2024 they released the first single 'Africa Wola' out of the fothcoming album. In November 2024, they released a remix of their first single by South-African DJ and producer DaCapo and played at Visa for Music in Morocco.
Vilhelm Hasselgren is a Gothenburg-based producer and DJ with a focus on Jungle and productions that move between 160-170 bpm. Vilhelm focuses a lot on complex rhythms and ambient soundscapes and takes inspiration from both older and modern Jungle, as well as other electronic acts such as Basic Channel, Mala, Skee Mask and Arkajo. Vilhelm tries to create soundscapes that move between different musical starting points.
He has previously released on Rezonant Body, Canape Records, Bukva Sound and Of Paradise Records. Also has an upcoming EP releasing on Bukva as well as a V.A on Western Lore. In 2025, Vilhelm also has a residency at London-based Subtle Radio.
Vilhelms words:
Central Line EP is an EP that I'd myself consider to be my debut EP. The tracks were created within a two-and a half year span, with some tracks being re-worked and replaced. Later ending up with the final track-list, which I am very happy in how it ended up in the end. One of the tracks that were later added onto the EP being 1000 a co-production with my brother Einar (Local Arms), which we spontaneously recorded at our parents house over a weekend.
I mostly start from percussion, onto bass and later melody in my productions. The title track "Central Line" was started when I lived in Brighton for half a year, together with Theo Soderlund (Theomega). The Eski sample is a bit tricky one, but wanted to experiment with it, further I chopped an Amen and a Think break with an idea to create a pretty simple rhythm that could leave the riff to speak for itself. Even though the tracks were created within a pretty long span of time, I feel like they portray a sound that I want to further explore and produce at this point. Also Arcne adding a monster remix of Central Line that has been getting lot of love. Could not be happier to release it on Bukva Sound which prior releases I think really captivate a sound that has been really inspiring throughout the process.
- 1: From An Ocean, To A Lake
- 2: All They Want Is Violence
- 3: Reveille!
- 4: Blue Gatorade
- 5: Sårbare
- 6: Running Through The Tøyen Arboretum In The Spring
- 1: Misundelig
- 2: Closer – Demo
- 3: Solo Yo Y Tú
- 4: Lampi
- 5: スイセン
- 6: Oh, When I Was In Love With You
- 7: Cascades (葉月君へ)
- 8: Attar
Hailed by Pitchfork for his “ambient, intimate…songs that blossom gently with intricate musical details and enigmatic lyrics,” Conner Youngblood gained early acclaim with a series of self-released singles and EPs before breaking out internationally with his 2018 full-length debut, Cheyenne, which fused electronic and analog elements into a lush mix of bedroom pop and chamber folk. Youngblood toured the record heavily until 2020, when the pandemic forced him off the road and, hungry for fresh inspiration, he began enrolling in Russian, Danish, Spanish, and Japanese language lessons. He didn’t realize it at the time, but those classes weren’t just expanding his vocabulary, they were laying the groundwork for his most ambitious, experimental album yet: Cascades, Cascading, Cascadingly.
Written and recorded at home in Nashville, the collection is a dreamy series of meditations steeped in desire and yearning, loneliness and loss, exhilaration and escape. The lyrics blur the lines between fact and fiction, toying with magical realism and outright abstraction in various languages, and the arrangements are surreal and cinematic to match, hinting at everything from Cocteau Twins to Atoms For Peace. In addition to producing and engineering, Youngblood played every instrument on the album himself, and the result is a pure, unfiltered journey deep into the subconscious of a relentlessly curious artist, one with a boundless imagination and an insatiable appetite for sonic exploration.
- A1: Blake Baxter - Sexuality
- A2: Suburban Knight - The Worlds
- B1: E-Dancer - Feel The Mood (N.y. Groove Mix)
- B2: Yvette - Pump Me (Mayday Mix)
- A1: Qx-1 - I Won't Hurt You (I Swear)
- A2: Fred Brown - Roman Days
- B1: Mr. Fingers - I'm Strong (Instrumental)
- B2: Laurent X - Machines (Apocalypse Mix)
- A1: Revelation - First Power (Original Mix)
- A2: Egotrip - Dreamworld (World Of Dreams Mix)
- B1: 33 1/3 Queen - Searchin
- B2: Bobby Konders - Let There Be House
- A1: Steve Poindexter - Computer Madness
- A2: Age Of Chance - Time's Up (Timeless)
- B1: Lfo - Lfo (Leeds Warehouse Mix)
- B2: Alice D In Wonderland - Time Problem (Techno Speed Work)
- A1: Joeski - My English Lover (Acid Mix)
- A2: Pleasure Zone - Fantasy
- B1: Mellow Man Ace - Rhyme Fighter (House Dub)
- B2: The Gherkin Jerks - Strange Creatures
- A1: The D.o.c. - Portrait Of A Masterpiece (Cj's Ed-Did-It-Mix)
- A2: Robert Armani - Circus Bells (Full Length Original Mix)
- B1: Todd Terry Presents Cls - Can You Feel It (In House Dub)
- B2: Virgo - Free Yourself
- B1: A Homeboy, A Hippie & A Funki Dredd - Total Confusion (Heavenly Mix)
- B2: 2 Men From Jersey - Track Werk (After Dark Mix)
- A1: Human Resource - Dominator (Frank De Wulf Remix)
- A2: Frankie Knuckles - Your Love
- B1: Simon Sed - Criminal
- B2: Tyree - Hardcore Hip House (Joe Smooths Too Deep Mix)
- A1: Frankie Bones - Call It Techno (House Mix)
- A2: Frank De Wulf - The Tape (Remix)
- B1: A Guy Called Gerald - Automanikk (Derrick May The Force Be With You Mix)
- B2: Sheer Taft - Cascades (Hypnotone Mix)
- A1: Tronikhouse - The Savage & Beyond (Savage Reese Mix)
- A2: The Orb - A Huge Evergrowing Pulsating Brain That Rules From The Centre Of The Ultraworld (Orbital Dance Mix)
- B1: Mental Mayhem - Where Are They Hiding
- B2: Edwards & Armani - Acid Drill
- A1: Njoi - Jupiter Re-Dawn
- A2: Basex - U-R-Self-Go (All Night Mix)
(10x12" box set, limited to 1000 copies, with premium finishing, uniquely numbered, incl. 10 records in individually printed sleeves, a booklet detailing the club's history & exclusive stickers) Boccaccio has secured its place among legendary venueslike Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond.
Belgian label Music Man Records presents Boccaccio Life 1987-1993, a new compilation offering a fresh perspective on the legacy of the iconic Belgian club Boccaccio - often associated with the short-lived New Beat movement. The 40-track compilation highlights the raw and futuristic early house and techno sounds that were heard in the pioneering club.
Located in rural Destelbergen (Belgium), just a stone's throw from Ghent, Boccaccio has secured its place among legendary venues like Paradise Garage in New York and The Hacçinda in Manchester. Its bold fusion of emerging electronic genres such as New Beat, Acid, House, and Techno was way ahead of its time, drawing music lovers and clubbers from across Belgium and beyond. Sundays at Boccaccio were unlike anywhere else-offering sounds you couldn't hear anywhere else.
Boccaccio Life 1987-1993 is carefully curated by resident DJ Olivier Pieters and club regular Stefaan Vandenberghe, standing as the ultimate testament to a club that was more than just a venue. For those who experienced it, it was a community - a way of life. Hence the club's full name: Boccaccio Life.
This compilation stands as a testament to an innovative time in electronic music, capturing the raw, futuristic sounds of early house and techno. It sheds light on another side of Boccaccio, one that goes far beyond the short-lived New Beat scene. A carefully curated selection of 40 tracks, resonating with those who were there by offering familiar classics, while also reaching a new generation-those who never experienced it firsthand.
With tracks from Blake Baxter, Virgo, Frankie Knuckles, Tyree, and A Guy Called Gerald, the unmistakable influence of black American pioneers is clear-the originators of the firstanalog house and techno sounds. On the other hand, UK sound innovators such as The Orb and LFO bring both sharp textures and rough breakbeats to the table.
Club staple tracks include dreamy excursions from Roger Sanchez under his Egotrip moniker, the relentless basement house of Circus Bells by Robert Armani on Dance Mania, an uplifting take on a hip-house cut from The D.O.C. (Portrait of A Masterpiece in the CJ Ed-Did-It Mix), a timeless remix of UK Formation's Age of Chance from 1994, and an alternate take on The Tape by Boccaccio club regular and Belgian producer Frank De Wulf, taken from his B-Sides project.
While not always the obvious hits, these tracks have gracefully withstood the test of time, and were exclusive to Sundays at Boccaccio. Now, they are finally available to experience together in one collection, offering a timeless snapshot of a unique era.
Danny Ward’s 30-year career has been far from predictable. While best known for the musical eclecticism of his Dubble D project, the dance floor-focused nous of his work as Moodymanc and as a member of the groundbreaking 20:20 Soundsystem, Ward’s bulging CV also includes stints drumming for artists as diverse as Fila Brazillia, Rae & Christian, and The Pharcyde, to Jazz luminaries Mat Halsall and Nat Birchall, alongside countless collaborations (Flora Purim and Nightmares on Wax to name but a couple) and numerous evenings spent adding live percussion to DJ sets at iconic Leeds club night Back To Basics.
Now the long-serving Manchester musician and producer has a new project to share via NuNorthern Soul: Balaphonic. Inspired by a mixture of lockdown-era studio experiments, online collaborations, his long-held love for Afro-Cuban and Afro-Brazilian rhythms and a desire to do things differently, Resolution Revolutions is a gorgeously sonically detailed and immersive album that takes Ward’s musical output to a whole new level.
Like many musicians, Ward used the forced lockdowns of the global COVID-19 pandemic to retreat to his basement studio and make music. Focusing on utilising all of the acoustic and electronic tools at his disposal – not least his beloved percussion instruments – Ward took the opportunity not only to draw on a wide range of musical influences and ideas, but also rhythms, grooves and time signatures. As well as composing new tracks from scratch, he also revisited older compositions with fresh eyes and ears.
The results are simply stunning. Ward sets his stall out via the exotic, slow-burn Balearic warmth of ‘Sunflowers in Dub (Deep Summer Mix)’, where echoing whistles, harmonica motifs, sitar sounds, and cascading piano motifs rise above dub-wise bass and seductive, soft-focus beats. The heady, eyes closed vibe continues on the sunrise-ready awakening of ‘Disorganics (All Strings Mix)’, a samba-soaked summer shuffle rich in sparkling acoustic guitars and infectious Latin percussion, and the fretless bass-sporting Afro-Cuban yearning of ‘Six Fingers’.
As Resolution Revolutions progresses, Ward’s deep love of club-adjacent and dancefloor-focused rhythms subtly comes to the fore. There’s ‘Udders’, a hybrid – and hypnotising – fusion of chopped-up South American percussion, marimba-style melodic motifs, looped bass and spacey electronics, and Ocean Waves Brasil collaboration ‘Oxum’, a mid-tempo Afro-Brazilian deep house number wrapped in deliciously dreamy chords and gentle acid lines.
Similarly impressive and inspired is closing cut ‘Bloco Manco’, where Ward peppers a delay-laden Latin beat and a deep, weighty, dancehall style bassline in waves of echoing hand percussion and restless timbales patterns. Stripped-back, raw and seriously sub-heavy, it provides a jaw-dropping conclusion to one of Ward’s most perfectly formed albums yet.
a A1: Sunflowers In Dub Deep Summer Mix
[b] A2: Disorganics [All Strings Mix]
2025 Blue Vinyl Repress
WRWTFWW Records is very honored to announce the official reissue of Grauzone's essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band's formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein...Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli's Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone's music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band's 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Four Seasons in Kyoto’ marks the final chapter of The Kyoto Connection’s Ambient Japanese trilogy, following Postcards (2018) and The Flower, The Bird and The Mountain(2022). Like its predecessors, this album pays homage to the pioneering ambient and environmental music movements of 1980s and 1990s Japan.
The album unfolds as the imagined soundtrack to life in a quiet rural village, where nature and tradition shape the rhythm of everyday existence. Across 14 evocative compositions, The Kyoto Connection captures the essence of Japan’s ever-changing seasons, weaving together delicate melodies and immersive soundscapes. With contributions from friends and fans in Japan, Four Seasons in Kyoto is both a tribute and a transportive listening experience from producer Facundo Arena, the composer and producer behind The Kyoto Connection.
With Four Seasons in Kyoto, Facundo Arena continues his deep exploration of Japanese ambient and environmental music, blending his long-standing admiration for Kyoto’s cultural heritage with a sound that feels both nostalgic and timeless. While Postcards was an instinctive homage and The Flower, The Bird and The Mountain drew from real Kyoto field recordings, this final chapter in the trilogy leans further into the imagined, an intimate portrait of an unseen yet deeply felt Japan.
Recorded using a mix of vintage synths, delicate acoustic instrumentation, and subtle electronic textures, Four Seasons in Kyoto refines The Kyoto Connection’s signature approach. Organic soundscapes and drifting melodies mirror the slow change of seasons, evoking the impermanence central to Japanese aesthetics. The result is a record that seamlessly bridges the natural and the synthetic, memory and imagination, a fitting conclusion to a journey that began with an algorithmic discovery and blossomed into a rich sonic world of its own.
Limited first run of 7” Vinyls
The two tracks feature a different sound to most of James’ other solo releases, with production employing a more sample-based approach, rather than the electronic-based productions James is usually heard on.
James Massiah is a well known, and loved poet & musician from South London. He is known for his poetry works over the past ten years, prolifically writing and performing poetry both in London and around the world.
In addition to this he is a member of Dean Blunt’s enigmatic group ‘Babyfather’ (under the name ‘DJ Escrow’) with which James has performed around the world, and been part of many recordings/ albums, such as the seminal ‘"BBF" Hosted By DJ Escrow’, which featured credits from Mica Levi & Arca.
‘Holland Park’ features production by London-based artist/ producer Shimz343 & ‘Hot Winter’ features production by aloisius, founder of life is beautiful records (a london-based gesamtkunstwerk/ label & collective that regularly curate shows at venues such as Cafe OTO & Ormside Projects).
James Massiah was special guest at the first ever show life is beautiful hosted, in early 2023 at Ormside Projects (which was the start of a busy two years of live shows and releases by life is beautiful records, who’ve since hosted shows including: DJ Spanish Fly (UK Debut), Novelist, Lord Tusk, Lolina, Slauson Malone 1, John Glacier, Pretty V & Jadasea.
‘SUN SHONE’ is a multidisciplinary music and art project of Istanbul-born, Amsterdam-based Deniz Omeroglu AKA Loradeniz,. ‘SUN SHONE’ marks the arrival of her debut full-length album: eight tracks of ambient electronic music painted masterfully with a palette of synthesizers, effects, percussion and ethereal voice.
‘SUN SHONE’ was conceived in two parts: the first tracks coming spontaneously to life in the aftermath of heartbreak, with Omeroglu trusting the creative flow and using it as a method of self- healing. What was initially planned as an EP release grew into a full-length album as she spent one month consciously working on the perfect B-side to complement the music.
Omeroglu wrote, performed and produced everything on the album, drawing on her deep knowledge of music theory and production; in addition to studying classical piano in the Conservatory from an early age, she holds both a Bachelor’s degree in Composition Studies and a Masters degree in Sound Design.
Many of the compositions on ‘SUN SHONE’ centre around interplaying synth arpeggios, oscillators expertly tuned for an equal degree of menace and sweetness that balances on a knife-edge. This ambiguity is echoed lyrically across the record, with its recurring themes of love lost and memories revisited. From the spoken word of opener ‘Saint Odds’ and ‘Swimmer’ to the layered choral swells of ‘No Moon’ and the melodic hooks of ‘Brick House’, Omeroglu’s voice is central to ‘SUN SHONE’, employed with impressive versatility. At times, it feels simultaneously fragile and powerful, perhaps nowhere more so than in the yearning swells of “Cloud Sofa’, a healing lullaby for lost love that offers up one of the most delicate moments on the album.
Whilst this may loosely be referred to as an ‘ambient’ album, Loradeniz’s knowledge of modern day production techniques and experience as both a sound designer and seasoned DJ (both in clubs and on radio) makes its presence felt throughout; echoes of Artificial Intelligence-era IDM appear in the dancing arpeggios and rhythmic pulses of ‘Sea Serpent’ and ‘Waterbear’, while the album closer ‘Aftersun’ could easily be imagined working as the euphoric last tune of a club set at sunrise.
With her debut album, Loradeniz weaves together an impressive breadth of styles and sounds, all held seamlessly together by a feeling; a cathartic desire to bring out all the melancholia from within. The album opens with the words ‘The search of love continues in the face of great odds’ a suitable mantra for a record that manages to combine melancholy with intense rushes of positivity and hopes for the future.
2025 Repress
Berlin-based Frenchman Alexkid lands on Rawax with ‘Wake Up’, a fantastic new album that explores acid from many different angles.
As an early protagonist in the 90s Parisian electronic music culture, Alexkid has been paving his own path for over two decades. Obsessed with drum-machines since his teens, he is a skilled producer and sound engineer who imbues his productions with real soul and warmth, even releasing his own lauded Ableton Live Plugins. He is a Rex club resident, released albums on Laurent Garnier's legendary F Communications and has also appeared on labels like FUSE London, Rekids, Ovum, Freerange, and
Underground Quality. With this new album he proves once again why he is so well respected by presenting eight acid laced beauties on the infamous Rawax, following appearances from iO (Mulen), Shonky, Enzo Siragusa, Julian Perez, and Diego Krause. 'Kick It' is a bristling, in your face and pricking acid banger with restless 303 lines spraying about above
punchy kicks, the mood switches up for the headier and dubbed out, but still acid laced, 'Le Manteau d'Argent', and 'Tribute' then takes you down a deeper, more shadowy and sparse late night path with a warm, bubbly acid bassline leading the way. Sublime atmospherics characterise the spacious, deeply cosmic 'Revolutions' which has contorted drums and bass making you move, followed by the physical force of acid head wrecker 'No Hiss'. The
excellent 'Idle' strips things back to a propulsive drum groove and a molten sub pattern, 'Yussuf Is In Control' is led by the sort of prying, freaky lead synth that is perfect for the afters, 'Your Love Is Fading' is a masterful track of suspensory synths and soulful vocal sounds all fused to a brightly airy house groove making this another fantastically accomplished album from one of the best in the game.
Support by:
Delano Smith, Seth Troxler, Radio Slave, Dan Curtin, Butane, Ian Pooley, Spacetravel, Satoshie Tomiie, Posthuman, Diego Krause, Samuel Deep, Sonja Moonear, Traumer, Akufen, Sakro, Italojohnson, Enzo Siragusa, Laurent Garnier, Dirian Paic, Ryan Crosson, Reiss, Roger Gerresen, Sebo K, Vinyl Speed Adjust, Franck Roger, Mihai Popoviciu, Fabe, Jamie Jones, Raresh
Limited Edition to 200 copies incl. Remixes by DALO, Benedikt Frey and Nathan Dawidowicz
R.i.O. welcomes Brainwave Research Center, a NYC-based duo consisting of house/techno producer Chase Smith and documentary filmmaker Christa Majoras. In early 2023 they freed their debut album "figure 1" via their own label BRC. Two more albums followed. All documenting their love for experimental yet charming music of all kinds.
Their influences span a vast spectrum, from Steve Reich, Laurie Spiegel, and Edgar Froese to Martin Rev, John Carpenter, early Kraftwerk, or the ambient techno of Pete Namlook's Fax +49-69/45046 label. Yet, Brainwave Research Center forges a sound distinctly their own, seamlessly blending analog synthesis with electro-acoustic experimentation.
On "Psychic Antenna", the duo takes a gentle rawer approach. The tracks range from the manic verbal Die-Tödliche-Doris-like loops of "I Find Myself" to the meditative cosmic trance of "Open Your Mouth." "Orange Drop" and "Transmitter Park" toy with the dancefloor, channeling slow-motion acid trance and krautrock echoes.
The release is rounded out by three remixes: R.i.O.'s own Benedikt Frey delivers a deep, trippy groover full of inner musicality, while close companion DALO crafts a dark, echo-drenched pop rework, and Berlin's Nathan Dawidowicz injects psyched nu-disco rhythms, expanding "Psychic Antenna" into seven notions of intense neural oscillations.
ML
- A1: Searchin' Ft. Jem Cooke
- A2: Falling Down - Totally Enormous Estinct Dinosaurs & A-Trak
- B1: Y Don't U
- C1: Alive Ft. Bloom Twins
- C2: R U Dreaming? Ft. Mathew Jonson
- D1: So Low Ft. Zoe Kypri
- D2: La Hija De Juan Simon Ft. Mëstiza
- E1: Warrior Dance Ft. Jojo Abot
- F1: Sunrise Generation Ft. Fink
- F2: Force Ft. Jojo Abot
Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.
Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.
With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.
Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.
Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.
In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.
Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.
‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.
Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.
Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.
Repress!
Echospace Detroit is the label launched by Rod Modell (Deepchord) and Soultek's Steven Hitchell, two leading lights of the minimal dub techno scene. And as with anything Deepchord, the entire release has an air of mystery to it. Previously, as a near-mythical vinyl pressing with minimal packaging and restricted pressings, everything about Vantage Isle was geared toward the underground, or 'those who know.' However, there's nothing but love of craft driving these grooves, and now a lot more people will finally be able to hear this absolutely brilliant collection of spacial dub wonder on CD. Vantage Isle Sessions consists of a whopping 13 takes of the title track, reworked by Modell and Hitchell in various guises (cv313, Deepchord, Echospace, Spacecho), as well as a guest spot (and first ever remix) from Gerard Hanson (Convextion). Across their 13 versions, Modell and Hitchell manage to take the Deepchord template (analog synths, deep bass, gently throbbing beats, bursts of static and noise, and deep, deep chords) into a surprising variety of directions, akin to looking at the same giant glacier from a helicopter from every angle possible: some are beatless and undulating, some are pulsing and dynamic, some are looking up from under the ice and some are towering overhead. The aforementioned Convextion version is revelatory. It's built on cascading and echoing pieces of the original that are layered like shifting sands, for a distinctly dark and shimmering journey to the bottom of the frozen ocean and back. It's remarkable enough to get all these takes on one basic template to sound somewhat different, given that the source material is really just a skeletal array of sound sheets. Vantage Isle Sessions is for anyone looking for the logical successors to the Basic Channel throne, or just looking for something mellow for those steamy late summer nights. A stone-cold classic of the genre. Don't miss it." -Todd Hutlock, Stylus Magazine/Beatz by the Pound
"Steeped in mystery, Detroit musicians Rod Modell and Mike Schommer (aka Deepchord) are legendary for their hard to find twelve-inch dub techno releases. Their sound is heavily influenced by Berlin dub techno producers like Maurizio, Basic Channel, Chain Reaction, Rhythm & Sound, Blue Train and Pole. While the German sound often has a futuristic metallic edge, Deepchord are known more for the rust and grease, which is part and parcel of those metal parts. Static, analog sounds, deep bass thumps and, of course, deep chords blend in a timeless minimal manner. However, the real gems on this disc are the drifty ambient cuts devoid of beats. This is an excellent album that is on par with the classics from a decade ago!" -Exclaim
"In terms of ambient dub, if Basic Channel is the Father (the source, remote and inaccessible and very powerful) and Pole is the Son (dazzling but ultimately stranded halfway between man and the divine), than Rod Modell’s Deepchord and his Echospace label he run with Steve Hitchell is definitely the Holy Spirit." -Popmatters
"Deepchord’s dub-techno stealthily peels away melody, leaving a bare chassis of beats to ghost-ride down Woodward Avenue. Vantage Isle Sessions, which collects remixes of a 2002 Detroit Electronic Music Festival performance, finds the duo swerving through empty, neon-smeared streets, and recalls Berlin’s Chain Reaction label, minus the anemic minimalism." -XLR8R
"The album scales a magnificent peak in “Spacecho Dub II - Extended Mix” when smeary chords ricochet over a massively deep, bass-heavy pulse, and Hanson's light-speed missile of vaporous propulsion (“Convextion Remix”) is beautiful too.
Long may they run." -Textura
‘Vantage Isle’ is a tremendous achievement that will most likely be held up as a high water mark of the genre for years to come." -Resident Advisor
"My favorite mix is by Convextion (his first remix for another artist). Reedy, distant synth tones sound like a science fiction soundtrack overheard rooms away. An undercurrent of echoes, many difficult to describe, drift in a sonic syrup." -Gridface
"Modell’s music always seems to be in this suspended animation, adrift and afloat in a majestic emptiness." -Dusted Mag
CREDITS:
Written & Produced by Deepchord. Redesigned and Reshaped by Convextion (Gerard Hanson) cv313 (Stephen Hitchell) echospace / spacecho (Rod Modell + Stephen Hitchell)
Additional Mastering, Mixing and Engineering by Ron Murphy @ NSC Mastering, Detroit, USA. Side E/F Remastering and Lacquer cutting by Dietrich @ Complete, NYC, USA. (2018)
LINER NOTES BY BOOM BASS
A FIRST ALBUM AFTER SIGNING THE CONTRACT TO RELEASE OUR DEBUT ALBUM, WE WERE SUDDENLY INUNDATED WITH AN OVERWHELMING NUMBER OF TASKS.
TOWARD THE END OF THE 20TH CENTURY,MUSIC PRODUCTION WAS STILL A HEAVILY INDUSTRIAL PROCESS. FACTORIES MANUFACTURED CDS, VINYL RECORDS, AND EVEN AUDIO CASSETTES, WHICH WERE THEN SHIPPED BY TRUCK TO WAREHOUSES BELONGING TO VARIOUS FRENCH MAJOR LABELS. DEDICATED TEAMS BRAINSTOR-MED IDEAS, DEVISED STRATEGIES, AND ORCHESTRATED PLANS TO DISTRIBUTE THESE RECORDS TO SPECIALIZED STORES. AT THE TIME, RADIO, TELEVISION, AND THE PRESS HELD THE KEYS TO SUCCESS.
WITHOUT THEIR SUPPORT, REACHING THE GENERAL PUBLIC, OR EVEN A NICHEA UDIENCE, WAS NEARLY IMPOSSIBLE.OUR FIRST ALBUM AS CASSIUS, SLATED FOR RELEASE IN JANUARY 1999, SPARKED GENUINE EXCITEMENT WITHIN THE VIRGIN RECORDS TEAM. AS A FORMER ARTISTIC DIRECTOR, I KNEW THIS LEVEL OF ENTHUSIASM WAS RARE. FOR PHILIPPE AND ME, STEPPING INTO THE SPOTLIGHT WAS A COMPLETELY NEW EXPERIENCE.
AFTER YEARS OF WORKING BEHIND THE SCENES FOR OTHERS,FOCUSED AND IMMERSED IN THE STUDIO, WE WERE NOW AT THE FOREFRONT, ENTIRELY INCONTROL. THIS SHIFT BROUGHT A WHIRLWIND OF EMOTIONS: AMBITION FUELED OUR FEARS,AND CREATIVE CHAOS OFTEN BLURRED OUR JUDGMENT ABOUT WHEN TO STOP REFINING OURWORK.NAVIGATING DECISIONS AS A DUO, WE QUICKLY DISCOVERED THE COMPLEXITIES OF PARTNERSHIP AND PRODUCTION. WITHOUT MANAGEMENT, WHOSE CRITICAL ROLE IS OFTEN TO SHIELD ARTISTS FROM THEIR OWN TENDENCIES, WE OCCASIONALLY STRUGGLED TO MAKE THE RIGHT CHOICES.
YET, EXCITEMENT AND SHEER JOY ULTIMATELY PREVAILED, AND WE THREW OURSELVES WHOLE HEARTEDLY INTO THE ADVENTURE. AS POSITIVE FEEDBACK ROLLED IN FROM SUBSIDIARIES, MARKETING BUDGETS EXPANDED, AND THE ALBUM'S RELEASE STRATEGY SKYROCKETED TO NEW HEIGHTS.
DAFT PUNK'S GROUNDBREAKING ALBUM HOMEWORK HAD JUST OPENED THE DOOR FOR FRENCH ELECTRONIC MUSIC TO REACH GLOBAL AUDIENCES. FOR ARTISTS ROOTED IN DJ CULTURE,THIS WAS A TURNING POINT. FRENCH ACTS WERE FINALLY BEING INVITED TO PLAY AT BURGEONING FESTIVALS AND ICONIC CLUBS. THE BRITISH AUDIENCE WAS THE FIRST TO EMBRACE US, AND WEEKEND AFTER WEEKEND, WE TOURED THE UK.
INSPIRED BY THOSE NIGHTS BEHIND THE DECKS, WE SUGGESTED RELEASING A VINYL FEATURING EXTENDED VERSIONS OF TRACKS FROM 1999. DESIGNED AS A PROMOTIONAL DJ TOOL, IT CELEBRATED EXPANSIVE, LONG-FORM TRACKS REMINISCENT OF THE ONES WE LOVED TO PLAY, AN HOMAGE TO OUR EARLY EXPERIMENTS WITH NDLESS LOOPS, LIKE DINAPOLY FROM 1996.
THE VINYL WAS PRESSED IN AN EXTREMELY PROMO LIMITED SERIES, ECHOING OUR EARLY MAXI-SINGLES AND THE RARE RECORDS WE USED TO HUNT FOR AS COLLECTORS. FOR FANS, IT WAS A CHANCE TO OWN SOMETHING TRULY UNIQUE; FOR US, IT WAS A FINAL OPPORTUNITY TO RE-EXPLORE THEA LBUM'S MUSIC.PRODUCED IN THE STYLE OF LA FUNK MOB'S EP, WITH THE TWO OF US IN A RECORDING BOOTH SURROUNDED BY FLOPPY-DISK MACHINES AND TWO OR THREE SYNTHS, THE ALBUM'S SONGS WERE STRUCTURED AND MIXED DIRECTLY IN STEREO ON A DAT (DIGITAL AUDIO TAPE).
MOST TRACKS, ORIGINALLY VERY LONG, WERE EDITED INTO A COHERENT, HOUR-LONG LISTENING EXPERIENCE. THE DJ TOOL WAS ASSEMBLED FROM THOSE ORIGINAL MIXES, AS A FINAL, FREE WHEELING VARIATION OF OUR THREE WEEKS OF FUN IN THE STUDIO.HOLDING THAT VINYL TODAY BRINGS BACK VIVID MEMORIES OF THOSE EARLY TRAVELS, THE NIGHTCLUBS AT THE CUSP OF TRANSFORMATION, THE CROWDS GETTING YOUNGER AT NEW PARTIES, AND THE VINYL RECORDS THAT WERE JUST STARTING TO FADE FROM DJ BOOTHS.
I ALSO RECALL BEING 32 YEARS OLD, NAVIGATING THIS EVOLVING WORLD. NOW, AS I PREPARE FOR THE UPCOMING CASSIUS CLUB TOUR, I'M STRUCK BY HOW CLOSELY IT MIRRORS THE ERA OF THE DJ TOOL RELEASE. TWENTY-FIVE YEARS LATER, I FEEL INCREDIBLY FORTUNATE TO STILL BE DOING THIS.
IN THE STUDIO, PHILIPPE ONCE SHOUTED, "CASSIUS IN THE HOUSE !" INTO MY EAR. TODAY, I FEEL LIKE TELLING HIM, "I'M GOING BACK TO OUR ROOTS."BOOMBASS.
'199 DJ TOOL", 2025 UNRELEASED ALBUM BY CASSIUS FEATURING 8 EXCLUSIVE EXTENDED VERSIONS OF THE MOST ICONIC TRACKS FROM THE ALBUM 1999 AND THIS EXCLUSIVE SHORT STORY BY BOOMBASS.
Hüma Utku returns to Editions Mego with her new album. The title Dracones makes reference to the mediaeval latin term "Hic sunt dracones" (Here be dragons), marking the unexplored, dangerous places on world maps, expressing the fear of chaos, the unexpected and the unknown.
This new work by the Istanbul sound artist is a sonic journal of an expedition into uncharted territory, one which occupies self and domesticity. Inspired by Utku’s experience of matrescence, Dracones explores the themes of familial demonology, metamorphosis and homecoming as well as human relationship to the experience of love woven layers of euphoria, alienation and consumption.
Musically, Dracones traverses a wide array of sonic tools whereby industrial sounds are imbedded with certain psychological angles, this is an album where, all matter meshes into a sly snapshot of the human experience with a tension and release exposure occurring frequently with dark corners opening up to bright layers of electronic experimentation.
The haunting opening track ‘A World Between Worlds’ tackles pregnancy, of which Utku was experiencing when making this record. The emotional, physical, spiritual and mental experience of this journey is all documented here.. This track features the ‘Lyraei’, an electromagnetic string instrument and modern interpretation of the ancient lyre, that was built and played by Mihalis Shammas. ‘Comfort of The Shadows’ moves from within to without, what was once hidden is now exposed. Utku’s ability to conjure the visual in the sonic is at the forefront as howling electronics give a distinct impression of movement. ‘A Familial Curse’ presents a desire to break the cycle of generational trauma with a creeping sense of dread that rolls into an industrial rhythm prior to landing in a beautiful place represented with shimmering guitar tones. ‘Here be Dragons’ is a rich and dark evocation, a spooked surrender to the themes of the record whereby Utku’s wildly distorted voice beckons all manner of phantasmagoria over cello and recordings of her ultrasound. ‘Care in Consume’ engages in further sonic exploration as a means of conjuring ‘matriphagy’, with its unique psychic energy coursing through electronic veins. ‘A House within a House’ could also be read as a body within a body as the pulse of ultrasound audio rattle amongst a cage of thudding rhythms and swirling electronics, one also ending in optimism as an exquisite melody is born from the prior fire. The striking journey ends with the more soothing ‘Ayaz’a’, a track embracing love and all the hardships that a period of fundamental metamorphosis brings, this is a heartfelt dedication to her son and concludes an album draped in life, experience, joy and pain.
Dracones is a deeply visual journey through inner and outer worlds, a space where symbolic evocation is supreme and passive listening is not an option.
All tracks composed,performed and recorded by Hüma Utku
Buchla 100, vocals, cello, electric guitar performed by Hüma Utku
‘’A World Between Worlds’’ features the ‘Lyraei’ built, played and recorded by Mihalis Shammas
Buchla 100 recorded in EMS Stockholm 2022-2023
Mixed by Enyang Urbiks
Mastered by Heba Kadry, NYC
Cover Artwork by Marco Ciceri
Design by Tina Frank
Marking the fourteenth chapter in the Swinging Flavors series, Beat Machine Records proudly unveils a gripping release by Helsinki-based producer DJ Sofa. Packed with deep, nostalgic energy, this installment delves into the darker side of drum and bass, with a sound inspired by the genre’s golden era of the late 90s and early 2000s.
DJ Sofa, known for their emotive and intricate productions, brings a raw, jungle-infused energy to the forefront. Drawing inspiration from jungle and breakbeat hardcore, their sound reflects a deep connection to the classic UK rave era while maintaining a forward-thinking edge. Known for captivating listeners with rich atmospheres and complex breakbeats, DJ Sofa’s music resonates strongly with audiences far beyond their Finnish roots, particularly within the UK underground scene.
“Drums For The Lost,” the lead track on Swinging Flavors #14, exemplifies this blend. A menacing roller, it marches forward with unwavering determination, offering a guiding light through shadowy soundscapes. With its haunting basslines, intricate percussion, and mysterious atmosphere, the track is a testament to DJ Sofa’s ability to create immersive and emotionally charged music.
The journey doesn’t stop there. Swinging Flavors #14 also features a remix of “Drums For The Lost” by Siu Mata. The Parisian producer reinterprets the track with their signature style, adding pulsating rhythms and hypnotic layers that elevate it to a peak-time dancefloor weapon. Siu Mata’s remix infuses the original with a modern edge, creating a vibrant and dynamic sound that bridges the gap between tradition and innovation.
Swinging Flavors #14 is available in both digital format and as a limited edition 7” vinyl, ensuring it finds its way into the hands of collectors and music lovers alike. DJ Sofa and Siu Mata’s contributions to the Swinging Flavors series underscore Beat Machine Records’ commitment to showcasing the best of underground electronic music. With its bold exploration of drum and bass and an eye on the future, this release is set to captivate audiences worldwide.
dreamcastmoe is the recording project of singer, songwriter, producer, and DJ Davon Bryant, a lifelong resident of Washington, DC. His music moves freely between moods and modes, hypnotic, romantic, traversing electronic, R&B, funk, soul, and hip-hop... Resident Advisor dubs it "soulful, cross-genre dance music." This ability to adapt and finesse, to twist in different directions while staying true and coherent in vision, can be traced to his home city and its complex cultural history. "Most Black kids in DC don't ever get to this point," he says. "This is what I am making this music for, in the DC tradition of soul and empathy and love that is rooted in this city. My music is for real people dealing with shit every day." A versatile, modern artist and collaborator, dreamcastmoe has thrived in the underground since his first uploads to Soundcloud and Bandcamp in 2017 and subsequent releases with labels like People's Potential Unlimited, Trading Places, and In Real Life Music. Bryant's laid-back personality, emotional honesty, and infectious energy shine through his work and how he talks about it, as Crack Magazine notes in their 2021 Rising feature: "a steady combination of confidence, creativity, and calmness." He grew up playing drums in church; he's worked dead-end jobs, had ups and downs, even sold off all his gear one time, but never stopped reinvesting in himself. He is quick to praise his co-producers, rattle off influences _ the visual feel of NBA 2K, the comedic timing of Bernie Mac, the savvy legacy of Duke Ellington, for starters _ and credit resourceful DC breakouts like Ankhlejohn that showed him the roadmap. His voice, a steady instrument, seemingly connects it all, capable of slow falsetto flow, swaggering talk-rap, and outright croon. His storytelling style is choppy yet fluid, like a mixtape, which is how Bryant sees Sound Is Like Water, his debut on Ghostly's International's freeform label, Spectral Sound. The two-part project culminates as a full-length LP release in November 2022. The first side, released as Part I, opens on the blurred beats of "El Dorado," which dreamcastmoe dedicates to his journey. It's a head-nodder, an off-kilter earworm co-produced by Max D (Future Times, RVNG Intl, etc.), with Bryant harmonizing hooks with synth jabs and a pitched-down presence. "Complicated" is the slow jam, delivered smoothly from a Saturday night crossroads. dreamcastmoe is contemplative and committed... gliding and locking ad-libs into skittering rhythms courtesy of co-producer Zackary Dawson _ but also willing to let something go, "acknowledging that everything in life IS NOT easy." "RU Ready" takes off from the jump as a tribute, challenge, and promise to his partner and his city ("The times you sat with me when I needed you the most / Told me the things that I needed to see / Young black man, really trying to be what I can be / And I'm really from DC). In its potent two-plus minutes, the sonics (co-produced by ZDBT) press the message, all cymbal crashes, breakbeats, and serrated synth lines. "Cloudy Weather, Wear Boots" is a blitzing dance-punk track made in collaboration with Jordan GCZ on Bryant's first trip to Amsterdam. The album's flipside opens on "Much More," the first of two synth-and-beat ballads co-produced by ZDBT. Later on "Long Songz," he claims, "I'm not writing love songs no more," prioritizing the vibe with "all my day ones." He calls it "a cry for more normal moments. Everything doesn't have to be a fantasy love story, more time spent getting to the money, growing, and making a way." He saves two of his most propulsive cuts for the finale, co-produced by Sami, co-founder of DC dance label 1432 R. As their titles suggest, "Take A Moment" and "Make Ya Mind" operate as anthems for movement, with Bryant free-flowing commands above wildly-styled percussion. Per Bryant, the latter is both "wake & bake jam" and a "dance floor bomb." His parting line: "Action / You got to show me action / Reaction." The world of dreamcastmoe straddles virtual reality and the realness of DC, images both imagined and lived-in. Bryant has a knack for unexpected melodies but what makes his music so exciting is his capacity to defy the expectations of genre and image. A fluid ingenuity and vulnerability bottled by Sound Is Like Water, and this is just the beginning.
On a creative roll of late, Linkwoods productions have branched out in many directions, a collaboration LP with jazz Genius Greg Foat, Another with Local Edinburgh Legend Other lands and a load more yet to surface. Linkwood now comes back to solo work with a hyper focused piece of electro goodness. Lo-fi but all the better for it, Mono comprises 14 deeply distilled tracks. After producing some more complex records it was time for a pure palate cleanser so we locked Nick in the Athens of the north studio for a week with his friends Moog and Oberheim to see what might happen. Somewhere between Electro, Early 80s Synth pop and techno the album is an extremely listenable piece as a whole, unpretentious and timeless. Sprinklings ofDave Stewart pop noodles, Newbuild, Early Era Nu Groove but very much Linkwood at the same time, I cant recommend this enough.




















