Buscar:wil do

Here we go... the one everyone asks me about. And finally, after 6 years, we have done a second pressing. This time on black vinyl as the original repress that we did in 2019 was on yellow vinyl - Holy Quattro vinyl! Our old skool supporters will remember the original Kickstarter Quattro which spawned many bundles by us over the years (and even a few other labels have nicked the name too!) And this is a heater for sure - a much loved jungle release from 1993 that originally came out on Underdog Recordings. Created by Dave Wallace (Aquasky/Mad Dog/Rave Doctor etc) and Shaun O'Hara (Aurora) in Bournemouth.

An’archives present the debut album by Tokyo avant-pop duo Jyuriaano, Dreaming Glass. Consisting of Morimoto Ariomi and Cobalt, the two members of Jyuriaano have long histories in Japanese underground music. Morimoto’s history traces back to the late nineties; his nascent interests in noise collage and solo acoustic performance slowly transmuted to group endeavours, and more recently he’s performed with the likes of Akiko Toshimitsu (Usurabi), Maki Miura (Shizuka) and Doronco (Los Doroncos).

Cobalt has released a string of excellent singer-songwriter albums, many on his Poet Portraits label, which has also released material by the likes of Kazumi Nikaido, Place Called Space, Cuthberts, and moools, the latter of which he also performs with on occasion. While Morimoto and Cobalt have known each other for decades, they decided to form Jyuriaano in 2016, and since then have performed at live houses and small bars in Japan, all while slowly working together on their gentle, spirited songs.

The group’s formation story is typically playful – “It all started when we brought an acoustic guitar into the car on a rainy afternoon and started writing songs while eating Japanese sweets,” Cobalt recalls. That sense of play is important to the songs on Dreaming Glass, which vary wildly, from bright, infectious pop songs with a sixties lilt (“Dreaming Baby”, “How Close”), through slinky jazz-pop numbers (“Drawing A Nude”) to melancholy folk laments (“Erica”, “Night Window”). There’s something in Jyuriaano’s collaborative dynamic that gifts Morimoto and Cobalt a particularly open field, when it comes to their creative endeavours.

Some of this might also be down to their listening habits. When asked about their interest in Japanese folk precursors, legendary groups like Folk Crusaders and Itsutsu-no-Akai-Fusen, Cobalt agrees that they have a place in the duo’s listening pantheon, but that’s not where the story ends. “We’ve also listened to commercial folk music outside of those core genres,” he reflects, “We don’t just listen to one genre, but also rock and roll, noise industrial, punk, new wave, jazz, chanson, and more.”

You might also hear touches of groups like the forementioned Usurabi, or Maher Shalal Hash Baz, or songwriters like Kazumi Nikaido and Shintaro Sakamoto. But Jyuriaano’s songs, somehow, feel quite sui generis in the way they magic up alternative visions for pop’s possibilities. Dreaming Glass is, quite simply, a lovely, unpretentious joy of an album.

"CAM Sugar is thrilled to present Jeymes Samuel’s Spaghetti Western Collection, a selection of rare cuts from Italian Western film soundtracks (1963–1972), curated by the acclaimed father of the contemporary Spaghetti Western genre, BAFTA-winner director (The Harder They Fall, The Book of Clarence) and singer-songwriter Jeymes Samuel (The Bullits, Executive Music Consultant for The Great Gatsby alongside Jay-Z and Baz Luhrmann, as well as collaborator of Gorillaz and Talib Kweli, Jay Electronica). The English artist has also supervised the art direction of the products – painting the cover artwork by hand – compiled the music selection and produced two new original tracks. 2-LP DELUXE VERSION 2LP, a 20-track deep dive into the CAM Sugar catalogue casting a light on the trademark Italian sound that shaped Spaghetti Western, the legendary film genre birthed 60 years ago from the brainchild of Sergio Leone A Western Saloon Inspired Box Set with additional artwork for the box set. Exclusive 7” featuring an original song written and composed by Jeymes Samuel and an instrumental version of the song. Exclusive 10” featuring an original song written and composed by Jeymes Samuel with a CAM Sugar Sample and an unreleased poem by Regina King. Exclusive Official and unreleased story board from The Harder They Fall by Dwayne Turner Exclusive Interviews by Jeymes Samuel with The Harder They Fall protagonists Regina King and David Oleyowo, included in a booklet that will also feature content from the CAM Sugar Archives: Original Scores and Movie Posters One Dollar mini poster customized with Jeymes Samuel’s portrait in pure Spaghetti Western style THE STANDARD 2LP and CD versions:Featuring the 20 tracks selected by Jeymes Samuel and the exclusive booklet, including interviews By Jeymes Samuel to The Harder They Fall protagonists Regina King and David Oleyowo as well as content from the CAM Sugar Archives: Original Scores and Movie Posters.
"

Formed on a rooftop in the East Village of New York City over a decade ago,
SKYFACTOR was born when the musical paths of longtime friends Bob
Ziegler and Jason Taylor (formerly of Michigan's Brother Rabbit) and brothers
Jon Rubin and Cliff Rubin (formerly of NYC's Sky Blues) finally crossed. Almost instantly the songs started flowing, and they knew they were on to something.
Their debut album Daydreams received much critical acclaim and notice, including that of MTV's hit show Teen Mom, who chose the track "OK" as their
season 2 finale theme, resulting in thousands of downloads and streams from around the world. The band then honed its musical chemistry and style for
Signal Strength, which further spotlighted personal, insightful lyrics backed by a big acoustic guitar and one very powerful rhythm section. The guys even
had a song from the album prominently (and humorously) featured on
Adult Swim's Eric Andre Show, resulting in even more buzz for the band.
Cut to 20 25 and just one listen to Master Plan proves these guys know how to craft memorable and powerful songs that grab you from the get-go-and
won't let go.

[o] B8 Back In The Highlife; Producer, Engineer – Paul Q. Kolderie, Sean Slade; Written-By [Uncredited] – Steve Winwood, Will Jennings

[c] A3 Factory Girls; Engineer [Lucinda Williams Vocals] – Derrick O'Brien*; Featuring, Vocals – Lucinda Williams









[m] B5 The Spoken Wheel; Vocals [Guest] – Noel O'Donovan

[o] B7 Don't Let Me Die Still Wondering; Engineer [Horns] – Jake Posner; Horns – Lee Thornburg

Mit an der Spitze der Shoegaze-Revivalisten steht ohne Zweifel die Band TRAUMA RAY aus Fort Worth, Texas, die die Komplexität, Intensität und ausdrucksstarke Verwüstung des Shoegaze virtuos beherrscht. Seit sie 2018 mit einer selbstbetitelten EP erstmals Wellen schlugen, haben die fünf Texaner ihr Live-Set auf immer abenteuerlicheren Amerika-Touren verfeinert - sie stapeln Verstärker und verdrehen Köpfe bei jeder Show, was ihnen in kürzester Zeit eine riesige Anhängerschaft eingebracht hat. Die drei Gitarren der Band sind eine Wucht, abwechselnd wütend, wild und gespenstisch, durchtränkt von präziser Verzerrung. Das Kern-Songwriter-Duo Uriel Avila und Jonathan Perez hat die Vision und das Handwerk des Projekts erweitert und verfeinert, was nun in ihrem 12-Track-Debüt für das Label DAIS, "Chameleon", gipfelt. Abgerundet durch Bassist Darren Baun, Schlagzeuger Nicholas Bobotas und Gitarrist Coleman Pruitt, synthetisiert und transzendiert das Album seine Einflüsse, eine stürmische Verschmelzung von Downer-Hooks, apokalyptischer Schönheit und Bulldozer-Riffs. Der Name TRAUMA RAY wurde in klassischer Shoegaze-Manier von dem deutschen Wort für "Tagtraum" oder "Traumzustand" inspiriert. Avilas Hintergrund in einer frommen Pfingstgemeinde verleiht seinen Texten über Schuld, Fegefeuer und den Übergang auf die andere Seite eine emotionale Authentizität, die sich durch das majestätische Volumen der Musik zieht. "Chameleon" ist ein Meisterwerk des Handwerks, der Ausgewogenheit, der Melodie, der Lyrik und der Schwerkraft, das eine neue Vision von "Laut-Leise-Laut"-Architekturen und den schwindelerregenden Tiefen von gesprengten Harmonien bietet. Von SLOWDIVE über DEFTONES bis hin zu HUM und darüber hinaus absorbieren und erweitern TRAUMA RAY ihre Einflüsse zu einer seltenen und hingebungsvollen Alchemie. TRAUMA RAYs cineastischer Sturm ist ein sich aufbauender Orkan, der sich gerade erst zu bewegen beginnt.

Cyphon is excited to announce the release of an amazing new EP from Domenic Cappello. Titled Galactic Praise, this four-track masterpiece pays homage to the rich heritage of Detroit Techno while seamlessly incorporating Cappello's innovative sound design, displaying his golden ear for what makes a discerning dance floor tick.

A key figure in the electronic music scene through his long-standing residency at Glasgow's legendary Sub Club, Domenic captivates audiences globally with his unique blend of tough, pulsating beats, heartfelt melodies, and deeply immersive soundscapes. His position as booker and resident (alongside Harri) at Sub Club has allowed him to hone his craft and connect with some of the finest talents in House and Techno, influencing his distinctive style. With Galactic Praise, he takes listeners on an exhilarating journey through the heart of techno, inspired by the pioneering music that emerged from the golden era of Motor City sounds.

Dat Thing sets the tone. A driving house track that encapsulates the raw energy and spirit of Detroit, featuring hypnotic synth lines and robust bassline that give a hint of melancholy whilst maintaining a stripped back groove for maximum club impact.

Niamh’s Song is a deeper exploration of melody and rhythm, showcasing Cappello's masterful ability to weave complex harmonies into an intoxicating, otherworldly groove.

Flip over for Galactic Praise, a tribute to the roots of Techno, this track combines classic 909 and 303 elements with ethereal pads creating a heavier, timeless sound that will resonate with both longtime fans of the genre and newcomers alike.

Closing out this special EP we have Neon Skyline, a pumping yet reflective piece that captures the essence of late-night drives through urban landscapes blending chiming arpeggios, a driving synth bassline and tough beats making for an immersive experience.

As Domenic puts it: 'This EP is a tribute to the roots of techno that have inspired me since my formative years. My experiences at the Sub Club have been crucial in shaping my sound and approach to my own productions, inspiring me to create something that captures the energy and emotion of that packed dance floor and incredible sound system. I can’t wait to share it with everyone!'

This is certainly both a mysterious one and an elusive one! Who were Grupo Natureza (Nature Group), and why is this release such a rarity? ‘Pode Acreditar’ was pressed on Som Livre Records in 1981 and it is believed very few copies were released into the commercial market. Those familiar with the productions of Lincoln Olivetti and Robson Jorge will no doubt recognise their hallmark sound here and that this single is ‘probably’ the work of the pair or one member at least. They were a regular in-house production team at Som Livre at the time, and there is a definite resemblance to Adriana’s song ‘Sei la Amor’ from 1978 which Lincoln Olivetti was involved in. Very little information is available about this release. A tantalising comment by Brazilian collector ‘bargainvinyl1’ on the original release’s Discogs page suggests ‘Pode Acreditar’ was a reaction to the Baby Consuelo and Pepeu Gomes pro-marijuana song ‘O Mal o Que Sai da Boca do Homem’, which caused controversy with Brazil’s governing military dictatorship at the time. Though condemning marijuana’s use, the word “baseado” (joint) is mentioned in the song, and this could be the reason behind the release being pulled by the heads of Som Livre and consequently it becoming one of the rarest releases on the label. Whilst its backstory is not crystal clear, it is an undeniable sun drenched, laidback boogie groove with AOR touches by the clandestine group. Pure 80s Riovibes, super-catchy and an earworm that sticks with you throughout the day.

- Next installment in BRAZIL45 Series.
- One of the rarest releases on the Som Livre label.
- Pure 80s laid back boogie grooves.

On limited double vinyl (500 ) with a download -

With Limited Edition A4 Heavy-Weight Space Art print (First 100 Copies Online) Signed & Numbered By Jon Savage (CTRUE48) Original Cover Artwork By Matt Sewell.

Jon Savage's Space - An amazing musical voyage through the theme and idea of Space - music for Space - Space - Music - Through West-Coast US Rock , Techno, Post-Punk , Jazz, Ambient & Experimental sounds-this is a journey like no other .. From Sun Ra to Mr Fingers and way beyond.

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"We are taken to less familiar musical quadrants-fascinatedly & instructively so"

(Roy Wilkinson - MOJO Feb 2025)

Having James Shinra back on AF is always a cause for celebration, and doubly so this time because we present 'Meteorites', his second album following the highly acclaimed Vital Heat (2018). During 2023-24, James uploaded a series of digital releases called 'Meteorites', a set of dreamy and introspective tracks where the artist showed his evolution and maturity, refining the emotive sound that's his trademark and has garnered so much praise in recent years. We should do justice to that material, giving it a worthy treatment/format, so we decided to release all together. James has revisited and reworked many of the tracks for the occasion, polishing, adding, removing... and the result is 'Meteorites', the album. A MUST for all braindance sensibilities and nonconformist electronic heads. We're sure it will remind you exactly why you loved this talented guy for so long and why he's one of the most uncompromising artists working in electronic music these days.

[a] A1 Big Mike's; Drums, Bass, Clarinet, Organ, Mixed By, Written-By – Dijon (7); Guitar, Piano, Vocals [Additional], Organ, Mixed By, Written-By – Michael Gordon (30); Mixed By – Jack Karaszewski; Slide Guitar – Noah Le Gros
[b] A2 Scratching; Mixed By, Written-By – Dijon (7); Producer [Additional] – Michael Gordon (30); Producer [Additional], Mixed By – Jack Karaszewski
[c] A3 Many Times;Drums, Baritone Guitar, Written-By – Michael Gordon (30); Guitar [Additional], Written-By – Dijon (7); Programmed By [Additional Programming], Mixed By, Written-By – Andrew Sarlo
[d] A4 Annie; Acoustic Guitar, Written-By – Dijon (7); Bass – Michael Gordon (30); Mixed By, Written-By – Jack Karaszewski; Saxophone [Casio Sax Replica] – John Keek; Vocals [Additional] – God's Children (11)
[e] A5 Noah's Highlight Reel; Clarinet, Guitar, Mixed By, Written-By – Dijon (7); Vocals [Additional], Bass, Synth, Written-By – Michael Gordon (30); Vocals [Additional], Written; By – Noah Le Gros
[f] A6 The Dress; Bass – Gabe Noel, Sam Wilkes (2); Drums, Synth, Written-By – Dijon (7); Guitar – Noah Le Gros; Keyboards – John Keek; Mixed By – Andrew Sarlo; Vocals [Additional] – Michael Gordon (30); Written-By – John Keuch

[h] B2 Did You See It; Instruments [All], Written-By – Dijon (7); Mixed By – Jack Karaszewski
[i] B3 Talk Down; Bongos – Henry Kwapis; Drum Programming, Mixed By, Written-By – Jack Karaszewski; Drums, Synth [Strega], Mixed By, Written-By – Dijon (7); Guitar, Baritone Guitar – Michael Gordon (30); Keyboards – John Keek; Written-By – John Keuch
[j] B4 Rodeo Clown; Clarinet – John Keek; Mixed By – Jack Karaszewski; Written-By, Guitar – Dijon (7); Written-By, Guitar [Additional], Bass – Michael Gordon (30); Written-By, Slide Guitar – Noah Le Gros
[k] B5 End of Record; Baritone Guitar, Bass, Synth – Michael Gordon (30); Mixed By – Jack Karaszewski; Mixed By [Stem Mix] – Andrew Sarlo; Written-By, Guitar, Mixed By – Dijon (7)