Previously unavailable on vinyl for more than 50 years, this rare collection of tracks presents a wealth of hits that helped define country music in the ‘60s - and beyond!
If you don’t remember Western Swing in its heyday, or the first generation of Texas Honky Tonk, you may not know Billy Gray. Aside from a select group of music aficionados and musicologists, Billy Gray’s name and significant contributions to country music and western swing have simply gone unrecognized for far too long.
Musically, there were many shades of Billy Gray. Singer, Songwriter, Musician, Performer, Arranger, Bandleader. Whether on stage or in the studio, Billy Gray personified what this music was – and still is – all about.
Billy played behind some of Country Music’s biggest names – Hank Thompson, Ray Price and Willie Nelson – served as Thompson’s and Price’s bandleader – and built quite a following in his own right with his own bands, The Western Okies, The Nuggets and The Cowtowners.
Billy Gray, together with the legendary Hank Thompson created a wealth of hits that helped to define the country music of an era, and beyond, helped launch the career of future rockabilly legend Wanda Jackson, and greatly influenced the future sound of country music.
-- Joe Hopkins
Suche:willie
- A1: Bebel Gilberto Beauty And The Beast (Beauty And The Beast)
- A2: Imany Some Day My Prince Will Come (Snow White And The Seven Dwarfs)
- A3: Jamie Cullum, Eric Cantona Be Our Guest (Beauty And The Beast)
- B1: Jacob Collier Under The Sea (The Little Mermaid)
- B2: Angelique Kidjo Try Everything (Zootopia)
- B3: The Amazing Keystone Big Band Steamboat Willie
- C1: Thomas Dutrone Les Corbeaux / When I See An Elephant Fly (Dumbo)
- C2: Selah Sue So This Is Love (Cinderella)
- C3: Madeleine Peyroux The Golden Touch (Silly Symphonies)
- D1: George Benson You'll Be In My Heart (Tarzan)
- D2: Laura Mvula Stay Awake (Mary Poppins)
Part 1[35,71 €]
Ein ganz besonderes Disney-Erlebnis: weltberühmte Film-Ohrwürmer in Interpretationen einiger der größten Pop-Jazz-Stimmen!
2016 erschien erstmals ”Jazz Loves Disney”, nach dem großen Erfolg dann 2017 der Nachfolger ”Jazz Loves Disney 2 - A Kind of Magic”.
Beide Doppel-LPs waren viele Jahre vergriffen und sind nun endlich in Neuauflagen wieder erhältlich.
This masterful slab of Louisiana loveliness from Willie Tee’s band The Gaturs, gets a much called for reissue. By far the rarest of the Gaturs’ releases, the only copy for sale on Discogs would set you back the princely sum of £2500. A fiery funk workout from the New Orlean’s band, exquisitely tight, unquestionably absorbing – they don’t get much better than this. Green label version original black sleeve.
- A1: Steamboat Bill - From ’Steamboat Willie’
- A2: Who’s Afraid Of The Big Bad Wolf - From ’Three Little Pigs’
- A3: Whistle While You Work - From ’Snow White And The Seven Dwarfs’
- A4: When You Wish Upon A Star - From ’Pinocchio’
- A5: Little April Shower - From ’Bambi’
- A6: Saludos Amigos - From ’Saludos Amigos’
- A7: Bibbidi-Bobbidi-Boo (The Magic Song) - From ’Cinderella’
- A8: Mickey Mouse March - From ’The Mickey Mouse Club’
- B1: Once Upon A Dream - From ’Sleeping Beauty’
- B2: The Tiki, Tiki, Tiki Room
- B3: It’s A Small World
- B4: Chim Chim Cher-Ee - From ’Mary Poppins’
- B5: Winnie The Pooh - From ’Winnie The Pooh And The Honey Tree’
- B6: The Bare Necessities - From ’The Jungle Book’
- B7: Oo-De-Lally - From ’Robin Hood’
- B8: It’s Not Easy - From ’Pete’s Dragon’
- C1: Under The Sea - From ’The Little Mermaid’
- C2: Beauty And The Beast - From ’Beauty And The Beast’
- C3: Circle Of Life - From ’The Lion King’
- C4: Colors Of The Wind - From ’Pocahontas’
- C5: Reflection - From ’Mulan’
- C6: Hawaiian Roller Coaster Ride - From ’Lilo & Stitch’
- D1: We’re All In This Together - From ’High School Musical’
- D2: Dig A Little Deeper - From ’The Princess And The Frog’
- D3: Let It Go - From ’Frozen’
- D4: How Far I’ll Go - From ’Moana’
Silberfarbenes 2LP-Vinyl zur Feier des 100-jährigen Jubiläums von Disney mit Favoriten von Three Little Pigs, Snow White and the Seven Dwarfs bis Coco, Encanto und mehr!
„2014 Forest Hills Drive“ erschien als drittes Studioalbum des amerikanischen Rappers J. Cole am 9. Dezember 2014. Es wurde von ByStorm Entertainment, Columbia Records, Dreamville Records und Roc Nation veröffentlicht.
Während die Aufnahmesessions ein ganzes Jahr in Anspruch nahmen, war J. Cole im Wesentlichen selbst für die Produktion zuständig. Beteiligt waren unter anderen Produzenten wie Illmind, Vinylz, Phonix Beats und Willie B. Das Album wurde mit wenig Promotion drei Wochen vor seiner Veröffentlichung angekündigt
und lediglich durch die vier Singles ”Apparently”, ”Wet Dreamz”, ”No Role Modelz” und ”Love Yourz” unterstützt.
„2014 Forest Hills Drive“ wurde als Top Rap Album bei den Billboard Music Awards sowie gleichermaßen als Album des Jahres bei den BET Hip Hop Awards 2015 ausgezeichnet.
Das Album erscheint Ende April als 1CD und 2LP.
- A1: Latimore - Are You Where You Wanna Be
- A2: Gwen Mccrae - Rockin' Chair
- A3: Lew Kirton - Let Me Up Off My Knees
- A4: Joey Gilmore - Give Me Your Love
- A5: Helene Smith - I Tried So Hard To Be Good To You
- A6: All The People Feat. Robert Moore - Wish I Had A Girl Like You
- B1: George Mccrae - You Can Have It All
- B2: Timmy Thomas - Why Can't We Live Together
- B3: Paulette Reaves - I Forgot To Be Your Lover
- B4: The Charms - Hearts Of Stone
- B5: Robert Moore - Tears Of The World
- B6: The Charmettes - Surrendering My Love
- C1: Betty Wright - Shoorah! Shoorah!
- C2: Little Beaver - Mama Forgot To Tell Me
- C3: Miami - I'll Hold The Groove
- C4: Wilson Pickett - The Best Part Of A Man
- C5: The Facts Of Life - Uphill Places Of Mind
- C6: Doris Duke - A Little Bit Of Your Love
- D1: Willie Johnson - Between The Lines (Unreleased)
- D2: Milton Wright - Be With Me
- D3: The Twans - I Can't See Him Again
- D4: The Diamonettes - Don't Be Surprised
- D5: Audrey Royal & The Reid Singers - Come On Playboy
- D6: The Blue Notes - Here I Am
First solo LP by the talented Peruvian artist Betico Salas, lead trumpet player of the great Sonora de Lucho Macedo, one of the best ensembles playing Cuban repertoires in the early '60s. This 1966 album features Alfredo Linares on piano and sonero vocals by Benny del Solar, and combines a mix of guarachas, guanguancó and even cumbias. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history. First time reissue.- DETAILS: Alfredo Linares on piano and sonero vocals by Benny del Solar stand out on this album. Benny del Solar sings lead vocals on the cumbia of Argentine origin 'Nos vamos a casar'; the Colombian 'Lo que pasa es que la banda está borracha', a continental hit since the early sixties; the guaracha 'A los muchachos de Belén', by Puerto Rican musician Tito Rodríguez; the guaracha 'Ritmo del amor'; the elegant Cuban guaguancó 'Así namá', also well known for Tito Rodríguez's rendition; and the cumbia 'Qué le digo a mi mujer'. Singer, César Gonzales, who would have an extensive career in Peruvian tropical music, sang lead vocals in the guaguancó by the Sonora Matancera 'Lindo Omelenko' and the bolero 'El árbol', a hit for the singer Roberto Ledesma, also recorded that same year by Peruvians Carmita Jiménez, Anamelba, Raul del Mar and Lucho Macedo himself, who decided to sing for his new record label. The mythical singer Johnny Arce, years later known as Mr. Macondo, also appears on the album on the two guarachas: 'La renga', a composition by Esther Forero, known as La novia de Barranquilla; and 'Yo soy candela', a composition by the Colombian Ray Rodríguez. Finally, 'La chola' is a cumbia by Peruvian composer Tomás Benítez; and 'Mambo Jazz' is a version of the descarga 'Yayi's instant mambo', an innovative instrumental track performed by Puerto Rican Willie Rosario, who recorded it in the United States at the start of 1966 with his own orchestra. Betico Salas would later release two more albums and become a legendary trumpet player in Peruvian musical history.
Liverpool-born drummer Aynsley Dunbar was one of the most respected musicians on the international rock scene of the late ‘60s. His work with trailblazers such as John Mayall, David Bowie, Lou Reed and Frank Zappa, with whom he had a lengthy association, have assured his place in history. But Dunbar also laid down a marker as a bandleader in his own right. His debut album, Doctor Dunbar’s Prescription was a confident set of electric blues that was full of snappy tunes and high energy riffing. Recorded in 1971, Blue Whale is considerably more experimental, though. It is really a case of Dunbar drifting towards a hybrid of progressive rock and pyschedelia not far removed from Zappa’s surreally comic, bitingly sardonic world. And indeed the cover of his seminal ‘Willie The Pimp’ is one of the highlights of the set. Accompanied by excellent rhythm section players and soloists such as guitarists Ivan Zagni and Roger Sutton, bassist Peter Friedberg, pianist-organist Tommy Eyre, and vocalist Paul Williams, Dunbar hit a creative peak here that is emphatically maintained elsewhere on the album, which has mostly long pieces full of notable light and shade. This newly re-mastered version of Blue Whale puts one of the highpoints of Aynsley Dunbar’s illustrious career back under the spotlight. He was rightly inducted into the Rock & Roll Hall Of Fame in 2017 and there could be no more fitting example of his achievement than an album that sounds impressively fresh 50 years after it was made.
- A1: Same Old Blues (Don Nix)
- A2: Dust My Broom (Elmore James)
- A3: Worried Life Blues (Big Mayo)
- A4: Five Long Years (Eddie Boyd)
- A5: Key To The Highway (Bill Broonzy-Charles Segar)
- B1: Going Down (Don Nix)
- B2: Living On The Highway (Leon Russell-Don Nix)
- B3: Walking By Myself (Lane)
- B4: Tore Down (Sonny Thompson)
- B5: Palace Of The King (Leon Russell-Don Nix-Duck Dunn)
The first of for the tone for his work for the company: Leon Russell Freddie King ’s Shelter label set ’s three albums
superb electric blues with a prominent rock/ soul influence. The massive Texan and the longhaired Oklahoman got it right the first time
around with the aptly titled Getting Ready LP. Recorded at the legendary Chess studios in Chicago, it might well rank as Freddie King’s most creatively satisfying work.
An array of styles is assembled here, ranging from deep Texas Blues to touches of country church Gospel and hard sockin’ funk. Also, Freddie delved deep into blues history to give his spin on some classic pieces of the genre. Elmore James’ “Dust My Broom” is done acoustically, with just Freddie and his Spanish guitar. The production on Jimmy Rogers’ “Walking by Myself” is equally low-fi, adding Russell’s honky-tonk piano ramblings and a tambourine.
Willie Dixon’s “Worried Life Blues”, however, features King at his most powerfully expressive on this electric blues. The fast-paced stomper includes lightnin’-fast solos from King and he can be heard duelling with the studio guitarist Don Preston, as well.
Miles Away Records are extremely proud to introduce our latest single by the incredible Howard Lemon Singers. You Are Somebody and For The Children are two blinding tracks cherry-picked from the incredibility rare 1977 album Seasons released on the legendary TK Records subsidiary Gospel Roots.
Both sides of this 45 are oozing with positivity and good sentiment, a fine example of the harmony between sacred and secular sounds, and the experimentation taking place, during the late 1970s as gospel artists were modernizing the soundtrack, and lyrical content of gospel music..
You Are Somebody is a gorgeous modern soul heater. Accomplished vocalist Esther Smith's sublime voice delivers her vocal lines with such confidence and assurance that the words seem to strut over the funky basslines and drumming support. Flip it over and For The Children is a more mid-tempo burner, but don't let this fool you - it's "stop-you-in-your-tracks" good. Smith's vocals once again shine brightly and are delightfully accompanied by the Nile Rodgers-esque 'wacka-wacka' guitar of Lester Snell throughout. Musicianship is of the highest quality as Howard Lemon, group leader, called upon some of the best musicians from STAX Records – Willie Hall and the aforementioned Lester Snell were key components of such groups as the Isaac Hayes Movement and the Bar Kays.
These two nuggets are presented here for the first time on a 45 and complete in our customary teal green labels and sleeve. Remastered and cut by Timmion.
- 1: Latimore - Are You Where You Wanna Be
- 1: 2 Gwen Mccrae - Rockin' Chair
- 1: 3 Lew Kirton - Let Me Up Off My Knees
- 1: 4 Joey Gilmore - Give Me Your Love
- 1: 5 Helene Smith - I Tried So Hard To Be Good To You
- 1: 6 All The People Feat. Robert Moore - Wish I Had A Girl L
- 1: 7 George Mccrae - You Can Have It All
- 1: 8 Timmy Thomas - Why Can't We Live Together
- 1: 9 Paulette Reaves - I Forgot To Be Your Lover
- 1: 0 The Charms - Hearts Of Stone
- 1: Robert Moore - Tears Of The World
- 1: 2 The Charmettes - Surrendering My Love
- 2: 1 Betty Wright - Shoorah! Shoorah!
- 2: Little Beaver - Mama Forgot To Tell Me
- 2: 3 Miami - I'll Hold The Groove
- 2: 4 Wilson Pickett - The Best Part Of A Man
- 2: 5 The Facts Of Life - Uphill Places Of Mind
- 2: 6 Doris Duke - A Little Bit Of Your Love
- 2: 7 Willie Johnson - Between The Lines (Unreleased)
- 2: 8 Milton Wright - Be With Me
- 2: 9 The Twans - I Can't See Him Again
- 2: 10 The Diamonettes - Don't Be Surprised
- 2: 11 Audrey Royal & The Reid Singers - Come On Playboy
- 2: 1 The Blue Notes - Here I Am
King of Town (KoT), originally from Johannesburg but now in the UK, is back after a nearly a decade hiatus from his mutant disco-inflected remixes.
Prior to his long break, King of Town remixed the likes of Franz Ferdinand, Slow Club, Alice Russell, the Detachments and the Phenomenal Handclap Band.
His remix of Desmond and the Tutus' 'Kiss You on the Cheek', released on Tigersushi in 2009, has become a regular feature of Spotify playlists and has racked up a few million listens across various streaming platforms.
For this release KoT serves up four exclusive re-edits.
Lord Have Mercy is a retouch of Willie West's slow-burn R&B lament of his own elegiac defiance, where KoT underpins West's groove with a 303 acid bassline and synth flourishes.
Swimming in Your Eyes is a beefing up of Pasteur Lappe's 1979 Rhodes-heavy space disco groove.
Troubles of this World takes OV Wrights ridiculously soulful take on a gospel classic and transforms it into a retro-futurist track aimed firmly at the dancefloor.
And with Khomo Tsaka Deile Kae KoT nods towards his roots and inserts drive and snap into fellow South African Marumo's 1982 kwela-touched stomper.
As always the artwork has been completed by the very talented Pedro Carvalho de Almeida.
Vinyl Only.
- A1: Back Door Man - Howlin Wolf
- A2: I'm Your Hoochie Coochie Man - Muddy Waters
- A3: I Can't Quit You Baby - Otis Rush
- A4: Key To The Highway - Big Bill Broonzy
- A5: Stone Crazy - Buddy Guy
- A6: Dust My Blues - Elmore James
- B1: Where Did You Sleep Last Night - Leadbelly
- B2: Little Red Rooster - Willie Dixon
- B3: Boom Boom - John Lee Hooker
- B4: Sweet Sixteen - B B King
- B5: Cross Road Blues - Robert Johnson
- B6: I'm A King Bee – Slim Harpo
Jazz Blues Session is the first connected disc from Blues Collection by Vinyl and Media.
From Howlin Wolf to Slim Harpo, this Jazz Blues Session compilation takes you on a journey through jazz.
The podcasts on jazz history offered in the VINY Music app connection (on IOS or Android) are exciting.
If you love jazz, you'll love continuing the connected recording experience with Jazz Collection by Vinyl & Media.
In a world of Player Haters and Nay sayers its only right that the Underground Legend sets that standard with high quality sonics for you to ride around and be motivated by. New Jersey's own rising star Da$H links with London's SONNYJIM, who handles production duties, to bring you their latest offering "BETWEEN THE LINES". A project that embodies Grimy Drums and soulful Samples laced with thought provoking lyrics that complement each other perfectly.
- A1: John Lee Hooker - Boom Boom
- A2: B B. King - Three O'clock Blues
- A3: Mississippi Fred Mcdowell - Good Morning Little Schoolgirl
- A4: Muddy Waters - Mannish Boy
- A5: Fats Domino - Blueberry Hill
- A6: Buddy Guy - First Time I Met The Blues
- A7: Willie Dixon - I Ain't Superstitious
- B1: Ray Charles - Mr Charles' Blues
- B2: Screamin' Jay Hawkins - I Put A Spell On You
- B3: Fenton Robinson - You Don't Know What Love Is
- B4: T-Bone Walker - T-Bone Blues
- B5: Bo Diddley - I'm A Man
- B6: Johnny Cash - Home Of The Blues
- B7: Slim Harpo - I’m A King Bee
- C1: Bobby "Blue" Bland - I'll Take Care Of You
- C2: Lead Belly - Where Did You Sleep Last Night
- C3: Lightnin' Hopkins - Mojo Hand
- C4: Albert King - Don't Throw Your Love On Me So Strong
- C5: Lucky Peterson - Four Little Boys
- C6: Popa Chubby - Carrying On The Torch Of The Blues
- D1: Chuck Berry - Driftin' Blues
- D2: C B. & The Ten Others With Axes - Rosie
- D3: Howlin' Wolf - Smokestack Lightnin
- D4: Sonny Boy Williamson - Good Morning Little Schoolgirl
- D6: Robert Johnson - Sweet Home Chicago
- D7: Otis Rush - Double Trouble
- D5: Elmore James - Dust My Broom
- 1: Mercy Baby - Pleadin
- 2: Willie Nix - Just Can't Stay
- 3: Schoolboy Cleve - She's Gone
- 4: Willie Egans - Wear Your Black Dress
- 5: Lightnin' Hopkins And Ruth (Blues) Ames - Finally Met M
- 6: Otis Spann - It Must Have Been The Devil
- 7: John Lee - Rhythm Rockin' Boogie
- 8: Little Hudson - Im Looking For A Woman
- 9: Donnie Williams - Boogie Chilluns Playhouse
- 10: Ervin Rucker - So Good
- 11: Lonesome Lee - Lonely Travelin
- 12: Willie J. Charles - Feelin' Kind A Lonesome
- 13: Eddie King - Love You Baby
- 14: Jimmie Raney & Slim Slaughter - You Drink Too Much Booz
- 15: Gladys Tyler - Pack Up
- 16: Harmonica 'Blues King' Garris - Blues King Mango
For Dancer Only ist die legendäre Clubnacht von Bill Kealey, dem ebenso trinkfesten wie umtriebigen Sammler und Jäger aus Dublin. Quasi jedes Wochenende ist er mit seinem 7"-Vinylkoffer unterwegs und beglückt die Massen. Da er das schon ein paar Jahrzehnte macht, gehört er zur absoluten Champions League derer, die sich mit Rhythm & Blues der 50er und all seinen Spielarten beschäftigen. Dies ist seine erste Compilation und wir behaupten, dass es eine der Besten ist, die Stag-O-Lee je veröffentlicht hat.
- 1: James Brown & The Famous Flames Please, Please, Please
- 1: 2 Little Willie John Fever
- 1: 3 Barrett Strong Money (That's What I Want)
- 1: 4 Ben E. King Stand By Me
- 1: 5 Sam Cooke (What A) Wonderful World
- 1: 6 Ray Charles Unchain My Heart
- 1: 7 Solomon Burke Cry To Me
- 1: 8 James Ray I've Got My Mind Set On You (Parts & 2)
- 1: 9 Otis Redding These Arms Of Mine
- 1: 0 Marvin Gaye & The Vandellas Stubborn Kind Of Fellow
- 1: Stevie Wonder Hallelujah (I Love Her So)
- 1: 2 Gene Chandler Duke Of Earl
- 1: 3 The Isley Brothers Right Now
- 1: 4 Bob & Earl Harlem Shuffle
- 1: 5 Timmy Thomas Why Can't We Live Together
- 2: 1 Gil Scott-Heron Lady Day And John Coltrane
- 2: Aaron Neville Hercules
- 2: 3 Darondo Didn't I
- 2: 4 Lonnie Liston Smith & The Cosmic Echoes Expansions
- 2: 5 Joe Simon Drowning In The Sea Of Love
- 2: 6 Al Jarreau Ain't No Sunshine
- 2: 7 Barry White Ghetto Letto
- 2: 8 Curtis Mayfield You Mean Everything To Me
- 2: 9 Syl Johnson They Can't See Your Good Side
- 2: 10 Terry Callier Running Around (Fug City Mix)
- A1: It's Your Love That I Need - The Marvellos
- B1: It's Your Love That I Need (Instrumental) - The Marvellos
- C1: Heartstrings - The Invincibles
- D1: Got A Thing Goin' - The Invincibles
- E1: That's All You Gotta Do - Ben Aiken
- F1: Satisfied - Ben Aiken
- G1: Like I Told You – Carl Hall
- H1: Mean It Baby - Carl Hall
- I1: Just A Little Longer - The Enchanters
- J1: I'll Find A Way - Bobby Reed
- K1: See The Silver Moon - The Apollas
- L1: Go For Yourself - Larry Laster
- M1: If You Should See Her - Ben Aiken
- N1: Lies - Bobby Freeman
• To celebrate Kent’s 40th birthday (admittedly a month late, due to pressing times), we are releasing our first ever box set of singles. This is due to getting access to the Loma vaults and finding some previously unheard soul gems to augment the best of the soul dance tracks from the esteemed imprint.
• Starting with THE discovery of the soulful ‘20s we present LA soul group the Marvellos, whose ‘It’s Your Love That I Need’ – written by the great Willie Hutch – is a Motownesque dancer whose arrangements and melodies are so stunning we also issued the backing track as its instrumental B-side.
• The Invincibles were another fabulous Los Angeles outfit whose four Loma releases were ballads but two great dance tracks, the sublime ‘Heartstrings’ and the manic ‘Got A Thing Goin’’ showed they could really turn it up when needed.
• Ben Aiken’s ‘Satisfied’ is a stone classic Northern Soul dancer - finding the more subtle ‘If You Should See Her’ and ‘That’s All You Gotta Do’ in the vaults makes the Philly singer the best represented artist of the set.
• New York-based Carl Hall is another singer with a released classic - ‘Mean It Baby’ and a great unissued tape vault find – ‘Like I Told You’. The pair sit well together on their new 45 pressing.
• The Enchanters cut several tracks after they left Garnett Mimms; ‘Just A Little Longer’ is a great Drifters-sounding number which we’ve coupled with the beautiful ‘I’ll Find A Way’ by Bobby Reed.
• ‘See The Silver Moon’ by west coast girl group the Apollas would have wowed them at Wigan. The poptastic number has the perfect stomping dance beat, beloved of the Casino’s patrons. Alas it was not heard until 2012 when researcher and co-compiler Alec Palao unearthed the master tape. We paired it with Larry Laster’s terrific ‘Go For Yourself’ which shares the backing track of fellow Northern monsters ‘Lighten Up Baby’ and ‘Somebody Somewhere (Needs You)’, more than holding its own.
Beyond rare modern soul from 1986 Produced by Willie Harpe and Performed by Tom Lipkins 'TL'. A cover-up for George Mahood and later Soul Sam under the name "Hamilton Connection", surprisingly no more copies of this single have ever turned up but Willie did have the stereo master tape for this release. Big one for the Modern soul and rare disco heads.
- 1: Clifford Brown & Max Roach Quintet - Yesterdays
- 1: 2 Bob James - Sign Of The Times
- 1: 3 Herb Alpert & The Tijuana Brass - The Lonely Bull (El S
- 1: 4 Doris Day - Que Sera, Sera (Whatever Will Be, Will Be)
- 1: 5 Nina Simone - Rags And Old Iron
- 1: 6 Billie Holiday - God Bless The Child
- 1: 7 Ella Fitzgerald With Paul Weston & His Orchestra - Russ
- 1: 8 Burners Feat. Kylie Auldist - This Girl
- 1: 9 Little Willie John - I'm Shakin
- 1: 0 Dinah Washington With Quincy Jones & His Orchestra - Is
- 1: Harry Belfonte - Jump In The Line
- 1: 2 Frank Sinatra - High Hopes
- 1: 3 Chris Connor - Time Out For Tears
- 1: 4 Thelonious Monk - Black And Tan Fantasy
- 2: 1 Ella Fitzgerald - All Through The Night
- 2: Johnny Mathis - Someone
- 2: 3 Cal Tjader - Walk On By
- 2: 4 Gil Scott-Heron - Home Is Where The Hatred Is
- 2: 5 Mongo Santamaria - Watermelon Man
- 2: 6 Peggy Lee - I'ts A Good Day
- 2: 7 Ferrante & Teicher - Theme From Exodus
- 2: 8 Quincy Jones - Soul Bossa Nova
- 2: 9 Ahmad Jamal - Angel Eyes (Live At The Alhambra)
- 2: 10 Charlie Parker & Miles Davis - A Night In Tunisia
- 2: 11 Les Brown Feat. Doris Day - You Won't Be Satisfied (Unt
- 2: 1 Cab Calloway - The Hi-De-Ho Man (That's Me)
- 2: 13 Glenn Miller - Doin' The Jive
- 2: 14 Louis Armstrong & His Hot Seven - Weary Blues
AN EXCLUSIVE NEW LABEL DEDICATED TO JAZZ, HARD BOP, R&B AND SOUL MASTERPIECE IN STRICTLY LIMITED CLEAR VINYL EDITION.
Limited Clear Vinyl edition, 500 copies! “Bossa Nova Soul Samba” came as Ike Quebec’s best contribution to the fruitful marriage between Jazz and Brazilian music. Recorded in 1962 and released on Blue Note in the same year. this was Quebec’s final recording before his death in January 1963. A beautiful studio session dominated by Quebec’s tenor sax warm tone and the light and gentle groove provided by Kenny Burrell - guitar, Wendell Marshall - bass, Willie Bobo - drums and Garvin Masseaux - chekere.
AN EXCLUSIVE NEW LABEL DEDICATED TO JAZZ, HARD BOP, R&B AND SOUL MASTERPIECE IN STRICTLY LIMITED CLEAR VINYL EDITION.
Limited Clear Vinyl edition, 500 copies! “Bossa Nova Soul Samba” came as Ike Quebec’s best contribution to the fruitful marriage between Jazz and Brazilian music. Recorded in 1962 and released on Blue Note in the same year. this was Quebec’s final recording before his death in January 1963. A beautiful studio session dominated by Quebec’s tenor sax warm tone and the light and gentle groove provided by Kenny Burrell - guitar, Wendell Marshall - bass, Willie Bobo - drums and Garvin Masseaux - chekere.
AN EXCLUSIVE NEW LABEL DEDICATED TO JAZZ, HARD BOP, R&B AND SOUL MASTERPIECE IN STRICTLY LIMITED CLEAR VINYL EDITION.
Limited Clear Vinyl edition, 500 copies! “Bossa Nova Soul Samba” came as Ike Quebec’s best contribution to the fruitful marriage between Jazz and Brazilian music. Recorded in 1962 and released on Blue Note in the same year. this was Quebec’s final recording before his death in January 1963. A beautiful studio session dominated by Quebec’s tenor sax warm tone and the light and gentle groove provided by Kenny Burrell - guitar, Wendell Marshall - bass, Willie Bobo - drums and Garvin Masseaux - chekere.
'A Dry Scary Blue' ist das Debütalbum des in Austin lebenden, fast 60-jährigen Mathematikprofessors und Troubadours Sean Keel, eine Sammlung rauer, stark evokativer, emotional komplexer Songs in der Tradition von Townes van Zandt, entstanden in Zusammenarbeit mit dem Alt-Country-Produzenten Gabriel Rhodes (Willie Nelson, Waylon Jennings, Emmylou Harris). 'A Dry Scary Blue' stellt einen unverwechselbaren, sehr individuellen Außenseiter vor, dessen raue, beschwörende Kompositionen sich auf eine lange und ehrwürdige Tradition ikonoklastischer texanischer Songwriter berufen. Dazu passen die sparsamen, kantigen Arrangements, die seine kraftvollen Texte untermalen.
“This is for the family,” Abe Linx says. “It’s not really about who doesn’t love us, it’s about those that do. The ones we motivate and inspire. It’s for those people.” The World Famous La Familia Forever is the powerful sophomore effort from Abe Linx & Tully C., two incredibly gifted emcees who have crafted a contender for the best release of 2022. Across this EP’s 10 tracks, the Indianapolis-repping duo showcase their worldview, dig into their personal histories, and firmly plant themselves on the hip-hop map. And as Abe Linx spits on the stunning track “WORLDWIDE”: “Who the f*ck gon’ tell me different?” In addition to the passion of Abe Linx & Tully C. and their collaborators, TWFLFF stands on its own because it is just so sonically engaging. The production is equally crunchy and fascinating, because it flirts with sounds crafted by legends without sounding dated. This is timeless, raw hip-hop helmed by two talented rappers and their favorite producers like Nomstks & AWSME J, as well as longtime collaborators Baleboy Geechie & DJ GB.
You can tell that Abe & Tully took their time with these songs, meticulously piecing them together in the two years since their previous release. Each cut moves seamlessly into the next, bringing that special kind of cohesion. Just listen to how “RABIES” moves into “400MPH (skit)” and then “SKYSCRAPER,” a brilliant slice of showin’-out rap elegance. While there are only three guest features on the project, they’re used to great effect and make as much of an impact as their hosts. Planet Asia stomps all over the aptly titled “SHOWOFF,” while Willie The Kid complements the smoked-out vibes of “CHANDELIER.” And when Bub Rock shows up on “RABIES”? It’s a wrap as soon as he hops on that piano-laced, dusty instrumental. TWFLFF is a mission statement, with pieces that also sound like a word of warning to anyone looking at these two sideways. Or, as Tully C. raps so perfectly on “CHANDELIER”: “I be in this b*tch, with my clique/ So don’t act stupid.” The World Famous La Familia Forever drops on vinyl right in time for the holidays through their recent partnership with Fat Beats.
Pravda's release of ‘Music For Neighbors’ marks the 40th anniversary of
the formation of The Trypes from New Jersey
Pravda's release of ‘Music for Neighbors’ marks the 40th anniversary of the
formation of The Trypes in the blue- collar New Jersey town of Haledon, which
was the hometown of The Feelies and later spawned kindred bands Yung Wu and
The Willies.
How Haledon became an incubator for these bands, who went on to spread their
sound far and wide, is a matter of speculation. Maybe it was just a place in time
in the early 80s when anything seemed possible to a group of suburban friends.
- 1: Tito Puente & His Orchestra - Ran Kan Kan
- 2: Willie Rosario & His Orchestra - Dame Tu Amor Morenita
- 3: Tito Rodriguez & His Orchestra - La Ley Del Guaguanco
- 4: Orlando Marvin & His Orchestra - Ritmo Bembe
- 5: Cortijo Y Su Combo & Ismael Rivera - Volare
- 6: Eddie Palmieri & Ismael Quintana - Conmigo
- 7: Ray Barretto - Guajira Y Tambo
- 8: Johnny Pacheco Y Su Charanga - Acuyuye
- 9: Noro Morales & His Quintet - Saona
- 10: Orquesta Aragon Feat. Cheo Feliciano - Son Al Son
- 11: Setenta - Como Rinkin
As a true reference cultural media, Trace completes its musical offer with a first collection of 3 vinyls! Find the cream of Salsa selected by Trace and journalist Osman Jr. With Tito Rodriguez-Setenta-The Alegre All Star....
180 gram vinyl LP of Freddie's 1979 album with extensive sleeve notes
Produced by: Winston 'Niney The Observer' Holness
Recorded, Voiced & Mixed at: Channel One ecording Studio, 29 Maxfield
Avenue, Kingston 13
Engineers: Anthony 'Crucial Bunny'/'Bunny Tom Tom' Graham & Lancelot
'Maxie' McKenzie
Musicians:
Drums: Max 'Feelgood' Edwards & Leroy 'Horse Mouth' Wallace
Bass Guitar: George 'Fully' Fullwood
Lead Guitar: Earl 'Chinna' Smith
Lead Guitar & Rhythm Guitar: Albert Valentine 'Tony' Chin & Eric 'Bingy
Bunny' Lamont
Keyboards: Jamaba Johnson & Keith Sterling
Tenor Saxophone: Enroy 'Hot Train' Grant
Trumpet: Arnold 'Willie' Brackenridge & Donald Vidan-Greaves
Percussion: Herman 'Bongo Herman' Davis & 'Brooksy'
Advertising in Black Echoes and Record Collector
Billy Joe Shaver's songs were stories of his life; they were real, and they
were raw - Many artists have covered Billy Joe songs over the years -
From Willie to Waylon to Elvis and Cash - Billy Joe's influence on some of
the greatest of artists is what inspired this project
Now, with Live Forever: A Tribute to Billy Joe Shaver a whole new batch of artists
and songwriters are taking their cut at one of the greatest songwriting catalogs of
all time. This album is a testament to Billy Joe's words and the deep impact they
had on so many wonderful songwriters and performers. He's a hero to so many,
and New West is honored to pay homage to the legacy of Billy Joe Shaver. Just
like the songs he left behind him, he's gonna live forever now.
Heavy-duty Colombian salsa group The Latin Brothers were formed in 1974 by the Discos Fuentes A&R team as a sibling band of Fruko Y Sus Tesos in order to provide the local market with a trombone-heavy ensemble in the mode of the popular Nuyorican Willie Colón orchestra. The band was led by Julio "Fruko" Estrada on bass, featuring basically the same musicians as Los Tesos, minus the trumpets and highlighting the cutthroat trombone work of Gustavo "La Pantera" García. At the time Fruko's Tesos were going through a transition and his talented former lead vocalist, Píper Pimienta, left to sing lead in The Latin Brothers while Joe Arroyo and Wilson "Saoko" Manyoma took over vocal duties in Los Tesos. "El Picotero" was The Latin Brothers' debut album and remains to this day a favorite of salsa dura fans the world over. The album established The Latin Brothers as a bona fide contender in the crowded field of trombone-centric salsa bands taking over the airwaves and dance floors around Latin America. With this bold and brassy record The Latin Brothers would inspire future Colombian salsa orchestras as well as helping establish Medellín as a center of salsa almost as famous as Cali.
Black Vinyl[23,74 €]
New solo album from Seth Avett of the Avett Brothers (his first in 5 years), featuring songs written by lauded folk singer Greg Brown, whose songs have also been performed and recorded by Joan Baez, Willie Nelson, Lucinda Williams, Carlos Santana, Ani DiFranco, Gillian Welch, Mary Chapin Carpenter, and more. For those who may need reminding, Greg Brown is the ultimate songwriter's songwriter. Over a forty-plus-year career, he's occupied the same rarefied air as Loudon Wainwright III and John Prine - a keen-eyed poet and diarist of the human condition. And he's done it mostly on his own. “This is a man who put forty records out because he had to,” Avett says. “He made his own record label. He played the coffee shops, the bars, the little theaters. He built it. He's a world-class artist who did it all under the radar, which is just mind-blowing to me.” As Avett's new solo record makes clear, this collection is an expression of admiration and gratitude for one of his heroes. But it's also a reflection of his own artistry and ability as an interpreter. Though Brown's songs have been a part of his listening diet for decades, Avett gained a more profound appreciation once he put his own voice behind them. And though on the surface it's a covers record, it dovetails seamlessly with the most recent Avett Brothers album The Third Gleam and Seth's solo outing IV, which find him in equally stripped-down settings exploring the light and shadows of his own personal stories.
Two of the biggest names in the game join forces & the results do not disappoint!Straight out of Le Havre, Djar One's beat-heavy productions have been demanding attention on dancefloors and radio stations worldwide via his Beats House imprint. We couldn't be more delighted to have him on board the good ship Soul Flip for our eleventh 45 release. First up for the Djar One treatment is Mary Wells' Northern-leaning stomper, "Can't You See (You're Losing Me)". Already a dancefloor bomb, Djar One ramps up the energy still further to devastating effect. On the flip, he takes on the seldom-heard original 1965 version of "Uncle Willie Good Time" by The Astors with similarly superb results.
Nashville-based instrumental rock combo Los Straitjackets have been
proving for years that rock & roll is a truly universal language by doing
away with vocals, but for this album the masked guitar manglers have
decided to focus on a more specific tongue - namely Spanish
For Rock en Español, Vol. 1, Los Straitjackets have recruited three talented friends
to perform a set of rock & roll classics in Spanish -- Cesar Rosas of Los Lobos,
Big Sandy of retro-country kings Big Sandy & His Fly-Rite Boys, and Little Willie G.,
lead singer with legendary East L.A. soul-rockers Thee Midnighters. While most
folks will be familiar with these tunes in their English-language originals, many of
the versions that appear on this album were taken from Spanish rewrites
recorded in the '60s by Mexican teen groups such as Los Teen Tops, Los Locos
del Ritmo and Los Rebeldes del Rock. This 15th anniversary edition LP is the first
ever reissue of Los Straitjackets' 2007 classic album and is pressed on purple
vinyl.
- 1: Here We Go Again (With Norah Jones)
- 2: Sweet Potato Pie (With James Taylor)
- 3: You Don't Know Me (With Diana Krall)
- 4: Sorry Seems To Be The Hardest Word (With Elton John)
- 5: Fever (With Natalie Cole)
- 6: Do I Ever Cross Your Mind (With Bonnie Raitt)
- 7: It Was A Very Good Year (With Willie Nelson)
- 8: Hey Girl (With Michael Mcdonald)
- 9: S Inner's Prayer (With B.b. King)
- 10: Heaven Help Us All (With Gladys Knight)
- 11: Over The Rainbow (With Johnny Mathis)
- 12: Crazy Love (With Van Morrison)
(REISSUE)
Genius Loves Company is the final studio album by rhythm and blues and soul musician Ray Charles, posthumously released August 31, 2004. Recording sessions for the album took place between June 2003 and March 2004. The album consists of rhythm and blues, soul, country, blues, jazz, and pop standards performed by Charles and several guest musicians, such as Natalie Cole, Elton John, James Taylor, Norah Jones, B.B. King, Gladys Knight, Diana Krall, Van Morrison, Willie Nelson, and Bonnie Raitt. Genius Loves Company was the last album recorded and completed by Charles before his death in June 2004.The album is known as one of Ray Charles" most commercially successful albums. On February 2, 2005, Genius Loves Company was certified triple-platinum in sales by the Recording Industry Association of America following sales of over three million copies in the United States. It also became Charles" second to reach number one on the Billboard 200, after Modern Sounds in Country and Western Music (1962). On February 13, 2005, the album was awarded eight Grammy Awards including Album of the Year and Record of the Year.
Kalita presents the first ever official reissue of Sweet Clover's highly sought-after 1979 disco single "You're What I Need', backed by an unreleased extended mix and the equally impressive 'Sweet Talk', sourced from the original master tapes.
With original copies released in a run of just 300 copies and now hitting top three-figure sums on the rare occasion that they come up for sale, Kalita finally serve up a chance to obtain this lo-fi disco masterpiece once again.
Accompanied by a never-before-seen photo of the band and liner notes based on interviews with writer and producer Willie McClain, this is another no-brainer from the Kalita camp.
TOWNES VAN ZANDT STUDIO SESSIONS FROM 1974 AVAILABLE ON VINYL FOR THE FIRST TIME EVER In 1974, Townes Van Zandt recorded what would have been his seventh album, ‘Seven Come Eleven’. Business issues prevented its release until the recordings surfaced two decades later as ‘The Nashville Sessions’. To commemorate the 50th anniversary of the beginning of Van Zandt’s turbulent musical career and launch of a major catalogue reissue programme, Charly has restored and re-mastered ‘The Nashville Sessions’ to present a stunning document of the folk-blues master at his absolute peak. “These are songs that tap into the timeless myth of the American troubadour, a place where wandering souls tramp the byways of their homeland...” Restored and mastered to vinyl from the original tapes provided by producer and manager Kevin Eggers. Full colour LP sleeve with original Milton Glaser portrait cover. Fully illustrated inner with detailed sleeve notes by Uncut magazine journalist Rob Hughes. Part of Charly’s 50th anniversary programme celebrating the start of Van Zandt’s career. All original Poppy and Tomato albums which Townes Van Zandt recorded at the peak of his career will be newly re- mastered, restored and lavishly repackaged and available on CD & limited edition 180g heavyweight vinyl. The death of Townes Van Zandt in 1997 at age 52 robbed the world of a troubled genius as well as one of America’s finest songwriters. His reputation and popularity has grown greater by the year inspiring books, a documentary and renewed interest from the media, passionately loyal fans and contemporaries such as Willie Nelson, Merle Haggard and Emmylou Harris who have covered his songs to the upper-reaches of the American charts. “From Neil Young and Willie Nelson, Bono and Bob Dylan (who reportedly once said that Townes was “in some ways the better writer”) to Tindersticks and Mudhoney, songwriters and musicians speak of Townes with reverence.” MOJO MAGAZINE “He was the best songwriter and most riveting solo performer I’ve ever seen.” STEVE EARLE “An effortless masterclass in emotionally effecting Americana”.
- A1: Funny How Time Slips Away
- A2: Ramblin’ Man
- A3: Gimme That Old Time Religion
- A4: I Walk On Guilded Splinters
- A5: I’m So Lonesome I Could Cry
- B1: End Of The Line
- B2: Holy Water
- B3: Sleeping Dogs Best Left Alone
- B4: Give Myself A Good Talkin’ To
- B5: Guess Things Happen That Way
Over the course of his six-decade-long career, Dr. John embodied a near-mythic multitude of musical identities: global ambassador of New Orleans funk and jazz and R&B, visionary bluesman, rock and roll innovator, one-time top 10 hitmaker, self-anointed and massively revered high priest of psychedelic voodoo. On Things Happen That Way, the six-time Grammy-winning Rock & Roll Hall of Famer otherwise known as Malcolm John “Mac” Rebennack Jr. reveals yet another dimension of his cosmically vast musicality: a lifelong affinity for classic country & western, whose songs he first encountered via the 78 rpm records frequently spun at his father’s electronics shop. Things Happen That Way arrives as the latest and final studio album from an artist who remained wholly unpredictable, alchemizing the charmed simplicity of traditional country into a wildly enchanting body of work.
Things Happen That Way marks the fulfillment of a longtime goal of the legendary singer/songwriter/pianist, who first began plotting a country inspired album decades ago. In bringing his album’s songs to life, Dr. John drew on a lineup of musicians befitting of a universally beloved luminary who worked with the likes of Van Morrison, the Rolling Stones, B.B. King, Etta James, and artists as diverse as Aretha Franklin, Ringo Starr, and Eric Clapton. Along with an elite cadre of New Orleans session players, the album’s personnel include icons Willie Nelson and Aaron Neville, as well as label mate singer/songwriter Katie Pruitt and country-rock powerhouse Lukas Nelson & Promise Of The Real. True to an artist whose music “transcended race and cultural divides”—as Black Keys frontman Dan Auerbach proclaimed in presenting Dr. John his lifetime achievement award at the Americana Music Association Honors and Awards in 2013—Things Happen That Way reflects both a rich sense of history and a boundless passion for defying expectation.
Bonamassa und Smith arbeiteten mit Jimmy zusammen, um ein Album zu schaffen, das seiner erstaunlichen Karriere und seinem Talent gerecht wird. 'Ready Now' ist ein wichtiges Statement in einer Karriere voller Höhepunkte, die bis zu Jimmys Arbeit mit der legendären Rockband Wet Willie zurückreicht. Unterstützt von einer erstklassigen Band, bestehend aus Bonamassa, Smith, Reese Wynans, Michael Rhodes und Greg Morrow, hatte Hall alle Freiheiten, sich voll und ganz auf die Songs und die Performance einzulassen. Der Sänger erhielt eine Grammy-Nominierung für seine lead vocals auf Jeff Becks 1985er 'Flash' Album und tourte als Saxofon- und Harmonika-Spieler mit Hank Williams Jr.
A1. Clifford Brown & Max Roach Quintet - Yesterdays
A2. Bob James - Sign Of The Times
A3. Herb Alpert & The Tijuana Brass - The Lonely Bull (El Solo Toro)
A4. Doris Day - Que Sera, Sera (Whatever Will Be, Will Be)
A5. Nina Simone - Rags And Old Iron
A6. Billie Holiday - God Bless The Child
A7. Ella Fitzgerald With Paul Weston & His Orchestra - Russian Lullaby
B1. Cookin' On 3 Burners Feat. Kylie Auldist - This Girl
B2. Little Willie John - I'm Shakin'
B3. Dinah Washington With Quincy Jones & His Orchestra - Is You Is Or Is You Ain't My Baby
B4. Harry Belfonte - Jump In The Line
B5. Frank Sinatra - High Hopes
B6. Chris Connor - Time Out For Tears
B7. Thelonious Monk - Black And Tan Fantasy
C1. Ella Fitzgerald - All Through The Night
C2. Johnny Mathis - Someone
C3. Cal Tjader - Walk On By
C4. Gil Scott-Heron - Home Is Where The Hatred Is
C5. Mongo Santamaria - Watermelon Man
C6. Peggy Lee - I'ts A Good Day
C7. Ferrante & Teicher - Theme From Exodus
D1. Quincy Jones - Soul Bossa Nova
D2. Ahmad Jamal - Angel Eyes (Live At The Alhambra)
D3. Charlie Parker & Miles Davis - A Night In Tunisia
D4. Les Brown Feat. Doris Day - You Won'T Be Satisfied (Until You Break My Heart)
D5. Cab Calloway - The Hi-De-Ho Man (That's Me)
D6. Glenn Miller - Doin' The Jive








































