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Tutto Bene is the new imprint of the North German vinyl digger Hagel. The plan? Release infectious but versatile grooves reminiscent of the nineties with hefty doses of funk - rich in percussion, rolling sub basses, charismatic rhythms, and light-hearted yet odd synths. The first record, 'Too Easy EP', comes signed by AlleyOP, a collaboration project between Hagel and Berlin-based wonder producer Atree, and features two original tracks and two remixes by Lorenzo Chiabotti and Audio Werner.

A side's 'Die Another Day' opens the record with robotic rhythms under mildly paranoid tones proper for dancefloor hypnotization. Lorenzo Chiabotti brings an unexpected melodic touch to the original, completely re-shaping its groove and determinately swapping its freaky tonalities with hopeful scales. B side's 'Too Easy' follows the same path of minimal arrangements and straight-to-the-point drum programming and sampling but opts for warmer sonic tones - making it appropriate for dusk and dawn dancefloor moments. Audio Werner elevates the warmth in scale and ups the vibe by intensifying the breaks and synth atmosphere of the original and shooting it into a stratosphere where melody and detail are elementary.

Dalken is back for its third release, "Only Freak", signed by Berlin-based Thai talent Pakkadej.

After having spent many years exploring Europe before setting up base in Berlin, Pakkadej accumulated a decade's worth of minimal experimentation and enough determination to delve into slightly nutty groove constructions and complex syncopations.
On the flip side, two solid reinterpretations of Pakkadej's original theme by Ema Remedi (UY) and Arne & Calvache (BE).

All tracks mastered by Mike Grinser at Manmade Mastering, Berlin.

RAMZi's 'hyphea', the new album by Montreal based artist Phoebé Guillemot. It is her latest sonic quest containing 10 new tracks, of which some are versions of the score she made for a documentary about mushrooms called 'Fun Fungi' (directed by Frederic Lavoie).

Recorded between November 2021 and May 2022, writing 'hyphea' started off somewhat as an attempt to escape boredom and frustrations imposed by the severe restrictions during the pandemic. For Phoebé it was a way to reconnect with RAMZi who's spirit brought her back to mystical feelings and gave hope for future magical adventures after having felt disconnected for a while.

RAMZi is a wild spirit from the forest and refers to a parallel autonomous world that keeps evolving. In her own words: “The music remains as a doorway to that world. It has never been about me, I always see that entity bigger than myself. The process of writing 'hyphea' was rather intuitive. I don’t think about styles of music before producing tracks. Those are more like an adventure in itself, each one set in a different ecosystem.”

Artwork by Marinka Grondel.

Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock serialism’s warped geometries onto an evenly spaced grid, perfectly preserving serial music’s multi-dimensionality while smoothing its wildest disjunctures and sharpest angles. If serialism is Montreal’s Habitat 67 modular housing complex, McGuire’s Pulse Music compositions are the primary-colored grids of Le Corbusier’s L’Habitation apartment complex — an exuberant expression of the same materials and principles.

Every layer of pulses is made distinct through its timbre, register, and tempo. We hear them as a plurality, organized like stars in the sky. Every so often the sky rotates and the stars appear in a different arrangement. Our ear naturally starts to draw connections and, as it sweeps between one layer and another, what was discrete becomes continuous. Pulses become flows; quantitative reality becomes qualitative experience.

After “Refined”, their first release on Thisbe Recordings back in April 2021, Radial Gaze are back on the Berlin-based independent label with “Tetra Seeds”, their brand new EP. It includes 3 original tracks and three remixes by Dominik Marz, Balam, and label owner Pyrame.

The two St-Petersburg-based brothers , Andrey – electronic musician and producer, mixing and mastering engineer – along with Stas – sound designer, guitarist, and theatre director – stay true to their identity : In “Tetra Seeds”, they deliver an irresistible blend of slow techno, ethnic-infused electro, and percussive wonders.

Printed on a yellow vinyl, the 6 tracks 12″ is a limited edition with astonishing artwork by Maksim Cherny.

SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world.
The PMA EP compiles four dynamic tracks recorded around 30 years ago by the duo of Shigeru Nakamura (drums/vocals) and Mikio Kato (synths) aka B-2DEP’T.

Nakamura and Kato’s first album as B-2DEP’T, Products Plus, appeared on cassette in 1993 on Trigger Records, the predecessor label to Transonic (given a retrospective on SAIS004). Its bright yellow and blue retro-futurist artwork – which is echoed in the design for this reissue on SAISEI – matched the sounds held within: inventive, out-of-the-box dance music blending overseas influences with an idiosyncratic Japanese sensibility.
Two tracks from Products Plus appear on this EP, All tracks re-edited by Junki Inoue and regular collaborator Yuzo Iwata for vinyl extended play and available now for the first time on vinyl. ‘Clockwork Giant Panda’ appearing in a version co-produced with Yoshinori Sunahara (ex - Denki Groove), merges a breezy US house groove and bassline with twinkling, almost parodic Japanese keys that act as a kind of meta commentary on Western perceptions of Japan (a concept pioneered by Yellow Magic Orchestra). The two parts of ‘BSMH’, or Body Sonic Mental Health from ‘Products Plus’, were originally remixed by Daishi Hisakawa of Tanzmuzik, who draws on darker sounds from Europe and the UK: restless Depeche Mode synth harmonies spiral above a pacy EBM pulse, with robot vocals intoning the titular slogan. The package is completed by the unreleased track ‘PMA’, whose driving, bass-heavy mood falls somewhere between Sheffield bleep and the ambient techno of early Biosphere.

SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

Deep dark techno tracks on the stabile force Lockertmatik. The replay worthy tunes are dark and gritty, like a sweaty Berlin techno basement and keep going, morphing and teasing. Proper stuff! (limited supplies!)

The Lagaffe boys have a special one for you. Lagaffe 10 marks the 10th EP in our vinyl series and serves as a perfect way to end our 10th year in existence. To mark this occasion we are releasing a 4 tracker with our founders and label regulars.

The EP opens up with Cohen Social Club by Flexi Leifs aka Felix Leifur. Our man Felix lost his drum machines last spring but luckily he found a guitar and some drums. The track starts off with suspicious sounding guitar notes that somehow end up as pure beauty, giving hope in the darkest of places. Frodo with the ring stuff, if you know what I mean. Playful reverbs and echos give the tune the classic Felix Leifur feel to it!

Moff & Tarkin has the next track "Pure Fury", some breakbeats and cheesy disco vocals, why change a winning recipe?

Next up is "We are not alone " by label boss Jonbjörn. I think this is what Elton John meant when he said "thank god for those electro bangers!" Solid 909 drum work featuring dramatic chords and some original vocal work. If you can spot the sample write us on Soundcloud and you might win a year's worth of LaCafe Tales!

With "Að handan" Viktor Birgiss comes back to the label in style. Our mastering engineer described it as having the loudest kick drum in history, imagine that! Lo fi dub sounding drums interlaced with atmospheric chords, made for those late night intimate moments on the dancefloor, again Frodo with the ring stuff, if you know what I mean.

Following their iconic remix of ‘Space Date’ in 2019, the classic collaborative work of Adam Beyer, Layton Giordani and Green Velvet, we are thrilled to have Pleasurekraft back on Drumcode for their debut solo release on the label.

Not keen to colour within the lines, the production duo caught Adam Beyer’s ear as they carved out their self-dubbed ‘cosmic techno’ niche within the techno genre. Conceived as a musical vision that attempts to go beyond mere hands-in-the-air moments, Pleasurekraft incorporate a cinematic soundscape as a canvas for philosophical themes regarding humanity's place within the cosmos. Their 2020 album, ‘Love in the Age of Machines’ explored the myriad and often dystopian relationships we have with the ubiquitous technologies that pervade our every interaction.

The new two-tracker ‘Sex and the Machine’, continues this thematic trajectory in considering the role machines will increasingly play in satisfying the more carnal desires of our species. The title track considers questions such as, will machines of the future have the capacity for thoughts and feelings? Will our answers to such questions be forever tainted by our singular perspective, unable and unwilling to grant future silicon entities such capabilities? The EP’s second track, ‘Body Horror’, with its repeating refrain, “You are changing”, considers the manner in which future technologies will continue to merge with biological entities giving rise to all manner of unimagined consequences. Both tracks showcase the tough, yet still melody-driven cosmic techno sound Pleasurekraft has become synonymous with. However, despite the cerebral content that inspired the music – the form is still pure dance floor muscle.

Green Splatter Vinyl

Attention… There has been a sighting of an unidentified spinning object in the area. It’s splattered green and black, waxy, 12 inch in diameter and contains two extremely dangerous peak time recordings that have been causing destruction on dancefloors the world over. Proceed with caution, as these are two super slick takes on tracks you may or may not have heard before, you’re mind is at risk of reaching pure euphoria.


DJ Support: Marco Carola, Sepp, Arapu, Nu Zao, Bodeler, Ben Sterling, Archie Hamilton, Rossi.

Global Underground ist sehr stolz, "#GU44 Amelie Lens - Antwerp" ankündigen zu können. Ein atemberaubender Mix der wohl größten Underground-Techno-DJane der Welt. Er enthält 14 bisher unveröffentlichte, exklusive melodische Tracks und Musik von Anyma & Chris Avantgarde, Farrago, Florian Meindl, Sam Paganini, Adam
Beyer, Maxxi Rossi und Amelie Lens selbst. GU44 ist ein furioser Ritt durch Peaktime-Techno zu exklusiven melodischen Tracks und fängt die Essenz von Amelie Lens' Vollgas-DJ-Sets ein