Cerca:wo

15th Anniversary Edition. Black Vinyl. When Dinosaur Jr. reunited, more than 20 years after their formation and legendary dissolution, the worry was that these guys were just flogging the back catalog, taking the old show on the road as a marketing gimmick. But the 2007 release of Beyond gave a hearty Marshall-driven "F**K YOU!" answer to those inquiring ears. Restoring the sound established by the unassailable hat-trick gambit of their first three albums -- Dinosaur, You're Living All Over Me, and Bug -- Beyond continued the band's march into rock greatness by making old ears smile and new ears bleed afresh. And then came Farm, the 9th full length record by the original line-up: J Mascis, Lou Barlow, and Murph. If Beyond was Dinosaur Jr.'s return to form, Farm is proof that Dinosaur Jr. could (and still do, to this day!) deliver timeless, exhilarating rock music. Farm encompasses Dinosaur Jr.'s signature palette: soaring and distorted guitar, unshakable hooks, honey-rich melodies. At times wholly 70's guitar-epic, at times perfect for sitting by a babbling brook with Joni and Neil, these songs get into your head and stay there, bouncing happily around. The ear-catching "Plans" is nearly seven minutes of classic whipped-topping rock dessert, while "I Don't Wanna Go There" is a meat-and-potatoes main dish, mixing unapologetic lead guitar with straight-ahead delivery a la James Gang or Humble Pie. This expanded deluxe edition of Farm features four songs never pressed to vinyl and never given worldwide release:"Houses", "Whenever You're Ready" (The Zombies Cover), "Creepies" (Instrumental), and "Show". "Whenever You're Ready", a cover of classic pop-rockers The Zombies, is impossibly good for a hidden gem; Murph stomps in with a sledgehammer to the kit, J and Lou layer low-end and fuzz like two halves of one brain, and right when things feel biggest, airy and colossal, there's J with a lightning bolt of a guitar solo. Pure electricity and melody like only he can make. Recorded in J Mascis' Bisquiteen studio in Amherst, Massachusetts, Farm was produced by Mascis himself, and delivers the singular, unique energy of one of America's greatest living rock bands.

Minisex: Kult-Album "Ayo" erscheint als limitierte Vinyl-Reissue am 05.12.2025 - remastered, farbig & rechtzeitig zum 70. Geburtstag von Sänger & Mastermind Rudi Nemeczek

Ein Klassiker des österreichischen New Wave feiert ein Comeback auf Vinyl: Am 5. Dezember 2025 erscheint das gefeierte Album "Ayo" von Minisex in einer remasterten 1LP-Reissue - limitiert auf eine exklusive Auflage und gepresst auf red-marbled Vinyl.

Ursprünglich 1984 veröffentlicht, zählt "Ayo" zu den musikalischen Meilensteinen der Bandgeschichte und enthält einige der größten Erfolge der österreichischen Kultband - allen voran die Songs "Rudi gib Acht" und "Eismeer", die bis heute Genre-Fans und Nostalgiker gleichermaßen begeistern.

Der Reissue-Termin könnte passender nicht sein: Nur wenige Wochen später, am 23. Dezember, feiert Rudi Nemeczek, Sänger, Songwriter und kreativer Kopf hinter Minisex, seinen 70. Geburtstag. Die Neuveröffentlichung ist somit nicht nur ein audiophiles Sammlerstück, sondern auch eine Hommage an eine zentrale Figur der österreichischen Musikszene.
Die LP erscheint in begrenzter Stückzahl. Wer sich ein Exemplar sichern möchte, sollte schnell sein - Ayo ist zurück, und zwar schöner denn je.

Minisex "AYO"
Limitierte 1LP auf red marbled Vinyl - ab 5.12.2025 erhältlich!

It's been 10 years since Pomegranates - Nicolás Jaar's unofficial/alternative soundtrack to Sergei Parajanov's 1969 film The Color of Pomegranates - was first released, and to highlight this occasion we are reissuing the album on vinyl, with the first edition (a collaboration with the label Mana) having long been out of print.

Longer and slower-releasing than his other albums, Pomegranates often parallels the cinematic epic on which it’s based, with ideas pursued over long timelines and across dark landscapes, assembling elements and moods from the aesthetic and folkloric landscapes of Armenia. Jaar’s identity is perceived within this, folding in his heritage as Palestinian and Chilean as he attempts to build a musical architecture outwards that frames as much of the mess and sprawl of life as possible; using a language that investigates the movement and fluctuation of his own artistic career and character similarly to the film’s tracing of the coming of age of the young poet, Sayat-Nova.

At times, Pomegranates feels profoundly intimate, as though looking through the archive of a friend’s music and discovering the accent and common currency that lives within each of these tracks. Much of Jaar’s most elegant and touching melodic work is nestled here, its power residing in its simplicity and willingness to speak to the heart and not the mind of the listener.

In the text document included in the first freely distributed version of the album in 2015, Jaar writes that the album was conceived during a moment of change, and that the pomegranate became an icon that heralded that passage of time. The physical publication of Pomegranates closes one door whilst opening another, keeping promises and marking a significant point in the career of an artist who restlessly reinvents himself, with a document that illustrates a common language of lyricism, freedom, and emotional resonance linking his many paths and projects

Wild by nature, the Does of the Florian Pellissier Quintet could never be contained in a creative pen that would have forced them never to cross potential geographical limits. Travelers, spending their energy without restraint to let the hard bop of their jazz wander and export itself wherever the groove guided them, they went as far as Africa or South America, from the Cape of Good Hope to Rio. Rio, precisely where, for their last appearance, exposure to a brief electric current had carried them into outer space. A revelation.
Furious strides, exhausting gambols, the Does had done so much that they could not escape the obvious call of calm and serenity. Freed from distances, and after a stop in Colombia to mingle with the crowd at the Barranquilla carnival, it was California and its Pacific coast they reached, to rest before the peaceful immensity of the ocean.
One hundred sixty-five million square kilometers, an infinite expanse to contemplate in order to fling wide open the gates to an even vaster space. A spiritual domain conducive to the search for new sounds. That of the open sea, where measuring miles is neither relevant nor meaningful, and where the only compass becomes the musical tracks the Does follow.
Beneath their coppery hooves, to the crystalline sound of the Fender Rhodes and the sweep of electric layers, the path to take revealed itself in this meditative and abstract realm they had never before explored. Invited to join the purely organic textures, the synthetic notes distilled a few aromas of sweetness into an album of ten tracks, where the FPQ abandoned written scores on some pieces in order to be guided only by the inspiration born of a newfound freedom.
Blue when they began their journey five albums ago, their coat has now taken on the colors that illuminate the Pacific coast. That moment when, as you gaze at the horizon swallowing the sun, only glowing shades filter through—reddish, orange, violet.
Departing without haste or frenzy from one of the shores bordering the ocean, the voices of Archie Shepp, Iggy Pop, and DjeuhDjoah still resonating in their antlers, the Does may now be on the opposite shore. Carried all the way to the Japanese coast by Hokusai’s wave…

Following the kaleidoscopic ambition of Djesse Vol. 4, Jacob returns with The Light For Days – a stripped-back, emotionally resonant body of work that is reflective of the quiet core of his artistry.

Recorded in just four days in the very room where his career first took flight, The Light For Days trades scale for intimacy, spotlighting Jacob’s unmistakable voice and a deepening relationship with the guitar. The result is a collection of originals and handpicked covers that feel immediate, heartfelt, and timeless.

The Light For Days is a powerful reminder of the versatility that has earned Jacob seven GRAMMYs across various genres. For those who’ve seen Jacob live, this record will feel like coming home. For everyone else, it’s an invitation to see and to hear him in a new light.

'In collaboration with the children of Nico Kasanda, better known as Docteur Nico, Planet Ilunga proudly presents an anthology dedicated to African Fiesta Sukisa, available as a 3LP set and a digital release with bonus songs. This release is the result of many years of preparations and was realized in close partnership with Liliane Kasanda, Nico’s eldest daughter. Marking forty years since his passing, we felt that the year 2025 was the right time to honor Docteur Nico’s legacy with this original collection.
'Almost all of the African Fiesta Sukisa songs were released on Nico’s Sukisa label which translates in Lingala for “the final accomplishment”. The music on Sukisa, crafted by Nico and legendary vocalists such as Chantal, Sangana, Apôtre, Mizele, Lessa Lassan and Josky, embodies the essence of that powerful phrase with genius, class and depth. The label ran between 1966 and 1975 and released approximately 280 songs. Ngoma also issued the group between 1967 and 1971 and, in addition, reissued material from the Sukisa label. Many of these songs have become part of the collective memory of Congolese society and are still heard, discussed, and analyzed daily across digital platforms worldwide, as well as on numerous Congolese radio and TV stations.
'The album we put together features some of Nico’s signature songs alongside never before reissued tracks from the Sukisa catalog. It furthermore contains a large booklet with song commentary, testimonial interviews from well-known musicians, journalists, fans and Nico’s entourage, besides never before published photography about his personal and musical life.
'Alastair Johnston, author of the book ‘A Discography of Docteur Nico’ and longstanding Planet Ilunga collaborator, designed a stylish booklet and cover using all our collected material. Audifax Bemba, longtime admirer, compiler and connoisseur of Nico’s music, and the author of most of the song commentary in our accompanying booklet, offers his portrait of Docteur Nico:
“After displaying technical virtuosity with African Jazz, expert and accomplished guitar with African Fiesta, which musicologist Sylvain Bemba described as a dream guitar, Nico Kasanda was consecrated ‘dieu de la guitare’ by the public in the late sixties. With his band African Fiesta Sukisa, Docteur Nico displays his wide palette of unusual sounds. While exploring the Hawaiian guitar with its clear, airy, plangent, psychedelic effluvia, he continues to replicate the piano comping technique, and adds two missing strings to his bow: a simulation of the sanza (likembé or thumb piano), whose sounds he reproduces right down to the noisemakers of the tiny tin rings, on the one hand, and the sounds of the Luba balafon on the other. The right note, in the right place, at the right time, is the triptych on which Nico Kasanda’s playing is based, a note dressed in the perfect sound. A guitar of pure emotion. With African Fiesta Sukisa, his playing takes a ‘Chopin-esque’ turn, sending out more notes in a sublime adagio. The true artist is the one who simplifies everything. Docteur Nico is a genius of our time, whose style makes him the supreme exponent of the most important guitar school in Congolese music. He is recognized by his peers as the greatest African solo guitarist of all time. Sculpting sound in a tireless quest for beauty, Nico Kasanda has sublimated the guitar throughout his career.”






























[xd] Kamulangu [Outro] (Dr. Kasanda – Sukisa 135) Folklore Baluba

Cécille label head Nick Curly closes out an exceptionally successful 2025 for the label with his powerful two-tracker
'Joystick EP', featuring a collaboration with Joëlla Jackson.
With over two decades in the game and a global footprint that spans the world's finest clubs and festivals, Nick Curly
continues to prove why he's one of house music's most consistent and respected artists.
As the co-founder and creative force behind the iconic labels 8Bit, which he runs together with Gorge, and Cécille Records,
founded alongside Marc Scholl, Curly and his team have once again set new standards for quality and innovation in 2025.
The 'Joystick EP' perfectly captures that timeless Cécille groove - deep, driving, and built for the floor.
And this is just the beginning - with fresh surprises and new projects on the horizon, Nick Curly is set to make 2026 another
standout year.

The second volume of Bollywood Nuggets is a 14-track collection of instrumental gems spanning three decades, blending legendary composers with hidden talents for a rich musical journey. Volume 2 of this series focused on the amazing sonic treasures Bollywood music has to offer. This second volume is centered on the incredible instrumental gems that populate Hindi cinema soundtracks. 14 tracks of pure Bollywood instrumental genius to continue the dive into the mind-blowing world of Hindi cinema music. Covering a time span of 3 decades, this compilation mixes well-known names (like S.D. and R.d. Burman or O.P. Nayyar), with lesser-known talents from the endlessly thrilling vaults of Hindi movie soundtracks and throws a couple of delicious covers for a truly unforgettable sonic experience. Includes liner notes.

Comprising of sisters Eva and Grace Tedeschi, The Cords are the brightest new indiepop band from Scotland and this is theri debut. They started playing drums when they were little kids and later found that they liked 80s and 90s indie music more than their peers did, and so formed a band, just the two of them, with Grace on drums and Eva on guitar - and the songs started to flow. With only a cassette and a flexi single released so far (both of which sold out in a matter of hours), Eva and Grace honed their skills by playing a whole series of gigs with some of the biggest names in Scottish pop. Their first show was with The Vaselines, and since then they have played with Camera Obscura, Belle and Sebastian, BMX Bandits and others, while also sharing stages with the new generation of indiepop stars: the Umbrellas, Chime School, Lightheaded. Like all great pop bands, The Cords have taken familiar ingredients and created something utterly fresh. Older indie fans will hear echoes of The Shop Assistants, The Primitives, Tiger Trap and Talulah Gosh, but they will hear something else too: a yearning, dreamy melodic power that takes the songs into darker, stranger places. Younger pop fans won't care about these old reference points: what they will hear is the sound of two young women doing something utterly exciting: playing loud guitar and loud drums, taking analogue instruments and hitting them hard in the service of immediate and infectious pop tunes, and not giving a second thought about the digital world that wants to own everything we do. The Cords sound free: they remind us that pop music, played right, is expressive, liberating, joyful and deeply personal. First single `Fabulist' is a sweet and catchy pop song that races along, so headlong and hooky that, on first listen, you could miss the fact that it's a wholehearted take-down of people who lie for a living. And the album is a fun rollercoaster ride from that point onwards, with the real stars of this record being Eva's sinuous guitar and silky vocals, and Grace's clattering, expressive sing-song drums. It's the sound of two sisters having an intense musical conversation with each other, pushing each other on to greater heights, exhilarated by the set of perfect pop songs they have magicked up. DIGIPAK CD, LP on BABY BLUE VINYL.

Vinyl 7inch - Split-Single: Ofisboyz/ Ghostbastardz - Non Ska-Bands from all over the world playing Ska songs: Eine türkische Oi!-Core Band aus Istanbul und eine deutsche Punk-Kapelle aus Wetzlar spielen Ska? Funktioniert! Ofisboyz "Istanbul Skinheads" The song criticizes racial prejudice, mocks stereotypes about Turks, and reclaims pride and identity in a rebellious, ironic way _ fitting into punk and skinhead traditions of standing against bigotry. Ghostbastardz "Für Skapunk reicht's" "Für Skapunk reicht's" mischt klangvollen Punkrock mit tanzbaren Offbeats - ein sommerlicher Ska- Remix, der Sonnenbrille, Bier und Rebellion in einen Soundtrack packt. Sechste Ausgabe der Ska-Split-Single-Edition, 2025, 300 Stück handnummeriert

PIA UNITED zünden mit "PENG!" ihr zweites Album-Feuerwerk. Die Fürstenwalder Band um Frontfrau Frollein Höhne vereint das rotzig-freche Lebensgefühl der 80er Jahre mit aktuellem Sound, cleverem Sprachwitz und maximaler Energie. Egal ob Punk, Rock oder Neue Deutsche Welle - auf "PENG!" verschmelzen Eigensinn, Ironie und tanzbarer Wahnsinn zu einem musikalischen Manifest. Nur ein Jahr nach Erscheinen ihres Debütalbums TACH! liefert PIA UNITED im November 2025 ,PENG!" ab. Ein Album voller Wucht, Wortwitz und wohlgesetzter Haken. Frollein Höhne, General, Sir Herle und Costja Chaos kreieren einen Stil, der das Lebensgefühl der 80er augenzwinkernd für heute neu auflädt und sich dabei immer wieder selbst hinterfragt. Ob Hymnen wie ,Die 10 Gebote der Jungpianiere" oder rotzige Coverversionen - der ganz eigene Bandhumor und die Liebe zum rebellischen Genre-Mix machen ,PENG!" zur perfekten Einladung, gemeinsam aus der Reihe zu tanzen. Pia Uniteds zweites Debutalbum! NDW trifft Punk, Ironie trifft Melodie. PunkROCK. Digipac-CD, LP in Gatefold Sleeve!

Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Their sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages, performing at renowned venues and festivals, including iconic spots in their home country as well as internationally, earning praise for their high-energy performances and thoughtful compositions. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. "Tougher Than the Rest" is their awaited second album. They take a step forward with a darker sound with gloomy riffs and ethereal voices in which they describe perfectly how the sound of a night full of random events -that surely, we all have experienced- would be like. Their sound is influenced by today's bands like Diiv, Warpaint or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds or Tom Waits. 'The Cigs, The Light, The Coffee and Crying' is the first single in which we find a powerful reverb-laden riff with a solo vocal melody in the middle of the chaos until breaking into a powerful chorus. Their debut LP "Cult Band Member" (2021) is sold out and the growing interest in the band anticipates that copies of this new album will not last long.

Gelly is blessed with an extended pack of dense, saturated Dub Techno explorers.

French musician, producer, and live artist Contre Soirée aka Olivier Decodts makes a significant return to Veyl with 'Psychiatry', a four-track EP shaped by deeply personal experience and emotional intensity. Rooted in post-punk, the release blends electronics with guitar parts, everything performed by Olivier himself.
What may have initially sounded like a PR stunt quickly revealed itself as anything but: ’Psychiatry' was conceived, completed, and sent to the label during Olivier’s stay in a psychiatric hospital. The first three tracks form a raw and honest narrative, tracing the events and emotional journey leading up to his hospitalization and explore the boundaries between vulnerability and resilience.
Closing the release is a cover of the Pixies' 'Gauge Away', a long-time favorite of Olivier’s. His rendition pays tribute to the original while placing it firmly within the emotional and sonic context of the EP, a final note of reverence and catharsis.
'Psychiatry' is a fearless expression of personal truth, pushing beyond the dancefloor to uncover something more intimate and affecting.

Die dänischen Rock-Giganten VOLBEAT – Michael Poulsen (Gesang, Gitarre), Jon Larsen (Schlagzeug)
und Kaspar Boye Larsen (Bass) – haben mit ihrem neunten Studioalbum „God Of Angels Trust“ erneut
bewiesen, warum sie zu den größten Rockbands unserer Zeit zählen. Das am 6. Juni 2025 erschienene
Album begeistert mit einer kraftvollen Mischung aus eingängigen Melodien und metallischer Energie.
Mit „God Of Angels Trust“ haben Volbeat, die als nicht-amerikanische Band einen Rekord von zehn
Nummer-1-Hits in den Billboard Mainstream Rock Charts halten, alle songwriterischen Regeln über Bord
geworfen und neue kreative Wege eingeschlagen. Entstanden in nur fünf Wochen, beeindruckt das Album
durch seine Tiefe, Vielseitigkeit und den unverkennbaren Volbeat-Sound.
Nach der Veröffentlichung ging die Band auf erfolgreiche Welttournee und begeisterte Fans weltweit mit
den neuen Songs und ihren bekannten Klassikern. Nun erscheint das Album als limitierte Picture Vinyl.