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CAR CRASH SET were one of the very few electropop acts coming out of New Zealand and have released several vinyls nationally between 1983 and 1986. Basically, the CAR CRASH SET consisted of synthesists/composers David Bulog and Nigel Russell and guitarist/producer Trevor Reekie, and was formed in late 1981, then still with Nick Jenkins on synths. They created such outstanding electropop songs with a Roland TR-606/808 and such lovely sequencing, – e.g. “Fall from Grace” is definitely a song that Anna will take with her into her grave – that it is indeed a shame that they didn’t receive more attention. Anyway, their 1983 12” ‘Two Songs’ (including “Outsider” and “Fall from Grace”) and the V/A ‘We’ll do our best’ LP (including CAR CRASH SET’s “Toys”) are at least highly collectible items amongst electropop connoisseurs and many people will be happy to see these tracks being available again as well as four previously unavailable demos from both their earliest and later days and seven more songs added to this CD version. CAR CRASH SET are currently recording again together though not only with the original Roland gear (“nothing else will do” as Dave once said): TR-606, Jupiter-4, MC-4, System 100m modular and System 104 sequencer as well as Nigel’s Korg MS20, Poly-61, Polysix and way more!

LP (3rd edition) features: limited edition of 317 copies, 180 grams yellow flame vinyl, A3 poster/revised lyrics sheet, sticker, revised hand-numbered double-sided postcard.

Ruby Wine Vinyl. Manchester UK's Space Afrika make music of what they term "overlapping moments" - oblique mosaics of dialogue, rhythm, texture, and shadow, half-heard through a bus window on a rainy night. Honest Labour, the group's first full-length since 2020's landmark hybtwibt? (have you been through what i've been through?) mixtape, expands the project's palette with classical strings, shimmering guitar, and visionary vocal cameos, leaning further into their enigmatic fusion of ambient unrest and cosmic downtempo. It's a sound both fogged and fragmented, at the axis of song craft and sound design, born from and for the yearning solitudes of life under lockdown.The album title is tiered, alluding to a legendary patriarch from co-founder Joshua Inyang's Nigerian family tree (who was lovingly called "Honest Labour" for his loyalty and resilience) as well as the nature of self-designated work, such as Space Afrika's music - a "labor of love" in its truest sense. With fellow co-founder Joshua Reid recently relocated to Berlin, the pair began sharing files last fall, piecing together poetic vignettes of looping haze and found sound, inspired by the notion of "records that leave an impression, and help the listener deal with their life." As the isolation of Covid compounded with the worsening winter, the songs skewed increasingly introspective and emotive, reflecting a mood of dissipating futures and the infinite nocturnal unknown.The artists cite two core motivations for Honest Labour: to transcend the sum of their influences, and "to show what we're capable of." Both ambitions are entirely realized. The collection's 19 tracks flow with a synergy and sophistication as rare as they are radical, untethered to the dusty dub-techno templates of Space Afrika's early years. These are interstitial anthems, expressionistic and open-ended, delirious but deliberate, attuned to the drift and dreamstate of the present moment: "Ultimately this is an homage to U.K. energy, and an album about love and loss."

Black Vinyl. In Rumi's poem A Great Wagon he writes of a place of total acceptance. "Out beyond ideas of wrongdoing and rightdoing, there is a field. I'll meet you there," It is a boundless, liminal space where we can release the judgments we make and carry of ourselves, and the comparisons to others. When we think of this field, there is a sense of tranquility that only comes when we are undisturbed by the shadow self and see existence as neither bright nor dim, white nor black. But as lead singer Greg Bertens explains, arriving there is a whole different story. "This is a poem I've returned to over the years, and I love the idea of this place, but getting there is life's journey." Bertens adds "I think the longing for and elusiveness of this field is a recurring theme in our music." Field is enveloped by themes of regret, disconnection and frustration but with the space to understand that these feelings are a natural part of the struggle between reconciling the inner and outer self. The Los Angeles/San Francisco-based group have been indie shoegaze stalwarts since their formation in 2001. After two decades and a handful of line-up changes, their extensive discography presents a dynamically textural, lush psychedelic rock that has featured guest appearances by members of Pavement, My Bloody Valentine, and Snow Patrol, among others. 2021's LP We Weren't Here (Sonic Ritual) was hailed for its dense instrumental blanket, where unrelenting hi-hats and heavy kicks exist alongside dreamy drone guitar. This propulsive nature permeates Field, as members Bertens, Noël Brydebell (vocals), Nyles Lannon (guitar), Jason Ruck (synths), Justin LaBo (bass), and Adam Wade (drums) produce a kaleidoscopic sonic landscape. Patient, sprawling instrumentation builds a foundation in which Bertens' themes of endurance, perseverance and clarity can bloom with a considered poise. As a lyricist who writes in response to the instrumental arrangements, rather than a focus on a specific theme or person, Field is a testament to Film School's ability to create in the moment, and to showcase the magic that stems from when we are truly present. With over two decades in the industry, Field cements Film School as a distinct, dominant force in the shoegaze scene. Soaked in an emotionally open, imaginative atmosphere, the album is both singular and expansive, and leaves the door open for a constantly evolving interpretation. Film School have never confined themselves to the rigidity of specifics, and it's on Field that they urge us to look beyond the binary of certainty, and to take a second look.

"RA" war der Beginn einer neuen Ära für Deutschlands erfolgreichste Art- & Progressive-Rockband Eloy. Die Formation zuvor hatte sich komplett getrennt. Bandgründer Frank Bornemann als Sänger, Gitarrist, Songwriter, und zugleich Produzent der Band, sprühte aber noch vor Ideen, mit denen er den bislang so erfolgreichen Weg fortsetzen wollte. In Keyboarder Michael Gerlach fand er schließlich einen gleich gesinnten Partner, der sich bestens in die musikalischen Visionen einfinden konnte, und auch mit seinem perfekt geeigneten Equipment Klangbilder erzeugen konnte, welche dann, im Zusammenwirken mit Gitarre und Vocals, zu einzigartigen Kompositionen führten. Mit "RA" wandte sich Eloy einem Thema zu, welches man aus heutiger Sicht mit Blick auf die fatalen Entwicklungen auf unserem Planeten, und in der Gesellschaft schon fast als prophetisch betrachten muss. Eloy Mastermind Frank Bornemann erklärt heute, dass sich für ihn schon damals die Menschheit mit ersten Schritten in eine unmittelbare Zeitwende bewegte, deren Folgen im Detail zwar noch unabsehbar waren, aber das Leben unumkehrbar völlig verändern würde. Das Szenarium auf dem Album, welches sich dann im Kerninhalt von "RA" letztlich definiert und abbildet, überschreitet zwar noch manche Grenzen des heutigen Geschehens, ist aber deshalb nicht weniger spannend, und die Musik ist definitiv ein absolutes Unikat.

Perpignan Burning: the Southern French capital of garage rock in search of the riff. Or as Lou Reed would put it: "You can"t beat two guitars, bass, and drums." Content: 27 previously unreleased tracks on the double LP and six digital-only bonus tracks. All tracks on this compilation were recorded in or around Perpignan, France, and go to the musical extremes of an extreme city. Whether garage punks or freakbeat mods, country punks or city rockers, whether pioneers or new to the scene: the only thing that counts is the riff. Pascal Comelade, infamous riff explorer since the 1970s, is the unlikely godfather of this bunch of punks and rockers. He opens the trip with his emblematic cover design and closes it with his own Riffifi orchestra to the ultimate riff of The Stooges" "I Wanna Be Your Dog".

For the past two decades, Dr Roman Belavkin (Solar X) has been deeply involved in AI research and mathematics at British universities. His albums from the 1990s are a testament to an era defined by the early internet-bulletin boards, FTP sites and mailing lists. In keeping with this, Solar X's music sounds surprisingly futuristic, a romantic artifact of a time eagerly anticipating tomorrow.

Following the re-issue of Solar-X's "Xrated" in 2019, GALAXIID is releasing his debut "Outre X Mer". All tracks are from the original DAT tapes and have been remastered for this release. "Pozdno Utrom", "Dileg" and "Solar X" were originally released on the "Outre X Mer EP" on Defective Records in 1995. Other tracks are out on vinyl and digital platforms for the first time.

"I was homebound for two years between 1992 and 1994, and the only way I could escape was through computer networks and writing," Belavkin recalls. Before the nasty car accident he was a member of the USSR/Russia national wushu team. Confined to his home, Belavkin started creating tracks based on ideas from his school days in the late 1980s, when he first recorded melodies on cassette tapes. This time, however, he fused those sounds with Soviet analogue synthesizers and PC sound cards. He shared these tracks via email with friends in different countries, becoming part of the "Analogue Heaven" mailing list, a community of enthusiasts united by their passion for analogue synthesis dating back to the 1960s.

During his initial pursuit of a PhD in Computer Science, Roman wanted to explore the intersection of what electronic music could offer humanity, the potential for AI to experience emotions, and whether emotions enhance or hinder intellect. These themes resonate in the music of Solar X. The album embodies ambient techno with intricate rhythms and ear caressing melodies, choppy percussion and blissful synths, making it both tranquil and danceable. Like a shimmering spaceship navigating between anxious dreams and visions, it transports the listener to a naively hopeful era yet to come.

MICHELLE’s first project of buoyant R&B tracks was an ode to New York City, the city where all 6 members of the band grew up. But amid the success of that project, 2018’s HEATWAVE, and 2022’s AFTER DINNER WE TALK DREAMS, they left home and broadened their perspective. The band travelled across the U.S. and Europe opening for Gus Dapperton, Arlo Parks, and Mitski, headlining their own shows, and playing festivals.

While writing their new album, Songs About You Specifically, MICHELLE decided to rent out a house in Ojai, California. Surrounded by lizards, the smell of ripe cactus fruit, and endless expanses of sand, they experienced a sense of solitude and closeness they hadn’t before. It shifted the tone of their work. While their earlier music channelled the churning restlessness of the city, these news songs meander and expand into starry shoegaze reveries, slick funk riffs, and lilting 80s synth pop.

Their newfound closeness also helped them write more vulnerable music. On Songs About You Specifically, the band members express their complicated desires, voice their regrets, and own up to their moments of selfishness. By slowing down, cutting out any distractions, and fostering a sense of communal closeness that necessitated honesty, MICHELLE ended up with a collection of songs that feel like the truth.

Info: Appearing on The Voice in 2012. A semi-finalist on Sir Tom Jones team. Performed nationwide including multiple appearances at London Fashion Week, the alternate Effie White in the London production of Dreamgirls (Sonia Friedman Production). Ruth Brown has also been busy with a successful 2-night sold out show at The Other Palace, a regular for Sofar sounds. Ruth returns with her EP - A Moment Of Truth.

Features 7 top thirty singles Live Greatest Hits album Filmed & Recorded at The Fat Surfer, Grays, Essex Friday 18th June 2004.
BAD MANNERS: Buster Blood Vessel - Vocal / Warren Middleton - Trombone / David Welton - Bass / Christopher Bull - Trumpet / Russell Sheen - Saxophone / Andrew Perriss - Guitar / Lee Thompson - Bass Guitar / Rikesh Macwana - Keyboards Jerry Tremaine - Harmonica / Russell Wynn - Percussion.

Full mailout to relevant music press and radio. Full promotion across social media platforms Advertising in Record Collector, Viva le Rock, Shindig

Holly Macve's third album, Wonderland, is a stunning testament to her evolving artistry and a bold declaration of independence. Released under her own Loving Memory Records, this album is her most luxurious and cinematic work to date. Co-produced with Dan Rothman of London Grammar, it features string arrangements by David Saunders and a notable collaboration with Lana Del Rey, who has lauded Macve's voice as one of the world's most beautiful. Reflecting a period of profound personal transformation, Wonderland captures Macve's journey through moments of intense highs and lows. The album's first single, 'San Fran Honey,' explores the theme of unattainable love, blending nostalgia with self-awareness. Macve's evocative, dreamy style resonates with the cinematic quality of Lana Del Rey's work, drawing comparisons between their approaches to music. Wonderland is an exciting exploration of Macve's growth and a showcase of her unique, atmospheric sound.

The Auditorium, Vol. 1 marks a groundbreaking collaboration between legendary hip-hop artist Common and iconic producer Pete Rock, blending years of individual success into a powerful joint effort. Common, a versatile talent known for his 15 albums, significant acting roles, and a collection of major awards including an Oscar and three Grammys, teams up with Pete Rock, whose influential production skills have shaped hits for artists from Nas to Madonna. Their paths, intertwined through decades of hip-hop evolution, have led them to this historic full-length partnership, showcasing their refined mastery over the genre.



In this album, Common and Pete Rock capture the essence of their seasoned artistry without compromising the soul of their craft. The project breathes life into hip-hop's rich legacy while forging its future, offering listeners a unique blend of thoughtful lyricism and innovative beats. Recorded amidst the nostalgia of their earlier successes and the excitement of new creative breakthroughs, The Auditorium, Vol. 1 not only redefines the boundaries of hip-hop but invites audiences into a profound musical journey. With its intricate compositions and deep, resonant themes, this album promises an auditory experience that is as intellectually engaging as it is emotionally compelling, urging listeners to dive deep into its layers and appreciate the genius at play.

Episode three for Leeds-Barcelona collective MASS connects both cities at the heart of their project with two artists from each scene.

A1 features the talented Leeds-based producer Ollie Burgess aka Zuul/R.O.E as he adds another alias to his belt, AS Groove. He is joined by Barcelona-based Driahn, a seasoned artist in the heart of the city and one-half of the DJ Service project.

Monile brings her dreamy visions to the B-side, an artist who continues to blossom with her infectious and spirited taste. Resident Nikol concludes the EP with a timeless breakbeat cut to finish this Leeds-Barcelona connection.

The second installment of the HouseHeadz00 Series, The Black Edition, is a masterful exploration of house music’s rich and varied landscape. This EP comprises four tracks that seamlessly blend different subgenres into a cohesive listening experience. It begins with ‘Recuerdo’, a track that captures the essence of classic house with its vibrant grooves and uplifting melodies, setting the tone for the journey ahead. As the EP unfolds, ‘Desire’ takes you deeper with its hypnotic beats and lush textures, creating an immersive soundscape. The deep vibes continue with ‘Dream’, a track that envelops you in a dreamlike state with its intricate layers and ethereal sounds. Finally, ‘Ever’ introduces a soulful dimension with smooth vocals and emotive harmonies, concluding the EP on a heartfelt note.

FFF’s music exemplifies the Dystopian Dreamstates vibe through its ability to evoke exploration of futuristic and alienated themes, and creation of surreal sonic landscapes. His work resonates with listeners seeking music that challenges traditional structures and transports them into haunting, introspective realms. This EP evokes a complex blend of haunting dystopian elements with the surreal, shifting qualities of dream states. Such music creates an auditory landscape that can be both unsettling and hypnotic, often exploring themes of alienation, technology, and subconscious experiences.

Strange Sensations is a new EP from Paul Renegade.
In between Lazerdrome / Phonomena releases (news on that soon) and with a folder full of spare tunes, this 4 track EP comes on white vinyl on sister label DragonDrop Records
This release features a mix of happy pianos, dark synths, ruff beats and Jungle Tekno vibes, all at various BPMs so there’s a bit of something for everybody.
On the A-side, Zer0 Gravity Fire is fast-paced ’94-style stompy hardcore (160BPM) with rushy pianos, while the synths and piano lines of Mind Over Mind slow the pace down a bit at 140BPM in an early ‘92 style.
On the flip side, Weird Dreams (160BPM) takes you between the worlds of happy and the darkside and Danger: Battledroid is an experimental dark hardcore track at 165BPM, mixing well in either a hardcore or jungle set.

The link up between Mantra and Vivek goes back to 2013 when Mantra used to frequent his System nights at The Dome. Both share similar values in grafting hard, focusing on the music and not getting distracted by the noise surrounding the culture. This EP has been in the making for over 2 years and we’re proud to finally be releasing Mantra’s debut SYSTEM EP.

4 cuts spanning different corners of electronic music - from broken beat, garage, and jungle, all with a heavy dub influence. Chopped up breaks, carefully programmed hits, dub baselines, heavenly pads - this release is raw, weighty & System to the core!

The follow up to the largely instrumental (and apparently sold out) "FUSION TO ILLUSION" LP takes us back to the deep house + boogie RNB zone this duo does so well. Side A sees a previous 7" only tune "PURPLE" get a 12" treatment alongside instrumental "EAR DREAMIN". The flip has instrumentals.

Here comes JIN09: a four track solo EP from Seoul’s Cosmo. Cosmo began her DJ career in 2017 and has since become one of the most active and consistent artists in the Seoul club scene, having residency at BBCB: Beton Brut + Concrete Bar.

JIN09 sees Cosmo's productions take on an ethereal and cosmic atmosphere drawing from the traditions of house and balearic music. While A side is lush, and dreamingly chugs along, B side sees Cosmo venture into techier and grittier sounds.

We are excited to present our first solo EP from such a talented producer, and can't wait to see what will come next from one of the region's rising stars.

Created by the dynamic duo of DAVE MAZE and Grammy-nominated SPIKE REBEL, this album is a one-of-a-kind fusion of funk, disco, afro, and soul, all wrapped in the mesmerizing art of spoken word. “WORDS OF KNOWLEDGE” is a spoken word tribute album to the talented JERWAYNE BALENTINE, also known as J-EPIC. JERWAYNE, who authored the book "WORDS OF KNOWLEDGE," was a remarkable poet, author, producer, and illustrator. Tragically, he passed away in 2020 at the age of 23 due to Muscular dystrophy. All proceeds from the sales of this album will be directed towards funding music programming for young adults with developmental impairments and supporting Muscular dystrophy research.