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"The Riot City Years" reissued on STUNNING YELLOW VINYL! Bristol's own Vice Squad were one of the earliest UK punk groups with a female lead vocalist. Beki Bondage was a heartthrob to any British lad of a certain age and her dynamic stage presence and vocal prowess made Vice Squad one of the most popular acts of the second wave of British punk. This killer collection features tracks from the Riot City singles plus demos. Another essential UK punk compilation from one of the greatest singles bands of the early 80's scene.

COLOURED VINYL RE-ISSUE OF THE 12TH STUDIO ALBUM BY PROG-METAL FOREFATHERS FATES WARNING Deluxe RED VINYL edition of this 2016 release, the twelfth studio album from American progressive metal veterans Fates Warning. They are one of the most successful US-based prog bands who have sold over a million albums worldwide. Right from the impressive first minutes of this album, Fates Warning proves itself to be one of those rare veteran bands capable of delivering new material as poignant and powerful as their many high points of the past. Fates Warning rose to international fame in the 1980s and was ranked as one of the early "flagship bands of progressive metal" along with Queensrÿche and Dream Theater, who were responsible for creating, developing and popularizing that genre.

FOR FANS OF: BOB DYLAN, JOHN FOGERTY
Bruce Springsteen ist weltweit seit Jahrzehnten äußerst populär und gilt als einer der grössten Rockstars. Allein in den USA hat er mehr als 70 Millionen Alben verkauft. Seine Songs haben meist das amerikanische Alltagsleben zum Thema. Seine zahlreichen Fans nennen ihn gerne anerkennend The
Boss. Diese limitierte Vinyl-LP beinhaltet eine umfangreiche Auswahl an Hits und Klassikern; mitgeschnitten von diversen US-Radiostationen im Jahr
1992.

Jonny From Space is the moniker of Miami-based producer, DJ, and co-founder of Impacto, Jonathan Trujillo.

After two EP’s on Omnidisc and a few more self-released, Incienso is excited to announce his debut solo LP, ‘back then I didn’t but now I do’.

Loping drum loops, warbling synth lines, sun-streaked pads and voice amble into the depths of the humid world Jonny’s music inhabits, where tempos shift and often float off into the ether altogether.

In the words of JFS himself- this album is “built 2 chill”

One of Europe's most popular alternative / dark wave bands. Lebanon Hanover have over one million monthly listeners on Spotify. Following their first US tour in over a decade, Lebanon Hanover returns with a soul-stirring double A-side single release, marking their first new material since the captivating 2020 album, 'Sci-Fi Sky.' Now, the enigmatic duo of William Maybelline and Larissa Iceglass beckons listeners into unventured sonic domains, intricately weaving folk-driven acoustic dream pop with the vulnerable essence of post-punk in a contemplative exploration of life's ephemeral yet profound nature. Embarking on a Cure-like sonic voyage reminiscent of the 'Head on the Door' and the 'Kiss Me' era, title track 'Better Than Going Under' manifests as a romantic, sombre daydream. William Maybelline's brooding baritone intertwines with sighing back vocals, narrating an ode to life's fleeting yet boundless vistas. The acoustic strums initiate a folk-driven narrative which, when coupled with a celestial choir, crafts a contemplative soundscape of cautious optimism, reminiscent of Echo and the Bunnymen or The Church.. KYIV: Bearing the name of Ukraine's capital, 'KYIV,' voiced by Larissa Iceglass, delves into a narrative reflective of the sorrow and despair entwined within war-torn regions like Ukraine and beyond. The acoustic guitar and drum machine create a Cocteau Twins' 'Treasure'-esque soundscape, evoking a melancholic yet beautiful auditory journey. Iceglass's voice, transitioning from her husky baritone to a more resigned lament, embodies a poignant reflection on the harsh realities faced by those embroiled in conflict-ridden landscap

Formed in late 2018, the at the time 4-piece band from Denmark pursued the stylistic vein of the 90"s shoegaze scene with crusty distortion guitars, progressive drums, and supremely airy vocal figures. Only two years after their formation, the band self-released their lo-fi-heavy debut EP, Everytime; a daydreamy handful of songs with alluring atmospheres of heartbreak and self-disorientation, that was quickly discovered by the legendary platform KEXP through their digital sale on Bandcamp. Meltways" debut album, Nothing Is Real, is a strikingly infectious collection of explosively driven songs. Warm blankets of noisy guitars and oceans of reverb melt with Mathias" angsty, yet liberating lyrics. Recorded in Esbjerg at Tobakken Studio, mixed and engineered by Mathias, and mastered by Slowdives Simon Scott.

Repress. The trio were formed at the end of 2011 by Fredrik Bolzann, leader of the avant garde black metal band Darvulia and former bassist of Malhkebre, who recruited bassist Lo Klav and drummer Niko Lass to help him realise his doom laden dreams. Mining a very similar territory to Witchsorrow, or the first Electric Wizard album, Witchthroat Serpent sound at once refreshingly distinct and instantly familiar. We have a feeling their eerie, heavy-as-balls sound is going to make doom fanatics across the globe very happy indeed... The main success of Witchthroat's Serpent's self-titled doom debut lies in the contrast between the raw vocals and the fuzzy guitars, both of which are produced by Fredrik Bolzann.

Repress. The trio were formed at the end of 2011 by Fredrik Bolzann, leader of the avant garde black metal band Darvulia and former bassist of Malhkebre, who recruited bassist Lo Klav and drummer Niko Lass to help him realise his doom laden dreams. Mining a very similar territory to Witchsorrow, or the first Electric Wizard album, Witchthroat Serpent sound at once refreshingly distinct and instantly familiar. We have a feeling their eerie, heavy-as-balls sound is going to make doom fanatics across the globe very happy indeed... The main success of Witchthroat's Serpent's self-titled doom debut lies in the contrast between the raw vocals and the fuzzy guitars, both of which are produced by Fredrik Bolzann.

The debut album by one of the originators of American Nu Metal. Originally released in 1997, this album features the hit single "Loco". The album been certified gold by the RIAA in the US. It also features fan favorites like "Big Truck" and "Sway". This is first time on vinyl in a long while, coinciding with the band reuniting for several festivals and a bill with Mudvayne. There is also an autobiography coming out from the amazing lead singer Dez Fafara. Dez has continued as an artist and manager during Coal Chamber's hiatus most notably with the rocking DevilDriver. The album is on Kerrang's list of Greatest Nu-Metal Albums of All Time. It is also on Revolver's list of 20 Essential Nu-Metal Albums.

"Chamber Music" is the second studio album from American nu metal band Coal Chamber. It came out originally in 1999. This is the first time on vinyl in quite awhile. The album features the hit cover of Peter Gabriel's "Shock the Monkey" with a guest vocal from Ozzy Osbourne. The cut "Tyler's Song" was featured in the movie Scream 3. Coal Chamber reunited in 2023 playing festivals and touring with Mudvayne. They are also putting out a new autobiography.

Meltheads have been spreading wildfire on stages in Belgium and The Netherlands for a good while now, driven by the metronomically tight rhythm section of Tim Pensaert (bass) and Simon de Geus (drums), and fuelled by the razor-sharp and skilful guitar of Yunas de Proost. And then there’s frontman Sietse Willems, a man born to be on stage, like Morrison, Plant and Iggy Pop in one brutal and gnarly package. On 9 February they will be releasing the long-awaited debut album ‘Decent Sex’. The album kicks off with the title track, linking Stooges to The Doors, and not beating about the bush: it’s going to be at breakneck speed, and it’s going to be loud. Just 30 minutes later, once the final notes of fever dream Melvin have died out, ‘Decent Sex’ leaves you knocked out on the floor after an insane trip along blaring post punk, visceral noise, sweeping psych and good old rock ‘n’ roll. Part of the world is already turning its head, as renowned radio stations like KEXP and Radio X Manchester are picking up songs like I Want It All and Theodore, and fellow Antwerp based rock legends dEUS took them on tour, even as far as London’s Electric Brixton. Influential music magazines like Visions (DE), Clash and DIY (UK) dug up superlatives – and comparisons to The Birthday Party – for Theodore, a song about looking for (self) love, but also about the mess drug use can lead to. All not very uplifting, and most themes return in several songs, like the dark side to relationships and sex (White Lies, Decent Sex), or toxic masculinity (Vegan Leather Boots, Theodore again) and even politics (No One Is Innocent, Arbeit). Pretty heavy stuff, but wrapped in the highly infectious and piercing guitar rock Meltheads are serving, it’s going like a bomb. Decent Sex is out on 9 February, followed by release shows in Belgium, The Netherlands and Paris. At the end of January, Meltheads will vigorously kick off the year with a show at the highly influential ESNS showcase festival, where the part of the world that is still in blissful ignorance will get to know the brute force of Meltheads.

Decent Sex by Meltheads, released 9 February 2024, includes the following tracks: "Vegan Leather Boots ", "White Lies ", "No One Is Innocent ", "Gear " and more.

Engineers songwriter and guitarist Mark Peters' new EP features guests including former One Dove singer Dot Allison and pedal steel legend B.J. Cole. The EP includes two brand new tracks alongside two remixes of songs from last year's acclaimed album `Red Sunset Dreams'. The Dot Allison-featuring `Sundowning' gets an almost Balearic makeover by Richard Norris which flows perfectly from `Silver River', featuring B.J. Cole, which has been turned into awe-inspiring ambient Americana by the Indianapolis collective Dawn Chorus And The Infallible Sea. The two new tracks, despite sharing a common theme with the album in terms of their sunset-related titles, signal a change in musical mood. Both are much more propulsive and driving, inspired by Mark's recent live shows which he has played as a trio with bassist Dean Roby and drummer Chris Smith. In fact, adding the title track to his live set finally brought it to life after 20 long years. Yellow 10" vinyl!

Currently celebrating ten years of releasing music on vinyl & cassette and following hype for recent releases from Moscow (via Tallinn)’s Galun (glagol album) and Osaka's Kiji Suedo (Hosek EP & Riot album), Edinburgh's Hobbes Music label continues to mine a leftfield seam with this brand new album from singer/songwriter George Demure (Tirk, Output) aka DJ/producer George T (Greco Roman, Optimo), better known as George Thomson to his mum. And it’s another absolute peach if you have a taste for post-club sounds of a more leftfield persuasion.

This is the follow-up to his 'The Record Store' EP which came out via George's own All Noise imprint in 2021. He has also released the Roll On, King's Cross single via Hobbes Music under his George T moniker last November (plus various bits for the Paradise Palms and Ramrock labels in the interim).

“It all began with the Record Store EP in 2021,” explains George. “Limit my options. No samples, one drum machine, two analog synths (mono and poly), computer simply to record. I was so happy with the results I began with what you hear today. Same drums, same machines (or lack thereof) maybe some real percussion and melodica but hey, I only answer to me.”

Imagine, if you will, Scott Walker jamming with Kruder & Dorfmeister in a very small studio…

Bonus Album ‘Dandy In Dub’ features dubs, instrumentals and bonus tracks, with yet more regular flashes of pure brilliance. Be sure to check out opener 'After' and closer 'Blue Lou', which sound like George might well have sound-tracked some French 80s flick of the 'cinema du look' period (Betty Blue, Diva et al) in another life. Plus ‘Mr Minilogue’ with its clarinet-like synth.... Does it really get any better than this?!!

Sleeve art by the amazingly talented Bernie Reid, another local legend.

Feedback/Reviews to date:

'He's so talented!' JD TWITCH (Optimo)
'Love the LP. Sounds really together, production is awesome. I love the aesthetic. Vocal tracks sit nicely with instrumentals. Vocals sound light-hearted' THE MAGHREBAN
"On a bobbled and float-y, light sunbeam dappled vapor of deep house, garage, electro, kosmische, leftfield pop electronica, dub and new wave (both the German and UK’s), the Edinburgh DJ/producer and singer-songwriter George Thomson continues the good work he laid down on the last EP... It’s a most lovely, swimmingly blend of motivations, feels and deep grooves that effortlessly comes together in a generous offering of electronic music: the very epitome of the Hobbes label’s remit in delivering leftfield unique visions of now techno, house and club sounds." MONOLITH COCKTAIL
‘I love the album’ LEO MAS
‘Lovely stuff’ S/A/M (Music For Dreams/DK, Cafe Del Mar, Pikes, Playasol Radio and many more, Ibiza)
Plus play/s from Andy Wilson on ‘Balearia’ Ibiza Sonica Radio
+ DJ Dribbler (Pikes, Ibiza // Paradise Lost, Red Light Radio, Pure)

The first Peach Discs release of 2024 comes from the Cloudsteppers dream team of Dan Only and returning label favourite Ciel. The increasingly prolific Toronto-based duo have blessed us with four tracks of floor-focused, 4x4 garage tunes drenched in their singular melodic sensibilities.

In their own words: “For our second record as Cloudsteppers, we went back into the studio with the intent of making functional garage tunes aimed at the dancefloor. Leaning into what created the distinct sound of our first record, we relied on Ciel’s Korg ESX-1 and Dan Only’s MPC 2000XL to lay down the foundations of each of these tunes. Skippy and bass-heavy, these 4 tracks are the result of our UK-leaning sonic experiments. Whether it’s the bubbling bass of Aqua Hotel, the tech-leaning grooves of Control ft. Eden Samara, the M1 organ in Duckstep, or the skippy drums of TDG, this is Cloudsteppers' twist on UKG.”

Couldn’t have said it better ourselves – hope you like the record.

After 8 years Georgian pioneer George Dzodzuashvili is back as Post Industrial Boys with a new album. It's his most personal record to date and opens up its own world: a world full of memories of a bygone time and observations so precise you almost feel like you are living and capturing them yourself with a Super8 camera.

Green Vinyl

A bass rumble seems to rearrange your organs like a spiritual doctor, fast techno kicks and a funky as hell percussion line emerge - it's the lucky 13th release on Lisbon's Para?so, this time by local mainstays Shcuro and Vil - the first, label co-founder, the second a longtime friend and impeccable DJ with a range that runs from dubstep to the hardest strains of techno and beyond. The opener track 'Rumble The Funk' evolves with infectious stabs and cut-up vocal and our legs can't seem to stand still. The groove continues on with the A2 'Recoil', a soulful, dubby, relentless ode to techno that feels authentic and purposeful. Emotional tones find their way in via a mysterious, melodic string, introduced in the breakdown. Dubbed out motifs, delay + feedback strokes make a welcome return on the appropriately titled 'Chime Dub' that opens the B side of the record: skippy rhythmic layers and a warm bassline complete the picture, string flourishes give us glimpses of radiant dancefloor revelations. On the B2 the duo's opener track gets the remix treatment by another exciting duo: Blasha & Allatt, who are the women behind the iconic queer techno raves Meat Free. They flip the original's melody into a rapid, dreamy affair, conveying an optimism that perfectly wraps up this solid record by continuing the celebration of collaborative work.

Step into the deep domains of compelling techno with Claudio PRC's latest outing on Delsin Records. After the mesmerizing strides of his previous releases, "Rites Of Passage" and "Challenger Deep," the Italian artist continues to carve a pathway that beckons listeners into his world of deep dreaming techno. With "Golden Scales", Claudio PRC invites us on yet another transformative journey. Inspired by "Il Nero e l'Oro" from Italian contemporary artist Alberto Burri, this forthcoming EP promises an evolution, a culmination of his sound expedition so far, a testament that blends the hauntingly beautiful elements of his past work with an evolved musicality that pushes the boundaries of deep and hypnotic techno innovation.

Bassmæssage is the heaviest and most consistent bass music night out of Leipzig, operating way over 30 low frequency terrapeutic events since 2007.

Hosting ventral vibrations by the likes of Mungo's Hifi, Moonshine, Rupture, Hardwax and the homies of Jahtari, maintaining strong relations within the local soundsystem culture like Zoumo and Plug Dub and pushing a ton of grass-roots DJs and visual artists, out of doubt it is a sure shot for all who like it low and want it vibrant.

2015 saw the release of the "Volume One" vinyl, blending all kinds of styles and tempi by artists who had played at a Bassmæssage. Dub met Dubstep, Footwork went along some Snailfunk Drum'n'Bass and even Skweee had a cameo. And all this happened on one plate with a warm vibe from start to finish.

It is about time to revive the label with a new vinyl compilation named "Second Drop", following the tradition of a nice roundup across various bass music tearitorries. One side pumps at uplifting 160 BPM, while the flipside is shifting down to relaxing 135 and even 120 speeds.


Nuphlo and Bukkha team up for the energetic modern halftime piece "Drip". Nuphlo might ring a bell as part of The Nasha Experience from London and Leeds, connecting asian roots with nowadays UK bass sounds. Bukkha is state-side born and has recently emigrated to Spain, from where this worldwide touring DJ machine is firing a plethora of bass music styles on renowned labels like Moonshine, System and Innamind.

DjBadshape passes the breakbeat driven torch with handsome melodies and subby kickbass on "Drift" to reflect Leipzig's well various scenes. While checking her tracks on Defrostatica and Human, one may also find artworks for Bassmæssage and more.

Sun People is closing the 160 side with the deep but dirty retro 90s jungle bit "Rise Up". Combining Techno, Footwork and UK Hardcore Breakbeats, the Graz based bass buab made it to releases on Exit, Rua and Alphacut.

Flipping sides, Dub Across Borders redefines steppers dub into the dreamy yet rolling "Bass Tree Dream". The project was found by a Copenhagen dubber when living in Colombia, fusing the rural folklore with soundsystem energy into a world-bass music. This can be heard on labels like Basscomesaveme, Translation and 45Seven and is best to be experienced in its live dubbing appearance which premiered at a Bassmæssage in 2015.

Paranoid One grabs these feelings and drops them a bit more sinister, "Glimp" manages to hide a playful 4 to the floor kick as well beyond its smooth soundscapes and percussions. As Paranoid Society these split personalities from Tallinn were delivering to Modern Urban Jazz and Alphacut already since a decade at least.

bhed finishes with the slow far-away dubsteppish "Minerva". Make sure to not only check the releases on Row and Trusik but also the freshly baked Neuburg based live act in between cosy ambient and lush bass music at the next Bassmæssage on 18th November in LeipZig!

Up the mountains, deep in the forest, I found these plants that live on sound and water. They don’t need light and therefore are unlike any other plants on this planet. Their peek of activity is during the night, when they are covered with a thin, black layer of nocturnal light. Night lies on these plants like a thin membrane. Their roots absorb drops, waves of sound and its vibrational intonation. When humans eat this plant they fall asleep and start dreaming instantly.

In this dream they become these plants, who are unnamed, and are able to feel the pulsation of their — now own — roots. Many years ago, when language was more sounds than codes, these plants were everywhere to be found in the planetary landscape. Nobody knows yet why these plants are only to be found in the high mountain in its deep forest. It is said that once you enter this forest it will not be easy to find your way out. Like in a dream, you need to be guided by a strong wave of consciousness to find your way out and back to the ground.

Auf seinem neuen Album BEFORE AND AFTER hat Young eine vielseitige Sammlung meist obskurer Songs wie ein Maler mit einer neuen Palette neu aufgegriffen. Für das Album hat Young als Reise in seine Musikgeschichte aus einer großen Anzahl seiner Originale und Favoriten aus seinem Katalog ausgewählt und führt sie hier auf dem Album auf, meist alleine, auf einer akustischen Soloreise an einen neuen Ort . Jeder der Songs fließt ineinander und erzeugt einen kontinuierlichen Fluss, der zu einem 48-minütigen reinen und intimen Hörerlebnis führt. Ein Album wie nichts anderes, was er bisher veröffentlicht hat. Das Album wurde von Lou Adler und Neil Young produziert und von Young und Niko Bolas, auch bekannt als The Volume Dealers, gemischt.

Neue Versionen der Songs selbst bewegen sich nahtlos und verwandeln sich mit faszinierender Klarheit in neue Dimensionen, angefangen bei seinem frühesten Auftritt in Buffalo Springfield, Burned, bis hin zum neuesten Don't Forget Love (aus BARN aus dem Jahr 2021) und einschließlich des bisher unveröffentlichten - veröffentlichten Song If You Got Love.