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Label owner Nhan Solo is back to his own imprint Mother Recordings with a massive House bomb! This time entitled a beautiful collab track "Do You Feel It" with the amazing DiVine from Amsterdam. The Ep includes three other awesome cuts by Alaia & Gallo, Denis Ago and Blaqwell ft. Curtis Richa of Brobot Records New York. All time classics on one vinyl, enjoy fam!

Tracks are heavy supported and played by Jamie Jones, Marco Carola, Danny Tenaglia, Claptone, Nic Fanciulli, Mark Knight, Cassimm and many more.

A Colourful Storm proudly presents a remastered first-time vinyl editions of Lone Capture Library's modern-day DIY environmental masterpiece, All Natures Most Mundane Materials. "Environmental"? While this certainly wasn't recorded for dinner party ambience nor was it commissioned by Harrods, it does document a haphazard wander through the English countryside, feeling the air and the earth, detaching oneself from confinement and attempting to make sense of it all. Its protagonist is Rory Salter, London's restless improvisor extraordinaire, who has contributed to dozens of solo and collaborative releases in an ecosystem branched from his Infant Tree private press. Under his alias Malvern Brume, he is responsible for some of the most enchanting sides of contemporary concrète that's graced our ears: dérives revealing beauty and curiosity within London's urban banality. And while we'd argue that Lone Capture Library applies this approach but seeks the peculiar within the pastoral, there also lies a certain hermetic recklessness, with its disruptive details and discarded sonic bric-a-brac.

"I'd walked from Swindon to Avebury and back, which is about a 21-mile round trip. I'd been a muppet and did the whole thing down the A4361, which is not a road suitable for walking on - there was a lot of jumping into the hedges to avoid lorries. Turned out, there was a really nice walk across the fields I could have done instead. But maybe that sums it up quite well. Instinctive and very impulsive. The day following, I was at home and recorded it in single takes, improvised and straight to the tape. There was a good deal of significance for me in walking to the stones, passing the Hackpen Horse, being in the landscape and dealing with some brain rot after being stuck in a house, anxious and depressed. There was a sense of freedom and detachment. It was all about the materials of the earth and the body and fucking the brain off for a bit - just wanting to move between places. I dunno, it's all very cliché."

SR002 marks the label's return with a 4-track VA release curated to contrast subtle nuances between transient moments of heavy and light, percussive and driving. Housing two arresting debut vinyl productions, SR002 showcases sonic versatility from both fresh perspectives of newcomers and respected producers. Each track is linked through poised sound-design from the deep corners of techno.

SEXYRECS entices an intimate, steamy club setting with SR002.

Masterful producer Yuksek returns to RNT with the Deja Vous EP of all-original modern disco. She’s Mine leads with a rolling percussive beat and Italo baseline and layers emotive piano chords and plaintiff vocals, to hearken back to a nostalgic era of indie disco. On the flip side, the EP title track collab with Brazilian producer Diogo Strausz brings expected tropical flavor, and All Night feels a bit French-touchy with it’s infectious phase effected vocal loop. Accessible hooks and solid production, this is a handy one for the bag!

Hot off his killer 2024 remix of Tiga and Hudson Mohawke’s “BUYBUYSELL,” UK-New Zealand DJ/Producer Keepsakes makes his proper Turbo debut with the Impossible (Eating the Sun) EP. From merciless techno bangers to caustic track titles that will absolutely shred your preconceived notions about the world and sneer at them as they writhe bleeding on the cold, hard ground, this release validates our label’s OCD-level commitment to living on the edge of something at all times.

The title track doubles as a massive forest rave bomb AND the No. 1 battle weapon for opening DJs looking to fuck over the headliner, while “Bongo Funeral” reimagines tribal techno as the chief export of a village ruled by emotionally unavailable gremlins. Next, “Snacks at Waco” makes skillful use of a hammering industrial beat to hammer home the importance of loyalty and community, and “Parasocially There for You” deftly soundtracks anxiety dreams about meeting your favorite podcaster. Finally, closer “Nimby Orgy” likely represents the very first sexual aftercare banger. NOTE: we’ve heard bad things about both NIMBYs and YIMBYs, and as such have adopted a militantly neutral position on the matter of who is f-ing and s-ing in our backyard.

Given that Keepsakes is a vinyl-only DJ, we’ve done him the courtesy of making this release available both on vinyl and digitally. While this would have been an incredible opportunity to completely shut him out of playing his own tracks, we decided that this would be unfair to the music itself. Because at the end of the day, Turbo takes its marching orders from Harmony, Melody, Rhythm, and Timbre, and to betray even one of our ethereal masters would be tantamount to kicking our own vision square in the nuts. IOW: ain’t never gonna happen.

K69 & Original ravers Dream Frequency are a formidable force once again as they deliver this limited edition 4 tracker. Hot on the heels of Raveology ; A meeting of minds, the guys throw in fierce breakbeats, Uplifting piano breaks, and a sprinkling of rave magic all on a limited edition translucent blue and red butterfly effect vinyl. If previous releases are anything to go by, get this in your basket as it will sell out with no repressing guaranteed. This is the 2nd release in the Raveology trilogy.
Our most ambitious vinyl release to date goes beyond the 4 floor fillers into amazing graphic design and one of the rarest vinyl colour designs out there. This will look as amazing on walls as on turntables.

For the fourth release of Marseille-based label Planète 51, co-founder Apoteoz steps forward with his first full vinyl EP — a deeply personal and evocative collection produced throughout 2024.

Crafted with a strong sense of family and emotional resonance, Switch My Face EP blends hypnotic grooves with intimate storytelling. The title track “Switch My Face” features the voice of Apoteoz’s father, while “Et Toi” includes a touching vocal sample from his mother

The B-side presents a more recent side of his production, including “Echoes in Blue”, one of his latest inspiration — a deeper, more introspective journey that expands the emotional palette of the record.

“Futurespective” is a remastered compilation featuring the very best releases from the iconic Bulgarian band Les Animaux Sauvages. For the first time ever, these timeless tracks are available on vinyl. Presented in a ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Here’s another gem from the Made Up Records catalog, crafted by none other than Laserdance legend Michiel van der Kuy. Once again, Vintage Pleasure Boutique delivers a beautifully remastered original, breathing new life into this classic cut. But that’s not all. Thanks to the access to the original studio stems, the release also features four brand-new remixes. A.P. Mono, Electro Potato, Bellatrix, and Chris van Buren all stayed true to the essence of the original production, but each one gave “Let Me Free” a fresh twist – tweaking, polishing, and reimagining it to build a smooth bridge between the old school vibe and modern dancefloor energy, all while giving a respectful nod to today’s DJs.

For many italo disco fans, Dyva is nothing short of a mythical name. A cult act surrounded by mystery, legend, and endless debates fueled by pure passion. And it all started with their iconic track “Oh Mama Tonight”, which, adding fuel to the fire, was released only as a promo single. That rare Boot Legs vinyl became the holy grail for collectors, a lifelong hunt for true italo enthusiasts.

After just three official releases (the last one in 1990), Dyva seemingly vanished from the face of the earth… Until the early 2000s, when Finnish italo aficionado Kimmo Salo tracked them down in Sestri Levante, Italy. That unexpected meeting sparked a brand-new chapter, both for Kimmo’s soon-to-be-born label Flashback Records and for Dyva’s founding members Roberto Calzolari & Massimo Traversoni. Encouraged by Kimmo, the duo returned to the studio to bring back to life not only their long-lost 80s demos but also fresh new material.

This album is a true time capsule, covering the period between 1986 and 2024, featuring never-before-released single versions, true gems. For any die-hard Dyva fan, this is nothing less than an essential addition to the collection.

For our next physical release, FERMA proudly welcomes Fragedis. A driving force in the local underground for over two decades, Fragedis is renowned for his eclectic, genre-blending, DJ sets and productions. Staying loyal to the craft and deeply committed to the culture, he is also co-hosting Healthy Summer in Crete, one of Greece’s most revered festivals for authentic rave culture.

This release features six tracks that perfectly encapsulate FERMA’s sound identity and forward-thinking vision. The A-side opens with “Teras”, an atmospheric piece with immersive vocals that lay the foundation for the journey ahead. “Thrust Reverse” cranks up the intensity with industrial-driven arpeggios, primed to ignite the dancefloor. Closing out the first side is a stripped-down reprise of “Teras”, reimagined by a legendary artist who has shaped the Athenian industrial sound – true name strictly confidential.

Flipping to the B-side, “Live in Lies” drifts into deeper territory, weaving atmospheric pads and trancey synth sequences for introspective, eyes-down moments. Bringing it all home, “Fasaries” delivers an electro spinoff that rounds out the release’s sonic character and journey.

We are beyond excited to share this release with you – play it loud, folks!

SOULMEEX record label returns this summer with a heatwave of nostalgia-infused grooves, welcoming French producer Harrington for his debut release on the label. Known for his raw, emotive take on electronica, Harrington blends italo, dream house, and vintage synth textures with a distinct nod to the golden era of Chicago and New York club culture. The result: two original cuts that pulse with timeless energy.

On the A side, Dancin’ Better channels a bittersweet euphoria, driven by retro drum machines, silky basslines, and melancholic melodies that feel both familiar and fresh. The remix comes courtesy of Prom Night, one of Copenhagen’s most vital dancefloor architects. His version reimagines the track turning it into a peak-time heater for dreamy dancefloors.

Flip to the B side for System Nation, a darker, more propulsive journey through late-night zones, with Harrington crafting a groove that’s both hypnotic and emotionally charged. Stepping up on remix duty is Berlin’s own Maltitz. His italo remix injects System Nation with shimmering synths nodding to the genre’s roots while pushing the vibe forward.

XTRICTLY ELEKTRO returns with Volume 2, further establishing its vision of innovative and forward-thinking Electro. Featuring six producers with razor-sharp sound design and solid trajectories across the international circuit, this collective work reinforces Cosmic Tribe’s commitment to rhythmic synthesis, harmonic tension, and the structural discipline of the genre — unafraid to step outside orthodoxy.

EC13 opens the release with another chapter of his retro-futurist signature, marked by strong conceptual intent and cinematic pulse.
Spectrums Data Forces, a side project of C-System, brings the most technical edge from southern Spain, blending depth, precision, and modular design.
Atix, hailing from Lyon, contributes decades of refined energy and craftsmanship, always with a club-oriented focus.

On the B-side, Calagad 13 returns with a deep, introspective electro bass cut, reaffirming his role as a central sonic pillar of the series.
Final Dream, one of Phil Klein’s aliases, delivers a powerful piece built on heavy low-end and epic atmospheres, in line with his legacy as a key figure in UK Electro.
Elektrotechnik, a German producer, closes the release with an industrial-leaning, bold, and uncompromising statement.

Six exclusive tracks showcasing the genre’s vitality and the diversity of creative visions driving its continuous evolution.
Limited to 150 copies.

FoxBam Inc returns with its fourth EP featuring a powerful mix of floor-shaking productions. The release includes contributions from Gez Varley, best known for his work with LFO and classic tracks like 'Quo Vardis' alongside Italian acid producer Vikkei and label founders Foxtrot and Egebamyasi. This new one opens with the acid-heavy 'Battle Scars' while Vikkei delivers the hard techno 'Hip 'n' Crack.' Egebamyasi explores bass-driven dubstep with 'Mandubchester' and Varley's 'Saturn One' brings cinematic vibes to his signature techno style. Launched in 2023, FoxBam Inc is already becoming a key player in the underground.

Nothing said new or modern or futuristic quite like a synthesiser in the 70s and 80s. If you were shooting an advert and you wanted your product or your company to appear forward-thinking and ahead of the game, then you would want something electronic, something out of the ordinary. When TV producers and advertising directors started searching for music that sounded like “Tubular Bells” – and then Tomita, and later Jean Michel Jarre – music libraries such De Wolfe, Bruton, Parry and Chappell had to have the tracks readily available.

Compiled by Bob Stanley, “Tomorrow’s Fashions” varies from advertising jingles and TV themes to space exploration and gorgeous, beatless ambience. Though it’s 40-to-50 years old there’s a real freshness to this music. Older jazz players Brian Bennett, John Cameron, Alan Hawkshaw and others seized the chance to operate a synth; younger pups including John Saunders and Monica Beale were simply intrigued by the new technology being wheeled into the studios. There’s a tangible sense of adventure.

“Tomorrow’s Fashions’” brand of electronica anticipated new age and ambient music. It also had both a direct and indirect influence on pop – the early Human League and the future sounds of Warp Records are all over this collection. Electronic library tracks have been sampled by everyone from MF Doom to Kendrick Lamar.

One person’s primitive and experimental is another person’s space-age lullaby. This was music made in the shadows – in Soho’s secretive music library studios – that has now become desirable and influential. The chances are chunks of it will be sampled and used on hit records that have yet to be written. If the musicians’ aim was to soundtrack tomorrow’s fashions, they couldn’t have got it more right.

Trip-hop royalty Morcheeba make a blistering return with a stunning 11th studio album Escape The Chaos.

“This whole record is a process of trying to reconnect with what really matters. whether it’s what in your heart or with the world, putting your feet on grass and feeling the earth beneath you” says Ross Godfrey.

“For me, ‘We Live and Die’ is about my duration in the band and the music world and life in general,” Skye says of the lead single. “The lines become blurred after all this time. In a way, it’s a homage to the thirty years of being in Morcheeba which is 60% of my existence.”

Formed in London in 1995 the legendary band have extensively toured the globe, sold over 10 million albums worldwide and left their mark as one of the most influential acts of recent times. Releasing their acclaimed debut album Who Can You Trust? in 1996, the band have gone on to release a string of successful studio albums, including 1998’s platinum selling Big Calm, produced an album for Talking Heads’ David Byrne and produced soundtracks for Oscar-winning director Steven Soderbergh.

In their 30th year Morcheeba are as relevant as ever and are set to mark the celebration in style.

La Ruka is a prominent artist from Colombia's Pacific Coast. She blends hip-hop, salsa, Afro-Colombian roots and urban Latin genres in her music even though she is now based in Barcelona. Her live shows are always high on energy and tunes of hers like 'No Quiero Marido' and 'Todo Es Plata' are some of many standouts from the last 20 years. Her lyrics often focus on Afro-descendent women and life in Buenaventura and this new EP is another injection of Latin rhythms direct to your soul. Each one is sun kissed and percussive with irresistible production from the likes of JMoney, Village cuts and Lanzapro.

A 90 minute cassette-only mixtape taking in Filipino folk, rock, country & OPM from the 1970s, originally broadcast on NTS Radio back during the early months of the pandemic. One missed out of the collection of DINTE radio shows committed to tape as part of 10 year anniversary celebrations last year.

Fashion Flesh tears the fabric of space and time. This is his first offering for the ESP Institute. With side A’s 'Atoms Revolt', ESP cordially introduces Fashion Flesh, AKA John Talaga, to the deepest corners of your mind. Using largely homemade electronics, circuit-bent gadgets, and tape manipulation, John manages to tap into the innate character of these otherwise introverted machines, eavesdropping and documenting their buried inner dialogue. His command of distortion is multi-tiered. On a micro level, he induces happy accidents and shepherds stray elements. Zooming out a bit, we begin to understand the sonic meat grinder that equalizes his bag of disparate ingredients. And from a macro vantage point, we fully recognize the greater tool that sculpts all of the above into form. Side B’s 'New Freedom' conjures a specific dystopian image—the byproduct of an artist involuntarily conditioned by the commute between up-river Bay County, Michigan and the Detroit metropolitan area. Like cutting away at flesh and muscle, breaking through the bone to suck the marrow, John depicts both the contrast and parallels between two post-industrial urban landscapes, the banal trek across The Thumb between them, and the gradual disintegration of agriculture as one nears the Techno city. Voice fragments begin to stutter in syncopation like radio frequencies interfering with our psyche, Geiger counters wail and moan, untamed oscillations mimic caged primates rioting at the zoo, and a steady-firing piston of drums struggles to break through a dense harmonic soot. The depth of personality John extracts through his manipulation process is remarkable— a point-of-view that foreshadows humanity’s looming technological singularity while hinting that it may have always been here, hiding in plain sight, waiting to be given a voice. These two songs will trip your circuit breakers.

"Bordeaux-based emerging talent Salomee deals in menacing and moody atmospheres, drawing on a range of techno, electro, house, and the ill-lit corners in between. Hypnotizing and neon-tinged melodies drive her tracks: these are bare bones, high on repetition, and very compelling. They come backed by elaborate and agile drum rhythms, composed with a rawness that references the most seasoned inspirations. The Before Time Began EP sees the artist further develop her sangfroid aesthetics with four tracks that assuredly reach beyond bunkers and basements. On Sacred Gatherings, several entrancing, alternating arpeggios work up a spark against a backdrop of tightly choreographed kicks and SH101 patterns. When the cut rises to a peak, a salvo of vocal chops drops - a rare event in Salomee's discography, even though the samples are rearranged beyond recognition. Before Time Began utilizes a similar palette, but this time, an undercurrent of melancholy seems to propel the track. A leisurely modulated, dubby sub segment amplifies the theme. By The Sea combines dark bass sequences and strings as gloomy as a fog horn with vivid 909 drums. The highs of the lavishly programmed hats and claps and the intense lead provide a slug of energy. It is a rendition of trance, manipulating both the genre's and the artist's signifiers. On Love Prevails, a slowly filtered, heavily delayed lead is spread atop a Bristol techno style beat. An array of cinematographic chords and subtly mixed gasps inject this closing track with a precarious balance, one that explores the tension between yearning and relief."