Victor Axelrod aka Ticklah's landmark fusion of reggae and salsa, "10th Anniversary" double 7-inch special edition. Originally released on NYCT in 2014, this previously sought-after press featured his long-anticipated reinterpretation of Willie Colón & Hector Lavoe's Nuyorican classic El Dia De Suerte. With countless musical endeavors under his belt, plus founding duties in the Dap-Kings, Antibalas and the Easy Star All-Stars, Ticklah remains a serious force in the studio as exhibited in his methodical deconstruction of these seminal New York City Latin anthems. Reworked entirely from the ground up with a precise and soulful approach to foundation reggae roots and dub, Ticklah's extended take on El Dia De Suerte stretches out into new territory, yet remains faithful to the original's timeless message via Mayra Vega's stunning vocals. Rounding out the package are Ticklah's renditions of Eddie Palmieri's Mi Sonsito and Si Hecho Palante from his 2007 album on Easy Star, already deemed dancefloor essentials by soulful DJs worldwide, remastered and now presented on 7-inch vinyl for the first time. It's arrived, again!
a 01: El Dia De Suerte (Vocal) feat. Mayra Vega
c 03: El Dia De Suerte (Dub) feat. Mayra Vega
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‘Music From The Penguin Cafe’ is the first studio album by the Penguin Cafe Orchestra. It was recorded between 1974 and 1976 and released in 1976. The executive producer for the album was Brian Eno, who released this album on his experimental Obscure label, with catalogue number ‘Obscure 7’. The original cover was by John Bonis. The reissue cover painting is by Emily Young. The album was included in Robert Dimery’s ‘1001 Albums You Must Hear Before You Die’.
This is the first repress since 1987 and uses the 2008 remaster.
Pressed on blue vinyl
Building on the promise of his standout Vacuum EP, Brendon Moeller returns to Samurai Music to dial his expert dub techno up to 170 for a full-length trip. Moeller is celebrated as a versatile operator applying cavernous sound design and decades-deep machine soul to a broad sweep of tempos and styles, and his pivot to D&B territory is as natural as it is original. It's a perfect fit on Samurai, where palettes, pressure and rhythms are continually yielding fresh results in this highly fertile zone of modern club music.
It's no secret Moeller is a prolific producer, and following his initial connection with Samurai he offered up a vast folder of tracks created in this latest furrow of his production. The label has since sifted through and puzzled out a sonic narrative, first realised on the Vacuum EP in June 2024 and now extended with Further. For anyone keyed into the deep, techno-informed innovations taking place at 170, there is a logical connection to Moeller's take on the sound, but at the same time these tracks stand apart from anything else out there right now. In the particular textures, the unfolding arrangements and monolithic reverbs Moeller threads together with hypnotic poise, his accomplished legacy shines through.
Whether it's the snarl of a delay feedback pushed a little further, a soaring synth swell sculpted into artful noise or a particular shuffle applied to a particular drum rack, Moeller's tracks unfold with a masterful poise, hitting the sweet spot between club-spirited physicality for the deepest of dance floors and introspective headphone trips. Teeming with detail, swathed in soul and engineered to perfection, the inspiration driving Moeller is palpable across the LP, and it's resulted in some of his finest work in a career studded with highlights.
- Why This Record Intro
- Tonya Harding
- Wreckless Boy
- Haterade
- A Real Honey
- Shut The Fuck Up
- Parking Lot
- Buckhead Betty
- Don't Touch My Shit!
- Roll Dem Dice
- Parcheezi
- Fatty Pad
- Nestle In My Boobies
- Bloody Shirt
- The Missing Letter
- Wife Eyes (Bonus Track)
- Never Wanted You (Bonus Track)
- Larger Success Outro
+ REPRESS OF THE LONG OUT OF PRINT DEBUT ALBUM BY THE COATHANGERS + LIMITED EDITION FOURTH LP PRESSING ON NEON BUTTERFLY VINYL + REMASTERED WITH TWO BONUS TRACKS + EXPANDED ARTWORK BY BRADFORD COX (DEERHUNTER, ATLAS SOUND) + HOUSED IN A GATEFOLD JACKET + DL COUPON // Eighteen years ago, four young Atlanta women picked up instruments without any prior musical experience or lofty aspirations and decided that they were going to start a band so that they could play a friend's party. The house-show begat more shows around town, and the feisty and fiery live sets begat an album. Recorded during a single graveyard shift at a local studio and mixed the following night, the self-titled debut album by The Coathangers was a raw, rowdy, and revelrous affair. What it lacked in polish it made up for in its undeniable energy and charisma. "We didn't think anyone was going to listen to it," says vocalist/guitarist Julia Kugel. "We knew our friends in Atlanta would get it, but we didn't think it was going to go anywhere. We were just excited to make a record." Little did Kugel or her bandmates_vocalist/drummer Stephanie Luke, bassist/vocalist Meredith Franco, and keyboardist Candice Jones_know that their scrappy house show-anthems would catch on, prompting years of international tours, a slew of excellent LPs and singles, and, eventually, a deluxe version of their boisterous debut, The Coathangers. The eponymous debut album by The Coathangers is a whirlwind ride of a band at the most frenzied, celebratory, and free moment of their existence. As a standalone record, it's a brash and bawdy rocker sure to please anyone who likes their rock n' roll sweaty and messy. As a piece in the band's legacy, it's an exhilarating reminder of the band's youthful care-free beginnings. The deluxe remastered version of The Coathangers includes the bonus tracks "Wife Eyes" from the Hard Candy EP and the title track from the Never Wanted You EP. The Coathangers on vinyl features expanded artwork by Bradford Cox (Deerhunter, Atlas Sound) in a gatefold jacket.
- The Same
- Chip On My Shoulder
- Beyond My Hands
- Chokito Bar
- Derelict Eyes
- No Turning Back
- Rock'n'roll Marie
- Feel Strung Out
- Drives Me Wild
- Help Yourself
- We're Not Like You
- Rock Action
For the first time on vinyl, a great Australian High Energy classic from Brother Brick, led by Stew Cunningham, one of the best guitarists to emerge from the antipodes. On the same level as other classics such as Bored!, Asteroid B612, New Christs... A gem of OZ rock. Attention all rock enthusiasts and vinyl collectors! The wait is finally over. For the first time ever, Brother Brick's legendary 1997 album A Portable Altamont is being released on vinyl, fully remastered to capture the raw power and energy that defined their high-octane sound. This release showcases the band's gritty fusion of blistering guitar riffs, pounding rhythms, and unforgettable melodies--reminiscent of Detroit's finest like The Stooges and MC5, but with that unmistakable Aussie edge. Led by the iconic Stewart Cunningham, known for his work with other influential projects like Proton Energy Pills, Leadfinger, Asteroid B612, and The Yes-Men, Brother Brick carved out their own space in the '90s Australian rock scene. A Portable Altamont is a testament to their uncompromising spirit, packed with all the attitude and authenticity that made them a standout in the Sydney underground. Originally only available on CD, A Portable Altamont is a high-energy masterpiece of Australian rock, packed with blistering guitars and melodies that have been screaming to be heard on the rich, warm tones of vinyl. This remastered edition brings new life to tracks that defined a generation of raw, unapologetic rock. If you're a fan of loud guitars, powerful melodies, and pure rock 'n' roll attitude, this is the vinyl you've been waiting for. Don't miss your chance to own a piece of rock history--A Portable Altamont is now available in a limited edition vinyl pressing! TRACKLIST SIDE A A1 The Same A2 Chip On My Shoulder A3 Beyond My Hands A4 Chokito Bar A5 Derelict Eyes A6 No Turning Back SIDE B B1 Rock'n'Roll Marie B2 Feel Strung Out B3 Drives Me wild B4 Help Yourself B5 We're Not Like You B6 Rock Action
Post-Nuclear Mind Music? Lizard Strategies? Void Spirit...? These bizarre titles are just a few of the self-coined terms that Australian electronic musician Ian MacFarlane has conjured to represent his eccentric sonic world. An artist whose unique style of electronic experimentalism has balanced dangerously close to the edge of popular convention, existing outside the mainstream and extending well beyond the fringe of any sanctioned independent scene. A futurist outsider whose extraordinary musical vision has explored the uncharted realms of consciousness and fantasy. Following a brief stint with the legendary Australian Krautrockers Cybotron, MacFarlane produced three independent solo albums throughout the late 1970s and early 1980s. His debut LP Void Spirit, an experimental album issued under the pen name 'Violet Lightning', was followed by a further two albums published under his own name, the cosmic influenced Back From Beyond and finally the privately issued electro-ambient suite Planetarium. Presented with hours of unreleased home recordings, The Roundtable has begun a dedicated search through the fascinating archives of this under exposed artist. Beginning with a vinyl release of the rare cassette-only album Planetarium; this private press sees MacFarlane armed with a bank of Roland Synthesizers, Drum Machines and field recordings, spawning a mutant amalgam of German Kosmische Musik, French Library electro and Private Issue New Age. Surrender to the stars and welcome to the first instalment of "Muzak To Moralize By".
Laserdance Album „Fire On Earth“ endlich wieder als LP erhältlich. Laserdance, eine der bekanntesten und einflussreichsten Bands im Bereich des Spacesynth, die maßgeblich zur Entstehung des Genres beitrug, hat mit diesem Werk die Dance- und Synthwave-Szene der 90er Jahre geprägt – und auch heute noch ist ihre Musik eine feste Größe im elektronischen Musikuniversum. Nun ist das Kultalbum „Fire On Earth“ endlich wieder als LP erhältlich. Es enthält eine perfekte Mischung aus futuristischen Klängen, treibenden Rhythmen und atmosphärischen Melodien, die den einzigartigen LaserdanceSound ausmachen.
- A1: Dawayer 4:59
- A2: Siren 4:37
- A3: Drill 4:45
- A4: Exploit 4:51
- B1: Procession 2:12
- B2: Phase #5 3:27
- B3: Pressure 5:39
- B4: Pivot 4:17
- B5: Chaos Controlled
- 1: Introduction (Instrumental)
- 2: The Only Difference Between Martyrdom And Suicide Is Press Coverage
- 3: London Beckoned Songs About Money Written By Machines
- 4: Nails For Breakfast, Tacks For Snacks
- 5: Camisado
- 6: Time To Dance
- 7: Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off
- 8: Intermission (Instrumental)
- 9: But It's Better If You Do
- 10: I Write Sins Not Tragedies
- 11: I Constantly Thank God For Esteban
- 12: There's A Good Reason These Tables Are Numbered Honey, You Just Haven't Thought Of It Yet
- 13: Build God, Then We'll Talk
This super rare Gospel-Soul record, originally released on the short-lived US funk/disco label Cheri Records, sees its very first reissue since 1982. Original copies are almost impossible to get a hold of with only a limited number of first edition copies in circulation. Produced by the legendary Julius Brockington, this record comes packed with gritty beats and powerful harmonies. Now pressed on heavyweight colour edition vinyl.
- A1: Bulls On Parade 5:22
- A2: Testify 3:34
- A3: Guerrilla Radio 3:55
- B1: Sleep Now In The Fire 3:59
- B2: Freedom 5:49
- B3: Killing In The Name
Mantra Records, c’est l’initiative d’un jeune passionné de vinyle qui a choisi de créer son propre label afin de presser les morceaux de ses artistes favoris. Qu’il s’agisse de grands noms ou de ses amis proches, l’objectif est de mettre en avant ces talents, en mêlant artistes reconnus et amis de longue date. Le tout pour faire découvrir leurs univers et leur offrir une reconnaissance méritée, notamment à travers des éditions vinyles.
Ce 00 marque le début d’une trilogie. Les deux prochaines étapes resteront fidèles à la même identité visuelle et au même style musical, tout en variant les artistes pour une expérience unique à chaque sortie.
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Attention la B1 est un peu spé niveau pressage.
2024 Repress
There isn’t many who would disagree with the underlying sentiment that electronic music makes us feel something extraordinary. Much in the same way, the possibilities for creative discourse and cosmic interactivity are accessible to anyone with an open mind. It’s in this place where these possibilities materialise, and it’s in this space where SYNCROPHONE 39 operates within.
You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.
Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.
One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix,
will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.
- A1: Fore Play Feat. Bj The Chicago Kid
- A2: Shangri-La
- A3: Outta Da Blue Feat. Dr. Dre And Alus
- A4: Hard Knocks
- A5: Gorgeous Feat. Jhené Aiko
- A6: Last Dance With Mary Jane Feat. Tom Petty And Jelly Roll
- A7: Pressure Feat. Dr. Dre And K.a.a.n
- A8: Another Part Of Me Feat. Sting
- B1: Skyscrapers Feat. Method Man And Smitty
- B2: Fire Feat. Cocoa Sarai
- B3: Gunz N Smoke Feat. 50 Cent And Eminem
- B4: Sticcy Situation Feat. K.a.a.n. And Cocoa Sarai
- B5: Now Or Never Feat. Dr. Dre And Bj The Chicago Kid
- B6: Gangsta Pose Feat. Dem Jointz, Stalone, And Fat Money
- B7: The Negotiator
- A1: Rhapsody In Blue
- A2: Parkers Mood
- A3: The Zero Point
- A4: Getting It Out Of My System
- B1: $$ Kash Register $$
- B2: When I Fall In Love
- B3: Do Your Thing
- B4: Angel
KSB stands for Kashmere Stage Band group that was initially founded by Conrad O. Johnson. He was at the heart of the group which is surely one of the most accomplished student outfits of all time. They hailed from the eponymous Kashmere High School in Houston, Texas, and were active in the 1960s on until the late 1970s. They related a number of albums which only get got pressed up a maximum of 1000 times so have become cult favs and hard to find treasures. P-VINE however changes all that with a series of limited reissues of their most renowned albums, including this one, Out Of Gas But Still Burning, as well as some others which have never actually been on wax before.
Posh End Music celebrates it’s 10th release with an EP of ceiling shakers by musical wizard Ben Pest. Pressed onto pink vinyl.
- A1: My Funny Valentine
- A2: I Get A Kick Out Of You
- A3: All Of Me
- A4: Love & Marriage
- A5: You Make Me Feel So Young
- A6: Night & Day
- A7: The Lady Is A Tramp
- A8: Come Fly With Me
- A9: April In Paris
- B1: Saturday Night (Is The Loneliest Night Of The Week)
- B2: A Fine Romance
- B3: I've Got You Under My Skin
- B4: Bewitched
- B5: Swinging On A Star
- B6: Fly Me To The Moon (In Other Words) (With Count Basie)
- B7: It Was A Very Good Year
- B8: That's Life
- C1: Strangers In The Night
- C2: All Or Nothing At All
- C3: Somethin' Stupid (With Nancy Sinatra)
- C4: Sunny Feat Duke Ellington
- C5: The Girl From Ipanema (With Antonio Carlos Jobim)
- C6: Both Sides Now
- C7: My Way
- D3: Bad, Bad Leroy Brown
- D4: Theme From New York, New York
- D5: It Had To Be You
- D6: La Is My Lady (With Quincy Jones)
- D7: Mack The Knife (With Quincy Jones)
- D1: For A While
- D2: Send In The Clowns
Frank Sinatra was one of the greatest performers and first musical superstar of the last century. His voice, timing and performance created the standards for vocalists ever since. Even today’s performers like Michael Bubble, Jamie Cullum and Robbie Williams are highly inspired by ""Ol' Blue Eyes."" On Frank Sinatra Collected, his career and musical legacy is celebrated on 2 LPs, spanning over 5 decades. In association with Frank Sinatra Enterprises, the 31 recordings on Collected include not just his most famous songs, but also delves into some of his best album tracks and collaborations with Count Basie, Quincy Jones and his daughter Nancy, all showcasing the versatile artist he was. Frank Sinatra Collected is available as a 2LP, housed in a deluxe gatefold sleeve with liner notes inside. 10.000 numbered copies are pressed on “Sinatra Ol' Blue Eyes"" translucent blue coloured vinyl."
Two new SUPRAWAX releases by Eduardo De La Calle.
The four tracks on offer here bear testimony to De La Calle's search for the perfect loop. They are hypnotic grooves, almost entirely devoid of arrangement in a classical sense. But the tracks are not static. They suck you in by means of constant modulations, build free flowing structures of their own, hints of peaks emerging at the mercy of the low frequency oscillators' cleverly set phase relationships. These tracks do not need the in-your-face kick drums and squashed dynamics of the Brickwall Generation. By leaving space, they work on a different level than solely sound pressure emanated. The simple, repetitive structure coupled with the unhasty development find their way into the dancer's brain. Moving your mind—your ass to follow suit.
No represses are planned at present.




















