Shine Grooves: "This story began in 2008, at that time I dreamed of launching my own music label and was searching for something unique. I was looking for music in different sources and came across the Frunk29's tracks, this is how I met Marat Shainsky, his release was the first on the Biotronic Records (the label I owned in the mid-00s). Later Marat introduced me to his friend - Sergey Lazarev, aka Lazzich and we immediately put together the next release for the label. It was wonderful and hypnotizing music I had never heard before. After some time we prepared the material for the first Biotronic Vinyl, which was authored by Lazzich, but the release did not happen, due to certain circumstances. And now, 15 years later, the idea comes true, we release the Lazzich mini-album on the Hanagasumi 04. Although Sergey is no longer with us, but his music will live forever. Thanks to everyone who took a part in the search for materials, archives, projects, sketches. Special thanks to Shipulina Yana for providing information and cooperation, Marat Shainsky for the advice and tracks searching, Matvey Andreenko for giving me the large media archive of Lazzich's works, Denis Rooter for designing the cover, Semen Pupyshev for mixing the found Sergey's Reason-projects".
Buscar:x project
restock
Melodies Of Ancient Beats Depth or Deep, (with Dep also meaning beautiful in Indonesian) is the meaning of this newly created persona from the artist DemoDc. After many years of experimenting with music making, releasing digital eps and albums, Demo has come to an end of a cycle arriving to a mature state of craftsmanship, ready to deliver his dream onto the vinyl medium.
This is the 1st ep that kickstarts a volume of a 5 ep project. Its own kind of album type edition so to speak. Down the rabbit hole is a deeply rich exploration of the unknown, immersing oneself with faith and love into a pandora’s box type scenario to find not chaos and random violence of destruction yet a carefully arranged melodic structure of orderly tapestry, traveling through the expression of quirky acid gobbles, with a steady deep chord of drive, arriving at a climatic unwind of free moving dance type melodies and wonder. This track gives electro a fresh stroke to a well founded genre, giving it a different approach to the medium. Today’s special is a track held close to heart, made back in 2007 after a skiing incident left MOAB DEP immobilized for 2 weeks. Whilst having travelled to NZ Queenstown for the trip, it dawned on the wounded artist to make sense elsewhere with his time, using it to create a very special track, of course unknowingly at the time. Returning home to Adelaide it quickly become a favourite for many underground artists yet the track has never really been given a chance to shine, to be heard…. not until now 12 years later, 2019.
All made on his laptop, no midi used ( which is to be said mostly with all tracks created at heartheartrecords studios).
Today’s Special has a certain energy and vibe that immediately calls for the listener to pay attention. From its moody beginnings with lush rhodes keys, glitch ambient sounds, followed by the groovy-type horn sounding hook, whisking the listener away into a sunsetting type mood elevating itself onto new ground each step of the way. With some subtle bass movements and emotive chord progression, we arrive at a very warm heartfelt dance track that can only leave any dedicated listener and lover of common deep house music, with a tingling effervescence of radiant glow and smiles.
Today’s Special proves to be its own cult hit within the archives of tracks made in the heartheartrecords realm. Today's special celebrates the meaning of 'NOW' the present moment.
Soma proudly presents Functional Designs, the latest collection of nocturnal environments from Deepchord, marking his first full length album release on Soma in 5 years. The enigmatic Detroit based producer once again transports us into his sonic realm via night-walks through numerous cities before being transmuted into aural excellence through field recordings, holographic synth tones, cosmic sounds and the hiss of electric wires. All swimming around in filtered 4/4 beats and subterranean basslines. The album is a perfect example of electroacoustic techno transmitted from undisclosed locations, the amalgamation of swirling tapestries of sound, deeper than night and lifeforms moving around underneath the grid.
The album glistens into existence with the beatless Amber breathing life into the project before the eventide of Darkness Falls offers a beautifully subtle and contemplative atmosphere. The guiding light of Transit Systems continues to offer up melancholy with echoing percussion and drifting soundscapes. The highly processed acoustics of Strangers brings a sense of intrigue to the album's journey as Modell works in the most percussive track so far. Panacast is exotic dub techno at it's finest, with warping and perfectly crafted synth work building gently over the top of sub heavy beats, glued perfectly together by the hiss of the collected found-sounds. In a slight rise in tempo, Cloudsat, makes a journey skyward, collecting mood and feelings from high altitude with its emotive synth work. The reverberating halls of Pressure again work as a testament to Modell's sonic crafting - honing in on specific artefacts from his field recordings, imbuing them with deeper purpose. The perfectly titled Ebb and Flow drifts effortlessly on a tide of evolving, blissful sound waves crashing to shore as each one overlaps the other. Beginning the descent into the final part of the album, you begin your ride across a cosmic plain, lit by the glistening and ethereal Sun. The meditative Memories opens a conduit to other realms as the album closes out with the elysian melodies of Drassanes.
Deepchord once again proves he is a producer like no other. A true sonic sculptor who uses his real world experience to create vast, unparalleled soundscapes that captivate and enthral the listener.
KR3 Records, is proud to welcome – Shuya – to its roster. The Japanese producer whose influences come mostly from the Noise Scene, began his sonic journey as a singer and guitarist with the experimental avant-garde group called Qujaku. With his s/h/u/y/a solo project he keeps a noise-industrial attitude to his electronic music productions. The beginning of his collaboration with KR3 was therefore inevitable. The artist and the label share a mutual approach to sound, with the processing of raw materials into scratchy, deep and mental beats playing a key part in their interpretation of Techno. The Sleeper EP – is the first vinyl release under this pseudonym. The cover art is curated by the designer Pablo I Prada, who says about his works: “I try to capture human evil in my paintings”. With his music, Shuya does exactly the same. His productions are a disturbing mixture of noise-techno that perfectly evokes the infernal spirit of human existence that also appears in the artwork. The Sleeper, is a cerebral, red-painted sonic assault. The intro and outro are composed by recordings of his voice and guitar riffs that show us how deep is his connection to his artistic origins. Written & Produced by Shuya Onuki Artwork by Pablo I Prada
Originally released in 1987, « Metropolitan Jungle » by German synth-pop band Cold End is reissued by Swiss label Proxima. Cold End is the second musical project of Katrin A. Kunze, Jürgen Grah and Markus Kammann. Musically, the sound of Cold End was something special back in the time, as a successful fusion of electronic and soul. Dynamic percussions, synth textures and enchanting vocals. Includes an aerial rework by Audrey Danza. All four tracks are freshly remastered!
Trad Vibe records is happy and proud to present you this project as well execptional as unpublished!
We are in 1994, DJ Clyde left the group Assassin and launched the 1st French Mixtapes but he sees even further and launches into the production for the 1st time since he became a hip-hop activist. His set up seems very simple but unusual and innovative for the time especially in France with a SP1200 and two S950 and a maximum of Soul, Funk, Jazz vinyls that he digs with his crew Hypnotyc Djs (Dj Clyde, Dj Max, Dj Asko). The project is also exceptional because it comes from a cassette archived by Clyde of beats sent for the album Paris Sous Les Bombes of the famous group Suprême NTM (3rd album of the group).
Of course you will not find the beats released with his last but all the unselected gems that reveals the talent and the advance that Dj Clyde had taken in the production at that time! More than an instrumental album or beat tape, this project is a testimony of the history of Hip-Hop and moreover of Beatmaking in France in the 90s which was not supposed to see the day.
The cover is made by the talented grafiti artist Cyril "Kongo" of the famous and historical crew of graffiti artists MAC (founded in 1986 in Montreuil).
After their monumental rise from mask-sporting weirdos to forefathers of a new generation of mainstream metal, many wondered how or if Slipknot would manage to top their blistering self-titled debut, and its malevolent follow-up, 'Iowa.'
Hindsight paints doubts in curious colours, as 'Vol 3: The Subliminal Verses' is now regarded as one of the nine's most expansive, dynamic, and universally acclaimed works.
From the caustic anthem, 'Duality' to the surprisingly accessible 'Before I Forget', the collective managed the impressive feat of honing their craft to appeal to a wider audience while sacrificing little of the unbridled angst of their earlier projects.
Hearing frontman Corey Taylor let his guard down for gentle and hypnotic cuts like 'Circle' and 'Vermillion, Pt. 2', offered entirely new insights into a group known for their brutal intensity and little else. There's still plenty of that on display, with the venomous ode to their fanbase, 'Pulse Of The Maggots', ringing true with its abrasive composition.
Finally reissued alongside its predecessors, there's never been a more ideal time to finally lock down this seminal trilogy that would introduce, shock and cement Slipknot as legends of their own kind for decades to come.
A selector, producer and label head at the top of his game, Enzo Siragusa continues to prove exactly why he’s held in such high regard as a staple of the underground music scene. While developments have seen the FUSE boss adjust his approach, recent months have combined a wealth of studio time with the unveiling of new projects – most recently announcing the launch of his new genre-bending all-night-long event series, E:Dimension. Yet, there’s something about a release from Siragusa on home turf that stands out amongst the pack, with productions like ‘Sagamore’, ‘Desire’, ‘Flexin’ and the ‘Kilimanjaro’ cuts instantly recognisable after just a few seconds, and the same looks set to happen as he makes his highly-anticipated return with his first solo material on the label for over two years. Unveiling one of his most heavily requested tracks to date alongside further peak-time business on the flip, April finally welcomes the arrival of the two-track ‘Nothing Matters’.
A track that’s been making waves for months, ‘ICV (Double Flake Mix)’ brings the sub-shaking, cavernous reese bassline now captured by many across the globe as Siragusa launches into his signature blend of heads-down, hands-up sonics, while the vinyl-only dub delves into afterparty territories to offer up an exclusive version for wax owners. On the flip, title cut ‘Nothing Matters’ graces the B-Side and keeps things moving as meandering melodies ride rumbling low-ends, swinging drums and chunky grooves to shape up proceedings in emphatic fashion. It’s safe to say Siragusa’s back, and he’s back like he never left.1
Sampler 3 Blue Vinyl[28,53 €]
Sampler 2 Red Vinyl[29,83 €]
Sampler 4 - Purple[28,53 €]
Sampler 1 - Yellow[14,08 €]
Repressed on black vinyl
In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the first in a series of vinyl album samplers.
Sampler 1 Sees two UK institutions from the North and South spotlighted. First up, Kerri finds himself in London’s cavernous Printworks, recording ‘Never Thought’ - a classic Kerri, piano fuelled groover, tough, melodic and perfectly accompanied by Sunchilde’s vocals.
On the flip, ‘You Get Lost In It’, recorded at Manchester mecca, The Warehouse Project, channels the electric vibe created by those hallowed surrounds. A deep, heads down heater with sultry vocals from Lady Linn.
With the spring awakens: Bionda e Lupo. Hand in hand we walk back to the playful whimsical music land. With bare feet in the grass, around us melodies and bass. Everything shines: colors and lights, sun and faces. A cosmic happiness, from heaven a piece. Here we want to stay with you forever and dance, just dance. With their anthem for the Camp Cosmic festival Bionda e Lupo rolls out a carpet on the dance floor for a new 12″ series on “Eine Welt”.
Label maker Alexander Arpeggio personally feeds the project with his own sounds. Together we float through the sound of the 80s through authentic warm stories.
Following on from his debut album ºs on AD93, conceptual artist Aboutface presents a new vaporous LP– a vital climate emergency-themed project which utilises poetry collected from his dreams alongside glaciology research and sound recordings captured during polar expeditions c/o the Alfred Wegener Institute – a centre for polar and marine research. Featuring long term Violin collaborator Taro and dream prose reciter Leyla Pillai, the album explores a surreal and abstract intersection between the collective dream realm and the disappearing polar cryosphere, evoking the interconnectivity between environmental change and the collective subconscious.
A self-release, all profits will go towards Extinction Rebellion’s legal fund to help provide counsel to those protesting against contributors to the climate emergency. Limited to 300 Eco renewable-energy recycled gatefold vinyl produced with Deepgrooves, NL. Downloads and streaming limited to one of Earth’s revolution of the Sun only– an ephemeral release for an ephemeral existence.
Repress !
Expectations is an extended player from minimalist disco outfit Harvey Sutherland and Bermuda. The second release for Sutherland's own Clarity Recordings brings his Bermuda project into sharp focus - six tracks spanning Harvey's influences from the West Coast to West End Records.
Recorded with bandmates Graeme Pogson (drums) and Tamil Rogeon (electric strings), Expectations follows last year's stomping label debut single Priestess/Bravado.
The EP includes a long-awaited studio version of live favourite Clarity, uptempo burner Coast 2 Coast and a moment of spiritual introspection with Spiders. The title track offers glimmers of the Doobies and the 'Dan a sign of things to come from the Melbourne producer and his unique trio.
Expectations 12 and digital will be released worldwide 24 March 2017, via Clarity Recordings. Distributed by Monocarpic (AUS/NZ) and Above Board Distribution (ROW).
Limited edition of a great pre-80s Italian disco production with massive funky basslines and great vocals produced by Marty Celay and Robert Drake (they previously collaborated and wrote some succesfully songs in USA for Roundtree and Chic projects) finally get an official remastered reissue from Best Record Italy. This time we can find here the full extended 11 minute disco version on the side A and the previously unavailable U.S.A. Version on the flip.
Who is Magou? All we know is that, 2 years ago, Toy Tonics released a 12” EP that created a little buzz on this artist without a face and social media.
The only clue is that Magou is allegedly a mysterious side-project by an otherwise well-known Italian music maker, producer and dj.
Who cares about fame? This one is all about the music, so Toy Tonics is now back with a sassy 2LP release of Magou's full album.
Afterhours. continues their journey through the deepest of the realms via their freshly created sub-label Elements., keeping up to their promise of releasing stripped-down music, where hypnotizing palettes float on top of bare yet highly functional sonic bones.
Alsi‘s release did leave a solid statement to defend their motto, and because of this, it deserved a remix EP. Who better for such a task than two local heroes at the forefront of the Romanian scene? Cristi Cons and Priku require little to no introduction. Their remixes elevate everything Elements. had previously envisioned for this project: two very mature interpretations of Alsi’s original work, filling them with an outstanding richness and a straight-to-the-point, functional groove structure that assures both sides of the release are two incredibly deep, minimal techno wonders.
ALI presents its first Various Artists under the project "Walk With Me".
Pressed with Green Vinyl Records
100% recyclable records / 90% energy saving / less waste during production process.
Volume 2[8,36 €]
Magnetic is a project which has been build on the principles & awareness of environment design and its importance. Every moment in our lives is influenced by the environment we are immersed in and music plays a huge part in this concept.
We welcome Sublee to curate the first release on the label, with his Until We Dance EP. The two tracks on the A-side, draws you into serene places before releasing you with textured Sublee baselines. Misto Sup, on the B-side of the vinyl is an energetic journey which is meticulously crafted providing a joyful experience for the listener.
We thank Max Binski for the ecstatic artwork design as we present you with Magnetic.
Son of Chi returns to Astral Industries, alongside Spanish artist Clara Brea, for the collaborative release of AI-29. A product of fate, chance experiments, but most of all, sensitive artistry - ’The Wetland Remixes’ exists as a confluence of two kindred musical spirits, a wayfaring epic that draws together a rich archive of ecological field recordings, live instrumentation and higher inspirations.
Ahead of Hanyo’s concert at Calma (Madrid) at the end of 2019, the curators organised a special dinner and arranged the meeting of Clara and Hanyo. As Hanyo recalls,“It was like stereochemistry. There was an instant match and understanding, and basically we decided in a split second to exchange recordings and to collaborate on future live and studio experiments.”
The auspicious meeting of the two ignited a remote exchange of materials and ideas, as the world descended into a series of pandemic-related lockdowns. The first of said recordings included the stems of Clara’s ‘Wetland Project’ - a site-specific audiovisual project originally produced for Eufonic Festival (Spain), using field recordings from the Ebro Delta nature reserve (one of the most threatened regions of climate change on the Iberian peninsula).
From this initial impetus, Hanyo began working on the first sketches of the album back in Rotterdam, Netherlands. Just like their meeting in Madrid, the project developed naturally and spontaneously with extraordinary ease. Later, Hanyo started adding field recordings from the Magic Cave and Wetlands of the ‘Kallikatsou’ (Patmos, Greece) as well as organic and acoustic overdubs, featuring bass, drums, percussion, guitars, oud, piano, hammond organ, wurlitzer, flutes, bells, and mouth harp.
In the distance, the sound of birds peak through the effervescent wash of the wetland soundscapes. The pass of running water flows deeper into a land full of secrets never told. On the strike of dusk, the silhouettes of shapely trunks and foliage melt slowly into the impenetrable darkness. As darkness passes, light emerges, with exquisite moments of tranquility that seemingly emerge from nothingness.
Beneath the shimmering veneer of textures, wildlife and melodies, one may hear the deeper references of ’The Wetland Remixes’. With credit to Clara’s input, for Hanyo the album process became a kind of refuge, and ultimately inspired the return to the core of Abstract Sound - what the Sufis call“Saut-i Sarmad.”Such references allude to the spiritual quality embedded in the music - the autonomous process of self-expression, the great mystery. Hanyo: “An ambience like this cannot be created by routine. There is no blueprint. The music has to find you. It’s like a blessing if it happens. You should not interfere, just observe and be impressed...”
Deep, luscious mind trips as per the classic Chi sound, ‘The Wetland Remixes’ beautifully correlates the interconnecting dots of geography, ecology, and mythology’s forgotten lore.
- A1: All Werk Is Play
- A2: Move Different
- A3: You Kraft
- B1: Eterno Retorno (Feat Moreiya)
- B2: Battered Mars Bar
- B3: Downtools & Boost
- B4: In Saint-Gilles (Feat Le Motel)
- C1: May Day (Feat Chunky)
- C2: On The Rhythm Of It
- C3: Microwerk
- C4: Beauty & The Bloc
- D1: Pick Up Football
- D2: Count Yer Pace (Feat Kemani Anderson)
- D3: Derive
First Word Records is very pleased to bring you the sophomore album from Werkha, a 14-track double LP entitled 'All Werk Is Play'.
Werkha hails from Manchester and has been releasing music for a decade, collaborating and remixing artists such as Quantic, Bryony Jarman-Pinto, Marcos Valles and Andrew Ashong. Werkha and his live band have been lighting up dancefloors in recent months at venues such as Low Four Studio in Manchester and The Jazz Cafe in London, with festival appearances locked for the Summer at the likes of We Out Here and Moovin. In past years, he has toured extensively with artists like Bonobo, Chet Faker and Mr Scruff.
In 2020, Werkha released 'The Rigour' on First Word, and dropped 'Beat Tapestry' in late 2021 on a limited cassette. 'All Werk Is Play' marks Werkha's first full-length solo project since his debut album 'Colours Of A Red Brick Raft' on Tru Thoughts in 2015, and sees this multi-talented musician produce a delightfully vibrant body of werk.
This album is predominantly a set of uptempo compositions from Werkha (real name Tom Leah), fusing analogue jazz-funk vibes with modern dance music sensibilities. Nestling somewhere between broken beat and breakbeat, Werkha has been nurturing his own unique sonics for some time; incorporating live horns & wind instruments with bass, double-bass, harp and guitar, along with a selection of sweet squelchy synths and deliciously delectable drum programming.
We've had several single releases from this project so far, namely 'Eterno Retorno' (with Portuguese singer Moreiya),'In Saint-Gilles' (with Brussels DJ & producer, Le Motel), 'Move Different' (with Mancunian singer & musician Ellen Beth Abdi), 'Beauty & The Bloc' and 'Battered Mars Bar'. As well as the afore-mentioned collaborations, this album also features bars from legendary MCR MC Chunky (Swamp81 / Levelz) on 'May Day', soulful vocals from Kemani Anderson (Secret Night Gang) on 'Count Yer Pace' and some heavyweight accompaniment from the likes of bassists Nick Blacka (GoGo Penguin) and Tom Driessler (Adele, Tom Misch, Jordan Rakei) amongst others.
'All Werk Is Play' was an opportunity for Werkha to produce a full body of work in the conceptual formation of an album, as opposed to a set of singles strung together. From 'The Rigour' EP to the subsequent releases, this album completes a circle in his current creative curve, from a design perspective and sonically. Werkha has been steadily pushing his own self-production and musicality, embracing mistakes, and challenging himself both creatively and mentally. As a self-edutaining piece, the depth, nuances and examples of work as play are numerous, and whilst each track was thematically inspired by different topics, the fun element of "play" was always forefront in his mind, to ultimately create something powerful, yet positive.
In Werkha's words "this record is dedicated to mixing things up, to walking down that street for once because your feet took you that way, to deciding not to take the bus today, to moments of improv, to breaking with convenience, to challenging structure, to play."
Tracks have received recent spins & support from BBC Radio heavyweights on 1Xtra & 6 Music like Jamz Supernova, Tom Ravenscroft, Huey Morgan and Afrodeutsche, as well as love from selectors such as DJ Paulette, Scratcha DVA, Harvey Sutherland, Zakia Sewell (NTS) & Jyoty (Rinse).




















