Buscar:x wild

Spencer, geschrieben von Steven Knight, zeichnet sich nicht nur durch die hochkarätige Filmbesetzung aus.

Kristen Stewart als Prinzessin Diana von Wales, wird neben Jack Farthing, Timothy Spall, Sean Harris und Sally Hawkins auch von einem einzigartigen Soundtrack begleitet.

Der Soundtrack, zum Film, geschrieben vom renommierten und ausgezeichnetem Komponisten Jonny Greenwood, welcher bereits mit Filmmusik zu Phantom Thread, There Will Be Blood und Norwegian Wood begeistern konnte, verleiht der bewegenden Geschichte von Prinzessin Diana Einzigartigkeit.
Über den Film:

Dezember 1991: In der Ehe zwischen dem Prinzen und der Prinzessin von Wales herrscht seit Langem Eiszeit. Trotz der wilden Gerüchte über Affären und eine Scheidung wird für die Weihnachtsfeierlichkeiten auf dem königlichen Landsitz Sandringham ein Frieden verhängt. Es wird gegessen und getrunken, geschossen
und gejagt. Diana kennt das Spiel. Dieses Jahr wird es eine ganz andere Wendung nehmen.

‘Hive Mind Records are here to help you through the winter months with this generous helping of Wet Tuna with their signature deeply fried rural psychedelia.

Matt Valentine (MV) and Pat Gubler (PG Six) have been jamming together since the mid '90s, floating around in the US psych-folk scene, playing together in Tower Recordings and separately with influential underground crews Woods, The Golden Road, Garcia Peoples and The Weeping Bong Band. Both MV and PG Six have been prolific with their solo work and over the years they've recorded for labels such as Ecstatic Peace, Drag City, Woodsist, 3 Lobed, and Crash Symbols and we are very happy to be joining such esteemed company.

On these recordings, made during the first months of the COVID lockdowns in the forests of the Vermont wilderness, MV and PG Six handle the guitars and synths but they're joined by fellow forest freaks S. Freyer Esq, Jim Bliss, Coot Moon and Carson 'Smokehound' Arnold on bass and drums. Brought to you in their patented mind-expanding SPECTRASOUND, Eau'd To A Fake Bookie Volumes 1 & 2 delivers an irresistible gumbo of deep, cosmic psychedelia, primitive drum-machine grooves and woozy country-funk jams. These 6 songs are cover versions of artists as diverse as The Blackbyrds, Michael Hurley and Jimmy Cliff, but stretched out over 4 sides, the album is entirely Wet Tuna - loose, free-flowing and lots of fun!’

HOMEGROWN returns with a special 7" release of "SERIOUS DRUG" & "TOUCHY TOUCHY" by WILDCOOKIE aka RED ASTAIRE & ANTHONY MILLS. "SERIOUS DRUG" is an addictive vibe of Afro-Cuban & Blues while "TOUCHY TOUCHY" is a more classy touch of jazz vibes.

For their seventh release in partnership with SEGA of Japan, Data Discs is delighted to bring together the complete music from the classic Mega Drive games, Golden Axe (1989) and Golden Axe II (1991), in one special package. This release features the unforgettable artwork from both games, supplied on two thick lithographic prints, with the record itself pressed on heavyweight translucent gold vinyl. The outer sleeve features rare artwork from the 1989 Japanese edition, sourced from the SEGA archives and presented on 425gsm cardstock with gold flood printing. As always, the audio has been carefully restored and mastered using the original console as the source, ensuring these memorable soundtracks are preserved for many quests to come!

THE BEST OF SURF MUSIC IN AN EXCLUSIVE 3 VINYL COLLECTION ! BETWEEN CLASSICS AND RARITIES, BE CARRIED AWAY BY THE WAVE OF SURF ROCK !

Montparnasse Musique is a balance of two distinct sensibilities: Algerian-French producer Nadjib Ben Bella’s passion for raw organic beats, and South African DJ Aero Manyelo’s love of DIY synthesis in the digital realm. It’s a bold blend of fresh and processed flavours; the acoustic grit of traditional Africa combined with the pulse of modern Johannesburg — gqom, kwaito, techno, afrohouse. Together they produce an electro-acoustic sound, loaded with infectious hooks, uncompromising and authentic. For their self-titled debut EP, the cross-continental duo collaborates with Congolese bands Kasai Allstars, Konono Nº1, Mbongwana Star and Basokin on five audacious dance tracks forged from the tribal rhythms and mystic voices of the Kasai rainforests, amplified by the aggressive growl of hand-wrought instruments from Kinshasa’s urban wilderness, and augmented with the slick precision of an EDM toolkit. The end result is an inevitable evolution of Congotronics into a sharp-edged, club-ready sound. Nadjib Ben Bella is a DJ and producer who draws influences from the gnawa music of his North African roots and a diverse range of Sub-Saharan sounds from musicians he has worked with over the years. Most recently he has been touring Europe with West African band Les Amazones d’Afrique. Aero Manyelo, a name now synonymous with the burgeoning South African house scene, has honed a distinctive electronic sound that translates across the international club circuit and has attracted a broad range of collaborators — including Idris Elba and The Mahotella Queens on the opening track of an album inspired by the Nelson Mandela biopic Long Walk to Freedom. The EP was recorded and mixed by Kwezydoctor at Khaima Studio in Lille, France.



c 3 Bitumba (feat. Mbongwana Star) Extended
d 4 Sukuma (feat. Muambuyi) [Extended]
[Extended]

Hip Hop Collected will take you on a musical journey through the history of hip hop. This 2LP covers the first 20 years of the genre, showcasing 25 early pioneers who participated in the rise of hip hop. This compilation features music from the new labels that started to rise from the underground scene, like Sugar Hill Records, Profile and of course Def Jam. Including artists that defined a genre, a lifestyle and most of all, artists that inspired millions of young kids with both socially critical lyrics as well as classic party anthems.

This hip hop compilation album is part of the new Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest and best names of its genre, combined with forgotten hits and less discovered gems, giving the listener an experience of both nostalgia and uncovering new musical grounds at the same time.

The 2LP features Kurtis Blow “The Breaks”, Grand Master Flash & The Furious Five “The Message”, Beastie Boys “She’s On It”, Rob Base & DJ E-Z Rock “Get On The Dancefloor”, and Eric B. & Rakim “Paid In Full” amongst many others.

Hip Hop Collected is available as a limited edition of 5000 individually numbered copies on red (LP1) and white (LP2) coloured vinyl. The album includes an insert with liner notes, photos and credits.

RAPIDMAN is a new jazz band with top musicians who have won their spurs in bands such as Flat Earth Society, Arno, Nordmann, Arsenal, Isolde, Soulsister, etc. The list is practically endless. The band name? You won't forget it once you get to know the unique sound of this quintet; the band is much more than the sum of its parts.
RAPIDMAN is one of those collectives that can show you every corner of the room without losing control, creating a sizzling and crackling atmosphere. With bursting energy, lilting lyricism and catchy melodies, the five-piece band seamlessly blends the jazz tradition with diverse influences from rock and experimental electronic music.
Drawing inspiration from analogue soundscapes and aiming to evoke an innovative cinematic trance in the listener, the band describes their sound as "freedom, individuality, strong melodies underpinned by an imaginative groove, sculpted with wild, undefined and dreamy electronics."

NAPPYNAPPA is a prolific artist from Washington DC with a highly creative and free approach. ONDAMICUNDERDACOZMIKLYTZ coalesces his expressive hip hop soundscapes with layers of eclectic influences. The album features production from long-time collaborator Black Moses, as well as Pat Cain, Zac Clare, Tooth Choir, Jelani Kwesi and RICTHESUPERSONIC.

NAPPYNAPPA is one half of the group MODEL HOME alongside Pat Cain. He has featured on over twenty albums in the last two years alone, including the celebrated Disciples compilation ‘One Year’, the acclaimed ‘SE’ on Max D’s Future Times label and ‘both feet en th infinite’, released by Don Giovanni Records.

It begins with a rustle of noise, equally reminiscent of distorted factory noise and a cassette recording of cathedral bells unspooling, before a near-robotic beat and stuttering bassline enter the fray. Initially, you could be forgiven for thinking you’ve stumbled across the lost tapes of Joy Division’s early Warsaw incarnation, but the atonal blast of strafing guitars fading in and out soon make you realise this is a very different proposition. This is The Drin, and ‘Engines Sing for the Pale Moon’ is their debut album. It’s also one of the best things you’ll hear all year. Helmed by Dylan McCartney, drummer of the rock band Vacation, The Drin originally released this album as a hyper-limited cassette via Future Shock. It’s as much of a departure from McCartney’s usual output as it is for Drunken Sailor Records; songs don’t so much explode out of the gate as drift towards you like a creeping fog that turns your skin inside-out and leaves you sloshing organs all across the carpet. Second track ‘Guillotine Blade’ shows the pieces all coming together, a dubbed-out riot of claustrophobic noise that feels like Pere Ubu trapped in a cupboard one minute, and ‘Warm Jets’-era Eno trying on Bauhaus’ trenchcoats the next. Meanwhile, ‘Down Her Cheek A Party Tear’ unfolds across jittering, skittering rustles of drums and an undulating bassline, making you wonder why post-millennial post-punk so often settles for dickheads shouting non-sequiturs over landfill indie, when it could be entering these dark, unsettling territories instead. The Drin like to get weird. The Drin like to get wild. The Drin rarely cut loose, but that’s because the trip is already intense and haunting enough without things getting raucous in here as well. Hey kids, turn off those shite band name redacted records and get into this; you deserve so much better, and better’s right here. Fall into it, immerse yourself and step forward into a brave new world. I love this record

'Doroth follow on from a 2019 self-released digi EP with this fresh 7" for Research. The duo of Loretta Wilde and Maria Moles from Melbourne have established a song writing craft that's equal parts This Heat and Throwing Muses; all disjointed rhythms and dry vocal delivery that seems to come with an intentional feeling of malaise. Where their self-titled EP allowed for the sprawling Still House Plants-esque sound of 'On The Lamb', both 'Take It Easier' and 'Picture' condense the live sound into two sub 4 minute slices of indie pop / art rock goodness. We've got no clue what photograph Wilde is singing about but the combination of bass and drums bouncing off one another underneath her prolonged strainings will be sure to stick in your brain.'

Ltd to 100 copies

Yearly compilation album RADAR by KEROXEN, introducing the second volume in the series of themed based albums showcasing the talents and misfortunes of carefully selected musicians/bands based in the Canary Islands.

Where Radar Vol.1 (KXN012, 2020) focused its sights on rock oriented music, Vol.2 looks at the more experimental, free flowing side of electronic and sample based music, also Made in Tenerife this last year (2021).

The format stays the same as Vol.1: 4 different artists are invited to contribute 2 tracks, no rules other than do their own thing. The result being an extraordinary amalgamation of various genres and styles of the electronic music cannon including: smoky dub beats by King L. Man, tropical casiotone divagations by Usted, inverted & polyrhythmic workouts from the Tupperwear duo, ultra precise dub-tech-2step edits by Postman and organic psychedelics by freak trio Lagoss.

Yet another crucial document from a region you usually do not associate with forward thinking music, more than a simple compilation, RADAR 2 unveils the thin veil of new and uncompromising music being produced in and around the orbit of the Keroxen Collective.

It seems the Atlantic isolation works as a catalyser here, judging from the copious amount of different and challenging music we’ve been seeing from this corner of the world over the last few years. We invite you to dive with us, in the wild remote tropical waters of RADAR vol.2.

Following their critically acclaimed 2016 debut album, ‘Borderlands’, (nominated for ‘Best Album’ in DJ Mag’s annual awards), Conduct’s highly-anticipated second major work drops in 2017 via Blu Mar Ten Music.

‘Oma' is an immense LP, taking its sonic cues from 'Borderlands' while expanding them into far wilder territories. Organic clashes with electronic in a whirlpool of tribal head banging, fragile introspection and beautiful sonic architecture. Skittering rhythms, rock solid basses, angelic vocals and heartbreaking instrumentation are guaranteed to make 'Oma' one of the most notable drum & bass albums of 2017 and Conduct one of its prominent acts.

Striving to show the world what can be achieved at 170 beats per minute, Conduct’s palette is a dramatic juxtaposition between electronic and acoustic instrumentation, with a cinematic approach to composition influenced by the likes of Hans Zimmer and Jesper Kyd. While it’s common for drum & bass producers to concentrate on dance-floor impact, Conduct‘s primary focus is the evocation of an emotional response in the listener, creating a body of work that lasts far beyond the club.

Some sonic communities grow even in isolation, in the lonely obsessive moments in the studio as time melts away. Deep inside the Detroit Underground nests a Berlin underground, chasing those resonant shared sounds. DU Berlin draws together some of that love felt through music in the German capital. It’s not the wild city of reunification or *Berlin Calling* or tourist-style movies or the easyJet set. This is the side of the city that endlessly romances machines for the sheer joy of it, as The Allegorist titles her track, “until dawn.” And with some big names and emerging, ranging from mainstays to veteran agitators, the Berlin DU crew have telegraphed each other through productions and mutual inspiration. The results vibrate and rumble with sympathetic frequencies, but never limited to grayscale or dithered palettes.

DESIGN: Neubau Berlin.

Perfect Location Records in close collaboration with Cherushii’s family is proud to present Nobody’s Fool, Starlight Express, and Manic on vinyl for the first time as 3 EPs. Originally released by Cherushii on her Bandcamp in 2015 and 2016, these 3 EPs encompass the radiant love, fluent creativity, and unapologetic joviality of not only the musical world of Cherushii, but also the person behind the music.

The hand-drawn artwork, which has become iconically synonymous with the Cherushii sound, are original creations by Cherushii’s sister, Sabrina Fox. With this reissue, we offer a continuation of the same visual candy with a new front cover by Sabrina: the nudibranch pattern. Chosen by Sabrina after a dream visitation, the nudibranch is a curious, resilient creature which harnesses its profound coloration to flourish in the oceanic infinity. It can only do so, however, once it sheds its shell.

Inside of 3 EPs you will find the original covers belonging to Nobody’s Fool, Starlight Express, and Manic as gloss sleeves for the respective EP.

3 EPs also features some of Cherushii’s talented friends and mentors, from her production with Golden Donna, lyrics by her longtime friend Kara Marie, and an appearance by her childhood music teacher Marcia Miget, to remixes by 100% SILK all-stars Bobby Browser and Magic Touch.

It is our hope that this vinyl reissue, with its beautiful, large gloss prints of Sabrina’s artwork, will further disseminate the legacy of Cherushii while contributing to the posthumous archive of a musical mastermind, viciously devoted and missed friend, and beloved sister.

In loving memory of Chelsea Faith 1983-2016









i F1 Manic (Magic Touch Mix feat. Colored Craig) Vinyl Edit









i F1 Manic (Magic Touch Mix feat. Colored Craig) Vinyl Edit

In 2019, Southern Lights released the debut album of audio-visual artist Lost Few, fusing his relationship with the physical form including found sounds from the Australian wilderness and disturbed electronics, processed instrumentation and sub-bass experiments.

Those sonic experiments have been given the remix treatment by a handful of contemporary artists working within the fringes of techno. Manchester’s Karim Maas provides his dark, ritual touch to “Indecision”, Vohkinne dials up the velocity on “Quietly We Wish For Silence” with his Extended Thrust Mix, Years of Denial deliver a stunning interpretation of “Expectations Are The Devil” straddling industrial and EBM, while Dino Sabatini closes the release with a serene and introspective remake of “Many An Idle Stone”.

Repress in soon!!

Morning Trip & Yoga Records are proud to finally reveal one of the ultimate lost masterworks of new age music: Alice Damon’s Windsong. Gently propelled by Damon's haunting breath-of-life vocal winds reminiscent of Joan La Barbara underscored by field recordings and Damon's fretless bass sound calling to mind mid-70 Joni Mitchell, Windsong is traveling music, for the roads or for the skies. Instantly moving, it conjures vistas both romantically familiar and cosmically mysterious — waterfalls and wind, the voice of the earth, as heard through heavenly prisms.

Damon attended college in Massachusetts, where she formed and fronted the all-female garage band called The Moppets in the late 60s. The band began to garner national attention, but Damon moved instead to the wilds of northern Vermont to homestead and raise a family. In 1981 or thereabouts she was able to gain use of an early Sony digital home recorder, and created her masterwork, Windsong.

But Damon waited until 1990 to release a packaged version of this album, now titled "Windsong II", and sent samples to regional distributors like Vermont’s fabled Silo-Alcazar, where a copy of the album was first discovered, but little evidence exists of a proper commercial release. Alice Damon passed on in 2011 and remained essentially unknown until the landmark I Am The Center: Private Issue New Age In America 1950-1990 first revealed her genius to a wider audience two years later. Now, just in time for the recording's 40th anniversary, Alice Damon's Windsong may at last be heard as one of the most singular, moving and profound examples of new age music's psychedelic essence. Morning Trip & Yoga
Records proudly present Windsong.

With sincere pride, Warning presents the debut EP of emerging artist JCow.

Magma, a manic rollercoaster, opens the A side and is accompanied by Purity of Spirit, an uplifting basement Rave anthem. On the flip things get a bit more twisted with Groove Ryder, a melange of funky Breakz and Trance with a fat hit of Organic Groove. The Acid Fiend Mix of Rave Patrol completes this record with an over the top composition of drums and JCow’s wild Guitar play.