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Dennis Brown - Dubbing At King Tubby LP

2023 Repress

Dennis Brown has always been cited as Jamaica's favourite singer.
While Bob Marley set out to conquer the world, Dennis's popularity on the island grew with every year.
His most prolific period is said to be with producer Niney the Observer,who led the singer down a more Roots avenue.He put Dennis on some of his heaviest rhythms.
Throwing also into the pot the fact that these rhythms were also to be mixed by the Dubmaster himself King Tubby we are bound to get one of the best Dub albums around.
Here is where the Crown Prince of Reggae Meets Niney the Observer at King Tubbys.
It's from this period that we have focused on and it's these tracks that were taken to King Tubby's studio to produce this stunning album.
Hope you enjoy the set.......






G a7 | COME AGAIN DUB

J b2 | WOLF AND LEOPARDS DUB

Reservar19.06.2026

debe ser publicado en 19.06.2026

14,83

Ültimo hace: 3 Años
HARD-FI - SWEATING SOMEONE ELSE'S FEVER LP
  • 1: They Ain't Your Friends
  • 2: Digo Nada (Feat.mike Kalle)
  • 3: You Rule My Heart / When The Summer's Gone
  • 4: Humpback Whale
  • 5: Looking For Fun
  • 6: A Rose Electric (Feat. Krysten Cummings)
  • 7: Always And Forever
  • 8: Arise
  • 9: Ain't Going Out Tonight (Feat. Krysten Cummings)
  • 10: Now And Then
  • 11: Don't Go Making Plans
También disponible

turquoise vinyl[30,67 €]


Written and recorded throughout 2025 in their longtime ex-taxi-office-turned studio 'Cherry Lips', and produced by frontman Richard Archer alongside longtime collaborator Wolsey White.

The album looks outside the window to the fractured present, and paints it in bold musical strokes, with the same sharp- eyed social commentary that powered their classic debut Stars of CCTV, but with fresh perspective, new sounds and hard-earned freedom.

Reservar19.06.2026

debe ser publicado en 19.06.2026

28,36
HARD-FI - SWEATING SOMEONE ELSE'S FEVER LP
  • 1: They Ain't Your Friends
  • 2: Digo Nada (Feat.mike Kalle)
  • 3: You Rule My Heart / When The Summer's Gone
  • 4: Humpback Whale
  • 5: Looking For Fun
  • 6: A Rose Electric (Feat. Krysten Cummings)
  • 7: Always And Forever
  • 8: Arise
  • 9: Ain't Going Out Tonight (Feat. Krysten Cummings)
  • 10: Now And Then
  • 11: Don't Go Making Plans
También disponible

Black Vinyl[28,36 €]


Written and recorded throughout 2025 in their longtime ex-taxi-office-turned studio 'Cherry Lips', and produced by frontman Richard Archer alongside longtime collaborator Wolsey White.

The album looks outside the window to the fractured present, and paints it in bold musical strokes, with the same sharp- eyed social commentary that powered their classic debut Stars of CCTV, but with fresh perspective, new sounds and hard-earned freedom.

Reservar19.06.2026

debe ser publicado en 19.06.2026

30,67
Lesterr - 2 Jahre Dazwischen EP

2026 Repress

Ornaments proudly welcomes Lesterr with the "2 Jahre Dazwischen" EP — a beautifully crafted journey through two distinct sonic perspectives. The A-side offers a deep and heartfelt dancefloor journey with subtle piano infusions, complemented by a mesmerizing, deep grooving remix from none
other than Isolée. On the B-side, the mood shifts inward with four immersive cuts drifting from ambient landscapes to laid-back downbeats — perfect for your listening pleasure.

Reservar19.06.2026

debe ser publicado en 19.06.2026

14,71

Ültimo hace: 11 Meses
Concepción Huerta - El Sol de los Muertos

Originally released on Umor Rex on cassette a year ago, “El Sol de los Muertos” deeply shaped the evolution and vision of Mexican producer Concepción Huerta’s sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. This is the second album in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex.

Crafted entirely through subharmonic structures and tape manipulation, “El Sol de los Muertos” stands as Concepción Huerta’s most abrasive and emotionally charged work to date, rooted in drone, musique concrète, and visceral textures. The album reflects on dispossession, extraction, and colonialism, while connecting deeply with Latin American critical thought and Indigenous resistance across the region. Inspired in part by Eduardo Galeano’s work, it is not a manifesto, but an invitation to reflection, memory, and vigilance against the enduring forms of fascism and colonialism.



Recorded by Concepción Huerta in 2024 between Berlin, The Hague, and Mexico City. Original master and remastered for vinyl by Rafael Anton Irisarri at Black Knoll Studio, New York. Volcano photography by Magaly Ugarte. Design by Daniel Castrejón in Mexico City.

Reservar19.06.2026

debe ser publicado en 19.06.2026

28,15
SUGAR MINOTT - I’M STILL HERE / I’M STILL HERE (VERSION) (7")

The dream team of Sugar Minott and Victor Axelrod returns with a deep rub-a-dub reggae take on The Notation’s low rider classic, “I’m Still Here”. Shortly after falling in love with the song via a 45 mix from Gabe Roth, Axelrod received a serendipitous message from the late great Minott saying he was in town and ready to work.

Sugar's effortlessly soulful vocals coupled with Axelrod and Co's sweet and spacious groove, transform the Notation's track into a slow , sticky revelation of love that's actually stable. The perfect soundtrack for discerning soirees and those moments where you have one foot out the door but need a moment of reflection.

Reservar19.06.2026

debe ser publicado en 19.06.2026

10,04
Earth-o-Naut - This Is Nowhere. This Is Everywhere LP
  • A1: This Is Day One
  • A2: Come Out Swinging
  • A3: Bring The Light
  • A4: Am I Really Here
  • A5: O.n.l.y.l.o.v.e
  • A6: Call Me
  • B1: There’s Nothing Above Music And Love
  • B2: Please
  • B3: Y.m.e
  • B4: It Ain’t What You Know
  • B5: Everything. All At Once. All Of The Time
  • B6: This Is Nowhere. This Is Everywhere

“All I can do is make my art from an honest place with an honest intention.” Earth-o-Naut.

Earth-o-Naut is a songwriter, drummer, musician and producer. He was born in Liverpool and raised in one of its satellite towns, Skelmersdale. He was raised by his mum and uncles on music from every genre, falling in love, amazement and awe with the groove and the craft of songwriting. Nothing has changed to this day. Songwriting has also always been a constant. That quest to create something original and use the songwriting process as some form of catharsis. Learning guitar and piano was the next logical step, to help with the creation of new ideas into new songs. A lot of time was spent playing drumming gigs and then taking his own songs on the road, solo with just an acoustic guitar, learning the ropes and serving his apprenticeship. Great songwriters The Beatles, Curtis Mayfield, Bill Withers, Neil Finn and many others inspire Earth-o-Naut to this day.

Earth-o-naut has worked hard for many years on his studio chops and is the writer, arranger, recording engineer, mix engineer and producer on all of his own material, and he also works with other artists as a producer. Earth-o-Naut's debut album, 'This Is Nowhere. This Is Everywhere.' will be released on Agogo Records in June 2026. The debut album features UK drumming legend, Steve White and also the vocals of Amalia Estradas and Suzanne Maddock. 2026 will also see Earth-o-Naut take his songs on the road and play some live shows.st singular, emotive, and genre-defying releases of its era.

Reservar19.06.2026

debe ser publicado en 19.06.2026

22,27
HALF-HANDED CLOUD - TOOTHPASTE HORSE / I DON'T HAVE A BIB
  • 1: Wake Up, It's True!
  • 2: Galloping The Mandibular Concourse
  • 3: Still Food In Your Bowl
  • 4: The Solemn Rite Of Wiping
  • 5: What? Where You Going?
  • 6: Trying To Leave With The Chatterbox
  • 7: Floor To Ceiling
  • 8: What Is A Living For?
  • 9: Little Baby Bee-Bah
  • 10: Lady & Her Baby
  • 11: Little Bubbles
  • 12: Grandpop Bob Ping Pong Ball
  • 13: Nonna Birthday Song
  • 14: Sweetie Song
  • 15: Aunt's Birthday
  • 16: Four Kid Song
  • 17: Rian's Birthdee Song
  • 18: Little Baby Boom
  • 19: Baby's So Nice
  • 20: Magic Markers
  • 21: Sometimes (Not Your Favorite)
  • 22: Baby In Your House
  • 23: Working Together
  • 24: Baby Houdini
  • 25: I Like My Baby
  • 26: Turn The Light Off
  • 27: I Don't Have A Bib
  • 28: Ringhofers Abroad
  • 29: Diaper Cover Diaper
  • 30: The Beatles
  • 31: Runeberg Day
  • 32: Kinda Walking Around
  • 33: Yogurt Song
  • 34: Tapes
  • 35: Hands In The Santa Gloves
  • 36: Who Needs A Bath?
  • 37: Going To The Playground
  • 38: What Do I Do? Everything!
  • 39: Blanket Fort Song
  • 40: Popcorn Song
  • 41: We Have A Little Baby
  • 42: Just A Little Bit Of Pizza
  • 43: I Don't Have A Bib (Mouse Version)
  • 44: Doctor Rainbow
  • 45: Welcome Baby Ringhofer
  • 46: Hoarding Starts At Birth
  • 47: This Must Be So
  • 48: Pick-Up Song
  • 49: Getting Ready To Go
  • 50: Going Pee Pee Is So Fun
  • 51: Wash Your Hands & Your Fingers
  • 52: Brush Your Teeth Teeth Teeth
  • 53: Lullaby

John Ringhofer, der Mann hinter Half-Canded Cloud, ist ebenso fröhlich und genügsam wie seine Musik. Als sparsamer Mensch zieht Ringhofer die U-Bahn dem Taxi vor, recycelt Plastik, macht sich zwanghaft Notizen und ist ein geborener Optimist. Half-Canded Cloud begann 1999 als Heimstudio-Projekt in Chattanooga, Tennessee. Ringhofer lebte später über ein Jahrzehnt lang in der kalifornischen Bay Area (wo er als Teilzeit-Hausmeister arbeitete), bevor er 2015 mit seiner jungen Familie nach Helsinki, Finnland, zog, um die linguistische Forschung seiner Frau zu unterstützen. Half-Canded Cloud versteht es, komplexe theologische Konzepte in eingängige und erhabene Kinderlieder zu verpacken, die sich weder ihrem Thema noch ihrem Zuhörer herablassend nähern.

Reservar19.06.2026

debe ser publicado en 19.06.2026

24,79
PYREXIA - SERMON OF MOCKERY
  • 1: Sermon Of Mockery
  • 2: Resurrection
  • 3: Abominat
  • 4: The Uncreation
  • 5: God
  • 6: Demigod
  • 7: Inhumanity
  • 8: Liturgy Of Impurity

Orange Splatter vinyl. "Sermon of Mockery" by Pyrexia is not an album that tries to be accessible - it is built to be heavy, direct, and unsettling, and it delivers exactly that. Released in 1993, it sits right in the middle of a key moment when American death metal was evolving into something more technical and extreme. The sound is rooted in the New York scene: tight, compact riffing, constant stop-and-go structures, aggressive drumming, and deep guttural vocals with no room for melody. It's not about speed alone, but about control - everything feels deliberate, almost surgical in how the songs are constructed. Lyrically, the album revolves around a strongly blasphemous and anti-Christian theme. It's not just shock value; it's more like an inverted liturgy, where religious symbols are twisted into something dark and violent. This concept is consistent throughout the music, lyrics, and visuals, as you can see in the booklet. It may not be a mainstream landmark, but it played a key role in shaping the brutal death metal sound that followed. It influenced many underground bands and is still regarded today as a cult record. Listening to it now, the production may feel dated, but that's also part of its strength - it's raw, honest, and uncompromising. In short, it's a record that perfectly captures a specific era and mindset within the genre.

Reservar19.06.2026

debe ser publicado en 19.06.2026

29,37
Carola - The Observatory EP

Quinoa’s 8th reference goes off the beaten track, literally. Carola (f.k.a. Mägitee), comes at us with four stripped-back cuts that invite us into unexplored emotional realms. Consistent, throbbing, and rich in texture, it contains just enough of everything and not too much of anything.

The story starts on the A side with “Siouxsie”’s melee of drums and swells that instantly transport us to the smokey comfort of a dance floor, lost in the ecstasy of intertwining bodies.

It follows with “0863”, with a name that winks at his roots hailing from the Appenine mountain chain in central Italy. Its warm, intimate touch sets a suspended tone to the release.

On the flip side the energy shifts, with escapism-anthem “Getaway” whose strings and dreary vocals invoke a nostalgia of futures-to-be in places that may never exist.

Finally, the EP closes off with the title track “The Observatory”. Named after the Griffith Park Observatory, a place where he regularly used to wander at night in the company of deer, coyotes, and the Los Angeles lights. Its deep bassline and intense echoes aim to captivate the most avid stargazers.

We hope this music will touch you as much as it touched us.

Reservar19.06.2026

debe ser publicado en 19.06.2026

13,24
THE SHAGGS - PHILOSOPHY OF THE WORLD
  • 1: Philosophy Of The World
  • 2: That Little Sports Car
  • 3: Who Are Parents?
  • 4: My Pal Foot Foot
  • 5: My Companion
  • 6: I'm So Happy When You're Near
  • 7: Things I Wonder
  • 8: Sweet Thing
  • 9: It's Halloween
  • 10: Why Do I Feel?
  • 11: What Should I Do?
  • 12: We Have A Savior

* Begleittext vom legendären Musiker, Autor und Compiler Lenny Kaye (Patti Smith, Nuggets) * Das Booklet enthält bisher unveröffentlichte Fotos und Raritäten * Das Cover wurde restauriert und auf ein Gatefold-Cover erweitert * Neu remastert * Platz 5 auf Kurt Cobains Liste der 50 Lieblingsalben 1968 schnappten sich drei Schwestern aus Fremont, New Hampshire, ihre Instrumente und nannten sich ,The Shaggs". In diesem Moment begann eine eigentümliche Geschichte, die weit über die fünfjährige Existenz der Gruppe hinausreichen sollte. Dot, Betty und Helen (und gelegentlich Rachel, die vierte Schwester) spielten in der Gruppe auf Drängen ihres Vaters, Austin Wiggin Jr., der überzeugt war, dass sie groß rauskommen würden. Jahre zuvor hatte Austins Mutter ihm aus der Hand gelesen und vorausgesagt, dass ihr Sohn eine strohblonde Frau heiraten würde, dass er nach dem Tod seiner Mutter zwei Söhne bekommen würde und dass seine Töchter eine beliebte Musikgruppe gründen würden. Die ersten beiden Vorhersagen traten ein, also war Austin sicher, dass auch die dritte eintreffen würde. Mit unerschütterlichem Selbstvertrauen und der kühnen Vorhersage seiner Mutter beschloss Austin, dass seine Töchter auf den Besuch der örtlichen Highschool verzichten und stattdessen zu Hause unterrichtet werden sollten, unterbrochen von einem strengen Programm aus Instrumental- und Gesangsübungen sowie Jumping Jacks und Sit-ups. Bald darauf betraten The Shaggs die Fleetwood Recording Studios in Revere, Massachusetts, um ihr einziges Album ,Philosophy Of The World" aufzunehmen, eine Sammlung von Garage-Rock-Songs, die Charme und Dissonanz gleichermaßen in Einklang brachten. Austin gab den Großteil seiner Ersparnisse nicht nur für die Aufnahmen aus, sondern auch für die Produktionskosten, um 1.000 Exemplare des Albums zu pressen (von denen 900 nach Fertigstellung auf mysteriöse Weise verschwanden). Im gesamten Album werden einfache Wahrheiten durch die Feder von Schwester Dot, der Songwriterin der Band, offenbart. Die Reichen wollen das, was die Armen haben, genauso wie die Armen das wollen, was die Reichen haben. Deine Eltern lieben dich. In der Nähe liegt Glück und in der Ferne Traurigkeit. Das Album erfüllte Austins Erwartungen an den Rockstar-Ruhm nicht, doch die Gruppe blieb bis zum Tod ihres Vaters zusammen und trat regelmäßig im Rathaus von Fremont und in einem örtlichen Pflegeheim auf; weitere Alben wurden jedoch nicht veröffentlicht. Das hätte das Ende sein können, bis die Rockband NRBQ eine Kopie bei einem Radiosender in Massachusetts entdeckte und sie 1980 neu veröffentlichte. Der damalige Rezensent des Rolling Stone beschrieb es als ,die atemberaubend schrecklichste wunderbare Platte, die ich seit Ewigkeiten gehört habe". Fast 50 Jahre später zählt das Album zu den polarisierendsten LPs aller Zeiten. Manche sagten, es sei das Schlimmste, was je produziert wurde. Andere empfanden es als eines der großartigsten Langspielalben des 20. Jahrhunderts. Frank Zappa bezeichnete die Band bekanntlich als ,besser als die Beatles", während Kurt Cobain das Album auf Platz 5 seiner Liste der 50 Lieblingsalben setzte. Originalausgaben des Albums erzielen Preise von 10.000 Dollar. Jahrzehnte später könnte man argumentieren, dass Austin vielleicht die ganze Zeit recht hatte. Wir sind alle hier und immer noch fasziniert von der Reinheit der Shaggs.

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debe ser publicado en 19.06.2026

40,97
MICHAEL J. SHEEHY - DON'T WE DESERVE SOME KIND OF LOVE?
  • 1: Like Blood On Snow
  • 2: Full Moon, Empty Belly
  • 3: Don't Put Yourself Beyond The Reach Of Love
  • 4: You Better Take Everything
  • 5: Pure Deep Water
  • 6: Only Drinking In My Dreams
  • 7: If I Had Known It Was The Last Time
  • 8: The Left Hand Don't Need To Know
  • 9: Don't We Deserve Some Kind Of Love?
  • 10: Tiny Blessings

Michael J. Sheehy has been making records for almost three decades, initially as founder and mouthpiece of mid-"90s cult band Dream City Film Club, then as a solo artist and frontman of rootsy garage rock act Miraculous Mule. He has toured with the likes of Kristin Hersh, Tindersticks, John Cale and Peter Murphy, while his songs have been utilised in films such as "Intimacy" and the TV show "Deadwood". Following a six-year hiatus, Sheehy has just "Don"t We Deserve Some Kind of Love?", his seventh solo album but first for Dimple Discs. "Don"t We Deserve Some Kind Of Love?" features contributions from Fiona Brice (violin), Sandy Mill (backing vocals), Ian Burns (drums) and Patrick McCarthy (guitar). It was recorded at home over a five-year period while Sheehy was a stay-at-home father and working evenings at a bar in Camden, north London.

Reservar19.06.2026

debe ser publicado en 19.06.2026

23,49
FREDDIE MCGREGOR - Mr. McGregor LP
  • A1: We Got Love
  • A2: Walls Of Jericho
  • A3: Jah Can Count On I
  • A4: Oh No Not My Baby
  • A5: Why Did You Do It?
  • B1: Zion Chant Aka Jah A We Fathers
  • B2: Rastaman Camp
  • B3: Do Good
  • B4: Brandy
  • B5: Rasta Have Faith

Freddie McGregor was born in Clarendon, Jamaica on June 27, 1956. At age seven, he started singing backup for a local ska harmony duo called The Clarendonians and did his first recordings aged 10 years with the name "Little Freddie" or "Young Freddie", and as a duo with Ernest Wilson aka "Freddie & Fitsy".

During the 1970s, McGregor was closely associated with the legendary Studio One label. He sang lead for groups like Generation Gap and Soul Syndicate, and also recorded off and on as a solo act during the '70s. In 1975, McGregor converted to Rastafarianism.

His debut album Mr. McGregor was released in 1979. The album opens with "We Got Love" featuring a Tower of Power influenced horn section underneath McGregor's tale of love conquering all. The classic "Rastaman Camp" combines muted horn and an earthy, Nyahbinghi-like chorus for one of producer Niney's deeper constructions, but the lightweight fare is equally welcome as the easy strolling and not too sugary version of "Brandy" displays.

Mr. McGregor is available as a limited numbered edition of 750 copies on orange vinyl.

Reservar19.06.2026

debe ser publicado en 19.06.2026

31,51
Jay-Jay Johanson - Tattoo LP

Jay-Jay Johanson

Tattoo LP

12inchMOVLP3668R
Music On Vinyl
19.06.2026
  • A1: Even In The Darkest Hour
  • A2: Quel Dommage
  • A3: Murderans
  • A4: Milan. Madrid. Chicago. Paris
  • A5: Lychee
  • A6: She's Mine But I'm Not Hers
  • B1: Sunshine Of Your Smile
  • B2: Jay-Jay Johanson
  • B3: A Letter To Lulu-Mae
  • B4: Sudden Death
  • B5: I Guess I'm Just A Fool
  • B6: Friday At Rex

Jay-Jay Johanson's 1998 album Tattoo is a captivating blend of trip-hop, jazz, and electronic music, showcasing the Swedish singer-songwriter's unique melancholic sound.

Tattoo features standout tracks like "Quel Dommage" and "Even In The Darkes Hour," which highlight Johanson's smooth vocals and atmospheric production. The album's moody, cinematic style is characterized by its downtempo beats, lush arrangements, and introspective lyrics, creating an immersive listening experience. Tattoo marks Johanson’s evolution as an artist, blending influences from jazz noir and electronic music to craft a sound that's both haunting and elegant.

Fans of trip-hop and experimental pop will find Tattoo a timeless gem, embodying Johanson’s signature emotional depth and musical sophistication. Listening to it will take you on an evocative journey into one of the most distinctive albums of the late '90s.

Tattoo is a limited edition of 500 numbered copies on translucent red coloured vinyl.

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debe ser publicado en 19.06.2026

32,35
KANTE / ACID PAULI - KANTE ON ACID (ACID PAULI REMIXES)
  • 1: Die Summe Der Einzelnen Teile (Acid Pauli Remix)
  • 2: California (Acid Pauli Remix)

Was für eine schöne und unerwartete Überraschung: 25 Jahre nach der Veröffentlichung von "Die Summe der einzelnen Teile" von Kante liefert Acid Pauli einen grandiosen Remix ab. Seine Uptempo-Techno-Version verleiht dem Klassiker der Hamburger Schule neuen Schwung - einem deutschen Song, der über die Wunder des Musikmachens sinniert: "In manchen Momenten, für eine Weile, entsteht mehr als die Summe seiner Teile". Acid Pauli spielte den unveröffentlichten Track erstmals in seinen Live-Sets und seinem Pingipung-Podcast (#175), und als er Kante fragte, was sie von der dopamingeladenen Interpretation ihres Pop-Hits aus dem Jahr 2000 in seinem DJ-Mix hielten, gab es rundum Daumen hoch und strahlende Gesichter. Als sich herausstellte, dass Acid Pauli noch einen weiteren Kante-Edit in petto hatte, nahm diese 7"-Single schnell Gestalt an. Auf der B-Seite verbindet er seine Kick-Drums mit dem langsamen, sehnsuchtsvollen "California" aus Kantes Debütalbum "Zwischen den Orten" von 1997. Hier ist sie also: Pingipung präsentiert stolz "Kante on Acid" - zwei Knaller für die Festivalsaison, die uns zurück zu den Wurzeln der Hamburger Popmusik führen, gebrochen durch Acid Paulis charakteristisch energiegeladenen, psychedelischen Groove. Kante: Eine einzigartige Band, die die Hamburger Schule mit Jazz-, Post-Rock- und Indie-Elementen verbindet und für ihre ausdrucksstarken, melancholischen Texte bekannt ist. Mit Alben wie "Zwischen den Orten", "Zweilicht", "Zombi" und "Die Tiere sind unruhig" wurden sie um die Jahrtausendwende zu einer der markantesten Stimmen der deutschsprachigen Popmusik. Acid Pauli: Acid Pauli (alias Martin Gretschmann) steht für einen eklektischen Ansatz in der elektronischen Kultur und beschäftigt sich seit über zwei Jahrzehnten mit psychedelischer, experimentierfreudiger Musik abseits der Mainstream-Pfade. Er ist in Techno-Clubs in New York oder auf Ibiza ebenso zu Hause wie bei der Produktion von Hörspielen und dem Schreiben von Filmmusik.

Reservar19.06.2026

debe ser publicado en 19.06.2026

12,56
710 EXIT - CLOSE TO THE SUN

710 EXIT

CLOSE TO THE SUN

12inchCORPO03
IL CORPO
19.06.2026

Irish label Il Corpo returns for its third outing with a hard to pigeon hole 10” from 710 Exit. 2 tracks that sit on the electro end of things but with a generous nod to the sound of Detroit, early UK breakbeat, soul and the deeper realms of electronic music. Close To The Sun feels like more than just a cosmic position. A solid 808 foundation and loose percussion sit beneath a bed of synth lines and soaring pads that are guaranteed to stir the soul. The signal for nostalgia is strong but there are plenty more twists and turns to keep the listener engaged. Warped guitar and soul samples make Strat an infectious workout brimming with experimentation and originality. Effected chords take on an almost vocal quality which talks over the casual, understated funk on offer here. Ever changing tones draw you in and make it hard to distinguish between guitar, synth or human. A unique E.P. which will find its way into the sets of varying selectors at this summer’s gatherings.

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debe ser publicado en 19.06.2026

15,08
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