Tropical Disco Records have once again delivered four scintillating feel good summer disco jams courtesy of the latest edition of their well loved vinyl series. Perfect for those gloriously sunny outdoor events, BBQ’s and beach parties alike their latest EP is another must have slice of black gold.
Scouring the globe for the freshest cuts Volume 22 is another multinational affair combining the skills of Colombian duo Vagabundo Club Social, Mexico’s Monsieur Van Pratt, Italy’s Infradisco and New York’s Roland & Brother Rich.
Opening affairs are the hugely exciting duo Vagabundo Club Social with their track ‘Costero’. They are producers who nimbly fuse dusty Latin grooves with cutting edge production techniques and dancefloor know-how and here have delivered yet another feel good dancefloor smash. ‘Costero’ is quite simply a DJ’s dream track which will do the business at any end of the set whether you need to get the crowd on the floor or tear the proverbial roof off.
Mexico is currently at the leading tip of the disco charge and Monsieur Van Pratt is one of the stand-out producers from a country bursting with talent. ‘Jazz Player’ pulls absolutely no punches combining jazz cool with disco know-how for a track which wins on all counts. Sublime brass solos sit atop a huge funky gem of a bassline. ‘Jazz Player’ will tear dance-floors up worldwide as the world starts to rediscover its long since packed away dancing shoes.
Italy’s Infradisco is up next with ‘Aungasana’ and it’s the perfect track to follow on combining many of the traits that both Vagabundo Social Club and Monsieur Van Pratt utilised on their tracks. Expect huge jazzy horns, funky bass and tribal vocals building up to a monstrous organ groove which raises proceedings to fever pitch. Infectious and energetic, it’s another seriously classy dancefloor moment.
Closing out the EP are New Yorkers Roland & Brother Rich with the exquisitely titled ‘Roger Moore’s Living Room’. Paying homage to the James Bond legend it’s the ideal track to sip brandy and toast the characters of yesteryear in that velvet smoking jacket you have always wanted. Deep and Jazzy with the essence of the 70s flowing through it’s DNA ‘Roger Moore’s Living Room’ is a track so effortlessly cool that even Blofeld would be throwing some shapes.
Tropical Disco’s Volume 22 is a sublime selection of timeless and wonderfully cool tracks which will be the perfect accompaniment to sun soaked events this summer and well beyond.
Support across Mi Soul & House FM.
Suche:you re me
The new batch from the bottomless edit archives of Danny Krivit is an uptempo, guitar-heavy excursion into two cuts of danceable rock from opposite sides of a decade.
“Marbles” originally came out late in 1970, the result of a collaboration between the fiery British guitarist John McLaughlin and drummer Buddy Miles. Miles was hot off his time with Jimi Hendrix, and producer Alan Douglas, who’d been instrumental in putting together the Band of Gypsys group, attempted another crossover combination with a brand new, blazing guitar god. Also on the date was Larry Young, an organ player best known for his expansive jazzy albums on Blue Note, and several veterans of Buddy Miles’ funk-rock combos. The resulting mixture produced in “Marbles” a powerful, driving rhythm anchoring an addictive riff that steamrolls through the cut in a fashion not unlike the motorik sound of Velvet Underground or Can. Mr. K’s edit leans heavily on the drums, naturally, with a long, tailor-made intro and a mesmerizing focus on the main riff, extending things well past the seven-minute mark.
Ten years later, the world of music was in an entirely different place but a good guitar riff coupled with a driving beat was still powerful currency on the dancefloor. This time, the group was Scottish new wave-punk group APB, whose single “Shoot You Down” had garnered unexpected peak time play in cutting edge NYC hotspots Danceteria, the Peppermint Lounge, the Ritz and the Mudd Club. “Shoot You Down” combines the urgency of the Clash with the free for all vibe that characterized the downtown scene (and throws in a chant borrowed from P-Funk for good measure). Mr. K has created a long instrumental opening that leads into the vocals, giving the tightly-wound 7-inch single a proper extended 12-inch treatment it deserved but never had before.
The sound is crisply remastered for club play, and stretched over the breadth of a 12-inch single. Both of these tracks are appearing on the long-format player for the first time.
- A1: Kim English - Treat Me Right (David Morales Club Mix)
- A2: Sandy B - Feel Like Singing (Adelphi Music Factory Remix)
- B1: Byron Stingily - Get Up Everybody (Darius Syrossian Remix)
- B2: Byron Stingily - Get Up Everybody (Parade Mix)
- C1: Pj - Can Ya Tell Me (Gerd Janson Piano Megamix)
- C2: Pj - Can Ya Tell Me (Gerd Janson Bonus Beat)
- C3: Pj - Can Ya Tell Me (Pierre’s Phat Dub)
- D1: Wonderboy - Jerk It (Sorley Street Mix)
- D2: Wonderboy - Jerk It (Felix Da Housecat Original Nooworld Underground Mix)
- E1: Innervision Ft Melonie Daniels - Don’t You Ever Give Up (Ian Friday Libation Vox)
- E2: Innervision Ft Melonie Daniels - Don’t You Ever Give Up (Ricanstruction Vocal)
- F1: Kim English - Learn 2 Luv (Ralf Gum Remix)
- F2: Kim English - Learn 2 Luv (Mood Ii Swing Club Mix)
- G1: Deep Creed - The Anthem (Monki Remix)
- G2: Deep Creed - The Anthem (Armand Van Helden Original Circle Mix)
- H1: Kim English - It Makes A Difference (Danny Howard Remix)
- H2: Danny Krivit & Kyle Smith Present Kim English - It Makes A Difference (Dub)
Black Vinyl[33,57 €]
Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).
Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.
The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.
“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”
The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.
“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”
As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.
“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.
“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”
Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.
Rambal Cochet (aka St Petersberg’s Konstantyn Isaev aka Volta Cab) lands on Wrong Era with four electronic snapshots suited to the more robust dancefloor. Opener,Leptis Magna, builds and twists through subtle plateaus’ towards a storm of climactic strings that clear to reveal momentary elation. Elation becomes soundtrack suspense on Fabrizio Mammarella’s remix, stripping back the parameters (while bringing the rhythm to the fore), resulting in a driving, tunnel trancer. Enter The Infinite is a steady builder; each tweak charming you towards twilight’s dancing silhouettes. Cyrillic balearic vocal’s melodise The Hidden Magenta, which locks you in it’s groove’s exotic, growing, immediacy.
MODULAR CUISINE is an event, a vinyl, a charity auction.
The 140gr. black vinyl contains the exclusive “Modular Cuisine” sticker, and from the front QR code you will directly access the full stream of the release.
•ACID CASTELLO “analogue-infused electro and crafty acid sounds”
•ANDY MORELLO “unique merge of dub, ambient and experimental electronic music”
•IDRA “charming ambient soundscapes”
•JOAO CESER “deeply atmospheric dance”
•VOSM “solid and sweet rhythms”
Charlotte de Witte continues her fantastic year with brand new EP, Asura, on her KNTXT label. All three of the tracks on this release will be exclusively included in her BBC Radio 1 Essential Mix, which is scheduled to be broadcasted on 18th of September.
As well as being back on the road and serving up her high-intensity DJ sets at the world's best clubs and festivals, Charlotte has also been busy in other areas. She has forged a new alliance with Apple Music and is now curating multiple exclusive mix series including a monthly KNTXT Residency Mix and KNTXT Active, which sees the Belgian artist and her label further investigate the connections between high-performance music, sports and BPMs. She has recently remixed the hugely influential trance classic 'The Age Of Love' by Age Of Love' alongside Enrico Sangiuliano and continues to A&R essential new tunes for the label.
Says Charlotte of this EP, "with Asura EP I’m trying to give you a little insight into my musical influences by going back to my roots. We’re speaking about a young Charlotte who, about 12 / 13 years ago, got indulged in the world of electronic music by going to her first underground clubs and raves. From electro and techno to acid core and hardcore to psytrance. This EP flirts with the soundscapes of the latter."
This EP finds Charlotte delve deep into her own past in electronic music with plenty of psychedelic influences. Opener Asura is a brightly lit techno track with big chords that bring the colour. They are sleek and metallic and sure to get hands in the air, with acid sounds and rumbling bass all adding extra weight and depth to this fantastic opener. 'Soma' is another dramatic and psychedelic track with hard-edged drums pounding away beneath celestial chords. They are mysterious and emotive and bring colour to the darkness. Last of all comes another big, psytrance-tinged and emotional roller coaster in 'Stigma' with its all-consuming techno groove and bass that sounds like it's fired from a machine gun. After an acidic breakdown, the drums roll again and even the biggest festival crowd is sure to be swept away.
Charlotte de Witte leads from the front once more with her standout new Asura EP.
John Lord Fonda announces a new album and returns to Citizen Records after a ten-year absence with a new EP, featuring two hard-hitting unreleased tracks.
A decade after his last album Supersonique, the Dijon-born artist is back with a vengeance, showcasing more than ever his dark side, and the least we can say is that it was worth the wait. Releasing once again on Citizen Records, the label founded by Vitalic, Fonda has dug deep into his psyche, channelling his experiences into strong, metallic, dreamlike rhythms.
Like a steel machine, the deep baseline of They Will Fight For You, with its slow, heavy, mechanical beat sets off at the pace of a long-distance run and keeps us locked into a deliciously brutal alternate reality. Early fans of the artist will go crazy for this dark, cerebral techno!
Les Dunes d’Altaïr offers a warmer, more mystical voyage thanks to its oriental tinges, and is a fitting homage to Plastikman's Spaz and Spastik monikers.
Despite being an ode to the power of rhythm, it's the image and delicate feel of a desert wind that wafts towards us, and the track keeps listeners breathless for nearly eight minutes, oscillating between these two worlds.
Guest of honour Damon Jee has remixed Les Dunes d’Altaïr, delivering a disco-flecked minimal rework perfect for accompanying the sun as it sets, or indeed rises.
The return of John Lord Fonda is definitely the comeback no-one should miss in 2021.
The Altaïr EP is the first taste of the artist's next album, due this autumn.
A new lick of paint for the House of Disco, serving you slick, sophisticated and just as stylish. Taking the keys for the thirtieth release, Dutch dynamo Cleanfield, who lays down a four track EP dripping in summer sun.
The A side opens with ‘Sunshy’ a disco house banger, complete with bumping bass, sun-kissed toplines and warped Kool & The Gang synth warbles, before ‘Oregano’, takes you on a Mediterranean flavoured, supercharged dream house journey spliced with tripped out arppegiated wanderings.
On the flip, ‘Krispy’ a tropical, synth-heavy party starter with sandy beaches and crystal-clear oceans in mind and ‘Caught In The Act’ an underwater sea sensation, drenched in drunken arps and a cocktail of chants, guitar licks and good vibes.
Revered Danish producer and live performer KÖLSCH follows his 2013 hit album "1977" (KOMPAKT 276 CD 107) with the new full-length "1983", again chaining up heroic techno tracks for a grandiose sonic journey to the vibrant heart of today's dance floor. PRIORITY RELEASE
Coupling contemporary production pizzaz with nostalgia-tinged soundscapes and sweeping melodies, this opus acts as both a skilfully composed portfolio of personal memories and a sublime collection of crowd-charming cuts - a modern classic in the making, coming from a master of his craft.
1983 features collaborations with Gregor Schwellenbach, Waa Industry and WhoMadeWho's Tomas Høffding.
Hot on the heels of SPEICHER 84 (KOMPAKT EXTRA 84), featuring club crackers DERDIEDAS and TWO BIRDS, the latest full-length offering from KÖLSCH is very much a travel album: "When I was a kid in 1983, we used to drive through Europe every summer on the way to the south of France", he explains. "A lot of my early music memories stem from these long travels, as we would listen to all my father's favorite records on the cassette deck. After getting a walkman, I would make up my own soundtrack for travelling, with early electro and hip hop creeping into my life. My father of course did not like it, and it never grace the official cassette deck of the car, obviously"
These trips became a primary source of inspiration to a hungry young mind forced to sit on the backseat of a car for several days: "they were also journeys through the seasons. In Denmark, it would be spring time, so I could nearly see us driving through spring into the summer. The scenery would change, and so would the mood in the car." Informed by the symbolic quality of these slightly gauzy childhood memories, KÖLSCH's unique melange of emotional and functional elements works exceptionally well for the full-length format - a seamless transition of musing introspection and explosve expression, where catharsis never seems far away in dance-ready techno vignettes like MOONFACE, UNTERWEGS or PACER.
From beatless opener and title track 1983 to the filigreed piano banger DIE ANDEREN or the bleep-infused synth-fest E45, each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. Confronted with other producers' input (and other memories), these traits find themselves extended in the most interesting ways - TALBOT, THE ROAD and CASSIOPEIA (also featured on KOMPAKT EXTRA 79) make excellent use of GREGOR SCHWELLENBACH's emotive orchestral flourishes, while BLOODLINE's lyrics come to life thanks to the distinct timbre of TOMAS HØFFDING of WHOMADEWHO fame. A new powerful take on an earlier collaboration, PAPAGENO 30 YEARS LATER not only rejoins WAA INDUSTRY on vocal duty, but also ends the album on a wonderfully elegiac, yet hopeful note - basically turning water into wine, as we've come to expect from KÖLSCH.
Aestum’s self-titled debut album is an in-depth journey into supreme and tranceformative soundscapes. Oscillating around the apex of spacious power ambient and drone, the compositions recorded during 2020 combine monolithic electronica with decaying fantasies and slow-motion euphoria.
The imagination for the album was inspired by the idea of panortosia (universal reform) as described in old scholar books devoted to inter-communication and sacrosanct harmonies in order to find a way into divine temple and shining lux (eternal light). From sonic perspective Aestum created a juxtaposition between warped atmospheres and distant remnants for a state of trance, a multiverse vision of feeling that was evoked by timeless parties and almost religious peak-time club anthems during end of 90’s and 00’s when Aestum as a duo of young friends were entering dancefloors across Europe. With this attitude every composition - often accompanied with dreamy messages and heavenly choirs of Dutch vocalist Bobbie 0rkid - marks its own emotional landscape and reaches new enigmatic spheres.
Influenced by this concept a New York based multidisciplinary artist Emma Pryde created visuals for the album - not just the cover where the story of panartosia is being told across the front and back cover, but also transformative videos for tracks Panortosia and Himmel. Using pure elements like heaven or meadows on the base, she added layers of imagery from sci-fi effects to more ancient and religious images, warping and blending into each other, leading into a fantasy that represents the past and future, and gives a meaningful hope.
Irish producer and DJ Mano Le Tough announces his new record, At The Moment, out August 20th on DJ Koze’s Pampa Records, and presents the first single, “No Road Without A Turn.” After more than a decade of releases and touring, Mano has spent the past year at home in Zurich, rearing his young family and focusing on the positives of 14 months without performing, amid the uncertainty of the pandemic. In the face of horror, Mano channelled inspiration. With At The Moment, the follow-up to 2015’s Trails, those struggles have produced a record which balances the ambivalence of the current moment, with wistful streaks of unguarded optimism.
At The Moment shows Mano’s modes of expression evolving too. The synths and rhythms common to earlier works are now complemented with less familiar sounds and influences. Jangling guitars and sun-bleached chords envelop his own tender, plaintive vocals in a dappled wash of summery pop. Another track grounds overlapping melodies and sci-fi soundtrack pads with hip hop beats, creating a hypnotic slice of slinky retro-futurism. Where there is reflection, there is also a sense of being unafraid.
“I’ve always liked that Mallarmé quote, ‘poetry is the language of crisis,’” says Mano. “It’s hard to make good music about everything being amazing. Everything is going great – who wants to listen to that? Anything I’ve done - anything which I thought had any kind of artistic merit, has been through struggles I’ve had in my life”.
“Dance dance otherwise we are lost” is a raw and insightful EP with 5 non-conformist tracks ranging from the hard hitting yet poetic peak time 141bpm Trans TanzTheater to Orbits of Happiness 135bpm an unstoppable rhythmic force carrying the weight of a thousand lives. Woven by an orchestra of synths and their unescapable gravitational force, pulling you in – ever developing, ever growing.
Next up is Incessant Maze 139bpm a projection of the mind itself. A mechanism of transcendence and transformation. A raw and ready psychedelic techno assault to shake your mind out of your body and back into again.
Following the three originals are two very special remixes from Filmmaker and Polanski that bend time and space: a blissfully dark slow tempo remix of “Orbits of Happiness” by London’s experimental techno Producer/DJ/Promoter all-in-all powerhouse Polanski. At 120bpm, the “Is this happiness?” remix has had its question answered already by the sensational feedback received so far: A sultry timeless cut. There’s no way to escape. Not that you would want to, anyway.
Finishing it off, undoubtedly one of the standout artists in 2019 rising star Colombian producer Faunes Efes’ Filmmaker project has released a slew of incredible albums and EP’s this year already. Here he delivers “The Quandary” a wild and psychedelic cut of Incessant Maze merging hypnotic vocals with an ever driving percussive power that is already getting some special support in Europe and South America 130bpm.
Samosa Records releases are coming thick and fast in what could be their finest year yet. Lex & Locke are the latest talent to make their Samosa debut with their ‘Pacifica’ EP – a sublime three tracker which is mouth watering from the off.
First up is Balandra. From the moment you hear the raw four to the floor drumbeat, you’re under its spell. The infectious bass riff moves the scenery around a little, whilst the subtle bongo attack teases what’s to come. And what’s coming is a funky, rolling cosmic lead synth that has no right to sound that damn sexy, no right at all. The vibe quickly grows into an interstellar journey, aided by an outrageously funky clav jam that gets inside your head. Balandra feels like the soundtrack to an ‘after dark’ undercover stakeout in a 1970s cop thriller. Detectives Lex & Locke are on the case and the evidence is compelling. A unique, 122bpm funk bomb which has the Samosa fingerprints all over it.
A2 is Cabo Pulmo – continuing the vibe of Balandra, Lex & Locke lay down some serious grooves in what initially sounds like a live funk band jamming away in the studio without a care in the world. No soon as we get into the beat and the bass, there’s an immediate switch to a swirling, bold cocktail of funk infused with a touch of jazz that belies the 124bpm tempo. The production is expertly tight; layers of synth, electric organ and punchy guitar riffs make this ideal for both the sun terrace and the dance floor. You’re under arrest, and Lex & Locke are reading you your rights!
The final track, Nine Palms has a real quirky, almost broken beat feel to it with its high-hat ride pattern and punchy bass drum. A wickedly twisted analogue organ riff is quickly introduced, which is cleverly used as both a rhythm device and the melodic platform that sets up the whole track. Lex & Locke seem to be total masters of a ‘free-style funky synth lead’, and we’re treated to another slice of this particularly tasty pie in ‘Nine Palms’. Whereas Balandra is the late-night stake-out, Nine Palms is the final act where Lex & Locke high five each other following another successful bust.
The Pacifica EP has a wonderfully intimate and assured vibe about it and is sure to feature in many a summer soundtrack. This release also proves that Samosa Records aren’t afraid to go off the beaten path occasionally - and when it’s this good we’re more than happy to follow. Grab this amazing cut of wax while you can!
- C2: Meanwhile (Dj Prime Cuts Remix)
- D1: Touch (Req&Apos;S Dub)
- A1: Steppe
- A2: Wanderer (Feat Dj Prime Cuts)
- A3: Meanwhile (Feat Sensational)
- B1: Touch (Feat Dj Prime Cuts &Amp; Sensational)
- B2: Layout (Feat Dj Prime Cuts)
- B3: Skitty (Feat Dj Prime Cuts)
- C1: Touch (Etch&Apos;S Pink Ladies In Space Remix)
- D2: Touch (Instrumental)
Debut release for The Fear Ratio's Mark Broom and James Ruskin under their 'Deadhand' alias, which proceeds on a strictly experimental hip-hop tip, accompanied as they are here by 4 x world scratch champion DJ Prime Cuts (of The Scratch Perverts) and illbient rap legend Sensational, who brings his characteristic broken charm to the EP's itchy, spartan production vibes: "Step into my office, now we sparkin' it... I spit the isms in yer ear... you better recognise it's raw shit from orbit."
This pairing with Sens makes total sense: Distinct from Mark and James' work as The Fear Ratio, their Deadhand project delivers something closer to 90s illbient in any case: extending the boom-bap era of hip-hop production with elements of hallucinogenic dystopianism, the energy of the EP nevertheless vibes playfully: Given the dispiriting global situation at present, the EP title 'Meanwhile' might simply refer to getting on with things in spite of all the cultural and political misendeavor the era will no doubt be long remembered for. Despite the global health pandemic and the looming spectre of wide-scale environmental collapse, little despair or surrender prevails here, but rather a hankering to attempt a few tripped-out experiments.
Three remixes bring further twists of the screw: A cosmic break flex from ETCH resituates Sensational amidst the magmic glow of Reaktor bass ensembles, while DJ Prime Cuts repurposes 7" soul gold by way of a more 'traditional' SP1200 approach. 90s trip-hop pioneer and graffiti legend REQ steps up with all the painterly flair he is rightly renowned for, obliterating the Monster Orchestra's classic 'I Can't Stop' stab towards a double dose of galactic melancholia.
g 07: Touch (ETCH's Pink Ladies in Space Remix) feat. Sensational
[h] 08: Meanwhile (DJ Prime Cuts Remix) [feat. Sensational]
[i] 09: Touch (REQ's Dub) [feat. Sensational]
[feat. DJ Prime Cuts]
For the tenth edition of its tape series, Climate of Fear presents "Empire of the Senseless," a rippling, brooding session by Izabel. Recorded at an april 2019 party opening for Legowelt, "Empire" shows the Lullabies for Insomniacs boss in a molten halftime groove, drifting from fungal ambient to dark-aura'ed club crawlers. Rich, unnerving, sorrowful and sensuous. Feel your face melt.
- A1: Roy Of The Ravers Definition Of Summertime '21 Featuring The Fresh Prince Of Bellacid
- A2: Roy Of The Ravers Definition Of Summertime - Idiac's Fresh Mince Mix
- A3: Roy Of The Ravers - Definition Of Summertime (Crispy Jason Remix)
- B1: Myoptik Melts Your Summertime Eye Scream Mix
- B2: Summertime - Horn Cocktail Mix By The Horn
This is a Pingdiscs summertime special, featuring Roy's magic and phwoar mad remixes for your seaside adventure.
Here it is the ROTR acid groove slightly transformed
Just a bit of a break from the norm
Just a little somethin' to break the monotony
Of all that mainstream dance that has forgotten to be
A little bit out of control, it's cool to dance
And what about the acid groove, that soothes, that moves romance
Give me a soft subtle acid mix
And if the 303 ain't broke then don't try to fix it
After a brief hiatus due the pandemic, Russian label Minor Notes Recordings returns for their 7th release. During the first 6 releases they have gained a reputation as one of Russia's finest exports of house music to the world, introducing many us to the likes of Scruscru, Baltimore Chop and Lowres. However, after nurturing his own artists it's the turn of Guydee himself to shine and make a much-deserved debut on his own imprint. Over the last year Guy has taken some time out of releasing to rebuild his own sound and sharpen his production skills, now fresh out the studio he and has a full stack of new music to share with the world.
First up is “В стол EP” (which translated as “Hidden” from Russian), where Guydee presents 3 super deep compositions which include collages of organic sounds and original instruments by the man himself. Malta's deep house don Melchior Sultana is also drafted in on remix duty and provides a sub-aquatic flip of the lead track 'Svet'. As ever Minor Notes comes correct with releases on both Vinyl and Digital formats!
- A1: Sky Is The Limit Feat. The Beloved
- A2: Amazing Feat. Steve Van Velvet
- A3: Wasteland Feat. Inga Humpe
- B1: C´est La Vie Feat. Richard Judge
- B2: Du Schneidest Mir Mein Herz Auf Feat. Ben Becker
- B3: We Could Be You Feat. Yasha
- C1: Job Of Dying Young Feat. Marian Gold
- C2: White Boy (Percy Tech Remix) Feat. After Life 3000
- C3: Time Marches On Feat. Henning Wehland
- D1: Goldelse Is Burning ( Album Dub Mix)
- D2: No Melody Feat. Dieter Meier
- D3: No Crap Feat. Beccy Boo
On his new album "Famous Last Songs Vol. 1" Westbam presents himself as a brilliant curator of his own music. With unerring instinct, the legendary techno DJ and producer succeeds together with guests such as Dieter Meier (Yello), Inga Humpe (2raumwohnnung) and Jon Marsh (The Beloved) in paying homage to the spirit of the Eighties and making the ultimate statement about the current time: music for the club in your head.
Harald Björk follow up his recent releases on Cocoon Recordings, Traum Schallplatten etc. with the four track 12" Sketch On A Feeling. A record featuring German legends Extrawelt, no introduction needed and Swedish Teenage crime star Adrian Lux who we recently have gotten to re-known beyond his EDM stardom through his band Off The Meds (Studio Barnhus) and 90's techno banger alias Luxxy.
The record wears two original's written and played entirely on Roland MC-202 and TB-303 by the label head himself, Mr. Björk.
Textextext - (add your write up)
Kranglan Broadcast, established in 2009, is the record label of Swedish artist Harald Björk (Cocoon Recordings/Traum Schallplatten/Studio Barnhus). The shifting genres and gaps between releases might seem confusing? But… the core seems to be quality releases by good friends who have crossed each others lanes and teamed up in creativity, and there are some friends!!! Axel boman, Nathan Fake, Popnoname, Kate Wax (Aisha Devi), Fairmont, Anton Kubikov (SCSI-9), LOKATT and many more. Electronic music as it used to be before the "business era", friends sending files and pressing vinyl!!!
In 2021 Kranglan Broadcast have some fine gems coming up and Sketch On A Feeling is the first one to get public.
Harald Björk follow up a weird and packed year of 2020 with guest shows on John Digweed's Transition Show and releases on Cocoon Recordings,Traum Schallplatten, Studio Banrhus, Internasjonal and many more! The record features German legends Extrawelt, no introduction needed and Swedish Teenage crime star Adrian Lux who we recently have gotten to re-known beyond his EDM stardom through his band Off The Meds (Studio Barnhus) and 90's techno banger alias Luxxy. Dense stardom in a perfect blended EP with all modes included!
Long Story short Harald got in contact with Extrawelt over an old unreleased remix of Björk's that got to see release light on Traum in the summer of 2020. Similiar Harald reworked Teenage Crime duo Lux and Lune same year… What follows of great connection is often friendship and Kranglan Broadcast is all about friendship, quality and fun… Perfect soil for electronic music to grow organic and full of energy.
The record wears two original's written and played entirely on Roland MC-202 and TB-303 by the label head himself, Mr. Björk.
Artwork by Lukas Nystrand von Unge and mastered and cut by maestro himself LUPO!
Enjoy electronic music on vinyl at best!
With releases on the likes of Nite Grooves, Uzuri, Church and Axe On Wax, DJ Aakmael steps up to the plate for NYC’s Second Hand Records seventh release taking you on a journey through the realms of deep house. Raw, packed with feeling and bursting with musicianship, Aakmael hits with those late night, meditative keys, juiced-up bass lines and MPC-crunched drums to provide three cuts that groove endlessly from dusk till dawn.




















