On their vibrant and eclectic ninth studio album, Clinic -
the band who wore surgical masks before it was a
matter of urgency - are taking you to ‘Fantasy Island’,
where you will find yourself transported to tropical
climes.
In guitarist / keyboard player Jonathan Hartley’s words:
“Clinic look to a brighter future, Fantasy Island it’s a
very positive album, it’s more about what you can make
happen rather than being defeatist.”
Their last album, 2019’s ‘Wheeltappers and Shunters’,
found the band satirising British culture and wallowing in
sleazy Seventies nostalgia. ‘Fantasy Island’ was
recorded in an old studio on Merseyside during the
summer of 2019, with good vibrations seeping into the
grooves. This time they are embracing “the idea of
looking at the future and the different ways it can unfold,”
with their most electronic and pop record to date. “It’s a
more global, international and outward looking record,”
says Hartley. “Clear blue horizons. The brave new
world!”
The album was mixed last year by Claudius Mittendorfer,
who has worked with Parquet Courts, Neon Indian and
many pop greats.
CD in paper inner wallet into spined capacity outer
wallet.
Standard weight black vinyl into shared printed inner
sleeve and digital download card.
quête:yours
- 1: Happy Holidays / The Holiday Season
- 2: I Want A Hippopotamus For Christmas
- 3: (Everybody’s Waitin’ For) The Man With The Bag Feat. Adam Lambert
- 4: St. Patrick’s Day
- 5: River
- 6: Welcome Home
- 7: All Those Christmas Clichés
- 8: The Christmas Song (Chestnuts Roasting On An Open Fire)
- 9: Somewhere In My Memory Feat. Evan Rachel Wood
- 10: Drunk On Christmas Feat. Lainey Wilson
- 11: Have Yourself A Merry Little Christmas
- 12: New Yea
Ein Weihnachtsalbum zwischen sentimentalen Pop-Balladen, Witz, Swing und Charme präsentiert Darren Criss, multitalentierter Sänger, Songwriter, Emmy- und Golden-Globe-prämierter Schauspieler und
Broadway-Star. Seine Fans lieben den gutaussehenden jungen Mann für seine Rollen in ”GLEE”, ”VERSACE: AMERICAN CRIME STORY” oder ”HOLLYWOOD”.
Jetzt erfüllt sich Criss einen Wunsch mit einem Weihnachtsalbum, das zwischen Pop und Swing a’la
Dean Martin allerbestes Entertainment unter dem Weihnachtsbaum verspricht. Sein erstes Album in voller
Länge besteht aus Originalsongs und kreativen Neuinterpretationen klassischer Weihnachtshits. Als Gäste
hat er Adam Lambert, Lainey Wilson und Evan Rachel Wood zur Weihnachtsparty geladen.
World Got Soul is the name of the new series from our subsidiary label Fingier Records. As the first release in this series, our Argentinian producer Kevin Fingier has created two killer bombs of Brazilian Soul, Funk and Jazz with the new singer he has signed to the label; the amazing Josi Dias.
The Brazilian singer, based in Argentina, has been singing Bossa Nova and Samba in the most prestigious Jazz clubs in Buenos Aires, and is now joining forces with Kevin Fingier to mix her traditional music with Fingier’s Soul grooves.
On the A side we have ‘Um Brilho Novo’ - a killer Brazilian Funk. You can hear the Raw Funk sound that we've become so accustomed to hearing from The Kevin Fingier Collective band while Josi’s sweet voice sings beautiful Brazilian melodies over the top. It’s like if Elis Regina had asked Dave Hamilton to produce her an early 70’s Soulful track.
And on the B side we have ‘Rua Nova Baräo’, a Jazz-Dance samba killer track. You can certainly hear the Airto Moreira and Flora Purim flavours throughout. Eddie Piller heard this one and said “If you close your eyes you can almost be in Dingwalls or The Wag Club in 1988”
Josi Dias & The Kevin Fingier Collective's new single will be out October 1st and the release is very limited, so get yours before it's too late!
Following on from the success of their last single ‘Always Happy’ Bristol punk trio Grandmas House return this October with the release of a debut self-titled EP. Leading with the single ‘Golden’ the band are back on furious form and excite us with the prospect of what they can deliver live. The band have an astounding 40 UK shows in 2020 including a tour supporting The Blinders, dates with Katy J Pearson and a headline tour in October to accompany the EP release. The band have also recently been announced to support IDLES at The Downs festival in September.
Grandmas House have had extensive radio play including Steve Lamacq and Jack Saunders both championing at BBC 6 Music and BBC Radio 1 respectively. The single also landed them in the Radio X Evening Playlist as well as Amazing Radio. Press accolades have come from DIY, Dork, Get In Her Ears, Punk News, BandCamp Daily, Hard of Hearing and many more.
- A1: Amapola
- A2: Siboney
- A3: Perfidia
- A4: Miami Beach Rhumba
- A5: Malaguena
- A6: Begin The Beguine
- A7: Yours (Quiereme Mucho)
- A8: Green Eyes
- A9: What A Diff’rence A Day Made
- A10: Mama Inez
- B1: Tea For Two
- B2: El Cumbanchero
- B3: Besame Mucho
- B4: Sway
- B5: Tequila
- B6: Frenesi
- B7: Maria Elena
- B8: Jungle Concerto
- B9: Brazil
- B10: Mambo At The Waldorf
- B11: Say “S S “
180g vinyl gatefold sleeve edition. A leading figure of Latin music, Xavier
Cugat spread the rhumba, mambo, and cha-cha-cha all over the world,
becoming one of the greatest stars of the genre.
While born in Spain, bandleader Xavier Cugat spent his formative years in Havana, Cuba, where he became a brilliant violinist and arranger. Cugat was a
leading figure in the spread of Latin music, and after moving to New York City
he became the leader of the resident orchestra at the Waldorf-Astoria before
and after World War II, where he gained perennial fame. He would become
known as the “Rumba King”. Compiled here are 21 of his greatest hits, recorded during his finest years.
The duo from North of England (Silverdale) is finally back with their 3rd studio album ‘A Safe Place To Be’. ‘A Safe Place To Be’ comes as the most personal and up-close album from the band.
It’s an album the two of them have been working on, on and off for 2 years, and they and it has been through so much in that time.
The creative aspect of this album (shown in the artwork, videos, and physical formats) is a huge part of this album. The detailed model village where everything was captured, is based on the band’s memories old and new. It’s set in the village (Silverdale) where they both grew up and each song holds a special place in that model village for the two of them. It itself is the band’s ‘Safe Place To Be’, their memories, their hometown, and the songs of this album all in one place. It’s a journey they’d like to take their fans and listeners onto and hopefully, they can find or return to their own ‘safe place to be’.
- A1: Nightmare
- A2: Prologue
- A3: Shot In The Silence
- A4: Evil Dead
- A5: Terror-1
- A6: Hunted!
- A7: Disappearance
- A8: Deathtrap
- A9: Terror-2
- A10: Lost In Darkness
- A11: Terror-3
- A12: A Casualty
- B1: Terror-4
- B2: Save Theme
- B3: Vacant Room
- B4: Narrow And Close
- B5: Sigh Of Relief
- B6: The Encounter
- B7: Ivies' Domain
- B8: Talking To Yourself?
- B9: Cold Water
- B10: Sacrifice
- C1: Neptune
- C2: Vines Of Wrath
- C3: Plant 42
- C4: Deception
- C5: New Threat
- C6: Rush Of Fear
- C7: Rush Of Horror
- C8: Underground
- C9: Bravo Captain
- C10: Room Of Lisa
- D1: Question Of Trust
- D2: Memento
- D3: The Depth
- D4: Concrete Bound
- D5: Secret Revealed
- D6: Double-Cross
- D7: The Awakening
- D8: Tyrant-1
- D9: Countdown
- D10: Tyrant-2
- D11: Epilogue
- D12: Ending Credits
Composed by the Capcom Sound Team, Masami Ueda, Makoto Tomozawa and Akira Kaida, Resident Evil’s brooding score became a benchmark for horror games, giving the original genre-defining masterpiece a persistent and unnerving sense of claustrophobia.
Each soundtrack has been remastered specifically for this release and will be pressed onto audiophile heavyweight, deluxe double-vinyl 180g LPs on black vinyl.
Featuring an impressive list of collaborators, including Ty Segall and
members of Woods, Cibo Matto, Sharon Van Etten’s band, Wand,
Heatwarmer, Mega Bog and Bonnie “Prince” Billy, ‘Geist’ is the
follow-up to Shannon Lay’s 2019 Sub Pop debut, ‘August’, which
featured friends and collaborators Ty Segal (whose band Shannon
played in) and Mikal Cronin.
‘Geist’ feels like a window - or a mirror - into possibilities of the self
and beyond. Shannon Lay’s new album is tender intensity, placeless
and ethereal. It exists in the chasms of the present -- a world
populated by shadow selves, spiritual awakenings, déjà vu and past
lives. “Something sleeps inside us,” Lay insists on the opening track,
and that’s the guiding philosophy throughout. A winding, golden,
delicate thread of intuition that explores the unknown, the possibility.
Its title, ‘Geist’, the German word for spirit, is rife with an otherworldly
presence, the suggestion of another. The promise that you are never
alone.
Lay tracked vocals and guitar at Jarvis Tavinere of Woods’ studio,
then sent the songs out to multi-instrumentalists Ben Boye (Bonnie
“Prince” Billy, Ty Segall) in Los Angeles and Devin Hoff (Sharon Van
Etten, Cibo Matto) in New York; trusting their musical instincts and
intuition. She then sent those recordings to Sofia Arreguin (Wand)
and Aaron Otheim (Heatwarmer, Mega Bog) for additional keys, while
Ty Segall contributed a guitar solo on ‘Shores’.
As a whole, ‘Geist’ is both esoteric and accessible. Songs range from
a concise, pared-back cover of Syd Barrett’s tilt-a-whirl-esque ‘Late
Night’, to the meditative, Dune-inspired ‘Rare to Wake’, to the mostly
a-cappella ‘Awaken and Allow’, which channels Lay’s deep Irish
roots, a moment of reflection, before a drop happens - its intensity
mirroring the anticipation and anxiety that come with taking the first
step to accepting change for yourself. And the title track ‘Geist’, a
song about the power living in all of us, is a love song to the
possibility of healing, an ode to falling into the arms of what you’re
becoming. It’s a glimpse into the parts of yourself you have yet to
meet.
Initial copies of the LP pressed on Sun Yellow coloured vinyl.
Nocturnal Manoeuvres – the new album from JOHN - finds the duo expanding upon their celebrated idiosyncrasies once more. It sees them returning to their trusted producer Wayne Adams (who was behind the boards for both of their previous albums) knowing his success in capturing their presence as a live band. Realising the expansive quality of the resulting recordings, they then enlisted mastering engineer Sarah Register (Protomartyr, Future Islands, Chastity Belt) in order to deliver the sense of space that the
varied track-list deserved. The result is a towering, titanic body of work – one that moves easily between cinematic post-rock, elastic post-hardcore and pummelling noise rock.
Nocturnal Manoeuvres – the new album from JOHN - finds the duo expanding upon their celebrated idiosyncrasies once more. It sees them returning to their trusted producer Wayne Adams (who was behind the boards for both of their previous albums) knowing his success in capturing their presence as a live band. Realising the expansive quality of the resulting recordings, they then enlisted mastering engineer Sarah Register (Protomartyr, Future Islands, Chastity Belt) in order to deliver the sense of space that the
varied track-list deserved. The result is a towering, titanic body of work – one that moves easily between cinematic post-rock, elastic post-hardcore and pummelling noise rock.
Nocturnal Manoeuvres – the new album from JOHN - finds the duo expanding upon their celebrated idiosyncrasies once more. It sees them returning to their trusted producer Wayne Adams (who was behind the boards for both of their previous albums) knowing his success in capturing their presence as a live band. Realising the expansive quality of the resulting recordings, they then enlisted mastering engineer Sarah Register (Protomartyr, Future Islands, Chastity Belt) in order to deliver the sense of space that the
varied track-list deserved. The result is a towering, titanic body of work – one that moves easily between cinematic post-rock, elastic post-hardcore and pummelling noise rock.
"Ever try to escape your bedroom, but feel like you're still asleep? Ever try to wake up, but find yourself back in the dream? Ever try to take off your mask, but another one pops up beneath it? Ever try to consult your inner self, but inside your skin is merely a rotting corpse? Ever feel like every path you take is just another mobius strip leading you back to where you first began? Congratulations, welcome to the Psychocastle." – Taraka
Since the breakup of the legendary underground cult duo Prince Rama, former frontwoman Taraka has thrown herself headlong into the dark existential world of her “inner teenager," merging bastard elements of outsider-psych, post-edenic grunge, kaleidoscopic punk and post-adolescent angst to create her debut solo album.
- A1: Sleigh Ride
- A2: Little Drummer Boy
- A3: Have Yourself A Merry Little Christmas
- A4: Jingle Bells
- B1: Santa Claus Is Coming To Town
- B2: Go Tell It On The Mountain
- B3: Wassail Song
- B4: Silent Night
- B5: O Little Town Of Bethlehem
In der CLASSIC VINYL SERIE veröffentlicht BLUE NOTE die besten und bekanntesten Alben des Labels
zu vertretbaren Preisen und dauerhaft verfügbar.
- Mastering von Kevin Gray bei COHEARENT AUDIO
- Pressung in 180g-Vinyl bei OPTIMAL
In der neuesten Staffel erscheint nun pünktlich zum Fest das coole Weihnachtsalbum des Jazzpianisten
und Arrangeurs Duke Pearson aus dem Jahre 1969. Merry, swinging Christmas!
No less than 12 months later arrives ‘Deep Blue View’ – not so much of a follow-up, as a mini-flipside moving the Jazz from AM to PM, between city and sea.
“I originally had AM Jazz down as walking around some New York backstreet at 4am, smoking in a fedora, looking for crimes to solve but it now ends as night begins,” reveals Al, of his latest tale’s gradual evolution. “Deep Blue View is the night-time album now… like losing yourself deeper in the fog, or disappearing in the sea… would someone, or some 'thing' come to save you or would they , or it , come along for the ride?”
Usually by now, Daveyhulme’s own could-be John Barry would have left distractions of success for suburban side-projects and writing with his fellow Mancunian musicians, but AM Jazz left unfinished business - and, with 50 or so session recordings leaving a litter of sonic debris strewn about the cutting room floor, one major clean-up. Deep Blue View is 6 brand new tracks crafted from its reconstructed and revived remnants, unfurling like Sinatra’s Wee Small Hours to reinforce the strangely beautiful atmosphere of Al’s now revered repertoire. “I had the urge to create something new and started playing around with different EPs and pseudonyms but when I sequenced these tracks, I was really happy how smoothly they flowed; it just needed an opener. I quickly wrote ‘Deep Blue View’ and it fell into place. It’s great, so I carried on, knowing it was time to save the best stuff for myself,” Al grins.
Just as AM Jazz was created in the spirit of his earlier working style on debut album Tower of Love, Deep Blue View fuses Al’s love of finding the ‘right’ in the odd, weird, back-to-front and everything in between, with the hi-fi meets lo-fi sounds of his crate-digging curiosity and empathy for TV themes and movie soundtracks. Guided by melody, his home-based sorcery of working with analog, tape and field recordings opposed to the lure of studio mechanics allowed his inner subconscious to tap at the door and reveal itself in new musical forms. “In the studio it’s tempting to turn everything up loud but I’ve got bad tinnitus and don’t want to write anything else in a Beatles style. I have done all that now… at home I have a computer, a microphone and just go crazy and lose myself staring at the screen. Then suddenly loads of music is written.”
Setting his inner autopilot to flight mode, ‘Peppergone’ adds to the tracks’ nocturnal narrative and appears reborn after a last-minute culling from AM Jazz’s initial tracklist. Like a beautifully romantic ode to Beethoven’s Moonlight Sonata, it is a fitting tribute to dearly departed best friend 'Batfinks', written in the middle of a tough night. “I have no idea why or how the song came about because I was so upset to do anything, let alone record any music. But there you go. Somehow I did and it’s a really special thing. I know he would have dug me using his chords; growing up we’d both try to create the perfect chord sequence. This is his idea of that. I hope he doesn’t think it’s shit,” Al jests.
Also revived from AM Jazz’s archive is the simmering groove of ‘Night Talk Late Street’ and instrumental ‘Star Six Seven’, whilst ‘Have Another Cigar’ weaves its own semi-autobiographical fairy-tale with lyrics written and sung by long-time pal and former housemate Aidan Smith. Transformed from backing track into a cool morsel of story pop, it recalls the drunken joy of when the pair would make recordings together between singing the Everly Brothers at full volume. “I’m sure it’s about not wanting the musical party to stop and having to get on with real life,” Al says.
‘String Beat’ meanwhile, soars like a beautiful Bond theme with the shimmer of Lee Hazlewood holidaying in Palm Springs, alongside perhaps, the waltzing string-like synthonies of some long-lost rhythm and blues orchestra of Davyhulme (whose real-life origins reside with the Berlin Symphony Orchestra), introduced to him by Super Furry Animals’ Cian Ciaran. “I’ve never created anything this moody before and have always threatened to do something John Barry-esque with some slightly dark and spooky musical changes.”
- A1: Not The Forgiving Type (2 00)
- A2: That Fortress Is The Worstest (Bakaneko) (1 17)
- A3: That Fortress Is The Worstest (Akkoro Kamui) (1 19)
- A4: That Fortress Is The Worstest (Mizuchi & Dodomeki) (1 08)
- A5: Nobody's Getting In (0 48)
- A6: The Forgiving Type (1 54)
- A7: Flu-Ouise (0 50)
- A8: Beyond The Sea (3 06)
- A9: Witchy Witchy (0 35)
- A10: Here Comes The Meat Plane (0 57)
- A11: The Briefest Of Glances (1 45)
- A12: You've Got The Guts (1 47)
- A13: You Can't Spell Christmas Without Us (1 19)
- A14: Watching You From A Distant Place (0 40)
- A15: Sky Kiss (Intro) (0 32)
- A16: Sky Kiss (Extended) (2 19)
- A17: Cat Trainin' (1 01)
- A18: Chunky Blast Offs (0 53)
- A19: Dad-Chelor Party (0 46)
- A20: Tuscaloosa Twister (0 41)
- B1: Meat Man (1 02)
- B2: Street Life (0 55)
- B3: Winthorpe Manor (0 45)
- B4: Attention Humans Of America (0 52)
- B7: Fortress Of Inzanity (1 35)
- B8: Let My People Rock (Part 2) (0 55)
- B9: Roll A Rock To Rock & Roll (0 52)
- B10: Don't Rock In, Rock Out (0 49)
- B11: (I've Had) The Time Of My Life (3 03)
- B12: Mombo (0 35)
- B13: I Sure Would Like A Mom (2 03)
- B14: Hot Pants Rain Dance (2 52)
- B15: I Want To Take You Higher (1 10)
- B16: Sexy Little Tiger (0 43)
- B17: Playdates (1 03)
- B18: Who's A Fun Mom On Halloween? (1 39)
- B19: Bad At Being A Nun (1 15)
- B20: Give It To Teddy (1 12)
- C1: Christmas Of My Dreams (1 31)
- C2: Teddy's Bleaken Story (1 01)
- C3: The Bleaken (1 30)
- C4: Art Song (1 36)
- C5: O Christmas Tree (0 40)
- C6: The Bleaken (Reprise) (0 55)
- C7: Do You Hear What I Hear? (1 37)
- C8: Twinkly Lights (2 27)
- C9: Girl Power Jam (0 59)
- C10: Ga Ga (0 57)
- C11: Makin' It By Hand (1 00)
- C12: Bfot On The Kiss Spot (0 54)
- B5: General Inzanity (Intro) (1 19)
- C13: See Something Sing Something (0 51)
- C14: Sleepovers (0 45)
- C15: Best Couple Friends (0 43)
- C16: Weasel Weasel (0 57)
- C17: Happy Birthday We Forgot (1 07)
- C18: Sugar Cookies (1 25)
- C19: Bat Out Of Hell (1 20)
- C20: Mommies Are The Best (0 40)
- C21: Burobu (0 47)
- C22: This Wedding Is My Warzone (1 16)
- D1: Napkining (0 39)
- D2: Gumboy (0 32)
- D3: Friend Zone (1 34)
- D4: Hate The Way I Love You (2 06)
- D5: No Pants In Space (1 44)
- D6: The Right Number Of Boys (1 32)
- D7: Wheelie Mammoth (1 20)
- D8: Quarter Assin' (0 39)
- D9: Business Monster (0 53)
- D10: Trick Or Treat, Sticky Sweets (0 34)
- D11: None Of Your Business (1 03)
- D12: Let's Swap Eyes So We Can Empathize (0 51)
- D13: Radar Love (0 46)
- D14: Saving The Bird (1 23)
- D15: Alone (1 19)
- D16: Rollin' With Me (0 48)
- B6: Let My People Rock (Part 1) (1 31)
- D17: Doot Doo I Love You (1 02)
- D18: Snowballs & Sledding (0 44)
- D19: Hey Ange (0 42)
- D20: Bruce The Goose (1 06)
- D21: Pesto In My Pants (0 43)
- D22: Nothing Makes Me Happy (1 42)
- D23: Nothing Makes Me Happier (1 22)
- D24: How Many Sandwiches Can You Name? (0 41)
- D25: Bioluminescence (0 45)
- D26: Puppet Battle (0 58)
- D27: Regular Fries (Cruel To Be Kind) (1 04)
- D28: Cake (0 47)
The second volume of music from the hit Fox TV show ‘Bob’s Burgers’. The Emmywinning, top-rated show was named one of the 60 Greatest TV Cartoons of All Time
by TV Guide.
In addition to the show’s cast, the album features high-profile guests including Adam
Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall,
Aparna Nancherla and Matt Berninger (of the National).
The ‘Bob’s Burgers’ audience is wide-ranging: strong performance with 15-25 year
olds, median viewing age of 37, 35 share among males 35-54 and a 16 share of
females in the same group.
Campaign will include promotion from the cast and show production team.
‘The Bob’s Burgers Music Album Vol. 2’ includes nearly every single musical morsel
from Seasons 7 through 9.
This 90-song smorgasbord will feature the Belcher family - Bob (H. Jon Benjamin),
Linda (John Roberts), Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen
Schaal) - as well as the show’s numerous recurring and special guests.
For fans of the show, enjoying the music of Bob’s Burgers on its own is both an
irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely
epic disco celebration ‘Hot Pants Rain Dance’, sing along with the musical theatre
gem ‘The Wedding Is My Warzone’, or do whatever you’re gonna do to ‘Sexy Little
Tiger’ but don’t miss ‘The Bob’s Burgers Music Album Vol. 2’.
Enhanced, remastered & recut having never officially been on 12 Inch before.
Two huge Teddy Pendergrass disco anthems from the Philly International vaults get an official reissue destined to light up dancefloors once again.
'You Can't Hide From Yourself' and 'The More I Get, the More I Want' are certified classics that have traversed the years sounding as heavy as they did when they first dropped in '77.
D’CRUZE ‘WATCH OUT’ The lost dubplates from rare DAT studio tapes that have been saved!
The Legend of The Lost Dubplates...
Prior to the original 1994 release of the D'Cruze classic 'Watch Out' our good friend and rave headliner Micky Finn requested a special version for his DJ sets, he went to the studio with D'Cruze and created a VIP dubplate special in the truest sense. Only held on dubplate by Micky himself and only ever heard in his sets it became stuff of legend. Fast Forward many years later a clip of it emerged on Soundcloud from a Micky Finn mixtape and the buzz for it started again. In 2021 Micky found the original DAT masters and supplied them to us for some restoration and remastering.
While searching for the lost classic we came across a DAT with the writing Watch Out - Flex, a remix by Cool Hand Flex that didn't make it in time for the original release and has remained on DAT since 1994! So now, together with the original version and a totally unique 2021 take on this classic from Chimpo, finally we are able to bring this lost treasure to you!
Grab yourself a piece of future history now whilst we have these available in stock, because these will never be repressed.
- 1: No Icy Christmas (Feat. Sanchez)
- 2: We Got Us (Feat. Shenseea And Omi)
- 3: Take You To The Cool (Feat. Richie Stephens & Conkarah)
- 4: Christmas In The Islands (Feat. Rayvon)
- 5: Holiday In Jamaica (Feat. Ne-Yo & Ding Dong)
- 6: Have Yourself A Merry Little Christmas
- 7: Open Presents (Feat. Romain Virgo)
- 8: Raggamuffin Christmas (Feat. Junior Reid & Bounty Killer)
- 9: Christmas Time (Feat. Jamila Falak)
- 10: 12 Days Of Christmas (Feat. Beenie Man & Craigy T)
- 11: Warm & Easy
- 12: Sunny Celebration (Feat. Joss Stone)
- 13: Catch Myself Some Rays (Feat. Carys)
- 14: Love When It’s Christmas
- 15: I’ll Be Home For Christmas
- 16: Silent Night (Feat. Sting)
- 17: We Three Kings
- 18: Amazing Christmas (Feat. Hannah Brier)
- 19: Nothing Like The Holidays (Feat. Bunji Garlin)
- A1: Lean On You (Feat Dynamite Mc)
- A2: Love Somebody
- A3: Promised Land
- A4: New Thing
- A5: Utility Man (Feat Andy Cooper)
- A6: Move On Baby
- A7: Going To The Party (Feat Lyrics Born)
- B1: Are You Ready (Feat Andy Cooper &Amp; Marietta Smith)
- B2: Working On Me
- B3: Jumping Off
- B4: The Beat
- B5: Up Down Left Right (Feat Andy Cooper &Amp; Marietta Smith)
- B6: You
The Allergies are back with a new album – Rejoice! And the feel-good funk, hip-hop swagger, and dusty vintage loops, is everything you need right now.
Across the 13 tracks, producers Rackabeat and DJ Moneyshot dig deep into their souls, as well as their record collections, serving up a day-glo blast of super positive sampledelia that'll have you smiling from ear to ear.
Built from scratch during lockdown, each song offers up a world to lose yourself in, free from any and all dark clouds. It's their Promised Land, and everyone is welcome to bask in the sunshine.
Along for the ride is LA rap legend, Andy Cooper Ugly Duckling, soul sensation Marietta Smith, dance music heavyweight, Dynamite MC, and the unmistakable voice of hip-hop royalty, Lyrics Born.
Everyone got the memo, as career-best performances roll one after the other. And each singer, rapper, scratcher, and sampler, unites through the power of good good music.
Highlights on the LP include the swamp blues meets half-time hip-hop monster, 'Lean On You'. The Latin funk bomb, 'Move On Baby'. Soul rollers 'New Thing' and 'Are You Ready', and the show-stopping and stirring Moby-ish beat banger, 'Promised Land'.
Almost a concept album, the idea of fresh starts, strange new worlds, loss, solidarity, freedom, and the communities we find in clubs, festivals, and making and sharing music, began to come out, organically, through the song-writing process.
"In a weird way the album wrote itself," says DJ Moneyshot. "We'd be lost in our own little world of hypnotic loops as days passed, and samples jumped out of the shelves, and just started to make sense as they got chopped and layered into these tracks."
Early support for the singles, and response from fans across the globe, suggests that this, their fifth album, really could be something special. Come on in…




















