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HEUT IST EIN GUTER TAG. Gegenwart mit Blick nach
vorn. Endlich. Es ist da, das neue Studioalbum: "Heut
ist ein guter Tag".
15 Songs mit geballten Fäusten und für immer Grinsen
im Gesicht. Positive Grundstimmung, ja. Aber kein
zahnloses Happy-Go-Lucky-Statement. Sondern: Wut,
Witz und WTF.
Das neue Album der DONOTS kommt zur richtigen Zeit.
Es ist nicht weniger als eine Wohltat. In ihren
besten Momenten kommt die Scheibe so nah an die
Live-Energie der Band wie keins ihrer vorherigen Alben.
An den entscheidenden Stellen aber ruht sie wie
selbstverständlich in sich und nimmt sich die Zeit, die sie
braucht, um ihre Wirkung voll zu entfalten.
HEUT IST EIN GUTER TAG verbeugt sich zeitgemäß
vor den Old School-Einflüssen der Band: Punk, Rock,
HC, Indie und Pop. Dabei hebt die Platte jedoch alle
Trademarks der DONOTS elegant auf das nächste
Level. Keine Wiederholungen, keine Kompromisse.
Natürlich wurden sämtliche Spielarten der klassischen
DONOTS Sportgitarre ausgelotet. Doch was auf früheren
Platten ähnlich, aber besser zu finden war, wurde sofort
verworfen.
So entstand in liebevoller Kleinarbeit ein Meilenstein der
Bandgeschichte. HEUT IST EIN GUTER TAG ist eine
weitere erfolgreiche Zusammenarbeit mit Produzent und
Bandfreund Kurt Ebelhäuser, der schon für Alben wie
"Coma Chameleon" und "Lauter als Bomben"
verantwortlich zeichnete. Beim Mixing der Platte sorgte
das Jungtalent Michel Wern verlässlich dafür, dass HEUT
IST EIN GUTER TAG bei aller Vielfalt wie aus einem
Guss klingt

Erstmalige Veröffentlichung des 2005 in Sao Paulo vor einem frenetischen Publikum aufgenommenen legendären Livealbums auf Vinyl.
Das 27 Songs umfassende Konzert bietet nicht nur sämtliche Klassiker sondern auch selten live gespielte Stücke und zählt bis heute zu den absoluten Sternstunden in der erfolgreichen Karriere der Band.
Einmalige limitierte Auflage eines 4 LP Box Sets mit Poster und von Chris Boltendahl handsigniertem Zertifikat.

Arkada records is excited to announce our 4th release - forthcoming split vinyl EP featuring the sounds of ADJ & Adrien d’Elzius.

We are very happy to present the first part of the EP with the unique sounds of one of the pioneering artists in the UK underground Electro scene, the label owner of Pyramid Transmissions - ADJ

ADJ originates from and is based in London. He has been playing Underground Electronic Music for over 35 years as a DJ, starting in the days of Early Electro and Hip Hop. He has also been producing and releasing music for 25 years, releasing over 200 tracks in this time on a plethora of labels including Touchin Bass,For Those That Knoe, Another Perspective, Ai, Outside, Cultivated Electronics,Yellow Machines, Crobot Muzik, Diffuse Reality, Netlabel ,Digital Distortions and more...has done remixes for Flint Kids, Scanone, LASynthesis, Carl Finlow, Fleck Esc, Arsonist Recorder , Paul Hierophant to name a few.

He has run the Pyramid Transmissions Record label with label partner Pathic for 20 years and also ran the Analogique record label for 5 years from 1995-2000 releasing Techno, Electro and Electronica as 3 Elements.
ADJ also performed his first LIVE set in a few years in March 2020 MUTABOR in Moscow.

As a DJ, he has played at many festivals including a BLOC residency, Glastonbury For BLOC, Bestival, Shambala, Infiltrate at WMC Miami. 2019 saw another tour of the US with Silicon Scally,Ben Milstein, EVAC, Ion Driver and 214. He also runs the Dodo Club and Frequency Resonate(with Errorbeauty) nights in London and Berlin aswell as playing in Lille, Kiev, Moscow, St Petersburg Berlin,Zagreb,Athens, Napoli, Brussels, Budapest, Vienna, Valencia, Sofia, Paris and many more..

Second part of our EP presents the futuristic glitched-out sounds of the one of a kind Belgium producer Adrien d’Elzius also known under his allies HosmOz.

Adrien d’Elzius was born in the gloomy south of Belgium spending his youth hanging around in a camping and listening to Hip Hop, he started his life in a mess of paradox. At 10, he learned to play drums under his punk’s brother regard, and experimented different kind of rock until 18. That’s where someone showed him a track of Aphex Twin, who blew his mind and made him believe he had finally found the music that suited him. From there, he compulsively spend hours playing around with his computer and slowly made himself a place in the very small community of underground music lover of Brussels under the nickname hosmOz after winning a contest. From his melodic and acidic drill’n’bass beginning, his sound slowed down and got darker, challenging himself to try to create something he couldn’t before. He recently re-released his Lp on Diffuse Reality that make it available on physical form and also his debut album on Burial Soil with remixes by Umwelt and Lloyd Stellar.

The masters of the release are kindly made by Thomas Dunstan. Artwork made by our amazing designer Lawrence Cli

'Atlantis' is a smouldering jazz-funk, cinematic excursion courtesy of the Brazilian maestro, Daniel Salinas. A conductor, pianist, arranger, and producer, he has worked across several genres within Brazil’s rich musical tapestry, including the Beatles-inspired Jovem Guarda movement, jazz-funk, and MPB to name just a few. He featured on records by Franco, Célia, Perfume Azul Do Sol, Wilson Simonal, Juca Chaves and a whole host of Brazilian greats.

Released in 1973 on Top Tape Records, 'Atlantis’, features one of Salinas’ best-known recordings (at least in Europe), his much-loved interpretation of 'Also Sprach Zarathustra’ entitled 'Straussmania’. It was inspired by Eumir Deodato's global hit of the same year and went on to be adopted by various scenes becoming a classic within rare groove circles as well as amongst breaks and beats diggers.

Other highlights include the only original Salinas composed track on the album; the driving, orchestrated Brazilian groover, 'Baião', and an epic, head nod breakbeat interpretation of Donovan's folky 'Atlantis'.

'Atlantis' was also issued by the American record label Cadet in 1974 with alternative yellow sleeve artwork; this re-issue is a replica of the original Brazilian Top Tape version from 1973.


• Smouldering jazz-funk & cinematic excursions from the Brazilian maestro Daniel Salinas.

• Featuring his much-loved interpretation of 'Also Sprach Zarathustra' entitled 'Straussmania'.

• Replica of the original Brazilian Top Tape version from 1973.

With their head-bopping, hip-thrusting, zalghouta-inducing tunes, Restless Leg Syndrome have tastefully-crafted a mélange of global references and in their work. The Vienna-based group is made up of longtime DJ and producer d.b.h and turntable maestros Chrisfader and Testa.
Over the course of 2021, RLS dropped four eclectic EPs that seamlessly fuse long-forgotten tunes with foot-stomping breaks

We've selected two hits from "Totem" and crafted this delicious 7" inches!
Side A sees the standout track "Represent the Fucking Planet", that really underscores the trios' appreciation for drums that knock.
On the B side we take a deep dive into our most hidden inner-self with the hypnotic "Spirit".

Orange Vinyl

With their head-bopping, hip-thrusting, zalghouta-inducing tunes, Restless Leg Syndrome have tastefully-crafted a mélange of global references and in their work. The Vienna-based group is made up of longtime DJ and producer d.b.h and turntable maestros Chrisfader and Testa.
Over the course of 2021, RLS dropped four eclectic EPs that seamlessly fuse long-forgotten tunes with foot-stomping breaks

We've selected two hits from "Totem" and crafted this delicious 7" inches!
Side A sees the standout track "Represent the Fucking Planet", that really underscores the trios' appreciation for drums that knock.
On the B side we take a deep dive into our most hidden inner-self with the hypnotic "Spirit".

After Prette (pronounced as ‘pret’ which means fun in Dutch) successfully launched a stage to perform art, it only felt natural to also launch a platform to release art.

Prettemusic is an independent imprint that releases limited vinyl records.

Prettemusic hits the ground running with its first release – a stunning four-track debut EP from head honcho Koperblond. Koperblond (real name Wouter Beek) delivers a mix of Arabic hip-shaking and emotional trance euphoria to evoke intense dance floor ecstasy.

The opening track is ‘Kunti’, an Italo disco destroyer with a bold Bollywood spirit that will lure you in and awaken those hips. Next up is a remake of the brave starter – this new cocktail with hints of the original track has a high-energy zap-crazed feel and a groovy-moving non-stop sound. Two 100% floor fillers, guaranteed to raise the roof of your nearest discotheque!

On the flip side ‘I Want Your Love’ – an emotional love story with a journey through the track that feels like a taste of real love. From happiness and grief to hope and hopelessness, it bursts loudly and with great force. It is a true reminder that love will save the day. Multi-instrumentalist DJ and producer Rose Ringed reinterprets this ode to love using his typical sound palette. The result is a big room banger ready to be served alongside fireworks and CO2 cannons. It is Rose Ringed’s first vinyl outing following releases on his label, Closed Eyes Records, and Solomun’s world-famous Diynamic.

This Prettemusic release comes on exclusive Koperblond-coloured (copper blond in Dutch) vinyl alongside a unique two-front artwork from abstract painter Harry Markusse and fine-art photographer Pieter Bas Bouwman.

zake's fruitful contributions as an artist to his own Past Inside The Present label continues on this new album Deep Into The Unknown We Shall Endlessly Roam. It is an assemblage of arrangements made using archaic tape machines such as a Sony M-570V microcassette voice recorder and obsolete VSC Soundpacer, all on analogue tape. Of course that lends the music a misty, grainy quality that defines much of zake's ambient. Here his loops and found sounds meld and melt to create vast open spaces that are pregnant with emotion and tension. It's another magical work of ambient art that, says the artist, "is dedicated to those who continue to yearn for greater understanding."

Korea Town Acid (Jessica Cho) is wildly creative. She is an electronic artist at her core, but that barely scratches the surface of what her sound encompasses. Citing influences as UK future bass, glitch, jungle, and alternative hip hop, KTA fuses these sounds with concepts of movement and texture, to create multi-faceted works that go beyond the club. Born in Seoul, Korea, Toronto based DJ/Producer Korea Town Acid maintained a fierce but mindful schedule amidst pandemic induced lockdowns. With the ease of restrictions and the gradual return to a version of normalcy, KTA continues to thrive, without hitting pause. In 2021 she released her full length LP Metamorphosis, a self produced ten-track record, featuring collaborations from Toronto based artist DESIIRE, U.K based Korean pianist and rapper Pianwooo, Seoul rapper PNSB, L.A beatmaker Dreamdave, and New Jersey MC, L.J The Alien. She swiftly followed that up six months later with the release of Cosmos, another self produced full length LP that boasts the 2022 Juno Award nominated track, ‘Sobriety’. She also contributed to Cadence Weapon’s 2021 Polaris Prize winning record Parallel World, producing the track ‘Play No Games’. Despite touring restrictions in 2021, KTA delivered a notable hardware set as part of Hinter Live, showcased at POP Montreal, and continued her monthly online residency at The Lot Radio in New York. Korea Town Acid released her latest LP, Elephant in The Room, via URBNET. The twelve track self produced and mixed album, was mastered by East End Mastering in Toronto, ON, and features a lineup of Canadian guest collaborators, including Zander Miller, Khrono K, and Hood Joplin. In anticipation of the release, KTA has been actively securing live performance sets to showcase new tracks, with recent appearances at Vancouver’s Wonderment Festival, Montreal’s MUTEK Festival Toronto’s Summer of Seoul festival at the TIFF Atrium, Peprally, and Promise Cherry Beach series

Blue Vinyl
In den letzten fünf Jahren hat sich Kenny Beats zu einer der wichtigsten Persönlichkeiten im Rap entwickelt. Er hat karrierebestimmende Musik für Leute wie NBA Youngboy, FKA twigs, Dominic Fike, Rico Nasty, Freddie Gibbs und Vince Staples produziert, absurden christlichen Rap mit dem Komiker Zack Fox gemacht und Agit-Punk für IDLES aus Bristol aufgenommen. Er hat auch neu definiert, was es heute bedeutet, ein Produzent zu sein, indem er eine Generation von Heim-Beatbastlern durch seine verschiedenen Tutorial-Livestreams und die episodische Produktionsserie "The Cave" angeleitet hat. "LOUIE" ist Kennys allererste Veröffentlichung als Solokünstler. Er schöpft aus der reichen, soulgetränkten Tradition von Ausreißern wie J.Dilla, Madlib und D"Angelo, um zum ersten Mal Themen seiner eigenen Familie, Kindheit und Erziehung zu erkunden. "LOUIE" ist eine Hommage an Kennys Beziehung zur Musik insgesamt und bietet mit einem Ensemble von Kollaborateuren und Musikern von Mac De Marco bis Thundercat ein neuartiges Produzentenalbum, das seiner eigenen, immer noch wachsenden Stimme ganz neue Schichten hinzufügt.

• Bunny Lee was the first to actually use reggae in the title of a record with ‘It’s Reggae Time’ Striker’s propensity for creating hit records during this period was unmatched and he was awarded the prestigious “title of Jamaican Producer Of The Year in 1969, 1970, 1971 & 1972” the years covered by this new Boss Reggae focused compilation.
• Striker’s complete mastery of the new reggae rhythms and “versioning them over” are showcased on this release with the emphasis placed on the outstanding contribution of the cream of Kingston’s session musicians

Die neue Ausgabe der Bootleg Series von Bob Dylan, "Fragments - Time Out Of Mind Sessions (1996-1997): The Bootleg Series Vol. 17" erscheint als 5 CDs umfassendes Deluxe Boxset sowie als Standard-Version auf 2 CDs oder 4 LPs. Sie enthält in der Standardversion das Album "Time Out Of Mind" in einem 2022er Remix sowie zwölf ausgewählten Outtakes und Alternativversionen. Volume 17 der gefeierten Dylan-Reihe wirft 25 Jahre nach seiner Erstveröffentlichung einen neuen Blick auf das Meisterwerk "Time Out Of Mind" und zeichnet dessen Entstehung nach. Angefangen bei den bislang unveröffentlichten Song-Fassungen aus den 1996er Teatro-Sessions mit Dylan (Gesang, Gitarre, Piano), Daniel Lanois (Gitarre, Orgel), Tony Garnier (Bass) und Tony Mangurian (Schlagzeug, Percussion) bis hin zu (ebenfalls unveröffentlichten) Live-Mitschnitten aus den Jahren 1998-2001. Anfang 1996 begann Dylan, der seit der 1990er LP Under The Red Sky kein Album mit Eigenkompositionen veröffentlicht hatte, mit der Arbeit an neuen Songs. Von August bis Oktober ging er mit Daniel Lanois, der sein 1989er Album Oh Mercyproduziert hatte, ins Teatro Studio in Oxnard/CA, um dort Demos für eine mögliche neue LP aufzunehmen. Als die Songs im Januar des Folgejahres Form angenommen hatten, zog man ins Criteria Studio in Miami/FL um. Die Studiobesetzung wurde aufgestockt, und so fand sich in Florida ein illustrer Mix aus Session-Musikern und Mitgliedern von Dylans Tourband ein: Bucky Baxter (Akustikgitarre, Pedal Steel), Duke Robillard (E-Gitarre/Gibson L-5), Robert Britt (Martin Akustikgitarre, Fender Stratocaster), Cindy Cashdollar (Slide Gitarre), Tony Garnier (Bass, Kontrabass), Augie Meyers (Vox Orgel, Hammond B3, Akkordeon), Jim Dickinson (Keyboards, Wurlitzer E-Piano, Pumporgel) sowie die Schlagzeuger Jim Keltner, Brian Blade und David Kemper. Das Album "Time Out Of Mind", der schließlich aus diesen Sessions entstand, avancierte zu einem Dylan-Klassiker. Songs wie "Love Sick", "Can't Wait" oder "Not Dark Yet" wurden zu Lieblingsstücken der Fans. Mit "Make You Feel My Love" gelang Dylan sogar das Kunststück, dem Great American Songbook einen neuen zeitgenössischen Standard hinzuzufügen. Zahllose Künstler, darunter Billy Joel, Neil Diamond oder Adele, haben diesen Song gecovert. Bei den Grammy Awards 1998 gewann "Time Out Of Mind" in den Kategorien 'Album of the Year' und 'Best Contemporary Folk Album'.

Justice League is a 2017 superhero film based on the DC Comics superhero team of the same name. The film was directed by Zack Snyder and written by Chris Terrio and Joss Whedon. It is the fifth installment in the DC Extended Universe and is a sequel to the events of Batman v Superman: Dawn Of Justice.

The film was scored by Danny Elfman, who previously worked together with Tim Burton on many of his films. Elfman has won numeruous awards and was nominated for four Oscars. Some of his well-known works include the soundtrack for the films The Nightmare Before Christmas, Men In Black, Batman and Edward Scissorhands.

The soundtrack to Justice League includes Sigrid “Everybody Knows”, The White Stripes “Icky Thumb” and “Come Together” by Gary Clark Jr. and Junkie XL.

Justice League is available as a limited edition of 1000 individually numbered copies on flaming coloured vinyl. This 2LP includes a sticker sheet of the different Justice League characters and is housed in a deluxe gatefold sleeve.

The last album of Dead Cat In a Bag on vinyl! 180g + downloadcode.

"Do you know it? Ennio Morricone, Nick Cave, Mark Lanegan, Tom Waits and Zach Condon walk into the bar, and there are all the seats occupied by the Dead Cat In A Bag musicians. Really." - this is how Jarek Szubrycht started the review of the last album of the Italian group Dead Cat In Bag in Gazeta Wyborcza. And he was right. Really.
Yes! Dead Cat In A Bag is back! They are back with a new album "We've Been Through".

After exploring several so called Neo-Folk regions, flirting with Folk Noir, mostly with Traditional Folk in a modern perspective, for example Americana to Tex-Mex and Balkan Music to Alternative Country, on this third record the ensemble drifts to a cinematic landscape, focusing on the theme of overcoming.

We've Been Through puts together World Music elements incorporating an almost soundtrack experience for a journey into both Day and Night, Hope and Disillusionment and telling stories of broken romances and shipwrecks.

Utilizing banjo and theatrical vocal delivery, together with with classic and odd instruments, the band remap the original charts but still set sail the desired destinations. And if, about the previous records, critics were prone to recall the prowess of Waits, Cave, Lanegan, Cash and Tindersticks, this time it will be harder to name the grandfathers.
Now there is a Morricone (or was it Badalamenti?) guiding spirit and a dreamlike universe full of memories, from the dry electric blues of a stream of consciousness duet in Duet For Nothing to the unexpected crooning vocals provided by Liam McKahey (CousetauX) in Lost Friends (a banjo droven dirge dealing with electronics and a bassoon, with steal percussions and a music saw for a frame), from the rendition of the traditional Wayfaring Stranger, balancing between electric guitars and Bluegrass, to the intimate cover of Leonard Cohen's Hunter's Lullaby, from the rock-(swamp)blues of The Cat Is Dead (enriched by Italian bass hero Gianni Maroccolo, from Litfiba and C.S.I.) to the soft meloncholy of the string quartet in Between Day And Night, from the dark cabaret of Fiddler, The Ship Is Sinking to the soft porch song, between Willard Grant Conspiracy and Kris Kristofferson, of the final title track.
You can hear a shrawn and a blues harp, whispers and choirs, love and dudgeon as the record goes. This is the sound of an orchestra playing on a sinking ship: what else could a fiddler do? And what can we do, in the end?

The Wrocław band Ślina returns with their third studio album, this time recorded with Mikołaj Trzaska.

This is not the album of Trzaska + Ślina or Ślina + Trzaska. This is Ślina Trzaska (a kind of wordplay in polish, means: The saliva cracks). A kind of full, new band that was created in the outstanding Sudeten studio Monochrom and is sometimes continued live.

Free improvisations and Krautrock motility are still the hallmark of Ślina, but the organic, radical sound of Mikołaj Trzaska's saxophone and clarinet gives this music a completely new character. From silence and delicacy of ambient to hurricane and violence, full of nuances, interfering motifs associated with Jewish music, it sounds as if the musicians already knew each other from the sandbox, even if they lived in other cities.

There are 4 tracks on the album, traditionally titled as their lengths.

This vinyl version is a 20-inch (!) Hybrid: a 180-gram black 12-inch, traditionally pressed, and an equally black 8-inch cut by Uncle Gusstaff in Studio im. Witolda Gombrowicza in Zielona Góra.

Mikołaj Trzaska - alto sax / bass clarinet
Matylda Gerber - alto/tenor/baritone sax
Filip Zakrzewski - electric guitar / SFX
Mikołaj Nowicki - double bass / synth / percussion
Stanisław Olek - drums/percussion

Kid Cudi meldet sich mit seinem zehnten Studioalbum „Entergalactic“ zurück.
Der GRAMMY-Gewinner und mehrfache Platin-Award-Träger festigt mit seinem kommenden Projekt erneut seinen Platz an der Spitze der globalen A-List-Musiker: innen.

Als Parallele zur musikalischen Verwirklichung seines Schaffens erscheint ebenfalls eine gleichnamige Netflix-Produktion. Die Regie teilen sich Kid Cudi und der erfahrene Filmproduzent Kenya Barris (Girls Trip, Der Prinz aus Zamunda 2).
Kid Cudi teilt stolz mit: „Entergalactic is everything I’ve always wanted to do, create a long-form visual companion to an album.”

Neben der musikalischen Fülle überzeugt das Album auch durch seine hochkarätigen Feature-Gäste wie Ty Dolla $ign, 2 Chainz oder auch Steve Aoki.

Gemma Ray takes an unexpected detour from her
acclaimed psych-soul and torch song oeuvre with
a hard-edged experiment in cinematic electronica.
Epic despite its underlying simplicity and groove,
‘Gemma Ray & The Death Bell Gang’ blends the
funereal and the sinister with tenderness and
yearning, with a dash of automaton-pop and a
Dada-esque playfulness for good measure. Front
and centre are Gemma’s trademark stirring voice
and harmonies.
Released on eco-mix and splatter coloured vinyl
formats, with download card and exclusive pull-out
poster by British painter Deryk Thomas (Swans,
Angels of Light).
The record was recorded at Tempelhof Flughafen
in Berlin and features collaborations from sound
designer Ralf Goldkind (Fantastichen Vier, Mona
Mur), lap steel player Kristof Hahn (Swans), and
syncussion by Andy Zammit (Jon Spencer).
Accompanying videos for the singles ‘Come
Oblivion’, ‘Howling’ and ‘Procession’ by animator
Lucy Dyson (Paul McCartney, Beyonce, Courtney
Barnett).

Gemma Ray takes an unexpected detour from her
acclaimed psych-soul and torch song oeuvre with
a hard-edged experiment in cinematic electronica.
Epic despite its underlying simplicity and groove,
‘Gemma Ray & The Death Bell Gang’ blends the
funereal and the sinister with tenderness and
yearning, with a dash of automaton-pop and a
Dada-esque playfulness for good measure. Front
and centre are Gemma’s trademark stirring voice
and harmonies.
Released on eco-mix and splatter coloured vinyl
formats, with download card and exclusive pull-out
poster by British painter Deryk Thomas (Swans,
Angels of Light).
The record was recorded at Tempelhof Flughafen
in Berlin and features collaborations from sound
designer Ralf Goldkind (Fantastichen Vier, Mona
Mur), lap steel player Kristof Hahn (Swans), and
syncussion by Andy Zammit (Jon Spencer).
Accompanying videos for the singles ‘Come
Oblivion’, ‘Howling’ and ‘Procession’ by animator
Lucy Dyson (Paul McCartney, Beyonce, Courtney
Barnett).

Motörhead veröffentlichen ihr 23. (und letztes
Studioalbum) Bad Magic von 2015 noch einmal in einer
erweiterten Version.
"Bad Magic: SERIOUSLY BAD MAGIC" beinhaltet
frisches Bonusmaterial und zwei bisher unveröffentlichte
Tracks: "Bullet in Your Brain" und "Greedy Bastards",
sowie eine glanzvolle Live Performance von der Bad
Magic Tour beim gigantischen Mt Fuji Festival in Japan
2015. Als Bad Magic 2015 veröffentlicht wurde, tat es
einen gewaltigen Schlag und alle, die meinten Motörhead
wären zahmer geworden, wurden eines Besseren belehrt.
Das Album erreichte in Deutschland auf Anhieb die Top 1
Chart Position. Producer Cameron Webb hatte seinen
Anteil daran; er überzeugte die Band, das Album in den
NRG North Hollywood, Maple Studios und Grandmaster in
Kalifornien live aufzunehmen- zum allerersten Mal in der
Ära Kilmister/Campbell/Dee.
Eine der versteckten Juwelen des Albums auf "Bad
Magic: SERIOUSLY BAD MAGIC", ist Motörheads
berühmteste, international gefeierte Version des David
Bowies Klassiker, "Heroes". Ursprünglich sollte der Song
auf Bad Magic (2015) erscheinen, wurde jedoch in der
letzte Minute wieder heruntergenommen. Jetzt aber fand
"Heroes" seinen Platz auf "Seriously Bad Magic".