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Zaratustra - Uprising Vol.2

Introducing "Uprising Volume 2" by Zaratustra, the Highly Anticipated Second Installment of the Acclaimed Series on Skylax Records. Following the Groundbreaking Success of "Uprising Volume 1" in the Indie Dance Scene, Zaratustra Returns With a Collection of Tracks That Push the Boundaries of Genres, Inspired by Indie Dance, Italo Disco, Ebm, New Beat, Acid, and Ethnic Music. Prepare to Be Captivated by the Infectious Energy of "Uprising Volume 2." the Ep Opens With the Mesmerizing "Dark Clouds" (Club Mix), Reminiscent of the Futuristic Vibes of I-F's "Space Invaders Are Smoking Grass" and the Early 2000s Brilliance of Tiga. the Instrumental Version of "Amours Electroniques" Takes You on a Nostalgic Journey, Evoking the Spirit of Miss Kittin & the Hacker's Iconic Sound. Emilio Van Rijsel Delivers an Astounding Acid Trance Techno Remix of "Dark Clouds," Surpassing Expectations and Becoming an Undeniable Highlight of the Ep. for an Extra Treat, Those Who Purchase the Vinyl on Our Bandcamp Will Receive the Full Instrumental Version of "Dark Clouds," the Vocal Version of "Amours Electroniques" (Feat. Angst for Greta), and the Vocal Version of Naranja's Remix. Speaking of Naranja, the Ep Features a Dynamic and Uptempo Remix of "Amours Electroniques" (Instrumental) by the Talented Producer. Naranja's Remix Infuses the Track With a Pulsating Rhythm and Compelling Grooves, Elevating the Energy to New Heights While Maintaining the Essence of the Original. It's a Captivating Reinterpretation That Will Ignite Dancefloors and Leave Listeners Craving More. "Uprising Volume 2" Is a Powerful Testament to Zaratustra's Ability to Revive the Spirit of the Early 2000s New Wave and Electroclash Era. Each Track Encapsulates the Essence of That Time, Infusing It With a Modern Touch That Will Leave Listeners Craving More. Join the Uprising and Immerse Yourself in the Electrifying Soundscapes of Zaratustra. This Vinyl Release Is a Must-Have for Any Music Enthusiast Seeking a Sonic Adventure That Defies Genres and Rekindles the Spirit of a Bygone Era. Grab Your Copy of "Uprising Volume 2" and Witness the Evolution of Zaratustra's Artistic Prowess, as He Continues to Shape the Future of Electronic Music....

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12,19

Last In: 11 months ago
FRANKIE MILLER - LIVE AT ROCKPALAST LP 2x12"

wieder auf Lager Fragte man in den 1970er-Jahren nach den besten weißen Interpreten Soul- und Blues-getränkter Rockmusik, so nannten die Kritiker in der Regel neben Eric Burdon, Rod Stewart und Joe Cocker auch immer Frankie Miller. Doch anders als die Erstgenannten schaffte der sympathische Pub-Rocker aus Glasgow nie den großen Durchbruch. Obwohl Frankie Miller aus Schottland kommt, stammen seine Idole aus der amerikanischen Rock- und Soulszene und hören auf die Namen Ray Charles, Sam Cooke und Otis Redding. Die 3CD bzw. Doppel-LP "Live At Rockpalast" mit Aufnahmen von der Loreley 1982, aus dem Kölner WDR-Studio 1976 und von den Wiesbadener Maifestspielen 1979 bringen dies eindrucksvoll zu Gehör. Die außergewöhnlichen Mitschnitte zeigen Frankie Miller in bestechender Form und unterstreichen dessen außergewöhnliches musikalisches Talent. Spätestens mit dieser Veröffentlichung wird all zu deutlich: Frankie Miller ist einer der am meisten unterschätzten Rocksänger!

pré-commande10.05.2024

il devrait être publié sur 10.05.2024

24,58

Last In: 2026 years ago
THE REDS, PINKS AND PURPLES - UNWISHING WELL LP

Die Band The Reds, Pinks & Purples aus San Francisco bleibt auf ihrem einmal eingeschlagenem Pfad und kündigt ein neues Album an, das im April erscheinen wird. RPPs Gehirn Glenn Donaldson hält es düster - wie könnte es anders sein - mit Titeln wie "What's Going On With Ordinary People", "We Only Hear The Bad Things People Say" und "Dead Stars In Your Eyes". Die DIY-Pop-Titanen The Reds, Pinks & Purples kristallisieren auf "Unwishing Well" den tragischen, sich selbst feiernden Reichtum der glücklichen Versager, der falschen Helden und der Menschheit mit all ihren romantisierten Sich-Wundern - und nehmen die Fäden der Hoffnung mit ungebremster Hingabe ins Visier. Das Album, das sich über 10 wunderschöne Stücke erstreckt, ist ein weiterer Beweis für Glenn Donaldsons makellose Beherrschung des intimen, aber dennoch ausladenden, niedergeschlagenen Pops. In den letzten fünf Jahren haben The Reds, Pinks & Purples sechs Alben, mehrere EPs und zahllose Singles veröffentlicht, die sich alle dem Ziel verschrieben haben, dem Independent-Guitar Pop neues Leben einzuhauchen, der die düsteren Teenager, College-Radio-DJs und Plattenladenangestellten der 80er und 90er Jahre animierte. Vorbilder wie The Go-Betweens, The Smiths, Magnetic Fields, Felt und andere sind offensichtliche Inspirationen, aber Donaldsons unermüdliches Talent für Stimmung und Melodie hat praktisch ein eigenes Genre geschaffen, und "Unwishing Well" ist dessen bisher reinste Verkörperung. Die erste Single des Albums ist ein großartiges Beispiel für die Weltanschauung von RPP, ein Blick auf die Zugeständnisse des Popstars durch die Augen eines Ausgestoßenen mit dem Titel "Your Worst Song Is Your Greatest Hit". Über verträumten, grauen Gitarren- und Synthie-Waschungen beklagt Donaldson: "Deine erste Idee wurde verwässert" und fügt hinzu: "Nur die schlimmsten Teile konnten gefunden werden." Weißes Vinyl und/oder CD, für Freunde von The Field Mice, Blue Boy, The Clientele, Cindy...

pré-commande12.04.2024

il devrait être publié sur 12.04.2024

27,52

Last In: 2026 years ago
Signal St - Teenage Catalog

Skylax Record Is Proud to Welcome One of Our Most Prolific Artist, the Great Signal St With "Teenage Catalog". a Sophisticated 12 Inch Deeply Influenced by the Sounds of Dj Sprinkles and the Classic Vibes of Dial (Carsten Jost, Lawrence, and Panta Du Prince). Known for His Chic and Elegant Style, Signal St Previously Delivered the Critically Acclaimed Album "Zapoi and Other Dysfunctional Love Stories" in 2021 on Our Beloved Label, Which Garnered Praise From Industry Heavyweights Like Ben Ufo, Jimpster, Peach, and Levon Vincent. on This New Ep, Featuring Five Mesmerizing Tracks, Signal St Continues to Explore His Signature Sound. Experience the Captivating Journey of "Going Home," the Silky Allure of "Stayin Around," the Mysterious Embrace of "R2d2 Secret Lover," the Ethereal Beauty of "First Drift (Park Mix)," and the Mesmerizing Rhythm of "Genau." as a Digital Bonus, Prepare to Be Transported by the Ambient and Trippy Masterpiece, "LFO/Instant Endorphine." "Teenage Catalog" Serves as a Reflection of Signal St's Formative Years as a Producer, Showcasing His Undeniable Talent and Delivering an Extraordinary Sonic Experience. Prepare Yourself for a Remarkable Musical Encounter With This Timeless Record. Stay Underground It Pays. ...

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11,98

Derniere entrée: 70 jours
Turkish Delight - Volume One LP 2x12"

Escape Music are pleased to announce the release date for long awaited Turkish Delight studio album titled “Volume 1" with 500 limited edition double Vinyl “Side A+B Snowy White colour and side C+D Skull Gold colour” all will be numbered 1-500! ‘Turkish Delights Volume One’ celebrates the absolute joy that Escape Music co-owner Khalil Turk has for the kind of music he loves so much and has spent the last thirty and then some years championing. Indeed, his enthusiasm for a new band or a new song today is no different from when I first met him in the mid ‘80’s. I lost count of the number of phone calls he made to me when I was working for ‘Kerrang!’ magazine, where he would excitedly tell me ‘Dave, you just have to listen to this! It’s brilliant! You’ll love it!’ before playing me something over the phone – new and often obscure - he had picked up on his international record buying trips. Nine and a half times out of ten he’d be right!! Khalil’s quality control has been such that the record label he co-founded with fellow melodic rock enthusiast Barrie Kirtley in 1995 remains reliably and solidly in place all these years later. Escape continues to deliver monthly doses of quality hard rock, melodic rock and AOR to a very devoted following. Khalil had first entered the music business in the early ‘90’s, effectively as a talent scout for the German owned Long Island label. However, after the company folded, Turk felt that, rather than look at opportunities with other labels, he had the enthusiasm and now had rather more knowledge of the inner workings of the music business to put something together himself alongside the equally enthusiastic and astute Kirtley. We’ve seen hundreds of solid album releases from a huge variety of acts (including AXE, Steve Walsh (Kansas), John Elefante (Kansas), Lonerider, Shadowman, Alliance, Pinnacle Point, Mass, Heartland, Grand Illusion, Overland, Last Autumn’s Dream, Punky Meadows, ColdSpell, Chris Ousey, Ozone and Touch, to name just a few) as well as reissues (from Aviator, Sugarcreek, Jon Butcher Axis, Franke And The Knockouts, FM, Tantrum and Surrender, Zon, Hanover Fist etc) ever since. So here we are, over twenty-five years since that first Escape Music album appeared hot off the presses (Heartland’s ‘III’ album in November 1995, if you’re asking) and this collection of songs, personally chosen by Khalil, reiterates that pure joy he still possesses for the music he is utterly immersed by. With material from the pens of Steve Overland (FM), Chris Ousey (Heartland), Steve Morris (Export/Ian Gillan/Heartland), Mick Devine (Seven), Steve Newman (Newman/Compass) and Tommy Denander (Radioactive) there’s also a list of musicians culled from Khalil’s contact book that, quite frankly, is VERY impressive. Just a few names appearing on ‘Turkish Delights’ to throw at you include Ronnie Platt (Kansas), Billy Greer (Streets/Kansas), Billy Sheehan (Talas/David Lee Roth/Mr Big), Gary Pihl (Sammy Hagar/Boston/Alliance), Gene Black (Device), Jeff Pilson (Dokken), Jeff Scott Soto, Chris Childs (Thunder), Mike Slamer (City Boy/ Streets/Seventh Keys/ Steelhouse Lane) Joel Hoekstra (Whitesnake/Joel Hoekstra’s 13), Mark Mangold (American Tears/Touch/ Drive, She Said), Mark Stanway (Magnum), Mat Sinner (Sinner), Marco Mendoza (Thin Lizzy/Whitesnake/Journey), Ricky Phillips (The Babys/Bad English/Styx), Robin Beck, Robin Mc Auley (Grand Prix/MSG), James Christian (House Of Lords) Steve Overland (FM), Jerome Mazza (Pinnacle Point/solo), Terry Brock (Strangeways) and Vince DiCola (‘Transformers’/Thread/Storming Heaven). This is a cast of thousands. Well, it at least appears that way! It’s a very interesting package and, as Khalil would surely say, you’ll love it! - Dave Reynolds / August 2022. Produced by Khalil Turk for Turkish Delight Productions / Mixed and Mastered by Stephen DeAcutis at Sound Spa Studio, New Jersey, USA / *Mixed by Andy Zukerman / *Mastered by Fredrik Folkare / **Mixed and Mastered by Brian J Anthony (Vinyl Only) - Artwork Design by Hugh Syme (Rush/Bad English/Elton John) - Turkish Delights: The Musicians are: Ronnie Platt: Lead vocals (Kansas) / Billy Greer: Lead vocals (Kansas/Seventh Keys/Streets) / Jeff Scott Soto: Lead and backing vocals (Talisman/Yngwie Malmsteen/Trans-Siberian Orchestra) / Robin McAuley: Lead and backing vocals (Michael Schenker Group/Grand Prix/solo artist) / Chris Ousey: Lead vocals and Backing vocals (Heartland/Ousey-Mann/Virginia Wolf/Ozone)/ Jerome Mazza: vocals (Pinnacle Point/Steve Walsh) / James Christian: Lead and backing vocals (House Of Lords)Terry Brock: Lead vocals (Strangeways/Kansas) / Lee Small: Lead and backing vocals (Phenomena/Lionheart/Shy) / Mick Devine: Lead and Backing vocals (Devine Intervention/7/solo artist) / Ronnie Romero: Lead and backing vocals (Rainbow/Michael Schenker Group) / Tony Harnell: Lead vocals and backing vocals (TNT/Westworld/Starbreaker/Morning Wood) / Steve Overland: Lead and backing vocals (Lonerider/FM/Shadowman/solo artist) / Robin Beck: Backing vocals (solo artist) / Matt Sinner: Bass (Primal Fear/Sinner) / Joel Hoekstra: Guitars (Whitesnake/Trans-Siberian Orchestra/13) / Mike Slamer: Guitars (City Boy/Streets/Seventh Key/Steelhouse Lane) / Jeff Pilson: Bass (Foreigner/Dokken) / Gary Pihl: Guitars (Sammy Hagar/Boston) / Steve Morris: Guitars and Keyboards (Heartland/Lonerider/Ian Gillan Band/Shadowman) / Gene Black: Lead Guitars (Tina Turner/Rod Stewart/Device) / Billy Sheehan: Bass (Mr Big/The Flood/Talas) / Tracy Ferrie: Bass (Stryper/Boston) / Ricky Phillips: Bass (Baby’s/Styx/Bad English) / Rocky Newton: Bass (Michael Schenker Group/Lionheart) / Josh Devine: Drums (One Direction/Levara/Devine Intervention) / Takeaki Itoh: Bass (Pinnacle Point) / Jim Kirkpatrick: Slide guitar (FM/The Flood/Bernie Marsden Band) / Chris Childs: Bass (Thunder/Lonerider) / Steve Mann: Keyboards (Michael Schenker Group/Lionheart/Ousey/Mann) / Vince DiCola: Keyboards (Rocky4/Staying Alive/Transformers/Storming Heaven/Thread) / Mark Mangold: Keyboards (Touch/American Tears/Drive She Said) / Alessandro Del Vecchio: Keyboards (Revolution Saints/Edge Of Forever/Hardline) / Stevie D: Lead guitar / Marco Mendoza: Bass (Whitesnake/Thin Lizzy/Journey) / Jimmy Nicholas: B3 (Faith Hill/Kenny Loggins/Van Zant/Jim Peterik/Juice Newton) / Tommy Denander: Guitars and keyboards (Radioactive/Steve Walsh/Robert Hart)) / Brain J Anthony: Bass (Steve Walsh/Lonerider/Robert Heart/Robbie LeBlanc) / Brian Tichy: Drums (Whitesnake/Dead Daisies/ Foreigner) / Mark Stanway: Keyboards (Magnum/Grand Slam) / Robin Beck: Backing vocals (solo artist) / Nikolo Kotzev: Lead guitars (Brazen Abbot/Robin Gibb) / Fredrik Folkare: Guitars (Unleashed/Heartwind) / Mikael Rosengren: Keyboards (Heartwind) / Steve Newman: Guitars/keys/backing vocals (Newman/Compass) / Eric Ragno: Keyboards (Baby’s/Joe LynnTurner) / Fredrik Bergh: Keyboards (Talk Of Town/BloodBound) - CD Track listing: Intro; Live Again; Crazy Days; Bad Enough; Never Will Forget; Harder They Fall; Get Out Of Here; Believe; Hangman Blues; State Of Mind; Belly Of The Beast*; Holy Water; Sweet Serenity; Take It Away; Bad To Good. Vinyl Track listing: Intro; Live Again; Crazy Days; Bad Enough; Never Will Forget; Harder They Fall; Get Out Of Here; Believe; Hangman Blues; State Of Mind; Belly Of The Beast*; Holy Water; Sweet Serenity; Take It Away; Bad To Good; The Year 2000; Frozen Rose

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34,87

Last In: 23 months ago
SERPENTWITHFEET - GRIP

Serpentwithfeet

GRIP

12inchSCLP466
Secretly Canadian
29.03.2024

serpentwithfeet, der in Baltimore geborene Sänger und Songwriter, geht als vielseitiges Talent mit natürlichen Schritten von Kapitel zu Kapitel in seiner Karriere. Sein drittes Album GRIP ist auf der Tanzfläche schwarzer Schwulenclubs beheimatet und handelt von den intimen Momenten, die sich dort und danach ereignen, ganz gleich, an welchem Ort. Es erforscht die kleinen Momente der körperlichen Berührung und wie sie entstehen. Ob es ein Griff um die Taille oder das Gesicht ist, serpentwithfeet schafft es, alle Blickwinkel zu erkunden. GRIP und der Black-Gay-Club stehen in einem interessanten Verhältnis zueinander: Der Club ist öffentlich; die Tanzfläche ist offensichtlich ein Ort, an dem sich die Menschen gegenseitig anschauen und beobachten. Gleichzeitig ist der Black Gay Club ein sicherer Gemeinschaftsraum, er ist "für uns" und in dieser Hinsicht sehr privat, sehr intim. Diese Clubs boten ihm eine andere Atmosphäre, einen anderen Komfort und ein anderes Gefühl des Willkommenseins, das ihn auf eine neue Weise förderte. Von Anfang bis Ende durchlebt GRIP klanglich die Höhen und Tiefen nicht nur einer Clubnacht, sondern auch einer Romanze. "Damn Gloves (ft. Ty Dolla $ign and Yanga YaYa)" fängt den Adrenalinrausch eines nächtlichen Höhepunkts mit einem wummernden Bass ein, der in eine Dance-Produktion eingebettet ist, die die Geschwindigkeit des Herzschlags nachahmt, wenn die Intimität zwischen zwei Liebenden hoch kocht. "Spades" nutzt eine süße, gitarrenbetonte Melodie, um einen zärtlichen Moment zu schaffen, wie es ein Slow-Dance tun würde. "Lucky Me" ist süß und ehrlich, ohne irgendetwas, das vom eigentlichen Moment ablenkt. Seine Stimme, eine glitzernde Gitarrenmelodie und bezaubernde Synthies dienen als treibende Kraft, um eine neue Romanze zu fördern. Es ist ein Werk, das die Momente hervorhebt, die dem Herzen am nächsten sind. Im Laufe seiner siebenjährigen Karriere hat er seine Vielseitigkeit durch R&B-Musik bewiesen, die sowohl düster als auch spirituell und fröhlich ist. serpentwithfeet geht immer wieder an die Grenzen seiner Kunst.

pré-commande29.03.2024

il devrait être publié sur 29.03.2024

30,21

Last In: 2026 years ago
SERPENTWITHFEET - GRIP

Serpentwithfeet

GRIP

12inchSCLPC1466
Secretly Canadian
29.03.2024

serpentwithfeet, der in Baltimore geborene Sänger und Songwriter, geht als vielseitiges Talent mit natürlichen Schritten von Kapitel zu Kapitel in seiner Karriere. Sein drittes Album GRIP ist auf der Tanzfläche schwarzer Schwulenclubs beheimatet und handelt von den intimen Momenten, die sich dort und danach ereignen, ganz gleich, an welchem Ort. Es erforscht die kleinen Momente der körperlichen Berührung und wie sie entstehen. Ob es ein Griff um die Taille oder das Gesicht ist, serpentwithfeet schafft es, alle Blickwinkel zu erkunden. GRIP und der Black-Gay-Club stehen in einem interessanten Verhältnis zueinander: Der Club ist öffentlich; die Tanzfläche ist offensichtlich ein Ort, an dem sich die Menschen gegenseitig anschauen und beobachten. Gleichzeitig ist der Black Gay Club ein sicherer Gemeinschaftsraum, er ist "für uns" und in dieser Hinsicht sehr privat, sehr intim. Diese Clubs boten ihm eine andere Atmosphäre, einen anderen Komfort und ein anderes Gefühl des Willkommenseins, das ihn auf eine neue Weise förderte. Von Anfang bis Ende durchlebt GRIP klanglich die Höhen und Tiefen nicht nur einer Clubnacht, sondern auch einer Romanze. "Damn Gloves (ft. Ty Dolla $ign and Yanga YaYa)" fängt den Adrenalinrausch eines nächtlichen Höhepunkts mit einem wummernden Bass ein, der in eine Dance-Produktion eingebettet ist, die die Geschwindigkeit des Herzschlags nachahmt, wenn die Intimität zwischen zwei Liebenden hoch kocht. "Spades" nutzt eine süße, gitarrenbetonte Melodie, um einen zärtlichen Moment zu schaffen, wie es ein Slow-Dance tun würde. "Lucky Me" ist süß und ehrlich, ohne irgendetwas, das vom eigentlichen Moment ablenkt. Seine Stimme, eine glitzernde Gitarrenmelodie und bezaubernde Synthies dienen als treibende Kraft, um eine neue Romanze zu fördern. Es ist ein Werk, das die Momente hervorhebt, die dem Herzen am nächsten sind. Im Laufe seiner siebenjährigen Karriere hat er seine Vielseitigkeit durch R&B-Musik bewiesen, die sowohl düster als auch spirituell und fröhlich ist. serpentwithfeet geht immer wieder an die Grenzen seiner Kunst.

pré-commande29.03.2024

il devrait être publié sur 29.03.2024

30,21

Last In: 2026 years ago
KLAUS JOHANN GROBE - IM SINNE DER ZEIT LP

Nach der limitierten 10" EP von 2013, die dicht gefolgt von einer mindestens genauso zauberhaften 7" ("Traumhaft") erschien, enthüllt das Schweizer Duo KLAUS JOHANN GROBE endlich das komplette Album "Im Sinne der Zeit". In der kurzen Zeit ihrer Existenz haben die beiden Mitglieder Sevi Landolt (Orgel, Synthies, Gesang) und Daniel Bachmann (Schlagzeug, Gesang) einen einzigartigen Sound gebraut, der sich zu gleichen Teilen auf Krautrock, Post-Punk, brasilianische Grooves und einem Dancefloor-Selbstbewusstsein stützt, dass den Hörer quasi anfleht, sich zu bewegen. Die beiden haben das fast schon unheimliche Talent, in ein und dem gleichen Songs die Geister von NEU!, BOB JAMES, MARCOS VALLE, SHUGGIE OTIS und STEREOLAB heraufzubeschwören. Es ist ein Album, das danach verlangt, immer und immer wieder umgedreht und gespielt zu werden. "Im Sinne der Zeit" ist ein herrliches Werk, die Art von Album, die so klingt und sich so anfühlt, als würde es auf den Grooves schweben und dabei zwischen jazzigen, funkigen Rhythmen und absichtlich mechanischen Grooves pendeln, die mit dem Puls eines elektronischen Herzens zucken. Besonders seltsam ist es, dass die Melodien niemals anders als warm und umarmend klingen, obwohl das Duo nur auf Deutsch singt. Die Tanzfläche ruft! Vom pulsierenden Opener "Between The Buttons" bis zum roboterartigen Two Step von "Koffer" nimmt das Duo niemals den Fuß vom Gas. Während sich das Ganze ein wenig abkühlt, fühlen sich die Grooves noch warm an und finden ihren Höhepunkt in den beiden letzten Tracks des Albums: dem ungeheuerlich eingängigen Rausschmeißer "Regen raus" und dem allerletzten Track "Vergangenes", der den Hörer an der Hand ins Taxi nach Hause führt.

pré-commande15.03.2024

il devrait être publié sur 15.03.2024

22,06

Last In: 2026 years ago
Various - Generacja JAZZ LP

Various

Generacja JAZZ LP

12inchUKM116COLOR
U Know Me Records
12.01.2024

There are two versions of the vinyl - classic black and triple-color limited Indie Shop edition.

Both have special insert inside with the bands bio and photos.

Generacja JAZZ is a project showing a fragment of the new wave of Polish jazz, treading its own path, creating, touring and jamming across Europe. Borders don't exist - especially musical - the new generation is engaging with nightclubs, festivals and playlists. The time has now come to show its broader perspective. We created a project which involves a handful of groups that have already racked up debut albums and festival wins, as they set out on their musical odyssey. The groups also have other things in common, like their passion, originality and, for the needs of the project, age - all the artists during the recording of this album were under 30 years old. This is the new generation - the Jazz Generation.

For the Jazz Generation record we invited five bands who had already released debut albums: Immortal Onion, Klawo, Rejoin, Twoosty Mayonez and USO 9001. We also reserved two spots on the compilation for the winners of our open call competition, whereby on the basis of the jury's choice (jury: Monika Borzym, Paulina Przybysz, Envee, Wojtek Mazolewski i Marcin Groh Grośkiewicz) we met the winning bands: Kosmos and quietet.

The sleeve artist is Kornelia Nowak, who won our open call for young designers and graphic artists. Here once again we could rely on the opinion of a prestigious jury comprised of: Beata Śliwińska Barrakuz, Bovska, Maciej Animisiewasz Grochot, Grzegorz Forin Piwnicki i Marcin Groh Grośkiewicz.

Generacja JAZZ LP is also a start of the new imprint - U JAZZ ME, which will be focused on jazz from Poland.

And here are the bands from the album:

1. Immortal Onion - A band from the Tri-City playing a broad spectrum of instrumental music.

Band members: Wojtek Warmijak (percussion), Tomir Śpiołek (piano, synths), Ziemowit Klimek (Upright Bass, synths).

The band Immortal Onion has already established itself as one of the most interesting projects of the new wave of Polish jazz, and is consistently being labelled as such abroad. After two well received albums ("Ocelot of Salvation" (2017) and"XD Experience Design" (2020) U Know Me Records) they released their third album "Screens" in 2022, which was recorded with the well known Tri-City composer and saxophonist - Michał Jan Ciesielski.

The inspiration behind the band's formation were such artists as: Esbjörn Svensson, Hiromi Uehara, Tigran Hamasyan and Tosin Abasi.

The group's guiding principle from the very beginning was the fusion of often disparate musical styles, which bore "post instrumental aggressive gay pop". Despite the stylistic discrepancies, between which they swim, the group has forged its own identifiable language, characterised by complicated rhythmical structures, energetic riffs and trance beats with lyrical melodies.

The trio has performed its original material at many venues and festivals around Europe and Asia.

2. Klawo - seven adventurous adventurers from Gdańsk, who were brought together by their love for music, halvah and throwing Frisbee. Their self-named début album, released in 2022 on the local label Coastline Northern Cuts, is an amalgam of the inspirations of each of the team members and played backwards contains tips on how to reach the Kashubian pyramids. After a win at the international competition Jazz in the Park, held in Cluj-Napoca in Romania, the band began work on their second album. Meanwhile, they were also travelling the length and breadth of Poland on a mission to infect people with the idea of Baltic Funk.

3. Kosmos is a Łódż based jazz quintet. It was formed in 2020 by Pianist Stanisław Szmigero, Saxophonist Iwo Tylman and Trumpeter Jan Ostalski. However, it wasn't until 2022 that Kosmos found its true form when Kamil Gużniczak (Upright bass) and Kacper Kuta (Percussion) joined the line-up.

Their compositions are influenced by Polish yass bands, electronic music and hip-hop. Kosmos music is a mix of lyricism, space, intensity and elements of experiment.

The band members are all eccentric characters possessing different means of musical expression - looking at them, one could even argue they are a group of oddballs. Despite this, for reasons unbeknownst to themselves, the members of Kosmos complement each other on stage and form a unified artistic vision of the world around them.

Kosmos officially released their début single "Ja" in June 2023. They regularly play concerts across Poland and recently were selected as distinguished artists at JAZZiNSPIRACJE (JAZZiNSPIRATION) - a competition held during the 13th Lublin Jazz Festival.

4. Quietet (formed at the beginning of 2023) is the result of meetings between five talented musicians with a deep passion for musical creation. Its sound is a unique blend of Jazz and classical music with a hint of hard rock. The band is inspired by the Scandinavian approach to making music, which brings a characteristic atmosphere and melodies to their work. Their music captivates listeners with its originality, refined improvisations and flawless technique. Both classical and modern musical trends feed their inspiration when creating passionate and emotional compositions.

Their works are full of sound experimentation, which equally surprise and expose new musical horizons. Through their compositions, "Quietet" aims to share their emotions evoked during performances, creating a musical journey that affects and inspires.

5. Connecting jazz with electronic music in fresh interpretations, six young musicians make up the group Rejoin. The group re-formed in 2020 after a four-year break, playing their debut concert at Lotos Jazz Festival Bielska Zadymka Jazzowa. The musicians in Rejoin have performed alongside such artists as: Urszula Dudziak, Krystyna Prońko, Marcin Masecki, Szczyl, Kuba Więcek and Paulina Przybysz.

Most of the members of Rejoin are students from the Katowice Music Academy, where they also develop their own projects. Rejoin was a recipient of the Fabryki Norblin Music Masterclass Foundation scholarship.

6. Twoosty Mayonez is something your grandad would listen to with his younger sister. The non-standard approach to jazz alongside a pursuit of strange sounds, culminated in the conceptual album entitled "Carmin". The material was created by Bartosz Wolerta (percussion) and Dominik Kaniewski (bass guitar/synths). "Triceradiplodocus" tells the story of a mechanical dinosaur that lives on the yet undiscovered planet Carmin.

pré-commande12.01.2024

il devrait être publié sur 12.01.2024

35,25

Last In: 2026 years ago
Various - Afrikano Vol 2 EP

Samosa Records quickly follows up the first volume of Afrikano treats with Volume 2; a veritable melting pot of Afro beats and rhythms packed in to an exceptional four tracker.

Kicking the EP off on the A-side is Vincent Galgo and J’ngolo. This hypnotic Afro sizzler takes full advantage of the effortless bass, congo beats, African horns and (subtle) funky guitar. Add the mesmerising chanting and you have a perfect ‘Bunny Chow’ of a tune that will tantalise the tastebuds for a long time after the music has stopped. Second helpings? Why not?

A2 unleashes ‘Zaire’ by the supremely talented Matalo! Dark and broody beats take centre stage with this one, as you’re slowly enveloped in a ritual you never knew you were part of but now you can’t help sway with the rest of the worshippers. ‘Zaire’ is one of those rare tracks that you feel could create fire if you let it. With sweeping synths, tribal chanting and a detached sense of being, this monster lives under your bed and waits for lights out. Beware!

On the B-side Leslie Lello ups the tempo with ‘Alcyone’. Solid, punchy bass, driving guitar and gorgeous piano riff and vocal combine with a synth lead you absolutely need in your life. The track morphs and transforms into a full-on (almost housey) stomper; nailing its tribal colours to the mast with intent. A real beast of a tune.

Closing this superbly diverse EP is label boss De Gama and ‘E.T.A’. You know De Gama doesn’t mess about. You know De Gama wants to hit you with all he has and with ‘E.T.A’ he unleashes his ‘inner Chief. Indigenous beats pound, roll and build up to a Ramkie guitar infused chorus that’s as joyful, uplifting and inspiring as the dawn itself. A genuine, incredible slice of Afrikano from a master of the genre.

Afrikano Vol. 2 proves once again that Samosa Records know this genre like no other label out there. If this isn’t in your record box on release day, then we simply can’t be friends.

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10,88

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S. Fidelity - Fidelity Radio Club LP

S. Fidelity

Fidelity Radio Club LP

12inchJAKARTA164
JAKARTA
15.12.2023

2023 Reissue

Berlin based HipHop producer S. Fidelity presents his sophomore and full packaged concept album “Fidelity Radio Club” via Jakarta Records.

Four years after his Jakarta Records debut “A Safe Place to Be Naked” S. Fidelity has matured as a producer and as an artist: working and recording in London, Los Angeles, Paris and Johannesburg while building up his Manolo Purple Studios in Berlin with longtime collaborator, labelmate and soul brother Bluestaeb.

In 2021 S. Fidelity finally returns to the main program with his brand new solo album “Fidelity Radio Club” shaped in form of a genre crossing radio show exploring HipHop, R&B, Jazz, House and Funk in all their depths, creating the multi-layered album he always dreamt to do as he orchestrates a stoking line-up of equally talented friends and fellows like Bluestaeb, Melodiesinfonie, Suff Daddy, K, Le Maestro, Àbáse and many more while still delivering that very personal note every classic producer album needs and comes with. Or as the artist himself would put it: “17 different artists, producers and instrumentalists from all over the world helped me to bring this vision to life.”

According to that the albums 1st single features Singer NDO from Florida, giving life to the hard hitting R&B gem “Mixed Signals” where warm neo soul harmonies meet with classic R&B vibes of early 2000. The song made it to Spotify’s Butter Playlist right away and was picked for Deezer’s “Date Night” Playlist and Apple Music’s New Music Daily as well and received shout outs and further Playlist-placements by music blogs like Stereofox or MOW Mag.

The 2nd single comes as a double single featuring pianist, producer and main protagonist of Berlin’s prog-jazz scene Àbáse on “Me At The Zoo” (reminding its listeners of London’s new wave of jazz around Kamaal Williams or Yussef Dayes) on one side and the energetic, funk influenced disco tune “Something Good” on the other side.

The 3rd and final single “Love International Inc.” then comes with a bumpy up tempo drum beat, which develops into an energetic and jazzy lo-fi house/deep house loop, featuring none other than Zürich’s finest Melodiesinfonie as well as Paris-based Bluestaeb, marking this supergroup’s 2nd appearance and giving a glimpse of what’s yet to come.

Each of the album’s single cuts comes with a visual treatment by HipHop’s favorite photographer Robert Winter and his team (The Ottos), matching sound and artwork accordingly while the record’s amazing and unique artwork comes from the Swiss based creative studio HOMI. The record itself contains a sticker sheet with customized S. Fidelity and “Fidelity Radio Club” stickers as well.

The whole album campaign is further accompanied by the Fidelity Radio Show hosted by S. Fidelity himself, sitting down with his featured guests talking about the music they love and they draw inspiration from – broadcasted via S. Fidelity’s own youtube channel releasing its episodes in between the album’s single drops.

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17,61

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Scout - littekens LP

Scout

littekens LP

12inchSR015LP
Simpel Records
08.12.2023

Scout (Amsterdam, 17 februari 2001) heeft in de afgelopen jaren volledig zijn eigen geluid gevonden binnen de Nederlandse popmuziek. In een wereld tussen Hip-Hop en alternatieve Pop ziet de zanger en producer zich als verhalenverteller. In zijn EP "littekens" komt zijn grootse en melancholische geluid tot leven in een verhaal over zijn ervaringen met liefde en mentale gezondheid. Door in zijn eigen slaapkamer te schrijven en op te nemen is de EP doordrenkt met kwetsbaarheid en intimiteit. Hierdoor neemt de opkomende ster de luisteraar mee naar zijn eigen wereld.

Na jaren ervaring te hebben opgedaan op piano pakt Scout in 2016 voor het eerst een basgitaar op en voordat hij het weet schrijft de jonge artiest op zijn kleine studentenkamertje in Delft zijn eigen muziek. Het ging ineens niet meer over noten, rijmschema's en akkoorden: het maken van muziek was uitgegroeid tot zijn therapeutische uitlaatklep. Hieruit volgt in 2020 uiteindelijk zijn self-titled debuutalbum "Scout".

Sinds eind 2022 brengt het opkomend talent consistent muziek uit en vindt hij zijn eigen weg binnen het muzieklandschap. Door steeds meer instrumenten onder de knie te krijgen en meer en meer te leren over muziek en emotie ontstaat een werkelijk nieuw, echt en eigen geluid wat maar met één woord te omschrijven valt: kippenvelmuziek.

Na het uitkomen van zijn EP "littekens" in april 2023 wordt hij benaderd om dit werk uit te brengen op vinyl. Om deze muzikale reis uit te breiden en om nog dieper in de wereld van scout te duiken bevat de LP vier bonustracks. Hieronder valt een akoestische versie van het populairste nummer "herfst", die de kwetsbaarheid van de jonge maker nog verder naar voren brengt. Ook bevat de LP een live versie van "de wereld draait door". Deze versie is opgenomen in beroemd restaurant "De Goudfazant" in Amsterdam. Een speciale plek voor Scout, hier heeft veel van zijn familiegeschiedenis zich afgespeeld. Het nummer komt hierdoor nog meer tot zijn recht door het rauwe geluid van alleen piano en stem. Ook bevat de LP twee extension tracks die het verhaal van de spreekwoordelijke littekens verder uitbreiden. Zo komt Scout in zijn nummer "hartendief" tot de realisatie dat zijn partner hem niet ziet zoals hij haar en komt hij in het nummer "kwijt voor altijd" tot een besluit om het hoofdstuk van deze littekens voorgoed af te sluiten. Deze extension tracks zijn tot op heden alleen te beluisteren op de LP maar zullen in de loop van 2024 ook op streamingdiensten verschijnen. Deze releases zijn de voorzet voor een reeks singles in 2024 die uiteindelijk zullen leiden tot zijn eerste studioalbum in 2025.

pré-commande08.12.2023

il devrait être publié sur 08.12.2023

23,11

Last In: 2026 years ago
Xavier Boyer - Soda Coda

Xavier Boyer

Soda Coda

12inchHS037
Human Sounds
10.11.2023

Xavier Boyer, the lead singer of Tahiti 80 and one of the most distinctive voices in French indie pop, returns solo with a melodic and timeless new EP entitled "Soda Coda".

After "Tutu To Tango" (2007, under the name Axe Riverboy), "Some/Any/New" (2017), and not forgetting Tahiti 80's nine studio albums, Xavier Boyer has composed five songs navigating between soft rock, folk sounds and pop experimentation. "On previous albums, I'd done everything on my own, but this time I was looking for something more lively, more organic, more collective. I also wanted to exchange ideas with other musicians.

This mini-album (the vinyl version will include five alternative versions recorded on a 4-track cassette) was created with the help of three emblematic figures from the French music scene, Mehdi Zannad (Fugu, April March, A Girl Called Eddy) on keyboards, Laurent Blot (Le Superhomard) on drums and Stéphane Laporte (Domotic, Egyptology) on mix.

Recorded between tours and studio sessions with his main band, "Soda Coda" once again confirms his talent as a melodist and his appetite for sonic adventures. The power pop of "D Day" or the lyricism of "Children Of The Sun" would not be out of place on albums by Emitt Rhodes or Richard Swift (producer of Tahiti 80's "Ballroom" in 2014). "Oh Liza" is as smooth as an Elliott Smith novelty.

The singer assumes his influences: "My aim has always been to write timeless songs without pretending it's 1975, or 1998. I want my music to remain rooted in its time." "Read The Room" blends Jamaican music and avant-garde pop with its crystalline guitars and soaring synths, while "Soda Coda" brings a touch of Soul to the EP with its distorted piano and slap-back vocals.

More than a journey or a nostalgic trip, Soda Coda is a succession of luminous songs, and as Xavier Boyer sings on the eponymous track: "I'm singing something good, I can hear this tune lighting up my path".

pré-commande10.11.2023

il devrait être publié sur 10.11.2023

20,97

Last In: 2026 years ago
Chris Stapleton - Higher LP 2x12"

Der 8-fache Grammy Gewinner Chris Stapleton veröffentlicht sein fünftes Studioalbum „Higher“. Mit seinen ersten drei Studioalben hat der talentierte US-amerikanische Künstler mehr als 8 Millionen Tonträger verkauft, darunter sein Debütalbum „Traveller“, welches sich bis heute 4 Millionen Mal verkauft hat. „Higher“ wurde von dem renommierten Produzenten Dave Cobb (unter Anderem Lady Gaga und viele mehr), Morgane Stapleton und Chris Stapleton produziert und in Nashville aufgenommen. Der mit zahlreichen Gold- und Platinauszeichnungen geehrte Künstler präsentiert seine außergewöhnliche Stimme und seine musikalische Vielseitigkeit in 14 neuen Songs, welche verschiedene Genre umfassen.

Sein Album „Higher“ ist digital, als CD und auf Doppel-Vinyl erhältlich

pré-commande10.11.2023

il devrait être publié sur 10.11.2023

36,93

Last In: 2026 years ago
Fuzzbee Morse - Ghoulies II (Original Soundtrack) (2x12")

WRWTFWW Records is proud to announce the first ever release of the long-lost original motion picture soundtrack from the 1988 cult horror comedy sensation Ghoulies II by the incomparable Fuzzbee Morse. Digging deep to uncover a true gem of the VHS era, this limited-edition vinyl release (500 copies worldwide) marks history in the making as a piece of film score lore is resurrected from the depths of oblivion. The LP is packed with 39 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well an obi and composer notes.

The captivating melodies that once played hauntingly in the background of Ghoulies II were long believed to be lost forever. It took over 30 years and Fuzzbee Morse's unwavering determination to dig out the legendary recordings – and restore them for full audio pleasure!
The superb soundscape of Ghoulies II perfectly captures the chilling and wacky essence of the cult movie, as well as its creepy carnival setting. Morse, citing influences such as Bernard Hermann, Frank Zappa, and Igor Stravinsky, flexes his multi-instrumentalist skills, flowing with ease between magical fairground elements (with brilliant use of calliope, tuba, flutes and sparkly sounding synthesizers), dark atmospheres and frightening attacks (tribal percussion, strings, along with dissonant, atonal gongs, bowed cymbals), and goofy moods (bassoon, bass clarinet, glockenspiel, trumpet, clarinet). It’s big cinematic horror movie music with a lighter comedic touch – the 80s live again!

To complete this collector's edition, French illustrator Pierre Thyss (the man behind the WRWTFWW Records logo) lends his (immense) talent to provide awe-inspiring visuals that flawlessly encapsulate the juxtaposition of horror and comedy.

Ghoulies II follows the release of the full uncut soundtrack of Ghoulies (1985) which was released on vinyl for the first time ever by WRWTFWW Records in 2020 alongside soundtracks for other Richard Band-composed, Empire Pictures-produced classics: TerrorVision and Troll. All these 80s horror favorites are still available – complete the collection now!

pré-commande23.10.2023

il devrait être publié sur 23.10.2023

22,65

Last In: 2026 years ago
Skepta & Jammer, Jammin feat. feat. Etta Bond / Down Shovel - Touching My Body

Following their sold-out launch at London’s iconic KOKO, Mercury Prize-winning MC, producer and creative Skepta and
renowned Lord Of The Mics founder Jammer are keeping things moving in impressive fashion as they continue to establish their new Más Tiempo project. Taking the sound from London to Miami and Milan via high-profile DJ sets before returning to Ibiza for the collective’s debut at the World’s #1 Club Hï alongside The Martinez Brothers, the co-founders unite once again as they deliver the second instalment of their house-focused imprint.

Set for release on 30th June 2023, the BBK mainstays are joined by British singer-songwriter and OddChild Music favourite Etta Bond, who reunites with the Big Smoke Records boss following their 2012 record ‘Mastermind’, as they serve up a resonant and soulful anthem built for the summer months with ‘Touching My Body’ - showcasing a deeper, more profound side to their sound.

Harnessing Bond’s alluring and absorbing vocals and weaving rich sun-soaked melodies, crisp percussion arrangements and
sweeping, warping leads around them to create a captivating journey through sounds, ‘Touching My Body’ welcomes a
production built for bustling daytime terraces and memorable early hours moments in equal measure.

Welcoming another new name to the Más Tiempo family, the B-side brings an impactful label debut from fellow Grime talent and London-based musician/producer Jus Jammin, who steps out under Jammin and showcases his own explorations into house music. Here on ‘Down Shovel’ he draws for sharp snappy drums, zig-zagging synths, bubbling leads and warped vocals, serving up a heavy slice of dancefloor ammunition that has been making some serious noise in Skepta’s recent DJ sets.

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19,75

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Christopher Tignor - The Art of Surrender LP

The Art of Surrender marks a return to life, sown from primal impulses and hard-won emotional truths. Unrestrained melodic rapture soars above a relentless kick drum, speaking a need to move, to dance, to love. The music is as ambitious as its origins are personal. Tignor plays with scale, crafting multi-movement epics alongside one-minute miniatures. The smallest, most fragile violin gestures, where the finger barely touches the string to extract natural harmonics exist side by side with angular, exotic melodies, asymmetric rhythms, and rapid-fire string crossings. On this LP, Tignor digs even more deeply into the violin and its technicolor reimaginings under his electroacoustic treatments. Christopher Tignor is a composer, violinist, lecturer, and software engineer. His emotionally charged scores and unique focus on live, performance-based electroacoustic practice has won acclaim within both the classical and experimental communities across 10 LPs on the Western Vinyl and New Albion record labels. He creates the live performance software he uses, shared freely. As a composer he has written and recorded work for ensembles including The Knights, A Far Cry string orchestra, and Brooklyn Rider string quartet, performing alongside them at premiere venues including Carnegie's Zankel Hall. As a string arranger he has worked with Helios, Jefre Cantu-Ledesma, John Congleton, This Will Destroy You, Meshell Ndegeocello, and several other artists at the boundaries of popular music. This music breathes, swoons and swoops elegiacally, in the same way a crack symphony might on a good night." MAGNET // "A bulwark against the ambient clatter of everyday life...sheer technical mastery" BANDCAMP (ALBUM OF THE DAY) // "Tignor creates a muttered hum of activity that burbles at the fringes of an internally focused halo of sustained, glowing chords, and the effect is powerful." NPR // "Making computers coexist in harmony with acoustic instruments in a live setting is more easily imagined than achieved. But Christopher Tignor, a young composer and performer shaped as much by his work in downtown nightclubs as by his formal education at Bard College and New York University, proves that it can be done." THE NEW YORK TIMES // "Absurdly talented"

pré-commande13.10.2023

il devrait être publié sur 13.10.2023

24,79

Last In: 2026 years ago
Various - Air Texture Vol. VII LP 2x12"
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15,08

Last In: 7 months ago
THE 4TH STREET ORCHESTRA - AH WHO SEH? GO-DEH!

Founded in 1971, Matumbi was among the earliest and best British reggae bands. They did, however, also record under different guises, including The 4th Street Orchestra. In their acclaimed Rough Guide to Reggae, Steve Barrow and Peter Dalton rate this album (and its counterpart Leggo! Ah-Fi-We-Dis) as "the best showcase for Matumbi's talents". This release marks the first LP reissue of this genuine UK roots-monument since 1976.

Original member Dennis 'Blackbeard' Bovell (of LKJ and Dub Band fame) knew the local sound system-scene like the back of his hand and most tracks on Ah Who Seh? Go Deh! were initially cut as exclusive 'specials' for his own Jah Sufferer sound system and for fellow soundmen. Hardly anyone hearing these tunes at reggae parties or would have guessed they didn't originate in Kingston but were recorded in London. And neither did many who bought the records when they were released a few years later. That's hardly surprising, as the material Bovell & Co churned out could easily compete with the toughest output of their Jamaican counterparts. A splendid version of the 1970 Kingstonians smash "Singer Man" is the most familiar tune here. But it's the band's own outstanding, heavyweight roots tunes like "Jah Chase Dem" or "Za-Ion", their versions popping up later in true sound system style for maximum impact, that will have reggae fans prick up their ears.

Ah Who Seh? Go-Deh! is available as a limited edition of 750 individually numbered copies on orange coloured vinyl.

pré-commande01.09.2023

il devrait être publié sur 01.09.2023

34,67

Last In: 2026 years ago
Akiko Yano - Japanese Girl LP

Wewantsounds Is Pursuing Its Ambitious Akiko Yano Reissue Program With The Release Of "japanese Girl", Her Landmark Debut Album From 1976. Backed By Little Feat With Lowell George And By The Cream Of Japanese Musicians (including Haruomi Hosono), Japanese Girl Is One Of The Most Important Japanese Albums Of The 70s, Mixing Pop, Rock, Japanese Folk Together With Little Feat's Superb Classic Sound. This Is The Very First Time The Album Is Released Internationally. The Deluxe Lp Edition Includes Remastered Sound, Tip-on Lp Sleeve, Download Card Plus The Original 4-page Insert With Lyrics And Full Line-up!
When Akiko Suzuki Left Her Home Town Of Aomori For Tokyo In The Early 70s Aged Just 15 To Become A Professional Musician, She Quickly Started Making Waves On The Local Music Scene Performing At The Jazz Club Rob Roy. In 1973 She Released A 7" With The Group Zariba And Caught The Attention Of A&r Man Koki Miura. She Then Recorded One Song, "oinaru Shiino-ki" With Haruomi Hosono On Bass And Drummer Tatsuo Hayashi (who Features On Many Hosono Albums And Also Hiroshi Sato's 1979 Album Orient) With A Full Album In Mind.

After A Marriage With Musician/producer Makoto Yano And The Birth Of Her Son (named Fuuta), Yano And Her Team Resumed The Recording Of The Album And Decided To Pitch Little Feat For A Collaboration As She Loved The Group. Against All Odds They Said Yes And Yano Left Tokyo For Los Angeles In March 1976 To Record A Full Side With Them. The Legend Has It They Found It So Difficult To Keep Up With Yano's Compositions They Returned Some Of Their Fee. The Session Was Nevertheless Stunning And Lowell George Even Compared Yano To Stevie Wonder. The Little Feat Blend Of New Orleans Groove Matched Yano's Melodies Perfectly, As Witnessed On "funamachi-uta Part 2." Originally A Traditional Song From The Nebuta Festival In Her Hometown Of Aomori (part I On Side 2 Gives A Good Idea Of What The Original Form Sounds Like), The Little Feat Version Is A Formidable Slow-funk Workout Not Dissimilar To Their Classic, "spanish Moon", Serving Yano's Beautiful Vocals And Sense Of Groove To Perfection. The Whole Side Is A Match Made In Heaven, Showcasing The Classic Little Feat Line Up At Their Funkiest With Yano's Unique Japanese Twist.

The Japanese Side On The Album Gives A Great Snapshot Of The Tokyo Music Scene Of The 70s With Many Musicians Gravitating Around Haruomi Hosono (and Present On His 1973 Classic Album 'hosono House' Including Sound Engineer Kinji Yoshino) And Also Several Musicians From Japanese Band, The Moonriders.

Recorded At The Legendary Onkyo Haus Studio In Tokyo, The Sessions Mix Singer-songwriter Sensitivity And Pop With Traditional Japanese Sounds And Instruments Like The Shinobue Transverse Flute, The Koto String Instrument Or The Tsuzumi Hand Drum As Played On "hekoriputaa" By The Legendary Percussionist Kisaku Katada Who Was Appointed Living National Treasure By The Japanese State In 1999; Together They Create A Beautiful East-meets-west Mix Masterfully Driven By Yano's Creativity And Unique Talent.

A Breathtaking Debut Album That Made Akiko Yano One Of The Most Important Artists To Emerge From The 70s, Japanese Girl Has Since Become A Milestone In Japanese Music With A Recent Documentary On Nhk Tv Telling The Whole Story Behind This Classic. Wewantsounds Is Now Proud To Present This Essential Album To The Rest Of The World.

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26,01

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Illa J - No Traffic LP 2x12"

Illa J

No Traffic LP 2x12"

2x12inchBBE732ALP
BBE Music
01.09.2023

Enter the realm of Illa J, the musical force shaking the foundations of the industry. His latest offering, 'No Traffic', is a testament to his boundless talent and versatility, showcasing his singing, production and rapping abilities on 19 tracks written and produced entirely by Illa J himself. This album marks his debut on BBE Music and a new chapter in his musical journey. Meet Illa J: a musical prodigy raised in a family of talented musicians. With a jazz bassist father and a gifted singer mother, it's no surprise that Illa J was destined for greatness. He's best known as the younger brother of hip-hop legend J Dilla and has made a name for himself as a former member of Detroit's iconic hip-hop group, Slum Village. With a lifetime of exposure to quality music and top-tier musicians, Illa J is a force to be reckoned with. Created amidst the chaos of the pandemic, Illa J's 'No Traffic' serves as a beacon of hope, a roadmap for creatives seeking their path. He enlists the help of Detroit legends Amp Fiddler, Frank n Dank, British soul sensation Harleighblu, and introduces the rising stars of Detroit, Serious, Joz B, Maine Soul, and more, all matching Illa J's energy and passion on the tracks. The focus track of the album, "Star Struck", is a prime example of Illa J's signature style. The astral pentatonic soundscape and precise drum programming transport you to new heights, while Illa J's beats, melodies, and bars will leave you in awe. 'No Traffic' is a musical journey that takes you to a place where Illa J's playful and versatile sound reigns supreme. The album is expertly mastered by Grammy-award nominated The Carvery Studio and is a refreshing experience of a true artist reveling in their artistry. Don't miss out on this once-in-a-lifetime opportunity to delve into Illa J's musical realm."

pré-commande01.09.2023

il devrait être publié sur 01.09.2023

38,87

Last In: 2026 years ago
Zaimie - Fortuitous LP

Zaimie

Fortuitous LP

12inchSMPVN4
Splash Music
07.08.2023

The summer of 2016 marked the fortuitous meeting of two talented musicians, Zaidi Kiggundu (Ziggy Funk) and Jamie Mcshane, at a music festival. Sharing a love for Funk, Jazz, and Soul music, the duo knew they had to collaborate on a project together. Both Zaidi and Jamie had established music careers, bringing their unique backgrounds and experiences to the table. They also had their own music labels, contributing to their respective scenes.

Their collaboration began with a series of demo sessions at Jamie's studio in Scotland. Together, they laid down the foundation for their debut album, which they named 'Fortuitous.' This album fused Funk, Jazz, and Soul with a contemporary touch, paying homage to the classic albums of the past that deeply inspired them. Despite facing challenges such as scheduling conflicts and the disruptive impact of the COVID-19 pandemic, Zaidi and Jamie remained committed to completing the project.

To bring their musical vision to life, they enlisted the help of top-notch musicians on horns, including Ewan Mains, Konrad Wisniewski, and James Steele. With their contributions, the album 'Fortuitous' delivers solid grooves and captivating arrangements, showcasing the duo's dedication to their craft. The quality of the music caught the attention of Splash Music, who eagerly embraced the project. What started as a chance encounter and a few simple ideas many years ago has now transformed into a fully realized album, ready to be released to the world for everyone to enjoy.

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Last In: 11 months ago
Rove Ranger - Purpose Research EP

For the 15th release of Self Reflektion we have the talented Rove Ranger from Stuttgart Germany. Ever since he surfaced in 2020 he has been delivering nothing but greatness; a fresh approach on Techno while maintaining that 90s vibe. Purpose Research EP is a selection of four peak time club techno tracks from the man - one of the most promising and cutting-edge techno producers around right now. Highly essential!

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10,88

Last In: 16 months ago
Various - Unknown Prospect Vol.1

Pablo Bozzi inaugurates his new label, Second Sight, with the various artists 'Unknown Prospect'.

The title says it all: boundless and vast, Second Sight's intent is to promote the talents of innovative producers who defy genres in the pursuit of their own idyllic aesthetic.

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12,39

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Shafiq Husayn - So Gold

Shafiq Husayn

So Gold

12inchNAS180LP
Nature Sounds
28.07.2023

Acclaimed producer, songwriter, and vocalist Shafiq Husayn has been a vital force on the Los Angeles music scene for decades. A member of trendsetting trio Sa-Ra Creative Partners, Shafiq has produced tracks for a staggering spectrum of talent, including Erykah Badu, Ty Dolla $ign, Pharoahe Monch, Robert Glasper, Ice T, Bilal, Jurassic 5, and many more. Over the last few years, the Grammy winner has also become the leader of The Dove Society, an expansive L.A. musical collective. Now, Shafiq Husayn and The Dove Society are debuting the new album So Gold, an eclectic masterpiece emerging from sessions Shafiq describes as “pure love, magic, inspiration!” A worthy follow-up to Shafiq’s acclaimed 2018 opus The Loop, the album features contributions from Anderson .Paak, Syd (of The Internet), Peyton, Thurz, Jimetta Rose, Speed Walton, and many more. Bursting with the kinetic energy of vibrant creative collaboration, the album synthesizes disparate styles into a cohesive tapestry of lush cosmic soul. “It’s new age everything and above,” Shafiq explains. “Focused and direct in the songwriting and production, but still adventurous and refreshing.

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32,98

Last In: 2 years ago
S Transporter - S Transporter

S Transporter is Izaak S and Ryan Spencer, a pan-American duo of exact origins unknown. With roots spanning from Detroit to San Francisco, the project is somewhere around four years old, though no one remembers exactly when it started. The songs were initially demoed in Ryan's bedroom and promptly forgotten about in the chaotic whirl of both members’ efforts in other music projects, DJing, and party-throwing ventures until Ryan played them at his weekly, Monday Is The New Monday (co-founded with PGS' Ben & Zach). Immediately, the songs burst with new life into our ears, and we excitedly requested to hear more. In a tale every creative can relate to, Ryan simply didn't know if they were any good. We found them extraordinary.

What followed were several months of additional recording sessions in a collective effort to finalize the tracks, done at Ryan's apartment in Southwest Detroit, Izaak's in SF, and the Portage Garage in Hamtramck. Bay area DIY underground luminary Anya Ghiorzi joined the group and contributed her vocal talents to the songs, which began to exhibit a sound representative of the genre-collisions featured at MITNM– from krautrock and boogie to trance, acid, and house– in a way other PGS releases have hinted at, but have not fully expressed until now.

S Transporter is the name of the EP, the project, and all four songs. A maximalist sound with a minimalist presentation, naming the songs - so many years after their inception - would, perhaps, take away from the feeling that struck all three of us the first time we heard them on a club-grade sound system.

Izaak S and Anya Ghiorzi are San Francisco residents, musicians, and DJs in the Loveshadow dance collective.

Ryan Spencer is a Detroit resident, DJ, co-founder of Monday Is The New Monday, and is a member of Freakish Pleasures.

"S Transporter 1"
Uptempo, backspin-laden electro/acid with a winding 303 bassline that reveals itself slowly over the pulsing breakbeat backbone. Immersive, haunting and enchanting.

"S Transporter 2"
Downtempo electro. Slap bass. Heavy boogie. Sensual vocals reminiscent of early Chris N Cosey carry you through this industrial funk heater. Heavy synth lines and rhythmic grooving guitar that is club-ready for dance floors of all kinds.

"S Transporter 3"
A fast paced, percussion forward adventure with balaphone melodies and bending synth pads. Spoken words guide the journey, arriving at a movement inducing Juno ascension that dances into a calm end.

"S Transporter 4"
Encompassing the seemingly disjointed, individualistic styles of S Transporter 1-3, ‘4’ combines elements of the entire release into one final gesture. ‘4’ could be Byrne/Eno ("Regiment"), but it's something else - the product of decades of dance music history, distilled by two musicians & DJs into one song.

credits
releases July 19, 2019

PGS 010
S Transporter
"S Transporter"
EP

2015-2019
Written, Mixed and Produced by Izaak S & Ryan Spencer
Vocals by Anya
Bass on “2” by Lucas De Leon Turner
Percussion & additional production on "3" by Shigeto
Percussion on “3” by Julian Spradlin

Mastered by Josh Bonati at Bonati Mastering
Recorded at Izaak's apartment in San Francisco, Ryan's apartment in Southwest Detroit and the Portage Garage
Records Pressed at Archer Record Pressing, Detroit, MI
Design by Will
MMXVIX

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17,02

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Simial - Personal Music 0.75

Following a groundbreaking cassette-only release on electro label du jour Casa Voyager, Montreal-based producer Simial releases his first full vinyl EP on Gated. This is raw braindance unlike anything else from an exciting new talent you’ll be hearing more from in the future. Over six tracks, Simial takes us into unexplored and highly personal territory, with music that drops and kicks, stutters and starts in unexpected and melodic ways. Watch out for the little surprise vocal hidden in B3.

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10,29

Last In: 2 years ago
Rag N Bone Man - Put That Soul On Me

Repress coming!

High Focus Records is proud to present 'Put That Soul On Me' a brand new 3 track offering from arguably one of the best voices to emerge from these shores in recent years : Rag N Bone Man.
Since having been introduced to the world via High Focus Records in early 2013, Rag N Bone Man's career has flourished in an incredible way and it has become a widely known fact that, as cliche as it may sound, he is the next big thing. From gathering attention from the likes of tastemakers Zane Lowe, Rob Da Bank, Mistajam & getting daytime radio play on BBC Radio 1 among others to working with Hip Hop legend DJ Premier and touring all over the country with chart toppers Bastille, it is a proven fact that Rag N Bone Man's voice has the power to touch the hearts of millions no matter what genre of music you are into. With such a universally recognised talent, its going to be hard for nay sayers to deny the infectious flute grooves of 'Put That Soul On Me' or the slow pounding bass of 'Across The Sky'.
Dirty Dike, normally known for his outlandish lyrics and larger than life provocative character takes the back seat on this release, allowing his signature crunchy production to do the talking. Dirty Dike's instrumentals provide the perfect back drop for the smooth rumblings of Rag N Bone Man, the pair complement each other perfectly as the beat and the voice are just as heavy as one another, both putting on a fantastic display of skill and raw talent which has been synonymous with all High Focus Releases.
The title track, 'Put That Soul On Me' is a catchy celebration song, a festive underground tune praising 'that neat sweet soul' whilst denigrating those 'wack ass drums and played out synths' over swirling flutes. Following the festivities we have 'Across The Sky', a bass heavy downtempo number which explores the side effects of different drugs, upon which our protagonist asks for a helping hand before the heart wrenching saxophone kicks in. High Focus Records fans will be pleased to see that the infamous Rag N Bone Man 'exclusive Bars' from the HFTV channel is finally seeing an official release. 'My Business', which set the internet on fire upon its release on the channel, getting retweeted by the likes of super producers DJ Premier and 9th Wonder, is the third track on this project and features a guest verse from Contact Play legend Ronnie Bosh. With these three unmissable tracks on one piece of wax, The 'Put That Soul On Me' 12'' is going to be the soundtrack to your summer.

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28,15

Last In: 8 years ago
VARIOUS - SABROSO GO GO LP

Various

SABROSO GO GO LP

12inchMR440
MUNSTER
12.06.2023

Exotica, ye-yé cumbia, guaracha infused twist, rock’n roll mambo, Spanish rumba, boogaloo beat, tropical garage and other unexpected bastard genres are featured in this festive compilation of bizarre hits taken from the glorious catalog of records released during the 60s and 70s on the Peruvian label Discos MAG. Some clearly unite genres, others are projects with creative names, but all are bold musical initiatives that got and will always get people onto the dance floor. “Sabroso Go Go” brings together fourteen musical mixes created in the recording studios of Manuel Antonio Guerrero (MAG), in which music directors combine rhythm with alchemy in a quest to find the philosopher's stone of the dance. Exotica, ye-yé cumbia, guaracha infused twist, rock’n roll mambo, Spanish rumba, boogaloo beat, tropical garage and other unexpected bastard genres are featured in this festive compilation. Although this compilation begins in 1957, experiments like this (some more memorable than others) were not new in Peru. The songs on this album were however much more successful hybrids. Some clearly unite genres, others are projects with creative names, but all are bold musical initiatives that got and will always get people onto the dance floor. At the end of the fifties, rock music shook the foundations of Peru, and orchestras rushed to cover hit songs and explore the possibilities of mixing them with tropical music. Lucho Macedo's orchestra took up the mantle and reinterpreted a well-known guaracha by Celia Cruz ('Rock and Roll') in mambo style, renaming it 'Rock and roll Mambo'. 'Maestro de Rock and Roll', a hit by the Cuban Conjunto Casino, received similar treatment. Another mix in this vein is the rock tune 'El Rock de los Chinos' by the Mexican Manolo Muñoz (author of 'Speedy González') recorded by the Chilean Choche Mérida for MAG in 1961. The following year, Chubby Checker’s 'The Twist' hit the scene and was immediately fused with guaracha by maestro Nelson Ferreyra. A legendary MAG musician, Carlos Pickling, composed 'La Charanga del Espacio' in 1963. The space sounds are produced by Pickling and his inseparable Hammond. He himself is the one who leads the orchestra that accompanies Benny Del Solar, Lita Branda and Pablo "Melcochita" Villanueva in the tropicalized version of Spanish Rumba, when the beats of the Iberian rumba were still exotic in South America. Around that time, the Chilean Willy Marambio was already living in Lima. In the track included on this album, the go-go style showcases his virtuosity on the trumpet. Another outstanding trumpet player, Roberto "Tito" Chicoma from Chiclayo, played as a session musician with MAG from 1959. A few years later, he became one of the most popular Colombian cumbia players, a talent he demonstrates in the song on this compilation, which blends the fun of go-go with yé-yé beats. 'Batijugando' was a hit from Mexico and was played in all the rhythms played across the Hispanic world since 1967. Inspired by the "Batman" series, it was performed at MAG by the Betico Salas orchestra, with vocals by the Panamanian lady crooner Nallye Fernández. 'Computador Electrónico' is another surprise on this album, performed by Panamanian vocalist Patty Pastel, it is the only known version in Spanish of 'Der Computer Nr. 3', originally sung in German by France Gall. Two other songs feature Edgar Zamudio. The versatility of Zamudio y Los Vikingos (originally a Chilean group) is demonstrated in the guitar-heavy song composed specifically for the late sixties skate fashion ('Go Go en Patines') and in his idiosyncratic protest song ('Día de Pago') performed in beat style. In the mid-seventies, Los Kintos, led by guitarist Francisco Acosta, developed different harmonic ideas in an instrumental track that veers from boogaloo to salsa, the fashionable rhythm of the day. Finally, in 1976, when the bumping hips dance craze swept the continent, Manuel Guerrero was quick to jump onto the bandwagon, composing a Bump song, together with his son Carlos. The Italian musician based in Lima, Luciano Luciani performed the song 'A Bailar Bump' backed by his band of local musicians Los Mulatos.

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22,90

Last In: 2 years ago
Rob Grant - Lost At Sea

Rob Grant

Lost At Sea

12inch4889788
Decca Records
09.06.2023
  • A1: Moon Rise Over The Ocean
  • A2: Setting Sail On A Distant Horizon
  • A3: Lost At Sea (Feat Lana Del Rey)
  • A4: The Texture Of Dreams
  • A5: The Poetry Of Wind & Waves
  • A6: A Beautiful Delirium
  • A7: Deep Ocean Swells
  • A8: My Deep Blue Dream
  • B1: Reflections Of Light On Water
  • B2: In The Dying Light Of Day: Requiem For Mother Earth
  • B3: A Delicate Mist Surrounds Me
  • B4: The Mermaids' Lullaby
  • B5: Song Of The Eternal Sea
  • B6: Hollywood Bowl (Feat Lana Del Rey)

Rob Grant präsentiert sein atemberaubendes Debütalbum ”Lost At Sea”.
Grant hatte nie den Plan, Musiker zu werden. Er hat keinerlei musikalische Ausbildung genossen. Noten lesen kann er nicht. Aber wenn er sich an ein Klavier setzt, geschieht etwas Magisches. Die Noten strömen aus ihm heraus und es entsteht eine Komposition nach der anderen.

Als Vater der internationalen Ikone Lana Del Rey hat er eine ganze Reihe von Talenten eingeladen, an der Entstehung des Albums mitzuwirken.

Seine Tochter Lana Del Rey ist als Autorin und Produzentin tätig, während Jack Antonoff, Luke Howard, Laura Sisk und Zach Dawes an der Produktion beteiligt sind.
Sein Album inklusive der Tracks ”Hollywood Bowl” und ”Lost At Sea”, mit Vocals seiner Tochter Lana Del Rey, erscheint am 09. Juni und ist vorbestellbar auf CD und Vinyl.

pré-commande09.06.2023

il devrait être publié sur 09.06.2023

28,53

Last In: 2026 years ago
Sustance - Perceived Connections 2x12"

An explorative sonic landscape with the beautifully eclectic sounds of drum and bass at its core, Sustance’s debut album is every bit as thought-out, polished, and innovative as we’ve come to expect from one of drum and bass’ brightest prospects.

Having grown up listening to seminal Shogun albums like Spectrasoul's 'Delay No More' and Icicle's 'Under The Ice', ‘Perceived Connections’ acts as a full circle moment for the producer, who now finds himself following in the footsteps of the artists who profoundly influenced his approach to creating music.

Written between London and Berlin across a twelve-month period, 'Perceived Connections' encapsulates both of the alluring sides of Sustance's sound. In the same fashion that the album's writing process pivoted between two capital cities, Sustance's debut album presents both deep and expressive tracks such as 'I Want You' and 'Sweet Relief', as well as showcasing heavy, sound system-destroying tunes like 'Undercurrent' and 'Ten Ton’.

“The album title comes from the Zen idea that everyone perceives the world through their own perspective. Two people can listen to a record side by side and have totally different experiences. I really liked that idea as music is inherently so subjective. Sustance

Accompanying Sustance on this LP voyage is a plethora of D&B’s hottest talent, with Pola & Bryson, Visages, Flowdan, Strategy, Duskee, T-Man, Catching Cairo & Zara Kershaw all sprinkling their own flavours across the album.

Traversing an array of sounds, styles, and genres throughout, 'Perceived Connections' is nothing short of an exceptional extended body of work from a producer whose razor-tight approach to music has seen him emerge with one of the crispest and most captivating sonic palettes in drum and bass music.

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20,97

Last In: 9 months ago
Lola Young - My Mind Wanders & Sometimes Leaves Completely

Lola Young’s neues Album „Sometimes My Mind Wanders And Leaves Completley‘‘ erscheint auf Vinyl und CD!

Die 21-jährige Sängerin aus dem Süden Londons ist eine außergewöhnlich talentierte Künstlerin mit einem unbestreitbar kreativen Fokus. Als Absolventin der renommierten BRIT School, die auch schon Superstars wie Adele, Amy Winehouse & Jessie J hervorgebracht hat, zählt sie mit ihrer gefühlvollen, bewegenden
Stimme und packenden Texten zu einem der aufregendsten neuen Talente Großbritanniens.

Ihre Musik spiegelt ihre Individualität wider und ihre Lyrics treffen direkt ins Herz, wofür sie ihre Fans lieben und sie sich einen Platz auf der BRIT Rising Stars 2022 Shortlist sichern konnte.

Zu ihren Supportern gehören auch bekannte Namen wie Kylie Jenner, Bella Hadid, Madonna und SZA, die Lola Young kürzlich als ihren „new favorite artist“ betitelte.
Fans dürfen sich freuen: Am 26.05.2023 erscheint „Sometimes My Mind Wanders And Leaves Completely‘‘ auf CD und Vinyl !

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19,12

Last In: 9 months ago
Victor Simonelli - Behind The Groove Present Victor Simonelli The Early Years Vol. 2 LP 2x12"

In the words of Bill Brewster - DJ History

‘At the turn of the 1990s, there were few more successful New York house producers than Victor Simonelli. Under a dizzying array of aliases – Solution, NY’s Finest, Groove Committee, Critical Rhythm and Cloud 9 being amongst the better-known – the Brooklyn-born DJ/producer delivered a string of underground club hits during the city’s early ’90s house boom.’

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release - 2 X 12’s in each Vol

Launching the first Behind The Groove collectors edition vinyl series is New York’s finest Victor Simonelli with ‘The Early Years Vol 1 & 2’ double Vinyl releases. Featuring seminal house tracks such as Cloud 9’s ‘Do You Want Me’, Solution’s ‘Feel So Right’, Instant Exposure’s ‘Wanna Be With You’ and rare mixes of Raiana Page and EZ-AL, this collection brings together classic and rare Victor Simonelli cuts that reflect the early raw energy and buzz of the New York House scene. With ‘Vol 2” scheduled to follow shortly after, this is the most comprehensive collection of rare Simonelli cuts that firmly establishes his esteemed role in 90s House Music as well as introducing new fans to his inimitable sound.

Victor Simonelli is one of the early kings of NYC sampling In house music. The real deal - Victor danced at the legendary David Mancuso’s Loft sessions and developed a serious appreciation for good music. He interned for Arthur Baker at his renown Shakedown Studios (where Arthur worked with the iconic Afrika Bambatta on the seminal dance floor ’Planet Rock’ track) and went on to release hugely influential releases on seminal NYC labels 4th Floor and Nu Groove. Victor’s music was championed by the hugely celebrated iconic House Music DJ pioneers, Larry Levan and Tony Humphries at Paradise Garage & Zanzibar/WBLS/Kiss FM respectively.

Revered as a New York house heavyweight and prolific producer since the turn of the 1990s, Victor Simonelli grew up in Brooklyn, NYC, nurtured by a music loving family, with an avid record collecting father who also worked as a local party DJ. He took music lessons in piano, drums, guitar and bass, before discovering his first love, tuning into NY’s Radio Mix Shows on WBLS, WKTU and WRKS,98.7 Kiss FM) where he discovered the art of mixing and in his own words, ’I just simply got lost in the music’.

Graduating from NYC’s Centre For Media Arts, Victor got an internship in the legendary producer, Arthur Baker’s Shakedown Studios. Soon graduating to editing, mixing and then producing he worked for artists David Bowie, Quincy Jones, Debbie Harry, Sinead O’Connor and Talking Heads. Teaming up with fellow NYC producer Lenny Dee to become the Brooklyn Funk Essentials, they released records ‘Critical Rhythm’ and ‘Subliminal Aurra’ on 4th Floor before Victor went solo as Groove Committee releasing the classic ‘I Want You To Know’ on the legendary Nu Groove Records. Paradise Garage legend, Larry Levan broke ‘I Want You To Know’ rocking 2 copies on his last tour of Japan whilst King of NY House Music,Tony Humphries broke Victor’s new ‘Feels So Right’ across New York on his WBLS/Kiss FM Mastermix show and at his legendary Zanzibar club sessions. It was only a matter of time before Victor’s name became synonymous with quality House music ensuring a worldwide platform for his productions.

In the early 90s alongside his own productions, Victor Simonelli worked on high profile projects, including James Brown’s album, “Love Overdue” BeBe and CeCe Winans single featuring Mavis Staples “I’ll Take You There” and Quincy Jones’ “I’ll Be Good To You” featuring Chaka Khan and the legendary Ray Charles. Never straying too far from his clubland roots, Victor worked with Danny Tenaglia on his classic “The Harmonica Track”.

DJ gigs across the world started flooding in and Victor found himself recording for a dizzying array of labels including Tribal America, Sub-Urban, Bassline, King Street Sounds and Vibe, under a wide range of aliases. He also produced, wrote and remixed for artists such Nile Rodgers (Chic), Afrika Baambata, Hall & Oates, Frankie Knuckles, Kerri Chandler, Madonna and Michael Jackson. Famed for his own productions “It’s So Good” by Creative Force, “I Know A Place” as Sound Of One - the first release on Roger Sanchez One Records -, “Dirty Games” as well as the “Street Players Vol 1 EP”, Victor went on to set up Suburban Records with Tommy Musto and Bassline Records with two other partners. Notable releases on this label include “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s “Deliver Me”, Colonel Abrams “Not Gonna Let”, and Mone’s “Better Way”. Never ceasing to produce, DJ, run his own label and host radio shows like Groove Lift, Victor has worked with virtually every NYC producer and has nurtured a next generation talents including Angel Moraes, Jazz ‘N’ Groove, Urban Blues Project, Harlem Hustlers, Jay Jay and Julius Papp. Victor’s releases have also been used on M&S’s “Salsoul Nuggett” hit and Eddie Amador’s underground smash ‘House Music’.

In the late 90’s Victor launched his new Westside Productions, notable for the “Latin Impressions 1 & 2” releases, opened up a studio in Italy as he found himself increasingly working in Europe and now divides his time between New York and Italy. Suffice to say his unique sound of uplifting and spiritual music has kept him at the forefront of House Music and he is credited as one of its leading exponents with his string of classic releases and remixes.

Behind the Groove, branches out from its digital platform to embark on a programme of releases from the iconic pioneer producers of House Music. Esteemed for their high quality features and mixes that continue to explore, celebrate and venerate the contributions of highly respected, scene-shaping Labels, Artists, DJs and Special Events, BTG seeks to bring these talents and tales to the attention of the wider community. Unlocking the stories surrounding the pivotal roles they played and continue to play today in shaping the underground music scene we have come to know and love.

BTG presents “Victor Simonelli: The Early Years Vol 1” a collectors edition double Vinyl release, released on May 12th 2023. ‘Vol 2” follows on May 26th 2023 . These releases are the most comprehensive collection of rare Victor Simonelli cuts that firmly establish his esteemed role in 90s House Music and introduces new fans to his carefree sound.

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33,40

Last In: 5 months ago
Umse - Durch Die Wolkendecke LP

Umse

Durch Die Wolkendecke LP

12inchJAKARTA136LP
JAKARTA
05.05.2023

Wiederveröffentlichung des 2018er Albums!

Umse ist ein Kind des Ruhrpotts – und ewig Reisender. Ein Malocher-MC mit langem Atem, der sich endlich auszahlt. Der Top-20-Künstler chartete mit seinen letzten beiden Alben „Kunst für sich“ (#36) und „Haiwanischer Schnee“ (#16), die über die Indie-Institution Jakarta Records erschienen. Für sein neues Album nahm er sich zwei Jahre Zeit, musste Tiefschläge überwinden, um „Durch die Wolkendecke“ gehen zu können. Heute präsentiert er mit „Bescheid“ das erste Video zu seinem neuen Album, das am 28. September erscheint.

In zwei Jahren hat sich einiges angestaut: an Texten und Erfahrungen. So veröffentlichte Umse erst im Mai die 6-Track starke „Flammenwerfer“-EP und nun bereits Ende September ein neues Album. Der Ruhrpott-Rapper, der in einer Tugend-Tradition mit den lokalen Legenden RAGund Too Strong steht und doch nach State of the Art klingt, tourte jahrelang durchs Land und erspielte sich von Konstanz bis Kiel einen exzellenten Ruf als Live-MC.

Über die Jahre hat sich Umse eine loyale Fanbase aufgebaut, die ihn für seine Bodenständigkeit schätzt. Er verkörpert die Werte der alten Schule, vereint Technik und Tiefgang und befriedet mit seinem Neo-Boombap-Entwurf die Rap-Generationen. „Durch Die Wolkendecke“ setzt diesen Weg konsequent fort und zeigt dabei neue Impulse und Perspektiven auf. Der Titel deutet bereits an, dass es düsterer und nachdenklicher zugeht; er steht aber auch sinnbildlich für: „Sky is the limit“.

Dieses Limit ist für den Grown-Man-Rapper noch lange nicht erreicht: Er ist weder hängengebliebener Oldschooler noch gesichtstätowierter Mumble-Rapper, und doch fruchtet sein Scheuklappen-freier, samplelastiger Trademark-Sound im Hier und Jetzt. Mal erinnern die Sing-Sang-Hooks an den frühen 50 Cent, mal an die Crowd-Control-Choruse der Dilated Peoples.

Das Regionale und das Reisen sind zwei Konstanten und Extreme, die sich durch die Karriere von Umse zu ziehen scheinen. Nachdem er sich mit Hofproduzent Deckah für die Produktion von „Hawaianischer Schnee“ in einem Landhaus in der niederländischen Provinz einmietete, flogen sie für „Durch Die Wolkendecke“ bis nach Colorado und Teneriffa. Der Track „Wenn Die Ferne Ruft“ thematisiert dieses Fernweh, das für Umbeck so inspirierend wirkt, mit markanten Lines: „Man tut es wieder, wenn man merkt, das Reisen Wunder bewirkt.“

Der Opener „Bescheid“ ist nur vordergründig ein Representer und offenbart bei genauerem Hinhören reife Reflexionen eines Mittdreißigers. Auf „Mach Das Kleine Groß“ zeigt Umse dialektisches Talent, schließt von dem Großen auf das Kleine, vom Lokalen aufs Globale, von sich als Individuum auf die Gesellschaft und Szene. Das rührende Outro „Jederzeit“ klingt wie eine Art Testament, mit der sich Umse endgültig in den Real-Rap-Analen als eine der wichtigsten Stimmen seiner Generation verewigt.

Umse sagte einmal sinngemäß über die Langlebigkeit von Alben: „Es interessiert keine Sau, wie lange du daran gearbeitet hast, es zählt, wie lange sie rotiert.“ Und eine lange Haltwertszeit hat dieses zeitlose, detailverliebte Werk ganz sicherlich.

pré-commande05.05.2023

il devrait être publié sur 05.05.2023

20,46

Last In: 2026 years ago
Vinnie Paz (Jedi Mind Tricks) - Tortured in the Name of God's Unconditional Love 2x12"

Underground rap stalwart, Vinnie Paz returns with his seventh studio LP, Tortured in the Name of God’s Unconditional Love. The 18 track LP falls on the heels of Jedi Mind Trick’s 10th album, The Funeral and the Raven, which dropped in November of ’21, and succeed’s the April 21 release of Vinnie’s sixth studio LP, Burn Everything That Bears Your Name.

Weighing in at nearly one hour of all new music, the hard-hitting LP ranks among Vinnie’s most decorated line-up of guest appearances to date, with features from the likes of Method Man, M.O.P., Kurupt, Geechi Suede (Camp Lo), Ras Kass, ILL Bill, Lord Goat, Big Twins, Thirstin Howl the 3rd and more. To boot, Pazienza calls upon the production talents of DJ Muggs, C-Lance, Stu Bangas, Oh No and more to lay the foundation with their neck-snapping soundscapes.

Over the past two decades, Pack Pistol Pazzy has ranked amont the most commercially successful indie hip-hop artists in the underground, and with his latest solo effort his legacy is only further reinforced.

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34,33

Last In: 2 years ago
CROSSROADS FEAT. RAFFAELLA ZAGO - IF YOU'RE IN NEED

Italian producer duo 'Crossroads' are back 10 years after their first release.
Inspired by classic R&B, Disco and Neo-Soul they have had the knack of finding talented unsigned vocalists from all over the globe to feature on their tracks. This time around, the Italian singer Raffaella Zago covers a super soulful track originally composed in the 70's by the disco-soul duo Grey & Hanks.
'If You're In Need' is the perfect link between original 70's disco to contemporary soulful nu-disco, mixing live instruments with modern rhythms and synths. The b-side starts with a more uptempo remix by French DJ and producer Young Pulse, who is set to establish himself as one of the best remixers in the contemporary disco scene. Last but not least 'Call Me Dub' pays more attention to the instrumental parts of the track taking you on a deeper journey into the whole song.

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12,19

Last In: 19 months ago
JIMETTA ROSE & THE VOICES OF CREATION - HOW GOOD IT IS LP

Beautiful, soulful jazz record by Jimetta Rose and The Voices of Creation, a Los Angeles-based community choir, a mainstay of the local scene. Highly recommended!!

The Voices of Creation are a community-based choir led by vocalist, songwriter, arranger, producer and mainstay of the Los Angeles scene Jimetta Rose. Made up of a multigenerational group of mainly non-professional singers backed by some of the city’s finest musicians,their music marries hip strains of gospel with layers of jazz, soul and funk. While aspects of their music might recall Kamasi Washington, The Staple Singers or Sly Stone, Jimetta’s unique vision has resulted in new spiritually-charged forms of music whose whole-hearted embrace of love, joy and peace act as sonic healing balms for the soul.

For Jimetta - whose resume includes collaborations with Miguel Atwood Ferguson, Georgia Anne Muldrow, Sa-Ra Creative Partners, Angel Bat Dawid, Shafiq Husayn, MED and Blu - the very act of creation was part of a healing process: “I was very low at the time and I wrote most of the songs going through hardship. But I found comfort in the songs and a way to adjust my mindset to where things got better. So I thought ‘if this music works for me, maybe it will work for other people’ I believe that every person has their own voice and their own note and that we can use our voices to heal ourselves. That’s the intention behind creating the project.”

After putting out a call on social media for people interested in joining her choir she was met with a sea of replies. Members were chosen in less-than conventional fashion: “I recruited people based on their interest in healing themselves and others, not necessarily on their musical experience or being seasoned performers” she says. Among those accepted into the ever-evolving collective, which was begun initially as a community choir, were the likes of Sly Stone’s daughter Novena Carmel, better known as a radio DJ for KCRW’s flagship breakfast show. Jimetta’s upbringing in the Pentecostal church, where she was a youth choir director, fed into her otherwise intuitive teachings of her songs and arrangements to the inexperienced members with help from the group’s seasoned organ player/co-musical director Jack Maeby.

Produced by Mario Caldato Jr. (Beastie Boys, Seu Jorge) and his wife Samantha Caldato the results show the incredible sense of togetherness and communal spirit that the group had built up over time in the rehearsal sessions. The six tracks of their debut album, a mixture of originals and rearranged covers, are performed in a wide-eyed mix of styles that reflect Jimetta’s vision for borderless music: “It’s new black classical music,” she explains. “It’s all the hodgepodge of being an African American but also with creativity and vision for the future. It has a taste of what is to come and what we can do. What we have gone through and who we are now.”

The group’s propensity for warm and buoyant sonics finds representation on album opener Let The Sunshine In, a sparkling rework of the Sons and Daughters of Lite’s deep jazz classic. Their version finds the group’s dynamic group harmonies offset with Allakoi Peete’s nimble afro-percussive touches and plenty of soul- drenched keys courtesy of pianist Quran Shaheed and organ player Jack Maeby. A similarly uplifting take on Rahsaan Roland Kirk’s choral jazz classic Spirits Up Above follows, with Maeby’s groove-laden organ lines inspiring some gorgeous group harmonies as well as prime solo turns from the likes of Kellye Hawkins, Zavier Wise, Tamara Blue, and Khalila Gardner.

Another Sons and Daughters of Lite cover follows as Jimetta leads the choir in the groove-drenched ode to self-affirmation Operation Feed Yourself. Written as a series of mantras for everyday living, the Jimetta-penned composition How Good It Is harnesses the full transformative power of music to generate a stirring and joyful ode to positivity - it’s chanted declarations bringing out some of the group’s most deeply-felt and affecting vocal performances over some superlative piano and organ accompaniment with a surprise feature vocal from Novena Carmel.

Jimetta’s talent for re-imagining songs in her own light is highlighted in Answer The Call, her vivid re-telling of Funkadelic’s Cosmic Slop: “When I listened to the original song, the Mom in the story was really going through it. I thought of how I could turn this into a song that can encompass the glorification of all mothers and I thought of the Egyptian cosmic goddess Nut. To that mother we’re all the seeds planted in the garden. Answering the call in your life is literally that. Finding out exactly what you’re here for through your heart.”

The album finishes with the standout original gospel number Ain’t Life Grand. Over swaying organs and clapped percussion Jimetta’s lyrical mantras serve to emphasise the good feelings that come to those with a grateful heart. Good feeling is an apt descriptor for the mood of the album as a whole. Its shining positivity provides a welcome ray of light in an increasingly dark world. “It’s a shortcut if you will to the better feelings” Jimetta says. “The hope that we need to keep pressing forward. We are saturated and inundated with images of chaos and destruction, death and hatred. There’s so much we can witness. So, I want to make sure that there is a representation sonically of the other parts that are still there to witness so that we can continue to build those things. So that the systems we support actually reflect what we want to experience. So it’s like: “Don’t give up and Let The Sunshine Into You” and then find out what your purpose is and answer the call.”

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25,17

Last In: 2 years ago
THE NEW PORNOGRAPHERS - CONTINUE AS A GUEST

Over the past 20 years, The New Pornographers have proven themselves one of the most excellent bands in indie rock. The group's ninth album and first for Merge establishes them alongside modern luminaries like Yo La Tengo and Superchunk when it comes to their ability to evolve while still retaining what made them so special in the first place. A dazzling and intriguing collection of songs, "Continue as a Guest" finds bandleader A.C. Newman and his compatriots Neko Case, Kathryn Calder, John Collins, Todd Fancey, and Joe Seiders exploring fresh territory and shattering the barriers of their collective comfort zone. Newman began work on "Continue as a Guest" after the band had finished touring behind 2019's "In the Morse Code of Brake Lights". Themes of isolation and collapse bleed into this album, as Newman tackles the ambivalence of day-to-day life during the COVID-19 pandemic. But Newman says that the album's title track also addresses the concerns that come with being in a band for so long. "The idea of continuing as a guest felt apropos to the times," he explains. "Feeling out of place in culture, in society, being in a band that has been around for so long_not feeling like a part of any zeitgeist, but happy to be separate and living your simple life, your long fade-out. Living in a secluded place in an isolated time, it felt like a positive form of acceptance: find your own little nowhere, find some space to fall apart, continue as a guest." Newman discovered new vocal approaches within his own talent. There are new and rich tones to Newman's voice throughout Continue as a Guest, from his dusky lower register over "Angelcover" to his slippery slide over the glimmering synths of "Firework in the Falling Snow," to bold tones he embraces on the soaring "Bottle Episodes." Another sonic change comes courtesy of saxophonist Zach Djanikian, whose tenor and bass luxuriate all over Continue as a Guest's alluring chassis, especially on the menacing build of "Pontius Pilate's Home Movies." Along with Newman's usual collaborators, several songwriters contribute. The bursting opener and first single "Really Really Light" is a co-write with Dan Bejar (Destroyer, the New Pornographers). Then there's "Firework in the Falling Snow," a collaboration with Sadie Dupuis of Speedy Ortiz and Sad13. Even as Newman embraces a collaborative spirit more than ever, his new album is a testament to his ability to discover new artistic sides of himself. "Continue as a Guest" sounds like a thrilling path forward for The New Pornographers, with songs that generate a contagious feeling of excitement for the future as well.

pré-commande31.03.2023

il devrait être publié sur 31.03.2023

23,49

Last In: 2026 years ago
THE NEW PORNOGRAPHERS - CONTINUE AS A GUEST

Ltd. Green & Blue Vinyl

Over the past 20 years, The New Pornographers have proven themselves one of the most excellent bands in indie rock. The group's ninth album and first for Merge establishes them alongside modern luminaries like Yo La Tengo and Superchunk when it comes to their ability to evolve while still retaining what made them so special in the first place. A dazzling and intriguing collection of songs, "Continue as a Guest" finds bandleader A.C. Newman and his compatriots Neko Case, Kathryn Calder, John Collins, Todd Fancey, and Joe Seiders exploring fresh territory and shattering the barriers of their collective comfort zone. Newman began work on "Continue as a Guest" after the band had finished touring behind 2019's "In the Morse Code of Brake Lights". Themes of isolation and collapse bleed into this album, as Newman tackles the ambivalence of day-to-day life during the COVID-19 pandemic. But Newman says that the album's title track also addresses the concerns that come with being in a band for so long. "The idea of continuing as a guest felt apropos to the times," he explains. "Feeling out of place in culture, in society, being in a band that has been around for so long_not feeling like a part of any zeitgeist, but happy to be separate and living your simple life, your long fade-out. Living in a secluded place in an isolated time, it felt like a positive form of acceptance: find your own little nowhere, find some space to fall apart, continue as a guest." Newman discovered new vocal approaches within his own talent. There are new and rich tones to Newman's voice throughout Continue as a Guest, from his dusky lower register over "Angelcover" to his slippery slide over the glimmering synths of "Firework in the Falling Snow," to bold tones he embraces on the soaring "Bottle Episodes." Another sonic change comes courtesy of saxophonist Zach Djanikian, whose tenor and bass luxuriate all over Continue as a Guest's alluring chassis, especially on the menacing build of "Pontius Pilate's Home Movies." Along with Newman's usual collaborators, several songwriters contribute. The bursting opener and first single "Really Really Light" is a co-write with Dan Bejar (Destroyer, the New Pornographers). Then there's "Firework in the Falling Snow," a collaboration with Sadie Dupuis of Speedy Ortiz and Sad13. Even as Newman embraces a collaborative spirit more than ever, his new album is a testament to his ability to discover new artistic sides of himself. "Continue as a Guest" sounds like a thrilling path forward for The New Pornographers, with songs that generate a contagious feeling of excitement for the future as well.

pré-commande31.03.2023

il devrait être publié sur 31.03.2023

24,83

Last In: 2026 years ago
The New Pornographers - Continue as a Guest LP

Over the past 20 years, The New Pornographers have proven themselves one of the most excellent bands in indie rock. The group’s ninth album and first for Merge establishes them alongside modern luminaries like Yo La Tengo and Superchunk when it comes to their ability to evolve while still retaining what made them so special in the first place. A dazzling and intriguing collection of songs, Continue as a Guest finds bandleader A.C. Newman and his compatriots Neko Case, Kathryn Calder, John Collins, Todd Fancey, and Joe Seiders exploring fresh territory and shattering the barriers of their collective comfort zone. Newman began work on Continue as a Guest after the band had finished touring behind 2019’s In the Morse Code of Brake Lights. Themes of isolation and collapse bleed into this album, as Newman tackles the ambivalence of day-to-day life during the COVID-19 pandemic. But Newman says that Continue as a Guest’s title track also addresses the concerns that come with being in a band for so long. “The idea of continuing as a guest felt apropos to the times,” he explains. “Feeling out of place in culture, in society, being in a band that has been around for so long—not feeling like a part of any zeitgeist, but happy to be separate and living your simple life, your long fade-out.

Living in a secluded place in an isolated time, it felt like a positive form of acceptance: find your own little nowhere, find some space to fall apart, continue as a guest.” Newman discovered new vocal approaches within his own talent. There are new and rich tones to Newman’s voice throughout Continue as a Guest, from his dusky lower register over “Angelcover” to his slippery slide over the glimmering synths of “Firework in the Falling Snow,” to bold tones he embraces on the soaring “Bottle Episodes.”

Another sonic change comes courtesy of saxophonist Zach Djanikian, whose tenor and bass luxuriate all over Continue as a Guest’s alluring chassis, especially on the menacing build of “Pontius Pilate’s Home Movies.” Along with Newman’s usual collaborators, several songwriters contribute. The bursting opener and first single “Really Really Light” is a co-write with Dan Bejar (Destroyer, the New Pornographers). Then there’s “Firework in the Falling Snow,” a collaboration with Sadie Dupuis of Speedy Ortiz and Sad13. “I was feeling like I wanted some help, so I sent it to Sadie and she sent me back this complete song that had these great lyrics,” Newman says. “She included the line ‘A firework in the falling snow,’ and I was like, ‘Yeah, that’s great.’ Sometimes you need that one thing to center the song, and even though I only used a few lines of hers in the end, I couldn’t have finished it without her.”

Even as Newman embraces a collaborative spirit more than ever, Continue as a Guest is a testament to his ability to discover new artistic sides of himself. “I started out as a songwriter more than as a singer, but at some point, you have to sing your own songs,” he says with a chuckle. “For a long time, I felt like the idea of changing a song because I couldn’t hit a note wasn’t okay—I could just get someone else to sing it. But I’m learning now that my songs can actually be a lot more malleable than I thought.” And it’s in that spirit that Continue as a Guest sounds like a thrilling path forward for The New Pornographers, with songs that generate a contagious feeling of excitement for the future as well.

pré-commande31.03.2023

il devrait être publié sur 31.03.2023

26,01

Last In: 2026 years ago
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