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Toby Ross - Can't Do It / Interruption

Toby Ross

Can't Do It / Interruption

12inchGDLNS003
Guidelines
05.06.2026out soon

Guidelines launches its 2026 schedule with a heavyweight two-tracker from Toby Ross, pairing two cuts built for very different corners of the dance.

On the A-side, “Can’t Do It” lands as a straight-up dancefloor heater rolling low-end pressure, clipped vocal stabs and a hook that locks in quickly and refuses to let go. Built with peak-time intent, it’s direct, physical and engineered to hit hard on proper systems.

Flip it over and “Interruption” dives headfirst into classic amen territory. Chopped, urgent and restless, the track drives forward on tight edits and raw break energy, balancing precision programming with that unmistakable rough-edge jungle feel.

Together the two tracks showcase Ross’ approach: future-focused jungle rooted in foundation sounds — modern production, classic DNA, and zero filler.

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15,92
BENNY BENASSI - Feel The Bass LP 2x12"

BENNY BENASSI

Feel The Bass LP 2x12"

2x12inch19958444791
Ultra Records
05.06.2026out soon
  • A1: Zss, Benny Benassi, Laherte - The Future (Extended Mix)
  • A2: Benny Benassi, Fideles - Just Like That (Extended Mix)
  • A
3. Benny Benassi, Glowal, Squ4Re - Sxhades (Extended Mix)
  • B1: Artbat, Benny Benassi - Love Is Gonna Save Us (Extended Mix)
  • B2: Benny Benassi, Axis Zero - Aku Aku (Extended Mix)
  • B3: Benny Benassi, Rafael Cerato - Can I Feel? (Extended Mix)
  • C1: Benny Benassi - Feel The Bass (Extended Mix)
  • C2: Benny Benassi, Tobias Gerard - Discoteka (Extended Mix)
  • C3: Benny Benassi, Felix Da Housecat - Chicago Baby (Extended Mix)
  • D1: Benny Benassi, Laherte - Dead Limit (Extended Mix)
  • D2: Benny Benassi, Chris Nasty - Superstar (Extended Mix)
  • D3: Benny Benassi, Constan(N - Feel The Vibe (Extended Mix)

Limited Edi(on - Signed and numbered - includes poster
A true living legend in dance music, Benny Benassi has built a career on innova(on and era-defining
releases, collabora(ng with global icons like David Gue1a, Skrillex, Chris Brown, Jeremih, and Sofi Tukker.
Since reshaping global club culture in 2002 with his groundbreaking anthem Sa(sfac(on—a track that
redefined dancefloors worldwide with its mechanical groove and distorted bassline—Benassi has remained
at the forefront of electronic music’s evolu(on.
Once again, Benny Benassi proves he’s not just a pioneer — he’s s(ll leading the charge.
Now, with his fi9h studio album, Feel the Bass, he delivers a lean, driving, club-focused return to his
signature low-end power—updated for a new era and pressed as a limited run vinyl.

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50,38
Betonkust - Tropicana Tracks Two

On the 2024 Altered Circuits release Tropicana Tracks Rotterdam-based artist Betonkust paid tribute to the former subtropical pool (now a circular entrepreneurship hub) Tropicana of his hometown. ALT025 is the follow-up: the fallen-from-grace swimming paradise again fuels a club-oriented selection, inspired by, in the artist's words, "the electronic music from 1988 up until now", more specifically "the Benelux-sound". Tropicana Tracks Two kicks off in full gear with the zero swing drums and lately bass rhythms of Don't Think I'll Be Here Too Long setting the stage for intense synth stabs. Its counterpart comes by way of Realxing, which nonetheless uses similar patches. If the A1 is the thrill of the slides, this one feels like blissfully floating in the geothermally heated waters afterwards. Will Support on the reverse side takes on Detroit techno. Minimal in its composition, it is carried by tough, loopy minor fifth synth sections and prominently mixed rides. TV For Lonely People features more big bass catchiness and melancholic, silky melodies, glued together by vintage flanger treatment and chlorine-damp reverb. The production revels in what feels like the quintessential Betonkust sound. Innershades then joins for the encore, and, characteristically, the mood turns a bit darker. Letting Go Of The Dream is an emotional New Beat update, fully equipped with thudding drum works, haunting lo-fi vocals and pivotal 303 programming - a fitting reaffirmation of the long-standing ties between two of Low Countries Electronics's finest ambassadors.

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16,77

Ültimo hace: 7 Días
Young Dolph - King of Memphis

Young Dolph

King of Memphis

12inchERE1251
EMPIRE
29.05.2026
  • A1: Facts
  • A2: Fuck It
  • A3: Royalty
  • A4: Both Ways
  • A5: How Could
  • B1: Usa
  • B2: Let Me See
  • B3: Get Paid
  • B4: On My Way
  • B5: It’s Goin Down
  • B6: Real Life

Ten years ago, Adolph Robert Thornton Jr. planted his flag. Released on February 19, 2016, King of Memphis wasn't just a debut studio album; it was a bold declaration of independence and a flawless blueprint for self-made success. To celebrate a decade of this foundational Southern rap masterpiece, Paper Route Empire is honoring Young Dolph’s legacy with a series of exclusive, limited-edition 10th Anniversary vinyl variants.

Before King of Memphis, Dolph had already built a massive underground following through a relentless run of mixtapes. But this official debut elevated him from a local hero to a national powerhouse.

By bypassing the major label system and releasing the project entirely through his own Paper Route Empire (PRE), Dolph proved that undeniable talent, relentless hustle, and business savvy were all you needed to take the crown. The album peaked in the Top 50 of the Billboard 200, an incredible feat for a fiercely independent artist at the time, and cemented his status as a CEO who called his own shots.

King of Memphis is all killer, no filler. Over 11 tracks, Dolph's signature slow-flow delivery and larger-than-life charisma glide over heavy-hitting, trap-defining production from a legendary lineup of producers, including Mike WiLL Made-It, Zaytoven, TM88, and Cassius Jay.

With zero guest features, the project relies entirely on Dolph’s magnetic presence. From the motivational hustler's anthem "Get Paid" to the menacing confidence of "Let Me See It" and "Royalty," the album plays like a victory lap for a self-made king.

Reservar29.05.2026

debe ser publicado en 29.05.2026

22,65
THE EIGHTEENTH DAY OF MAY - THE EIGHTEENTH DAY OF MAY LP 2x12"
  • A1: Eighteen Days
  • A2: Sir Casey Jones
  • A3: The Highest Tree
  • A4: Deed I Do
  • A5: Hide And Seek
  • B1: Twig Folly Close
  • B2: Lady Margaret
  • B3: Cold Early Morning
  • B4: Monday Morning’s No Good Coming Down
  • B5: The Waterman’s Song To His Daughter
  • C1: Seven Dials
  • C2: Up The Hill
  • C3: Quiet Joys
  • C4: Would Be King
  • C5: Stone Cold
  • D1: Tell Me Tomorrow
  • D2: Mary Anne
  • D3: Dawn
  • D4: Cod’ine
  • D5: Flowers Of The Forest

“Released on Joe Boyd’s Hannibal label here was a band rooted in Thompson/Swarbrick Fairport but also a snatch of the Velvet Underground and a sprig of The Byrds. The Eighteenth Day Of May evoked a legendary era, and now they are a justifiably legendary band too.” – KLOF Mag

Beginning life as a trio in London, 2003, the original line-up consisted of Allison Brice (vocals, flute), Richard Olson (acoustic guitar) and Ben Phillipson (guitar, mandolin) before expanding the following year to include the rhythm section of Mark Nicholas (bass) and Karl Sabino (drums, autoharp) and finally Alison Cotton (viola).
This being the mid zeros, the independent music scene in the UK was reluctant to embrace a sun-dazed folk band but this, their sole album, has gradually feathered a bed of affection amongst international folk fans. Twenty years on, the album is now rightfully seen as a trailblazer for the myriad alternative/psych folk bands that emerged in its wake.
Andy Childs who signed the band originally takes up the story. “I first heard their music on a cover mounted CD with the much missed Comes With A Smile magazine and as far as I could tell no-one was making music like this anymore, certainly not with such panache and confidence. To my jaded ears it all sounded so uninhibited - old weird folk songs, Americana, original psych-folk, minimalist drones. Great melodies and all six of them could sing! A joyous, unfettered sound that could in one moment conjure up flashes of The Byrds and then effortlessly the spirit of Velvet Underground would drift through. They even covered a Spacemen 3 song. I loved the fact that they had the aplomb to tackle traditional folk songs like Lady Margaret and Flowers In The Forest and not be afraid to stamp their own identity on them.
Signing them to the Hannibal label was straightforward. If anything the album somehow sounds fresh and undated, even better than it did in the day when perhaps eclecticism was out of synch with the times; its subtleties have become more apparent.”
“Their rendition of Lady Margaret builds to a headswirling crescendo that challenges anyone who claims Shirley Collins, Buffy Sainte-Marie or Trees have recorded the definitive version and the hallucinatory The Waterman’s Song To His Daughter raises an already brilliant album to an unholy level” - IT’S PSYCHEDELIC, BABY Magazine

Reservar29.05.2026

debe ser publicado en 29.05.2026

25,84
billy woods - Maps

billy woods

Maps

12inchBWZ816V
Backwoodz Studioz
29.05.2026
  • 1: Kenwood Speakers
  • 2: Babylon By Bus
  • 3: Year Zero Ft Danny Brown
  • 4: Soft Landing
  • 5: Soundcheck
  • 6: Hangman
  • 7: Rapper Weed
  • 8: Baby Steps
  • 9: The Layover
  • 10: Blue Smoke
  • 11: Bad Dreams Are Only Dreams
  • 1: Facetime Ft Samuel T. Herring
  • 2: Agriculture
  • 3: Houdini
  • 4: Waiting Around
  • 5: Nyc Tapwater
  • 6: As The Crow Flies

For the first time since their epic 2019 album, Hiding Places, billy woods teams with Kenny Segal (producer) to bring us, Maps, billy woods' most accessible album to date. A-list features include: Danny Brown, Sam Herring (Future Islands), Aesop Rock, Elucid, Benjamin Booker, and more. Fat Possum is partnering with Backwoodz Studioz to provide global marketing and distribution resources. In 2022, billy woods released 2 solo albums to wide acclaim: "aethiopes" and "church". Both albums made Pitchfork's Best Albums of 2022 list, and FADER named "aethiopes" their #1 AOTY.

Reservar29.05.2026

debe ser publicado en 29.05.2026

40,29
Modern Lovers - Rock n Roll With The Modern Lovers LP
  • A1: The Sweeping Wind (Kwa Ti Feng)
  • A2: Ice Cream Man
  • A3: Rockin’ Rockin’ Leprechauns
  • A4: Summer Morning
  • A5: Afternoon
  • A6: Fly Into The Mystery
  • B1: South American Folk Song
  • B2: Roller Coaster By The Sea
  • B3: Dodge Veg-O-Matic
  • B4: Egyptian Reggae
  • B5: Coomyah
  • B6: The Wheels On The Bus
  • B7: Angels Watching Over Me

Rock 'n Roll With The Modern Lovers is the second album released by The Modern Lovers.

The band was formed in 1970 by singer, songwriter, and guitarist Jonathan Richman, with Jerry Harrison (keyboards - later went on to join Talking Heads), Ernie Brooks (bass), and David Robinson (drums). Richman's friend John Felice joined them occasionally. Their sound almost totally focuses on the sound from the Fifties. The lo-fi record breathes folky roots music and rock ‘n roll as it would sound ages ago. The albums features the popular tracks "Ice Cream Man", "Roller Coaster By The Sea", and "Egyptian Reggae". The latter was a cover version of Earl Zero "None Shall Escape The Judgement" and became a UK Top 5 hit.

Rock 'n Roll With The Modern Lovers is available as a limited edition of 750 individually numbered copies on silver vinyl.

Reservar22.05.2026

debe ser publicado en 22.05.2026

31,51
Ceri, Cici & PSY PSY SIS - Live Your Life in Ecstasy - The Chicago / Detroit Mixes

PSY PSY SIS 'Live Your Life' The Chicago / Detroit Mixes. The remixes are VINYL ONLY and honour the sound of the Cities that started it all.

Ceri and Cici's recent debut as PSY PSY SIS, is the excellent 'Live Your Life' EP...

Hailed by DJ Mag as 'Robust House Rhythms, and with early support from the likes of; Bradley Zero, Ricardo Villalobos, Saoirse, Bashkka, Grace Sands, Panooc, NIKS, KiNK, Jeniffer Loveless and more...

They are now also dropping not one but TWO VINYL ONLY REMIXES from OG Chicago and Detroit legends; Mark Grusane and Gari Romalis Electronix.

Mark comes in with a US and UK garage inspired house rocker that builds tension and is sure to light up any dancefloor. Gari Romalis comes in with a refined house blend with that old school magic Detroit feel.

A must for any House Head.

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13,66

Ültimo hace: 13 Días
The Beths - Expert In A Dying Field LP

REPRESS ON SILVER VINYL . COMES WITH 24”x24” POSTER + DOWNLOAD CARD + GATEFOLD JACKET.


On The Beths’ album Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships – platonic, familial, romantic – and more importantly, their aftermaths. The shapes and ghosts left in absences. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life?

The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. With Expert, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun -- to hear, to play -- in spite of the prickling anxiety throughout the lyrics, the fear of change and struggle to cope.

Most of Expert was recorded at guitarist Jonathan Pearce’s studio on Karangahape Road in Tāmaki Makaurau, Aotearoa (Auckland, New Zealand) -- and sometimes in the building's cavernous stairwell at 1am -- toward the end of 2021, until they were interrupted by a four-month national lockdown. They traded notes remotely for months, songwriting from afar and fleshing out the arrangements alone, the first time they’d written together in such a way. The following February, The Beths left the country for the first time in more than two years to tour across the US, and simultaneously finish mixing the album on the road. That latter half felt more collaborative, with everyone on-hand to trade notes in real time, until it all culminated in a chaotic three-day studio mad-dash in Los Angeles. There, Expert finally became the record they were hearing in their heads.

Expert is an extension of the same skuzzy palette the band has built across their catalog, pop hooks embedded in incisive indie rock. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.”

The rest is a capsule of The Beths’ most electrifying and exciting output, a sonic spectrum: “Your Side” is a forlorn and sincere love song, emotive; while “Silence is Golden,” with its propulsive drum line and stop-start staccato of a guitar line winding up and down, is one of the band’s sharpest and most driving. “When You Know You Know” skews a bit groovier, pure pop and a natural addition to the band’s live set. “Knees Deep” was written last minute, but yields one of the best guitar lines on Expert. There’s a certain chaos across the 12 tracks, the palpable joy of playing music with long-time friends colliding with the raw nerves of pain.

Stokes strings it all together through her singular songwriting lens, earnest and self-effacing, zeroing in on the granules of doubt and how they snowball. Did I do the wrong thing? Or did you? And are we still good people at the end of it? She isn’t interested in villains, but instead interested in just telling the story. That insecurity and thoughtfulness, translated into universality and understanding, has been the guiding light of The Beths’ output since 2016. In the face of pain, there’s no dwelling on internal anguish - instead, through The Beths’ music, our shortcomings are met with acceptance. And Expert In A Dying Field is the most tactile that tenderness has been.

Reservar15.05.2026

debe ser publicado en 15.05.2026

21,43
HEROES 2 NONE - A WASTE OF TIME AND MONEY
  • 1: Gone
  • 2: Good Behaviour
  • 3: Crack Under Pressure
  • 44: Life
  • 5: Going Home
  • 6: Royal Poke
  • 7: Lessons To Be Learned
  • 8: Pancho's Cannon
  • 9: Saure Kirsche & Doppel Korn
  • 10: Die Young
  • 11: Doctors Orders
  • 12: Special Brew

Dänemarks Streetpunk-Aushängeschild HEROES 2 NONE liefern mit A WASTE OF TIME AND MONEY ihr bislang stärkstes Statement. Lauter, schärfer, kompromissloser. A WASTE OF TIME AND MONEY ist Streetpunk mit Haltung, Humor und Fäuste-hoch-Refrains. Produziert von Tue Madsen. Oi! lebt! Heroes 2 None ist eine Street-Punk-/Oi!-Band aus Aarhus, Dänemark, und reiht sich damit in eine lange Tradition von Bands dieser Art von dort. Geradliniger, unkomplizierter Sound, der einfach gehalten bleibt und dem Geist des Punk treu bleibt. Nenn es, wie du willst (Oi!, Street-Punk, Hardcore-Punk, Punkrock usw.) - wenn es gut klingt, dann machen HEROES 2 NONE es trotzdem, auch wenn es ein bisschen vom Genre abweicht. Die Bandmitglieder verfügen über einen reichen Erfahrungsschatz aus verschiedenen Bands wie The Zero Point, War Of Destruction, Skaloot, The Hoolies, The Guv'nors, The Outfit und Last Seen Laughing aus den letzten 35 Jahren. 180g transparent blue vinyl, 300 Stück ww, handnummeriert mit Einleger oder als CD im Digipak mit Booklet & Bonustrack.

Reservar15.05.2026

debe ser publicado en 15.05.2026

19,96
Jeigo - An Ode To Midnight

Jeigo

An Ode To Midnight

12inchAM001
Air Miles
15.05.2026

REPRESS ALERT! Long out of press and with copies regularly changing hands for close to £100 on the second-hand market, Air Miles are proud to present a limited repress of their inaugural release, “An Ode To Midnight EP’ by Jeigo.

The tone is set from the off with the eponymously named first track of the release ‘an Ode to midnight’. The tracks mellow break beat feel is met by warm rushing pads, ebbing and flowing between textures of the night before last.

Floor focussed, zero fussing ‘Wing Systems’ carries the front side at an orbital trajectory. No time for an intro, the drums jolt you into alertness, the wobbly bass perfectly counterpointed by gated, washing keys.

‘Lime Hawk’, melancholic euphoria brings the release back to the conscious. It’s structure toy-fully crescendos and builds, all while the Balearic synth peaks with the sub line keeping you grounded throughout.

Rounding off the record is ‘By My Side’ meandering the record into slightly darker territories. The shifting keys wash over, the siren call vocals penetrate and the thudding kick punches through, anchoring the track as an emotionally driven, cerebral affair.

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13,87

Ültimo hace: 8 Días
KR!Z - INFERNO

KR!Z

INFERNO

12inchTOKEN140
Token Records
13.05.2026

Kr!z steps up for his sixth label contribution with four chilling cuts, pushing his sound into bolder territory than ever. 'Inferno' could mean many things, but at first listen it could be interpreted as a homage to the unforgiving nature of the club experience. Stripped down to the bare essentials, these tracks showcase the efficiency of simple ideas spoken with authority.

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13,66

Ültimo hace: 12 Días
Girls Chat Room - Dracula’s Daughter LP
  • A1: Dracula’s Daughter
  • A2: Padre, Hijo, Espírito Santo
  • A3: It's Really Easy (To Spend A Lot Of Money)
  • A4: Ghost Of A Chicken Sandwich
  • A5: My Tamagotchi Cries All Nite
  • A6: Possum Godz
  • B1: The Gift Of The Gab
  • B2: Alone With My Clone
  • B3: Respawn
  • B4: Zero Views
  • B5: Dracula's Daughter (Radio Edit)

New album from Girl"s Chat Room which is Zillas On Acid and Babystar"s project.The band"s chug-pop style combines jaunty basslines, tight drum machine programming, and sage observations on modern life (the ease of depleting your bank account).

Reservar08.05.2026

debe ser publicado en 08.05.2026

21,43
Taro Venn (& Adrià) - Man in Static EP

Taro Venn (& Adrià)

Man in Static EP

12inchMOZL001
Mozali Records
04.05.2026out soon

A four-track EP operating between tension and motion. Man in Static features three original tracks and a remix by Adrià from Cúpula Records, Barcelona. The record explores repetition, signal, and pressure, with the club as its transmission point. Written and prepared throughout 2025, the EP is released in 2026 as the first chapter of a series on the Mozali Records electronic imprint.

The EP was mixed by Taro Venn, aka Georj, keeping the sound close to its original form. Mastering was completed by Viceversa, preparing the record for club systems.

This first entry is intended to be played in full, end to end. Static on the surface, movement underneath.

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13,03
Cranes - Future Songs LP

Cranes

Future Songs LP

12inchMOVLP3942C
Music On Vinyl
01.05.2026
  • A1: Future Song
  • A2: Submarine
  • A3: Flute Song
  • A4: Sunrise
  • A5: Don’t Wake Me Up
  • B1: Driving In The Sun
  • B2: Fragile
  • B3: Eight
  • B4: Even When
  • B5: Everything For
  • B6: The Maker Of Heavenly Trousers

Cranes is a dream pop/shoegaze band formed by siblings Alison and Jim Shaw, who rose to stardom following a world tour with the Cure in 1992. After the influential Dedicated label folded in 1998 they went on a two-year hiatus after which they set up their own label Dadaphonic. On Dadaphonic, they released three studio albums between 2001 and 2008, of which Future Songs is their first.

Between 1986 and 1997 Cranes released a steady stream of records on Bite Back! and of course Dedicated, and when the latter folded, the Shaw siblings took a relatively long break from recording. Then, in 2001 they returned with a different bassist and drummer, their new Dadaphonic label and a fantastic new record to go along with it. A breathe of fresh air,

Future Songs acts as a bridge between their somewhat brusque approach to shoegaze from the 90s and electronica-infused sound from the zeroes. A remarkable effort, especially considering the Shaws recorded almost everything on their own.

Future Songs is available as a 25th anniversary edition of 1000 individually numbered copies on yellow marble vinyl, and includes an insert.

Reservar01.05.2026

debe ser publicado en 01.05.2026

31,30
MIGALA - Obras De Misericordia LP

MIGALA

Obras De Misericordia LP

12inchNOIS1972LP
Acuarela
01.05.2026
  • 1: Primera Parada (Remaster 2026)
  • 2: El Caballo Del Malo (Remaster 06)
  • 3: Fortune's Show Of Our Last (Remaster 2026)
  • 4: Times Of Disaster (Remaster 2026)
  • 5: Primer Tren De La Mañana (Remaster 2026)
  • 6: La Noche (Remaster 202)
  • 7: La Espera (Remaster 2026)
  • 8: Suburbian Empty Movie Theatre (Remaster 2026)
  • 9: Principios De Agosto (Remaster 2026)
  • 10: The Guilt (Remaster 2026)
  • 11: Cuatro Estaciones (Remaster 2026)
  • 12: High Of Defenses (Remaster 2026)
  • 13: Last Fool Around (Remaster 2026)
  • 14: Arde (Remaster 2026)

“Arde” is the creative peak of the Madrid-based experimental collective: 14 cinematic, hypnotic, and emotionally devastating songs that masterfully blend post-rock atmospheres, alt-folk introspection, traditional Spanish elements, and complex, often cathartic arrangements.
The album's UK connection is through Stuart David (Looper, Belle & Sebastian), who championed the band to Sub Pop, leading to their international breakthrough. On Metacritic, it holds a 77/100 score based on 6 reviews, with AllMusic praising its "spectacular balance of beauty and tension”. CMJ New Music Monthly highlighted it as "one of the brightest artistic lights in the diverse Iberian indie-pop scene".
Pitchfork awarded it a 9.3/10 in 2001—the highest score for any Spanish artist to date—describing it as “nothing short of elemental in its beauty”. The album also succeeded in France (PopLane, 2001), with strong coverage in Les Inrockuptibles, Magic!, Le Monde, and Libération. Migala shared stages with key acts like Smog (Bill Callahan), Mark Kozelek (Red House Painters), The Magnetic Fields, Damon & Naomi, and served as Will Oldham’s (Bonnie “Prince” Billy/Palace) backing band during his Spanish tour in 1998.
This new edition has been painstakingly remastered from the original Cubase projects (summer/fall 2000). Every track was exported individually and given a fresh, zero-compromise mastering. The result is a significantly clearer, more open, defined, and powerful sound — especially in the rhythmic foundation — while fully preserving the warm, organic lo-fi character of the original. An absolute must-have for indie, post-rock, alt-folk, and collector sections — a genuine classic that belongs in every serious record store and deserves rediscovery.

Reservar01.05.2026

debe ser publicado en 01.05.2026

25,17
Jonnnah - What They Left

For his new full-length on Second End Records, Lyon-based artist Jonnnah turns deeply inward. Conceived as a form of therapy, as much as a reflection and a testimony, the record retraces a process of introspection and confrontation with one’s own history, looking back at origins, DNA, and the invisible ties that connect us to our ancestors, while opening paths toward new connections.

The double-sided structure of the album makes this journey tangible. The first side lingers in uncertainty : opaque atmospheres, fragmented rhythms, and restless textures mirror the doubts, questions, and fragile states of self-analysis. The second side, in contrast, embraces clarity and resolution, dense yet luminous soundscapes where reconciliation and acceptance take shape, culminating in The Blue Comet, a piece charged with finality and revelation.

Opening with the multipart suite N-zero, symbolizing the beginning of therapy, and closing with O-one, evoking the soul’s original purity, the record traces a complete emotional and spiritual cycle. Between them, the third edition of Insomnia Never Ends once again portrays the struggle between sleep and the irresistible pull of musical distraction, a fragile tension that runs through the album as a whole.

The record condenses Jonnnah’s language into something rawer and more direct. Layers of dub and dub sonic resonate against ethereal ambient passages, while techno impulses maintain tension and forward motion. Each piece feels at once intimate and expansive, designed as much for solitary listening as for collective experience.

A new chapter in Jonnnah’s trajectory, the album is a document of transformation : from shadow to light, from questioning to acceptance.

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21,81

Ültimo hace: 46 Días
NO WAY BACK MAGAZINE - BETTER WAYS FORWARD THROUGH MUSIC AND SUBCULTURE STORIES, 1979-1994 - LEARNING FROM, NOT LONGING FOR

After all of the fun had - and, if we may brag a bit - the acclaim for NWB001, we're back with a follow-up.

So here's NWB002. Our start and end points shift this time (1979–1997 vs 1977-1989) but again the focus is on revolutionary moments in music and subculture.

We've got pieces from The Face, i-D, Time Out, Village Voice, Rolling Stone, Mixmag, The Observer and - a particularly big pleasure - Collusion magazine. We've got brilliant photography, too, documenting seminal afterdark moments. And we've put it all together with much love, craft and attention to detail.

This is material that lets us experience culture in its rawest form. In-the-moment and before endless layers of post-rationalisation have kicked in. Breakthrough events in dance music, hip-hop and pop – and parallel shifts in art, design and fashion. Inspirational, ground-level creativity and enterprise that set the scene(s) for subsequent decades.

We hope you enjoy reading NWB002 as much as we enjoyed bringing it together.

Inside No Way Back 002

Behind The Groove - the epic 1983 feature by Steven Harvey in David Toop's Collusion magazine, charting the NYC disco underground

Photographer Steve Eichner documenting the club kids scene at The Limelight, Palladium, Tunnel and Club USA

Year zero reporting as The Face's Sheryl Garratt visits Chicago in 1986, witnessing the emergent house sound

The Mudd Club - 'disco for punks' as Rolling Stone put it; the Lower East Side party which arguably spawned a thousand indie discos

In the 'socialist city' of Sheffield, meanwhile, Jon Savage heads for a night of sharp clothes and even sharper moves at Jive Turkey

Paul Morley writing in Time Out in 1988 on the tension materialising between glossy style mags and the the monochrome music press

The House That Rap Built - Village Voice celebrates the short but sweet glory years of hip-house

Mixmag in 1992 on the 'return of sex' to clubs like Roxy and the Sound Factory

Images and commentary from Eddie Otchere, rewinding to jungle's halcyon days

Kodwo Eshun reporting on jungle's full-throttle ascent for i-D in 1994

+ Editor’s notes, supporting commentary, playlists, and covers, spreads and imagery from original titles

ISSN - 2977-8530

Reservar24.04.2026

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THE HYDROMATICS - THE EARTH IS SHAKING
  • 1: Standin At The Juke
  • 2: Baby Jane
  • 3: Mystically Yours
  • 4: Streets Of Amsterdam
  • 5: Funball
  • 6: Power And Glory
  • 7: The Most
  • 8: Speechless
  • 9: All Down The Line
  • 10: The Earth Is Shaking
  • 11: Detroit Leaning
  • 12: Monumental

First-ever vinyl edition of 2007 album "The Earth Is Shaking" by The Hydromatics featuring Kent Steedman (The Celibate Rifles) on guitar! Bang! Records brings you "The Earth Is Shaking", the THIRD album by The Hydromatics - a transatlantic high-energy rock 'n' roll unit powered by Detroit legend Scott Morgan (The Rationals / Sonic's Rendezvous Band) and Amsterdam cult-hero Tony "Slug" Leeuwenburgh (Loveslug). Originally released in 2007, this record captures the band leaner, rougher and fully locked-in: big riffs, street-level groove, zero filler, and that unmistakable Detroit soul-grit that Morgan owns like nobody else. And here's the headline for rock'n'roll die-hards: Kent Steedman (The Celibate Rifles) is on guitar - bringing bite, melody and attitude, plus extra sonic spice (yes: theremin) and production muscle. The result is The Hydromatics at maximum voltage, moving confidently into their own songs while still carrying the Motor City flame. Highlights include the swaggering "Streets Of Amsterdam", the barroom punch of "Standin' At The Juke", and the epic ride of "Detroit Leaning". Enjoy for the first time on vinyl!

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debe ser publicado en 24.04.2026

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