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Banging Acid new labels from Planet Techno devoted to some even more acid sound !!

Italian new undeground acid techno inna Hackney style. Fatal sound !

Limited edition for a new Al Core record... Massive hardcore new vinyl full of classic samples and bloody kicks. Don't miss !!!

Acid dancefloor Techno... newscene dancefloor pearl !

Banging techno bullets from the London undeground Hackney crews !

It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now - Anthony Burgess, A Clockwork Orange

After their LPs 'Ike Yard' (also known as 'A Fact A Second' Factory America, 1982) and Nord (Phisteria and Desire, 2010) Ike Yard delivers their last album 'Rejoy' on Noiztank, 2018 as the culmination of their recent years reinvented sound. As the perpetual flag bearers of the cutting-edge post-punk spirit, the NYC- based band shows muscle in a LP fully loaded with abrasive synth pads, scrap metal percussions, and whispered vocals. Following the previous criteria of 'Sacred Machine' 2017, it is worth to remark the inclusion of external vocals in the pieces 'Sister M' and 'Beyondersay', which feature Yuki Osaki and MAYa. The nine tracks move through different atmospheres, tensions and moods that would perfectly represent a new contemporary soundtrack of the S. Kubrick film 'A Clockwork Orange', a major influence and source of inspiration for the group this time around.

Back in 1995 while living on the West Coast, at the peak of the Rave Experience, Dj Spun and Dhyan Moller recorded a bunch of live tracks, without any sequencer, all direct to cassettes.
Spun aka Jason Drummond, reached out last spring after rediscovering all the cassettes and asked us if we'd be interested in releasing some of the tunes.
Jason shipped us the cassettes and after a good transferring session, we decided we had to release all the tracks under a 3LP set. This stuff is fire. We still love DJ SPUN - and Dhyan Moller!

Upcoming french producer Matthieu Faubourg, who has worked extensively with guys like DJ Boring and Black Loops, is firing up

this heavy 12" on "Smile for a while." Stripped down House bangers all the way - from more laid-back, synth-oriended stuff over to some 90s-tingled House groover, ending up with a frantic 6 a.m. anthem on the B-side this EP is all you need to keep your floor dancing till the end of the year...

Repress!

Copenhagen's Terry Tester (Brownswood / BBE) merges his love for Midwest house and cosmic funk butter on four-tracker 'Space Million' for Creak Inc., journeying through dream state deep house, gritty MPC workouts and low-end boogie territory for an undeniably original take on four-to-the-floor rhythms.

Within Terry Tester's two-decade long career as a turntablist and beatmaker his eminent take on house, hiphop and soul has been commissioned by Gilles Petterson for his 'Bubblers' compilation series on Brownswood Recordings, Jahi featuring american neo-soul singer Dwele, and Marc Mac (4Hero, Visioneers, Nu Era) on BBE remixing alongside DJ Jazzy Jeff, as well as releasing two full-length solo albums 'Horses and Diamonds' and 'Short Suite'.

Highly Limited To 298 Copies, Vinyl Only

Indigo Aera Is Proud To Release A Truly Special Project From Japan's Yamoaka.

Yamoaka Was Originally Formed By Renowned Japanese Duo Kenichi Oka And Yoshinori Yamazaki, Until 2007 When The Project Was Continued Solo By Kenichi Oka. Drawing Inspiration From The Likes Of Kraftwerk And Y.m.o., Oka Masterfully Uses Hardware To Creates Unique Loop Based Sounds Drawing Resemblances To Minimalist Steve Reich's Signature Sound, While Blending In Techno-esque Elements Comparable To Those Of Terrence Dixon's 'population One' Alias, Finding A Harmonious Middle Ground Between The Two. Kenichi Achieves A Live Feel To All His Work, Recording His Tracks In Real Time Without The Use Of Daw's Or Computers, Instead Utilising His Roland Mc50 Sequencer With Perfect Effect.

supported by Apollonia, Subb-an, Praslea and many others. Andy Catana & Daniel Kovac deliver their first Ep on Do Easy Records remixed by none else than Robert Dietz under his alias R10. He returns as a Remixer after remixing the first Do Easy Records 10 years ago. So take your time and listen!

"Cliché's Principle' exhibits the two-sided aura of an artist long familiar with the cultivation of DIY ethos: an effortless expulsion of playful immediacy and the unfolding of a musician well versed in unpretentious composition. Lucy Cliché's five track EP for Fleisch Records is a jacking romp through 120-125bpm electro/new-beat, swooning through downcast ambience, lobotomised vocal samples and sweat-drenched hardware rhythms.

Lucy's musical oeuvre piles high; as a figure in the Sydney underground for the past 15 years she has always explored sounds that playfully antagonize the status-quo; the dysfunctional no-wave approach of her band Naked On The Vague and the manipulated tape ambience of Half High echo throughout Cliché's Principle in the form of chorus buzzed synth chords, abstract drones and ethereal evocation. While there is the strong presence of a live veteran at work behind the machines, Cliché's Principle holds five tracks produced purely with the intention of paving the dance-floor.

Stop the press yes its happened... one of the biggest Rare Jazz club dancers is now on 7' for the first time Clarence Wheeler & the Enforcers both tracks taken from the Atlantic 1970 album 'Doin what we wanna'

"This is a record about a parting of ways. It is dedicated to the one who has been left behind and the one who left."

"Birds" ist Captain O'Haras erstes gemeinsames Release auf dem Leipziger Label Haptik. Die beiden Artists verstehen die gemeinsame Produktion als Prozess der Kommunikation, ihre Talente vereinen sich dabei im eleganten Spiel. Sein technisches Know-how und ihr Talent für Klangästhetik ergänzen und potenzieren sich und erzeugen eine einzigartige Musikerfahrung. Dieser Mix gelingt über eine experimentell-stilistische Fusion zwischen pulsierenden Rhythmen und flächigen Synth-Patterns: Neon-Nostalgia mal Deep-House hoch zwei! Drinnen und Draussen, zwischen Bühne, Club und Festival konzipiert.
Birds ist durch und durch luftiger Wald-und-Wiesen-Deep-House
von puristischer Qualität, ein aufziehender Sturm der die Vögel vom Himmel fallen lässt, She dagegen ein ganz fluider Club-Track, wobei Nannas betörende Vocals einen selbstreflexiven Moment, ein Momentim Tanz mit sich selbst vermitteln, fliessende Töne auf der dem Weg zu totaler Balance. Rondo, die rein instrumentale Collaboration von Ookami &
Mizo, gibt einen erdgebundenen und ekstatischen Deep-House-Pulsmit, erzeugt den nötigen Drive zum Eskalieren. Mizos Birds Remix rundetdie EP ab, indem er der ätherischen Qualität des Single Tracks das gewisse Quäntchen Elektrizität verleiht sowie eine treibende und düstere Atmo added.
Beim Projekt Haptik geht es vordergründig darum, die Vielfalt des Underground der elektonischen Tanzmusik zu feiern und dabei Inspiration auf allen Ebenen zu schaffen. Durch die Experimentierfreude des Labels, mit der gesamten
Bandbreite musikalischer Möglichkeiten zu spielen, ist Haptik das richtige Dach für den virtuosen Sound des Duos.

Infernal Sounds welcomes their newest member to the imprint, Dark Tantrums. After a brief hiatus from releasing music, the producer who's had previous EP's out on both Deep Medi and GetDarker is back with a bang. From the millitant march of 'Command', to the distorted and twisted mind of 'Darkside', with 'Time Warp' rounding things off in a typical old-school fashion, this EP will knock your socks off and deliver a punch for the dance floor. IFS011 not only displays his ability to adapt his style under the 140 spectrum, but continues to prove why he's one of the most underrated artists to grace the scene.

Another outstanding Jazz fusion release for Dynamite cuts. limited edition 7" release of 2 masterpieces by Alice Babs and Nils Lindberg's Orchestra. Both tracks  taken from the Music With A Jazz Flavour LP,

One Hundred Billion Sparks sees Cooper further refining his widescreen style of techno, ambient and experimental music. The UK artist says he conceptualized it during a month spent in isolation in a remote Welsh cottage.

Heavy House, Nu Disco style !

There are some tunes that rock around so hard... like Ascender did, or like Popof And Noisebuilder did ... A long time ago CYB-X Sound system did a pure jewel of a tune... but this one, from another member of the sound is just a blaster... At a even higher level ! This EP also offers 2 remixes from Brent Brain and FML 010 : one in a tribe hardfloor acid way and one in a Hackney Hardest way... 165 to 175 BPM fiull-on record ! MUST HAVE !

Focusing on low-slung IDM, Acid and atmospheric Electro with nods to Krautrock & Ambient sounds, Steve Hyland's ATTRAKTTA project gets an extended outing on the FILM label. Across eight beautifully produced tracks, Hyland - one of the founding members of AI Records and subsequently Concrete Plastic, explores vibrant synthesis and intricate drum programming, with the music arriving at a sweet spot between home listening material & club-ready workouts for more intelligent dance floors.

Eschewing straightforward synth sequences in favour of blissed out - almost disharmonious sonics, Hyland transmits a curious psychedelia on his debut LP. Sounds pitch and warp organically, buoyed up by saturated low end and punchy drum machine percussion. There remains a decidedly accomplished precision to the work, though - with the music bearing all the hallmarks of an artist of some considerable experience - testament to the British producer & label head's 19 years working in the industry.

A colourful, exquisitely composed LP that riffs on a timeless production aesthetic with considerable style, Echo Principle is a fantastic entry into the FILM Records discography.

After a string of acclaimed EPs on Heist, Dirt Crew and Quartet Series, Amsterdam's Nachtbraker presents 'When You Find a Stranger in the Alps', his first longplayer on his own Quartet Series imprint. The good-humoured Dutchman - tongue always firmly in cheek - has always refused to stick to the 'sound du jour' and the industry's conventions, following his own path instead, continually willing to step out of his comfort zone. 'When You Find a Stranger in the Alps', a nod to his favourite Coen Brothers' movie, is testament to Nachtbraker's studio prowess and drive to explore new sonic pastures and styles. The album consists of thirteen tracks, made over the course of 2,5 years in his studio at Volkshotel Amsterdam. Constantly shifting through different settings and moods, the album feels like a deep dream, with vivid details, blurry edges and a warped sense of time. The word 'stranger' in the title references to this dream state in which you sometimes can be a stranger to yourself. Album opener 'The Dream Sequence' sets the mood with a lo-slung hip-house groove that relies heavily on field recordings, like the sound of one of the capital's trams. 'Flambo', a delectable slice of up-tempo French filtered house, is aimed straight at the dance floor. Nachtbraker dims the lights on 'NSFW', cleverly manipulating samples from adult oriented flicks, and turns in a hilarious skit with 'LOL'. Flip over for 'Randy', a quintessential Nac

Old school and Acid Jungle new label from Paris. A bloody powerfull dancefloor break on the A-side and a more mental stable loud sound on the flip ! MUST HAVE !

Freshly Re-pressed

Auf Einer Unscheinbaren Kassette, Die Nur Mit 'robert Rental' Beschriftet Ist, Liegen Diese Demos Seit Jahren Ungehört In Den Kostbaren Besitztümern Seiner Familie. Gepflegte Artefakte Eines Viel Zu Früh Geendeten Lebens.
Diese Lieder, Die Robert 1980 In Seiner Wohnung In Battersea Aufgenommen Hat, Geben Einen Verlockenden Einblick In Seine Allzu Seltene Soloarbeit. Meistens Arbeitete Robert Mit Thomas Leer, Daniel Miller Oder Anderen Musikern Zusammen. Es Handelt Sich Um Rohe Aufnahmen Auf Denen Seine Kreativität Durch Die Dunkelheit Scheint Wie Ein Ungeschliffener Diamant.
Mit Diesen Aufnahmen Scheint Sich Robert In Richtung Mehr In Richtung Songstrukturen Zu Bewegen Als Auf Seinen Früheren Arbeiten, Die Wild & Experimentell Waren Und Oft Direkt Aus Dem Fernsehen Aufgenommene Samples Beinhalteten.
Wir Kennen 2 Dieser Tracks Von Ihrer Späteren Neuaufnahme Für Die Mute Records Single'double Heart' Ende 1980. Robert Sprach Mit Freunden Über Seine Frustration, Seinen Sound In Einem Kommerziellen Studio Nicht Reproduzieren Zu Können - Es War Der Sound Dieser Demos, Den Er Nachbilden Wollte. Manchmal Kann Der Zugang Zu Den Rudimentärsten Geräten Das Kreative Talent Zu Etwas Schärferem Und Konzentrierterem Verfeinern.

a1. Innocent Bystander
a2. Goodnight Old Friend
a3. Drop Back
a4. Silverbird
a5. The Show Must Go On
a6. The Dancer
b1. Tomorrow
b2. Don't Say It's Over
b3. Slow Motion
b4. Oh Wot A Life
b5. Why Is Everybody Going Home
c1. Telepath
c2. Train
c3. The Bells Of St. Mary's
c4. One Man Band
c5. In My Life
d1. When I Came Home This Morning
d2. Long Tall Glasses
d3. Another Time
d4. Solo
d5. Giving It All Away
e1. Bedsitterland
e2. Unlucky In Love
e3. The Last Gig of Johnny B. Goode
e4. On The Old Dirt Road
e5. I Will Not Stop Fighting
f1. Moonlighting
f2. Streets Of Your Town
f3. The Kids Grown Up
f4. Only Dreaming
f5. Another Year

For Our Number 013 We Have Label Boss And Founder On Command. Kessell Delivers Four Slices Of Precise, Expertly Crafted Modern Techno. The Minimum For The Maximum Motto Works Perfectly To Describe This Ep, Nothing Is Left Over, All The Components Are Carefully Chosen To Convey Sensations And Say Something.

Linear Synth Sequences Constantly Evolving, Profound Kicks And Sharp Hi Frequencies, Continuous Arrangements And Solid Components, No Drones, No Breakdowns, No Big Reverbs. Functional Tools For The Real Players Out There.

Mit brachialen Tempowechseln und sägenden Gitarrenriffs sowie klebrig-süßen Arrangements und ungestümen Ausbrüchen zwischen Hardcore, Punk und Alternative stiegen die Pixies gegen Ende der Achtziger zu Independent-Superstars auf. 1987 nahmen Frank Black & Co. bei einer dreitägigen Session 17 Songs für das Demo "The Purple Tape" auf. Eines dieser lila Bänder fiel Ivo Watts-Russel in die Hände, der die Pixies schließlich bei 4AD unter Vertrag nahm. Acht der Demo-Stücke landeten auf der EP "Come On Pilgrim", der ersten Veröffentlichung der Band. Im Jahr 1988 entstand das Debütalbum der Pixies, "Surfer Rosa", produziert von Steve Albini. Wieder hielt sich das Quartett nicht lange im Studio auf, in vierzehn Tagen war alles im Kasten. "Surfer Rosa" enthält "Where Is My Mind?" und damit den sicherlich berühmtesten Song der Band. Das Debüt begeisterte die Kritiker, "Melody Maker" und "Sounds" zeichneten es als "Album des Jahres" aus. Auch rückblickend gilt die Platte als eines der wichtigsten Rockalben jener Zeit. Zum 30-jährigen Veröffentlichungsjubiläum bringt 4AD die beiden Meilensteine zusammen mit dem 1986 mitgeschnittenen Radiokonzert "Live From The Fallout Shelter" noch einmal als Triple-Album heraus.

New from the ever discerning Nous camp comes AYLN's RehtomEP, a 25 minute exploration of the kind of unrelenting machine music for which both artist and label have come to prominenc
.
Side A is a journey through sparse syncopated rhythms, industrial noise motifs and the kind of buzz and hum that the heroes of the second wave of techno music championed, culminating in the EP's title track 'Rehtom' which is an exercise in analogue techno mastery.

Side B's delivery is subtly more dulcet, kicking off with Digital Memories, which has a more classical techno structure than anything that came before, building intricate melodies into an otherwise taut and tightly woven electronic landscape while the closing Impulsive Sheit is a gentle downbeat number, exploring the space within the music and creating an atmospheric ambient discourse to outro the heady charge of the EP as a whole.

Tommy Rawson releases are sporadic but always high quality. As a former member of the Souled duo who ran the excellent Fresh Minute label - he's been around the more tropical end of UK house and broken beat for many years and this, his first full release for Bergerac ushers forth a new level in his sound. This whole record is a masterclass in post bruk, forward thinking, shining, bright UK dance music. Unmatched in emotion and vibes. Deep Blue is quite simply the sound of the summer. Sun drenched, euphoric and soaring. Broken but not broken, 4/4 but not quite housey. Jazzy, soulful....yeah.... It was the highlight of Red Rack'ems Olive Grove closing set at Love International last year when it provided the most halcyon of moments. Live trumpet from Vicky Flint and a whole bag of vibes from Tommy Rawson. This is a classic. Trust. Past Tense is a super tropical African tinged house stomper which shows Tommys love of sunshine vibes once more with acres of space, insistent chants, dubby pianos and a tinge of Jungle roller bass.
The final track Into The Future takes us into almost Blade Runner-esque orchestral emotion but with a kind of Balearic feel tucked in there too. Beautiful, lilting, emotional memories. You can feel so much love in this track.Such a special record. Buy it. Love it. Treasure it.

As Hans Peeman's side project next to his Junktion moniker, New Franklin Theory returns to Outplay with a very personal project. Five carefully produced songs in the form of a mini-album of sorts, which showcases his journey into more melodic synth heavy work. Starting off, 'Andromeda Beach' eases you into the spacey atmosphere of the record with dreamy rhodes supported by his distinctive percussion and bass work.

Following, 'Homeward' introduces melancholic synth lines grounded by an infectious bass line for a Balearic inspired feel. 'Afterburner' ups the tempo with warm arpeggiated Juno sounds and saxy disco samples, which will remind you of his previous work. Space-funk-synth-boogie, that's what comes to mind when listening to 'In Orbit'. Instant groove with a solid beat interspersed with brief vocal samples and dreamy rhodes chords. As the closer, 'The Holtzman Effect' (award for 2018's most nerdy song title, look it up) sets you off floating away on warm chords and bass together with characteristic space bleeps.

Catch Recordings return with their 13th release, this time from DJ Najaora. He's an emerging talent from the ever growing Techno region in Georgia who's mature, fully formed sound is showcased here across three innovative left-field Techno & electro tracks. The excellent 'Night Dreamers' takes the A1 spot. It's an analogue electro cut throughout. With forceful broken drums accompanied by electric lead lines that provide a powerful energy for the dance floor.'Space Call' is a more cerebral and less dance floor affair that has you day dreaming amongst the meandering pads and classic Detroit electro vibes. A soft acid line runs throughout, while the whole cuts creates nostalgia of old Warp Records.Last of all 'Simulaq' which takes the B-side has wide and vast rubber kicks alongside booming bass. Making this side a merge of Bass and Electro. Trippy stabs and dark energy pervades the whole thing, making it track for the late hours.
While 13 is an unlucky number for some, this certainly doesn't seem to be the case for Catch Recordings.

Honey Soundsystem met October (aka Jules) while on a one-night affair in Bristol in which he immediately dragged us from an artist dinner to the saddest Bear bar in the UK. After a few pints, vetting his taste for drag, boys, and girls that make love to boys who make love to boys, Jules confessed he has always wanted to release on HNYTRX. And so the hazing began, a year of torturing yet another sexy-stranger into refreshing, reminding, and refining a flurry of demos into the army of skeleton soldiers you now have in possession. Money drops, midnight withdrawals, 4 crisp singles: this is the Pay Day EP — gonna make that dance-floor 'cha-ching' bitch!

A lot of people hate October so... that is why we are releasing this record in September. But seriously though, upon cracking open this 4 track EP you might wish you had saved the vacuum seal just a couple days longer, keeping these ghosts contained until the month where screaming winds strip trees nude

Perhaps CPU's deepest foray into techno, Osaka-based artist Yuri Urano's 'Autline' E.P. draws parallels with the machine-like incremental builds of Sweet Exorcist / Richard H Kirk.

Plenty of variation with minimal down-tempo through to fierce industrial techno.

Urano's industrial sound is gaining a lot of attention in the Japanese techno scene and this E.P. will only galvanise her reputation.

RAWAX proudly welcomes Russ Gabriel to the Family! The FEROX and Soul On Wax label boss is one of the U.K.'s most respected producers, having recorded nearly one hundred EPs and several albums since 1991. The "Restoration" EP comes directly from the vaults of Russ' endless archives. Timeless music for the Motor City Edition volume ten!

What works reliably is to know the raw silk, hold the uncut wood. Need little. Want less. For- get the rules. Be untroubled.Laurel Halo presents six instrumental pieces that form a meditative, cinematic listening ex- perience. Inspired by recent film score work for Metahaven and Ursula Le Guin's translation of the Tao Te Ching. Featuring cello work by Oliver Coates and percussion by Eli Keszler.Working in abstraction leads to a deeper lon- ging for touch and closeness.The tactile sen- sation of struck organ keys and bowed strings, wood and felt on drum heads. Smoke and dirt and stone. Febrile and tactile, hairy and hissy. A clover of highway onramps, a continuous flow, like old leaves melting on their way down a stream at the back of a house. Constant contradiction, the truth's nowhere.

- special Thanks To My Family, Friends, And All Those Who've Inspired Me To Keep Making Music. These Compositions Are A Reflection Of My Musical Journey, Reminding Me There's Always More Room To Grow. - Like (pac Div) gabriel Brings The Funk And The Soul, Fresh Drum Patterns With The Right Swing And Most Importantly, The Diversity Of Every Single Track Makes This Record Never Boring.' - Lefto (worldwidefm, Brussels) gabriel Is Fusion Cuisine At Its Finest. Like Combines Ingredients That Shouldn't Work Together, But Do, Because He's A Ill Chef Like That.' - Ivan Ave (mutual Intentions, Jakarta Records)

"Blank Mind celebrates its tenth release with the first full EP from SMX, a collaboration between Sam Purcell and Max O'Brien. From the glacial ambience of Hinterland, to the nocturnal convulsions of Uakari, these improvised tracks were recorded in East London from 2015-18.

"The live sessions allowed us to concentrate on simple forms and subtle developments. This project was started with no preconceived ideas about the end product, but we gravitated towards a sound that works both in a club or home environment. The EP serves as an honest and organic journal of sorts documenting the last few years.""