Mit seinem neuen Album knüpft Star-Pianist Lang Lang an die Idee des weltweit erfolgreichen und beliebten
Albums „Piano Book“ an:
Piano Book 2 enthält eine neue persönliche Auswahl von Lang Langs Lieblingsmelodien der Klaviermusik
– „Meisterwerke im Kleinformat“, wie er sie nennt. Zeitlose Klassiker der Klavierliteratur und bekannte
moderne Kompositionen ergänzt durch ikonische Stücke aus Film, Anime & Games ergeben eine abwechslungsreiche Sammlung, die Klavierspieler und -liebhaber jeden Alters gleichermaßen begeistert.
”Ich hoffe, dass diese Werke dazu anregen, neue Schätze zu entdecken, vertraute Melodien neu zu erleben
und die Freude am Klavier aufs Neue zu entfachen.” - Lang Lang
Zusätzlich zur 2CD und 2LP Version ist das Album auch als limitierte „Score Edition“ verfügbar, die
zusätzlich zu den zwei CDs Zugang zum Download der Noten und Video Tutorials über einen integrierten
NFC Chip enthält.
Поиск:11 am
Все
Ein fiktiver Radiosender als Titel, der mit den politischen Verhältnissen im Osten abrechnet und ein Cover,
das Lindenberg auf dem roten Platz mit drei Balletttänzerinnen zeigt. Schwer vorzustellen, ein Album
mit noch höherer zeitgeschichtlicher Relevanz zu veröffentlichen. Dieses Jahr feiert Lindenbergs „Radio
Eriwahn“ 40. Jubiläum. Schon im Titel des 19. Studioalbums des Panikrockers: eine Anspielung auf den
frei erfundenen Sender Eriwan. In einer Kategorie politischer, teils unmoralischer Witze wird mit diesem
„Sender“ des Sowjetregimes hinter vorgehaltener Hand die Politik und der Alltag in der DDR verarbeitet.
Ein treffender Titel für ein Album, welches vom humorvollen Umgang mit der Ost-West-Teilung lebt. Die
A-Seite des Albums besteht aus Studiotiteln, die B-Seite sind Live-Aufnahmen aus Moskau, wo er anlässlich
der Weltfestspiele der Jugend und Studenten 1985 mehrfach auftrat. Ein heimlicher Triumpf für Lindenberg,
dem nach seinem ersten Konzert in der DDR seine DDR-Tour abgesagt wurde. Das Cover zeigt Udo auf
dem roten Platz, der für das Cover rot eingefärbt wurde, nachdem Lindenberg bei seinem ersten Besuch
enttäuscht war, dass der Platz nicht tatsächlich rot ist. Am 17.10.2025 erscheint die Jubiläumsversion von
„Radio Eriwahn“ in gelb-transparentem Vinyl in einer streng limitierten, handnummerierten Auflage von
nur 1.500 Exemplaren. Um das 40. Jubiläum gebührend zu feiern, wird das Album zudem auch als CD
neu aufgelegt.
- Robespierre?
- Berio
- Kaldur Vindur
- Cipher
- Well, Actually
- Oslo
- Fount
- Ry
- Sneaking Around
Leading Danish contemporary jazz label April Records is proud to present Well, actually..., the third album from Polish acoustic jazz quartet O.N.E. Grounded in the spirit of democracy andcollective improvisation, the album offers a tightly woven set of original compositions that blur the lines between modal jazz lyricism and the raw energy of free improvisation.The band name O.N.E. is a clever double entendre: in Polish, "one" (pronounced oh-neh) means "they" in the feminine plural - an apt nod to the all-female lineup. In English, of course, it signifies unity. Both meanings reflect the band"s egalitarian, leaderless approach and cohesive group sound.Almost three years after the recording of their previous release Entoloma(Audio Cave), the group reunited in December 2024 at Studio S4 in Warsaw to record a fresh set of ten compositions. Spread over two sides, the album captures the continued evolution of a band that thrives on interaction, trust, and shared purpose - even in a society fractured by post-pandemic socio-economic uncertainty and political ambiguity. Featuring contributions from all four members - pianist Kateryna Ziabliuk, saxophonist Monia Muc, bassist Kamila Drabek, and drummer Patrycja Wybranczyk - the recordreflects their commitment to artistic democracy. Each voice is given space, yet the music always feels greater than the sum of its parts. Even on the miniature solo track solo form, the other three players remain present, supportive, and responsive. From Ziabliuk"s percussive piano textures and dreamlike voicings on tracks like Osloand Berio, to Muc"s expressive, woody tone on alto and baritone sax, each piece explores dynamic interplay and shifting emotional landscapes. Drabek"s resonant, grounded bass - by turns lyrical and propulsive - provides a central thread, while Wybranczyk"s drumming fizzes with precision and imagination, as heard on Cipherand the angular closer Sneaking Around.Together, these four distinctive creative forces have developed a shared language built on mutual respect, long-term collaboration, and deep listening. Their concerts across Europe (including Jazzahead, B-Jazz, Umea, and the Edinburgh Jazz & Blues Festival) haveaffirmed their standing as a boundary-pushing group with something new to say.
[f] [SOLO FORM]
- Honey From A Knife
- Elemental Light
- The Wolf
- Life > Death
- For The Animals
- Amnesia
- Wilderness Now
- Lucifer
- A Pale Horse
- This Night In The City Forever
- Every Man And Woman Is A Star
- Embers
- Until The Light Takes Us
- Siberia
Originally released in 2012, "Choice of Weapon" was recorded in the California desert with Chris Goss at the helm and finished by long-time collaborator Bob Rock. Driven by the lead single For the Animals, "Choice of Weapon" earned iTunes" Rock Album of the Year in 2012 and debuted at #1 on the UK Rock Chart. Out of print since the original pressing, it has become one of The Cult"s most sought-after modern releases. Pressed on Limited Edition colour-in-colour effect vinyl: LP1 red & black, LP2 purple & black. Gatefold Sleeve.
- Honey From A Knife
- Elemental Light
- The Wolf
- Life > Death
- For The Animals
- Amnesia
- Wilderness Now
- Lucifer
- A Pale Horse
- This Night In The City Forever
- Every Man And Woman Is A Star
- Embers
- Until The Light Takes Us
- Siberia
"“Their best album in years – probably decades.” – Record Collector
Pressed on Limited Edition colour-in-colour effect vinyl: LP1 red & black, LP2 purple & black in a Gatefold Sleeve.
Originally released in 2012, Choice of Weapon was hailed as The Cult’s most vital work since their ’80s heyday – a powerful, mature record that proved Ian Astbury and Billy Duffy still had fire to burn. Recorded in the California desert with Chris Goss at the helm and finished by long-time collaborator Bob Rock, the album channels the lush guitar layers, earworm melodies, and gothic swagger fans love, while venturing into fresh territory – from the blues of A Pale Horse to the stomping drama of Honey From a Knife.
Driven by the lead single For the Animals, Choice of Weapon earned iTunes’ Rock Album of the Year in 2012 and debuted at #1 on the UK Rock Chart. Out of print since the original pressing, it has become one of The Cult’s most sought-after modern releases."
"While playing for Phil Lesh, I became friends with his son, Grahame, and we started booking shows called Dead Blues, a Phil and Friends offshoot that used the traditional blues and folk songs from the Dead catalog as a vehicle to bring new musicians from the blues and rock scene into Phil’s orbit. For example, we brought Phil together for the first time with the Blind Boys of Alabama, Charlie Musselwhite, G Love, JD Simo and many others new to Phil’s community.
Dead Blues was a great concept for live shows but I never considered making an album until I met singer Datrian Johnson, one of the most moving singers I’ve ever worked with. John Medeski brought Datrian into the community and we instantly became friends and collaborators and began recording the songs on Dead Blues Volume 1, reinterpreting the American classics.
The tracks feature North Mississippi Alumni Cody Dickinson and Rayfield “Ray Ray” Hollowman, as well as old friends from Memphis, Paul Taylor/New Memphis Colorways also on drums, bass and guitars and Steve Selvidge on Space Funk guitar. I found that writing the music on bass (then adding keys and guitar) led the music down a funky, jazzy avenue and Datrian worked his magic, reinterpreting the classic blues lyrics and melodies with his soulful vocals."
- A1: Back To Black
- A2: Move Over
- A3: Come As You Are
- A4: Spanish Castle Magic
- A5: Sittin’ On The Doc Of The Bay
- A6: Love Is A Losing Game
- A7: Jimi (Instrumental Hendrix Medley)
- B1: Light My Fire
- B2: I’ve Been Loving You Too Long
- B3: Lithium
- B4: Crosstown Traffic / Freedom
- B5: Riders Of The Storm
- B6: Piece Of My Heart
After their first joint recording experience in 2022, in which they dedicated a monograph to the Beatles, revisiting their great classics,
Sarah Jane Morris, a British jazz, rock, and R&B singer and songwriter, and the Solis String Quartet, a Neapolitan string quartet with
extensive concert and recording experience, are embarking on a new album. This time, it's not a monograph, but a tribute to a series
of artists who have left an indelible mark on the universal music world with their art and unique lifestyle. The project is titled "The 27
Club," a reference to those artists who, despite not choosing to belong to any elite circle, were united by the fate of having left this
world too soon, at just 27 years old. Among them are great names such as Jimi Hendrix, Janis Joplin, Jim Morrison, Kurt Cobain, Amy
Winehouse, and Otis Redding. Despite their differences, these artists share a charisma and a passion for music that has made them
immortal. Their musical legacy continues to celebrate their memory and inspire new generations. The album is a tribute to these timeless
artists, whose songs remain timeless and continue to move. Forever Young.
"After our first recording collaboration with Sarah Jane Morris in 2022, in which we dedicated a monograph to the Beatles, revisiting
their great classics, we decided to take on a new challenge, no longer a monograph but a work dedicated to a series of artists who have
unmistakably marked the universal musical world with their art and their very particular lifestyle! We called it "Forever Young" and it
tells the story of the "Club of 27" in music; an imaginary, dark and very elitist circle in which artists of the caliber of Jimi Hendrix, Janis
Joplin, Jim Morrison, Kurt Cobain, Amy Winehouse, Otis Redding found themselves enrolled, certainly unwillingly and without their
knowledge, after death snatched them from success on the threshold of twenty-seven, only to restore them, almost as compensation,
to immortal glory, just a stone's throw from legend. Musically speaking, thanks to the overflowing evocative power of Sarah Jane Morris's
voice, it was both fascinating and stimulating for us to try to restore It integrates the idea and mood that permeated and still live on in
these compositions, the rhythm, the melody, and the lyricism, in an original reinterpretation that accompanies the listener in the rediscovery of these masterpieces! Solis String Quartet
"Greatly talented creative people often die young, like Keats, Mozart, Schubert, Raphael, and the Brontë sisters. We tend to think of
them in two ways: we wonder what they might have accomplished had they lived longer. However, more positively, we can appreciate
their youthful talents as impervious to the passage of time, their brilliance preserved in their eternal youth. They will remain forever
young." Sarah Jane Morris
The Best of Muddy Waters, erstmals 1958 veröffentlicht, versammelt 12 seiner besten Songs, darunter
„Rollin’ Stone“, „I’m Your Hoochie Coochie Man“, „I’m Ready“, „I Just Want to Make Love to You“ und
viele mehr.
Holen Sie sich den Sound des größten Blues-Labels Amerikas in High Fidelity mit nach Hause. Diese audiophilen Neuauflagen klassischer Alben und Compilations aus der Chess-Diskografie wurden von den originalen
Analogbändern remastert und bei Quality Record Pressings (QRP) auf 180-Gramm-Vinyl gepresst. Jede
Platte ist in einer Tip-On-Gatefold-Hülle aus hochwertigem Karton verpackt.
SHADOWY FIGMENTS OF UNRELENTING SONIC SEEKINGS
The magic lantern music of Razen spirals into ever more fanatic territory with the addition of turntablist Guilhem All from Brest. Vietnamese flute, oscillator, chopped-up vinyls and a range of
uncomfortable techniques bring about a series of sandblown, rock-encrusted desert mirages.
MORE INFO SOON
credits
releases October 15, 2025
Recorded by Mathieu Grillo, with assistant engineer Gaia Lufrano
Recorded at Echo Chamber in Volta, Molenbeek on March 4,5 & 6, 2025
Mixed by Mathieu Grillo, with assistant engineer Gaia Lufrano
Mastered by Frédéric Alstadt
Artwork: Aurora/ ChromaGrid drawing by Wilfried Pulinckx
Brecht Ameel: oscillator & harmonium
Kim Delcour: sáo trúc, fijfer, chalumeau, santur
Guilhem All: turntables
Thank you: Arne and Mich at Volta & AB
- 1: Uma Casa Portuguesa
- 2: Nem Ás Paredes Confesso
- 3: Cansaço
- 4: Solidao (Cançao Do Mar)
- 5: Povo Que Lavas No Rio
- 6: Há Festa Na Mouraria
- 7: Lisboa Nao Sejas Francesa
- 8: Ai Mouraria
- 9: Estranha Forma De Vida
- 10: Foi Deus
- 11: Maria Lisboa
- 12: Tudo Isto É Fado
- 13: Primavera
- 14: Barco Negro
- 15: Fado Hilário
- 16: Coimbra (April In Portugal)
Black Vinyl[53,66 €]
- 1: Wasn't Expecting That (Feat. Kate Rusby)
- 2: Someone For Everyone (Feat. Vance Joy)
- 3: Cold In Ohio (Feat. Ed Sheeran)
- 4: The Only Conclusion
- 5: Still Yours
- 6: All Is Beauty (Feat. John Smith)
- 7: Don't Let Me Let You Go (Feat. Amy Wadge)
- 8: Ahead Of Myself (Feat. Roy Stride From Scouting For Girls)
- 9: Sometimes It's Hard
- 10: In Our Own Words
- 11: Let Love Hold You Now
- 1: Each Breath Is A Flame
- 2: Raise Them Towards The Sun
- 3: The Shadows Of Prefiguration
- 4: A Hammer To The Great Matter Of Birth And Death
- 5: The All-Consuming Work Of The Soul's Foreclosing
- 6: Justice Is Not Enough To Leave Teh House Of Modernity
- 7: Discarding All Adornments (Feat. Amelia Baker/Cinder Well)

















