This new EP from 30-year US progressive veteran and master sound engineer Darwin Chamber was written with the idea of a San Francisco acid trip in mind, from the initial dose to the first onset of weirdness, then on to peak time mind melting. A DJ Spun remix of 'The Acid Test' is jacked deep house with hints of strangeness hidden in the background, then things really get liquid and trippy on 'Never Coming Down', 'The Acid Test' in original form is pure 303 aquatics and '25th Century Acid Cat' is an explosion of colour. 'Get Down' brings a bit more tension and anxiety as things begin to unravel.
Suche:12 to 30
WOLF welcomes Reagan Grey for the label’s second release of 2026. Based in Toronto, Reagan has been immersed in the underground for over 15 years, with recent releases on Local Talk and her hometown label, Selections.
This four-track EP presents a refined and assured expression of her sound, drawing from the enduring legacy of New York, Detroit, and Chicago house music. The release opens with “Not Giving Up,” featuring vocals from Christie Nelson. It’s a deep, dub-inflected, driving track designed for intimate, late-night dancefloor settings.
“Your Love” follows, featuring Finn Rees (30/70 / Mr Bongo), whose musical sensibility and deft keys add a distinctive touch. On the flip, we’re treated to two further cuts that both fall into the dancefloor sureshot category.
A brilliant debut release full of energy from Reagan Grey proving why she's a strong and welcome addition to the WOLF roster.
- A1: Housebroken
- A2: Baby Babee
- A3: Best Thing
- A4: Holy Water
- A5: There She Was
- A6: Cremation
- A7: Glad It's Night
- A8 64: Malibu
- A9: Stay With Free
- A10: Mojave Desert Romance
- A11: Otto
- A12: Hellz Bellz
- A13: Pain Is The Name Of Your Game
- A14: A Bird In Hand
- B1: Popping Trunk
- B2: Cosmic Unconsciousness
- B3: Supreme Cremee
- B4: Blangg
- B5: Where I'm Coming From
- B6: Soo Sweet
- B7: Believe (In Me)
- B8: Traffic Lights
- B9: Dreamin
- B10: The Whole Thing
- B11 75: Eldorado
- B12: Lite's Out
- B13: Hunger Strike
- B14: Somewhere Over There
- B15: Left Hanging
- B16: The Repo Code
Following in the steps of last year's mysterious "Beyond the Garage" 12 inch, L.I.E.S. throws another curveball with a 30 track continuous LP from veteran West Coast producers, Vinny+Charlie. Each side running 20 minutes, this can best be described as a smoked out, haze filled afterparty beat tape on wax. Obscure samples, dusty sp-12 crushed beats, head nodding loops, sweet low rider soul..chopped, sped up, slowed down and ready to wreck your system. Limited edition white label housed in a lp jacket with custom art by LA artist SOB STORY. 300 copies worldwide.
- A1: I Put A Spell On You (2:36)
- A2: Tomorrow Is My Turn (2:50)
- A3: Ne Me Quitte Pas (3:37)
- A4: Marriage Is For Old Folks (From The Musical The Secret Life Of Walter Mitty) (3:30)
- A5: July Tree (2:44)
- A6: Gimme Some (3:01)
- B1: Feeling Good (From The Musical The Roar Of Greasepaint) (2:55)
- B2: One September Day (2:50)
- B3: Blues On Purpouse (Instrumental) (3:18)
- B4: Beautiful Land (From The Musical The Roar Of Greasepaint) (1:56)
- B5: You've Got To Learn (2:44)
- B6: Take Care Of Business (2:06)
black vinyl[24,79 €]
Given her extensive and varied recording catalog, if you're looking for a place to explore the talents of the late Nina Simone, then 1965's I Put a Spell On You is a great place to dip your toes - particular if you want to start with her more pop oriented sides.
The set features a truly eclectic mixture including stabs at jazz (the instrumental "Blues On Purpose"), R&B (the title track), French chanson ("Ne Me Quitte Pas") and a number of show tunes.
- Rendezvous - Hifi Remaster
- Voyage - Hifi Remaster
- Rainy Streets - Hifi Remaster
- Masquerade
- The Night Watch - Hifi Remaster
- Ricochet Bounce - Hifi Remaster
- Motp - Hifi Remaster
- Blue Wind - Hifi Remaster
- Take 3 - Hifi Remaster
- Get Back (To Soulful Music) - Hifi Remaster
- Last Night's Dream - Hifi Remaster
- Camellia (Bonus Track) - Hifi Remaster
Remastered and cut at 45 RPM, using a one step process for the highest fidelity. First batch of 300 are available now.The Break of Dawn marks the debut full-length from Japan's Blue In Green, a composer and guitarist whose work quietly bridges bossa nova, jazz, and hip- hop. Originally released in 2011, this newly remastered edition presents 11 tracks with unhurried rhythms, gentle piano and guitar lines, subtle horns, and warm analog tones, creating an atmosphere that feels both sophisticated and inviting -- perfect for late nights, slow mornings, or lazy summer afternoons.One step records stand out from regular vinyl by simplifying the traditional three step process down to just one.
With fewer steps, there's less loss along the way, giving these pressings high fidelity sound and a more lifelike listening experience.Mastered by Mark DannLacquers Cut by Misjah@24MasteringManufactured by MobinekoMetal Processing by FutonekoTaken from the original digital masters, remastered to tape, and cut to lacquers from digital files.
- A1: Burn You Up, Burn You Down 04:23
- A2: More Than This 6:12
- A3: Games Without Frontiers 5:01
- A4: Downside Up 5:30
- B1: Mercy Street 6:39
- B2: Darkness 6:45
- B3: Digging In The Dirt 6:31
- B4: The Tower That Ate People 5:01
- C1: San Jacinto 8:24
- C2: Shock The Monkey 5:26
- C3: Signal To Noise 8:04
- D1: Secret World 8:26
- D2: Father, Son 4:26
- D3: In Your Eyes 10:00
"In The Big Room" enthält Aufnahmen von Peter Gabriel und seiner Band, die am 23. November 2003 live im Big Room der Real World Studios aufgenommen wurden.
Dieses intime Konzert war für Mitglieder von Peter Gabriels Full Moon Club und fand während einer kurzen Reihe von Live-Shows im November 2003 statt, zu denen auch ein Auftritt für die britische Wohltätigkeitsorganisation Children in Need im Cyfarthfa Castle in Merthyr Tydfil, eine Show im Brighton Centre und das Nelson Mandela 46664 Concert in Kapstadt gehörten.
Das 14 Songs umfassende Set enthält Material, sowohl aus der "Growing Up" Live-Tournee von 2002/2003 – Gabriels erster Tournee seit 10 Jahren, die mit der Veröffentlichung seines Albums "UP" einherging – als auch aus der anschließenden "Still Growing Up" Live-Tour, die sich über einen Großteil des Jahres 2004 erstreckte. Besonders bemerkenswerte Ergänzungen zum "Growing Up" Live-Set sind "Burn You Up, Burn You Down", "Games Without Frontiers" und "The Tower That At People".
- A1: I'd Like To Know (4 01)
- A2: Caught By The Fuzz (2 18)
- A3: Mansize Rooster (2 35)
- A4: Alright (3 00)
- A5: Lose It (2 38)
- A6: Lenny (2 45)
- B1: Strange Ones (4 01)
- B2: Sitting Up Straight (5 39)
- B3: She's So Loose (2 08)
- B4: We're Not Supposed To (3 01)
- B5: Time (3 38)
- B6: Sofa (Of My Lethargy) (2 41)
- B7: Time To Go (1 51)
Die 1993 in Oxford gegründete Band Supergrass, Gewinner der BRIT Awards, Q Awards, NME Awards
und des Ivor Novello Awards, zählt zu den einflussreichsten Bands der 1990er Jahre. Sie verkaufte mehrere
Millionen Tonträger, landete sechs Top-10-Alben und zehn Top-20-Singles in Großbritannien. Ihr für den
Mercury Prize nominiertes Debütalbum „I Should Coco“, das Platz 1 der Charts erreichte, katapultierte
sie ins Bewusstsein der Öffentlichkeit, nicht zuletzt dank ihrer Nummer-eins-Single „Alright“ aus dem Jahr
1995. Die Band feierte das 30-jährige Jubiläum ihres legendären Albums „I Should Coco“, das neben dem
Welthit „Alright“ auch die Fanfavoriten „Caught by the Fuzz“, „Lenny“ und „Mansize Rooster“ enthält.
Um dieses Jubiläum gebührend zu feiern, kam die Gruppe für eine Welttournee wieder zusammen. Im
Mai 2025 spielten sie unter anderem eine ausverkaufte Tournee durch Großbritannien und Irland (mit drei
Konzerten im Londoner Roundhouse) sowie Konzerte in Australien, Südamerika und Nordamerika. Sie
traten auch auf mehreren großen Festivals auf, darunter dem legendären Glastonbury Festival.
„I Should Coco“ ist jetzt als schwarze LP mit bedruckter Innenhülle erhältlich.
Denver Cuss presents her first 7" single release and her debut with UK independent label LRK Records.
'Crossed My Mind' backed with 'You Don't Get It' is out on streaming services on the 30 January, with the 7" out on the 27th February. It follows her 2024 album 'Leaving Me', which was described as "a nostalgic masterpiece" - Sommer Zeit magazine, earning a feature in Rolling Stone Germany, and a series digital singles, which have been played on the Craig Charles Funk & Soul Show on BB6 Music as well as Noble & Heath's Soho Radio show.
Denver is an Irish, London-based musician and producer, who makes classic R&B and Soul-influenced music, having graduated as the prize-winning jazz vocalist from the London College Of Music. She has since stepped into a world of live and session singing, alongside her solo project, delving deep into girl-group harmony, Northern Soul and classic Rhythm and Blues.
For this release, she captures the essence of '60s record-making, working with collaborator/producer PM Warson and engineer Ed Deegan at the all-analogue Gizzard Recording in East London. Backed by some of London's finest young musicians, she cut her vocal live, bypassing the trend for layered productions and imitation, in favour of a direct, live and soulful approach, direct to tape. The result is two of the most authentic '60s Pop/Soul sides you're likely to hear this year
Some 30 years after they first met in the DJ booth of Tokyo’s Spacelab Yellow nightclub, close friends François Kevorkian and Dimitri From Paris have finally joined forces in the studio. The result is The Nassau Excursion, a dazzlingly good three-track EP inspired by their joint love of disco and boogie-era dance records made at Island Records’ Compass Point Studio in the Bahamas.
Across three essential tracks, François and Dimitri explore and celebrate this distinctive Caribbean post-disco sound – one where weighty basslines and heavy drum machine beats rub shoulders with early ‘80s synths, dub-style production, heady hand percussion patterns and arrangements drenched in space echo and tape delay.
James Ruskin's Blueprint Records continues its 30-year celebrations with a new EP by Kr!z who returns with his fourth EP for the label. Kr!z made his Blueprint debut in fine style with his "Neutrino EP" in 2022 and went on to deliver the "Revelation EP" in 2023 and "Horo EP" in 2024 so it's fitting that he's back to join in this landmark label anniversary.
Kr!z has been at the forefront of techno for more than a decade. Influenced by the hypnotic and energetic sound helmed by veterans such as Jeff Mills, Steve Rachmad and James Ruskin, he gradually but steadily developed his own identity in the international techno scene.
After making a name for himself as a skilled DJ with sharp focus and a quick mixing style in home country Belgium and the Netherlands, Kr!z launched Token Records in 2007. It has since been a leading outlet for heady, purist sounds. He rapidly established the label as a fixed value with a timeless and powerful sound and took it around the world with label nights on every continent. Token remains important in defining techno today - always straightforward, sometimes weird, often catchy - all under the helm of Kr!z as avid A&R.
After 12 years spent assiduously focused on curating the Token discography, showcasing artists he has nurtured and supported over this time, and incorporating the connoisseur's knowledge and experience he has cultivated in his work as a DJ, in 2019 he released his own debut EP "Mantra" on the label, earning high acclaim from both media and key DJs. Since then, he has continued to develop a strong body of work, regularly releasing on the influential Blueprint Records and SK_eleven alongside his own Token imprint, and producing aseries of notable remixes. This steady output has established him as a key figure within the techno landscape, recognized for both consistency and artistic depth.
Kr!z's latest Blueprint EP "Footprints" is released 13th March on vinyl and digitally.
Repress on babyblue vinyl. Limited to 300 copies. Jalamanta was a life changing record for me. Its the record that launched my journey as Brant Bjork. Listening to the tapes 20 years later was amazing. Tony Mason and myself were transported back to that moment in time. Jalamanta was a first for both Tony and myself. My first record as a solo artist and his first record as an engineer. We didnt think twice about re-mixing it. With our combined experience over the years, we knew we could take Jalamanta to the place we always wanted it to go..and we did. Dig it. BB
- A1: Acid Moon 06:29
- A2: Son Of The Forest 06:05
- A3: Arise 04:30
- A4: Interwebspider 04:55
- B1: Fruit Of Knowledge 05:42
- B2: Manta Magic 04:30
- B3: Basking In The Rain 06:14
- B4: Breathe 05:20
Triple J refers to him as "the multi talented creative whose chaotic and sweet energy has coined him as a force to be reckoned with both on and off the dancefloor."
In collaboration with Method Music, Impressed are proud to present STÜM's EP's SONS OF THE FOREST/ FRUIT OF KNOWLEDGE, pressed together for the first time ever on limited edition vinyl.
"a rising prospect who’ll be sound tracking so many euphoric moments in your life." JJJ
- Matches
- Frightening Machines
- Sirius
- Hurricane
- Madeleine
- Atlas
- A Matter Of Time
- Table Four
- I'm Always Willing
- Could This Be Enough?
RED SMOKE COLORED VINYL[23,11 €]
The new record follows Priddy"s sophomore LP "The Pendulum Swing" which firmly established her as one of the most exciting artists on the contemporary British music scene. Produced by Rob Ellis (PJ Harvey, Anna Calvi, Bat for Lashes), "These Frightening Machines" was written over the course of a year as Priddy made the transition from her 20s to her 30s. The most sonically varied of her career, the songs span a full spectrum of emotions from anger and despair to hope, longing and lust, from reclaiming the voices of women silenced by history, to expressing solidarity and love, to confronting illness, disconnection, the vulnerability and importance of relationships, and the general ache of growing older and not always wiser. They explore what it means to keep going when things fall apart, to hold onto connections in a world that sometimes divides, and to figure out where we fit into the machines and systems we find ourselves a part of.
The new record follows Priddy"s sophomore LP "The Pendulum Swing" which firmly established her as one of the most exciting artists on the contemporary British music scene. Produced by Rob Ellis (PJ Harvey, Anna Calvi, Bat for Lashes), "These Frightening Machines" was written over the course of a year as Priddy made the transition from her 20s to her 30s. The most sonically varied of her career, the songs span a full spectrum of emotions from anger and despair to hope, longing and lust, from reclaiming the voices of women silenced by history, to expressing solidarity and love, to confronting illness, disconnection, the vulnerability and importance of relationships, and the general ache of growing older and not always wiser. They explore what it means to keep going when things fall apart, to hold onto connections in a world that sometimes divides, and to figure out where we fit into the machines and systems we find ourselves a part of.
- 1: The Yellow Tinker (Slow Reel) 03:03
- 2: Liostáil Mé Le Sáirsint (Song) 03:11
- 3: The Donegal Selection: An Bóthar Mór/Tommy Peoples’ Reel/Is Cuma Liom (Reels) 0:24
- 4: Faoiseamh A Gheobhadsa (Song) 05:18
- 5: Port Árainn Mhór/Port Kitty Rua Mooney (Jigs) 03:30
- 6: The House Of Baoithín Selection: Miss Stewart’s/Bonnie Annie/Hand Me Down The Tea Things/House Of Baoithín (Reels) 03:54
- 7: The Barley And The Rye (Song) 03:18
- 8: An Gasúr Dána/An Ghirseach Dholba/Ríl Na Mbreac Beadaí (Reels) 04:0
- 9: Gabhaim Molta Bríde (Song) 04:2
- 10: The Letterkenny Blacksmith/John Doherty’s Favourite/Scread Na Bealtaine (Reels) 04:16
Altan is arguably the most iconic band working in traditional Irish music today. For the past 35 years, they have brought the music of their native County Donegal to the world stage. The band's newest album, aptly titled Donegal , pays homage to County Donegal's rich musical heritage, breathtaking landscapes, and vibrant culture. The music's authenticity and allure transport listeners to a bygone era in rural Ireland while forging a connection between the past and the present.
Featuring co- founder, lead vocalist, and fiddler Mairead Ni Mhaonaigh ; newest member Clare Friel on vocals and fiddle; accordionist Martin Tourish; guitarists Daithi Sproule and Mark Kelly; and Ciaran Curran on bouzouki and mandolin. With Jim Higgins (percussion), Steve Cooney (bass), and Graham Henderson (keyboards). Recorded by Manus Lunny at Seafront Studio in County Donegal, Ireland.
- 1: Second Hand Love
- 2: Someone Else's Boy
- 3: Together
- 4: Too Many Rules
- 5: (He's My) Dreamboat
- 6: Gonna Git That Man
- 7: Pretty Little Baby (In Japanese)
- 8: Don't Break The Heart That Loves You
- 9: Pretty Little Baby
- 10: When The Boy In Your Arms (Is The Boy In Your Heart)
- 11: It Happened Last Night
- 12: Baby's First Christmas
- 13: Breakin' In A Brand New Broken Heart
- 14: Hollywood
Color Vinyl[41,60 €]
- 1: Second Hand Love
- 2: Someone Else's Boy
- 3: Together
- 4: Too Many Rules
- 5: (He's My) Dreamboat
- 6: Gonna Git That Man
- 7: Pretty Little Baby (In Japanese)
- 8: Don't Break The Heart That Loves You
- 9: Pretty Little Baby
- 10: When The Boy In Your Arms (Is The Boy In Your Heart)
- 11: It Happened Last Night
- 12: Baby's First Christmas
- 13: Breakin' In A Brand New Broken Heart
- 14: Hollywood
Black Vinyl[39,92 €]
Clear Vinyl / Pressed 180 grams.
Third Proces Kabaal Recut project offers three organic acid trips. Defenitely unformated live feelings out of conventions and in total cohesion of the Ned' acid music since ages.....
INFO :
A1 - Masscalation from BBQMasters is a repress from Proces Kabaal 02 (2003).
B1 - Why Birds Die In Our Court from Tamahata is a repress from Proces Kabaal 01 (2002)
B2 - 3000 from Smokescreensis a repress from Proces Kabaal 04 (2008).
- 1: Ameisenstaat
- 2: Was Ist Bloß Passiert?
- 3: Grüne Haare
- 4: Meine Revolution
- 5: Der Neugierige Nachbar
- 6: Glücklich
- 7: Im Fadenkreuz
- 8: Filmriss
- 9: Nie Im Leben
- 10: Die The Mick Joggers
- 11: Obdachlos & Trotzdem Sexy
- 12: Der Jüngste Tag
- 13: Knochenfabrik
- 14: Frühstückspause
- 15: Dein Testament
- 16: Es Ist Schade
- 17: Notruf
- 18: Scheiss Zivildienst
- 19: Kleingeld
- 20: Zurück An Land
- 21: Bring Dich Um
- 22: Ich Hör Dir Nicht Zu
- 23: Fickensaufenschalkeoi!
Die Ameisenstaat Platte wird nunmehr 29 Jahre alt. Mit 26 war sie bereits zum ersten mal beim Schönheitschirurgen und wurde kernsaniert. Im Sinne eines ganzheitlichen Schönheitskonzeptes wurde ihr ein einwöchiger Aufenthalt im Zoetrope-Beautysalon spendiert. 54 Einzelbilder sagen mehr als 1000 Worte. So viele Einzelbilder braucht es um eine Picture Platte zum leben und zum Sterben zu erwecken. Auf dem Vinyl wird der Lebenszyklus einer Ameise von der Geburt bis zum Tod nachgezeichnet. Um die Ameise zum leben (bzw. sterben) zu erwecken benötigt ihr: die Knochenfabrik LP Ameisenstaat Zoetrope Vinyl Edition, eine Stroboskop-App fürs Handy die 1800 RPM bzw 30 HZ kann, wahlweise ein Handy dessen Videofunktion 30 Frames/Sekunde kann. Platte auflegen, Geschwindigkeit auf 33 RPM und bei sehr hellem Licht (idealerweise direktes Sonnenlicht) mit der Handkamera filmen. Die Framerate muss 30 fps (=Frames per Second) betragen, das ist üblicherweise voreingestellt. Je heller die Beleuchtung desto schöner der Effekt. Eine weitere Möglichkeit ist das Beleuchten der Platte mit einem Stroboskop. Es gibt zahlreiche Stroboskop Apps fürs Handy, der Blitz muss individuell einstellbar sein. Eine Strobo-App die ausschliesslich im Takt der Musik blitzt ist hierfür ungeeignet. Die Blitzrate muss hierbei auf 30 Hz bzw. 1800 RPM eingestellt werden. Hier gilt je dunkler die Umgebung desto schöner der Effekt.




















