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DJ HS presents "Booty Shake EP" on Ghoststyle

A legendary figure of the Belgian electronic scene and one of the iconic DJs of the famous Lagoa, DJ HS returns to Ghoststyle with Booty Shake EP, a four-track release showcasing the sound that has made him a favourite among clubbers for decades.

Featuring Booty Shake, Spectrum, Shut Up and Acid Twist, the EP delivers four driving cuts packed with infectious grooves, pounding rhythms and unmistakable acid flavours. Staying true to DJ HS's signature style, each track is built for maximum dancefloor impact while preserving the raw spirit of authentic underground electronic music.

Whether you're looking for energetic peak-time weapons or timeless club grooves, Booty Shake EP is a solid addition to any DJ bag and vinyl collection.

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DJ HS présente "Booty Shake EP" sur Ghoststyle

Figure emblématique de la scène électronique belge et DJ incontournable du mythique Lagoa, DJ HS signe son retour sur Ghoststyle avec Booty Shake EP, un EP de quatre titres qui reflète parfaitement le son qui fait vibrer les clubs depuis des décennies.

Composé de Booty Shake, Spectrum, Shut Up et Acid Twist, cet EP rassemble quatre productions percutantes mêlant grooves entraînants, rythmiques puissantes et touches acid irrésistibles. Fidèle à l'univers musical de DJ HS, chaque morceau est pensé pour offrir un impact maximal sur le dancefloor tout en conservant l'esprit brut de la musique électronique underground.

Que ce soit pour les DJs à la recherche d'armes redoutables pour le peak time ou les amateurs de vinyles électroniques authentiques, Booty Shake EP trouvera naturellement sa place dans toute collection.

*Originally pressed in 2021 - this is a brand new master and cut.**

In partnership with Analogue Foundation, Oshu Records is proud to present the exclusive vinyl repress of "Laroyê" in a thick cardboard tip-on gatefold jacket on 2x 180g vinyl.

Acclaimed Hungarian, Berlin-based producer, composer and pianist Àbáse (AKA Szabolcs Bognár) returns, sharing a special, 5 anniversary remaster of his breakthrough project 'Laroyê'. Releasing on Friday 1 May via Bridge The Gap & Oshu Records, this sensitive exploration of Afro-Brazilian culture originally began as an audio diary, documenting Szabolcs’ travels and collaborations in Brazil through a collection of voice memos, fragmented beats, sketches and field recordings. As his journey progressed, and his collaborations and research deepened, the music project started to take on its own life:

"Laroyê evolved through weeks and months of research and collaborations into the album that it is now. That means that all the sessions were done in different apartments, small studios, often with borrowed equipment, which all adds to the character, but makes the creation of a coherent sound a challenge. Benjamin Tierney, Erik Breuer and Analogue Foundation did an incredible job with the mixes and with this new remaster. I truly believe that we are able to hear the tracks in a new light, with even more depth and clarity."

Coming from the West African Yoruban language, Àbáse stands for "collaboration" – a key element of the music perfectly encapsulated on 'Laroyê'. Recorded in Rio de Janeiro and Salvador, Àbáse spent five months working with diverse artists, from young talents to veterans of the Brazilian scene including Letieres Leite, Luciane Dom, Dofono d'Omolu, Afrojazz and more. The album explores the rich heritage of afro-brasilian culture through samba, MPB and Candomblé, mixing these with broken beat, hip hop and afrobeat, creating a contemporary homage to the classic Brazilian sound. Szabolcs shares:

"Despite already leading and managing musical projects that are close to my hearth, I always felt that one day I would like to start a solo project, where I could take full responsibility for the artistic direction and the music would reflect a truly personal vision. In 2017, I decided to take five months to fulfil a childhood dream and travel to Brazil to expand my creative horizon and expose myself to new influences."

An album standout is the bass-heavy, afro-brazilian ‘Agangatolú, which Àbáse describes as "best exemplifying the story and concept of Laroye as a collaborative effort - a research project exploring the rich heritage of Afro Brazilian culture through my own lens." The track features singers and percussion players Jadson Xabla and Gabriel Santana - two artists based out of one of the oldest terreiros (houses of worship) in Bahia, whilst drummer Jorge Dubman is an integral part of one of the most famous afrobeat bands from Salvador IFA. The contributions of one of Szabolcsoldest collaborators - Hungarian flautist Fanni Zahar - also made the track a full-circle moment.

On a quest for cosmic grooves of unity, Àbáses music pulls from an eclectic blend of global reference points, including modal jazz, Hungarian folk, West African, Brazilian, hiphop and underground electronic music. His work has drawn widespread critical acclaim from the likes of MOJO, Songlines, Soulection and The Guardian, and been supported by key tastemakers including Gilles Peterson, Jamz Supernova and BAMBII. As a keyboard player, Szabolcs has also collaborated with the likes of Wayne Snow, Dele Sosimi, Patti Smith, Emmanuel Wilkins, Gulty Simpson and Zeitgeist Freedom Energy Exchange.

'Laroyê' (2026 Remaster) will release on Friday 1st May via Bridge The Gap & Oshu Records.

Bondage-Music proudly welcomes back Mihai Popoviciu with his latest EP, “Pick Up The Phone.” A familiar name on the label, Popoviciu returns with another refined selection of deep, groove-driven house music, combining his trademark rolling rhythms, warm basslines and subtle atmospheric elements.
With a sound that effortlessly balances depth,­ hypnotic grooves and dancefloor energy, Mihai Popoviciu has established himself as one of the distinctive voices of contemporary house music. “Pick Up The Phone” continues this signature approach across four tracks, delivering a focused and timeless club release.
For this edition, Bondage-Music presents the EP as a Limited Splatter Edition on 180G vinyl. Adding to its collectability, two tracks are available exclusively on vinyl, making BOND12086 a special release for DJs and vinyl enthusiasts alike.

Originally released in 2009, this massively in-demand record has been changing hands for anywhere between £50 and over £100 now finally available once again. You only need to check the width and depth of the DJ support tells you all you need to know.

DJ Support: A-Trak, Andy & Jaymo, Annie Mac, Brodinski, Cagedbaby, Damon Martin, DJ Mehdi, Erol Alkan, Filthy Dukes, Groove Armada, Hell, Jesse Rose, Joe Ransom, Kissy Sellout, Kris Menace, Pedro Winter, Riton, Rory Phillips, Seth Troxler, Severino, Shit Robot, Simian Mobile Disco, Thomas Schumacher, Trevor Jackson and The Whip

Retro Grade, (Serge Santiago and Tom Neville) an exciting act on the electronic music scene, revolutionising the world of Italo House with their release titled "Moda." This captivating track, infused with nostalgic vibes and infectious grooves, promises to transport listeners back to the heyday of '90s dance music while maintaining a fresh and contemporary sound.

"Moda" showcases Retro Grade's ability to seamlessly blend classic Italo House elements with modern production techniques. The track features pulsating bass lines, and euphoric synth melodies all meticulously crafted to create an irresistible sonic experience. From start to finish, "Moda" exudes an infectious energy that gets floors moving.

Not content with delivering a stellar original track, Retro Grade enlisted the talents of acclaimed artist Sound Klash to provide a mind-blowing Remix of "Moda." Sound Klash, known for this boundary-pushing approach to music production, puts his unique spin on the track, infusing it with his signature dubbed-out house sound. The result is an extraordinary reimagining that takes "Moda" to different heights, showcasing Sound Klash's unparalleled ability to reinvent and elevate electronic music.

"Moda" and its captivating Sound Klash Remix are set to make waves across the scene.

TAR049 Krist - Tar 49 - TH Tar Hallow You've been exploring. You found the works of a conceptual, self-referential recording. A piece that fits directly into time; micro grooves who loop within a zero-time window. Time passes, but no real-world time has elapsed yet. All is made out of flashing, green or white lights. A1 - Krist - Abstract Life A2 - Krist - The White Light B1 - Krist - Outro B2 - Krist - Polaris B3 - Krist - The Green Light

,Settle Down City" war 2006 das Debütalbum von Young Widows und markierte den Neubeginn der Musiker nach dem Ende der Hardcore-Band Breather Resist. Die Gruppe aus Louisville entwickelte darauf ihren charakteristischen Stil aus Post-Hardcore, Noise Rock und düsterem Post-Punk, geprägt von schweren, basslastigen Grooves, kantigen Gitarren und einer intensiven, oft beklemmenden Atmosphäre. Einflüsse von Bands wie Fugazi, Hoover, The Jesus Lizard und den Melvins sind deutlich hörbar, werden jedoch zu einem eigenständigen Sound verarbeitet. Im Zentrum stehen das kreative Gitarrenspiel von Sänger Evan Patterson sowie das kraftvolle Zusammenspiel der Rhythmussektion mit Nick Thieneman und dem damaligen Schlagzeuger Geoff Paton. Die Songs verbinden rohe Energie mit ungewöhnlichen Songstrukturen und legten den Grundstein für die spätere Entwicklung der Band zu einer der wichtigsten Noise-Rock-Formationen ihrer Generation. Zum 20-jährigen Jubiläum erscheint ,Settle Down City - Anniversary Edition" in einer umfassend überarbeiteten Fassung. Das Album wurde von James Plotkin neu remastert, mit restauriertem Original-Artwork versehen und um den bislang unveröffentlichten Bonus-Track ,White Water" erweitert, der bereits während der ursprünglichen Aufnahmesessions entstand. Die limitierte Neuauflage auf opak-gelbem Vinyl bietet damit die definitive Version eines Albums, das den Beginn der inzwischen zwei Jahrzehnte andauernden Karriere von Young Widows dokumentiert.

alex albrecht returns to mule musiq with his second release for the label, following his 2022 ep “a clearing.” while “a clearing” explored a more delicate and slow-moving side of his sound, this new four-track ep finds albrecht moving deeper into the rhythm. warm, organic textures, subtle melodies and hypnotic grooves come together to create a sound that feels both deeply electronic and strangely natural.
“in service” opens the record with a driving, spacious groove, gradually revealing layers of melodic detail. the title track, “in the turpid heat of the afternoon,” follows with a deeper and more hypnotic ap-proach, balancing a steady pulse with hazy, atmospheric textures.
on the b-side, “shutter encoder” pushes the rhythmic element further, with a restless, intricate groove and a more kinetic energy. “folding & unfolding” then brings the ep to a more spacious and reflective conclusion, slowing the pace while retaining the subtle movement that runs throughout the record.
across all four tracks, alex albrecht finds a beautiful balance between club music and more contempla-tive listening. it is a natural continuation of his relationship with mule musiq, but also a clear step for-ward from “a clearing” — deeper, more rhythmic and quietly psychedelic.

welcome back, alex albrecht.

The 3rd VA for Méchante Recordings is now available in Pre Order.

Still exploring our love for dubby and bouncy tech house, this release brings together four distinct and complementary takes on the dancefloor.

DAV, Ohara, Nizar Sararki and Rossiter take us on a journey through deep grooves, rolling basslines and hypnotic textures, blending dubby atmospheres with playful, driving rhythms.

A selection made for late nights, warm systems and heads-down dancing, while continuing to shape the evolving sonic identity of Méchante Recordings.

Still vinyl only.

The journey continues.

For the seventh edition of the Vega Records 5 Pack Unreleased series, Louie Vega once again opens the vault to reveal a special collection of unreleased recordings, alternate versions, remixes, demos, tribute reworks and deep cuts from the Vega Records musical family.

5 Pack Unreleased VII brings together 15 tracks across five 12-inch records, showcasing the wide musical spectrum that has always been part of the Vega Records story. From soulful house and deep grooves to jazz, soul, Brazilian influences, live instrumentation, Latin influences, powerful vocals, disco-rooted rhythms and the freedom to experiment in the studio, this collection moves through many different sides of the music.

Some of these recordings have been waiting patiently in the vault. Others represent alternate versions of songs that continue to evolve through different interpretations. Together, they create another musical journey through the sounds, collaborations and ideas that have shaped the Vega Records universe.

These final recordings speak to something that has always been important to Louie’s musical journey: respecting the music that came before while finding a way to reinterpret it through his own musical language.

From Loleatta Holloway and Duane Harden to Elements Of Life, 2SoulFusion, Domo Domo, Brutha Louie & Brutha Basil, and the tribute recordings, 5 Pack Unreleased VII brings together different generations, different voices and different musical influences under one roof.

The Elements Of Life sound continues throughout the collection, with “Sunshine (I Can Fly),” “Every Step” and “Dreamer” offering special previews into the musical direction of the forthcoming 2027 Elements Of Life album.

This is the seventh chapter of the series, but the philosophy remains the same:

Open the vault.
Share the music.
Let the DJs discover it.
Let the dancers feel it.
Five records.
Fifteen tracks.

A collection of unreleased music, special versions, studio discoveries, tributes and musical experiments from the world of Vega Records — with plenty more waiting inside the vault.

Library of the Occult presents ‘The Empress’ the collaboration between Paul Elliot (Pleasurewood) and Paul Osborne (Project Gemini)

Turn the card and follow your destiny into a dreamscape of vintage magic. Fortune Teller is a deck stacked with analogue glamour and midnight omens where fuzz and mysticism collide. But who is the mysterious Empress? Some say she’s a soothsayer of sound whose grooves are eternal. Others say she’s a front for instrumental masterminds

Paul Osborne of Project Gemini and Paul Elliott of Pleasurewood, paying homage to library labels like Sonoton, MP 2000 and CAM. No matter the truth, this is an album that foretells what’s yet to come via electronic sorcery, acid invocations, and some hot hot synths.- Thomas Patterson

A.P. and Rowland The Bastard provide 2 tough warehouse techno tracks each for the iconic Cluster label. A.P. gets slightly funky on City Fever but then pounds hard on You Are What You Are, whilst Rowland delivers sinister grooves on Barabas, and more straight ahead dynamic power on Overlab Sub Stab.

"Collect Records 05 welcomes one of the most respected names in contemporary American deep house. On The Realest EP, DJ Aakmael delivers four beautifully crafted tracks that embody the timeless essence of the genre, blending deep, soulful grooves with rich jazz influences, warm analogue textures and unmistakable swing. Rooted in the traditions of Detroit and New York while carrying his own unmistakable signature, Aakmael effortlessly balances dancefloor functionality with musical depth. Pressed in Portugal by Grama Pressing, mastered by Mike Grinser at Manmade Mastering in Berlin, and distributed worldwide by Clone Distribution, COLL05 continues Collect Records' commitment to timeless underground music, bringing together artists whose work transcends trends and speaks directly to dedicated listeners and dancefloors alike."

Die Rare Groove Collection: Ethiopian Rare Groove beleuchtet einen der faszinierendsten Schmelztiegel moderner Musikgeschichte. In den Clubs und Cabarets des vibrierenden Addis Abeba der 1960er und 1970er Jahre entstand ein einzigartiger Sound, der äthiopische Traditionen mit Soul, Funk, Jazz und Disco verschmolz. Diese Edition versammelt rare und prägende Aufnahmen einer Szene, die bis heute weltweit nachhallt. Künstler wie Mulatu Astatke, Mahmoud Ahmed oder Getatchew Mekurya stehen für eine Musik von hypnotischer Kraft, getragen von polyrhythmischen Grooves, markanten Bläserlinien und unverwechselbaren Melodien. Das Doppel-Vinyl ist mehr als eine Compilation: Es ist ein musikalisches Zeitdokument, das die kreative Energie einer urbanen Hochphase einfängt - rau, elegant und zeitlos zugleich.

Diese Doppel-Vinyl-Compilation lädt ein in die warme, entspannte Welt des Lo-Fi-Sounds - eine Musik, die entschleunigt, Atmosphäre schafft und Nähe erzeugt. Versammelt sind prägende Künstler des Genres, die Lo-Fi, Downtempo, Jazz-Einflüsse und elektronische Gelassenheit miteinander verbinden. Mit Beiträgen von FKJ, Darius, Kid Loco, St Germain, The Mighty Bop, DJ Cam, DJ Spinna und weiteren wichtigen Namen entsteht ein vielschichtiges Panorama zwischen organischen Grooves, sanften Beats und subtilen Melodien. Die Auswahl richtet sich gleichermaßen an langjährige Liebhaber wie an neue Hörer, die Lo-Fi als eigenständige, zeitlose Form elektronischer Musik entdecken möchten. Ein stimmiger, sorgfältig kuratierter Sampler für entspannte Hörsituationen, stilbewusste Sets und alle, die elektronische Musik lieber fühlen als konsumieren. ENGThis double-vinyl compilation invites listeners into the warm, comforting world of lo-fi music - a sound defined by relaxed rhythms, organic textures and understated emotion. Featuring leading artists of the genre, the collection blends downtempo beats, jazz influences and laid-back electronic production. With tracks by FKJ, Darius, Kid Loco, St Germain, The Mighty Bop, DJ Cam, DJ Spinna and others, the album offers a broad yet coherent overview of lo-fi aesthetics. It appeals both to seasoned listeners and newcomers seeking a timeless, atmosphere-driven listening experience. A carefully curated selection designed for calm moments, focused listening and stylish musical environments

This new series is an atemporal series: Spicy Electro. Sexy vibes. Ecstatic sounds.

PORNOTRONIX brings together Dark Vektor, X-Truder, DJ Overdose and Calagad 13, turning this concept into music through machine funk, raw grooves and contemporary Electro. Four distinctive artists, four different approaches and one shared language where attitude, rhythm and underground spirit converge into a timeless Electro experience.

The truth remains timeless: Electro Is Aural Sex.

The intriguingly named Pigeon Steve joins Especial for an EP of trippy, psychedelic electronic dance music that goes far beyond its origin – a thirst for all forms of movement – a struggle filled with all possibility.

Since its inception, the label has sought to take inspiration from a wide range of music genres – new wave and new beat to disco-not-disco, post punk and proto-house – never looking for a trend. This belief system expressed is human; intimate and authentic, dissolving and uniting around shared truths and universal values.

Music as ecstasy, the flux of rhythm and sound, to find and be yourself; no guilt, no competition, no games. It is phenomenon – magick – that short circuits through human (emotional) response.

Relocated to South-East London, Glaswegian DJ and producer, Pigeon Steve aka Adam Low, showcases his talent. A dubby, trippy approach to DJing mirrored in his productions; the recent, well-received EPs on the esteemed Offen Music and Weirdos Inc lead here – an EP of sample heavy cuts, wrapped in echo-laden grooves, the beats dripping in psychedelic, new beat and steppers electronica.

Dialect locates us, through its cadences, inflections and intonations we journey through life. Language allows us to escape the lion in a cage. The moment we forget ourselves, we can reach joy and clarity. To live is to exist, the struggle against controls, fighting for an individual destiny.

OCS004 — Uväll, Arcane EP Uväll returns to our vinyl catalogue with "Arcane". Four tracks that hold to the uncompromising signature the producer is known for. Minimal and dark, the EP runs on hypnotic atmospheres and bouncy grooves. Stripped to essentials, built for the floor.

Blind Harmonies returns with its second release, this time welcoming Argentinian & Berlin based artist Augusto Taito for a powerful and deeply detailed EP. Built around four carefully crafted tracks, the release moves through driving rhythms, dynamic grooves and refined sound design, balancing raw club energy with subtle textures and hypnotic movement. Each track carries Augusto’s distinctive approach, functional yet emotional, precise yet alive. Alongside the driving moments, the EP also reveals a more personal side through a melodic piece filled with introspection and meaning, adding depth and contrast to the journey. A release designed for both the dance floor and deeper listening.

Hamburg's GOME joins the roster of Cinthie's 803 Crystal Grooves Collective Cuts sub-label here with a new fourtrack EP entitled 'Free Refill', featuring a collaboration with James Juke. GOME is shaking up dance floors worldwide with a raw, 90s-inspired House sound infused with Funk, Soul and Disco.

Having built a strong reputation through releases on Heist Recordings and his own Snackwax imprint, GOME has earned support from leading DJs and performed at renowned venues including Robert Johnson (DE), Berghain (DE), Golden Pudel (DE), Shelter (NL), Lofi (NL) or Blitz, to name but a few. Alongside celebrated live hardware performances and the community-focused "GOME + The Gang" events, GOME has become known for an authentic DIY approach, making this new 'Free Refill' project a fitting addition to the Collective Cuts catalogue. Leading the EP is the collaborative 'Keep The Party Going' with James Juke, an apt title for a frenzied five-anda- half-minute House jam featuring swinging, snappy drums, siren-like synth swells, gritty chord stabs and an amalgamation of vocal hooks throughout. 'Extraordinary' follows, employing a gritty electro-leaning bassline, a crunchy off-kilter rhythm section, twitchy arpeggio lines and a loopy, infectious vocal refrain. On the flip-side, 'CONGRATULATIONS' sees GOME lean heavily into House roots, perfectly aligned with the Crystal Grooves sonic aesthetic. Harkening back to 90s rave culture, it combines shimmering piano hooks, squelchy 303 licks, robust 909 drums and murky low-pitched vocals. 'You Make' then closes the EP, a loop-led cut fuelled by circling synth lines, bright strings, a bouncy low end and a fluttering vocal hook.

The debut release by Confusion on Incompetence Records documents an exercise in disciplined spontaneity, a jam session where organic interaction is rigorously shaped into form. Recorded live in Belgrade by Dmitrii Steinberg, Aleksei Siubaev, Viktor Volkovich, Evgenii Piankov, and Leonid Lipelis, the material was subsequently dissected and reassembled with a scalpel like precision reminiscent of Teo Macero’s landmark edits for Miles Davis. What emerges is not a loose improvisational document but a suite of cohesive constructed pieces: weightless structures suspended over a hypnotic pulse, steeped in cosmic vibes and soft psychedelia. There is a slo mo insistence to the grooves, a kosmiche drift that folds jazz funk rituals into something both intimate and expansive. For musicians previously orbiting rare groove, house, indie rock, and modern composition, Confusion expands their explorations into a terrain where genre dissolves into texture and intention. The record’s mesmerizing beauty lies in its restraint, motifs surface, dissolve, and return as if refracted through magnetic tape memory, each fragment locked into place yet breathing with human elasticity. Rather than presenting virtuosity, the quintet channels it into atmosphere, into a patient, glowing continuum that feels less like a jam and more like a carefully mapped inner cosmos, calibrated for deep listening and slow revelation.

Hell Yeah welcomes back Tonarunur for an EP of future-facing Balearica straight out of his native Iceland. Someone Else EP is drawn from vast production archives and reveals two distinct sides to his sound, with artwork from Planet Luke.

Tonarunur last appeared on the label with a track for the Buena Onda compilation in 2021, and has also released his unique blend of electronic boogie and space disco on Citizen of Vice, Eskimo Recordings and Whiskey Disco. Whether laying down horizontal Sunday sounds or soundtracking the dance floor, he always brings a strong sense of personality.

Both A-side cuts feature Norway's bass player Arctander, starting with opener 'Someone Else' is a lithe mid-tempo groove with a playful, wriggling groove and sun-dappled 80s keys. The blissful 'Dawn' unfolds slowly through liquid rhythms, gently broken beats and cosmic melodies awash with good vibrations. On the flip, 'Lundur 1' drifts into the stars on shimmering pads and floating grooves and is romantic yet melancholic, before 'Lundur 2' closes with a more grounded rhythm and wispy melodies tracing patterns across a starry night sky.

Equal parts sunset escapism and after-hours introspection, Someone Else EP drifts effortlessly between the club and the cosmos.

Dim City is a very juicey and special boy crafting hypnotic club music where deep grooves, acid textures and raw emotion collide - if it feels good, proceed with caution. Rarely seen and never chasing trends, every release is treated as a statement—designed for late-night dance floors rather than algorithms. With a sound balancing underground house, leftfield electronics and timeless rhythm, Dim City lets the music speak louder than the artist, building a reputation through carefully selected releases and uncompromising quality.

Can we still have fun with house music? Lets get mad, juicey & fun together.

Casabianca returns with Omatucada, the second vinyl release from Zagreb-based DJ and producer MIMI.

Omatucada is a journey through percussive sampled rhythms, combining live-recorded instruments, vocal textures, and analog synths across four original productions.

The title track, "Omatucada" opens with a rolling tribal beat and hypnotic vocal fragments, revisiting one of MIMI's earliest productions, originally written many years ago.

"O Lado Negro De Felix" ventures even deeper into dark tribal grooves, suggesting that there is always some light within the darkness, and vice versa.

The B-side moves into more cinematic territory. "VCM" builds driving momentum, drawing heavy influence fro

Across time and beyond genre, this is an audio component test record that continues to earn universal acclaim. Drop the needle and unleash the fateful grooves etched into its tracks.

The rediscovery of this album—originally produced as a test record for high-end audio systems—stands as one of the great rewards brought about by the rare groove movement. The project was led by the visionary Katsunori Ishida, who would later become renowned as a producer, composer, and arranger for numerous television and film soundtracks. Gathering an exceptional line up of musicians including Shuichi “Ponta” Murakami, Akira Okazawa, Mikio Masuda, Kenji Ohmura, and Tantan, Ishida crafted a sound that is both tight and sophisticated.

Tracks such as “Cool Head” and “Son Of Pin Head” showcase grooves that are at times as powerful as a hammer blow, and at others as thrilling as a rushing torrent. The musicianship, precision, and dynamic energy throughout are simply outstanding. Today, thanks to its remarkable level of craftsmanship and commanding presence, this album is recognized as a true masterpiece, admired and celebrated far beyond the boundaries of any single genre.

Sumptuous sunset moods stretch into late-night movement on Razzle Dazzle, a jazz-leaning return from a loosely aligned global cast of serious deep house players. The sequencing feels deliberate, easing in with 'Connection' before letting grooves deepen and loosen across the set. London legend Giles Smith brings gentle swing on 'Love Pain', while the ever inventive DJ Boring nudges things toward the floor with 'Gimmie V Alwin'. Further highlights arrive in the warmth of Chicago's Alton Miller and the hypnotic pull of KZR aka the one and only Kai Alce. Musicality meets seductive groove here in what is undeniably a high class collection.

Katsunori Ishida’s vision of true crossover music reaches its peak. Powerful grooves and striking sound define the resurrection of Zerosen’s legendary first album.

Zerosen was a group led during the 1970s by Katsunori Ishida, who would later gain recognition as a producer, composer, and arranger of numerous television and film soundtracks. With a fluid lineup and only a brief period of activity, the group disappeared almost as quickly as it emerged. The only recordings left behind were two albums originally produced as audio component test records. Yet these recordings would later gain worldwide attention as landmark examples of Japanese rare groove.

Remarkably, this debut album already presents a fully realized concept and sound. Highlights include the rolling groove and vibrant keyboard work of “Scramble”, the hard-driving beat of “Circuit”, and the mellow Caribbean-infused groove of “Majo no Sasayaki”. There is not a weak moment to be found.

Outstanding arrangements and performances generate a groove of exceptional power, while the album’s origins as an audio component test record contribute to its vivid and dynamic sonic character. Here lies crossover music in its truest sense—a timeless fusion of musicianship, groove, and sound quality.

2026 repress
Dino Sabatini welcomes Concrete Records owner Maurizio Cascella to Outis Music.
Together they created their Chiron EP, an important chapter on Outis, bringing Sabatini’s immersive hypno grooves and the captivating sonorities of Cascella together. The duo explores mythological and archetypal themes, intertwining the intensity of mental techno with dark and transcendental atmospheres.

GOBLYNS kündigen ihr drittes Album an: ein kompaktes, transformatives und mitreißendes Werk mit zahlreichen Toren, durch die man sich verlieren kann. Meisterhafte Synkopen und psychedelische Grooves stehen auf dem Programm, gepaart mit einer tieferen Auseinandersetzung mit traditionellem R&B-Songwriting. Franks Stimme ist auf der Hälfte der Titel zu hören und webt eine weitere Ebene in die unruhige, traumhafte Klanglandschaft des Albums ein.

GOBLYNS kündigen ihr drittes Album an: ein kompaktes, transformatives und mitreißendes Werk mit zahlreichen Toren, durch die man sich verlieren kann. Meisterhafte Synkopen und psychedelische Grooves stehen auf dem Programm, gepaart mit einer tieferen Auseinandersetzung mit traditionellem R&B-Songwriting. Franks Stimme ist auf der Hälfte der Titel zu hören und webt eine weitere Ebene in die unruhige, traumhafte Klanglandschaft des Albums ein.

Four percussion-heavy tribal techno tools on SDM008. Leaf-cutting flutes slice through bone-crushing grooves, royal frequencies rise above the dark, sub-heavy Baltic pulse. High energy on the A-side, deeper cuts on the flip.

,Orua, Maldiçao (2016-2026)" feiert das zehnjährige Bestehen der brasilianischen Band Orua und versammelt 20 Songs aus unterschiedlichen Schaffensphasen. Angeführt vom Gitarristen und Produzenten Lê Almeida verbindet die Band Lo-Fi-Indie-Rock, Psychedelia, Noise, Krautrock, Afrobeat und brasilianische Rhythmen zu einem hypnotischen, experimentellen Sound. Die Aufnahmen entstanden über viele Jahre hinweg an verschiedenen Orten und spiegeln die kreative Entwicklung der Gruppe wider. Bekannt für ihre energiegeladenen Improvisationen und tranceartigen Grooves, bewegen sich Orua zwischen atmosphärischer Psychedelia und verzerrtem Rock'n'Roll. Ihr internationaler Bekanntheitsgrad wuchs durch die Zusammenarbeit mit Doug Martsch von Built to Spill, mit denen Mitglieder der Band tourten und später auch am Album ,When the Wind Forgets Your Name" mitwirkten. Die Retrospektive zeigt eindrucksvoll, warum Orua zu den spannendsten experimentellen Rockbands Brasiliens zählt.

Ursprünglich am 9. Dezember 2024 als reine Digital-Single veröffentlicht und als Nachfolger seiner viralen Hit-Single ,Chicano Poetry" - diesmal mit dem beliebten Soul-Klassiker ,There's Nothing I Can Do About It" von Mike and The Censatios als Grundlage der Produktion. ,Nothing I Can Do" verbindet Obeds gefühlvolle, genreübergreifende Sensibilität mit John Givez' gesprächigem Hip-Hop-Stil und schafft so einen warmen, entspannten Liebes-Song, der von Nostalgie, Hingabe und lockeren West-Coast-Grooves durchdrungen ist. In seinen eigenen Worten: Es ist die gleiche Geschichte wie bei ,Chicano Poetry" - ich habe das Original gehört und konnte einfach nicht davon loskommen. Ich habe es zerhackt, meine eigene Produktion drumherum gebaut und den Refrain sowie meinen Vers ziemlich schnell geschrieben. Dann habe ich es meinem Kumpel John Givez geschickt und er kam mit einem Vers zurück, der das Ganze zusammenhielt. Wir haben es schnell auf die Beine gestellt, was für mich meistens ein Zeichen dafür ist, dass ein Song einfach da sein muss. Es ist ein Geheimtipp - die Art von Song, den die Leute erst spät entdecken und sich fragen, wie sie ihn übersehen konnten." Der mexikanisch-amerikanische Songwriter, Rapper, Produzent und Gitarrist, der in Oceanside, Kalifornien, zu Hause ist, verbindet Küstenmelodien, introspektive Texte und Einflüsse aus dem Latin-Alternative-Genre und lässt sich dabei von J. Cole, Kid Cudi, den Beach Boys und Stevie Ray Vaughan inspirieren. Als BMI Latin Spotlight-Künstler mit über 63 Millionen Aufrufen seiner TikTok-Beiträge verwischt Padillas neueste EP ,RODEO CLOWN - ACT I" weiterhin die Grenzen zwischen Glauben, Nostalgie und modernem West-Coast-Storytelling.

Symbol Of The Land marks Dialog's first beat-driven album, broadening the duo’s vision of dubwise electronic music into a long-player shaped by collaboration and global exchange.

Over the last two years, Helsinki-based producers Samuel van Dijk and Rasmus Hedlund have been refining their voice within modern dub techno, testing their material on the road and inviting kindred spirits to their studio for real-life feedback loops. During these sessions, they built the album around live mixing, repeatedly re-recording elements as they work, committing effects and modulation before pushing digital processes back out into analogue voltage.

Across the record, the smoky tones of their regular collaborator, Jamaican singer Benji, plus the original voice of dub techno Paul St. Hilaire (aka Tikiman) fold into an open exchange of rhythm, space and sound. Their musings are housed by warm, patient grooves across a range of tempos and moods; from the blissed-out, reggae style on “Mellow Mood” to the wispy and esoteric “Constellation Of Stars”.

The album, which follows a string of well-loved releases on the duo’s own DOT Records, lands via Richard Akingbehin’s Kynant imprint, a label regularly dialling into the transcendent qualities of vocal dub techno.

Peach Discs sends their last record of 2026 to the pressing plant in the form of G-Zip's wigg(l)ed-out, tech'd-up, but very much tuned-in "The Mystic Dog" EP.

A new house-focused alias from Stephen Howe – who you may remember from his excellent "Mimesis" EP for Joe Delon's Welt Discos, or his abso-fucking-lutely everywhere remix of Oklou – the G-Zip sound sits in the centre of the Venn diagram between London's tech-house pump and the blissed/blessed relief of deep house.

Hats from early grime instrumentals, interviews in club smoking areas, compilation skit tracks, video essays and jazz interludes – "The Mystic Dog" EP is built from a library of samples that extend far beyond house, tracing a deeply personal line through Stephen's influences and inspirations both past and present. Meticulously sequenced synth lines sit atop tightly woven Digitakt grooves, all mangled together through FX boxes and the Mackie desk that sits at the heart of his Berlin studio.

The EP sets out its stall with "Juiced (Monomania Mix)." Written after Stephen's first visit to Open Ground and inspired by a standout set from Fumiya Tanaka, it pairs stomping, techy drums and phat bass with a restless collage of mono synth patches that donk, squiggle and gurgle throughout.

"Missing Track" leans into contrast as a staccato bassline rubs up against the tighter than tight percussion, before skyscraping synths enter the picture to respond to the rhythm section's call. Flipping the record puts us back into banger territory with "Talking About Drums", as the tuned percussion and heavier-than-heavy subs nail the track to the dancefloor. Until the halfway point that is, when post-dubstep-indebted synths briefly arc across the stereo field – a glistening glow-up amidst the locked-in groove.

Closer "Mystic Dog" showcases Stephen's knack for idiosyncratic melody, as a wonky modular sequence twists and turns across the track while smack-in-the-face drums offer a bashy counterpoint. A classic B2 track if ever there was one, and wicked way to round off the EP.

(Oh, and there's a cheeky alternative mix of "Juiced" as a digi bonus for the hip-house heads).

Dajusch brings his distinctive sound to Backspin Records with 'Oracle', a five-track EP that showcases his instinct for powerful grooves, deep low end and carefully selected synth work, rounded out by a remix from Dutch techno veteran Sterac. Another strong addition to Regal's Backspin Records, this EP balances Dajusch's musical sensibility with his feel for high impact club music, keeping the focus firmly on club functionality.

Opening with 'Boxer', Dajusch immediately strips things down to their essential elements. A buzzing deep bassline provides the foundation while a repeated vocal hook becomes the central motif, surrounded entirely by percussion including a punchy kick, heavy toms and crisp hats. 'Narrow' introduces a saw wave synth that functions simultaneously as bassline and lead, gradually building tension through repetition and a slowly opening filter before a droning pad leads into the return of the drums. Closing the A-side, 'Reeses Piece' is built around a wide gliding Reese bass moving across di?erent notes. A heavy breakbeat, clean claps and hats provide the framework while a high-pitched vocal brings a distinct 90s rave energy, with swinging toms adding movement to an already groovy production.

On the flip side, the title track 'Oracle' shifts the focus towards melody, with Detroit-influenced synth work taking centre stage. A classy melodic motive is complemented by heavily processed vocals transformed into euphoric, drone-like elements, adding another dimension without losing the track's directness. 'Strings' closes the original material with a hefty saturated kick while string synths carry the main theme. Drums straight out of a classic drumcomputer and warm chords build into a more expansive breakdown before returning to the groove. Closing the EP, Sterac's remix of 'Narrow' takes the original saw synth motive into a more hypnotic direction, playing with its pitch and arrangement while reducing the percussion and pushing an already deeper kick further into the mix, giving the synth work more space to breathe.

With 'Oracle', Dajusch delivers a focused statement rooted in classic Techno while remaining connected to a modern sound. Another strong addition to Regal's Backspin Records, this EP balances Dajusch's musical sensibility with his feel for high impact club music', reinforcing the label's dedication to forward-thinking techno with a clear respect for where techno came from.

As Shadow Pressings hits its 10th release the fledging vinyl-only label bring us five heavyweight basement jams, hand-picked from DJ Split’s own circle of friends and musical conspirators including one track from Split himself. Dusty machines creating stripped back grooves, strange frequencies, and raw, late-night club pressure. A little Chicago, a little Detroit, a little somewhere else entirely.

2026 Repress

¡NO PASARAN! is the extension to Extrawelt's DYSTORTION, from brooding tension to playful relief, the album took listeners on a six-year-crafted exploration. Their next EP picks up where this epic chapter left off and is clearly related. It's a hypnotic dive into shadow and dream, darkness and melancholy with subtle flashes of light.
The title track of the EP, already known from the album (D1 - Extrawelt - ¡No Pasaran!) carries a commanding presence, pulses with a rolling, insistent bassline that anchors shifting rhythmic currents and evolving sonic layers. Between tension and release, shadows and melody, it's a track that moves like a living entity.
Arctic Dead Run hits like a surge of raw energy. Acid lines roll relentlessly, building tension that feels alive. Then a melody sneaks in - soft, almost fragile - cutting through the intensity, until hi-hats erupt and the groove snaps into full focus. Maximal yet controlled, every element finds its place.
Clipping Me Softly dissolves the pressure with a dark, playful groove. Precise rhythms meet spacious pads, opening into a dreamlike state where night slowly gives way to warmth and light.
A focused and uncompromising continuation of Extrawelt's sonic language: Dense grooves, acid pressure, and dreamlike relief collide in a release built for deep listening and late-night floors.

Dutch-born and Singapore-based, Mike Risk has spent more than three decades immersed in house music. As a DJ, producer, promoter and agent, he has experienced the culture from multiple angles, building relationships and sharing dancefloors across Amsterdam, London, Ibiza, New York, Chicago, Singapore and beyond.

Now Is Forever is a full-circle moment. A statement. A celebration of a lifelong relationship with house music.

Mike first made his mark in the Dutch underground through Club Risk and later RiskSoundSystem, two platforms that helped shape nightlife culture in the Netherlands throughout the 1990s and 2000s. After decades spent championing the music of others, Now Is Forever is Mike adding his own chapter to the culture that shaped his life.

Created with longtime collaborator Greg van Bueren (Hardsoul) between Amsterdam and Singapore, the album is a deeply personal tribute to the music, people and places that shaped him. From the clubs of Amsterdam and London to the sounds of Chicago, New York and Detroit, it distils decades of dancefloors, record stores, studios and late-night conversations into one body of work.

From deep and soulful grooves to raw house cuts and acid-tinged late-night moments, Now Is Forever explores house music in its full spectrum. It reflects the way Mike has always approached a dancefloor as a DJ: not as a collection of tracks, but as a journey through the many moods and moments that make a greatnight unforgettable.

Featuring Mike Dunn, Bluey Robinson, Marc Evans and John Agesilas, the album brings together years of experience, inspiration and dedication. Crafted not out of commercial pressure but out of creative necessity, it is the product of pure love-for the culture, for the craft, for the music.

Now Is Forever is a past-forward record: rooted in the music, dancefloors and relationships that shaped Mike, while carrying their spirit firmly into the present. At its heart, it is about honouring the kid who first fell in love with house music-and never let go.

Because when you are truly lost in music, there is no past and no future. There is only now.

And now is forever.

SILVI005 welcomes Brizman back with Fall Down On Me – a vibrant, groove-driven EP that perfectly captures his signature sound. Built around rolling rhythms, warm textures, and hypnotic movement, the title track delivers the kind of infectious dancefloor groove Brizman has become known for.

The release also features a stunning second original production with Shigar, where beautiful piano arrangements blend effortlessly with Brizman's refined grooves, adding emotional depth while staying true to the EP's understated club aesthetic.

On remix duties, the package brings together two distinct interpretations. Minimal house legend Jay Tripwire delivers his unmistakable touch with a deep, sophisticated rework, while rising talent Danny David brings a fresh perspective to the release with a forward-thinking interpretation.

From the original productions to the carefully selected remixes, SILVI005 is a special release that celebrates timeless grooves, musicality, and the unique sound Brizman continues to shape on the dancefloor

Al Wahem (“The Illusion”) is the new full-length release by PRAED, the Swiss–Lebanese duo of Raed Yassin and Paed Conca. Recorded between Beirut and Berlin, the album returns to the group’s central aesthetic: a rhythm-driven weave of Egyptian shaabi, electronics, improvisation and the gritty pulse of street-level sound. Nearly twenty years into the project, PRAED have distilled their approach into four pieces that subtly shift the listener’s bearings, reordering grooves and fragments until familiar elements take on new identities.
The twenty-minute title track sets the tone. A tightly interlocking two-drum foundation from Pascal Semerdjian and Ayman Zebdawi shapes a structure that expands steadily: synth figures branch outward, clarinet and bass lines act as internal guideposts, and brief vocal calls from Yassin and guest singer Mayssa Jallad sit inside the texture rather than leading it. PRAED’s shaabi keyboard language is present, but the duo stretch it outward, building tension and movement through patient accumulation.

“Al Hathayan,” at 4:46, tightens the focus. Conca’s clarinet moves between melodic arcs and clipped rhythmic gestures, threading through electronic loops that surface and disappear. Zebdawi’s percussion adds a raw, tactile quality, placing acoustic patterns and electronics in direct conversation. The piece acts as a bridge between the album’s two long-form compositions.
Side B begins with “Al Maraya,” a thirteen-minute piece that relies on electronic, bass and clarinet interplay. The atmosphere nods to the breadth of PRAED Orchestra!, but remains anchored in the duo’s rhythmic foundations. Rather than building mass, the layering creates a sense of depth, as if new spaces were opening inside the groove.
The album closes with “Assarab,” featuring keyboardist Amr Said. Semerdjian and Zebdawi again form a dual percussive axis, while synths hover between melody and pulse, and themes recur in widening circles rather than building vertically. The porous boundary between electronic and acoustic sources — processed clarinet mistaken for a sequencer, rhythmic figures springing from live drums — is where the album’s theme of “illusion” shows itself most clearly.

Al Wahem follows a long arc: early releases on Annihaya, a key appearance on Ruptured Sessions Vol. 5 – Live at Radio Lebanon (2013), later albums on Akuphone, and the large-scale PRAED Orchestra! documented on Morphine Records. This new Ruptured/Annihaya co-release brings the duo back to a concentrated format, reorganizing their familiar materials with renewed clarity and intent.