Katie Gavin's debut What A Relief taps into the unguarded self-possession and homespun pop sensibility of singers like Alanis Morissette, Fiona Apple and Ani DiFranco, and uses their tenacity as a north star for Gavin's own trek towards self-discovery. "This record spans a lot of my life - it's about having a really deep desire for connection, but also encountering all the obstacles that stood in my way to be able to achieve that, patterns of isolation or even boredom with the real work of love" they say. Written over the course of seven years, What A Relief comprises a set of songs that Gavin always loved but which "had something in them" that she and her bandmates felt didn't quite fit within the universe they were trying to cultivate with MUNA. Many of them were written on acoustic guitar, and are rooted in "a style of music that's very much in my blood, and natural for me," as typified by the Women & Songs CDs that Gavin loves, which compiled music by artists like Tracy Chapman, Tori Amos and Sarah McLachlan. That openness of spirit is the overwhelming character of What A Relief, an album that's refreshing in its willingness to accept people as they come, even as it remains in dogged pursuit of a life that's kinder, wiser and more loving. Gavin's explorations of desire and intimacy feel time-worn and necessary - songs that might teach a generation if not how to live, exactly, then at least how to look within oneself for guidance about how to move forward.
Поиск:2 in the disco
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IPPON is a rich music, with varied influences, which evokes the electro rock of Soulwax or LCD Soundsystem as well as dark disco.
Effective bass lines, cosmic synthesizers, saturated drums and reverberated vocals: the duo navigates between electro, languorous and sensual dark disco or even progressive pop rock
RED[21,81 €]
As the Rosemary Hill EP begins, Sixpence None the Richer’s first release since 2012, Leigh Nash sings, “In the eye of the storm, I’m gonna thread the needle.” Now three decades after Nash met her musical partner Matt Slocum in New Braunfels, Texas, Sixpence is threading the needle in the sweet spot they have often longed for throughout a stormy yet momentous career.
Sixpence None the Richer is a rock band. While primarily known for top-40 pop radio hits, Sixpence’s live show is full of guitar riffs, aggressive bass, and pounding drums. As their discography of six full-length albums and their new third EP Rosemary Hill reveals, Sixpence’s sound begins with Nash singing over Slocum’s guitar playing.
After having a global number one hit, Sixpence no longer aspires for fame or fortune, and is not a nostalgia act. “We’re not interested in just cashing in on the past”, says Nash. Slocum adds, “Basically we want to keep making better records and writing better songs.”
Black[21,81 €]
As the Rosemary Hill EP begins, Sixpence None the Richer’s first release since 2012, Leigh Nash sings, “In the eye of the storm, I’m gonna thread the needle.” Now three decades after Nash met her musical partner Matt Slocum in New Braunfels, Texas, Sixpence is threading the needle in the sweet spot they have often longed for throughout a stormy yet momentous career.
Sixpence None the Richer is a rock band. While primarily known for top-40 pop radio hits, Sixpence’s live show is full of guitar riffs, aggressive bass, and pounding drums. As their discography of six full-length albums and their new third EP Rosemary Hill reveals, Sixpence’s sound begins with Nash singing over Slocum’s guitar playing.
After having a global number one hit, Sixpence no longer aspires for fame or fortune, and is not a nostalgia act. “We’re not interested in just cashing in on the past”, says Nash. Slocum adds, “Basically we want to keep making better records and writing better songs.”
Volksmusik returns after their last vinyl release in the year 2005 with 3 new unreleased tracks from the electro to post punk and new wave, sounds characteristic of the golden age of French electroclash plus 2 of his sought after tracks included in the EP "Glowing in the dark" released on the label Elektrofon, remixed and remastered from the original steams for a better sound and adaptation to the vinyl format to you don't have to delight the discogs sharks
Teho Teardo & Blixa Bargeld are back with their third album, nearly eight years after "Nerissimo", but time collapses and expands like an accordion. Especially those two stolen years that have disappeared from our accounts without a trace during the pandemic. The new album is titled "Christian & Mauro" and their real names on the header hint to a more personal landscape who allows them to go through elements of the past like "Bisogna Morire", an incredible passacaglia, a dance of death from 1600 that"s been reinvented from a contemporary perspective. Since their musical roots belongs also to the future, another consideration comes after a book by astrophysicist Carlo Rovelli, it opens up for a different look at the universe. It"s not always possible to discover new territories without consenting to lose sight of the shore for quite a good amount of time, so across these new ten songs Teho and Blixa allow themselves various detours playing a large array of instruments, using a mythological keyboard who can play with ciphers, letters, characters, sounds and noises. Using sounds transversely provides the cue to new possibilities to move forward in music. The album has been produced by Teho Teardo, Blixa Bargeld and Boris Wilsdorf both in Roma at Basement Recordings and at andereBaustelle in Berlin. This music joins again the sky between Roma and Berlin and the tour that will follow its release will take place from November 19th right in Roma and will take them all over Europe. Teho and Blixa will tour with Laura Bisceglia on cello and Gabriele Coen on bass clarinet, there will be on stage also a string quartet on each show.
THE TWO CLASSIC EARLY SINGLES ORIGINALLY ON THE BLACK EYES LABEL. RE-PRESSED AND REISSUED ON RED AND BLACK SPLATTER VINYL. PLUS FIVE 1982 DEMOS FROM THE LEGENDARY PETE BURNS FRONTED BAND. CAPTURING DEAD OR ALIVE’S MUTATION FROM PROTO- GOTHIC ROCK BAND TO HI-NRG POP SUPERSTARS.
Having been ‘discovered’ working in Liverpool’s Probe Records during the punk rock explosion of the late 1970s, Pete Burns found himself fronting his own band, Nightmares In Wax who mutated into the more familiar Dead Or Alive, eventually bringing Pete into the UK pop mainstream, and a star was born.
Bringing together two-self-released 1982 singles and a collection of early versions of HiNRG tracks which would eventually find their way onto the band’s debut album, ‘Let Them Drag My Soul Away’ showcases the blossoming of one of the 80s pop scene’s most colourful characters.
Repressed on suitably atmospheric red and black vinyl and housed in a cover photograph by Dead Or Alive’s then manager Francesco Mellina, ‘Let Them Drag My Soul Away’ presents a last glimpse at a pre-stardom Pete, and a long overdue back story accompaniment for fans and collectors alike.
A hard rock mash up - Bandleader Paul Ngozi's split album with his drummer and co-vocalist Chrissy Zebby Tembo. The set includes an oversized 8 page booklet detailing Ngozi’s arc, rare photographs, discography and annotations.
"Zambia’s Zamrock movement that exploded in the 1970s...provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats...enlivening a scene that included bands like Musi-O-Tunya, Amanaz and the Ngozi Family” - New York Times
Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. From Musi-O-Tunyaís fusion of Fela’s Afro-beat, Hendrix’s rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog’s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. WITCH, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere. Zamrock came from a nation's youth carrying forth the momentum of a political and social revolution with a musical revolution that maintained the fiery power of early rock - in the mid-to late-70s. From that era, Zamrockís energy is matched only by the punk and hip hop scenes of England and America.
"On the occasion of the 60th anniversary of the release and the Biopic ""Mr Aznavour"", discover the vinyl re-edition of Charles Aznavour's mythical album ""Que c'est Triste Venise"". A major album that includes some of the greatest titles of the artist who marked the history of French music and the last Paris 2024 Olympics. (This collector's re-edition contains the original remastered album and a bonus vinyl with songs interpreted in foreign languages (English, German, Spanish, Italian) available for the first time on vinyl as well as the instrumental of ""Que c'est triste Venise"". And a reproduction of the booklet of the time including a comic book.
LIMITED EDITION VINYL RELEASE"
Emilia Sisco returns with a stunning new vinyl single, "Your Girl" b/w "Too Late" featuring two captivating tracks written by Sisco herself and performed by the exceptional Cold Diamond & Mink studio band. On the A side, "Your Girl" introduces listeners to a breezy and mellow soul ballad that radiates warmth and optimism. This track showcases Sisco's ability to craft heartfelt lyrics paired with a soothing melody that effortlessly captures the essence of a perfect soul record. Flipping to the B side, "Too Late" offers a more somber and introspective ballad, characterized by its minor key mood. This track continues Sisco's tradition of delivering emotionally resonant music that speaks to the complexities of love and heartache. The subtle yet powerful arrangement by Cold Diamond & Mink provides the perfect backdrop for Sisco's poignant vocals, making it a standout addition to her growing discography on Timmion Records. With these two new songs, Emilia Sisco solidifies her place as a forceful creator in the contemporary soul scene. "Your Girl" and "Too Late" highlight her ability to convey deep emotion through her music and pave the way for more upcoming work together with the Timmion crew. Sisco's voice alone is starting to signify a stamp of quality that makes this record an essential addition to any soul buffs collection.
"Flautist Annarella Sörlin (resident in Örebro) and ngoni master Django Diabaté (from Mali, resident in Senegal) present their exciting musical meeting, which will release its debut album “Jouer” on October 25. The duo met in the fall of 2022 when they were both on an extensive European tour with the band Wau Wau Collectif. Annarella and Django immediately discovered that the mix of their widely different instruments (Swedish flute and West African string instrument) created something special and unique. As an inventive musical play across borders and cultures.
The album will be co-released with Swedish label sing a song fighter."
- A1: Fatimah Razak - Dahaga
- A2: Black Brothers - Mangge Mangge
- A3: Marini & The Steps - Kuingin Dekatmu
- A4: Tian Niu - Deng Ni Zai Yu Zhong
- A5: The Rollies - Disco
- B1: Regalado - Pinoy Funk
- B2: John Philips & The Steps - Ayo Ke Disco
- B3: Aria Yunior - Salah Tingkah
- B4: Ahmadi Hassan - Habibi (Mari Bersatu)
- B5: Pongsri Woranuch - Aew…Phu Chai
‘Ayo Ke Disco’ (meaning ‘Let’s go to the disco’ in Malay
and Indonesian) celebrates the musical identities
emerging from the newly independent countries in
South-East Asia during the 1970s and 80s.
Soundway general manager Alice Whittington, aka
Norsicaa (DJ), selects 10 deep cuts from local labels,
officially reissued on vinyl for the first time – forming a
snapshot of the vibrant discotheques and live scenes
across Indonesia, Singapore, Thailand, Malaysia, Hong
Kong and the Philippines.
The artists featured here were known for exploring
traditional sounds alongside funk, disco, city-pop and
even political psych-rock, genres that were indicative
of the exciting but often turbulent period. But despite
the post-war backdrop of instability there came
unprecedented levels of economic prosperity. With a
hopeful buzz filling the air, the music scene was helping
lead the way in reshaping the new identities of the
region.
OVERVIEW:
FOR FANS OF:
Sound of Siam compilations, Priscilla Chan, Lovin’ Mighty
Fire compilation, Tanamur City compilation
GǼG, the production unit of Tokyo's leading club sound Monkey Timers and Okayama-based maverick producer Keita Sano, is proud to present this heavyweight, alternative, and leftfield release on the "Sound of Vast."
Over a powerful and mysterious bassline, the hypnotic A1 'Jack' builds up with sharp synth stabs, dark pads, and ACID voices taken from Ron Hardy's open reel soundtrack series Jackmaster Hater.
AA1 is followed by the obscure percussion track 'Yamato.' It is a reinterpretation of the drumming of legendary drummer Curt Cress from the German jazz-rock scene of the 80s in the context of dance music.
AA2, 'Central' takes the funky bassline of The S.O.S. Band's 1982 album 'High Hopes' and infuses it with roaring feedback, cutting guitars, and spacy synth sounds, giving it a fresh, modern twist and elevating it to the realm of cosmic disco.
Monkey Timers' love for the classics of disco, krautrock, and Chicago house, the intensity and immersion of current club music created by their real-life experience in the field, and Keita Sano's unique free-form outlandish sound techniques coexist on this 12" EP.
東京のクラブサウンドをレペゼンしてきたMonkey Timersと岡山の奇才プロデューサーKeita SanoによるプロダクションユニットGǼGが〈Sound of Vast〉より満を持して放つ超重量級オルタナティブ・レフトフィールド・ストンパー!
パワフルで不穏なベースライン上にRon Hardyのオープンリール音源シリーズJackmaster Haterから割愛した”Acid! Acid! Acid!” ヴォイスリフレインを刻み、鋭利なシンセスタブとダークなパッドでビルドアップしたヒプノティックなナンバーA1. Jackを皮切りに、80年代ドイツジャズロックシーンの伝説的ドラマーCurt Cressのドラミングをダンスミュージックの文脈で再解釈したオブスキュアなパーカッション・トラックAA1. Yamato、そしてThe S.O.S. Bandの82年作”High Hopes”のファンキーなベースラインに轟音フィードバックやカッティングギター、スペーシーなシンセサウンドで現代的なコズミックディスコへと昇華したAA2. Central。
ディスコ、クラウトロック、シカゴハウスといった古典への愛情と現場で積み重ねてきたリアルな経験が生み出す現行のクラブミュージックとしての強度と没入感、そしてKeita Sanoのフリーフォームで奇天烈なサウンドテクニックが同居した渾身の3曲を12“EPに収録。
Re-issue of this hyper rare single from 1978 on Whirl (West Indies Records Limited). George Clinton's Parliament getting funked up in the Caribbean. TIP!
The Outfit was one of the funkiest bands ever coming from The Caribbean. They showed (together with other top bands from Barbados like The BRC or The Organization) the potential of Spouge music and the many creative possibilities that this genre can lead to.
This single is one of the finest examples of Spouge and Funk blended perfectly together in an explosive, ultra funky cover of the Parliament's "Dr. Funkenstein", titled for the occasion "Dr. Spougenstien". Despite being an extremely rare single, this song used to be quite popular in Barbados, to the point where most people on the Island used to think this was an original song. B side "Theme From Peter Gunn" serves up a punchy and groovy Cosmic disco tune on the very popular Theme from the Peter Gunn tv show.
This single is proposed to you as a first issue on the newly born Lava On Wax Records, started by Dj and Collector Matteo Fava, who have been to Barbados multiple times and works together with former Wirl label since 2020. The release has been possible thanks to help of GUTS from France, who worked since the start of this project to the end in close collaboration with Matteo. Here is what he has to say about this release: " Lava on Wax , It's putting love into old things to make them new with conscience and respect "
Selection of all winners from the Music Team label - mid 80s to early 90s gems on here!
One of South Africa’s biggest independent labels for more than a decade, Music Team offered working musicians a shot at fame via access to top studios, producers, songwriters and session musicians, as well as distribution via a number of imprints: CTV, Red Label, Solid, Spinna, Mambo Music and others. Artists in the stable who tasted success would typically release a few albums over as many years before moving on to other labels or falling off the radar as times changed. At their peak, according to label boss Maurice Horwitz, Music Team was selling a million records a month, and was at the forefront of South African pop music as it evolved from soul to disco and beyond.
Afrosynth Records’ ‘Music Team Sampler’ dusts off six rare and long-forgotten gems from the Music Team catalogue, originally released between 1986 and 1992. Four are typical of the label’s take on the popular ‘bubblegum’ sound of the day — Isaac ‘Cool Cat’ Mofokeng’s ‘Candy’, ‘I Won’t Let You Go’ by Linda Oliphant, Jappie Lebona’s ‘My Love is Yours and ‘Instant Love (Eyami Lendoda)’ by Thandi Zulu (aka TZ Junior). Two instrumentals — Mr. Ace’s ‘Ace 1’ and ‘Axe Chop’ by The Hard Workers, a studio project by Music Team’s in-house producer Tom Mkhize — meanwhile hint at the imminent rise of kwaito and house.
Forged in the fire of a cruel and volatile political system that was gradually unraveling, instead of addressing political realities these indelible pop songs sought to provide an escape to a world where love and music were all that mattered.
Especial is a label always on a mission to unearth left-of-centre perspectives on club music. This new EP, Be Honest, is just that from long-time friends Lipelis and Arsenii, who are based in Belgrade and New York but seek inspiration in the New York sounds of the 80s and hook up with Gayana for some woozy and lovelorn vocal additions. 'Be Honest' is a dubbed out and swaggering deep disco groove that comes as long, dub and cappella versions on the A-side.
The 12" dance mix brings some superb house drums into the picture and the Dubplate VIP is a fresh jungle rhythm. This is an EP with something for all.
Daniel Monaco returns on the Rush Hour Store Jams imprint with another disco heavy two tracker, with vocals from TK daMonza. Two feel good songs, to calm and comfort your soul...
Written by Daniele Labbate aka Daniel Monaco, additional production and Mixing by Whodamanny
Voice and Lyrics by TK daMonza
Alessandro Cinelli: Drums
Yannick van ter Beek: Percussion
Sergio Dileo: Saxophone
Simone Cesarini: Guitar
Alberto Melloni: Additional Guitars
Daniele Labbate: Bass, Synths, Backing Vocals
Recorded at Daniel Monaco Studio in Amsterdam
Mixed at West Hill Studio Napoli
- A1: Michel Cleis Feat. Totó La Momposina - La Mezcla (Paul Kalkbrenner Remix)
- A2: Freaks - Where Were You When The Lights Went Out (Extended 12" Version)
- B1: Undercatt - Britannia
- B2: Juliet - Avalon (F*** Me I'm Famous Remix By David Guetta & Joachim Garraud)
- C1: Lustral - Everytime (Nalin & Kane Mix)
- C2: Walter One - Startrack
- D1: Markus Schulz Presents Elevation - Clear Blue
- D2: Sander Kleinenberg - Sacred
- E1: Whirlpool Productions - From Disco To Disco (Extended Disco Mix)
- F1: Smoke City - Mr. Gorgeous (And Miss Curvaceous) (Mood Ii Swing Vocal Mix)
- F2: Tony Di Bart - The Real Thing (Original 12" Dance Mix)
- G1: Binary Finary - 1998 (Paul Van Dyk Remix)
- G2: Delegate - Want You To Stay (Remix)
- H1: Cevin Fisher - Loving You (When It Comes To) (Cevin Fisher's 2001 Summer Mix)
- H2: Dj On - Super Sexy Girl (Deeper Discomix)
- I1: Michael Forzza & Dimitriandreas - Kahana
- I2: Fanny Cadeo - I Want Your Love (Mr. Marvin Mix)
- J1: Jason Downs Feat. Milk - Cherokee (John Creamer & Stephane K Remix)
- J2: Wishmountain - Radio
- K1: Soma - Soma Romanz
- K2: Didier Sinclair - Lovely Flight
- L1: Kosmas Epsilon - Innocent Thoughts
- M1: Maria Nayler - Angry Skies (Terrestrial Vox Mix)
- M2: Nikolai - Ready To Flow
- O1: Tomcraft - Prosac
- O2: Paragliders - Oasis
- P1: Josh One - Contemplation (King Britt Funke Remix)
- P2: Sarah Mclachlan - Fallen (Gabriel & Dresden Anti-Gravity Mix)
- Q1: Perry O'neil - Wave Force
- R1: Corvin Dalek - Pornoground (Mr Sam's Acid Pornstar Remix)
- S1: Travel - Pray To Jerusalem (Incisions Remix)
- T1: Jamnesia - My Memory Is Back
- T2: Reckless - Still In The Groove (Def Offenders Remix)
- N1: Dj Buzz - Situations
- N2: Aerosoul - Celebrating Life In Independance
Limited Edition! The "LaBush - Temple of House" Volume 2 Vinyl Box Set for the 30th Anniversary of the Legendary Club!
Barely six months after the phenomenal success of the first box set, La Bush - Temple of House makes history once again, celebrating its 30th anniversary with the release of Volume 2 in a limited edition 10x12" vinyl box set. A true must-have for collectors and electronic music enthusiasts!
This exclusive box set features no less than 35 tracks, an incredible number for a vinyl collection, offering unparalleled pressing quality that guarantees an exceptional listening experience, perfectly suited for any turntable. Each track has been meticulously remastered, preserving the essence of the original versions while enhancing every sonic detail.
The deluxe packaging of this box set is a work of art in itself, designed to captivate the most discerning vinyl lovers. Moreover, with tracksfrom legendary artists like Paul Kalkbrenner, Paul van Dyk, David Guetta, Tomcraft, Oliver Lieb, Matthew Herbert, and La Bush resident Mr. Sam, this box set is an essential treasure.
For those who already own the first box set, this new volume is the perfect opportunity to complete your collection in the best possible way, adding a new centerpiece to your La Bush ensemble.
Don't miss this unique opportunity to add a masterpiece to your vinyl collection. Order now before it's too late!




















