First ever vinyl edition of the acclaimed British
Jazz artist’s debut album.
In January 2020 Downbeat Magazine named Yazz
as one of 25 artists set to shape the future of jazz
over the next decade.
Recipient of the highly prestigious Ivor Novello
Award for Innovation.
Jazz FM ‘Jazz Act of the Year’ 2020
Jazz FM ‘Jazz Album of the Year’ 2020, for her
2019 album, ‘Polyhymnia’.
Has won accolades from The Wire (Jazz Album
Of The Year), Bandcamp (Best albums of 2017,
Best Jazz Album), The Vinyl Factory, Stereogum,
The Guardian, All About Jazz, and many more
publications.
Yazz Ahmed receives regular airplay on Soho
Radio, Deutschlandfunk, Openlab, BBC Radio
2, BBC Radio 3, FBI Radio, FIP, Radio Raheem,
KCRW, Rai Radio 3, Radio 1 (BE), NTS, Worldwide
FM, and many more.
‘The Birth Of The Fool’ amongst Yazz Ahmed’s
most streamed tracks.
‘Conciliation’ features on the soundtrack of Steve
Buscemi’s 2022 film, ‘The Listener
Search:51
- A1: Ninnog
- A2: Fastnet
- A3: Rathlin From A Distance
- A4: Tórshavn
- B1: Norðragøta
- B2: Papa Stour
- B3: Bigton
- B4: Caledonian Canal
- C1: Stourm
- C2: Ninnog At Sea
- C3: Arne
- D1: The Liquid Hour
- D2: Dolores
Yann Tiersen veröffentlicht sein mit Spannung erwarteten neuen Albums 'Rathlin from a Distance | The Liquid Hour' am 4. April 2025 auf Vinyl, CD und digital via Mute.
'Rathlin from a Distance | The Liquid Hour' ist ein Album, das in zwei unterschiedliche, jedoch miteinander verbundene Teile gegliedert ist, die jeweils ihre eigenen klanglichen Merkmale aufweisen: 'Rathlin from a Distance' besteht aus acht vornehmlich instrumentalen, introspektiven Klavierstücken, 'The Liquid Hour' dagegen ist ein ausgedehnter, genreübergreifender Hybrid aus elektronischen Klängen und psychedelischen Rhythmen.
- A1: Silje Nergaard / Vince Mendoza / Stavanger Symphon - You Are The Very Moon 4:20
- A2: Silje Nergaard / Håkon Kornstad - Lover Man 3:58
- A3: Silje Nergaard - Mamma Og Pappa Synger 0:36
- A4: Silje Nergaard / Vince Mendoza / Stavanger Symphon - A Perfect Night To Fall In Love 3:49
- A5: Silje Nergaard / Vince Mendoza / Stavanger Symphon - Vekket I Tide 4:26
- A6: Silje Nergaard - Before You Happened To Me 4:10
- A7: Silje Nergaard - Silje Synger 0:58
- B1: Silje Nergaard / Vince Mendoza / Stavanger Symphon - Dance Me Love 6:51
- B2: Silje Nergaard - My Man My Man 5:24
- B3: Silje Nergaard / Håkon Kornstad - Brooklyn Rain 4:21
- B4: Silje Nergaard - Silje Og Pappa Snakker 0:48
- B5: Silje Nergaard / Vince Mendoza / Stavanger Symphon - Tomorrow We'll Figure Out The Rest 5:03
Die mehrfach preisgekrönte norwegische Jazzsängerin und Songwriterin Silje Nergaard präsentiert ihr neues Album "Tomorrow We'll Figure Out the Rest". Dies ist eine zutiefst persönliche Hommage an ihre Eltern und eine musikalische Reise, inspiriert von Erinnerungen, Momenten mit ihrer Familie und Szenen aus ihrem Leben."'Tomorrow We'll Figure Out the Rest' ist nicht nur der Titel eines Albums, sondern auch das, was das Leben im Moment ausmacht - die Erlaubnis, nicht alles perfekt durchdacht haben zu müssen", erklärt Silje Nergaard. "Diese Inspiration stammt aus einer Quelle, die mir sehr nahesteht: meinen Eltern. Sie haben mir gezeigt, wieviel Freude die Musik in ein Zuhause bringen kann - die Freude und auch die Traurigkeit, die sie in unsere Herzen bringt. Sie haben mir beigebracht, dass das Leben nicht immer bis ins letzte Detail geplant sein muss."Mit ihrer besonderen Fähigkeit, bewegende Geschichten mit Musik zu erzählen, vereint Silje auf "Tomorrow We'll Figure Out the Rest" intime Jazzklänge mit orchestralen Arrangements. Dabei wird sie von führenden europäischen Jazzmusikern begleitet, darunter Helge Lien (Piano), Jarle Vespestad (Schlagzeug), Finn Guttormsen (Bass), George (Jojje) Wadenius (Gitarre) und Håkon Kornstad (Saxophon). Ergänzt wird das Ensemble durch das renommierte Stavanger Symphony Orchestra, dirigiert von Vince Mendoza, der die emotional-farbigen, bisweilen geradezu cineastischen Orchesterarrangements für das Album komponiert hat. Mendoza und Nergaard arbeiteten bereits bei dem Grammy-nominierten Album "A Thousand True Stories" zusammen.Besonders bewegend sind die persönlichen Einblicke, die Silje Nergaard in dieses Album eingebaut hat: "Es hat ein paar kleine Momente, die zeigen, wie mein Leben als Kind aussah. Ich habe eine alte Kassette gefunden, auf der ich mit meinem Vater spreche - da war ich gerade mal fünf Jahre alt. Darauf singen meine Schwester, meine Eltern und ich zusammen. Diese Aufnahmen haben mich tief berührt, und ich freue mich, sie mit euch teilen zu können."Das Album vereint die intime Atmosphäre eines Kammer-Jazzensembles mit dem majestätischen Klang eines großen Orchesters. Silje Nergaard beschreibt es als eine Sammlung von Erinnerungen, die die Vergangenheit feierlich nachvollziehbar machen, aber auch einen hoffnungsvollen Blick in die Zukunft werfen. "Das Cover des Albums zeigt ein altes Foto meiner Eltern, als sie jung und frisch verliebt waren - ein Moment purer musikalischer Freude, ohne Gedanken an den nächsten Tag. Dieses Bild und diese Stimmung haben mich inspiriert."Mit "Tomorrow We'll Figure Out the Rest" zeigt Silje Nergaard einmal mehr, warum sie zu den herausragendsten Künstlerinnen der Jazzszene gehört: persönlich, authentisch und musikalisch brillant.
Reissue der "A Modern Job" EP der irischen Noise-Combo SRINTS, die 2022 in limitierter Auflage bei Nice Swan Records erschien.
- A1: Le Roi Soleil (2:58)
- A2: Tu Me Nargues (2:39)A3 Nouveau Départ (3:17)
- A4: C’est Si Beau (2:48)
- A5: Des Heures (3:27)
- A6: J’ai Choisi Ft Elisa Difallah (2:51)
- B1: Je Plonge (3:11)
- B2: Aïe (3:29)
- B3: Poésie (2:15)
- B4: Fou De Toi (2:20)
- B5: Jprends Du Plaisir (3:37)
- B6: Dis Le Moi (1:48)
- B7: Vocal M2M (0:18)
"Ouin Ouin" is the third album by Miel de Montagne. See you soon on tour throughout Europe (England, Netherlands, Spain, Belgium...)
"Ouin Ouin" is the third album by Miel de Montagne. See you soon on tour throughout Europe (England, Netherlands, Spain, Belgium...)
- Kailash
- Flayed Wish
- Power Children
- Cud
- And I Will
purple vinyl (FAME516LP) is for Indie stores only. Brand new album from Philadelphia's much loved neo-space rock stoner drone outfit. A euphoric transcendental journey to a mountain top nirvana, a psychedelic tapestry that slowly unwinds as they travel onwards into the inner mind. A 40-minute opus delivered from a hail of reverb soulfully caressed by a ceremonial flute, that makes way for a shroud of eld'-era Neil Young fog. Bardo Pond is your rather ruffled tour guide to this far off place, this distant sense of wonderment at the crossroads with bewilderment. "One of underground rock's most extraordinary enigmas" The Quietus
- Drive (Gebrüder Teichmann - Remix) 04:55
- Rainbow (Modeselektor - Remix) 04:06
- Hill Top Jaccuzi (Peaking Lights - Remix) 06:19
- Compound Eye Dialogue (Cloud Management - Remix) 02:57
- Gelée Royale / Jelly Roll Dub (Seekers International - Remix) 04:51
- Suspender (Andi Toma - Remix) 05:20
- Outer Veil (Maya Shenfeld - Remix) 03:50
- Lava Fans / Smack (Agnese Menguzzato - Rework) 03:05
- Iridescent Path / Afrosonification (Angel Bat Dawid - Rework) 07:01
»Re:Polyism« is a track-by-track reinterpretation of Friedrich »Fritz« Brückner’s 2022 debut solo album as Modus Pitch, »Polyism,« through artists affiliated with Altin Village & Mine and/or former collaborators of the prolific Leipzig-based musician and producer. Each track from »Polyism« has been remixed or reworked by different artists such as Modeselektor, Angel Bat Dawid, Maya Shenfield or Mouse on Mars member and HJirok producer Andi Toma, but the album—mastered by Tim Roth a.k.a. Sin Maldita and released as a strictly limited vinyl LP with reimagined artwork by Carmen Orschinski—follows the original record’s tracklist. This makes »Re:Polyism« a veritable musical prism, refracting the creativity inherent to Brückner’s genre-transcending original works through other people’s artistic lenses to create an even more colourful end result.
First off are the Gebrüder Teichmann with their take on opener »Drive,« carefully adding more depth and uncanny sounds to the jazzy, drum-focused piece. Unsurprisingly, Modeselektor go a lot further with their remix »Rainbow,« turning the two-minute track into a dubstep-adjacent banger with infectious synth work that is twice as long and comes with a mind-melting breakdown. With their take on »Hilltop Jacuzzi,« Peaking Lights turn the blissful original into a piece that calls to mind experiments at the intersection of dub, ambient, and industrial music in the mid-1990s. Cloud Management radically transform the eerie »Compound Eye Dialogue« into a rhythmically charged mid-tempo post-krautrock epic, while the Seekers International’s »Jelly Roll Dub« of »Gelée Royale« uses the original’s lush textures to turn up the intensity even further.
On the flipside, Andi Thoma gives the intricate synth pop/breakcore fusion of »Suspender« a similarly dubwise treatment before venturing into gqom territory, pulling it out of the leftfield and straight onto the dancefloor—peak-time use only. Maya Shenfeld then brings her trademark modular synth work to »Outer Veil,« accentuating the focus on Hendrik Otremba’s uncanny spoken word performance even further. This sets the mood perfectly for vocal experimentalist Agnese Menguzzato working her singular magic. Under her hands and with her voice, the multi-layered ambient soundscapes of »Lava Fans« become even larger-than-life-like than before. When Angel Bat Dawid takes the menacing drones of »Iridescent Path« as a template for a trap-inspired beat over which she lets loose on the clarinet, that serves as both the ultimate counterpoint and perfect coda to »Re:Polyism.«
These nine reinterpretations of the highly diverse source material underline Brückner’s singular approach to music-making while also emphasising their makers’ idiosyncratic talents. This makes »Re:Polyism« more than simply a remix album—it’s a polylogue between visionary minds.
- A1: Salinda, La Fille Aux Yeux De Sel 3:38
- A2: Love High Feat. Laurent Bardainne 4:21
- A3: Sikolaiko 3:10
- B1: Into My World 2:54
- B2: Ton Monde Secret 3:57
- B3: Fool's Paradise 3:51
- C1: Take A Swing At The Moon 3:40
- C2: La Pomena 4:02
- C3: Melancolie 4:26
- C4: Le Lever Du Soleil Feat. Naïssam Jalal 5:56
- D1: Natureza 3:52
- D2: Lakutshon' Ilanga 2:12
- D3: Drink The Ocean Feat. The Oracle Sisters 3:52
- D4: Fin 0:39
Nachdem sie letztes Jahr die französischen Charts im Sturm erobert hat, ihr Debütalbum das meistverkaufte Jazz/World-Album des Jahres in Frankreich war und sie in mehreren Ländern wie Japan, Deutschland, Kanada und den USA, faszinierende Live-Auftritte hatte, meldet sich Gabi Hartmann nun mit ihrem neuen Album 'La femme aux yeux de sel' zurück. Auf den 13 Liedern, die größtenteils auf Englisch und Französisch gesungen werden, bewegt sie sich erneut zwischen verschiedensten Stilen und vermischt Jazz, Pop, Folk und Soul. Die Titel, manche melancholisch, manche farbenfroh und manche voller rhythmischer Energie kreieren eine ganz eigene Welt, in der man aber auch immer wieder die großen Vorbilder Mercedes Sosa oder Miriam Makeba entdecken kann. So hat Gabi Hartmann mit ihrem warmen, klaren Timbre ein sehr persönliches und facettenreiches Album geschaffen, das Grenzen und Stile vermischt und in Gabi Hartmanns eigene Traumwelt entführt.
- A1: Alfonso Zenga, Paolo Gatti – Sparklin' Conversation – 3:10 | From Sensi Caldi (1980) *
- A2: Gianni Ferrio – La Musica È – 3:21 | From L'infermiera Di Notte (1979) *
- A3: Carlo Savina – Una Vergine In Famiglia – 1:28 | From Una Vergine In Famiglia (1975)
- A4: Franco Campanino – Avere Vent'anni (Disco) 2:33 | From Avere Vent'anni (1978)*
- A5: Gianni Ferrio – Quando Vuoi Con Chi Vuoi – 2:52 | From La Liceale Seduce I Professori (1979)*
- B1: Don Powell – Amori Stellari – Giochi Erotici Nella Terza Galassia (Titoli) – 2:11 | From Amori Stellari – Giochi Erotici Nella Terza Galassia (Titoli) (1981)
- B2: Nico Fidenco – Eros Perversion (Orsino Rock) – 3:17 | From Eros Perversion (1979)
- B3: Nico Fidenco – Sexy Night – 3:09 | From Porno Holocaust (1977)
- B4: Pulsar Music Ltd. – Taxi Girl (Ritmico Disco) – 0:53 | From Taxi Girl (1977)
- B5: Stelvio Cipriani – Nude Odeon (Ritmico Funk) – 4:09 | From Nude Odeon (1978)
- C1: Riz Ortolani – L'erotomane (Beat) – 2:50 | From L'erotomane (1974)
- C2: Stelvio Cipriani – What Can I Do – 2:25 | From La Supplente Va In Citta' (1979)
- C3: Bruno Nicolai – Servizio Fotografico – 1:59 | From La Dama Rossa Uccide Sette Volte (1972)
- C4: Franco Campanino – Do It With The Pamango – 4:42 | From Una Moglie, Due Amici, Quattro Amanti (1980) °
- C5: Gianni Ferrio – La Settimana Bianca – 3:02 | From La Settimana Bianca (1980)
- D1: Giuseppe De Luca – Studio X – 2:35 | From L'altra Faccia Del Peccato (1969)
- D2: Giuseppe De Luca – Studio Z – 2:15 | From L'altra Faccia Del Peccato (1969)
- D3: Giacomo Dell'orso – I'm So Young – Versione Coro - 3:01 | From L'infermiera Di Mio Padre (1981)
- D4: Daniele Patucchi – Runnin' Around – 6:23 | From Bionda Fragola (1980)°
- D5: Stelvio Cipriani – Il Sesso Del Diavolo (Finale) – 2:51 | From Il Sesso Del Diavolo (1971)
Black Vinyl[33,82 €]
American director and actor Eli Roth takes you on a forbidden journey across the vaults of legendary Italian soundtrack label CAM Sugar. Setting the mood for his very own red light discothéque, Tarantino’s right-hand man and Italian B-movies connoisseur has sourced and selected 20 juicy tracks, spanning from kinky disco and funk to seductive bossa nova and psych, from Italian Sexy Comedy and softcore films (1969-1981). It includes 9 previously unreleased tracks with 4 previously unreleased on vinyl and music by some of Italian film music's most cult composers, including Stelvio Cipriani, Bruno Nicolai, Riz Ortolani, Franco Campanino, Gianni Ferrio, Nico Fidenco as well as unique vocal performances by actress and Italian sexy comedy actress Gloria Guida.
- A1: Cumbia Morena - Carlos Pickling Y Su Orquesta 02 48
- A2: Olguita - Los Chicoques 03 18
- A3: Cumbia En Dominante - Los Demonios De Corocochay 02 08
- A4: La Blanquiñosa - Los Felcas 02 42
- A5: Chinita - Sonora Casino De Hugo Macedo 02 57
- A6: La Pollera Amarilla - S Am Brasil 02 53
- A7: Anita - Volada 5 02 51
- B1: Cumbia Pueblerina - Otto De Rojas Y Su Orquesta 02 55
- B2: Yolanda - Carlos Pickling Y Órgano Espacial 02 25
- B3: Arequipeñita - Silvestre Montez Y Sus Guantanameros 03 00
- B4: Lucerito - Ñico Estrada 02 30
- B5: Cumbia Sabrosa - Freddy Roland Y Su Orquesta De Moda 02 47
- B6: La Cumbia Del Burro - Los Avileños 02 59
- B7: Cumbia 73 - Los Demonios Del Mantaro 02 28
- C1: Que Siga La Cumbia - Carlos Pickling Y Su Orquesta 02 43
- C2: Chin Chin - Joe Di Roma Y Su Conjunto 02 30
- C3: Ritmo De Cumbia - Los Rumberos Del Solar 02 42
- C4: Ac Cha Chau - Los Pavos Reales 02 25
- C5: Cumbia Bonita - Nilo Espinosa Y Su Orquesta 03 26
- C6: Oh Condor - Volada 5 03 36
- C7: Cumbia De Color - Tito Chicoma Y Su Orquesta 02 11
- D1: Cumbia Y Amor - Los Demonios De Corocochay 02 11
- D2: Negrita Linda - Nelson Ferreyra Y Su Sonora 02 55
- D3: Baila Mi Cumbia - Carlos Pickling Y Su Orquesta 02 16
- D4: Tierra Linda - Los Kintos 02 17
- D5: Pochita - Manzanita Con Los Cañeros 02 26
- D6: La Colocha - Los Felcas 02 30
- D7: La Celosa - Los Belking’s 03 14
After digging deep into the overwhelming archives of Discos Fuentes and Codiscos in our previous volumes, this third instalment in the series "Cumbia Cumbia Cumbia!!!" comprises a selection of 28 Peruvian cumbia bangers for the dance floor from the deep vaults of Discos MAG, all of them originally released between 1964 and 1987. "Cumbia Cumbia Cumbia!!!" combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. The historical origins of cumbia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. MAG had released porros since the label was set up, and by 1957 it was already selling records by the Colombian Lucho Bermúdez, a leading figure in porro and cumbia in orchestra format, from Buenos Aires. Colombian cumbia has come a long way in Peru since those years and put down its own roots, just as it has in other Latin American countries. This third volume of the series "Cumbia, cumbia, cumbia" demonstrates how the rhythm has persisted over three decades of Peruvian recordings, ranging from versions by orchestras and ensembles to original cumbias with electric guitars, with lingering echoes of Caracas-born Hugo Blanco, Tulio Enrique León, Los Teen Agers and Amparito Jiménez. These records were played nonstop in the Peruvian coast, mountains and jungle to the cry of "¡que sigue la cumbia!". Double vinyl LP!
- A1: Alfonso Zenga, Paolo Gatti – Sparklin' Conversation – 3:10 From Sensi Caldi (1980) *
- A2: Gianni Ferrio – La Musica È – 3:21 From L'infermiera Di Notte (1979) *
- A3: Carlo Savina – Una Vergine In Famiglia – 1:28 From Una Vergine In Famiglia (1975)
- A4: Franco Campanino – Avere Vent'anni (Disco) 2:33 From Avere Vent'anni (1978)*
- A5: Gianni Ferrio – Quando Vuoi Con Chi Vuoi – 2:52 From La Liceale Seduce I Professori (1979)*
- B1: Don Powell – Amori Stellari – Giochi Erotici Nella Terza Galassia (Titoli) – 2:11 From Amori Stellari – Giochi Erotici Nella Terza Galassia (Titoli) (1981)
- B2: Nico Fidenco – Eros Perversion (Orsino Rock) – 3:17 From Eros Perversion (1979)
- B3: Nico Fidenco – Sexy Night – 3:09 From Porno Holocaust (1977)
- B4: Pulsar Music Ltd. – Taxi Girl (Ritmico Disco) – 0:53 From Taxi Girl (1977)
- B5: Stelvio Cipriani – Nude Odeon (Ritmico Funk) – 4:09 From Nude Odeon (1978)
- C1: Riz Ortolani – L'erotomane (Beat) – 2:50 From L'erotomane (1974)
- C2: Stelvio Cipriani – What Can I Do – 2:25 From La Supplente Va In Citta' (1979)
- C3: Bruno Nicolai – Servizio Fotografico – 1:59 From La Dama Rossa Uccide Sette Volte (1972)
- C4: Franco Campanino – Do It With The Pamango – 4:42 From Una Moglie, Due Amici, Quattro Amanti (1980) °
- C5: Gianni Ferrio – La Settimana Bianca – 3:02 From La Settimana Bianca (1980)
- D1: Giuseppe De Luca – Studio X – 2:35 From L'altra Faccia Del Peccato (1969)
- D2: Giuseppe De Luca – Studio Z – 2:15 From L'altra Faccia Del Peccato (1969)
- D3: Giacomo Dell'orso – I'm So Young – Versione Coro - 3:01 From L'infermiera Di Mio Padre (1981)
- D4: Daniele Patucchi – Runnin' Around – 6:23 From Bionda Fragola (1980)°
- D5: Stelvio Cipriani – Il Sesso Del Diavolo (Finale) – 2:51 From Il Sesso Del Diavolo (1971)
Red Vinyl[55,67 €]
- A1: Children Of Zu Zu (Feat. Roberto Di Gioia And People Of Tala'aga, Samoa) (6 59)
- A2: Schmetterlinge Im Bauch (Feat. Roberto Di Gioia) (7 42)
- A3: Love In Space Pt. 1 (Feat. Jana) (2 05)
- B1: Zu Zu Music (Feat. Mickey Neher, Adasoul And Narjara Thamiz) (7 55)
- B2: Myth Versus Reality (Feat. Sun Ra And June Tyson) (5 51)
- B3: Love In Space Pt. 2 (Feat. Harald Popp And Lu) (3 54)
Six track EP full of warm deep house music, spacy jazz not jazz, african and brasil rhythms, plus a portion of psychedelic funk poetry.
‚Children Of Zu Zu‘ is Charles Petersohn‘s restart after his previous label release from 18 years ago, besides some experiments on Bandcamp and SoundCloud. On this EP sound merges into each other, is producing an organic flow. Smooth deep house, different kinds of jazz and jazznotjazz, african rhythms, Brasil batucada, psychedelic funk poetry, inspired by Dr. John and most of all the space music and afrofuturist philosophy of Sun Ra and his Arkestra. Soundscapes and atmos in the background of each song give the music a deeper feel. It took its time to get the music ready. There was the desire of having Web Web pianist Roberto di Gioia in the music, took months. But it was worth waiting. Roberto planted some magic moments in to it. On other hand Charles is hyper critic with his own sound. If jumping into to arena again, there should be something special. When he will be okay with every inch of his sonic work, then its done! ‚Children Of Zu Zu‘ became a collage of thick, warm and smooth housemusic, spacy Ambient Jazz and two dancefloor tools with a deep Afro and Brasil feel.
Here we go with six tracks full of love, full of dreams and full of space.
"Children Of Zu Zu" ist Charles Petersohns Neustart nach seiner letzten Label-Veröffentlichung vor 18 Jahren mit dem Pianisten Jasper van't Hof bei "Jaro". Deep House Music, Jazz Not Jazz, afrobrasilianische Jazz-Grooves, Ambient Jazz, eine von New Orleans Legende Dr. John inspirierte spirituelle Botschaft, einen Gesang von Frauen und Mädchen aus Samoa vom "British Commonwealth Sound Archive" und nicht zuletzt die intergalaktische Poesie von Sun Ra und seinem Arkestra. Soundscapes im Hintergrund fast aller Tracks versetzen die Musik jeweils an einen fiktiven Ort. Es hat seine Zeit gedauert, bis die Musik fertig war. Der Wunsch, den Web Web Pianisten Roberto Di Gioia für die Musik zu gewinnen, schien fast unmöglich. Seine Teilnahme verzögerte sich um mehrere Monate, denn Roberto ist ein vielbeschäftigter Musiker und Produzent. Am Ende hat sich das Warten gelohnt. Er hat der Musik einige magische Momente beschert. Auf der anderen Seite ist Charles mit seinem eigenen Material meist überkritisch. "Wenn ich mich parallel zu so vielen großartigen Musikern und Produzenten überall in der Welt und darüber hinaus mit einer eigenen Botschaft in die Welt begebe, muss das schon etwas Besonderes werden!" Nach endlosen Sessions in seinem Mini-Studio ist 'Children Of Zu Zu' um einiges mehr geworden, als er sich vorgenommen hat. Statt zwei, sind es am Ende sechs Tracks und zwei Bonus-Versionen voller Liebe, voller Träume und voller Space, innerspace und outerspace, geworden. Musik für den Dancefloor, für Jazz Clubs, Chill Zones und obendrein für Kinderzimmer!
- Process Of Elimination
- The Defectors
- They're Guilty
- Circumcision
- White Glove Test
- Trick Or Treat
LOUISVILLE, KENTUCKY has had more than its share of out-of-nowhere bands following from the second big bang that was punk rock. The Babylon Dance Band, Circle X, Your Food, Squirrel Bait, Bastro...these are but some of the exceptional music acts originating in Louisville after 1977. Now it"s time for the great secret of the Louisville first-wave punk scene to be revealed: The Endtables. The Endtables were the crazed brainchild of guitarist Alex Durig, brooding chess-master of the amplified freak-out, and singer Steve Rigot, a flamboyant transgender giant from the shores of southern Indiana who reinvented himself as a Warhol Factory superstar. Like Scarlett O"Hara wrapped in a green velvet curtain, Rigot crafted his own glamorous reality from what was available in the blasted cultural landscape of 1970"s Kentucky. Gold spray paint, duct tape, Ace bandages ... a spectacularly other trailblazer who caused folks to toss their received ideas of beauty and go with the new thing instead. The band first took the stage in late 1978 and was finished by the summer of 1980. In the fall of 1979 they recorded six tracks at a Louisville studio, four of which came out on a 7" EP on their own Tuesday Records. The two remaining tracks ("White Glove Test" and "Trick or Treat") were issued as a single on Self Destruct records in 1991. Both records are among the rarest of any American punk release - more sought after than seen, passed on disintegrating cassette tapes and shouted over upon impact. The music of The Endtables is another chapter in pure American weirdness, as jaw-locking today as the day it was recorded. The scent of modern can be detected in Steve Rigot"s remote vocalese, set against Alex Durig"s guitar outbursts, while drummer Steven Jan Humphrey and bassist Albert Durig (age fifteen!) supply frenzied rhythm. The band rocks its fevered vision to a ferocious degree while Rigot grimly rhymes the truths that remained locked out of the public"s pop tastes in "79-"80. Thirty years of rap and roll later, The Endtables seem inevitable.
- A1: Anything Is Possible
- A2: You Nasty
- A3: Pimp Shit
- A4: Just Like Dope (Feat. E-40)B1. Call Me Daddy
- B2: Recognize Game (Feat. Chyna)
- B3: She Know (Feat. The Nation Riders)
- B4: 2 Bitches
- B5: All The Time
- C1: Where They At (Feat. Captain Save ‘Em)
- C2: Don't Hate The Player
- C3: Be My Dirty Love
- C4: Nation Riders Anthemd1. Old School
- D2: You Nasty (Instrumental)
- D3: Pimp Shit (Instrumental)
- D4: 2 Bitches (Instrumental)
PRESENTED IN AN OPAQUE GREEN WITH BLACK AND ORANGE SPLATTER PRESSING HOUSED IN A DELUXE GATEFOLD JACKET
One year after coming out of early retirement and releasing his 11th studio album Can't Stay Away, Too $hort dropped his 12th studio album You Nasty in the year 2000. With over twenty years in the game, Too $hort don't stop mackin' or rappin' and spits his pimp game over West Coast funk-laden tracks with some Dirty South influences for the Y2K. Get On Down in partnership with Sony Music's CERTIFIED is proud to present You Nasty for the first time on vinyl. The album is pressed on colored vinyl with 3 bonus instrumentals and packaged in a deluxe gatefold jacket.
- A1: The Mystic Parade - Sun Atlas
- B1: Grand Theft - Sun Atlas
Original 2019 note: Little is known about the ensemble that is Sun Atlas. It's not certain whether you'd find them in Los Angeles, New York, Addis Ababa, Marrakesh or northern Germany. Maybe non, maybe all of the above. Their only proof of existance is banned on this 45. Their razor-sharp mixture of afrobeat, ethiojazz, surf, cinematic soul, crime jazz & funk/hiphop breaks speaks for itself. Only on vinyl.




















