Search:d i r t y records

DJ Support: FISHER, ACRAZE, AFROJACK, Rebuke, ALOK, Mau P, Tchami, MEDUZA, James Hype, Joel Corry, Hot Since 82, Dombresky, Oliver Heldens, OFFAIAH, Danny Howard, MEDUZA, Bob Sinclar, Joel Corry, Groove Armada, Sam Feldt & more.

Toolroom’s next Sampler showcases 4 big releases from Malaa, Zaark, ESSEL, Cristoph, Mark Knight & Wh0.

Straight from the island of X-Coast, Riviera Records is back -
this time introducing Villa, an emerging duo from Frankfurt.
A side features their fast tribal infused techno killa beats
with ltered disco vocals. To spice things up even more, its
the Get On Up remixes by electro powerhouse DJ Mell G and
XL Traxx (Lag & X-Coast) on the ipside. This music is
meant to be played off of a record!

Natural Goofy makes his debut on Unearthed with a raw four-track vinyl cut shaped through analog machines, instinct, and lived moments across Europe and Asia. From late nights in Barcelona to concrete mornings in Berlin, Early Hours EP captures warmth, tension, and that fleeting energy between movement and memory.

Now based in Spain and running Planka Records, Nando delivers a sound that is dry, emotional, playful, and deeply human — no plug-ins, no edits, just hardware and moments recorded as they happened.

Introducing to EarToGround Records one of the leading lights in abstract techno, as we showcase work from the brilliant Argentinian producer Translate. Translate comes with a very well-defined discipline when it comes to techno; it demands your patience and full attention at all times.

The four-track EP “Invaders, Qu'est-ce que c'est?” blends dark electro-house elements with cloudy live improvisations, created for the Turin and European underground club scene. The composer duo was born from the meeting between Viziale, a DJ & Producer, and the multidisciplinary composer Barabbah.
After connecting through Italia90®, they began collaborating on new music and launched a new label linked to the clothing brand; the 30x30 cm poster by Woc, included in the vinyl release, is a proof of the contemporary image aim of the label.


NB: The Lps are made with 100% regenerated plastic, totally green and respectful for the world and 100% compatible with the standard of the pure material.

4 tracks of heavy-minimal analogue techno inspired by the uncompromising and attitude-filled Birmingham sound.

Nearly two years after "Superpaesaggio," Futureslowdubdisco rematerializes with a new album rooted in deconstructed rhythms, suspended atmospheres, minimalism, emotional tension, and ethnic echoes. Simone Ticconi and Francesco Colagrande, true explorers of sound, first delve into dark and shadowy ravines ("Shaman"), then descend into ocean depths ("Wendigo"), and make their way through impenetrable forests ("Natureconnection"), finally reaching the slopes of an active volcano ("Manitou").
The adventurous journey is rounded out with two more danceable remixes by Virtual Reality and Adelmo.
The crowning achievement is the artwork created by Awer, which pairs with the previous work by Flavia Mastrella.
Postmodern library music of great pathos. Giosue' Impellizzeri.

FUTURESLOWDUBDISCO is a project born from the meeting of producers Simone Ticconi and Francesco Colagrande. The duo explores sonic territories that combine downtempo, minimal techno, and dub. A blend of deep and hypnotic atmospheres, capable of moving between the contemplative dimension of listening and the pulsating energy of club culture, for an unforgettable rhythmic, ethereal, and psychedelic journey.






e B2 NATURE CONNECTION [VIRTUAL REALITY RMX] (min 4.41)
[f] B3 SHAMAN [ADELMO RMX] (min 4.58)





[e] B2 NATURE CONNECTION [VIRTUAL REALITY RMX] (min 4.41)
[f] B3 SHAMAN [ADELMO RMX] (min 4.58)

| Palace Vinyl presents Brixton Row’s third instalment from US tech-house pioneer, Adam Collins alongside Torin Lawson and featuring Harrison Andrew.

With a breaks record on each side paired with two 4X4 tracks, the four-track EP displays the aesthetic Adam is known for whilst also pushing new territory. A nod to late 90s / early 2000s breaks can be heard on either side with measured, rolling groove and warm low-ends permeating throughout.

The B2 features a spoken vocal from Adam over a rhythm track punctuated by piano chords and playful percussion reminiscent of the acid house flavour.

Written and produced by Adam Collins & Torin Lawson. A2 ft. Harrison Andrew. B2 by Adam Collins.
Mastered by Justin Drake.
Pressed by Vinyl Presents.
Distributed by Palace Vinyl.

MEMORIALS jump off the waterslides and head above the clouds with their stunning second album, ‘All Clouds Bring Not Rain’. The duo of Verity Susman and Matthew Simms (formerly of Electrelane and WIRE) locked themselves away in a studio in a barn secluded deep in the woods in southwestern France and re-emerged with a beautiful, unusual record that is both melodic and unconventional. For such an ambitious album it’s striking that it was written, performed, recorded and mixed solely by the two of them. Sounding like an unearthed classic, MEMORIALS twist their influences into their own unmistakable sound. Imagine Nico singing with Can produced by David Axelrod and you’re somewhere in the right ballpark.

The record draws inspiration from a wide range of music including folk, dub, post punk, experimental tape music, 60s soul, garage rock, 70s spiritual jazz and Canterbury prog. This attention to detail in their sound meant finding several other studios to get what they needed to record with, including a harpsichord at 4AD’s studio in London and a vibraphone and vintage Leslie speaker in Stereolab drummer Andy Ramsay’s studio Press Play. Verity’s distinctive, unadorned singing is a focal point of the record, moving from tender to wild. Her vocal melodies quickly become earworms, providing the tuneful heart around which the songs’ more unorthodox elements are arranged, which is where Matthew’s unconventional approach to recording and production comes to the fore. With their adventurous arrangements, classic songwriting skills and innovative production techniques, MEMORIALS have created another mesmerising listen that’s accomplished and compelling in its unique approach yet remains dizzyingly immersive - just like their acclaimed live shows.

Two of the most prolific remixers in the world of Disco,Dave 'Love' Lee and John Moraleshave teamed up for one of their biggest projects to date - 'Mixed To The Maxxx'. After gaining access from the legendary original artists, the pair take the multi-track tapes of many classic Disco, Funk & Soul tracks and re-work them...to the Maxxx!

Where Remixed With Love stands as Dave Lee's own gold-standard body of work, Mixed To The Maxxx sets that legacy alongside Morales' own decades-deep M+M body of work: Lee brings his musically dense, groove-first touch to the likes of Harold Melvin, Syreeta, Lenny Williams and The Brand New Heavies, while Morales applies his extended, dancefloor-built M+M treatment and crushes the likes of Barry White, The Temptations and Loleatta Holloway, plus Dennis Coffey's breakbeat classic "Scorpio" for the DJs and collectors alike. Both work from original tapes, surfacing parts barely audible or entirely unheard in the source mixes, and both know when to let a classic breathe rather than bury it under modern production. It's a pairing a long time in the making. Lee and Morales first talked about working together around a decade ago, and getting Mixed To The Maxxx off the ground took five years of patient work: tracking down usable stems, securing approvals, and navigating a licensing landscape where much of the best material is now tied up with major labels increasingly cautious about clearing remixes. What's landed here is the product of that graft as much as the pair's shared ear for a great record, the sound of two people who know exactly what they're looking for and are willing to put in the time to find it.

A double 12" sampler in summer 2025 previewed the record's range. A bass-driven overhaul ofThe Brothers Johnson's "The Real Thing" and an extended mix of Philly legends Bell & James' "Livin' It Up (Friday Night)" showcased Lee's side, while an anthemic take on Inner Life's "Ain't No Mountain High Enough" and a tempo-lifted Light Of The World"London Town" flew the flag for Morales. Both drew strong early support ahead of the full LP.

LOK Black welcomes Strack with Voices Within EP, a deep and hypnotic journey through refined minimal grooves, subtle textures and intricate rhythmic details.

Across the release, Strack delivers a sophisticated and immersive sound, balancing stripped-back percussion with atmospheric elements and a steady, rolling groove. The EP is joined by Crihan, who brings his own distinctive touch to the remix, adding another layer of depth and movement to the release.

A carefully crafted vinyl release for those who appreciate deep, hypnotic and timeless minimal sounds.

LOKBLK005 – Vinyl Only.

No more hiding behind the unknown alias — Wilba steps out as the Tool Trader behind the Party Tool series for 3.0!

Stripped back and built for the floor. Tough, rolling grooves, acid-tinged leads and those trademark tripped-out vocals, all wrapped around a set of chunky, no-nonsense tools. The chunkiest instalment in the Party series yet — rinse it.

Green Goose Vol. 2 marks the second chapter of the label’s various artists series, bringing together a handpicked selection of artists who embody the sound and spirit of the project.

Featuring Jesse You, Kashawar, Nicolas Duque, and Ducato Driver, the EP explores a diverse spectrum of house and techno influences, blending deep grooves, hypnotic rhythms and late-night energy into a cohesive journey.

For UnExposed Records first vinyl release, Uruguay’s Marcos Coya wanted to show the world a different side of his artistic approach. In a world of monotonous copy/paste, Marcos wanted to bring something unique to the table. A compilation of spacey, dreamy & emotional tunes custom built for the dance floor yet still experimental as well. Deep grooves & long developments. No fluff. No overbearing bangers. True underground production principles. Crafted for those with a refined palate.

The A-side is dedicated to Marcos Coya’s four to the floor production work. This sonic expedition begins w/ a bang: the record’s title track “Moon Trippin”! A showcase of freaky melodies accompanied by groovy percussions which bolster a vocal of Prince speaking his mind about the true essence of creating musical art & his disdain for mainstream music industry critics.

“Delirium” closes out the A-side w/ a dreamy acid house tune adding an emotional touch to the record. After hours material. A real step forward for Marcos and his production work. Leaning heavier than ever into trusting his melodies. Taking a bit more risk with his approach by creating something you’ve never heard from him on any of his nearly 20 vinyl releases over his career.

For the B-side we shift over to a more breakbeat approach with 2 absolute heaters. B1 introduces the track Hearthug has claimed to be one of the tracks of the year: “Rage Dog”. Rage Dog is a Marcos Coya signature track due to its rock & hip hop influences developed during his adolescence. Marcos even purchased new synthesizers specifically to improve this track & its melodies. The cherry on top is the vocal from Rage Against The Machine’s front man, Zack de la Rocha, which adds a rebelliously political undertone to the record, something UnExposed & Marcos both are very proud to address w/ passionate conviction during this time of war and injustice.

We close out the record with “D.N.A.”, the most experimental piece of art on this vinyl release. A wild combination of breakbeats, guitars, melodies & crazy vocals. The perfect bizarrely fascinating conclusion to this wild trip to the moon and back.

Early support from heavy hitters such as: DJ Koolt, Anthea, Velasco, KT, Hearthug, Mario Liberti, Daïf & many more!

Polarity Records returns with its eighth release. After years of experimentation with live performance, new technologies and evolving setups, Luca Piermattei returns his focus to studio production.

Natural Recording Vol.2 marks a new phase in his artistic trajectory: a more essential and distinctive sonic language, balancing emotional depth, harmonic sensitivity and a stronger focus on musicality, dynamics and performance-inspired arrangements. A refined approach where every element finds its place with intention.

Warmer than warm club/techno groovers by the man Brooks Mosher, delivering his third release on Dolly. 4 very strong cuts with exactly that dreamy & sensual feeling which might be the main reason why we like to dance & sweat in the dark so much... body to body with the eyes closed, far away from everyday trouble... Dance, make love and heal yourself. Powerful dj-tool on several levels!

With 'Songs For Tova' Dolly introduces a brand new producer called Afik Naim. This rough diamond was pulled out of a cave near Jerusalem. He has a cinematic experimental take on what you would call Techno but he is rather hard to classify to be honest. Exactly what we like, somebody who stands out with his typical sound pallet! Another perfect player on this 'Songs For Tova' team is the never disappointing Kassem Mosse with a killer remix to wrap up this high class 4 tracker!

Oráculo Records has always had a special interest in pushing electronic music towards unexplored territories, and it is precisely within this microcosm that IP307 emerges. Blending the most dub- infused and mechanical forms of electro with industrial, EBM and even post-punk, the project delivers a hypnotic, forceful and deeply cathartic sound.

Behind IP307 is Israel Padilla, founder of Banshees Records and one of the leading figures of the industrial scene in the Iberian Peninsula. With “IP307.1”, he presents six interconnected compositions, each with its own distinct identity while contributing to a coherent vision of seemingly opposing styles, reimagined into a singular language.

The result is neither a nostalgic exercise nor a stylistic collage. Instead, it reflects the experience, technical mastery and artistic vision of someone fully capable of expanding the path opened by pioneers such as Clock DVA in their later works, or Atom™, both through his solo output and as part of ASA alongside Esplendor Geométrico.

New sonic artillery for the most forward-thinking listeners already embracing this emerging strand of dark electro through our recent releases such as Occulimus by Mystic Letter K or the work of Maman Küsters, “IP307.1” offers another essential chapter in the evolution of this new form of sound. Welcome to the future. Welcome to IP307.

Ricky Force joins the Basics Records roster with ’MDrum’ a dark and hypnotic rolling track. Ricky is known for writing some of the deepest cuts over the last decade alongside running Pressin’ Hard Records.

On the flip side Friske (Requisite/Metalheadz) steps up with a sharp apache remix of MDrum which twists and turns. On B2 is Gremlinz (UVB-76/Metalheadz) with an absolute monster remix rolling out the amen’s, a masterclass in drum work. Watch your bass bins!!

Gatzara Records present a soul version of “We Need Love” by Johnny Osbourne, produced by The Blaxound and sung by Roberto Sanchez. On the B side, there is a hip hop version built from samples of the A side, featuring Rel McCoy, an MC from the United States.

There are few electronic musicians as accomplished as A Guy Called Gerald From writing genre-expanding records as a member of 808 State and as a solo artist, to crafting what journalists call the greatest jungle album ever made under the moniker Black Secret Technology, AGCG has spent four decades redefining what electronic music can be. With collaborations, remixes, and tracks for the biggest names in house, techno, drum & bass, and jazz, one thread remains constant: in any decade or any genre, AGCG's music continues to be celebrated as genre-pushing excellence.

Juice Box is AGCG's label, named after his Manchester-based soundsystem. Originally established in 1992, the label went on an unofficial hiatus before the decade's end as AGCG's output demanded wider release. pairing two essential cuts from Gerald's vault that have long deserved proper vinyl treatment. On the A-side, the absolute classic "Voodoo Ray" finally returns to wax. On the flip, 1990's "I Won't Give In" resurfaces from the archive, a reminder that even Gerald's deep cuts carry the weight of lost classics. Juice Box is back, and the catalog has plenty of treasures to unearth, along with new material from one of the all-time greats.

HOT STREET RECORDS presents LIMINAL 8 - Construction EP (12")
Another timeless retro release on this high rising label.
Don't miss!

First released in a long-out-of-print limited-edition 7" box set, this album, now released on LP and CD, brings together 10 amazing, unreleased Studio One tracks, only ever released as extremely limited-edition hand-etched one-sided dubplates (most of these sold out in less than 2 hours!). Studio One Dub Plate Special brings together all 8 of these exclusive dubplate unreleased cuts, plus two more also never before released alternate cuts. Featuring Alton Ellis, Cedric Brooks, Brentford Road All Stars, Jacob Miller and more! From Alton Ellis' righteous uplifting 'Black People' to Brentford All Stars’ hypnotic cover of War's classic 'The World Is A Ghetto', groovy instrumental cuts from Cedric Brooks and The Soul Brothers, deep cuts from Alton & Zoot, George Phillip and Jacob Miller's wicked alternate cut of Dennis Brown's classic 'Westbound Train', all make Studio One Dub Plate Special a truly unique Studio One release

On Chuck Strangers’ latest opus, Glory Of The King’s Hand, he raps, “I still rap from the perspective of my government name…” The stage name “Chuck Strangers” is, of course, an alias but it’s not necessarily an alter ego. For the man born Che Jessamy, his rap moniker isn’t some over-the-top rock star persona contrived for public consumption, it’s just a name. What you hear on his records is really who he is - a heavy-tongued griot from East Flatbush, Brooklyn with a gift for vivid stream-of-consciousness storytelling. His bars are imbued with the wisdom he’s gained in his lifetime - especially in the 14 years since he first made his debut with the Pro Era collective.


The elaborate title of his new album, Glory Of The King’s Hand, speaks to his gratitude for the hand that life’s dealt him, which is a pretty good one. At age 34, he does what he loves professionally and does it on his own terms. That’s something to be thankful for.


Glory Of The King’s Hand, not only represents Chuck’s matured attiGlory attitude but also his matured sound. Key to this refined approach was tude collaboration. Chuck is a proficient beatmaker in his own right as evidenced by his production for himself and artists like Joey Baevidenced Badass, and Boldy James. But this time around Chuck chose to be a dass, producer in the Quincy Jones sense of the word, bringing together vocalists, producers, and musicians instead of handling all of the beats and rhymes himself. d Up Reprise


The list of contributing producers is a who’s who of underground sound scientists including The Alchemist, Animoss, Theravada, Kensound Kenny Segal, Preservation, Child Actor, and Morriarchi.

Killer Groove Records presents a new 7" by Electric Circus, pairing "High Fever" and "Ogres": raw, hypnotic funk built on obsessive bass lines, sharp horns, dub delays and wah-wah guitars.

Both tracks are taken from Rites, the band's second studio album, out November 27 on limited-edition LP, CD and digital. The 7" is limited to 500 copies worldwide and is out September 25.
On the A-side, "High Fever" maps Electric Circus's territory: '70s funk, Afrobeat and psychedelia meet in a steady build toward a climax of synths and groove. The track grew from a bass line written over one feverish weekend and runs as a single continuous rise in tension.
The groove takes its cue from The Meters, locking syncopated accents into place while a punchy horn section cuts through from the opening bar. Dub delays and layered textures then open the arrangement out, trading space with wah-wah guitars and a treated clavinet that sounds vintage without dating the mix. After a darker, nocturnal passage, the saxophone rises over percussion and synths for the climax.

On the B-side, "Ogres" was the first track conceived for the album and the last to be completed. It began as a bass-and-percussion ostinato in an Ethiopian pentatonic scale, modelled on a war march, and grew into a dense groove with psychedelic and trip-hop textures. Its rhythm conjures a twilight bestiary of dark, menacing or perhaps merely curious creatures, building to a tense climax before resolving into a smooth, dreamlike finale that suggests awakening, or re-emergence.

Like the rest of Rites, both tracks started in jam sessions and were recorded in stages: live takes of the core arrangements first, then dedicated sessions for synths, horns and overdubs. Marco Sirio Pivetti engineered at Metrò Rec Studio in Riva del Garda, Gio Solo at Sberdia Studio in Turin. Overdubs were reamped through tube amplifiers and analog outboard. The band co-produced with Pivetti, who also mixed; Riccardo Ricci mastered at Velvet Room Mastering Studio in Brighton.

Electric Circus are based in Turin. They released their debut album, Canicola, in 2018 and have toured the U.S. Scoring Contrecourant (2021), a documentary series shot in Senegal and Mali, led them to Sahel Roots, a duo from the north of the country. The two groups recorded On est ensemble (Mieruba, 2023) remotely between Turin and Bamako, each writing two pieces for the other to finish.

For fans of The Heliocentrics, Calibro 35, BADBADNOTGOOD.

For our 30th anniversary, we drive back into the catalog to shine a light on two essential releases: Street Knowledge (log55) and Dial (log59) by Tobias.

Originally released during a time when groove, hypnotic repetition and sonic depth mattered more than formats or trends, these two EPs perfectly embody the label’s timeless aesthetic: functional yet subtle music, made for both the dancefloor and deep listening.

For this special reissue, we carefully selected the four strongest tracks from the two EPs. Four cuts that capture the core of the Tobias. sound: organic rhythms, soul-infused minimal house, raw yet elegant textures, and an unmistakable sense of groove that has aged flawlessly. A timeless classic…

Father Hervé and son Louis return as FRONTMASCHINE with “Rühren”, their most accomplished and refined work to date. United by a shared passion for the rawest and most uncompromising forms of EBM, the duo continues to explore the essence of body music while pushing their sound to a new level of maturity.

On “Rühren”, cold, almost chilling polyphonic synthesizer melodies intertwine with their classic relentless drum programming that sits somewhere between the militant precision of DAF and the mechanical drive of the “Commando days” of Front 242. Every track is built around pure functionality: no unnecessary ornamentation, no concessions—just stripped-down, commanding rhythms designed to move bodies.

This is an exceptionally DJ-friendly record. Each cut is crafted for maximum impact on the dancefloor, making “Rühren” an essential tool and a true secret weapon for any DJ devoted to uncompromising body music. Martial, hypnotic and brutally effective, FRONTMASCHINE once again prove that the most direct approach is often the most powerful.

RAWAX proudly presents the 2nd release by Fort Romeau!
We're super happy to deliver you the "Sunlight EP" very soon on vinyl!

Highly recommended!

The universe of Muovo Musica is a world of its own, a sonic space where Dove Quiete has learned how to make us move while holding our hand. His upcoming EP, “Guardo La Luna EP.”, explores the artist’s different facets through an unpredictable journey where minimal techno is a constant presence, but far from enough to define the release. Moving between driving tools, ghetto tech influences and trip-hop atmospheres, the tracks naturally cross genres and blend different influences. Rhythm and experimentation coexist throughout a cohesive yet unpredictable EP, always keeping impact at its core.

Our debut vinyl EP unites Strange Glide, Kamatchi, and Moxi in a project built around a deliberate progression. The tracklist was crafted to move from bright, solar energy toward darker, more introspective moods. Blending eclectic styles, we focused less on genre and more on emotion—shaping each track to express a distinct atmosphere while contributing to a coherent journey in tone and frequency. This EP is a shared narrative where each artist brings their own identity to a fluid, evolving sound.

Black Vinyl Repress

Pirka Vinyl Cuts returns with a new chapter in its unknown edits series, featuring four anonymous cuts built strictly for the dancefloor.

From the rolling grooves of “KINR” and the raw energy of “Ruffneck”, to the sun-soaked swing of “Sun Goes Back” and the late night vibes of “Get Me Down”, the record delivers four funky house tools packed with classic samples, tight drums and peak-time flavor.

A no-nonsense DJ weapon designed for long blends, sweaty rooms and proper moments behind the decks. Limited vinyl release on Pirka Vinyl Cuts.

Produced in 2002 by Dj Herbie.

This reissue of the original (remastered at HOG Studio)

also contains an unreleased version remixed by Par-T-One.

Released in 2000 on Tommy Boy, the album fi nds Capone and Noreaga leaning into their chemistry: Capone's colder, clipped delivery grounding Nore's wild-eyed charisma and off-kilter bounce. The record features heavyweight production and appearances from names like DJ Premier, The Alchemist, Havoc, L.E.S., Nas, Mobb Deep, Foxy Brown, and Carl Thomas, surrounding CNN with some of New York rap's most recognizable voices and architects. Highlights like "Bang Bang," "Invincible," "Queens Finest," and "Phonetime" keep the album rooted in hard drums, prison- call tension, borough pride, and that unmistakable CNN slang. Commercially, it made a solid showing, reaching No. 31 on the Billboard 200 and No. 8 on Top R&B/ Hip- Hop Albums, with "Phonetime" hitting No. 22 on Hot Rap Songs. The Reunion stands as a hard-nosed second chapter for CNN: a tough, guest-heavy, post- millennium Queens record that captures Capone and Noreaga reconnecting without sanding off the grime. This deluxe edition features the remastered original album with 3 bonus tracks.









i B3. Shows! (Interlude) [Feat. Timbo of M.U.]









[i] B3 | Shows! (Interlude) [Feat. Timbo of M.U.]