quête:dirty joe

2026 Repress

Weiss has made a bit of a welcomed habit in recent years of dropping a Sun-drenched bomb on Toolroom around this time of year and following on from 'You're Sunshine' last year, 'Feel My Needs' is his submission for 2018!

Recent Weiss highlights have included him playing the main stage at Dirtybird's own Campout festival, regular dates at the world-renowned Fabric as well as a US tour and an album in the making.

In true Weiss style, this record will have the hairs on the back of your neck standing to attention in a matter of seconds. Lush, old skool piano riffs and sublime vocal licks, all laid over the top of a crisp and infectious house backing.

This is a sure-fire future anthem with two killer remixes to add to the vinyl from Purple Disco Machine and Gorgon City, both of which have been premiered on the mighty Radio 1 Dance shows.

DJ Support:

Pete Tong, Annie Mac, Danny Howard, MistaJam, Huxley, Gorgon City, Claptone, S-Man, Dario D'Attis, Robosonic, Dosem, Tube & Berger, Steve Lawler, Groove Armada, Sonny Fodera, Man Without A Clue, The Magician, Eli Brown, TCTS, Martin Ikin, Mat.Joe, Richy Ahmed, Low Steppa, Kry Wolf, Kraak & Smaak, The Golden Boy

London Based Deadbeat is a techno label founded in 2000 as an outlet for the more eclectic, risk taking and aggressive elements of the genre. Dedicated to unveiling forward thinking new talent, championing cult underground producers and celebrating established global acts the label has created a loyal fan base and now after more than two decades presents its first vinyl release, a massive six track EP that covers a lot of creative ground and features three artists well known for pushing boundaries while delivering face melting, dancefloor destroying beats.

Sane ( Don't Recordings / Fun In The Murky ) is a Uk based producer and techno DJ who has featured multiple times on the 'Best electronic music on bandcamp' pages. Described there by music journalist Joe Muggs as 'Filthy, dirty, vile and brilliant. His techno will tear the top off your head and make soup with the contents. It screeches, it blurts, it whistles, and it roars. Above all, it crashes and clangs like a dancing mech warrior, crushing all before it. What more do you need to know?'

TSR ( Analog Records / Hörspielmusik ) are a highly regarded creative force of Swedish musical mentalists, a crazed, technologically berserk band of electronic wizards who relentlessly conjure up the most brilliant, silliest, toughest, most dance bootable funky techno on this train of existence. Known for high-energy, raw, and sometimes humorous tracks they have released to high acclaim on many notable labels and played all over the world.

DJ Ze MigL ( Djax-Up-Beats / Minimalistix ) is first and foremost a DJ, but also a producer & a Dude! Creating crazy, funky and sometimes brutal techno mayhem. Residentially from Portugal, he’s been the one of most prolific Portuguese techno producer/ DJ during the last 25 years. Producing and Spinning his own special brand of honkin’ techno, not changing a single cowbell. Never too serious or dark, always with proper party ON!

The record additionally features full sleeve artwork by Ed Twist ( of the influential 'Ugly Funk' label ) and is pressed on yellow vinyl.

Since 2020, 12 Inch Lovers has embarked on an exhilarating journey, characterized by sold-out parties and samplers that have built a loyal fanbase. These samplers consistently find their way to collectors in search of contemporary classics. Samplers 7 & 8 once again constitute a collection of true classics, rare gems, and club tracks that have never before appeared on vinyl.

Sampler 7

Color-In-Color vinyl, premium hardcover custom egg carton sleeve with matte and gloss finishes, includes additional items: (Dirtybird Friendship bracelet, Egg Necklace, Egg Keychain, and 4 Vinyl record coasters

After 20 years of pumping out booty bumping music and wild parties, San Francisco dance label and nightlife culture creators, Dirtybird, have released their first commemorative vinyl box set, the Dirtybird Hand Picked Box Set, Volume 1. With many of the tracks being hand-picked fan favorites - from artists Claude VonStroke, FISHER, John Summit, and Get Real to longtime label legends Sacha Robotti and Walker & Royce, as well as newer faces like VNSSA, Nala, and Nikki Nair - the box set covers a wide range of tracks that have created life-changing memories and moments for fans over the years and across the world, with many of the tracks receiving the vinyl treatment for the very first time. Housed in a premium hardcover custom egg carton sleeve, the box features matte and spot gloss finishes, a magnetic flip top, and easy slide vinyl drawer. Contained within the box set are 4 different color-in-color vinyl records with die-cut jackets, and several additional items for the day ones - a friendship bracelet, necklace, keychain, and 4 vinyl coasters featuring artwork from the music included in the box set.

"30 unforgettable hits from the decade that brought movie classics from The Breakfast Club to Back To The Future.
There was no greater era for movie soundtracks than the 80s! Featuring some of the most iconic and memorable soundtrack moments including the title track from Ghostbusters, ‘Holding Out for a Hero’ from Footloose, ‘I’ve Had The Time Of My Life’ from Dirty Dancing, ‘A Kind Of Magic’ from Highlander, ‘Eye Of The Tiger’ from Rocky III, Gladys Knight’s classic Bond theme from Licence To Kill plus many more. This epic double vinyl will have you reminiscing on those beloved 80s film classics and their amazing music."

Purple Disco Machine's third studio album "Paradise" will be released on September 20th. On the album, Purple Disco Machine has collaborated with artists such as Metronomy, Jake Shears, Duke Dumont, Sophie and the Giants, Nothing But Thieves and many more.

With over 1.8 billion streams worldwide, a Grammy win for Best Remix for Lizzo's "About Damn Time" in 2023 and being named Beatport's #2 artist of all time, Purple Disco Machine continues to dominate the global dance music scene with each new release. His recent successes include collaborations with international superstars Nile Rodgers, Benjamin Ingrosso and Shenseea on 'Honey Boy'.

Purple Disco Machine grew up in Dresden and developed his passion for disco and house music, which has seen him become a worldwide radio and streaming sensation with hits such as "Hypnotized", "Fireworks", "Dopamine", "In The Dark" and "Substitution". Beyond radio, Purple Disco Machine is a respected force among DJs worldwide, while the tracks 'Body Funk', 'Dished (Male Stripper)', 'Playbox' and 'Devil In Me feat. Duane Harden & Joe Killington' continue to dominate dance floors. Purple Disco Machine has remixed tracks for Dua Lipa, Mark Ronson, Calvin Harris, Sir Elton John & Britney Spears, Fatboy Slim, the Rolling Stones, Ryan Gosling's "I'm Just Ken" and many more

The maestro of nu disco is also a dedicated performer. His energizing festival appearances include Coachella, Tomorrowland, Lollapalooza, Ibiza and many more. Purple Disco Machine will embark on his own sold-out PARADISE tour of mainland Europe in the fall.

Purple Disco Machine's influence on the global dance scene is undeniable. His tireless commitment to inclusion and diversity in music ensures that his legacy will endure for generations to come.

The album PARADISE is another homage to the new age of disco and surprises with numerous top-class dance features, as well as of course the big hits of recent months.

New Jersey producer, DJ and Inimeg Records head honcho Joey Anderson takes on the role of Obiaman for Obia Records 005. Well known for his deep and intriguing records Joey Anderson takes the label far into the night sky with Vanish EP. Accompanied by label owner Wendel Sield the EP sets to serve a variety for all tastes.

Anderson’s style of hypnotic rhythm and cosmic synth work finds common ground with the labels African background in “Masked Ones”. With haunted vocal shots and elegant drum work. Minimalistic use of elements fill the track exceptionally well.

“Vanish”, the records main cut fills any ear with an astonishing panned bassline accompanied by loosely layered hihats. Strange and eerie pads float around the bassline, while piano chords give structure to the music. Followed by “Escape” this well-crafted jam explores the deep even further. Jumping synth lines that sound from another planet edge the depth of Anderson’s amazing musical ear. The track is layered by dirty low frequencies that suck you in with weird noises and atmospheric melodies.

Orbiting an icy moon Wendel Sield's “Cultivate” shows itself at the end of the EP. A pulsating synth line dominates the track main character. Intricate percussion patterns drag the track along to a dirty mono sequence. Big open snares makes this a track a slap in the face to its listener.

“God Is A DJ” is the new full-length by Joe T Vannelli, an album the DJ and producer has been working on for years, 13 to be exact, since his latest LP came out. The album features sixteen unreleased tracks and features huge names from all over the musical scene, both italian and international. God Is A DJ is already a cult musical project, that the house music lovers all around the world have been waiting for for years.

The two LPs take the listener through a musical journey mixing different sounds and styles: the first four tracks on Side A lean towards a melodic house sound, the very same genre that JTV took to the top of the game with his “Live On Tour” series of streaming – 62 streamed gigs from different places in Italy, from April 2020 throughout the pandemic. Fifteen million views with a valuable representation of the italian territory.

Amongst the tracks on Side A, the 2022 remix of “Voice In Harmony”, one of JTV's biggest hits, and the long-awaited new version of “Children”, by Robert Miles, which was taken to the top of the charts by the same Joe T Vannelli in 1996.

Side B features collaborative works with some italian producers fresh off the top of international house charts: Moreno Pezzolato for “Doctor House” and “Paradise” remixed by Federico Scavo e Cassimm, licensed worldwide by Happy Music and Kontor Records.

Side C opens with the Angelo Ferreri remix of “Where Is My Man”, #1 on Traxsource, then moves on to two big featured artists: the first one is Saturnino. His bass is perfect, on this 70s funky style piece which echoes the biggest and boldest productions of music history. The second one is the remix of “Paradise” by Mario Biondi, made by JTV
himself who gives the track a soul/funky mood and an international sound inspired by Alicia Myers, who already worked as a muse for “Thank You” by Busta Rhymes. A song like “Sacrifice” by The Weeknd works along the same lines.

Side D, instead, is pure, distilled Vannelli-sound: house music for house music lovers, led by the afro-house beat by Silvano del Gado for “Booma Beat” and followed by the “Harlem” remix by Angelo Ferreri, and “Across The Universe” reinvented by the young producer from Veneto Reboq. The album closes with “Shavasana”, a meditative yoga number inspiring total relaxation.

The debut studio album by the American rock band The Standells, Dirty Water was released by the Tower label in June of 1966. Taped in the midst of touring in a two-day session on April 4–5, 1966 at Audio Recording in Seattle, Washington, the LP takes its title from the homonymous song, which, along with its B-side "Rari," had been recorded on March 5, 1965, at Western Recorders in Hollywood, California and issued as a single. Dirty Water became the band's best-selling LP, peaking at #52 on the Billboard charts, and #39 in the Cashbox listings. The "Dirty Water" single peaked at #11 in Billboard and #8 in Cashbox. Along with Why Pick on Me, this is considered the group's strongest album.

Soundtrack-LP mit Originalsongs aus den Staffeln 4, 5, 6 der erfolgreichen Netflix-Zeichentrick-Serie BIG MOUTH, geschrieben und komponiert von Mark Rivers. Das Album enthält Gesangsdarbietungen der angesehenen Besetzung, darunter Nick Kroll, Maya Rudolph, Andrew Rannells, John Mulaney, Crissy Guerrero, Jason Mantzoukas, Paul Pell, Jon Daly, Joe Wengert u.v.m. Rotes Vinyl.

FIFTEENTH ANNIVERSARY CD REISSUE, INCLUDING THIRTEEN BONUS TRACKS / RED VINYL LP. The legendary Abscess hailed from Oakland California & started life in 1994 with their very own brand of Sickodelia. Chris Reifert & Danny Coralles began Abscess after their infamous gore metal band Autopsy disbanded in the mid 90's (before resurrecting in 2009). Chris started his career with the highly influential extreme metal band, Death. The line-up was completed by Clint Bower (Guitar/vocals), with Joe Trevisano joining on bass for the band's later releases. In October 2009, Abscess descended upon the famous Fantasy Studios, CA, to record the follow- up to their 2007 Tyrant Syndicate album, 'Horrorhammer', with engineer Adam Munoz. 'Dawn Of Inhumanity' was released in 2010, leading the listener on an unrivalled nightmare of raw experimental extremity, whilst also including special guest vocal appearances by the Nocturno Culto & Fenriz of Darkthrone. 'Dawn of Inhumanity' was to be the swansong release from Abscess, leaving a legacy of twisted, dirty punk/ death without limits !

It runs through the minds of men and women of a certain age, complexion, and place who grew up during the era of segregation and who defied their parents, the law, and all genteel propriety and custom by answering one bluesman's invitation to cross the color line and join him getting lowdown and dirty as he serenaded a generation from the bandstand, on jukeboxes, and through the radio.

To them, the slurred guttural sound of a wise man singing "Hush, Hush," putting down the "Big Boss Man" or advising the listener to "Take Out Some Insurance" before they behold the "Bright Lights, Big City" was a siren's call they had no choice but to answer. Even if they tried, they couldn't resist the steady, dirty rhythm punctuated by the twanging sting of an electric guitar note and the sweet wail of a harmonica. And when they leaned in close, they could even hear the barely perceptible sound of a woman's voice whispering forgotten lyrics into an ear.

Ain't nobody can do Jimmy Reed like Jimmy Reed could. But this drive down Jimmy Reed Highway with fellow Mississippian Kent "Omar" Dykes at the wheel with Jimmie Vaughan (older brother of the legendary Stevie Ray Vaughan) riding shotgun and folks like, Kim Wilson, Miss Lou Ann Barton, James Cotton, Delbert McClinton, and Gary Clark, Jr., joining the duo, comes mighty close. As Omar guns the engine and peels rubber on the two- lane blacktop lined with no- good women, empty whiskey bottles, too many cigarette butts and bad intentions, he leaves John Law trailing behind eating his dust. Hop in for a ride and turn up the volume. The electric bluesman who shaped the minds and moves of a musical generation is alive and well. (by Joe Nick Patoski)

* 180 gram audiophile vinyl
* Includes insert
* Guest performances from Slash, Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx and Mick Mars (both of Mötley Crüe) and many more
* Featuring the hit-singles "Hey Stoopid" and "Love's a Loaded Gun"

Hey Stoopid Is The 19th Studio Album By Rock Singer Alice Cooper, Released In 1991. After His Smash 1989 Hit Album Trash (movlp1862), Cooper Continues His Success With This Follow-up Album, Which Features Guest Performances From Slash, Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx And Mick Mars (both Of Mötley Crüe).

Hey Stoopid Was The Last Music Album To Feature Bassist Hugh Mcdonald Before He Joined Bon Jovi As Their Bassist In 1995.

The Song "feed My Frankenstein" Features Famed Guitar Duo Steve Vai And Joe Satriani Playing Together, Accompanied By Nikki Sixx On Bass. In 2014, "dangerous Tonight" Was Featured In The Video Game Watch Dogs.

MAMMOTH is a grabber right out of the gate, every step they take is unleashed with deadly economical precision. They may flash on Lynyrd Skynyrd and other vintage southern rock traditions but the brilliant way the vocals are recorded and the to-the-point interlocking guitar moves will fire up anybody into any sort of hard rock. They can rip it up with hot leads, probably jammed out on these songs at live shows but lucky us, they laid them down for all times here with the sort of thought out unified force and construction that screams hit radio. Loads of personality, accessible, produced and mixed with the clarity of classic rock that never loses it's perfectly deployed impact. The uncluttered arrangements leave plenty of space, crafted with the kind of balanced mojo in the mix where every detail adds to the whole. Down and dirty but also achieving a universal pop-friendly appeal! The Mammoth LP was recorded in 1981 at Relayer Studios in DeLand, Florida with the two guitars, bass and drums quartet line-up sounding like it could have been a decade earlier. Buzz Fetters on lead guitar, Bill Abell on rhythm guitar, Joey Costa on bass and Ron Herman on drums… with everybody contributing to the vocals. Rather than having a strong up front emotive singer the lead vocals here are multi-tracked and integrated into the songs with plenty of attitude but also a genre-transcending presence… you can imagine the vocal ambience working in punk, glam, even psychedelic contexts. Mammoth have a sound informed by roots music but it is really in the rear-view mirror the way they roll. The songwriting here is terrific, they have a way of saying things that comes off as sincere but not too serious. You get plenty of in-your-face hard rock action but also several melodic tracks that have a more reflective charm to round out the trip. AND… when you hear their brilliant ode to southern rock titled "Southern Sounds" I challenge you to find any song about the subject more delightful. These guys keep it real, whether they're being bad ass or vulnerable they express themselves with 100% genuine feeling as contagious and life affirming as it gets!

For Fans Of... 60's and 70's French Noir Scene / Black and White film photography, The Rugged Nuggets, Dirty Art Club, Massive Attack, Misha Panfilov, The Ironsides, Doctor Bionic, Blockhead, DJ Shadow, Sven Wunder. First Salvator Dragatto full length LP to be released on Colemine. All members of The Rugged Nuggets (205k monthly listeners / 8.4k followers on Spotify) played on this LP. 60's French Noir Cinematic Soul. Produced by Joey Reina. This record is an homage to the likes of André Kertész, Robert Frank, Jean-Luc Godard and René Groebli. Artist has previously released three successful 45s. Thoughts of You, as a phrase, might immediately associate one with feelings of love, endearment, fantasy or even obsession. These are the very sentiments that lay as cornerstones in Salvator Dragatto’s debut LP for Colemine Records. The allure and drama of black & white photography have always played a vital role in how Salvator (aka Joseph Reina) not only views the world but how he hears music. Parallels in film processing to his own recording methods started becoming more and more apparent as the record was being formed; Limitations in exposures rivaling limitations in tracks. Film grain and dust sediments rivaling tape hiss and dirty EQ pots. What most would consider to be imperfections, Dragatto leaned into and found inspiration. This record is an homage to the likes of André Kertész, Robert Frank, Jean-Luc Godard and René Groebli, who’s works have impacted Dragatto’s world so greatly both visually and sonically. Thoughts of You is an unabashed reflection of the noir. From the powerful thematic horn lines to the gentlest string passages, this record is a collection of themes and vignettes that explore the emotions set upon by black and white imagery

This re-issue faithfully replicates the original 1970 Island Records UK release in gatefold sleeve and is pressed onto high quality 180g vinyl. After their 1969 album Liege and Leif paved the way, Fairport Convention pushed further into traditional music, led by charismatic and renown fiddle-player Dave Swarbrick, who had joined the group in 1969 after making his name with Martin Carthy earlier in the decade. Vocalist Sandy Denny and bassist Ashley Hutchings left after Liege and Leif, and for the first time since the group's inception in 1967, there would be no female voice on a Fairport album.Guitarists Richard Thompson and Simon Nicol took vocal leads with Swarbrick and, with new bassist Dave Pegg joining drummer Dave Mattacks, the group made Full House, released in July 1970. Picking up where its predecessor left off, and again recorded with Joe Boyd at London's Sound Techniques, the album continued the standards set by their previous four albums. Four of the seven songs on Full House were adapted from traditional folk melodies, such as Dirty Linen and Sir Patrick Spens, while of the originals, Thompson and Swarbrick's nine-minute opus Sloth gave the group one of their all-time anthems. The sleeve sent up their new role as ambassadors of the rustic by inventing a string of traditional British games that didn't really exist.

For fans of The Stray Cats, Brian Setzer, Swing and Big Band! The Brian Setzer Orchestra (sometimes known by its initials BSO) is a swing and jump blues band formed in 1992 by Stray Cats frontman Brian Setzer. In 1994 they released their debut album which was followed up in 1996 with Guitar Slinger. In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima's "Jump, Jive an' Wail", which originally appeared on Prima's 1957 album The Wildest!. The BSO's follow up single, appearing on the album Vavoom!, was "Gettin' in the Mood." Now get Guitar Slinger from the Brian Setzer Orchestra for the first time on vinyl since 1996. Remastered on 180g vinyl in an amazing limited- edition color. There are only 700 of the Silver Melt. Guitar Slinger is the second release from the Brian Setzer Orchestra and where the band really started to come together. The album leads off with "The House Is Rockin'" and features the Brian Setzer/Joe Strummer (The Clash) penned tracks "Ghost Radio" and "Sammy Davis City". There are 12 tracks in all, and it clocks in at just over 43 minutes. This is the first in a series of three reissues coming from Deko Entertainment with The Dirty Boogie scheduled to also hit by the end of 2024, with Vavoom! to follow in early 2025.

For fans of The Stray Cats, Brian Setzer, Swing and Big Band! The Brian Setzer Orchestra (sometimes known by its initials BSO) is a swing and jump blues band formed in 1992 by Stray Cats frontman Brian Setzer. In 1994 they released their debut album which was followed up in 1996 with Guitar Slinger. In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima's "Jump, Jive an' Wail", which originally appeared on Prima's 1957 album The Wildest!. The BSO's follow up single, appearing on the album Vavoom!, was "Gettin' in the Mood." Now get Guitar Slinger from the Brian Setzer Orchestra for the first time on vinyl since 1996. Remastered on 180g vinyl in an amazing limited- edition color. There are only 700 of the Silver Melt. Guitar Slinger is the second release from the Brian Setzer Orchestra and where the band really started to come together. The album leads off with "The House Is Rockin’” and features the Brian Setzer/Joe Strummer (The Clash) penned tracks “Ghost Radio” and “Sammy Davis City”. There are 12 tracks in all, and it clocks in at just over 43 minutes. This is the first in a series of three reissues coming from Deko Entertainment with The Dirty Boogie scheduled to also hit by the end of 2024, with Vavoom! to follow in early 2025

wieder auf Lager Fragte man in den 1970er-Jahren nach den besten weißen Interpreten Soul- und Blues-getränkter Rockmusik, so nannten die Kritiker in der Regel neben Eric Burdon, Rod Stewart und Joe Cocker auch immer Frankie Miller. Doch anders als die Erstgenannten schaffte der sympathische Pub-Rocker aus Glasgow nie den großen Durchbruch. Obwohl Frankie Miller aus Schottland kommt, stammen seine Idole aus der amerikanischen Rock- und Soulszene und hören auf die Namen Ray Charles, Sam Cooke und Otis Redding. Die 3CD bzw. Doppel-LP "Live At Rockpalast" mit Aufnahmen von der Loreley 1982, aus dem Kölner WDR-Studio 1976 und von den Wiesbadener Maifestspielen 1979 bringen dies eindrucksvoll zu Gehör. Die außergewöhnlichen Mitschnitte zeigen Frankie Miller in bestechender Form und unterstreichen dessen außergewöhnliches musikalisches Talent. Spätestens mit dieser Veröffentlichung wird all zu deutlich: Frankie Miller ist einer der am meisten unterschätzten Rocksänger!

Giant Sand sind das wichtigste Ventil für die stilistischen Biegungen und die sonnengeschädigte Songkunst des Singer-Songwriters Howe Gelb. In mehr als vier Jahrzehnten ist es ihm gelungen, Rock, Country, Blues, Punk, Garage, Lo-Fi, Jazz, Gospel, Avantgarde-Noise und Flamenco-Gypsy-Musik mit seinen impressionistischen Bildern und weitreichenden Beobachtungen der Welt neu zu erfinden. Genau 25 Jahre nach der Veröffentlichung von Giant Sands legendärem "Chore Of Enchantment", dem panoramischen Meisterwerk, das den Wendepunkt für die klassische Besetzung mit dem erfahrenen Songwriter Howe Gelb und den späteren Calexico-Mitgliedern Joey Burns und John Convertino aus dem Jahr 1999 darstellte, kehrt das Album nun zurück. The Chore Of Enchantment" ist ein Songbook mit Howe Gelbs besten Liedern, gefüllt mit verblüffenden Einzeilern, der üblichen schrägen Instrumentierung, Echofeldern und nebligen Horizonten. Die hochkarätige Produktion des legendären Jim Dickinson, des PJ Harvey-Vertrautem John Parish und des gefeierten Singer/Songwriters/Produzenten Kevin Salem ist eine Tour-de-Force von Gelb's einzigartigem Oeuvre. Diese Wiederveröffentlichung zeigt die eklektische und esoterische Karriere der Band und feiert ihre großartige, lange und kurvenreiche Karriere. Die 2xLP Deluxe-Wiederveröffentlichung enthält ein restauriertes Artwork und neu verfasste Liner Notes von Dave Henderson von MOJO. "A beautiful, emotionally complex album." The Quietus. Klassisch schwarzes Doppel-Vinyl, original Coverart, Linernotes & DLC

Diggin In The Crates (D.I.T.C.) was born out of a group of artists who began making noise in the late ‘80s and into the next decade and beyond—namely Lord Finesse, Diamond D, and Fat Joe. After well-received albums, an official, wider collective was founded that also included O.C., Big L, Buckwild, and producer-rapper combo, Show & A.G. (originally known as Showbiz & A.G.).


The crew proceeded to drop a run of sublime records, including Show & A.G.’s Soul Clap EP (1992), their full-length debut Runaway Slave (1992), followed by Goodfellas in 1995. Show & A.G.’s next project, Full Scale, arrived in 1998 and featured appearances from O.C., KRS-One, Big Pun, the Ghetto Dwellas and verses from members of D.I.T.C. including Diamond D, Big L and Lord Finesse.


In 2002 a CD version titled Full Scale LP (using the same artwork) was released with 10 additional tracks which had originally been released on various 12" singles and projects in the late 1990s. The project had never been released on vinyl in its entirety – until now.
Production on Full Scale was handled by Showbiz and A.G. except for "Time To Get This Money" which was produced by long-time collaborator Ahmed, and "Hold Mines" and "Hidden Crates" which were produced by DJ Greyboy.


The assortment of guest features doesn’t detract from A.G., a masterful emcee with a no-nonsense style that is simple but impactful. Full Scale follows the tried and true blueprint from Show & AG’s earlier classics cementing its place in hip hop history.

THE 2016 RELEASE OF SUPREME SICKNESS FROM THE US GORE LEGENDS

Skull Grinder was originally released in 2016, and contained 7 new tracks of gut-wrenching death metal delivered in the unmistakable Autopsy way, from members Chris Reifert, Eric Cutler, Danny Coralles & Joe Trevisano.

Recorded once more at Fantasy Studios in Berkeley, California, with Adam Munoz, Skull Grinder perfectly captures the rancid essence of Autopsy in all its savage glory, with a suitably dirty and organic sound mixed with brutal riffs, resulting in a slab of perfect and relentless horror.

“Musically, it's just what you'd expect from us; no style changes, wimp outs, sell outs, settling down or caving in. Add to that acknowledgement of the obvious, some of Wes Benscoter's sickest art yet to (dis)grace the cover, and you have a new sledgehammer to the bowels with no apologies offered whatsoever.”

One of the early breed of US death metal acts, Autopsy formed in 1987 in San Francisco, and released 4 albums on Peaceville Records - beginning with the classic debut Severed Survival in 1989 - before disbanding in 1995, with members going on to form Abscess. Autopsy triumphantly and officially returned from the grave after a 15 year hiatus with the 2010 EP, The Tomb Within. This was followed by the release of the band's fifth studio album, Macabre Eternal in 2011, to great acclaim.

Producer, DJ, Facilitator & Publisher (Balraj) Samrai (of Swing Ting/SEEN Magazine) steps out for their first full length release "Work & Roti" along with a host of talented collaborators on new label Sangha Industries.

The album title came from a phone conversation with Samrai's mum who features on the opener reflecting on first generation Punjabis heading to the UK only going to work and eating roti, not getting a chance to travel until their senior years. In addition the project explores the complexity of migrant experiences - healing, self-love/care, reciprocity and connections to the earth. A theme throughout is the inclusion of South Asian percussion and rhythms such as Tabla, Dholak, Kanjira, Dhol and Mridangam overtly at times as well as covertly which grounds the record.

Samrai is joined by host of talented collaborators across the 8 tracks - SCAPA, Vindya, Vikaash Sankadecha, Pops Roberts, Shanique Marie, LINTD, Gavsborg, Joey B, Fox, Raheel Khan, Thai Chi Rosè, Chesqua and Deepikaa Sreenivasan who all enrich the project with vocals, additional production and instrumentation. Although at times dealing with difficult subjects (Help Me, Oil Money, Dirty Dirty) there's a sense of joy, playfulness (Fresh) and release across the set (Yellow Crocus, Create Your Own Bless) culminating in closer (Breathe) when you feel the sunlight pushing through despite the clouds above…

Producer, DJ, Facilitator & Publisher (Balraj) Samrai (of Swing Ting/SEEN Magazine) steps out for their first full length release "Work & Roti" along with a host of talented collaborators on new label Sangha Industries.

The album title came from a phone conversation with Samrai's mum who features on the opener reflecting on first generation Punjabis heading to the UK only going to work and eating roti, not getting a chance to travel until their senior years. In addition the project explores the complexity of migrant experiences - healing, self-love/care, reciprocity and connections to the earth. A theme throughout is the inclusion of South Asian percussion and rhythms such as Tabla, Dholak, Kanjira, Dhol and Mridangam overtly at times as well as covertly which grounds the record.

Samrai is joined by host of talented collaborators across the 8 tracks - SCAPA, Vindya, Vikaash Sankadecha, Pops Roberts, Shanique Marie, LINTD, Gavsborg, Joey B, Fox, Raheel Khan, Thai Chi Rosè, Chesqua and Deepikaa Sreenivasan who all enrich the project with vocals, additional production and instrumentation. Although at times dealing with difficult subjects (Help Me, Oil Money, Dirty Dirty) there's a sense of joy, playfulness (Fresh) and release across the set (Yellow Crocus, Create Your Own Bless) culminating in closer (Breathe) when you feel the sunlight pushing through despite the clouds above…

As part of PNKSLM’s 10 year anniversary series of special releases/represses - we're over the moon to finally present ShitKid - "Rejected Fish"! This is the previously unheard, studio version of the now legendary debut album "Fish". ShitKid originally recorded "Fish" at MFG Studios here in Stockholm, with myself Luke Reilly on production duties. The week before it got sent of to the vinyl pressing plant though, Åsa had a bit of a panic that it "sounded too good for ShitKid" - and she ended up re-recording all the songs herself on garageband (mostly in her car) - and this super lo-fi take was the version that ended up getting released. Obviously at the time ourselves, plus our PR and radio partners were a little shocked, but as always, Åsa made the right move (in ShitKid we trust) and the album went on to be the best selling PNKSLM vinyl, streamed millions, won awards, and made fans out of the likes of Iggy Pop and Billie Joe Armstrong. And almost the best part was how divisive the lo-fi recordings made the record - Fish received both the best and worst reviews we've ever had on the label! So yeah, obviously with Åsa's permission - we're now releasing the studio version of the album on a very limited run of 1000 vinyl total.

As part of PNKSLM's 10 year anniversary series of special releases/represses - we're over the moon to finally present ShitKid - "Rejected Fish"! This is the previously unheard, studio version of the now legendary debut album "Fish". ShitKid originally recorded "Fish" at MFG Studios here in Stockholm, with myself Luke Reilly on production duties. The week before it got sent of to the vinyl pressing plant though, Åsa had a bit of a panic that it "sounded too good for ShitKid" - and she ended up re-recording all the songs herself on garageband (mostly in her car) - and this super lo-fi take was the version that ended up getting released. Obviously at the time ourselves, plus our PR and radio partners were a little shocked, but as always, Åsa made the right move (in ShitKid we trust) and the album went on to be the best selling PNKSLM vinyl, streamed millions, won awards, and made fans out of the likes of Iggy Pop and Billie Joe Armstrong. And almost the best part was how divisive the lo-fi recordings made the record - Fish received both the best and worst reviews we've ever had on the label!

Nu Groove spotlights the artists that made the legendary NYC label a firm favourite of crate diggers then and now with a series of their vital tracks re-edited by leading industry figures and choice selectors of today. ‘Nu Groove Edits, Vol. 3’ continues to celebrate Rheji Burrell’s output, who was instrumental in defining the sound of Nu Groove alongside his brother Rhano under a slew of monikers.

Up first, Metro’s ‘Turnstyle Turbulance’ gets a fresh edit from respected remixers, the Italian duo NiCe7. What follows is another take on the celebrated house track ‘APT. 2B’ by Rheji’s N.Y. House’n Authority alias, this time by Mark Broom. Tracer’s ‘Love Fantasy’, the collaboration by Luie Rivera and one of the original Paradise Garage DJs, Joey Llanos, is given an edit by Dirty Channels, another established Italian duo and frequent collaborators of NiCe7.

Completing the collection is another edit from the unstoppable production duo Honey Dijon & Luke Solomon as they take on ‘Guitarz’ by Rheji Burrell as Asylum.

Chainsaw Massacre Garage Dirty Rock'n'Roll Ultra Trash Punk from Bern Switzerland, incl. Blow Um Mau Mau and disturbing Scorpions cover version of: Speedy's coming Beat-Man: "1986 Bern, Schweiz, die Monsters wurden gegründet 2011 ihr Neues und insgesammt 8thes Album wird geboren POP UP YOURS , alles hat angefangen als Mix zwischen ihren Rockabilly und Garage Punk legenden und in der zwischenzeit sie die Monsters zu Richtigen Monster herangewachsen, die ihr ganzes leben Tun und Schaffen in eine ihr eigene musik 'SIMPLE RAW TRASH ROCK' rein bringen, eine ins Minimalste gezerrte von trash triefende Ein Riff Gitarre gekopelt mit einem Stupiden ein Ton direkten in den magen hauenden Bass zusammen mit 2 Schlagzeuger die differenter nicht sein können einer virtuos der andere stupid Bum-Täg das ist das rezept der Musik der Monsters, angefangen mit der inspiration und das lebensgefühl der mitte 50er rock'n'roll bewegung und jetzt angekommen im jahre 1974 die geburt der Blues Explosion, inspiriert von bands wie AC/CD, TEN YEARS AFTER, CREAM, THE RAMONES etc mit ihrem eigenen Dreh drin Chainsaw Masseacre Garage Punk Trash, the Monsters woollen ihrer musik Pop up Yours nennen wir nennens einfachheitshalber TRAAAAASHHH !!! die Scheibe fängt an mit einem der einfachsten und direktesten Love songs ever I WANT YOU ein Riff und eine Linie wo direct sagt auf was es ankommt, noch mehr Einfachheit findet man in 'more you talk less I here you' was auch heute eigentlich zu fast einer politischen aussage gewertet werden kann , aufegommen wurde fast das ganze album in Italien's Outside Inside Studios und abgemischt von Nene/Guz und Pumi die Trashigsten der songs wurden im Hauseigenen Jesus Loves you studio aufgenommen, die Songs sind alles eigen kompositionen ausser das von den Kraut Rock Legenden Scorpions gecoverte Speedy's coming aus ihrem Fly to the Rainbow album aus dem jahre 1974 . so ..wilkommen zu den Monsters und ihrem SIMPEL RAW ONE RIFF TRASH ROCK!"

This classic selection of songs is taken from her first prodigious burst of creativity when she recorded with her then-husband Kansas Joe McCoy.

If ever a title was justified, then 'Queen of the Country Blues' is the bare minimum that should be afforded to Memphis Minnie, a lone female voice in the maledominated country blues scene whose musical legacy is nothing short of remarkable. Minnie transcended both gender and genre and her recording career spanned from the late 1920s heyday of country blues to the cutting-edge Chicago scene of the 1940s & 1950s, where she helped pioneer the roots of elctric blues, R&B and rock 'n' roll.

This collection highlights the formative years of Minnie's career as part of the duo and includes accomplished blues numbers such as 'Memphis Minnie-Jitis Blues', probably based on personal experience, as well as 'Bumble Bee' their first recorded song and one of Minnie's most successful of her hundred or so songs that she recorded before retiring in the mid-1950s.

In August of 2007, the Port Arthur duo of Bun B and Pimp C known as UGK released their epic fifth studio album, Underground Kingz. Sadly, this was the last release recorded by Pimp C before his untimely death in December of the same year. Production was overseen
by legendary Rap-A-Lot producer N.O. Joe and Pimp C himself with contributions from Three 6 Mafia, Jazze Pha, Lil Jon, Scarface, Swizz Beatz, and Marly Marl among others. The second single "Int'l Players Anthem (I Choose You) was nominated for a Grammy and won video of the year at BET's 2008 Music Awards.

Seit fast zwanzig Jahren mischen die Dirty Heads Hip-Hop, Reggae und Rock zu einem einzigartigen Sound, der sowohl ihre Wurzeln in Huntington Beach, Kalifornien, verkörpert als auch ein Publikum auf der ganzen Welt anspricht. Mit ihrem Hit "Vacation", der auf der Plattform über 6 Milliarden Streams und Views hat, sind die Dirty Heads auf TikTok zum viralen Hit geworden und haben über 5 Millionen monatliche Hörer auf Spotify. Ihr mit Spannung erwartetes neues Album Midnight Control enthält 11 brandneue Songs, darunter ihre Interpretation von Joe Walshs 1978er Hit "Life's Been Good", "Rescue Me" und "Island Glow". Midnight Control - das achte Studioalbum der Band - wird die herausragende Erfolgsbilanz der Band bestätigen, denn alle sieben Alben der Band waren in den Top 10 der Billboard Top Independent Albums Charts und Billboard Top Alternative Albums Charts vertreten.

12” LP cut at 45 (for the first time) (color vinyl only) Pressed on a 12" for the first time and cut at 45 RPM so it's EXTRA loud. Jacket is an extra hefty 24pt board with printed inner sleeve full of rare never before seen photos When Acid King pressed up their self-titled debut EP on a tape and started handing them out at shows with business cards, it wasn’t an aesthetic choice. It was 1993. And while the world was still reeling in the aftermath of grunge breaking big on rock radio, this dirty-as-hell trio founded by guitarist/vocalist Lori S. were digging into even heavier vibes. Born out of Lori's shiftless days of wasted youth hanging around Chicago-area public parks, Acid King laughingly adopted the name from the book 'Say You Love Satan' and its subject Ricky Kasso, a local drug dealer who killed a friend over angel dust, thereby becoming the stuff of Satanic Panic local news broadcasts all over the country. Founded after a move to San Francisco, Acid King were outliers on punker bills in the tradition of West Coast rifflords like Saint Vitus and Sleep, and this four-song outing captures them at their rawest. Long before the career-defining roll of Busse Woods (1999) and the psychedelic mastery of their latest offering, Beyond Vision, this EP set in motion one of American heavy rock’s most landmark careers. Presented on reissued vinyl through RidingEasy Records – the original 10” was on Sympathy for the Record Industry – Acid King’s Acid King also established one of the most crucial partnerships in underground rock in that between Lori S. and producer/engineer Billy Anderson (see also: Neurosis, Sleep, Om, Amenra, Eight Bells, Cattle Decapitation and too many others to list). As Acid King went on to help define stoner rock in the mid and late ’90s with Zoroaster (1995), their Man’s Ruin Records split with Altamont (‘97) and Busse Woods, that creative relationship would flourish no less than the band’s sound, and here it is distilled to its meanest and most elemental self. Led as ever by Lori, Acid King at the time featured bassist/vocalist Peter Lucas and drummer Joey Osbourne – legend has it both had to read 'Say You Love Satan' before joining – and Melvins drummer Dale Crover had a hand in producing it as well as singing lead on “The Midway” after Lucas took a turn on “Drop.” A preface to the many majesties to come throughout Acid King’s many-storied career, behold the formative incarnation that started it all. A piece of heavy rock history AND killer riffs? You can’t possibly go wrong. - JJ Koczan, May 2023

Tape

Seit fast zwanzig Jahren mischen die Dirty Heads Hip-Hop, Reggae und Rock zu einem einzigartigen Sound, der sowohl ihre Wurzeln in Huntington Beach, Kalifornien, verkörpert als auch ein Publikum auf der ganzen Welt anspricht. Mit ihrem Hit "Vacation", der auf der Plattform über 6 Milliarden Streams und Views hat, sind die Dirty Heads auf TikTok zum viralen Hit geworden und haben über 5 Millionen monatliche Hörer auf Spotify. Ihr mit Spannung erwartetes neues Album Midnight Control enthält 11 brandneue Songs, darunter ihre Interpretation von Joe Walshs 1978er Hit "Life's Been Good", "Rescue Me" und "Island Glow". Midnight Control - das achte Studioalbum der Band - wird die herausragende Erfolgsbilanz der Band bestätigen, denn alle sieben Alben der Band waren in den Top 10 der Billboard Top Independent Albums Charts und Billboard Top Alternative Albums Charts vertreten.

Wieder lieferbar ist ein Klassiker des Dub-Reggae, von Kevin Metcalfe re-mastered und auf dem VP Records Sublabel 17 North Parade wiederveröffentlicht. Im Original erschien der Longplayer erstmalig 1977 auf Joe Gibbs' Record Globe Label und wurde mit seiner Studioband The Professionals eingespielt. Laut Originalcover waren das George "Fully" Fulwood, Carlton "Santa" Davis, Tony Chin, Richard "Dirty Harry" Hall, Tommy McCook, Bobby Ellis und Leroy "Horsemouth" Wallace. Am Mischpult saß Errol Thompson. Hier finden sich 12 exzellente Dubversionen von Riddims aus der Treasure Isle und Studio One Rocksteady-Ära, und zu "Hypocrites" von Bob Marley & The Wailers sowie zu"Uptown Top Ranking" von Althea & Donna!

Exclusive Limited Edition Numbered Super Deluxe 4 x 12’’ Collector’s Boxset. Featuring 40 new acoustic & re-imagined recordings from the U2 catalogue, Produced & Compiled by The Edge and arranged into individual band volumes. This collector’s edition includes ‘With Or Without You’, ‘Beautiful Day’, ‘Where The Streets Have No Name’, ‘One’, ‘I Still Haven’t Found What I’m Looking For’, ‘Pride (In The Name Of Love)’, alongside fan favourites such as ‘Stories For Boys’, ‘Bad’, & ‘Desire’. U2 have sold over 175 million albums, won 22 Grammy awards, and released 14 studio albums.

By the time Lalo Schifrin composed the soundtrack for Frank Perry's psychological thriller in 1974, starring Cliff Robertson and Joel Gray (who'd just won an Oscar for his role in Bob Fosse's Cabaret) he was Hollywood royalty having worked on such iconic films as Bullitt and Dirty Harry. Perry on his side, had caused a stir with The Swimmer in 1968 starring Burt Lancaster (although he would dismiss the film after being fired from the production) and followed up with a string of great cult movies including ‘Last Summer’ (1969), Diary of a Mad Housewife (1970) starring Carrie Snodgress - whom Neil Young famously fell in love with upon seeing the film and "Play It as It lays" in 1972, adapted from Joan Didion's eponymous novel.

Breaking from the social dramas from of his previous films, Perry decided to shoot a thriller based on journalist William Arthur Clark's book "The Girl on The Volkswagen Floor." The film follows a police officer investigating a murder with the help of a strange ambiguous clairvoyant played by Gray. For the score Perry went to Lalo Schifrin who'd just come out of a bad experience on The Exorcist working with William Friedkin who'd rejected his music in favour of Tubular Bells by Mike Oldfield! The score was recorded in LA with the Wrecking Crew and, although the full line up is not known, it included Emil Richards, Howard Roberts, Bud Shank and of course Schifrin on piano.

'Man on a Swing' is pure undiluted Schifrin from the early 70s. The score plays like a long suite alternating Bossa Nova ("Juke Box Source"), Lounge Jazz ("Trip to LA") and groove ("FM Groove") with superb "suspense” soundscapes like "Rosehaven Hotel". The label has gone back to the Paramount 3-track tape transfers and come up with an updated tracklist (a CD version briefly appeared in the 2010s) - re-sequenced and augmented with a handful of bonus tracks and alternate takes. A highlight is certainly "Radio Source Rhythm" which, losing the guitar and organ, reveal a jaw dropping funk breakbeat that is in the league of Dirty Harry and Enter the Dragon. This and the whole soundtrack, will ravish all the funk diggers and Lalo Schifrin fans around the world.

Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah Record Shop in old Pasadena. Inspired by The Residents, LAFMS self-released records and periodicals, organized performances and connected with fellow outsiders via post in the years before punk. Their uninhibited, egalitarian ideal of music-making and DIY distribution would influence generations of underground musicians.

Poo-Bah Records, with its import bins and backroom jam space, attracted the pseudonymous artists forming the initial incarnation of long-running collective Smegma. Early members Ju Suk Reet Meate, Dennis Duck, Cheez-it Ritz, Big Dirty, Amazon Bambiand Dr. Id contributed to various LAFMS compilations and combinations before several core members relocated to Portland, Oregon in 1975, where they recorded their debut album Glamour Girl 1941. Originally released on the LAFMS label in 1979, the LP combines rock instrumentation with tape, synthesizer, horns and voice in a tempestuous cauldron of anti-academy improv and alien noise. Beyond its roots in LAFMS, Smegma would help shape the early Portland punk scene in the late '70s alongside Wipers and Neo Boys. In more recent years, they have collaborated with Merzbow and Wolf Eyes.

This first-time vinyl reissue is limited to 500 numbered copies. Comes with insert.