Distant Horizons Novedades

Adam BFD first burst onto the scene with his colourful, emotive driven productions; making a name for himself as an artist bridging the gap between electro, breaks and house. Now based in Paris, his work continues to put a nostalgic and animated spin on his far-reaching influences, from London to Mexico City and beyond. In the time since Adam’s introduction a series of singles and a recent EP on Running Out of Steam has seen the musician further refine and develop his sonic palette and Embrace coming by way of Distant Horizons is no exception. The five track EP covers many life cycles and no matter how mature, Adam’s tracks never lose the ability to make people move.

Adam starts by embracing the unknown in Le Voyage with its frenetic breaks and glistening melodies opening up a pathway to the stars, before space opens and time resides in Flotus; a special heart-searching moment, balanced by springly, danceable grooves. I Mean It gently unravels with tangible percussion and daydreaming textures, vocal loops becoming increasingly hypnotic as time stands still.

It’s not just Adams pacing that’s impressive, but his ability to turn real world sounds into fully functional elements heard in title track Embrace. Water moves freely over tightly packed drums and arpeggiated synths; a piece of tranquility ready when needed. Which Gate follows with pensive field recordings and cloud-formations; jerking breaks leaping back and forth in another special EP from a producer just getting started.

Meg Ward has spent years formulating a special relationship with underground culture in the North of the UK and was appointed one of BBC Music's 'Tips For 21' in the North East. Ward has carved her own distinct path through energetic sets tied beautifully together by love and passion; It's on the dancefloor where her taste and musical schooling took place and that same schooling has fed into her dynamic, rich and jubilant productions.

Meg's releases on labels NeedWant, Clipp.Art & a remix on Patrick Topping's imprint Trick have been doing the business around the globe, and she now brings her radiant 'Connections' EP to important UK imprint Distant Horizons.

The result is as a record which brings together the best elements of club and house, evoking a sense of freedom and expression through uplifting synths and body shaking bass lines. Opening track 'Have Your Love' makes full use of Kariya's original vocal, a balanced mix of old and new culminating in a fresh and inspired club ready cut. Meg then turns her head to laden kick-drums and melancholy induced pads, their tension released by the introduction of coiling arps. The A side comes to a close with 'Connections' a functional, yet ethereal track that seems to be signaling to something more.

The B side opens with 'Rupture the Rhythm' starting with breaks and sirens, acting as a signal calling all ravers to the dancefloor before the place erupts with the help of a 4/4 kick-drum and an active bassline. 'TekHerGucci' keeps the floor moving with laseresque synths and glossy vocals. 'Cosmic Heat' sees us out, the perfect end to a thrilling journey through the eyes of one of electronic music's most promising artists.

2022 repress

Aussie DJ and producer DJ Life has been a name on everyone’s lips since surfacing as one of progressive dance music’s most exciting emergers. Stellar releases have come on Dansu Discs and Echocentric Records, with remixes from fellow prog-trance-techno influencers Adam Pits and Rudolf C, cementing his place at the top of the long-blend rise.

Now, debuting on Distant Horizons, DJ Life produces four typically entrancing cuts of hypnotic, stylish and straight-up fun dance music with its crosshairs fixated firmly on those dark, sweaty, underground nights.

‘Gnagnag’ gets the warm-up underway with its playful M1 chords and punchy kicks; a marching-on-the-spot number that was born to get silly to. ‘Zweop’ takes the tempo up a notch as we swap the waft for a heads-down aesthetic; a heady-blend of tech-house (the good kind) and prog creating a peak-time cruiser.

‘Behemoth’ presses pause on the trippy 4x4 in favour of wobbly basslines and breaks - much in the vein of the excellent Casa Voyager crew - electro feels and glowing atmospherics taking you on a 6-minute trip driving down the desert highway, before ‘Acidophilus’ sees us out with? You guessed it. A hefty dose of synthy acid to guide you into the wee hours.

London producer Yosh continues his hot streak of putting out a twelve inch a month with typically breaksy, UK focused EP on Distant Horizons that further earmarks the emerging artist as one of the producers to watch in 2021.

Following releases on Time Is Now and an announcement on Desert Sound Colony’s Holding Hands sub-label, Yosh serves up four steppers that navigate us from the doors of the club to front left of the speaker. ‘Don’t Say’ is a fast cut of subby breakbeat-garage; the producer’s knack for emotionally stimulating vocal samples and peak-time basslines moving into the frame.

‘All That Acid’ gives squirming acid lines and stripped-back percussion, mutating the breaksy, UK energy into something more electro focused, and in doing so provides what could be the score for an old racing video game, before ‘Choose One’ takes us back into familiar Yosh territory with a cut of dreamy garage, with the odd dubby wobble for good measure.

We finish on a personal note with ‘Home’, a cut that epitomises that good feeling that can only come with returning to a place of comfort; relaxed atmospherics and 2-step rhythms providing the perfect warm up number.

Hot on the heels of two wicked releases on Lobster Theremin and SITU Records, London based producer Kempston Hardwick readies 4 bubbling cuts of summer jams with all the zesty twists of an ice cold radler on Distant Horizons.

Whilst his last releases on LT took a more UK-centred sound approach, DISTANT005 has you jumping on the first plane out of London and onto a white, sandy beach somewhere in the South Pacific. The skippy, bright beats of ‘Step With Me’ raise the curtain before the sounds of thes streets of Chicago take over on ‘Roxy’s Party’ - a classic cut of contemporary house that lends from the past while keeping one eye firmly fixated on the future.

‘Leonila’ sees Kempston take on a more experimental aesthetic; tribal drum patterns and vocal samples blend with bending synthwork and and the inspired calm that can only come from the sound of wooden instruments.

Bowing us out is ‘Cascasde’, the most quintessential Kempston track on there; his distinctive take on house shining across five minutes of late-night grooves.