O*RS News

You can't say Shuray without saying Walle. As one of Leipzig's DJ teams of the moment, they play by merging into a synergistic unit with four arms, four ears, and two hearts. Their first joint release "International Licence" on Filburt's label O*RS sounds accordingly pleasantly balanced and mature. The two Distillery residents focus on a music genre that has unfortunately and unjustly received less attention lately: Deep House. The three original tracks are universally applicable due to their stripped-down, Detroit-inspired timeless sound. From the most underrated slot of the DJ craft, the warm-up, to the early morning hours: The 909's spellbinding, pumping force will do its job. On the remix duties is highly talented Lea Lisa from the Wolf Music fame. For her 303 Mental Remix she adds an irresistible acid bassline (quelle surprise) and creates probably the most peak time-affine tune of the whole EP. Shuray & Walles first extended player is a perfect example for reduced but clever arrangements and above all for the fact that the best ship is friendship.

Mexico's Sonido Gallo Negro returns to Names You Can Trust for another 7-inch release of quintessential cumbias, this time plucked from their latest album, Paganismo. Aside from the original composition and B-side "Cumbia De Las Plañideras," the standout single selection pays homage to a fitting icon in electronic pioneers Kraftwerk. SGN blends their signature sound of live cumbia rhythms and swelling synthesizers with the instantly recognizable melodies of "The Model." It's a perfect match and interpretation of a ubiquitous classic that has reached air waves the world over, now further immortalized in a blissed out cumbia.

Southside Movement was a Chicago funk band that was busy during the mid 70s releasing a total of three albums between 1973 and 1975 on Wand and 20th Century Records. They also collaborated with the lush tones of soul singer and fellow Chicagoan Jackie Ross on records for Chess and Brunswick that have long since been forgotten. Until now, that is, because P-VINE has put together this great reissue of the music that was only released in limited test presses back in the day, and has added to it some previously unreleased tracks. The standout here is 'You Are The One That I Need' with its tropical funky vibes.

Dublin rising star Sputnik One lands on Facta and K-LONE’s Wisdom Teeth with his most accomplished record yet: a flawless four-tracker of mutant dancefloor gear that draws on broken UK techno, psychedelic tribal, footwork and ravey post-hardcore. Fans of his standout outing on Well Street Recordsearlier this year will have a good idea of what to expect here: uniquely voiced and refreshingly forward-thinking bass-heavy club tracks at a range of tempos, all unified by a distinct sonic palette that pits glossy digital synths against raw organic samples and found sounds. There are echoes of Shackleton and Olof Dreijer in ‘Love From Above’ and ‘Michael Cera’, whilst ‘Microbead’ and ‘Powder’ offer refreshed and refined takes on modern post-dubstep / post-hardcore club styles. Across the record the tempo creeps from 130 to 150, keeping all bases covered as late summer ravers migrate towards darker autumn dancefloors.

** German Disco - first time on 7" ** "Matter of Taste" released their debut album on the small german Flame label in 1979. "Step By Step" is a monstrous Disco track while the flip side ("Haselief") is completely different and certainly surprises the listener. - as comped on "CAN YOU FEEL IT Vol. 4"! - 300 copies pressed! - first time on 7"! - 33 1/3 RPM!...

Debut album by Sunbörn (formerly The KutiMangoes!)

On their first album as Sunbörn, the Danish 6-piece digs into what connects us as human beings: we are all born under the same sun and are connected by the same forces of nature. Meeting the world and connecting through music has been a vital mission for our band from day one, and again and again on our travels we have experienced how music can cross borders, build bridges and connect us with people from different backgrounds and cultures in shared experiences. In times when the world is tearing itself apart it is clear that music has the power to reach across divides and remind us of our common humanity. Sunbörn's self-titled ablum features collaborations with artists from all over the world: Caio Marcio (BR), Ida Nielsen/Bassida (DK), BIGYUKI (JP/US), DJ Opolopo (S), Clap! Clap! (I) & Moderator (G).

Quality Gatefold-LP pressed on yellow vinyl!

Wah Wah 45s hail the much anticipated return of one of their most beloved artists. Way back in 2006, the label first unleashed the anthemic "Modern Sleepover" by two man, smooth music loving outfit Talc. The song - an ode to a tortured love affair between a computer and its owner - with its shades of Zapp, Steely Dan and The Doobie Brothers - found favour with Djs and tastemakers from across the board from Bill Brewster to Gilles Peterson. Such was the cult status of the tune, that it spawned a sequel, naturally entitled "Modern Sleepover Pt.2: Robot's Return" which has recently had something of a renaissance thanks to an inclusion by legendary Detroit DJ and producer Moodymann on his "DJ Kicks" compilation.

Sixteen years and two albums later, and having seemingly put the project to bed for good, Talc (much like the robot) return for one final and very special release. This brand new 12", as well as featuring the sought after "Modern Sleepover" pairing together on vinyl for the first time, also includes the rarely heard Michel Legrand cover "De Gui Ding", previously only available in Japan (where Talc enjoyed a huge underground fanbase) as well as two stunning remixes from our old friend, The Reflex.

The Frenchman was the obvious choice to rework Legrand's 1964 camp jazz classic, and on his first mix delivers an uplifting disco friendly, vocal led take that should raise a few smiles on the dancefloor. His second mix is more of a late night affair with more of a deep, dubbier, house feel. Something for everyone then on this essential release, complete with gorgeous artwork from our award winning in-house designer Animisiewasz.

This is extremely special. Expansion have taken a 80s soul classic and released it for the first time as a single together with a brand new version. Its part of an exciting series of 10 singles combining two versions of an established soul and jazz tune.
The Tom Browne version was recorded in 1983, produced by Dave Grusin & Larry Rosen for GRP/Arista Records and features a sensational vocal by Carol Woods.
The never before issued brand new version by Diplomats Of Soul takes the song back to how it may have sounded if first recorded in the 70s with live bass and full rhythm section with horns. Incognito feature as musicians with a special guest vocal performance by the brilliant Imaani

“The Soul Of Tommy Youngblood” 1970 Kent LP had many fine tracks, especially ‘Tobacco Road North’ though it was not attributed to the rightful writer, Jimmy Radcliffe, at the time. The music has been sampled for various hip-hop adaptations, including one by Ghostface Killah of the Wu-Tang Clan, but the original stands on its own and deserves a 7” format.

The Other Brothers ‘Nobody But Me’ is another UK Kent exclusive that sold out on its first Kent Select press and is still highly sought-after and now very expensive.

Compilation selected from the etiopiques CD series.
"A few years ago the world discovered a unique sound coming from the distant Ethiopian capital Addis Abeba. The emotional blow was only matched by the brightness of this original and magnificent discovery. The Ethiopiques series directed by Francis Falcetto and edited by Buda Musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. This new Ethiopian Urban Modern Music release follows the first Soul & Groove installment and keeps revealing some essential parts of the modern Ethiopian puzzle. An unequalled soul funk signature until today."

Delighted for our first vinyl release, a selection of four artists from around the world expressing their own story with these magnificent sounds.

It's about Ethics...

(RO) Bryz will tell you about the Human mood
(FR) Lukea found himself into Nocturnum
(RO) Vern is travelling through Audioportation
(UK) Azire will tell you everything to Evolve

Mastered by RoSound Mastering
Artwork by Christina Ganea

SUBPLATES - THE ICONIC SUBURBAN BASE SERIES RETURNS

Forthcoming on Subbase Progression is the all new SUBPLATES Vol 6 EP. The iconic series of releases from the first wave of SubBase now sees a brand new 4 track EP dropping soon as a stunning picture disc.

Way back in 1993, Suburban Base Records launched the Sub Plates series, a homage to the dubplate culture of early jungle music, it was even released in the 10” vinyl format to reflect the acetate plates DJ’s were playing.

Now in 2022 the way we consume music has evolved, DJ’s are no longer playing the 10” dubs, and the average vinyl buyer is a collector and connoisseur of great music. This iteration of the Subplates series reflects this change. Aimed squarely at the vinyl collectors Subplates Vol 6 is presented as a stunning double-sided picture disc.

Incredible art direction has long been a hallmark of Suburban Base and this release definitely delivers with one of the most stunning looking releases ever from the label. Instantly recognisable as SubBase with the cool graffiti/street art style mural and including the labels original & iconic SB logo within the design.

There’s more to this release than just an eye-catching design though… Imprinted into the grooves of this collectible limited edition vinyl are 4 brand new tracks from some of the labels most recognised artists!

Marvellous Cain, Dead Dread, Cool Hand Flex, Badman& D.B.H each bring a track to this new format Sub Plates release. Original jungle vibes & flavours bought bang up to date for 2022…
Sweet Ting by Marvellous Cain is currently getting radio support from Rampage on BBC Radio 1, Heartless Crew on BBC 1Xtra, and international club support from Brazilian turntable wizard DJ Marky.

This latest instalment of ARTHUR BAKER Presents DANCE MASTERS finds the production/ song-writing/ remixing maestro taking the spotlight for a long overdue snapshot of his own classic 12” mixes during a crucial evolution of dance music, club
and pop culture.

“I’ve always felt like I was on a mission to make music from the time I heard Motown, Philly and Sly and the Family Stone. My mission started as a hobby and still feels like one now. You’ve got to keep on pushing and hustling. It can be a drag sometimes but
if you really love what you’re doing, it’s worth the work. I still really love what I do.”

Arthur Baker helped codify the remixer as artist. His genre-fluid approach to projects
has resulted in a joyous myriad of classics that spans many decades. This ’80’s focused DANCE MASTERS collection offers a welcome glimpse at Baker’s illustrious career and many long out-of-print 12” versions and previously unavailable mixes.

This 35-track, six LP expanded edition includes a wide array of selections from the likes of Robbie Nevil’s “C’est La Vie,” Fleetwood Mac’s “Big Love,” Neneh Cherry’s “Buffalo Stance”, Jeffrey Osborne “Soweto”, Freeez “I.O.U”, Rockers Revenge “Walking On Sunshine” and of course the juggernaut “Planet Rock” with Afrika Bambaataa & Soulsonic Force.

Complete with in-depth liner notes by Bill Coleman, track by track notes written by Arthur Baker himself, previously unseen session photos from Arthur’s personal archives and a signed insert.

All tracks remastered by Nick Robbins at Sound Mastering

Heavenly Recordings release the next two volumes in their series of remixed classics and unreleased versions. ‘Heavenly Remixes 7 & 8’ sees the label going back into the archive, as well as picking off some more recent remixes, and both albums primarily feature either previously unreleased versions or re-workings available for the first time on vinyl and CD.

Heavenly have always seen immense value in the remix, a value way beyond what it might bring commercially. Since their first release in 1990 (where Andrew Weatherall overhauled a one-off single by club kids Sly and Lovechild) Heavenly remixes have been carefully curated and treated as a key part of the A&R process. It’s an opportunity to view an artist through a different prism, to play out a musical ‘what if’ scenario. It’s the kind of exploration that’s happened consistently through the thirty plus years the label has released music.

The ‘Heavenly remixes’ series continues to showcase the very best remixes, versions, meditations, re-rubs and dubs from all around the world of artists right across the roster of the country’s most exciting record label. In most cases, the albums offer the first physical release for a remix, elevating them from streaming playlists to their rightful, spiritual home on super heavy vinyl (or shiny, super-packed compact disc).

Heavenly remixes 7’ heads to Belfast, where David Holmes - a producer who first appeared on Heavenly in 1994 amping up the acid on Saint Etienne’s ‘Like A Motorway’ - appears as solo artist and as one third of Unloved, who get a lift right to the heart of a Vauxhall sweatbox by Horse Meat Disco. It draws a line between Amsterdam and Frankfurt as Ludwig A.F. amps up the electronics on Pip Blom’s ‘Keep It Together’. It stops off in a south London studio where super producer Dan Carey plays the desk with Toy, then relocates LA psych rock band Fever The Ghost to an Ibizan shoreline as the sun sets on the horizon. It cements Sheffield’s reputation as the home of modern British techno with the return of true originators Forgemasters. And it pitches up in front of a renegade soundsystem late night at Glastonbury as Erol Alkan’s mighty rework of Con Man gets its third rewind of the night.



‘Heavenly remixes 8’ opens with Space Afrika’s lush, ambient reimagining of the Orielles’ ‘BEAM/S’ before Justin Robertson stretches Amber Arcades’ ‘Turning Light’ into eight minutes of electronic dub. Elsewhere, Baxter Dury’s peerless ‘Miami’ becomes a string-laden electro skank in the hands of French producer Pilooski; Edinburgh’s bedroom techno genius Eyes of Others’ ‘Safehouse’ turns into an East End bathhouse courtesy of disco deviants Decius; Ashley Beedle’s Black Science Orchestra turns Unloved’s heartworn torch song into seven minutes of glimmering dreamlike percussive house and Katy J. Pearson’s freak flag is flown high thanks to The Umlauts’ throbbing filtered electro mix. It ends similarly to how it began as TONE takes

Fran Lobo’s ‘All I Want’ on a gorgeous slow motion spacewalk.

This compilation takes you on a trip through dance tracks from the era where music clubs in Belgium & Europe were hot and trend setting.

This will be a limited edition, pressed on 180 gram high quality 12" black vinyl.

This expansive double pack from Silentes finds each side of vinyl taken up by one long, ever-evolving piece of music based around one original. Gianluca Favaron & Stefano Gentile go first with their take on 'Landslide,' which goes from whirring machines sounds to brain cleansing sine waves and found sound abstraction. Dub techno don Rod Modell explores emptiness on 'Landslide' (Reworked) and Carl Michael Von Hausswolf's take is an eerie one with scratchy textures and filtered synth meanderings. Rod Modell then closes out with another rework of his own remix that will leave you adrift in space.

In November 2023 we celebrated NOW’s 40th anniversary with a collection of massive Pop hits – but with 40 years of hits to choose from we had to leave out so many fantastic tracks – so it’s time to continue that celebration with NOW That’s What I Call 40 Years - Part 2 – again honouring the legacy with a stellar selection from the past four decades of NOW. Embark on a musical journey from 1983 right up to the present day. Released on a triple vinyl set pressed on Green, Clear Transparent, and Pink LPs with 43 essential hit tracks. and 100 essential hit tracks across the 5 CD set

Another baby from Legofunk series will make your body shake!

Die multidimensionalen Künstler:innen und Produzent:innen yeule kündigen ihr neues Album, „softscars“, an, das am 22. September 2023 über Ninja Tune erscheinen wird. „softscars“ repräsentiert eine neue Richtung für yeule, da sie weichere Texturen und körperlose Arrangements erforschen, die ihre ätherischen Vocals in den Vordergrund stellen. Das Projekt untersucht die Anatomie ihrer lang gehegten emotionalen Wunden für ihr bisher verletzlichstes Werk. Obwohl die Thematik schwer und geheimnisvoll ist, strahlt das Projekt, das von yeule und ihren Kolleg:innen Kin Leonn geschrieben und produziert wurde, mit zusätzlicher Produktion von Mura Masa und Chris Greatti (Yves Tumor, Willow Smith) ein Gefühl der freudigen Katharsis aus. Angetrieben wird das Album von yeules sich verändernden Vocals, die mit all ihren Ecken und Kanten und ihrem eindringlichen Flüstern sicherer denn je klingen und den unvollkommenen Prozess der Heilung widerspiegeln.
Das neue Album folgt auf das von der Kritik gefeiertes Album, „Glitch Princess“, aus dem Jahr 2022, das von Pitchfork mit dem Prädikat „Best New Music“ ausgezeichnet wurde und auch hierzulande sehr wohlwollend abgefeiert wurde, u.a. mit 5 von 6 Sternen im Musikexpress, mit 4 von 5 Punkten bei laut.de und 8 von 10 Punkten bei Plattentests. yeule machen sowohl Musik als auch visuelle Kunst, das Projekt wurde ins Leben gerufen, um als Portal oder Spalt zu fungieren, der es ihnen ermöglicht, ihre Kunst der Außenwelt mitzuteilen, während sie gleichzeitig in ihrer inneren Hülle geschützt sind. yeule wurde als Manifest ihrer eigenen Identitäten konstruiert, in denen sie immer Zugang zu multiplen Avataren und der Freiheit hatten, sich nach Belieben zu verändern oder zu verformen - Trost durch die Verkörperung von wandelbaren, chamäleonartigen Vielfältigkeiten.

Vinyl Only

Purple Print welcomes Alex Font to the label with big remixes by Arapu and Brawther

French producer and hardware specialist Amandra returns to Nous'klaer with four stoic, minimal club tracks that are so delicate and deftly produced that they beg to heard as loud as possible and as quietly as possible, allowing the listener to inspect every nook and cranny of Amandra's sonic tapestry. Opener "Lavanvilla" rides a simple drum loop that's filled out by gated, beautiful noise that gets punctuated by vibey Rhodes 7th chord and a constantly evolving 16th percussion pattern that gracefully pushes that song forward. "Palette Dor?e" and "Edition Collector" are Amandra's most swung offerings, lively sampled percussion and lush synths that offer endless breathing space for these beautiful numbers to exhale. "Pana Ondine" is the dance floor workhorse with a soft and punchy kick, rough stabbing bass hook, wispy ride and a mesmerizing arpeggio, the track never calls your attention loudly but instead gently lures you into its grasp. Comes in a special duo-pantone printed jacket by Rotterdam based artist Tim Mastik. With words by Gregory Markus.

Strong Detroit influenced techno EP with classic rhythm and slightly modern elements.

Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin

The third release on this white label series brings together some key members of the Aniara crew. Bergqvist returns with a magnificently minimalist track: a drum machine, a 303 bassline and resonating arpeggios swirling to the moon and back. Dorisburg follows up with an angular, spiraling beat where the devil is in the sizzling details. Genius of Time close out the record on the flip with another one of their signature organic drum workouts.

Nachtstrom veteran Björn Torwellen is back on the label with his third fulllength album ’10.000 Black Seeds’ which contains 8 tracks of dark and stomping techno madness. The album is already played and supported by Chris Liebing, Robert Hood, Marcel Dettmann, Truncate, Marcel Fengler, The Advent, Slam, Alexander Kowalski, Florian Meindl, Alex Bau, Lakej and many more! The vinyl is strictly limited and will not be repressed!

First Cut launches the new Industrial Lies sub-label with a timely reissue.

Der Strom originally released ‘Gleis Eins’ (‘Platform One’) in1987 on cassette only.

Now Industrial Lies has the pleasure of putting out the EP on vinyl for the first time.

From the menacing pulses of ‘Dammerung’ and the melodic synths of ‘Geil’ to the New Beat throb of ‘Gorky’ and the Italo-sounding ‘Repousser’, this four-tracker crackles with raw energy.

Limited edition of 100 vinyl copies.

Los Angeles DJ Veteran Developer returns to his Label Modularz for his yearly solo release and spares no time in showing his versatile range as a producer, with his unique signature sound of rhythmic & hypnotic bangers that have easily placed him as one busiest and most consistent techno producers in the world for the last decade. On this new EP titled 'Off Grid he literary goes off grid from his last releases and compliments the sound of his solo label Developer Archive, laying down jam after jam of funky yet haunting tonal bits of sonic rollers. This is what techno is about!

Baby Rollén’s Slump Recordings kicks off 2024 with a powerful 4-track EP of dancefloor ready, tech-driven rollers with an authentic 90’s feel throughout. Brothers Will and Max, aka Duowe continue to mesmerize clubs with their classic OG house sonics.

In 2001 legendary Japanese outfit Kyoto Jazz Massive put out the ‘ Spirit Of The Sun ‘ album for Munich based Compost Records. 22 years later Echoes Of A New Dawn Orchestra who have been the live international band members for Kyoto Jazz Massive over the last 2 years got to do their own rendition of this classic.
In this particular version, 3 members of Echoes Of A New Dawn Orchestra also happen to be part of Jéroboam who record for buzzing Dutch label Space Grapes and in this Mukatsuku release feature from Agyei Osei (vocals),Carel Cleril (bass), Kevin Le Bellec (guitar)from Jéroboam .
It’s a funky slap bass jazz flex affair with seductive horns that make for an irresistible dancer. On the flipside an unreleased exclusive instrumental version.

strictly limited to 300 copies, no repress!

Italian DJ and producer Elisa Bee makes her full I Love Acid debut. Having previously remixed WTCHCRFT on the series and released a couple of 12”s on Balkan Vinyl, here she drops into full acid mode. Four tracks spanning jacking acid techno, classic house and electro, all with a hefty dose of 303 action. Elisa is in high demand right now - holding down a residency in Milan’s famous Tempio club, playing Berghain for their 303 Day lineup, and releases on UTTU, Ben Sims’ Hardgroove, and Truncate. As always, just 303 copies of hand-stamped and numbered heavyweight 180 gram wax, in a stamped card sleeve.

No digital. No represses.

limited Edition of colored 10" series

Exos inaugurates the new sub-label on SHDW's Mutual Rytm with four 90s techno cuts, with offshoot imprint X building on the main imprint's DJ-friendly tools to delve deeper into a broader spectrum of electronic music.

Founded in 2022, SHDW's Mutual Rytm label has quickly become one of techno's most supported labels, with wide-reaching love and well-earned hype following a series of carefully curated VA offerings and solo EPs from a wealth of the scene's best. Continuing to push the pace, with more records capturing high-quality, fresh soundscapes, April brings a new project to the mix with the launch of a new sub-label X, with techno pioneer Exos drafted to deliver the first instalment.

Hailing from Iceland, the Planet X boss is a master of crafting perfect dancefloor weaponry. Over the last twenty years, his high-octane sounds have come via vital labels like Figure and X/OZ, never failing to make an impact with both DJs and dancers. Whether dubby or hard, his techno is always authentic and channels the purity of the 90s sound, and he brings this signature sound to four fresh productions across his 'Infrared' EP, marking an impressive debut for both label and artist.

The title cut 'Infrared' opens up the package in style and showcases a track that looks set to be a go-to anthem for many in the months ahead. With searing synth lines and drilling bass, the blistering production delivers a thrilling, high-impact techno sound that will devastate the dancefloor. The well-designed 'Kaldur Klaki' ups the ante even more with tightly coiled loops of drums, rusty hi-hats and stuttering synth lines that canter along with a muscular feel. 'The Bad' is twitchy and paranoid, anxiety-riddled techno that is perfect for dark warehouses and freaky dancers before digital bonus 'DS4BR' lands with a more stripped-back aesthetic with dubby undercurrents and static electricity fizzing across the face of the cut.

Each of the releases on Mutual Rytm X will be available on limited edition, coloured 10" vinyl, hence the Roman numeral X, and Exos' 'Infrared' EP kicks off the series on 19th April ahead of a new wave of killer releases scheduled across 2024.

A new chapter unveils in the story of Stately Records with the release of a new series on their label. Born from the wish to portray an even deeper side of the electronic music spectrum. On the first edition of this special 10” series we find a legendary producer from the west co ast of the USA, Federsen, who had an amazing year in 2023 with vinyl releases on renowned labels such as Lempuyang, spclnch and Greyscale. Now Stately welcome’s him to kick off this special project with 2 wonderful cuts on a hand stamped 10” record. 200 co pies, vinyl only. Enjoy!

Twig continue its mission to showcase brand new talents from around the world, its now time for Filippo Bena from Italy, based in Berlin....First EP on his own, techno electro house and hip-hop....all tracks written and produced by Filippo Bena, except B3 that features. Tiatod

Andrea Pellegrinelli and Davide Brugola are two men born and bred in the traditions of italo and electro disco. The duo, as Forklift & Saw, release their debut 12', Regression, as they melt past influences into the present. Meandering hooks, emotion soaked keys and snapping rhythms are at the centre of this Milan partnership's music. Across four tracks the pair delivers crashing snares, starlit synths and rumbling arpeggiators. Infectious full bodied funk oozes from this fledgling outfit, crisp percussion supporting their night gazing melodies. Welcome to the world of Forklift & Saw.

First ever production Fred P and Cassy have done together on Cassy's label Kwench Records remixed by Steve Rachmad who turned in two masterfully remixed tracks that present Steve's very deep and soulful side as a producer.

Underground electronic artist Gesloten Cirkel lands on Selvamancer. The Barcelona based experimental DIY imprint proudly welcomes him with an exciting new mini album 'I Live In The Midwest'. It's a true testament to his producing prowess and extensive musical diversity, and pushes the boundaries of industrial and shamanic sounding breaks, acid and the remarkable pounding electro he's known for. The eight track affair immerses listeners into a mesmerizing blend of acidic body music, killer electro, and experimental interludes. It embodies a hate-love relationship with the machine, floating between hypnotic and industrial elements, showcasing Gesloten Cirkel's ability to craft wonky rhythms and haunting melodies. With meticulous attention to detail, Gesloten Cirkel creates atmospheres that we know, love and need right now. He truly reaffirms his status as a visionary artist in todays electronic music scene giving us an exciting listening trip wandering through Gesloten Cirkel's adventurous machine world.

A hard to find sci-fi Detroit techno classic - it's featured everywhere from Marcel Dettmann to Zip's SW sets.- gets a timely reissue complete with a new, super solid Delano Smith remix. It's hard not to love the original in all its futuristic glory, led by a sturdy four-to-the-floor pummelling but boasting a throbbing neo-disco bassline - imagine a lost Gorgio Moroder classic being remade by Jeff Mills in PurposeMaker mode. But the Delano Smith remix updates it for modern palates, ironically by delving back even further, to the early 70s model Kraftwerk from whom he borrows some very austere but classy synth sounds and a touch of electro syncopation. Take your pick according to mood, they both do the job admirably.

Gremlinz & Jesta present their long-awaited debut album on Metalheadz.

Although the music itself spans only the last few years, it would be sufficient to say that this album is the culmination of almost 2 decades of work. So much history in one project, this is without doubt Gremlinz & Jesta’s biggest and finest triumph.

First meeting as teenagers in the multicultural streets of Toronto, the duo were both already well exposed to the world of raving and jungle music in particular. It wasn’t until years later however, following Jesta’s slight hiatus, that they would hook back up and form what would eventually become an alias at the very heart of Metalheadz.

Their first appearance on the label as Gremlinz & Jesta wouldn’t come until 2018 but it wasn’t long before talk of an album gathered pace. Prior to then they had been meeting at a staple Chinese restaurant, Lee Garden, in downtown Toronto where they would discuss not only music and writing ideas but also life. The spot became a permanent fixture in their calendar and following its closure in 2017, the pair affectionately became known as ‘The Lee Garden Historical Preservation Society’ as a way to keep those special days alive. It’s from that fondly remembered and much missed period in their lives that the album justly takes its name.

The music itself is prime rufige throughout, opening with the desolate wasteland that is ‘The Lost’ before hurtling into headline tracks such as the ravenous ‘Destro’ and the pitch-black setting of ‘Ice Squirrels’.

Inspired by 90s trip-hop, ‘Vermin’ is the only piece to include a vocalist in Ukrainian born flowanastasia, with her haunting rendition being a standout feature on the album, Further musical influences are found in ‘Andromeda’ where the black jazz inspiration is strong, and ‘Into Void’ which expertly realigns the vibes of an early 2000s stepper. Refusing to compromise on quality at any point ‘The Scarlet Gospels’ is another offering that sees the duo experiment with themes of horror, with plenty more to discover across the 13 tracks.

As the album progresses Gremlinz & Jesta’s intentions are clear. They always set out to create a journey, one with both ups and downs, from feeling lost at the outset to covering rage and peace and then back to fury and serenity. An album for the ages and one we’re proud to house on Metalheadz.

Gremlinz & Jesta’s ‘The Lee Garden Historical Preservation Society’ album is out on all vinyl and digital stores from 16 February 2024.

2024 reissue on transparent vinyl.

Entirely produced by Dabeull and Rude Jude, Including a 30x30cm Poster.

After her featurings on the king of funk' tracks, Dabeull (DX7, You & I, Day & Night), the french r'n'b singer Holybrune returns with a solo EP 'JoyRide'. Sung in English and French and composed by Dabeull and Rude Jude, this new project is a 90's funk drive into the summer heat. Out on eponym label : Dabeull Records.

In July of 2022, just one month before jaimie branch"s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem (IARC) studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die, over the course of a residency at the Bemis Center for Contemporary Arts in Omaha, Nebraska. In her wake, the album was near complete, with only mixing tweaks, final titles, and artwork to be fully realized. In the months following, her family (led by sister Kate Branch), her band (Jason Ajemian, Lester St. Louis, and Chad Taylor), and her collaborators at IARC (engineers Dave Vettraino and David Allen, comrades Alejandro Ayala and Scott McNiece) banded together to gather memories, texts, emails, photographs, artwork and fragments belonging to jaimie to light the path forward. The goal was always to do what jaimie would have done. Packaged in stunning artwork by John Herndon, Damon Locks, and branch herself, Fly or Die Fly or Die Fly or Die ((world war)) is jaimie"s final album with the quartet.

2 Tracker from Parisian, Kléo - pumped up machine music that doesn't hold back.. TIP!

Kléo has been earning her stripes over the past decade and a half as both a distinct visual artist and well-respected dj. Refraining from the mainstream narrative she always remained close to her heart to express the unsaid. As her path embarks on to the next chapter it’s with great passion that she presents the first outing on her newborn label Call 4 Rhythm. A mind dazing invitation to let go and sense the raw, the rough. As much as it’s an authentic yet rugged dance floor affair, it guards the spirit and virtue of honesty. Elements which have been the backbone throughout every form of art she has shared over the years.

Dial 1 for ‘Deep Agogo’ sets off nostalgically, lingering keys remind of long gone days while menacing lines of acid make their way through the surface to ease in between robust percussive beats.

The flip houses the devastating Chicago-infused version, a statement bewildered by forceful 303 execution. Don’t be surprised if ‘Let’s Agogo’ prompts filthy facial expressions along the smouldering moments of this jackin’ beat-down. Roughly eight minutes to soar in total let go.

Dutch producer Lennart debuts on KopjeK Records’ second release with a 4-track electro EP called “Vitamin D”. It features three originals; the Italo and Trance infused club track called “Koalas March” is on the A-side, accompanied by the more dreamy “Vitamin D”. On the other side there is “I Don’t Know Your Life”, a more sentimental approach, which was made together with his partner in crime Lola. French producer Kendal, well known for his releases on Dischi Autunno, Moustache Records and Ritmo Fatale, is on remix duty. He took “I Don’t Know Your Life” for a more old school electro ride. The release came together in the first big lockdown in The Netherlands. The weird times of having to stay home and not being able to play gave Lennart the opportunity and inspiration to create this stellar EP. Early support comes from the likes of Biesmans, Tjade, DC Salas, Mouissie & Miimo.

“Music gives us a place to be lost. Washing away thought, place, time and identity. It’s in the falling into the river, the dream, that we find just who we could be”.

Classically trained cellist, composer and storyteller Lihla (Lih-Qun Wong) presents her debut album, ‘Socha’ for A Strangely Isolated Place. Combining a vast instrumental skillset of piano, cello, electronics and spoken word, she crafts intensely immersive aural-hallucinatory worlds of intricately shifting landscapes.

A deeply personal work, Socha explores the ‘diaspora of time and space, and why we all feel so displaced.' Piano chapters capture the meeting place between memory and longing, while explorational vocal and cello textures invoke and echo the ancient, the feminine, and the otherworldly.

Lihla’s voice guides us, weaving through electronics and field recordings of the ‘real-world' to set the path for a poetic and deeply haunting journey through the internal psyche that is truly transportive and escapist.

‘Socha’ will be available on transparent smoke 12” and digital.

Outside In is back in quick succession with number 3, this time from two artists close to home.

LVCA & Justin Pakzad combine for an EP for the first time, with a top remix from one of our favourites, German electro maestro - Christian Gleinser.

Music made for many occasions.
300 copies, grab it quick!

Long-time friend of the label Man/ipulate is back on Lumbago Records with a first solo EP under his new alias : Man/igance. New project means new touch! With a blend of new beat and techno influences over 4 tracks, this release highlights the artist’s versatility and capability to capture the essence of dance music while remaining very fresh. A must have!

YUNG DUMB Records returns to Argentina for YD019 with the 'Feel Alright' EP by Manuel Sahagun. The Buenos Aires house maestro offers up a 4-tracker, kicking off the EP with the title song which provides nothing short of an infectious swinging groove, with dusty vocals and percussion layered over dubby stabs. For the follow up, a classic techno-oriented homage by Montreal's Fred Everything for remix duties. The B-Side delves into stranger territory with 'Mellow', a brooding, deep and melodic house cut. Lastly, the record closes out with 'No More', a haunting ambient tune with minimal percussion for the headphones and night drives alike.

It’s 8am in the morning. Speakers pumpin. A few sunbeams
streaking your face. Spotting your crush. Fallin’ in love all
over again!

Warehouse Find!

Two killers dj tools for 45 Djs ! Twice disco tracks, A side is a Disco Rap for 80, B side is a big classic Disco punched with phat drums and la little pitched up. As usual its a sure shot on 7inch.

As Klasse Wrecks enters the second chapter of our century of releases, we're happy to welcome the sounds and skills of Nicola Cruz to the roster. The Ecuadorian producer masterfully turns in a perfectly tuned handful of tracks for his 'Data Passenger' EP, the overiding soundscape being one of Electro, Breaks and infiniteless cosmic exploration.

Sonically the tracks are as much for the soles as they are the souls, a heady mix of intricate rhythms and vibrations await the listener and dancefloor. Plug in to the console let the soundwaves carry you across the spectrum.

2024 Repress

The Berlin-based techno and house producer and DJ Oliver Koletzki has fully committed himself to his roots for this album. They can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today's electronic music productions. "Großstadtmärchen" is a perfect example for a producer's album: Oliver Koletzki has created a musically compact long player while working together with many different singers. Both established artists like Mieze Katz from the German electro-pop outfit MIA., the hot German pop-rock-singer Axel Bosse, critically acclaimed indie band Kate Mosh as well as newcomers such as Fran, Pyur and Juli Holz have contributed to the album. The result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own Koletzkieske sound dynamic.

"Großstadtmärchen", which translates as "The tale of the big city" starts off with "THIS IS LEISURE". Famous pop singer Mieze Katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. After hearing this, the listener is directly fully drawn into this world when hearing Juli Holz's softly whispering voice singing about the dilemmas of love in the big city on "ZUCKERWATTE" (Single release date: 7.9.09). This is a very fine electro-pop tune. Coming up next Oliver Koletzki and Axel Bosse board an underground train that takes them around the Berlin U-Bahn system and back. Axel Bosse, who has had a massive success with his song "3 Millionen" adds his melancholic voice to this groovy pop anthem and sings about the poetic magic of public transport, while we hear the sounds of the trains on top. Of course, Oliver Koletzki has added some purely instrumental tracks on his album, too: "KUSSKOMPATIBEL" and "WARSCHAUER STRASSE" are a journey back to Oliver's first years in Berlin and his love for house music. "KLEINES ZWISCHENSPIEL" also celebrates the energetic sound of electronic music. Then there is another great shine of bright light with the pop track "HYPNOTIZED" that is already making airwaves on German radio. It features the newcomer singer Fran that turns this track into a wonderful electronic love story. In her beautiful crystal clear voice Fran tells the story of those moments during the night that decide where it's going to end: a song about love, passion and the energy between male and female, a catchy pop anthem about the first dance, the first kiss and that special moment when the night turns into day. Oliver has equipped this song with a wonderful piano melody and a very smooth and poppy electronic beat. Actually it sounds like Fran and Oliver have never been doing anything else than produce wonderfully fresh pop songs together.

The tale of the city carries on with a very appealing mixture of indie rock and electronic music. "HEADSHAPED BOX" encapsulates what Indietronic sounds like in the year 2009: symphonic, melodic and simply unique. On "THESE HABITS" the just seventeen-year-old singer Pyur makes her debut. This down-beat triphop-groove is a wonderful hit for the late summer. Last up is a bonus track: Oliver Koletzki remixes "NIMM MICH MIT" by the electronic boy-band Die Raketen.

"Großstadtmärchen": This title is chosen for a reason. The story behind Oliver Koletzki is also a magical tale of believing in yourself. Since he is 12 years old, Oliver makes music, by himself or in bands: it is the love for the energy of soundwaves that makes him work hard on himself. In 2005 Oliver Koletzki celebrates the big breakthrough by releasing his hit "Mückenschwarm" on the label of techno grand daddy Sven Väth Cocoon Records. It becomes not only the biggest tune of the year, but also the best selling single on Cocoon Records ever. With this success in mind, Oliver directly realises his dream of starting his own label to promote newcomers. Stil vor Talent also becomes the platform for the release of his first album "Get Wasted" in 2007. One year later, Oliver proves his intuition for pop music when he signs the track "3 Tage Wach" by Lützenkirchen. He makes a low-budget-video for the track that gets an astronomically large half a million views on YouTube within the first three weeks. At least from here it is obvious: Oliver Koletzki is not your average techno producer. His productions and his sense for orginal music also have a deep rooting within pop culture. Thus "Großstadtmärchen" is the logical consequence from two decades of intense musical production: here comes a mature, yet still playful pop album that manages to combine many different influences into one harmonious oeuvre. It shows just how close the dancefloor and pop music really always were, and still are.

New Omar-S

In the heart of Poland's electronic music landscape, a transcendent force has emerged in the form of Trance-Atlantyk, a entity devoted to cosmic tingled sounds of the electronic music universe which humans tend to describe as progressive house, proto trance, ambient house.

The creation of this new sonic organism can be traced back to two seasoned veterans that have not only witnessed but also actively shaped the evolution of the Polish electronic music scene for the last 20 years. For now they conceal their true identity under the nicknames of Pankoff & DJ Varius Trax.

Trance-Atlantyk is not just a dynamic and eclectic DJ duo that finds pleasure in all manner of progy, trancey, floaty, breaky and housey sounds that clocks in between 130 and 150 BPM; it's also a series of events and a record label that extends its influence across physical and digital realms. With a commitment to preserving the authenticity of electronic music, Trance-Atlantyk releases music on both vinyl and digital platforms. This dedication to the tangible and the digital reflects the duo's forward-thinking attitude, ensuring that their sonic creations reach audiences in diverse ways.

The very first release, which is also the creation of Pankoff & DJ Varius Trax pays homage to domestic pop seamleesly blending it with euphoric, uplifting and high octane club-oriented music.

The “Sound of Poldon” EP (“Poldon” being a slang word for Poland) kicks off with “I want to tell you”, an energetic, proggy house track that contains vocal snippets from one of polish most popular tracks of the last decade (which originally got released in 1979, but rose to prominence thanks to and edit that got released by The Very Polish Cut Outs in 2015). An anthemic chorus is pitched up & looped to the max for ultimate satisfaction. More experienced listeners will surely also recognize a few other notes in the background bringing back old-school trance memories.

“Moon Song” is a massive dj tool that evolves after the breakdown into a nostalgic and euphoric peak time anthem. The hypnotic vocal parts that are sampled from one of the biggest Polish hits of the 90s era by Varius Manx, will take you back to the glorious past with the kick going 130 beat per minute.

The B-side starts with a huge bop called “Punch Bowl”, a hip-hop infused & breakbeat-oriented acid roller providing hypnotic rap vocals from one of the most prominent underground anthems of the last decade. Dreamy synth stabs colide with cascades of snares and brokean beats and agressive acid elements. The whole tense and pumping track concludes with a soothing outro.

The EP ends with “Jeny”, an atmospheric and vibrant cut with a broad palette of different emotions. A heavy bassline is pushing the affair forward, with a chorus that is simply hypnotic and captivating, while synths and trancey elements add an impeccable flavour to the whole business. A massive club jam.

This year Santa put a special gift under the Christmas tree. The newborn Blind Spot label comes with a highly sought reissue of the house masterpiece released in 2001 by the italian trio Polythree.

Stick Around contains three club-ready stompers ready to burn any dancefloor and already played by great selectors in several festivals.
On the A-side, the Poker Did Da Dub Mix represents the essential clubby track with its pumping punchy beats and its groovy rhythm. Flip the record and enjoy two different mixes, the Night Breeze Mix and the New Wave Mix. Both tracks release a strong flavour of Italo-Disco with rolling drum patterns and uplifting synthetizers.

34 years after Terry Farley created the seminal remixes of Loaded and Come Together for Primal Scream he returns to the band to remix a brand new track ‘Ready To Come Home’. Only available via white label.

Curated by Lazy Susan (2StepBec, oliver.r and Zeus) the Truffle101 project sees the light of day this Spring with their inaugural release from co-founder oliver.r under his Raynerfromfinance moniker. The first on the label explores a multitude of textures, gliding between sleek jazz, hazy dub, ethereal ambience and everything in between. Music from the soul, for the soul, as the man on the numbers, Raynerfromfinance shares his debut offering in the realms of downtempo productions.

A loungey quest paying testament to the versatile direction of the Truffle101 label, a project from three aficionados of the slower end of the spectrum, looking to share idyllic sounds from friends and artists they meet along the way, presenting them to a new and appreciative audience.

“Please make yourself comfortable, sit back and relax, whilst we take you on this journey of the sounds of Truffle101”

Saib introduces "Jazzy Cats", his new house EP. The Berlin-based music producer, originally from Casablanca, is ushering in a fresh era of jazzy house beats. As one of the most renowned lo-fi artists, known for his hit "Sakura Trees," which has amassed over 66 million streams across various platforms, he now explores a new rhythm, utilizing his beatmaking talents to craft six tracks that will undoubtedly inspire you to dance and groove all night. Featuring collaborations with Felipe Gordon and Tour-Maubourg, this house sound will elevate your mood and keep you dancing till dawn.

Special remarks: / 1.00 € of each sold record will be donated to the German nature conservation union (NABU) and the project "Seas without plastic".

FDF RAW returns.

Since its inception in 2022 the PILLZ label has built a reputation for refined underground moods, and “Take A Chill Pill” is certainly no different.; The astounding Belgian producer; Session 4000 maneuvers and delievers 4 cuts between gritty shades of house and electro. This EP shifts the night into fifth gear with spaced out atmosfears and direct drive.

Here is a producer whose experience for the hazy after hours takes us deep into such imagined trips as a “ravey conga paradise”, or some “hypnotic textured blend of vox sampled hits,” or twisted ravey motions, and big bass lines that blast the floor.

Old school early 90's Sky Joose is back ! Defenitly underground UK garage to ragga jungle original creator !

Originally released in 2013, ‘Burn’ was the debut studio album by British jazz ensemble Sons Of Kemet, who sadly announced their disbandment in 2022. Led by the great saxophonist Shabaka Hutchings and drummers Seb Rochford and Tom Skinner, it was the only record that the band’s original tuba player Oren Marshall performed on before Theon Cross replaced him. Tenth anniversary edition features a bonus, unreleased track from the same sessions.

Repress

Outside In returns with some new-school, acid inspired sounds made for the club, by a producer some of you will already know.

It's not just the 4 tracks shown here, grab one to find out.

KR3 Records, is proud to welcome Hector Sandoval to its roster. Known for his work under many aliases (Komatssu, Selección Natural) and for being one half of Exium, with his solo project TENSAL the artist explores a more instinctive approach to sound arising from a modern vision of techno. Recorded entirely analogically, Forgiveness of Blood is the perfect demonstration of his vision; With an ambient intro to ease the listener into the experience, the EP moves through the raw and scratchy sounds that have always distinguished both KR3 and the artist himself. The reference to the 12” dynamic and rough rhythms is also clear in the artwork curated by Chianjna. Written & Produced by Hector Sandoval Artwork by Chianjna Mastered & Vinyl Cutting by: Tim Xavier at Manmade Mastering Berlin

Mindgames is a new Samurai Music affiliated label aiming to capture the essence of the sound that magnetised label head Presha into Jungle/Drum and Bass in the mid 90’s. Experiencing this musical development as it happened lit a flame of passion and drive that forged a focused musical path that continues unabated today.

94/95 were pivotal years for Jungle with new approaches to production and musical shades that shaped how the music progressed. Light and Dark musical hues were working side by side more frequently in these years as the music found its way, and Mindgames will reflect this.

With the resurgence of artists absorbing this sound and creating updated versions with added production finesse, Mindgames mission is to enlist current-day producers who have successfully captured and reimagined the vibe and feel of these years into new forms that underline the foundation of our sound.

Over the last two years, the Innate and We’re Going Deep labels – run by friends Owain K and Placid respectively – have become must-check imprints for those seeking brand-new, timeless-sounding electro, deep house, acid and techno. Now the pair are joining forces on a new collaborative venture that looks to the past for inspiration: InnDeep.

Focused on unearthing and showcasing slept-on gems from across the deep spectrum, the reissue-focused label will have an emphasis on UK producers and imprints whose work in the ‘90s and 2000s has arguably been criminally overlooked.

To kick things off, they’re taking a deep dive into the back catalogue of Headspace Recordings and Emoticon co-founder Tom Churchill, a Welsh producer whose trademark take on deep house achieved cult status in the late 1990s and early 2000s.

The Personal Interpretation EP was first released on Headspace way back in 1997, and dates back to a time when Tom was the very definition of a bedroom producer. He created the EP’s three tracks while still a teenager and mixed them down using the same pair of headphones he used for DJing.

Now painstakingly remastered, the EP sounds every bit as immersive and intergalactic as it did at the tail end of the last millennium. On the EP-opening title track, Churchill builds a sturdy, chunky groove out of clicking, hissing and metallic percussive elements and a wonderfully deep, tactile bassline, over which gorgeous chords, melodic motifs and eyes-closed vocal snippets stretch out as if reclining in the afternoon sun.

Churchill opts for a deeper, Detroit-influenced sound on ‘First Principles’, with undulating electronics and a raw analogue bassline working in unison with ghostly chords and deep space melodies, while ‘Crossed Wires’ is a tispy, off-kilter epic – all breathless drum machine rhythms, pots-and-pans percussion, woozy chords and weighty sub-bass. It provides a fittingly energetic, out-there end to a long-overlooked EP that remains as fresh now as it did back in 1997.

Twig 10 comes in 2 episodes.
This second one is signed by Trippsy, already known as a well established dj and producer from Kiev.

After three stand out eps over the last three years for L.I.E.S. Tzusing delivers his debut lp for the label. Here we get seven tracks of precison crafted electronics, unmistakenly taking the artists signature industrial fueled sound and opening it up to a new dimension far beyond the typical metal beat clang.
Emotional, dark and powerful, the album title taken literally means "Invincible East" based on a character (a swordsman) in a Jin Yong novel who must make the ultimate sacrifice to attain knowledge and transform. The narrative goes in hand with the artists observations living and travelling throughout Asia and provides a haunting soundtrack for a bleak future where few dare to subvert the power structures at hand.

Scuba funk seems to be quite the sort after track which has got fair traction from Velasco's podcast on Spaced and also Theo Dher who helped evolve the situation with a YT upload. So here we are with a 4 track EP on a 180g vinyl, 300 ONLY and a few other under the radar tracks to seal the deal.
Night Demons, Sound Pictures and Chewing gum are all outstanding tracks in their own unique way and retrospective of the mid 2000's era, Enjoy.

repressed !

Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that’s showing no signs of slowing down as we pop, dip and spin into the spring season. As a label owner, Paul’s mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, your front room or even just the headphones. Rather than staying too hung up on the past, he continues to focus on serving up the best in new Acid, Electro, Techno, Deep House alongside scintillating slices of Downtempo music.

Sticking to the trusted format of 4 superlative cuts from equally talented producers, the quality and talent on show does not disappoint on WGD 007. Starting the dance with 303 maestro and label legend Tin Man, A1 “I Said Acid” is a tantalising twist on the classic combination of a Roland TR-707 and SH-101. As a metronomic pulsating kick carves out a squarely hewn path, slow opening filtered lead and hauntingly repetitive “Acid” vocals exert maximal pressure to create a sheer moment of joy. Balanced out by the dreamy atmospherics of A2 “I’ll Meet You On The Dancefloor”. UK Deep House supremo Rai Scott exerts her perfected knowhow: blending organically tinged percussion with profound melodic touches that meander across the borderlines of your consciousness.

On B1 “Necessary Order”, the machine mastery of Sound Synthesis collides in perfect harmony as Keith Farrugia demonstrates his deft turns of the dials that are becoming more in demand. A sprinkle of stargazing soul is woven around light touch acidic tweaks and snappy drums, echoing the twinkling embers of the cosmos. Not to be outdone, Dutch born German bred producer Roger Van Lunteren takes control with the final slice on B2 “Le Dee Trois Trio Prends Trois”. A wince inducing, sawtooth heavy jam that should not be taken lightly. As the saying goes, this one’s only for headstrong.

Always exciting when Klasse Wrecks comes with a new label project!! This one they do together with Kid Who and is a series of records showcasing previously unreleased house, techno, acid and more from the 90s Amiga Demoscene.

Created using early sample sequencers such as ProTracker, these tracks radiate the authentic energy of techno's golden era - and they've been hiding in plain sight in Demoscene web repositories for many years. It was during the long days of the 2020 lockdowns that Kid Who began to explore these archives, sifting through thousands of tracks to eventually amass a collection of several hundred of his favourites.

Curated by Klasse Wrecks and Kid Who in close collaboration with the talented artists behind them, the .NFO project aims to bring some of these finds to the broader dance music community via a series of VA 12"s and mixes. Tip!! Vinyl comes with A4 insert and stickered sleeve.

Matthew Reyer, ½ Black/Tuesday, introduces a new project, Hack the Planet!

In this electrifying showdown, four enigmatic codebreakers confront an AI overlord known as the Binary Serpent, battling for control of the digital universe and the freedom of the human mind.

Poten, the enigmatic Denver-based hardware junkie, known for his cerebral explorations, delivers an energetic and dynamic shot to the algorithm. Sweater, the Philadelphia-based prodigy, propels us on an interstellar journey through a fusion of spacey rhythms and pulsating low-end frequencies. Daisy Boy reminds us that time is a mere illusion, using sound's essence to evoke emotions that transcend the boundaries of the clock. Finally, label boss Reyer orchestrates a multi-pronged attack, diverting the AI's attention with a flurry of decoy data packets and initiating a series of rapid sound injections.

Interstellar Buzz is an auditory odyssey that transcends genres, inviting you to lose yourself in the infinite possibilities of the digital realm. So plug in, tune out, and let the music transport you to a world where the boundaries between the real and the virtual blur, and the future of sound awaits.

2024 Repress

Another episode of the notorious 'You Can Trust A Man With A Moustache Series. Containing 4 crazy electro house energizing nu-italo top hits! A1 The mysterious super hit wanted and sought after by many DJs, played at numerous clubs and festivals by Moustache records label boss David Vunk, the mega anthem by the super collective ; Tending tropic - Hondebrok!!! A2 Cafius the super talented electronic music producer hailing from Ukraine is part of Moustache family now. He Delivered a massive club banger for the dancefloor: Cafius - Tonight is the night. Already played by DJs around the glove! B1 Im Kellar the infamous project by 30 years friends David Spanish and David Vunk ebm electro, dark and pure from the analogue cellars of downtown Rotterdam city, Im Kellar known for their super rare always sold out 12inches. Im Kellar - Not to be compromised dont miss this killer track with that strange melodie ;) B2 Moustache is super pleased to have the boss of Barca on board. Italo moderni label ceo Adrian Marth with his electro house hi energy track: Icon of the night! Expect deep basslines and peaking party drops. You can trust a man with a Moustache Vol. 5 comes in a super great designed 12inch sleeve full colour Artwork. Dont sleep on this ultra rare vinyl super limited only 500 copies no repress! Don't play this record underwater!

6 vinyl unique to this edition showcasing the label's most exhilarating moments, never before available on vinyl

Lost & Found, a prominent Malta-based label, wrapped up its impressive journey with the culmination of its 100th release and ceased to exist in 2023. However, its impact will continue to echo among devoted fans and within the history of underground dance music.

Rather than etching them in stone, several of the most noteworthy masterpieces have been immortalized on a distinctive collection of vinyl records. This unique edition, making its debut on vinyl for the first time, brings to mind the label's most exhilarating moments, capturing the depth of its legacy.

The elaborate cover and puzzle-inspired artwork enhance the immersion into the captivating 197 minutes of hypnotic sound, featuring the 24 tracks DJs have long yearned to see on vinyl.

As a specialsurprise for buyers,100 boxes are personally signed by the label's founder, Guy J himself, visible only upon opening the sleeve.

This compilation showcases the work of over 25 top artists, including 1979, BP, Budakid, Chicola, Cornucopia, Ditan, Eitan Reiter, Eli Nissan, Guy Mantzur, Hermanez, Kasper Koman, Kevin Di Serna, Kevin Yost, Khen, Marino Canal, Matteo Bruscagin, Navar, Patrice Baumel, Pedro Aguiar, Roy Rosenfeld, Sahar Z, Stereo Underground, Visnadiáand Guy J.

The LFBOX001 is a must-have memorabilia for fans cherishing dance floor memories and essential for future generations discovering these forward-thinking tracks destined to endure for decades.

Every once in a while, a musical collaboration emerges that defies convention and leaves you craving a sensory escape. “Liquor Store Cheerleaders” is that electrifying experience. The brainchild of Jonra and EMachinery, this musical endeavour is nothing short of a smash and grab jam that’ll have you rushing to the liquor store for a pre-party energy boost.

The compilation kicks off with “SICKNESS CAST AWAY,” an in-your-face track that’s both haunting and nostalgic, reminiscent of those moments waiting in line for your favorite smokes or a drink before a night out. With thought-provoking beats, it’ll transport you to the past and catapult you into the future.

Track two, “DROP IT OFF,” by HYMNS, is a suspenseful journey that keeps you guessing with its mental vocals and twisting melodies. HYMNS’ signature style is a captivating blend of suspense and surprise, and this track is no exception.

“STAY ON TOP,” the debut single from Living in Ghosts featuring Woolfy, exudes a feel-good vibe with a cheeky “lick it before you stick it” approach. It’s a monster jam guaranteed to set any dance floor on fire, thanks to the powerhouse vocals of maestro Simon James, aka Woolfy. Drawing inspiration from retro house and disco vibes, this track is an absolute must-listen.

Returning for a second appearance on this compilation, Jonra & EMachinery infuse a French electro twist into the mix. Their track is a mesmerising, creeping journey that moves your body and feet. With subtle echoes of Kraftwerkian influences, they lead you into a deep pool of sonic blankets, keeping the journey both synthetic and immersive.

And last but certainly not least, “RBF” by Resting Bitch Face is the perfect musical embodiment of that mean mug look you’ve received while leaving a store. With a pulsating beat and an attitude that matches the infamous Resting Bitch Face, this track is a powerful statement.

Keep an eye out for “Liquor Store Cheerleaders” – they’re not just on the dance floor; they’re taking the world by storm. So, watch out for these musical clowns, because they’re bound to leave an unforgettable mark.

LDI Records is proud to present V, the latest EP from Dutch electro artist Versalife (aka Boris Bunnik aka Conforce). This four-track EP features Versalife's signature blend of classic and experimental electro. This is Versalife at his best. V showcases his amazing production skills, with detailed drum patterns, hypnotic bass and lush pads. This EP is an exciting journey where Versalife keeps pushing the boundaries of electronic music, while staying true to his roots.

Debut release from Virrvarr on Melodrome.

Limited to 100 copies, each one with unique hand written label.

a state of confusion
all a jumble of numbers and letters
without connection or expression

Yonder Kids get a deserved spotlight 20 years after the journey suddenly stopped.

A musical legacy which could have been lost in the background noise of time is finally edited, mastered and cut into vinyl.

Charlotte de Witte & Enrico Sangiuliano have come together to serve up a very personal remix of the hugely influential self-titled classic by Age Of Love. It lands on the original Belgian label Diki Records on August 13th next to the legendary Jam & Spoon 'Watch Out For Stella Mix' and the original vocal mix from 1990.

Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years. The track was originally released on one of the most iconic trance labels in Belgium's history and has been specially remastered for this 2021 release.

The idea to remix 'Age Of Love' started taking shape when KNTXT boss Charlotte was in lockdown with esteemed Italian techno artist Enrico at the end of February last year. As soon as the track was finished, it was played in several live streams and the online community quickly fell in love. The remix bears all the hallmarks of both producers, who between them have a number of Beatport hits and have crafted everything from the darkest drums to the most emotional synths to great effect.

Say Charlotte and Enrico, "It's a very meaningful track for both of us, for various reasons, and it brings back many joyful memories. Remixing such a legendary track was a super fun thing to do, but we noticed how easily and spontaneously we could work together in the studio. We are beyond excited to finally unleash our remix to the world. And this at a time where the world finally seems to be going back to normal. There is no better time for a New Age Of Love. We're ready."

'Age Of Love' (Charlotte de Witte & Enrico Sangiuliano Remix) is a big, driving techno roller. It has heavyweight drums and stripped back percussion which leaves plenty of room for the ionic synth lead and spine-tingling vocals to ring out and really work the crowd into a trance.

This fantastic remix brings a new perspective to one of dance music's most celebrated and influential tracks.

We are back with another banger. This time we are excited to announce our new release with this 2 amazing tracks from the wizard himself, Arapu.

Get into the “Mood”!

'Debes Llorar' is the second of two super limited 7"s being dropped by Dez Andres on the fledgling Future Rootz label this month. Like the other one, this 45 pulls out plenty of the Cuban influences Dez is known for. A-side 'Debes Llorar' is all life-affirming chords that fans of his classic 'New 4 U' will recognise, but stitched over ticking and raw drum beats with a Latin shuffle and Spanish vocals. 'Aqui Estamos' takes things down a notch with a more sunset sound, hip-hop flecked deep house beats and seductive vocal sounds next to gorgeous little acoustic guitar riffs.

"Manchester record store / label All Night Flight delves into the labyrinthine back-catalogue of respected producer Uwe Schmidt’s private label Rather Interesting with a vinyl sampler of the 1995 self-titled album Interactive Music. Previously released on CD only, Interactive Music came during a time of explosive creativity for Schmidt (also known as Atom™, Atom Heart, or Señor Coconut), where the German artist sought to release a new, individual album each month, each backed by their own design and conceptual structure with the goal of expanding the boundaries of technology, sound and electronic music as a whole. The motivation behind Interactive Music was to explore a new way of composing music, allowing both machinery and recorded elements to ‘interact’ with each other within a systems-based arrangement whilst incorporating any randomness and unpredictability that arose in order to create a sense of the organic or sentience within the machines. The four tracks here plucked from the original source demonstrate the breadth of styles Schmidt covers under his intuitive systems approach, leading with the atmospheric slo-motion creep of opener ‘Dynamic Link’, followed by the spluttering, melody-rich, UK-techno indebted ‘Kinky Sky Candy Drops’ that pays homage to Warp’s legendary Artificial Intelligence series of the early 90’s. On the B-side, ‘I See No Evil’ unleashes a taut electro piece, heavily enriched with Schmidt’s intricate drum programming and unique ear for sound design, whilst the extended closer ‘Assembler’ sees the ‘Interactive Music’ system firing on all pistons with an array of percussive and melodic elements working in unison for a heavily textured, free-form, electronic free-jazz-jam. A pioneering and easy to overlook masterclass in electronic production, rightly framed in a fresh new context.

Remastered by Miles Whittaker (Demdike Stare). "

Jay Lumen is back on Footwork. His brand new Human EP is a massive dancefloor weapon. Choose the A side for a special journey into the world of fat basslines and spacey synths. Or play the B side to get some real raw energies by heavy kick and basses under a very unique synthline. Enjoy the trip!

Juan Atkin's masterpiece compilation, the blueprint of Techno albums.... the 1993 Model 500 'Classics' compilation with some of Juan Atkins' biggest early Metroplex milestones, with some of them in exclusive remixed versions. 3 decades later Metroplex is re-releasing this collection of hugely influential tracks for a new generation to play from fresh and clean vinyl!. Just like the recent 12" reissue series, this album has been fully remastered with all the care and attention to detail you can imagine. Tracks like ,,No UFOs", ,,The Chase", ,,Techno Music", ,,Night Drive (Time, Space, Transmat)" or ,,Off To Battle" are basically techno ground zero, with the electro influence of mid-80s to late-80s Juan Atkins productions still omnipresent. 30 years on since its original release on R&S records, 'Classics' is still as gritty and timeless a statement as ever. Pure sonic futurism!

Ness presents Reworked, four tracks of previously released material on TGP revisited by Blazej Malinowski, Primal Code, Takaaki Itoh and Ruhig.

air miles return for their next installment with a remix EP from Bristol-based producer, Remotif; including remixes from Nathan Micay, Molly, and label affiliate: Jeigo.

INFODUMP Recordings, a Tokyo-based independent music label, releases a new EP produced by the label owner Takuro Hasumi. A Japanese outsider artist Pinkski created the illustration of the new EP’s cover art.

“A 3 track ep from Takuro Hasumi that dives deep into the mystical weirdness of house music. Out-there melodies and synths come together on a bed of machine funk grooves that demand you shuffle your body and mind too. My fav here is Ticktack, a house track from a wonky, chunky parallel universe.”
John Osborn (DRED RECORDS)

Na Zrak Records presents its fifth vinyl release: Various artist “Into the story” by Costin Rp, Cosmjn, Zenk and Djosh.

As first track A1 we find "love story" by Costin Rp, the lines of this track are melodic and right to open a set. This track makes you enter a parallel world. The second track, A2, we find "Bau" by Cosmjn that, thanks to his percussions and his bass line, is perfect for the center of the set, just groove that makes you dance. In the other side the third track B1 we find "Queen Drama" by Zenk, characterized by a beautiful melody line and percussions that create a spectacular groove. The last track B2 is Djosh "High bat", characterized by very dark sounds and effects.

Debuting on Vinyl, flamingo's first release count with one side more minimal and serious tracks with Mihai Popoviciu and Andrey Djackonda, and another side more deep tech with Artmann and Hart and Neenan, more dancefloor and housy vibes.

This compilation takes you on a trip through trance/dance tracks from the era where music clubs in Belgium & Europe were hot and trend setting.

This will be a limited edition, pressed on 180 gram high quality 12" black vinyl.

Zobol’s ‘Mirage’ is A record reflecting on the miss-information flying around our planet these days. It makes you think, what is right, wrong, transparent and guised? What is real and what is deception?


The A-side begins with ‘No Disguise’ consisting of booming broken kick drums and elements of positively charged future funk. The A-side concludes with the gritty, dubbed out percussion and hazy melancholia of ‘Clarity’.


The flip-side opens with the title track, ‘Mirage’ bringing aspects of electro, funk, acid and braindance to the table. Dubbed out chords, mysterious arpeggios and scattered percussion laid over a funky bassline. The release is concluded with a remarkable remix of ‘Mirage’ from the one and only, Nullptr. Who reimagines the original, taking it in a darker but equally mysterious direction.


Believe half of what you see and nothing that you hear. Except for this.

Two absolute dancefloor bombs from Amy with a killer hip hop funk bomb featuring Ghostface Killah and a smooth reggae remix on the B-side. Limited edition 200 copies.

Featuring heavily on most of Drumcode's shows due to his impeccable DJ'ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks.

Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour's territory with the help of the subtle percussion.

When you see Dr. Packer’s name on the tin you know you are in for a treat! He takes BB&Q Band’s classic “Main Attraction” and turns it with his magic into a Nu-Disco boogie-down floor fest.

Produced by Kae Willams II and with vocals by the great Curtis Hairston, the Dr. from ‘down-under’ manages to encapsulate the 80’s funk soul feel from BB& Q Band’s seminal original to carry those heady days of dancing till the sun’s up into 2023 and beyond.

Dropped Balls is the debut 12” vinyl release for Galway’s Belacqua. After previous releases on Unscene Music and Wherethetimegoes, Dropped Balls sees the Galweigan channelling his inner Sound Hack and travelling back in time to early 80’s NYC for a riotous collage of off kilter sampling, propellent drums, weeping acid and a general air of barely-controlled chaos.

Gunnish kicks things off with jagged piano riffs before charging full steam ahead into the wall of a dank basement in the Meatpacking District before Davish jumps into life with its supercharged, rolling drums. The A-side then slowly but surely descends into the washes of distorted synths and booming kicks of Youngish

On the flipside Marshall Applewhite (Yo Sucka! Detroit) drowns the stuttering funk of Gunnish in his trademark sludged out techno before the 12” takes a turn to the emotive with the transcending, slo-mo acid of release closer, Tennish.