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Erratic Patterns News
2026 Repress
If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.
Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.
This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.
The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.
The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.
This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.
For the sixth release on their imprint, Voodoos and Taboos deliver “Other Land”, a 4-track EP showcasing their signature blend of diverse sonic landscapes. The record flows seamlessly through 90s-inspired Progressive House, sharp Electro, atmospheric Breakbeat, and clinical Minimal-Techno, balancing driving peak-time energy with deep, futuristic textures. A versatile 12″ designed to bridge the gap between different club aesthetics with high-fidelity precision.
2026 Repress
relies heavily on techno and dub elements. Releasing their first two albums on Creation Records sublabel Infonet, the group has also released albums on Blanco y Negro, Foundation Sound Works and Music Man Records. The group recorded three sessions for John Peel's BBC Radio 1 show.The trio also recorded under the names Thunderground, New Adult, Sons of the Subway, and Space DJz.
2026 Repress
relies heavily on techno and dub elements. Releasing their first two albums on Creation Records sublabel Infonet, the group has also released albums on Blanco y Negro, Foundation Sound Works and Music Man Records. The group recorded three sessions for John Peel's BBC Radio 1 show.The trio also recorded under the names Thunderground, New Adult, Sons of the Subway, and Space DJz.
Repress
Calibre's signature house sound now on 12" LTD vinyl!
DJ Support: Peggy Gou, Chris Stussy, Jamie Jones, Solomun, TSHA, Eliza Rose, and others
Following a breakout summer, “The One” is now getting a vinyl release.
The track became a viral hit on TikTok, amassing over 5.5 million lifetime engagements, and has solidified its status as one of the year’s defining dance anthems — surpassing 14.6 million streams and continuing to grow rapidly across platforms.
Included on the vinyl release are the acclaimed remixes from HAAi, Bashkka, and Obskur that have further expanded the track’s reach.
With a Grammy nomination and club backing from global tastemakers including Peggy Gou, Chris Stussy, Jamie Jones, Solomun, TSHA, Eliza Rose, and others, “The One” continues to dominate both the underground and mainstream dance scenes.
“The One” — a summer anthem that shows no signs of slowing down.
Volume 2 of 3 vinyls containing all the extended mixes on Claude VonStroke’s 5th original artist album, “Wrong Number.” Whilst the first vinyl was all deep cuts, this second record is full of bumpy, quirky, club tools with unique properties. “Two Line Groove” features vocals “in the round” from both of his children, Jasper and Ella, and can be imagined working well on the DC10 terrace this summer. “A Little Drizzle” is a classic wonky VonStroke bassline with vocal chops all getting twisted like Matthew Herbert meets Akufen. Lastly, “Busted Ass Deejays” is a little bit of shade going out to $100+ tickets to see generic Deejays playing Beatport top 10s. Just poking a little bit of fun, we love you all!
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Back In stock
2020 edition of this total bomb from 93. Re-remastered from the original DAT tapes and fresh new labels to boot.
A Sampling masterclass from a DJ in tune & head over heels in love with his favorite records. This was the first record on Wang's own Balihu label, that went on to release classic after classic well into the next decade. HUGE TIP!
*2026 repress**
30 yrs (!) since it's initial release in '97... absolutely loaded EP of dancefloor heat from a true Disco romantic, Daniel Wang. Certified treasure from past, and one that won't leave the record bag.
Remastered with love and respect of the originals, and the originators.
HUGE TIP!
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Welcome Giuliano Lomonte on Hashplant - HPR017 - Limited Edition
2026 Repress
Rhythm by Nature is back with Somefink Old, Somefink New, a three-tracker from seasoned producer Grant Dell that bridges past and present: sketches first laid down in the mid-2000s rediscovered and reworked alongside a brand-new cut, forming a dialogue between memory and renewal.
The EP opens with Feel Me?, a deep tech construction driven by a heavy low-end, its groove unfolding patiently while flashes of disco glimmer through the framework. On Light of Day, Dell shifts into full deep house territory — spacey pads and floating strings suspended across open structures until acidic stabs break through, twisting the track into brighter, playful directions. Closing with Death Disco in Dub, Dell channels the hallmarks of his Tribalation project: dub-infused atmospherics, light percussion and echo-drenched fragments circling around a hypnotic core, equally suited to open or dissolve a night.
With Somefink Old, Somefink New, Rhythm by Nature traces the arc of an artist deeply embedded in the underground, reuniting past forms with present gestures in a release that reaffirms the label’s consistency in quality and commitment to timeless club music.
Horsemen make their debut on Small Great Things with Southbound, a warm and colourful EP made to ease the winter blues.
Drawing from a wide palette of house influences, the record showcases the duo’s versatility and depth beyond a single formula. The release follows Horsemen’s first year as residents at Small Great House, the label’s monthly party at OXI Berlin, including its beloved summer open airs that helped shape the sound of this EP. Southbound also introduces their first collaboration with vocalist Guya.
While the A-side sets a relaxed tone with disco and jazzy influences, perfect for those summer open-airs, the B-side shifts firmly into club territory, delivering two dancefloor-proven cuts for the night.
The A-side opens with Make Me Feel Excited, an almost disco-tinged summer anthem driven by a distinctive sample. It is followed by Napoliballa, featuring Guya on vocals, a sun-soaked jazzy track with playful rhythms. The side closes with Lighter Days, a moody piano-led track that adds a deeper, more dreamy tone.
The B-side moves into club territory, with Running offering a driving, floor-focused cut led by a bold organ hook, followed by a faster, more club-oriented version of Napoliballa.
