Rave Alert Records News

Ace Vision Records starts with the first press AV001 released by Ace Vision. The label wants to create an intimate mix driven by the 80’s italo touch and the early 2000 disco, synth pop and electro sounds.

In this release you can find on the A side Homesick, a dance floor killer track that wants to bring energic vibes to the listener thanks to the catchy grooves, double arpeggiated bass piloted by a nostalgic synth and warmy pads and Italo Vision, a tribute for the classic italo disco with the taste of Ace.

On the B side there are Round the wave, track composed with a solid and crispy Roland Tr-707 rhythm, bouncy italo bass and bright synthetizers and Sentimental Dance that how the title wants to communicate it’s an emotional song with a vocodered voice that can hug the dance floor with true love, really suitable for your

Today, the electrifying Copenhagen-based DJ and producer, Anastasia Kristensen, has announced a new EP “Cordyceps Disco” out on 14th November 2023. This will be the first release on her new label absorb emit, marking a bold new chapter for Kristensen.

This new EP marks the next chapter in Kristensen's artistic development, stepping away from the close and personal nature of her previous work, instead reflecting a broader sentiment of the post-pandemic climate. “Cordyceps Disco” is set in a romanticised future, allowing listeners to come to the dancefloor and let go of their fears for the millennium to come; of climate anxiety and hypercapitalism. Lightly inspired by the sci-fi futures in Ray Bradbury and Isaac Asimov novels, and taking its name after the brain-eating fungi in the recent series The Last of Us, “Cordyceps Disco” imagines a future dancefloor where listeners can forget about reality and be completely immersed in a beautifully dark yet uplifting atmosphere.

Armin van Buuren originally released the track “In And Out Of Love” in 2008 as the second single from his third studio album Imagine. The track featured vocals by Sharon den Adel, who is best known as the front woman of Within Temptation. It became a major hit and with more than 260 million views, it is one of the most viewed videos on Armada Music’s YouTube channel.

Due to popular demand, Music On Vinyl, in cooperation with Armada
Music and Armin van Buuren present the EP In And Out Of Love. This
12” edition contains the original version, an edit, the 2017 Revision and also remixes by Lost Frequencies, Push, Ilan Bluestone and Maor Levi.

In And Out Of Love is available as a limited edition of 3000 individually numbered copies on blue & silver marbled vinyl.

Audio Reflex, aka Anderson, is back, with his final four tracker on Telomere Plastic!

This beautiful EP is another blend of mid tempo and deep electronics. Funky baselines and beats throughout will give you the chance to get moody and groovy deep in the middle of your sets!

Very limited black copies as always with a few colored copies available via the Wex bandcamp, be quick!

"Tonight" is a captivating, extraordinarily song written and arranged by Paolo Gianolio (one of Mauro Malavasi's most valid collaborators), who strongly wanted Ivana Spagna as a vocalist. In those very early 80s Spagna used to lend her refined voice.to successful productions using various pseudonyms: Mirage, Carol Kane and Yvonne Kay and precisely Barbara York The piece released in 1982 with Delirium Records was then released in 1983 on Smash One Music by Pino Toma who jealously preserved it making it one of the many rare gems of Italo-Disco. Now after 40 years here it is revived by Best Record in all four original versions, perfectly remastered by Dom Scuteri.

Following on from the warm reception to Hell Yeah and Music Conception reissuing Calm's cult Before album, the labels have come together once more to offer up a reissue of the Japanese master's highly sought-after long player Moonage Electric Ensemble. The hard-to-find original has been given an all-new mixdown from original stem files and then re-mastered by Calm himself, and the double LP will also come with a bonus 12" featuring his very own Daydream Dubs plus an obi-strip and original artwork by FJD.

The blissful yet soul-stirring Moonage Electric Ensemble, which landed first in 1999, was Kiyotaka Fukagawa's stunning sophomore album and the one that kept the bar high following his debut Shadow of the Earth. It investigated all new worlds of future jazz, ambient and downtempo and has since become a cult classic that often fetches three figures on secondhand markets. He has released over 18 albums since including Before which was reissued in 2022, though Moonage Electric Ensemble remains a favourite with those who enjoy the most accomplished and innovative sounds from the first wave of chillout.

This escapist charmer opens with the suspensory synths and piano keys of 'Unseen Small Steps' featuring spoken words from Dan Gamble, then 'Light Year' has gently tumbling rhythms and shimming synth moving about the soothing mix. 'Noon At The Moon' brings gorgeously fizzing future jazz drums and mellifluous piano playing full of subtle joy, and 'The Other Side Of The Moon' then layers up melancholic chords and chunkier rhythms that are detailed with gorgeous persuasive details and mystic flutes. 'Tsukiyo' is a new age charmer with paddy hand drums and romantic interplay between sax and trumpet, 'Between Worlds' is an ambient interlude with distant winds blowing and intimate whispers from Gamble before closer 'Authentic Love Song' rides on dusty trip hop breaks as lazy piano chords melt the heart and Gamble serves up another aloof monologue.

This is another welcome reissue of a sublime album that is not only one of Calm's finest but also a true gem in the wider world of downtempo music.

Bristol based band Cousin Kula announce their debut album Double Dinners. With co-signs from the likes of BADBADNOTGOOD and newly signed to Rhythm Section, Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: “the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia” CLASH Magazine remark.

Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past 10 years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees BADBADNOTGOOD to record a live adaptation of their new single.

Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene,
they have stripped back all excess baggage for their most accomplished recordings to date. Existing on a similar plane to contemporaries such as Connan Mockasin, Mildlife, Toro Y Moi, Mac DeMarco and HOMESHAKE, the band caught the attention of renowned tastemaker Bradley Zero with their 'Casa Kula Cassette' EP at the end of 2020, with the Rhythm Section founder swiftly taking the 5 piece under his wing, with him commenting:

“The band balance an outsider approach with more hooks than you can shake a stick at... the result being a gently beguiling sound that effortlessly draws you in, revealing more character with each listen.”

French techno artist Cøncenträte returns for his second vinyl release of Gynoid with a very deep and haunting track Semantika, that also gets a slightly more industrial rework by Jonas Kopp . The second track Timewarp is much fatter with lots of dance-floor punch and a bonus Developer remix.

The EP has already gained support from Ben Klock, Dave Clarke, Deep Space Helsinki, Drumcomplex, Kwartz, SLAM, Philippe Petit, Robert S (PT), Arnaud Le Texier, Rraph, Takaaki Itoh, Amelie Lens, Noaria, Advanced Human, Tom Hades, T-Dok, Unbalanace, Marcel Fengler, Cari Lekebusch.

Fifth release with dusty jams from the Swedish label run by Per Hammar. Edvin Wikner’s ”Skritt” comes as an original, together with remixes from fellow Scandinavian S.A.M., Rowlanz and Per Hammar himself.

The original has been a frequently dropped club weapon among Per Hammar and his friends for a while before he decided to snatch the track to Dirty Hands before someone would reach for it.

Wikner is a Swedish artist who runs the Instance club and Maraton label, a talent that has a refined sound and slick technique that leads to some absorbing rhythms and classy house grooves, as this new one proves.

The opener track is a bubbling deep house groove with deft percussion sprinkled over a warped bassline that keeps on pulling you in. It is mind melting and hypnotic, sure to build a real vibe amongst a club setting. The Rowlanz remix smooths it out into something dreamy and atmospheric, with gorgeous sci-fi pads drifting about in the distance, sinking you into a reverie.

The Dirty Hands founder, Per Hammar, then comes correct with a remix which gets busier and more driving, with supple drums and wavy bass all working you into a tasteful minimal lather, a direction we are familiar with from fellow Swedish man. Last of all, S.A.M. gets freaky with a trippy after-hours vision that is dubbed out deep techno with haunting vocal whispers and subtle sound designs that all occupy your mind. A well rounded and killer EP, with a variety of producers showing their cards.

Attracted by an unknown force, self destructive thirst of knowledge, the adventurous travelers get deeper and deeper into the Junction Forest. Here in the middle of the tangled branches they stumble upon a Crystal Creek, Salamanders, and gigantic mushrooms. Voraciously eating the flesh of the fungus, they reach the Spore Core and then…

Junction Forest is proud to release Norwegian artist and Ute co-founder Ekkel first solo EP

Artificial Dance is very happy to announce the full archival compilation of work by Richard Zeilstra A.K.A. Genetic Factor. Recorded in different parts of the world, at different times - we hope this will give the world a glimmer of the mind of Genetic Factor. A mind that has been behind a variety of very influential operations during the years; including a string of radio programmes (Radionome & Spleen a.o.), working at Boudisque and running Barcelona’s first compact disc store!

A double disc affair housed in a deluxe gatefold sleeve that is only bleak in comparison with the musics featured on the discs. With songs taken from a wealth of recordings (and we’re only touching the surface!) that were safely locked in the Lab’s vaults.

The songs featured are not an attempt of making a coherent ‘album’ but much more trials of interpretation of his world into ‘music’. His strong believe in non-musicianship makes it more thrilling than conventional musics, yet these recordings are not result of amateurism - they form a consistent reality of what excites him. Take a dive in the realm of the Genetic Factor…

Kapture returns with their second installment, an intriguing 4-tracker EP from upcoming duo Haokah, that also includes an impressive remix from Arapu.

Delivering all the ingredients for an immersive and versatile journey, including heavy bass lines, elusive vocals and uplifting percussion that will make your heart bounce all around, while also telling a proper
story from start to end.

Two discs from Harry Wills on his new label, Nimble. This isn’t just bedtime… this is Luxury Bedtime.

CV016 “This Time I’m Serious”
The long awaited second LP from Herck
2x12” consisting of 6 tracks , limited to 300 copies, with full gloss cover art , This one is not to be missed !
Played by all the big guns , Cezar , Praslea and more

12” debut release for Homies Cuts imprint. 3 tracks ep with a
classfull sexy vintage disco edit, a thug cumbia psychedellic trip
and a swedish classic funky boogie .

Homies presses in vinyl all their musical universe to be heard in
their monthly house parties at the legendary Pikes Ibiza or in
any of their itinerant house parties. An edit collection of gems
that crossover genres under a balearic state of mind to fullfill
the dancefloors and make love to your ears.

Ion Ludwig goes off the beaten path with A Better Future To Long EP, to add a new chapter to Metereze’s rather unconventional musical journey.

Each of the three cuts can be easily pictured as electronic mandalas: launched into the frequency modulated dense air, repeating themselves over and over again until they get hardcoded into the dance floor memory.

Each of the three cuts is building momentum around an obsessive pattern, meant to anchor the listener into the here and now. "140KM:h" comes with a dusty acid feel driven within the reverbs, stretched on the whole Side A. "A better future to long", can go easily as a dark tint of stripped techno, until you isolate the trippy melodic mold from the heavy background. "Abstracy" is nothing but a lo fi strip, filled with rolling basslines, a proper reminder that house music has its own twisted side.

Metereze welcomes Ion Ludwig.

A timeless 60's ska instrumental inspired by Prince Buster's 7 Wonders Of The World. Featuring members of Seventh Sense, Goldmasters, The High Notes & Dub The Earth. Sounds great in your living room & in the dance on a sound system.

Bass: Malcolm Goldmaster
Sax: Tim Hill
Drums: Richie De Ruige
Guitar: Dan Foster
Percussion, Guitar, Keys: Jah Rej
Keys: Franco Agresta

Jens Schwan, best known as the owner of the THE CLUBMAP magazine and co-founder of ZUG DER LIEBE, has been in the techno scene for 30 years now. "Frontier Reichenberger" marks his debut though when it comes to releasing records.

The title might ring a bell for some of us as it is a literal combination of a track by Underground Resistance and the old location of the Hard Wax record store in Berlin.

The record itself reminds us of classic Chicago House style music - claps, hi-hats and bass drums are neatly pumping their way into this nimbly track with its noisy attitude.

The remix delivered by Jarno Eerola is a playful deep house track, a chugging jazzy piece of music that shuffles along slightly dragged, demanding your attention with loud little surprises.

Jarno releases music under his alias Joe Le Bon and Aitokaiku and has now released three albums and various tracks on labels such as International Deejay Gigolo Records, Pro-Tez, Plastik.FM and Blumenbeat. His remix is a true evidence to his skills in the studio. On a side note, Jarno is not just a DJ and procuder, though - he is a tinkerer and a little bit crazy. He has toured conferences and festivals all over Europe and Russia, building audiovisual installations.

It’s an overall pleasure, having both Jens and Jarno releasing this piece on Dizzy Tracks and it’ll be interesting to see, whether there is more to come

Construction G - carefully selected tracks from Ki.Mi. to our new vinyl release.

Mastering by Kashatskikh Studio, Saint-Petersburg (RU)
Design & Illustration by Kirill Kashatskikh

"Live From Earth" is proud to present the highly anticipated album "Løvehjerte" by MRD who has spent two years putting together a collection of 10 songs that showcase his signature sound. This album is a dedication to his journey as a writer and composer, taking influences from new wave, post-punk, techno, and pop music.

Drawing inspiration from his experiences and nature's beauty, MRD has imbued his compositions with a deeper touch, creating a beautiful and introspective album. The title "Løvehjerte" pays homage to the Astrid Lindgren movie "Brødrene Løvehjerte," which tells a heart-warming story about brotherhood and perseverance. The themes of the songs are centered around experiences of breakups, lost friends, loneliness, new friends, and the constant pursuit of quality in life. MRD's melancholic yet captivating lyrics come from both real-life experiences and fiction, creating an emotional journey for the listener.

The album features collaborations with some talented artists who have contributed their perspective to the artist's sound. "TDJ" on "Memories Of You" was recorded in Canada, Montreal, while "Caiva" adds her beautiful vocals and saxophone solo to "Find My Way." "Narciss" also lends their magical production to "Midsommar," while the artist's good friend Kristoffer Scheie helped record the vocals and co-wrote the lyrics.

This latest work is sure to become a crossover sensation. Bridging the gap between Indie and Techno in a way only MRD can. MRD's album launch will be one of our highlights of this spring.

MRD has dedicated this album to his dog "Daffy“

Reissue of this italo disco rarity from 1984.

Bristol’s four-piece outfit Quade's debut album.

The first single ‘Of The Source’ will be released 4th October, alongside the album announce.
‘Of The Source’ opens in familiar territory for Quade, with distant drones and searching violin, before breaking down into perhaps the album’s most experimental track.

‘Nacre’ is the culmination of three years of work from the band, the blueprints of their songwriting and sound firmly established in the sprawling, haunting and yet hopeful record. Traipsing between gothic expansiveness and cosmic psychedelia, the record cannot be pinned down into one recognisable place. By the album’s close, the listener may be left wondering whether it was all a memory or a dream.

The recording and production of the record was collaborative, with the band drawing upon the services of Jack Ogbourne and Larry ‘Bruce’ McCarthy - two divergent pillars of Bristol’s music community - for engineering and mixing respectively.

Sebastian Heda's new EP is a auditory glimpse into the insides of the haywired central nervous system of a man machine. The opener DISSOLUTION takes no prisoners and sets the direction for this exploration in modular-made attacks from a dystopian future. Followed by no less than two great remixes by ARCHITEKTUR and CAREMAJOR. The next and eponymous track CV GUERILLA is at arms and aims at you with relentless, percussive drum fire and another well executed version by ENDLEC. Finally you get short bursts of radio traffic from a RANDOM SOURCE, leaving nothing but silence and a big grin on your face.

This new 2LP version of the album has been newly remastered in 2023 by Barry Grint and comes supplemented with the single A and B sides from the 1981 / 1982 era, including ‘Memorabilia’, ‘A Man Can Get Lost’, ’Torch’ and ‘What!’. Deluxe gatefold version of the album includes full song lyrics plus essay by Adrian Thrills based on new interviews with Marc Almond and Dave Ball.

RE.FACE LIMITED has come to its 9th vinyl output which sees label head Toguè finally releasing on his baby. The Italian DJ and producer delivers three club missiles within which sonic atmospheres and enchanted twisted synths are free to take the skies above heady grooves and bulbous basslines. The label also welcomes Berlin-based Lorenzo Chiabotti who enrich "Cosmic Echoes" with some modular magic and a pinch of pure Italian flavor.

Following the release of a number of EPs on Swiss, German, British and Australian labels, Trinidad will release their debut album ‘Palm Trees & Thirty Degrees’ on October 16th 2020.

The album draws on the Swiss-based trio’s experience of sustaining the energy of festival and club shows, while also providing the perfect background to a relaxed summer evening with friends.


The project provides an opportunity for the trio to indulge in a range of musical influences, blending together a mix of synthesizers with the haunting tones of a church organ, the warmth of a string quartet and regality of an opera singer. The album grew organically, with inspiration taking hold beyond the confines of the studio: the bonus track recorded with a Jamaican reggae singer in the back of a VW bus in Greece. Soundscapes from Colombia to India were captured and embedded.

With "Palm Trees & Thirty Degrees" Trinidad guide listeners on a journey to a tropical paradise; to a wonderful, perhaps peculiar place of confidence, created and shaped by the mental theatre of the moment.

The soft kiss of a warm breeze hits you as you adjust to your new surroundings ("Desembarco"); leaving the static chatter of your thoughts behind in the "Lobby" (feat. MonoAbe) of your mind; you allow yourself to imagine what the evening holds in store (“Kopfkino”); But first, there’s a drink in the “Sunset Bar”, a refreshing cocktail "Luciola" that serves as a gateway for you to plunge into the night. A night of unlimited possibilities, the first instances a blur ("Sagrada"), as time starts to lose its meaning ("Tempus Fugit"); everything spins, everything is possible, everything is ("Elevate"). Suddenly, hours (or is it days?) have passed – it doesn’t matter; what matters is the first sign of dawn, the unmistakable warmth dissolving the darkness (“Alma”); the beat slows, and you feel the "Libération" of the new day; looking around you see the moments you’ve shared etched on the faces of your friends ("Fleeting" feat. Julia Portmann); It is not goodbye, it is only "Au Revoir".

The album was produced by Trinidad in their own studios in Bern and Zurich. It features collaborations with a number of artists: Cornelia Aeschbacher Firmin (Hang), MonoAbe (Mallets & Percussion), Jack Williams (text of "Fleeting"), Julia Portmann (vocals), Zenyth (vocals) and Michael Meier (electric bass). The songs were mixed by Marcel Schneider, mastered by Benjamin Fay. Raïssa Lara Lütolf was responsible for the graphic design.

Happy to share with you our 4th release. We have on board a fresh producer who has been quietly making some magic. We are excited to welcome on board TRO a long collaborator and good friend. Machine workout for the heads!

For a change we thought we'd put out a Various Artists release from some Artists we really admire - Ireland, UK, Germany, Sweden & Netherlands are all represented here.

Appian stalwart O.Utlier continues to make mind-bending music and provides us with a mesmerising, cerebral Ambient track.
Bas Dobbelaer steps up with something beautiful, ultra deep and metronomic.
Tarik Hansen are Artists Ben Kaczor & Martinou who come together for the first time with this dubby, pulsating stomper of a Techno track.
Finally we welcome Kloor which is the new moniker of old hand Aural Imbalance who finishes off the compilation perfectly with something cosmic & shimmering.

Timeless cuts to suit all intimate dance floors.

The greatest dance hits from the past decades now again available on coloured vinyl! This series only contains the greatest dance hits from the 80’s, 90’s, 00’s and 10’s, in the original versions. Collected by decade on a seperate vinyl.

A ‘must have’ for any true dance-music lover!

Glasgow’s iconic and highly influential progressive house label Limbo Records celebrates it’s 30th anniversary. An incredible compilation across two 12”s in an expertly designed gatefold sleeve with a poster insert that takes a look back at some of the biggest tracks that graced the label over the past three decades.

A true collector’s item, showcasing the power and presence of this Scottish stalwart, lovingly remastered by Davie Forbes and reissued for a whole new generation of listeners. The compilation kicks off with Havana - Schtoom, the record that started it all given the remix from legendary Scottish duo Slam, before the party anthem ‘Buruchacca’ from Mukkaa aka Kiltie and Crichton gets a signature remix Apollo 440.

Elsewhere Gypsy hit with undeniably one of the highlight tracks in the Limbo catalogue ‘I Trance You’ and Sublime serve up another of Limbo’s classic releases, the dance floor banger ‘Transamerican’ which topped all the charts at the time.

Take to side 3 and you’ll find the second release on Limbo a percussive drum laden epic from Havana entitled ‘Shift’ that planted Limbo firmly in the must buy section of record shops across the UK. Another highlight on side 4 sees legendary Glasgow DJ Harri of Sub Club fame with his debut on Limbo – a superb slice of hard to house.

All in all, this is a serious slice of history that every collection should have nestled in its racks.

A new producer of expectations that won the Grand Prix at the audition of TDME (Tokyo Dance Music Event) released their 1st single from their label YL! It also released from Central Processing Unit. Original sound that combines industrial techno sound, voice and environmental sound well. Yuri Urano (a.k.a. Yullippe)
Born in Osaka in 1993.Her industrial techno sound and fascinating vocal is drawing a lot of attention from Japanese Techno Scene. She also has a solo project under the artist name 'Yullippe.' In January 2018, she participated "INTERLUDE from TDME" one of the biggest audition searching next generation of creators for electronic music, and won the GRAND PRIX. In April she performed with Ryoji Ikeda and RADIQ in Osaka. In September she released a single from CPU Records, and then released Reed from her eponymous label YL. She shows her talent in various musical fields. She produced music for TEDxKobe. She made an appearance at "The Star Festival 2017"(very popular Japanese Music Festival) as a secret DJ a.k.a "Ghost Selectors", and made a huge buzz.Recently, she performed several live shows in Europe, and is starting to gather global attention. Official Web Site

Heavener', the fourth album 2023 by the Port Neches, Texas, metalcore band Invent Animate. The release follows their most recent single 'Elysium', which earned praise from RockSound "an atmospheric and pain-staking piece of modern metalcore brute force", Wall of Sound, and Heavy Mag. Their 2021 EP 'The Sun Sleeps, As If It Never Was' 2M+ streams earned praise from HM Magazine "a powerful discourse on the ricochet effect of trauma and addiction", Wall of Sound ["dark in nature yet beautifully honest"], and Blunt Magazine. 2020 full-length 'Greyview' has 10M+ streams. Additional praise from Kill Your Stereo, Frontview Magazine, Chaospin, Distorted Sound. Released independently via Australia's leading heavy music label UNFD.

repress !

New Altinbas release on Observer Station.

Anna Calvis fesselnde und atmosphärische Kompositionen für der 5. und 6. Staffel von Peaky Blinders, der rekordverdächtigen BBC-Fernsehserie, werden über Domino Soundtracks veröffentlicht. Der Original Score umfasst 37 Tracks, die verschiedene Mitglieder der Shelby Company Limited sowie neuere Charaktere wie Oswald Mosley einbeziehen. Das Album enthält auch die zuvor veröffentlichten Originalsongs "You're Not God" und das schwungvolle "Ain't No Grave" sowie Calvis Cover von "Red Right Hand", dem Peaky Blinders-Titelsong von Nick Cave & The Bad Seeds.

High Roller Records, "camouflage" splatter vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, poster, Mastered for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2023.

Ltd Edition! Das Darkwave Elektronik-Duo BOY HARSHER aus Northampton, Massachusetts veröffentlichen nochmals ihre Katalog-Klassiker in verschiedenen Farben!

Cachetón is the new single by Rio 18. A slinky slice of ultra danceable outer space cumbia, it’s their first original song written in Spanish!
Recorded at London’s Total Refreshment Studios and produced with Capitol K (The Comet Is Coming, Ibibio Sound Machine), the song was mixed in Rio de Janeiro by regular Rio 18 collaborator Kassin (Jorge Ben, Caetano Veloso).
The B-side features an exclusive vinyl-only Elijah Minelli dub and Cachetón is initially only available on limited edition vinyl 7” single.

Transparent Clear Vinyl

First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-Super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness. Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)"). Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future." The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall's doomed, beautiful voice. The Dais box set includes the entirety of the rare Moon's Milk Bonus Disc CD-R / 2019 Threshold Archives Copal CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus MacLise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation - both sonic and bodily. From postindustrial to post-everything, theirs is an art untethered, in the wilds of its own design.

Red in Clear Vinyl. First compiled as a double CD in 2002, Moon's Milk (in Four Phases) is a suite of four EPs that Coil released seasonally via their in-house Eskaton imprint across 1998. The line-up for these sessions were John Balance, Peter "Sleazy" Christopherson, Drew McDowall, and William Breeze. Recorded primarily at their home studio in Chiswick, London on the eve of a permanent relocation to the small seaside town of Weston-super-Mare, the collection has long loomed as a pivotal and pinnacle work in the group's discography, but has never been officially reissued, or repressed on vinyl. Time has only ripened its tapestry of regal strangeness.Arranged sequentially in tribute to the equinoxes and solstices, Moon's Milk captures Coil at a revelatory crossroads, leaning deeper into improvisation, spontaneity, and sound design. "Moon's Milk or Under an Unquiet Skull" initiates the proceedings on Spring Equinox, a two-part netherworld organ séance woven from vocal drones, cathedral keys, seasick strings, and opiated undertow. From there, Summer Solstice skews lighter but no less incantational, with Balance embracing his voice-as-instrument across lucid dream torch songs ("Bee Stings"), purgatorial spoken word ("Glowworms/Waveforms"), sultry chamber pieces ("Summer Substructures"), and falsetto ravings ("A Warning From The Sun (For Fritz)").Autumn Equinox exudes more of a pensive and twilit mood, from the Rose McDowall-sung folk ballad "Rosa Decidua" ("I hear your voice sing near to me / I've put away the poisoned chalice (for now) / And lie down amongst the flowerbeds") to hall-of-lords hallucination "The Auto-Asphyxiating Hierophant" to the liminal string-plucked classic "Amethyst Deceivers," featuring excellent alien guitar by Breeze layered with Balance's oft-quoted couplet: "Pay your respects to the vultures / For they are your future."The album's final chapter, Winter Solstice, is its most swooning, remote, and ceremonial. Opener "A White Rainbow" stirs strings, layered choral vocals, and shivering rhythm into an imploding burial hymn. "North" oscillates bleakly, a ghost in the machine murmuring opaque prophecy ("This black dog has no owner / This black dog has no odour"), while "Magnetic North" is its inverse, a guided meditation of gently flickering software and surreal chakra poetics ("Red rose filling the skull / Yellow cube in the lower pelvis / Silver moon crescent below the navel"). The suite fades to grey with a traditional English carol ("Christmas Is Now Drawing Near"), rendered like an executioner's song by Rose McDowall's doomed, beautiful voice.The Dais box set includes the entirety of the rare Moon's Milk Bonus Disc CD-R / 2019 Threshold Archives CD, which includes three collaborations with Thighpaulsandra. This material is as rich and intoxicating as the previous four phases, ranging from electro-acoustic singing bowl rituals ("Copal") to dissonant electronic recitations of visionary Angus MacLise poetry ("The Coppice Meat") to ominous classical melancholia ("Bankside"). Once again, Coil confirm the vastness of their confounding, infinite alchemy, explored and refined across decades of experimentation - both sonic and bodily. From post-industrial to post-everything, theirs is an art untethered, in the wilds of its own design.

„Melt My Eyez See Your Future“ ist das bisher reifste und ambitionierteste Album von Denzel Curry. Aufgenommen im Laufe der Pandemie, zeigt Denzel sein Wachstum als Künstler und Mensch. Die Tracks, die aus einer Fülle von Einflüssen entstanden sind, unterstreichen seine Vielseitigkeit und seinen breit gefächerten Geschmack, der alles von Drum’n’Bass bis Trap umfasst.

Um diese Vision zu untermauern und die Bandbreite seines künstlerischen Schaffens zu zeigen, hat Denzel eine Vielzahl von Kollaborateuren engagiert und sich als einer der bahnbrechendsten Rapper der Szene etabliert.

Detroit’s Filthiest presents Oddly Satisfying, a collection of ghettotech, electro, and techno tracks never released on vinyl before. This collection showcases why he is the king of kings in the underground scene. Imitated but never duplicated.

French-Singaporean duo Dixia Sirong return for their third EP on Inner Balance, the sub-label of Chez Damier’s legendary Balance imprint. Breezy harmonies float over the tightest of grooves in a classy combination that has become the label’s hallmark. ‘Eight’O’Eight’ is a surefire hit while ‘Kashmere’ and ‘Yggdrasil’ will slot in with the best of today’s Berlin-London tech house sound. Closer ‘HK Side’ transcends subcategorisation, its piano and pads reaching for something bittersweet and timeless.

A record label specializing in cutting edge electronic music. Whether you are standing in the middle of the dance floor at a club, riding your morning commute in the train with your headphones on or finding new inspiration in the studio — music is able to completely break us from reality, providing a sense of warmth and comfort that gives us the energy to carry on. It is by this ethos that London-based DJ and artist Vass curates the newly-founded label The Comfort.

Gloomy futurism, sharp snares, enthralling melodies and rich basslines, Dj Lo-Tek’s is Sohrab’s alias for off-kilter hardware based jams. The debut release for The Comfort is a contemporary dance EP in four stages. Music made with basic equipment in a low life area of town that, surprisingly, is in itself not so basic at all. The record kicks off with “Bonus Beats”, a uplifting track that is sure to capture those special moments on the floor that you can’t put into words. It follows up with the A2 cut “Reznet”, going into more emotive territory, driven home by a powerful groove.

The flip side hosts “Powa”, the heaviest track on the EP, designed for peak time action: big, hypnotic and playful in all the right ways. Ending the record is the appropriately named italo-disco influenced “Amber Haze”, a showstopper for intimate and bigger rooms alike.

The Brazilian Singer Ed Mottais one of the greats in Jazz / Funk, not onlyin the South American Music-Scene, but world-wide.He has been one of the leading artists at the forefront in Brazil with a hugefollowing in his Home-Country and around the world With his new album "Behind The Tea Chronicles" he embarks on a new musical journey, crossing genres from Jazz to Funk, over to Soul. Having worked with many renowned musicians over the course of his career (Greg Phillinganes, Chucho Valdez, Roy Ayers and many more) he established his own style of creating music with a message. On this latest album Ed Motta is singing in English, telling stories that resonatewhich a broad audience. Recording the rhythm in Brazil, backing vocals in LA -featuring the legendary Paulette McWilliams and Phillip Ingram - strings in Prague and horns in Detroit, he worked with the best musicians he could find to find an astonishing sound, that will be recognised by the audiophile audience as top of the class. Being recorded with the highest standard, Ed Motta made sure to raise the bar once more.

Repress.

With Floorplan, Robert Hood blends techno elements with disco, house and soul to create a real party vibe. He first introduced it in the mid 90s with 'Funky Souls', originally on his own Drama sub-label but re-released last year. While more recently his 'Move It' track as Floorplan was a major highlight on EPM Music's 10th anniversary compilation, 'EPM10'

Anticipated by the "Soul Drum" 12" EP (SCEP507, 2022), Gerardo Frisina's new double record "Joyful Sound" represents as usual another step forward inside his indefinite travel towards new musical paths. A journey made of wisely distilled notes, bright and sometimes mysterious atmospheres, harmonies that wander through shadows, silences, lights. A chameleonic Gerardo enchants with every release, mixing jazz, Latin, Afro-Cuban sounds, oriental fragrances, electronic beats, tribal percussions, funky variations and, dulcis in fundo, elegant symphonic arrangements with refined mastery.

The first solo excursion on Half Grand Records comes from label boss, Jon Doppler. Clocking in at 37 minutes, this collection plays more like a mini album than a 12”.

The Artifact is full of the cavernous electro vibes that Doppler hinted at on the previously released compilations from the label. And if this record is an Artifact, it belongs at the bottom of the Mariana Trench with its alien percussion and deep, fluid bass.

It’s hard to pick a favorite as any one of these tracks would add atmosphere and color to a set. “Sapphire” sounds like it would perfectly underscore the discovery of an ancient Atlantean civilization. While Tar Like Gold’s driving, arpeggiated basslines and vocal samples “tomorrow holds the key” look to the future.

Take a listen and see for yourself, there’s a lot to love on this one.

For fans of Morphology, CPU records, Versalife

When Leo Pesci submitted his outstanding nujazz LP, ‘Impolite’ to Jo at Ramrock Records, there was absolutely no hesitation in saying ‘yes please’ to his refreshing, contemporary collection of tracks which aim to transcend the limitations of genre and speak out on matters that are unpalatable and difficult to swallow. Leo addresses current global issues such as politics and corruption, climate change and overpopulation, capitalism and the misery it brings to society, but also toxic masculinity and relationships.

This is Leo’s first new release since his highly acclaimed EP ‘Community’ in 2021, which featured well-known artists of the London jazz scene like Jas Kayser, Ella Knight, Nicola Guida, Johnny Woodham, Simon JNR and Dani Diodato amongst others. ‘Impolite’ continues


to steer the listener through Jazz, HipHop, Soul, Alternative R&B and Rap with some exceptional collaborations featuring 15 different jazz/hip hop artists including Jackson Mathod, Moeazy, John Swana, Dylan Jones, Jay Phelps and Tendayi to name but a few.

If there's one specific component that grounds 'Sky Flesh', it's focus. Italian musician and sound designer Marta De Pascalis flexed her technical muscle on 2020's 'Sonus Ruinae', layering various sounds and processes in an attempt to touch the sublime. In contrast, 'Sky Flesh' is a single thought, composed using just one instrument: the Yamaha CS-60. A slimmed-down sibling to the gargantuan CS-80 - the analog synthesizer used by Vangelis to create his iconic 'Blade Runner' score - the CS-60 was released in 1977, a few years before the MIDI protocol was introduced to help standardize production methods. MIDI would change the electronic music landscape completely, offering a level of control that De Pascalis consciously relinquishes, preferring to highlight expressiveness and timbre, elements more readily associated with acoustic instruments. The album arrives as much of the wider experimental scene busies itself with algorithmic composition and AI-assisted modeling; De Pascalis chooses to work instead like an organologist, harnessing the CS-60's mercurial magic to suggest deeper truths about our evolving relationship with machines.

Currently based in Berlin, De Pascalis grew up in Rome, where she was surrounded by atrophied ruins that piqued her interest in decay and memory. Over her last three albums, she used tape loops and advanced synthesizer techniques to create a unique sound world that's guided by her musical philosophy, rather than a specific aesthetic. As she's developed her technique and confidence, her music has become even more idiosyncratic, and at this stage in her career she's stripped her sound down to its core elements, focusing on emotion, narrative and mystery. Using timbres that recall a time when electronic music still waved towards the future

Attracting attention from world-renowned DJs such as Daniel Bell, Rhadoo, Brawther, Samuel Deep and Mariano Mateljan, Nagoya based label RICE will be dropping it third edition. With high expectation, this third edition is a solo EP that will be a debut by Masa, a track maker who also works as a live duo Shibamasa with Shiba whose work previously released from Rice. Gradually builds up base with a bottom, bounced hat, unique synth and voice samples as A side. Rhythmic B side pulls while driving with fluffy shuffle and tricky tone. Both are bouncy DJ friendly tracks which are compiled fully with fun and ideas.

ME LOST ME led by Newcastle-based artist Jayne Dent announces a new album RPG via Upset The Rhythm on 7th July, and is touring across the UK including support dates with Pigs x7. RPG (recorded in Blank Studios with Sam Grant of Pigs x7) is ME LOST ME’s fourth outing as a collective, having transitioned from an ambitious solo project in 2017, Jayne now regularly collaborating with acclaimed North-East jazz musicians Faye MacCalman and John Pope.
ME LOST ME delights in experimenting with songwriting and storytelling, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully weave together disparate genres, drawing influence from folk, art pop, noise, ambient and improvised music. Hauntological in part, RPG is concerned with tales and with time - are we running out of it? Does insomnia cause a time loop? Do the pressures of masculinity prevent progress? Jayne Dent asks these questions and more on RPG, her homage to worldbuilding and the story as an artform, calling back to those oral traditions around a campfire, as well as modern day video games - bringing folk music into the present day as she does so.
ME LOST ME presents sound reaching in opposite directions, straddling time towards the archaic and timeless traditions of folktales, and towards the possible and potential futures of pastoral Britain and the world at large. Part speculation, part reminiscence, what results on the new album RPG is music that sounds ultimately displaced and yet omnipresent, adjacent to a hapless Vonnegut hero whose life is scattered throughout time and history, but full of wonder and curiosity rather than fear.
On track “The Oldest Trees Hold The Earth”, we see time stretched out between the branches of impossibly old beings in the woods. This track was co-written in Aarhus, Denmark with fellow Newcastle folk musician (with Danish heritage) Ditte Elly. The pair wordlessly passed a sheet of paper between each other to write the lyrics, inspired by Højbjerg and Mosegård, the woods they were sitting in. “How long should I wait/Before the moss grows?/On my skin, on my outstretched arms,” the lyrics are sung in a round, the close harmonies delicate and detailed.

A central thesis of this album is the joy of creation, something which is paid homage to in the album’s final track, “Science And Art” (Not because we need it to last/just because we needed to make it - so we invented the words/this language). It is also reflected in the definition that Jayne gives for “folk” itself. She comments, “To me, folk is quite an expansive idea. I think of it as creative work that's often made ad-hoc, with things that are at hand and more often than not it's born of a DIY ethos. It is songs and stories of the people, as in the traditional sense, but also creative coding, game design etc. Whatever outlet someone has for their creative expression could be described as folk. It's the things we make because humans need to make things, and the stories we tell about ourselves and the world around us.”
Crucially, on latest album RPG, Dent expands her songwriting and looks towards the unreal locations of worldbuilding in video games for inspiration. She comments, “I think the main similarity is the importance of a song's setting/environment to inform its narrative and textures, I'm often most inspired when out walking in the natural landscape, in cities and travelling to places I've never been before - the environment I'm in really impacts the work I make. While writing this album, however, I found myself inspired by imaginary landscapes, those in video games, paintings, etc. I was writing stories into these unreal locations instead. Even the songs inspired by real places, like The Oldest Trees Hold the Earth, have a very surreal quality to them in the songs, like they're being warped and turned into something not of this world. I think that's the main difference for me in terms of the thematic content and inspiration behind this album - I've been getting more and more interested in balancing surreal and fantastical environmental elements with ordinary and everyday settings.”
RPG upends the concept of the eternal return - we may be in the midst of inevitable repetition, but we tell stories whilst awaiting the passage of time.
"Being familiar with, and a fan of Jayne's earlier work, it was great to get the opportunity to work with her on the production of her new record. I had in mind a sense of what the record might be, but what came of the sessions, led by the vision Jayne had for the record, totally exceeded my expectations. As far as albums go, it has a breadth of writing and a sonic depth that made it a truly brilliant record. Having Jayne join us on a leg of the Pigs x7 tour in April is going to be ace. The creative nature, the sincerity and bold strokes of ME LOST ME put it in that space outside of any genre pigeonholes, and between our two sets I imagine the audience is going to have a proper sonic bath..."
Sam Grant, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 2023
“The music of Me Lost Me is beguiling, idiosyncratic and cinematic - or should that be video-game-omatic? This suite of songscapes often hits the sweet spot between ancient and modern with its masterful blend of stark folk, neon electronic burbling and unusual arrangements. Jayne's singing is refreshingly straightforward and nuanced - it's exquisite! - and perfectly punctures the nebulae of synths and brass which billow around the old wooden frames of the songs. Whilst listening I had images in my mind of what Northumberland might look like through the eyes of Simon Stalenhag - foggy moors, a robot looking across the sea to Lindisfarne, twinkling lights on metal towers.... that sort of thing. It's a really great album.”
Richard Dawson, 2023

We’re happy to announce our new 7”, a collaboration between producer Ojah and Jamaican singer Clive Hylton.

The A side contains the track “Always”, featuring Clive Hylton on vocals, who delivers a timeless reggae track. Clive Hylton (a.k.a. Colour Red) is a veteran Jamaican singer who amongst others worked with Lee Perry at Black Ark Studio back in the day.

On the B side we find the track “Always Dub”, a dub version mixed live by Ojah that takes us into a different territory, making the listener appreciate sounds and layers that were half hidden on the vocal version.

We are also releasing a melodica version called “Forever” (ALDBS7018) over this riddim, featuring Nik Torp from The Specials.

Hand-stamped and served in a thick custom reversed kraftliner sleeve.
Produced by Ojah, recorded at Alchemy Dubs Studio, London, U.K.
Vocals and lyrics by Clive Hylton, recorded at Yaad A Fame Studio, Kingston, Jamaica.
Mixed by Oscar Pablos “Ojah" at Alchemy Dubs Studio, London, U.K.
Mastered by Oscar Pablos at AD Mastering, London, 2022.
Graphic design by Victor Castro.

all rights reserved

Producer, DJ, and Vancouver Saint-Of-Techno Jodie Overland conjures a storm on her Garmo debut. Inspired by the namesake oceanic phenomenon, King Tide is a relentless, visceral smattering of hi-tech bass crossovers designed for maximum impact.

RNN001 - Ronin 01

Slave featuring Steve Arrington is being reissued on vinyl for the first time since it’s 1978 release. After the successful reception to Rhino's Zapp and Roger - All The Greatest Hits release for Black Music Month, Rhino has got another excellent and unexpected addition for any funk collector!

Arguably the hottest of the '70s Ohio funk bands, Slave had an incredible run in the late '70s and early '80s. Their best tracks were lyrically simple, but the arrangements and rhythms were intense and hypnotic. Some of their top hits include "Just a Touch of Love" in 1979, "Watching You" in 1980, and "Snap Shot" in 1981 – which you can expect to hear on this new reissue.

Die legendären RED & BLUE Compilations der Beatles gehören seit fünfzig Jahren in jeden Plattenschrank und jedes CD-Regal. Um die Veröffentlichung des letzten Beatles-Songs "Now And Then" zu würdigen, erscheinen am 10.11. Neuauflagen mit erweiterten Tracklists im neuen Stereo- und Dolby Atmos Mix. "Now And Then" ist die Fertigstellung von John Lennons Gesangs- und Klavier-Demo aus den 1970er Jahren.

Sowohl neu eingespielte Parts von Paul McCartney und Ringo Starr als auch alte Gitarrenaufnahmen aus den 90ern vervollständigen das emotionale Stück. Das RED Album („1962 – 1966“) wird mit 12 neuen Songs ausgestattet; mit dabei sind einige von George Harrisons frühesten Songs sowie Beatles-Versionen von R&B und Rock ’n’ Roll Hits, die prägend für die Band waren. Auf der BLUE Version („1967 – 1970“) werden 9 zusätzliche Songs zu hören sein, unter anderem auch "Now And Then".

Erstmals auf Vinyl: Das zweite Album UNION (2009) der britischen Indie-Rock-Band The Boxer Rebellion mit der Single 'Evacuate', das My Morning Jacket von Platz 1 der US-Alternative-Alben bei iTunes verdrängte und zum ersten Album einer Band ohne Vertrag wurde, das nur als digitale Veröffentlichung in die Billboard Top 100 Album-Charts einstieg. Limitierte, remasterte Auflage auf bronzefarbigem Vinyl.

Erstmals auf Vinyl: Das dritte Album THE COLD STILL (2010) der britischen Indie-Rock-Band The Boxer Rebellion, produziert von Ethan Johns (Kings Of Leon, Rufus Wainwright, Ryan Adams) in Peter Gabriels Real World Studios. Limitierte, remasterte Auflage auf waldgrünem Vinyl.

Limitierte Neuauflage des 2013er Album PROMISES der britischen Indie-Rock-Band The Boxer Rebellion auf seeblauem Vinyl. Produziert von Billy Bush (Garbage, Fink, Slothrust), gilt es als erhabenes Hi-Fi-Werk, das den epischen, charakteristischen Sound der Band wie nie zuvor zum Ausdruck bringt.

- 'The Boxer Rebellion have once again delivered a set of yearning rock anthems, full of searing romanticism and brooding atmosphere, and the release ranks as one of their best.' - allmusic

This pairing was slated to be Event 218 in late 1974, but as no copies have emerged, it can be assumed that the single was pulled. It is hard to know why, but judging by its rarity the Anderson Brothers GSF release of ‘I Can See Him Loving You’ was a commercial failure - perhaps Event didn’t want to suffer a similar fate.

This reading of producer Ray Dahrouge’s song is more soulful and vital than the Anderson Brothers which was huge on the Northern Soul scene, but without this take for competition at the time.

Maybe the steamy finale to the Mayberry’s version was a bit too much for radio play, but surely the brilliance of the ballad A side would have compensated for that. Their loss; our gain.

The Syphons are the house band at Suit Yourself Music, a collective of exceptional musicians. This is their first release and features Darrell Smith. In 2024 there will be a series of releases with The Syphons featuring other artists and vocalists in the genres of Soul, Northern Soul, Acid Jazz, Mod Jazz, Rhythm & Blues.

All these releases will be new compositions taking inspiration from the original artists in these genres, but ‘Respecting The Architect’ by taking influence to pen new music rather than cover versions.

Infidel Bodies is proud to present the next release signed by Turvia, an Argentine artist who surprises us with an album composed of 12 tracks that interpret a journey through the most complex minds and the darkest corners of experimental electronic music.

You can't always portray "Orwellian" situations that donʼt have traces of reality. That is the case of a dystopian place, a non-emancipated and dependent population that donʼt fear power ... but something worse:
resigns itself or praises it in search of a precarious subsistence.
Nobody is going to raise their heads, nobody is going to try to raise their voices.

The Mind Of A Mind Handler goes from a resident narrator to an orator of power.
From resignation and anger (The Owner Gives The Owner Takes)
From the tireless repetition of the same obeisances, the same desires, the same fears (Repeating The Myth, A Path To Delusive Heaven).
From the submission, the complete surrender waiting for that something in exchange, forgetting the dignity (Choose The People, As We Bow Down). From cynicism, the pride of consolidated power, the reduction of all to simple entities that only add up when they are summoned to certain expressions (A Handlers Smile, Relentless Pursuit Of Power, Numbers And Indifference, Subnormal).
From the recognition of the dramatic of the present, of the past that is repeated, of the future that is no other than going back to the past to repeat it in the present and reproduce again...to be the object of the mind of a mental controller. (Drama, Paradise, Wake Up In The Hands Of) Living through this in modern times may seem like an anecdote, especially if you do not suffer personally...you can even think that it is just a metaphor, a literary lie to talk about oppression. But it is real. That's why this album exists.

Repress on black vinyl, comes in Flatlfife label sleeve.

The 4th acid compilation is definitely a collectible! With an explicit track from Eat Static which is produced back in the 90s and has that oldschool goa touch and rave breakbeats - we love it!!! 303 Airline has his tribute on Flatlife with an excellent pounding acid techno banger which can be played loud in clubs. Together on the A-side with DJ Wank; a great acid techno producer from Sweden; pounding driving acid techno. Then last but not least; label owners Jack Wax (Flatlife Records) & Sam C. (Dosis Decibel / Cat in the Bag) team up; with this excellent dark acidcore track "Missing" - which is the 1st track they ever created together!! 4 styles of acid again on 1 vinyl! Enjoy this one!!!

Housed in a label sleeve and comes on solid blue and yellow mixed vinyl.

Systema Naturae is the first compilation of 012. It is inspired by and takes the name of one of the major works of the Swedish botanist, zoologist and physician Carl Linnaeus, dating back to 1735, which broadly describes the hierarchical classification of the natural world. The series consists of three parts, each containing four tracks, where several artists are invited to recreate, with sounds, a deep reconnection with nature. Original artworks by Ciredz.

Full steam ahead! Put on your dancing shoes and jump aboard The Disco Express as the much-loved London label unveils its hugely anticipated ‘Best of 2023’ compilation. Featuring seven original dance floor weapons, this electrifying compilation encapsulates the most unforgettable tracks from the label this year.

Pressed on limited edition gold vinyl, Best of 2023 seamlessly blends classic funk and soul elements with cutting-edge production. A brilliant fusion of established and emerging artists, the compilation boasts a truly stacked line up of talent; celebrating the vibrant spirit of The Disco Express whilst perfectly infusing modern twists, optimised for contemporary dance floors.

Whether its Dave Lee ZR's epic disco edit of 'Give Me Your Love', Michael Gray's dubbed out remix of 'Be Yourself' or the Art of Tones remix of 'Giving Nothing', Best of 2023 is a pulsating ride of 'Original Disco Music for 21st Century Dance Floors'.

Flipping to the B-side you'll find rising star Magnolia and his buoyant soul bouncer 'Believe In L' featuring stunning vocals by Mani Hoffman (Starlight) and Million Miles. Generoco's 'Disco Jazzin' oozes in top quality, improvised jazz funk and Alastair Lane takes the tempo up a notch with his compelling and mysterious synth-tinged, disco house odyssey 'Disco Maléfico'. Elegantly ending the Best of 2023 vinyl is Parisian and AOC Records affiliate Georges with his truly sublime string laden disco groover 'Love's Away'.

Support from: Nightmares On Wax, Horse Meat Disco, Danielle Baldelli, Dr Packer, Severino, Yam Who?, Husky, Jaegerossa, Mousse T, Young Pulse, Hotmood, Rayko, Hifi Sean, Moodena, Jimpster, Faze Action, Hot Groovy Records, Fingerman, The Silver Rider

With J Jazz volume 4, the BBE J Jazz Bullet Train continues its journey traversing the expansive landscape of modern Japanese jazz. Volume 4 is the latest in the universally praised compilation series exploring the best, rarest and most innovative jazz to emerge from the Far East. Please take your seats for a first-class ticket to J Jazz central. This latest station stop off is with the famed Nippon Columbia label, one of the biggest labels in Japan, whose jazz output embraces every possible style imaginable. Focussing on the key years 1968-1981, J Jazz volume 4 sees compilers Tony Higgins and Mike Peden dig even deeper into their record collections and pull-out tracks that span styles ranging from solo to big band, jazz classical interpretations and heavy jazz rock, to febrile post-bop, white hot samba fusion, and modal psychedelic wig-outs. J Jazz volume 4 features icons such as drum master Takeo Moriyama, keyboard magi Hiromasa Suzuki, Fumio Itabashi, and Masahiko Satoh, and guitar wizards Kazumi Watanabe and Kiyoshi Sugimoto, alongside big band maestros and innovators Nobuo Hara and his Sharps and Flats, and Toshiyuki Miyama’s New Herd. Thunderous basslines nestle alongside glistening runs of electric piano, bubbling synths and air-tight drumming as the heavy psychedelic modal blues of Jiro Inagaki flows with the infectious samba grooves of Takashi Mizuhashi featuring Herbie Hancock; Shigeharu Mukai’s fusion funk epics take the music to another level and Mikio Masuda’s driving keyboard rhythms brings the heat to an incendiary dancefloor zone.

All Italo lovers love Vivien Vee, where “Americano” and ‘Give Me A Break” are considered to be true Italo classics. Now, “Grandmixer” Ben Liebrand has remixed Vivien Vee’s “Wanna Feel” completely in 80’s style, with a wink to his famous 1984 remix of Valerie Dore’s “The Night”!

Conveniently, this release further features the famous bonus beats separately, so, “where the music stops, the beats continue”. For your mixing pleasure!

This High Fashion Music release further features the Ben Liebrand remix of “Gotta Go”, and Vivien Vee’s long unavailable extended version of “Higher”.

Taken from the original master tapes, superb remixes ‘Ben Liebrand-style’, and a must for all Italo-Disco lovers!

Four Devastatingly Precise Workouts From Two Of Portugal's Leading Techno Talents, Vox99 And Vil, Drawing On The Sound Of Late-night (and Morning-after) Raves At Some Of Lisbon's Darkest Venues. The Dub Techno Moods Found On 'sqs1' And 'sqs2' Are Split By Their Differing Sense Of Space, The First Claustrophobic Where The Second Expands. 'suli's Tiger' Is The Grainiest Cut, While The Loopy 'not Proud Of My Behaviour' Provides An Unashamed Hands-in-the-air Moment. In Other Words, An All-round Killer. Early Support By Dvs1.

Yogg signs his first solo ep to non series white. Excellent, fresh, impactful techno weaponry.

Limited copies of this John T. Gast (Apron, Planet Mu, Blackest Ever Black etc) project from 2017 - originally released on a hyper limited CDR. Now on vinyl for the first time featuring all the original tracks
Special stuff from this shadow dwelling soul. Really killer.

Arto Lindsay's 7 Types of Ambiguity - A Parade is a stereo mix of an original sound installation that was installed at ECAL / University of Arts and Design, Lausanne, Switzerland, in 2022 as part of a research project led by Thibault Walter and Stéphane Kropf called Phantom Power. The idea was simple, and yet the process and level of collaborative work implied was enormous: how to recreate a carnival parade -of the kind Arto had witnessed in the streets of Bahia in Brazil numerous times- inside a white cube and using only sound. How to replicate the complex intrications of those stories, heard or fantasized, the smaller blocos of musicians crossing the path of blasting sound systems mounted on trucks, those religious rythmes mingling with popular traditions, class and race struggle at street level " prime example of the proximity of sexuality and religion, of tradition and novelty and a place for true social innovation " and the effect it all has on the bystanders that are completely part, or even become the subjects of the whole?
Arto went to Salvador de Bahia with a narrative of a parade in his mind, and recorded excerpts in a terreiro, a temple of Afro-Brazilian religion, with four musicians leader of blocos, three of which he had previously worked with. Those mixed tracks were crafted into a sound sculpture directly in the room in Lausanne on a 27 channels immersive installation, adding layers of meaning within the room itself, hallucinations, weather patterns or places, like when the parade stops during a rain shower or gets so close to the ocean as to lose the sound of the percussions in waves.
This 26'30'' composition was later remixed, the spiral of speakers on the floor of the room engraved on a vinyl, and the position of the listener defined for your experience of this record, Arto Lindsay 7 Types of Ambiguity - A Parade, out on February 2nd 2024 on No Salad Records.

We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.

Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.

Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.

This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

Canadian bowed guitarist and multi-instrumentalist C. Diab announces his fifth album Imerro, out February 16th, and presents the trip-infused lead single 'Lunar Barge'.

(Real name) Caton Diab creates soundscapes that evoke the spectacular wilderness of his childhood home in northern Vancouver Island. Incorporating experimental textures, folk overtones and tape manipulations, C. Diab uniquely finds the unseen spaces in-between, and fittingly dubs his creations "post-classical grunge". Imerro explores new sonic realms and is the culmination of a sound world that Diab has built up since the critically acclaimed 'No Perfect Wave' (2016, Injazero) and subsequent releases 'Exit Rumination' (2018), 'White Whale' (2020) and 'In Love & Fracture' (2021). The Wire calls it "ambient music in the best sense - music for living, which can be both non-invasive and immersive...epic"

Imerro was recorded in late July and August of 2021 at Risque Disque Studio in Cedar, BC, during the summer's unprecedented second "heat dome", which saw temperatures soaring to over 40 degrees. Recorded with regular collaborator and engineer Jonathan Paul Stewart, the pair journeyed by boat to the studio to a place with minimal distraction with a plan of "simple ecstatic improvisation." Diab explains: "I wanted to place myself in a space for creation with little thematic pretence, with the belief that music 'shows its face' as you move along. I would pick up an instrument, whether I had experience playing it or not, and make a sound. If it wanted to be played, it would play."

The Cobblestone Jazz trio team up with kindred spirit The Mole for a double single of cascading grooves and stretched-out club burners.
It’s been over 20 years since the first Cobblestone Jazz EP, and Danuel Tate, Mathew Jonson, and Tyger Dhula continue to unravel expectations, creating outside-the-box rhythms and shifting, explorative musical structures for the dancers. It’s an approach that has seen them play countless shows at festivals and clubs around the world, while reinventing their style on the fly, and whipping up a timeless blend of classic and modern sounds.

For this single they're joined by friend, bandmate and hypnotic discotheque collagist The Mole. Hip Waders comes from one of the group’s long studio sessions, and this gem of a jam was laid to tape after a couple days of playing. Usually the group likes to set the studio up first (tuning the room, picking their instruments and setting up the patch bay), before exploring and recording musical ideas over the rest of the week. Although bouncing along at 120bpm, Hip Waders still strides into deep waters, courtesy of jazzy, tremolo chords that ripple across its skittish electronic groove, which constantly unfolds across a full 13 minutes.

In contrast, the B-side isn’t so meditative, but rather more classically arranged, and sprinkled with some live passes over the top. Does Yo Mama Know ups the tempo and rolls along on a broken, garage rhythm, before a sweet descending organ progression pulls the pulse into tighter focus. The title is in fact a nod to the Hollywood club that West Coast house pioneer Marques Wyatt did in the mid ‘90s - all about the music and sound, no lights except for those of the 1200s, and a killer vibe.

In this way, the 12” is split along true Cobblestone fault lines - a contrast of long-winding and concise, macro and micro, vintage yet (re)inventive. Cobblestone Jazz and The Mole find the pocket as they always do: those coordinates somewhere between the dance music of the past and the present, while adding a twist to create new, forward-looking versions.

David Meiser's work chosen by Dave Clarke for his top ten of 2013 and supported too by Oscar Mulero, Surgeon, Exium, Christian Wunsch, Black Asteroid, Claude Young, Ritzi Lee,...

In 2014 releases a back to back work with Black Asteroid which gets remixed by Dave Clarke, becoming the first Spanish artist to get a remix from the Baron of Techno.

About this EP:

- "Pressure" enhances the purity of the percussion sounds, making a complex and dense track based only on the accumulation of simple rhythmic patterns.
- "Zero Decibels" is the game of getting close to the maximum sonority signal 'zero decibels' by breaking the drive of the hypnotic arpeggio sounds with a distorted, and stunning bassline that reminds the meaning of the dancefloor Techno.
- On the B side amazing remixes of "Zero Decibels" from Damon Wild and Peter Echoplex complete the EP. Damon sharps the hypnotic synths even more with a smart development, making a perfect version to be mixed. On his turn, Echoplex adds an incredible enveloping atmosphere that introduces the original version into a world of pure darkness and energy.

Some records you play so often that the sound will get worse and worse then when you actually want to grab a backup copy, it's frickin expensive....

Not Anymore!

Here we go, lucky number 3 we have Stefan Willenegger aka DJ Mastra with his Foyer EP, a nice blend between Tech House and Techno.

Give it a listen, you surely heard it in a club near you!

* As one of Chicago's most mysterious and revered characters, the story of Gemini, aka Spencer Kincy has become something of a myth in recent years - blazing a trail throughout the 90's, prolifically releasing over 200 tracks from 1994 to 1999, Spencer's music had shades of innovation and soul few of his peers could match. Then, suddenly, at the peak of his career, he disappeared.

* Anotherday are very proud to bring you the reissue of Gemini's most complete and varied album - 1997's 'Imagine - A - Nation', originally released on Cajual subsidiary Relief. You know the music - every track is on youtube, or you have picked up one of the very expensive original pressings on discogs, but here it is, in its fully re-mastered glory!

* Rumours and gossip of Spencer's whereabouts and situation have been rife in the music press, and rarely on the money. Spencer is alive and well, and wants his music to be heard. This album has been licensed directly from him, and the money made from its exploitation will go directly to him.

*Repress*

This is without a doubt the release that we are most often requested to reissue. Originally released in 1998 as the single ‘So Now…’ taken from Herbert’s influential ‘Around The House’ album with a collection of b-sides. In fact it plays more like a quadruple single release as all four tracks could easily be an A1 in their own right.

The only shake up from the original 12” is that the now seminal track ‘I Hadn’t Known (I Only Heard)’ sits up front having grown over the years from a little known b-side to one of the most played out club tracks from the pioneering producers huge back cat, as near a perfect piece of jazz inspired deep house that you are going to hear.

The Cryovac machine is maintained and operated by A. Garcia. The components that make this machine function are the artists that push their creations forward to seal off their own vision of the now. What is preserved is the character of a craft that follows its own path. Cryovac believes sound vibration released from vinyl has the proper disposition to express the true nature of the Cryovac approach, and only selects the best vinyl when manufacturing and inspecting its' product. The Cryovac machine's purpose is to keep an independent view of the Detroit sound.
Jason Garcia is an international D.J., producer, and house music aficionado. His production runs the gambit of genres with a knack for injecting his smooth character into each work. For this effort Garcia has chosen to represent himself with a house style that is truly pimp heroic. Jason Garcia will forever have people in the Detroit underground.

LTD Edition!

Nach seinem letzten Album Singularity und der kürzlich erschienenen Piano Versions EP - nicht zu vergessen die Meditations-Stücke aus dem Jahr 2020 - beschreitet Jon mit Music For Psychedelic Therapy, wie der Titel schon vermuten lässt, klanglich und philosophisch einen neuen Weg. MFPT umfasst Jons Reisen durch geografische und kosmologische Spektren und ist eine unnachahmliche und allumfassende Reise an und für sich. Jon Hopkins erklärt: "Like everyone, I went through a lot of intensely heavy stuff in the last year. Somehow this music flowed through me in that time. I honestly have no idea where it came from - the whole creation process happened in something of a trance. I felt driven by a force way beyond myself and it was unforgettable…."

Format: 140G durchsichtige 2LP im Gatefold Sleeve inklusive Downloadkarte

Auf dem 2002 erschienenen Album "Some Boots" lotete das Bostoner Indie-Rock-Trio Karate die Tiefen ihrer omnidirektionalen musikalischen Erkundungen weiter aus. Jeder Akkord und jeder Beat vertieft die Nachdenklichkeit von Geoff Farinas impressionistischen Texten, die die emotionale Komplexität der Nostalgie erkunden. Die LP mit acht Songs ist in einem Klappcover untergebracht und enthält eine Replik des Textblatts.

Onloop is excited to welcome Ketiov to the label for his debut release.

Speaking of the release, Ketiov says:

"Late Night People" is dedicated to everyone working hard in the club industry. To those who are pushing boundaries, moving things forward, and trying to make a change for the better. It’s a record for all the DJs and passionate dancers who bring the music to life on dance floors around the world. I wanted to make a 4 tracker EP with an old-school approach and have all 4 tracks very accessible and playable. You can play them and mix them together however you want, tools you can drop in any moment of your set.”

Heavy support coming in from Midland, Leon Vynehall, Shanti Celeste, Roi Perez, Partok & of course Moxie herself.

We make a return to the musical world of vinyl with a 4 track release of sublime musical proportions which comes courtesy of Lena C; who's Promenade E.P. transcendences the Smokey basements & subterranean dance floor dwellings we often inhabit. It's all aboard the Zen-Express for this release that incorporates the musical & cultural influences this French born (but now Hebden Bridge based) DJ and music producer has experienced so far on her journey.

Each vinyl is individually numbered and has hand stamped centres with a screen printed sleeve featuring artwork by Luke Martin along with an insert featuring an original image by French photographer Coralie Monnet.

Shokran (from the Arabic 'Shukran' meaning 'thank you') is a breathy affair with hooky arp lines and a chest warming bass with almost playful synth lines joining in along the way. Percussion keeps up the chug factor but never derailing from its beauty.

Haku takes in the sounds of Japan with a hypnotic bass melody wrapped around soft synth stabs, soothing strings and a dream inducing percussion arrangement which when all wrapped up together is destined to be played/heard in the sun with waves crashing, breeze blowing & a mental reset taking place.

Breeze blows in (see what we did there?) & continues to take us into the unknown and cranks the audible wonderment up to 11.
A broken beat carries spaced out synth lines & bass melody with skippy percussion which all sounds like it would be frantic but in Lena's hands its a perfect delivery of aural beauty.

Azur closes off this trip in perfect harmony and we'd maybe even book this under the 'balearic chuggers' category (though the jury is out!). Hooky melodies with a warped vocal sample (which we think is Lena but she swears it isn't!) and some truly uplifting synth & pads make this the only way to close off this stunning E.P.

Day Of Action sees Low Order reinforcing his vision of unrelenting techno-realism. Knowing the Tel Aviv producer’s general direction, it shouldn’t be inherently shocking that his latest 5-track EP comes storming out in radical fashion, immediately punching one in the face with its blunt, incredibly heavy bassdrums. Text by Benedikt Eiden (Lärm & Gestalt ).

Transparent Purple w/ Magenta Double High-Melt and Magenta w/ Purple Double High-Melt Colored Vinyl.

Das 2010 erschienene Album „Pyramid of the Sun“ ist der Meilenstein von Maserati. Es war die letzte Aufnahme der Band mit Schlagzeuger Jerry Fuchs, die ein Jahr nach seinem tragischen Tod fertiggestellt und veröffentlicht wurde. Es wurde zu einem der wichtigsten Alben der Band und ist nach wie vor der Grundstein von Maseratis legendärem Katalog. Als letzter Teil der Feierlichkeiten zum 20-jährigen Bestehen von Maserati kommt "Pyramid of the Sun - Anniversary Edition" neu verpackt, von den Original-Masterbändern von Josh Bonati neu gemastert und ergänzt um die Bonustracks "Pyramid of the Moon" und "Pyramid of the Moon (The Field Remix)" sowie ein grandioses Live-Set von der SXSW Music Conference 2009.

For the fourth iteration of the label catalog, Michal Wolski delivers two original tracks in his signature style and leads the label sound towards a more straightforward territory. For the A-Side, Leipzig-based producer, Vanta provided a deep remix. Milena Glowacka took care of the B-Side by creating a hard-hitting remix of Energy Storm.