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45 Loves News
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Last In: 6 months ago
As Klasse Wrecks enters the second chapter of our century of releases, we're happy to welcome the sounds and skills of Nicola Cruz to the roster. The Ecuadorian producer masterfully turns in a perfectly tuned handful of tracks for his 'Data Passenger' EP, the overiding soundscape being one of Electro, Breaks and infiniteless cosmic exploration.
Sonically the tracks are as much for the soles as they are the souls, a heady mix of intricate rhythms and vibrations await the listener and dancefloor. Plug in to the console let the soundwaves carry you across the spectrum.
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Last In: 13 months ago
2024 Repress
The Berlin-based techno and house producer and DJ Oliver Koletzki has fully committed himself to his roots for this album. They can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today's electronic music productions. "Großstadtmärchen" is a perfect example for a producer's album: Oliver Koletzki has created a musically compact long player while working together with many different singers. Both established artists like Mieze Katz from the German electro-pop outfit MIA., the hot German pop-rock-singer Axel Bosse, critically acclaimed indie band Kate Mosh as well as newcomers such as Fran, Pyur and Juli Holz have contributed to the album. The result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own Koletzkieske sound dynamic.
"Großstadtmärchen", which translates as "The tale of the big city" starts off with "THIS IS LEISURE". Famous pop singer Mieze Katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. After hearing this, the listener is directly fully drawn into this world when hearing Juli Holz's softly whispering voice singing about the dilemmas of love in the big city on "ZUCKERWATTE" (Single release date: 7.9.09). This is a very fine electro-pop tune. Coming up next Oliver Koletzki and Axel Bosse board an underground train that takes them around the Berlin U-Bahn system and back. Axel Bosse, who has had a massive success with his song "3 Millionen" adds his melancholic voice to this groovy pop anthem and sings about the poetic magic of public transport, while we hear the sounds of the trains on top. Of course, Oliver Koletzki has added some purely instrumental tracks on his album, too: "KUSSKOMPATIBEL" and "WARSCHAUER STRASSE" are a journey back to Oliver's first years in Berlin and his love for house music. "KLEINES ZWISCHENSPIEL" also celebrates the energetic sound of electronic music. Then there is another great shine of bright light with the pop track "HYPNOTIZED" that is already making airwaves on German radio. It features the newcomer singer Fran that turns this track into a wonderful electronic love story. In her beautiful crystal clear voice Fran tells the story of those moments during the night that decide where it's going to end: a song about love, passion and the energy between male and female, a catchy pop anthem about the first dance, the first kiss and that special moment when the night turns into day. Oliver has equipped this song with a wonderful piano melody and a very smooth and poppy electronic beat. Actually it sounds like Fran and Oliver have never been doing anything else than produce wonderfully fresh pop songs together.
The tale of the city carries on with a very appealing mixture of indie rock and electronic music. "HEADSHAPED BOX" encapsulates what Indietronic sounds like in the year 2009: symphonic, melodic and simply unique. On "THESE HABITS" the just seventeen-year-old singer Pyur makes her debut. This down-beat triphop-groove is a wonderful hit for the late summer. Last up is a bonus track: Oliver Koletzki remixes "NIMM MICH MIT" by the electronic boy-band Die Raketen.
"Großstadtmärchen": This title is chosen for a reason. The story behind Oliver Koletzki is also a magical tale of believing in yourself. Since he is 12 years old, Oliver makes music, by himself or in bands: it is the love for the energy of soundwaves that makes him work hard on himself. In 2005 Oliver Koletzki celebrates the big breakthrough by releasing his hit "Mückenschwarm" on the label of techno grand daddy Sven Väth Cocoon Records. It becomes not only the biggest tune of the year, but also the best selling single on Cocoon Records ever. With this success in mind, Oliver directly realises his dream of starting his own label to promote newcomers. Stil vor Talent also becomes the platform for the release of his first album "Get Wasted" in 2007. One year later, Oliver proves his intuition for pop music when he signs the track "3 Tage Wach" by Lützenkirchen. He makes a low-budget-video for the track that gets an astronomically large half a million views on YouTube within the first three weeks. At least from here it is obvious: Oliver Koletzki is not your average techno producer. His productions and his sense for orginal music also have a deep rooting within pop culture. Thus "Großstadtmärchen" is the logical consequence from two decades of intense musical production: here comes a mature, yet still playful pop album that manages to combine many different influences into one harmonious oeuvre. It shows just how close the dancefloor and pop music really always were, and still are.
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Last In: 8 months ago
In the heart of Poland's electronic music landscape, a transcendent force has emerged in the form of Trance-Atlantyk, a entity devoted to cosmic tingled sounds of the electronic music universe which humans tend to describe as progressive house, proto trance, ambient house.
The creation of this new sonic organism can be traced back to two seasoned veterans that have not only witnessed but also actively shaped the evolution of the Polish electronic music scene for the last 20 years. For now they conceal their true identity under the nicknames of Pankoff & DJ Varius Trax.
Trance-Atlantyk is not just a dynamic and eclectic DJ duo that finds pleasure in all manner of progy, trancey, floaty, breaky and housey sounds that clocks in between 130 and 150 BPM; it's also a series of events and a record label that extends its influence across physical and digital realms. With a commitment to preserving the authenticity of electronic music, Trance-Atlantyk releases music on both vinyl and digital platforms. This dedication to the tangible and the digital reflects the duo's forward-thinking attitude, ensuring that their sonic creations reach audiences in diverse ways.
The very first release, which is also the creation of Pankoff & DJ Varius Trax pays homage to domestic pop seamleesly blending it with euphoric, uplifting and high octane club-oriented music.
The “Sound of Poldon” EP (“Poldon” being a slang word for Poland) kicks off with “I want to tell you”, an energetic, proggy house track that contains vocal snippets from one of polish most popular tracks of the last decade (which originally got released in 1979, but rose to prominence thanks to and edit that got released by The Very Polish Cut Outs in 2015). An anthemic chorus is pitched up & looped to the max for ultimate satisfaction. More experienced listeners will surely also recognize a few other notes in the background bringing back old-school trance memories.
“Moon Song” is a massive dj tool that evolves after the breakdown into a nostalgic and euphoric peak time anthem. The hypnotic vocal parts that are sampled from one of the biggest Polish hits of the 90s era by Varius Manx, will take you back to the glorious past with the kick going 130 beat per minute.
The B-side starts with a huge bop called “Punch Bowl”, a hip-hop infused & breakbeat-oriented acid roller providing hypnotic rap vocals from one of the most prominent underground anthems of the last decade. Dreamy synth stabs colide with cascades of snares and brokean beats and agressive acid elements. The whole tense and pumping track concludes with a soothing outro.
The EP ends with “Jeny”, an atmospheric and vibrant cut with a broad palette of different emotions. A heavy bassline is pushing the affair forward, with a chorus that is simply hypnotic and captivating, while synths and trancey elements add an impeccable flavour to the whole business. A massive club jam.
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This year Santa put a special gift under the Christmas tree. The newborn Blind Spot label comes with a highly sought reissue of the house masterpiece released in 2001 by the italian trio Polythree.
Stick Around contains three club-ready stompers ready to burn any dancefloor and already played by great selectors in several festivals.
On the A-side, the Poker Did Da Dub Mix represents the essential clubby track with its pumping punchy beats and its groovy rhythm. Flip the record and enjoy two different mixes, the Night Breeze Mix and the New Wave Mix. Both tracks release a strong flavour of Italo-Disco with rolling drum patterns and uplifting synthetizers.
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Curated by Lazy Susan (2StepBec, oliver.r and Zeus) the Truffle101 project sees the light of day this Spring with their inaugural release from co-founder oliver.r under his Raynerfromfinance moniker. The first on the label explores a multitude of textures, gliding between sleek jazz, hazy dub, ethereal ambience and everything in between. Music from the soul, for the soul, as the man on the numbers, Raynerfromfinance shares his debut offering in the realms of downtempo productions.
A loungey quest paying testament to the versatile direction of the Truffle101 label, a project from three aficionados of the slower end of the spectrum, looking to share idyllic sounds from friends and artists they meet along the way, presenting them to a new and appreciative audience.
“Please make yourself comfortable, sit back and relax, whilst we take you on this journey of the sounds of Truffle101”
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Saib introduces "Jazzy Cats", his new house EP. The Berlin-based music producer, originally from Casablanca, is ushering in a fresh era of jazzy house beats. As one of the most renowned lo-fi artists, known for his hit "Sakura Trees," which has amassed over 66 million streams across various platforms, he now explores a new rhythm, utilizing his beatmaking talents to craft six tracks that will undoubtedly inspire you to dance and groove all night. Featuring collaborations with Felipe Gordon and Tour-Maubourg, this house sound will elevate your mood and keep you dancing till dawn.
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Since its inception in 2022 the PILLZ label has built a reputation for refined underground moods, and “Take A Chill Pill” is certainly no different.; The astounding Belgian producer; Session 4000 maneuvers and delievers 4 cuts between gritty shades of house and electro. This EP shifts the night into fifth gear with spaced out atmosfears and direct drive.
Here is a producer whose experience for the hazy after hours takes us deep into such imagined trips as a “ravey conga paradise”, or some “hypnotic textured blend of vox sampled hits,” or twisted ravey motions, and big bass lines that blast the floor.
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Last In: 2 years ago
Originally released in 2013, ‘Burn’ was the debut studio album by British jazz ensemble Sons Of Kemet, who sadly announced their disbandment in 2022. Led by the great saxophonist Shabaka Hutchings and drummers Seb Rochford and Tom Skinner, it was the only record that the band’s original tuba player Oren Marshall performed on before Theon Cross replaced him. Tenth anniversary edition features a bonus, unreleased track from the same sessions.
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KR3 Records, is proud to welcome Hector Sandoval to its roster. Known for his work under many aliases (Komatssu, Selección Natural) and for being one half of Exium, with his solo project TENSAL the artist explores a more instinctive approach to sound arising from a modern vision of techno. Recorded entirely analogically, Forgiveness of Blood is the perfect demonstration of his vision; With an ambient intro to ease the listener into the experience, the EP moves through the raw and scratchy sounds that have always distinguished both KR3 and the artist himself. The reference to the 12” dynamic and rough rhythms is also clear in the artwork curated by Chianjna. Written & Produced by Hector Sandoval Artwork by Chianjna Mastered & Vinyl Cutting by: Tim Xavier at Manmade Mastering Berlin
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Mindgames is a new Samurai Music affiliated label aiming to capture the essence of the sound that magnetised label head Presha into Jungle/Drum and Bass in the mid 90’s. Experiencing this musical development as it happened lit a flame of passion and drive that forged a focused musical path that continues unabated today.
94/95 were pivotal years for Jungle with new approaches to production and musical shades that shaped how the music progressed. Light and Dark musical hues were working side by side more frequently in these years as the music found its way, and Mindgames will reflect this.
With the resurgence of artists absorbing this sound and creating updated versions with added production finesse, Mindgames mission is to enlist current-day producers who have successfully captured and reimagined the vibe and feel of these years into new forms that underline the foundation of our sound.
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Last In: 2 years ago
Over the last two years, the Innate and We’re Going Deep labels – run by friends Owain K and Placid respectively – have become must-check imprints for those seeking brand-new, timeless-sounding electro, deep house, acid and techno. Now the pair are joining forces on a new collaborative venture that looks to the past for inspiration: InnDeep.
Focused on unearthing and showcasing slept-on gems from across the deep spectrum, the reissue-focused label will have an emphasis on UK producers and imprints whose work in the ‘90s and 2000s has arguably been criminally overlooked.
To kick things off, they’re taking a deep dive into the back catalogue of Headspace Recordings and Emoticon co-founder Tom Churchill, a Welsh producer whose trademark take on deep house achieved cult status in the late 1990s and early 2000s.
The Personal Interpretation EP was first released on Headspace way back in 1997, and dates back to a time when Tom was the very definition of a bedroom producer. He created the EP’s three tracks while still a teenager and mixed them down using the same pair of headphones he used for DJing.
Now painstakingly remastered, the EP sounds every bit as immersive and intergalactic as it did at the tail end of the last millennium. On the EP-opening title track, Churchill builds a sturdy, chunky groove out of clicking, hissing and metallic percussive elements and a wonderfully deep, tactile bassline, over which gorgeous chords, melodic motifs and eyes-closed vocal snippets stretch out as if reclining in the afternoon sun.
Churchill opts for a deeper, Detroit-influenced sound on ‘First Principles’, with undulating electronics and a raw analogue bassline working in unison with ghostly chords and deep space melodies, while ‘Crossed Wires’ is a tispy, off-kilter epic – all breathless drum machine rhythms, pots-and-pans percussion, woozy chords and weighty sub-bass. It provides a fittingly energetic, out-there end to a long-overlooked EP that remains as fresh now as it did back in 1997.
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Last In: 2 years ago
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After three stand out eps over the last three years for L.I.E.S. Tzusing delivers his debut lp for the label. Here we get seven tracks of precison crafted electronics, unmistakenly taking the artists signature industrial fueled sound and opening it up to a new dimension far beyond the typical metal beat clang.
Emotional, dark and powerful, the album title taken literally means "Invincible East" based on a character (a swordsman) in a Jin Yong novel who must make the ultimate sacrifice to attain knowledge and transform. The narrative goes in hand with the artists observations living and travelling throughout Asia and provides a haunting soundtrack for a bleak future where few dare to subvert the power structures at hand.
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Scuba funk seems to be quite the sort after track which has got fair traction from Velasco's podcast on Spaced and also Theo Dher who helped evolve the situation with a YT upload. So here we are with a 4 track EP on a 180g vinyl, 300 ONLY and a few other under the radar tracks to seal the deal.
Night Demons, Sound Pictures and Chewing gum are all outstanding tracks in their own unique way and retrospective of the mid 2000's era, Enjoy.
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Paul Wise aka Placid is the driving force behind ‘We’re Going Deep’ – a thriving online community and record label that’s showing no signs of slowing down as we pop, dip and spin into the spring season. As a label owner, Paul’s mission couldn’t be clearer - releasing new music for heads of all persuasions. Fresh cuts aimed squarely at the dance floor, your front room or even just the headphones. Rather than staying too hung up on the past, he continues to focus on serving up the best in new Acid, Electro, Techno, Deep House alongside scintillating slices of Downtempo music.
Sticking to the trusted format of 4 superlative cuts from equally talented producers, the quality and talent on show does not disappoint on WGD 007. Starting the dance with 303 maestro and label legend Tin Man, A1 “I Said Acid” is a tantalising twist on the classic combination of a Roland TR-707 and SH-101. As a metronomic pulsating kick carves out a squarely hewn path, slow opening filtered lead and hauntingly repetitive “Acid” vocals exert maximal pressure to create a sheer moment of joy. Balanced out by the dreamy atmospherics of A2 “I’ll Meet You On The Dancefloor”. UK Deep House supremo Rai Scott exerts her perfected knowhow: blending organically tinged percussion with profound melodic touches that meander across the borderlines of your consciousness.
On B1 “Necessary Order”, the machine mastery of Sound Synthesis collides in perfect harmony as Keith Farrugia demonstrates his deft turns of the dials that are becoming more in demand. A sprinkle of stargazing soul is woven around light touch acidic tweaks and snappy drums, echoing the twinkling embers of the cosmos. Not to be outdone, Dutch born German bred producer Roger Van Lunteren takes control with the final slice on B2 “Le Dee Trois Trio Prends Trois”. A wince inducing, sawtooth heavy jam that should not be taken lightly. As the saying goes, this one’s only for headstrong.
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Last In: 2 years ago
Always exciting when Klasse Wrecks comes with a new label project!! This one they do together with Kid Who and is a series of records showcasing previously unreleased house, techno, acid and more from the 90s Amiga Demoscene.
Created using early sample sequencers such as ProTracker, these tracks radiate the authentic energy of techno's golden era - and they've been hiding in plain sight in Demoscene web repositories for many years. It was during the long days of the 2020 lockdowns that Kid Who began to explore these archives, sifting through thousands of tracks to eventually amass a collection of several hundred of his favourites.
Curated by Klasse Wrecks and Kid Who in close collaboration with the talented artists behind them, the .NFO project aims to bring some of these finds to the broader dance music community via a series of VA 12"s and mixes. Tip!! Vinyl comes with A4 insert and stickered sleeve.
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Matthew Reyer, ½ Black/Tuesday, introduces a new project, Hack the Planet!
In this electrifying showdown, four enigmatic codebreakers confront an AI overlord known as the Binary Serpent, battling for control of the digital universe and the freedom of the human mind.
Poten, the enigmatic Denver-based hardware junkie, known for his cerebral explorations, delivers an energetic and dynamic shot to the algorithm. Sweater, the Philadelphia-based prodigy, propels us on an interstellar journey through a fusion of spacey rhythms and pulsating low-end frequencies. Daisy Boy reminds us that time is a mere illusion, using sound's essence to evoke emotions that transcend the boundaries of the clock. Finally, label boss Reyer orchestrates a multi-pronged attack, diverting the AI's attention with a flurry of decoy data packets and initiating a series of rapid sound injections.
Interstellar Buzz is an auditory odyssey that transcends genres, inviting you to lose yourself in the infinite possibilities of the digital realm. So plug in, tune out, and let the music transport you to a world where the boundaries between the real and the virtual blur, and the future of sound awaits.
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2024 Repress
Another episode of the notorious 'You Can Trust A Man With A Moustache Series. Containing 4 crazy electro house energizing nu-italo top hits! A1 The mysterious super hit wanted and sought after by many DJs, played at numerous clubs and festivals by Moustache records label boss David Vunk, the mega anthem by the super collective ; Tending tropic - Hondebrok!!! A2 Cafius the super talented electronic music producer hailing from Ukraine is part of Moustache family now. He Delivered a massive club banger for the dancefloor: Cafius - Tonight is the night. Already played by DJs around the glove! B1 Im Kellar the infamous project by 30 years friends David Spanish and David Vunk ebm electro, dark and pure from the analogue cellars of downtown Rotterdam city, Im Kellar known for their super rare always sold out 12inches. Im Kellar - Not to be compromised dont miss this killer track with that strange melodie ;) B2 Moustache is super pleased to have the boss of Barca on board. Italo moderni label ceo Adrian Marth with his electro house hi energy track: Icon of the night! Expect deep basslines and peaking party drops. You can trust a man with a Moustache Vol. 5 comes in a super great designed 12inch sleeve full colour Artwork. Dont sleep on this ultra rare vinyl super limited only 500 copies no repress! Don't play this record underwater!
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Last In: 19 months ago
- A1: Guy J - Seven
- A2: Pedro Aguiar - Ego Tripping (Guy J Remix)
- B1: Guy Mantzur & Sahar Z - Our Foggy Trips
- B2: Kevin Di Serna & Ditian - Crystal Forest
- C1: Guy Mantzur & Sahar Z - Temporary Sanity (Cornucopia Remix)
- C2: Moshic Feat. Joe Elbaz - Feed My Soul (Guy J Remix)
- D1: Khen & Guy Mantzur Feat. Kamila - Children With No Name
- D2: 1979 - Where Are You
- E1: Khen - Land Of Goshen (Patrice Baumel Remix)
- E2: Matteo Bruscagin & Visnadi - Drps Classic (Guy J Remix)
- F1: Chicola - Yoav
- F2: Khen - Authentica
- G1: Bp - Inspirado Por Usted (Original Mix)
- G2: Budakid - Memories
- H1: Sahar Z & Navar - When We Face Reality (Khen Bronzed Re-Edit)
- H2: Hermanez - Gate Of Falganda
- I1: Stereo Underground - Northern Lights
- I2: Eitan Reiter - All That I Know (Guy J Remix)
- J1: Roy Rosenfeld - Helena
- J2: Kevin Yost - Persistence (Original Mix)
- K1: Kasper Koman - Hi
- K2: Marino Canal - All The Right Endings
- L1: Eli Nissan - Arpu
- L2: Navar - The Liquid Escape
6 vinyl unique to this edition showcasing the label's most exhilarating moments, never before available on vinyl
Lost & Found, a prominent Malta-based label, wrapped up its impressive journey with the culmination of its 100th release and ceased to exist in 2023. However, its impact will continue to echo among devoted fans and within the history of underground dance music.
Rather than etching them in stone, several of the most noteworthy masterpieces have been immortalized on a distinctive collection of vinyl records. This unique edition, making its debut on vinyl for the first time, brings to mind the label's most exhilarating moments, capturing the depth of its legacy.
The elaborate cover and puzzle-inspired artwork enhance the immersion into the captivating 197 minutes of hypnotic sound, featuring the 24 tracks DJs have long yearned to see on vinyl.
As a specialsurprise for buyers,100 boxes are personally signed by the label's founder, Guy J himself, visible only upon opening the sleeve.
This compilation showcases the work of over 25 top artists, including 1979, BP, Budakid, Chicola, Cornucopia, Ditan, Eitan Reiter, Eli Nissan, Guy Mantzur, Hermanez, Kasper Koman, Kevin Di Serna, Kevin Yost, Khen, Marino Canal, Matteo Bruscagin, Navar, Patrice Baumel, Pedro Aguiar, Roy Rosenfeld, Sahar Z, Stereo Underground, Visnadiáand Guy J.
The LFBOX001 is a must-have memorabilia for fans cherishing dance floor memories and essential for future generations discovering these forward-thinking tracks destined to endure for decades.
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Every once in a while, a musical collaboration emerges that defies convention and leaves you craving a sensory escape. “Liquor Store Cheerleaders” is that electrifying experience. The brainchild of Jonra and EMachinery, this musical endeavour is nothing short of a smash and grab jam that’ll have you rushing to the liquor store for a pre-party energy boost.
The compilation kicks off with “SICKNESS CAST AWAY,” an in-your-face track that’s both haunting and nostalgic, reminiscent of those moments waiting in line for your favorite smokes or a drink before a night out. With thought-provoking beats, it’ll transport you to the past and catapult you into the future.
Track two, “DROP IT OFF,” by HYMNS, is a suspenseful journey that keeps you guessing with its mental vocals and twisting melodies. HYMNS’ signature style is a captivating blend of suspense and surprise, and this track is no exception.
“STAY ON TOP,” the debut single from Living in Ghosts featuring Woolfy, exudes a feel-good vibe with a cheeky “lick it before you stick it” approach. It’s a monster jam guaranteed to set any dance floor on fire, thanks to the powerhouse vocals of maestro Simon James, aka Woolfy. Drawing inspiration from retro house and disco vibes, this track is an absolute must-listen.
Returning for a second appearance on this compilation, Jonra & EMachinery infuse a French electro twist into the mix. Their track is a mesmerising, creeping journey that moves your body and feet. With subtle echoes of Kraftwerkian influences, they lead you into a deep pool of sonic blankets, keeping the journey both synthetic and immersive.
And last but certainly not least, “RBF” by Resting Bitch Face is the perfect musical embodiment of that mean mug look you’ve received while leaving a store. With a pulsating beat and an attitude that matches the infamous Resting Bitch Face, this track is a powerful statement.
Keep an eye out for “Liquor Store Cheerleaders” – they’re not just on the dance floor; they’re taking the world by storm. So, watch out for these musical clowns, because they’re bound to leave an unforgettable mark.
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- A1: Members Of Mayday - Sonic Empire
- A2: Emmanuel Top - Tone
- A3: Arrow - Back In The House (Kai Tracid Mix)
- B1: Westbam - Beatbox Rocker
- B2: Format:b - Chunky (Club Mix)
- B3: Lambda - Hold On Tight (Nalin & Kane Remix)
- C1: Vitalic - Poney Part 1
- C2: Sono - Keep Control (Artbat Remix)
- C3: Tinlicker & Robert Miles - Children
- D1: Dosem - Beach Kisses (Joris Voorn Green Remix)
- D2: Arbat - Atlas
- D3: Ame - Rej
- E1: Neelix - 1000 Sterne
- E2: Nikolai - Ready To Flow
- E3: Cosmic Baby - The Space Track
- E4: Dj Misjah & Dj Tim - Access
- F1: The Prodigy - Everybody In The Place
- F2: Jam & Spoon’s Hands On Yellow - You Gotta Say Yes To Another Excess (Great Mission)
- F3: Moby - Feeling So Real (Westbam Remix)
- F4: Q-Tex - Get On The Floor
- G1: Secret Base - Warpmission
- G2: Nostrum - Baby
- G3: Sunbeam - Outside World
- G4: Force Mass Motion - Panic
- H3: Resistance D - Human
- H4: Uranus - Die Magie Der Töne (Gary D. Ttf Remix)
- H1: Maruscha - Somewhere Over The Rainbow
- H2: Rmb - Redemption
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LDI Records is proud to present V, the latest EP from Dutch electro artist Versalife (aka Boris Bunnik aka Conforce). This four-track EP features Versalife's signature blend of classic and experimental electro. This is Versalife at his best. V showcases his amazing production skills, with detailed drum patterns, hypnotic bass and lush pads. This EP is an exciting journey where Versalife keeps pushing the boundaries of electronic music, while staying true to his roots.
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Last In: 81 days ago
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Yonder Kids get a deserved spotlight 20 years after the journey suddenly stopped.
A musical legacy which could have been lost in the background noise of time is finally edited, mastered and cut into vinyl.
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Last In: 21 months ago
Charlotte de Witte & Enrico Sangiuliano have come together to serve up a very personal remix of the hugely influential self-titled classic by Age Of Love. It lands on the original Belgian label Diki Records on August 13th next to the legendary Jam & Spoon 'Watch Out For Stella Mix' and the original vocal mix from 1990.
Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years. The track was originally released on one of the most iconic trance labels in Belgium's history and has been specially remastered for this 2021 release.
The idea to remix 'Age Of Love' started taking shape when KNTXT boss Charlotte was in lockdown with esteemed Italian techno artist Enrico at the end of February last year. As soon as the track was finished, it was played in several live streams and the online community quickly fell in love. The remix bears all the hallmarks of both producers, who between them have a number of Beatport hits and have crafted everything from the darkest drums to the most emotional synths to great effect.
Say Charlotte and Enrico, "It's a very meaningful track for both of us, for various reasons, and it brings back many joyful memories. Remixing such a legendary track was a super fun thing to do, but we noticed how easily and spontaneously we could work together in the studio. We are beyond excited to finally unleash our remix to the world. And this at a time where the world finally seems to be going back to normal. There is no better time for a New Age Of Love. We're ready."
'Age Of Love' (Charlotte de Witte & Enrico Sangiuliano Remix) is a big, driving techno roller. It has heavyweight drums and stripped back percussion which leaves plenty of room for the ionic synth lead and spine-tingling vocals to ring out and really work the crowd into a trance.
This fantastic remix brings a new perspective to one of dance music's most celebrated and influential tracks.
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'Debes Llorar' is the second of two super limited 7"s being dropped by Dez Andres on the fledgling Future Rootz label this month. Like the other one, this 45 pulls out plenty of the Cuban influences Dez is known for. A-side 'Debes Llorar' is all life-affirming chords that fans of his classic 'New 4 U' will recognise, but stitched over ticking and raw drum beats with a Latin shuffle and Spanish vocals. 'Aqui Estamos' takes things down a notch with a more sunset sound, hip-hop flecked deep house beats and seductive vocal sounds next to gorgeous little acoustic guitar riffs.
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Last In: 2 years ago
"Manchester record store / label All Night Flight delves into the labyrinthine back-catalogue of respected producer Uwe Schmidt’s private label Rather Interesting with a vinyl sampler of the 1995 self-titled album Interactive Music. Previously released on CD only, Interactive Music came during a time of explosive creativity for Schmidt (also known as Atom™, Atom Heart, or Señor Coconut), where the German artist sought to release a new, individual album each month, each backed by their own design and conceptual structure with the goal of expanding the boundaries of technology, sound and electronic music as a whole. The motivation behind Interactive Music was to explore a new way of composing music, allowing both machinery and recorded elements to ‘interact’ with each other within a systems-based arrangement whilst incorporating any randomness and unpredictability that arose in order to create a sense of the organic or sentience within the machines. The four tracks here plucked from the original source demonstrate the breadth of styles Schmidt covers under his intuitive systems approach, leading with the atmospheric slo-motion creep of opener ‘Dynamic Link’, followed by the spluttering, melody-rich, UK-techno indebted ‘Kinky Sky Candy Drops’ that pays homage to Warp’s legendary Artificial Intelligence series of the early 90’s. On the B-side, ‘I See No Evil’ unleashes a taut electro piece, heavily enriched with Schmidt’s intricate drum programming and unique ear for sound design, whilst the extended closer ‘Assembler’ sees the ‘Interactive Music’ system firing on all pistons with an array of percussive and melodic elements working in unison for a heavily textured, free-form, electronic free-jazz-jam. A pioneering and easy to overlook masterclass in electronic production, rightly framed in a fresh new context.
Remastered by Miles Whittaker (Demdike Stare). "
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Jay Lumen is back on Footwork. His brand new Human EP is a massive dancefloor weapon. Choose the A side for a special journey into the world of fat basslines and spacey synths. Or play the B side to get some real raw energies by heavy kick and basses under a very unique synthline. Enjoy the trip!
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Juan Atkin's masterpiece compilation, the blueprint of Techno albums.... the 1993 Model 500 'Classics' compilation with some of Juan Atkins' biggest early Metroplex milestones, with some of them in exclusive remixed versions. 3 decades later Metroplex is re-releasing this collection of hugely influential tracks for a new generation to play from fresh and clean vinyl!. Just like the recent 12" reissue series, this album has been fully remastered with all the care and attention to detail you can imagine. Tracks like ,,No UFOs", ,,The Chase", ,,Techno Music", ,,Night Drive (Time, Space, Transmat)" or ,,Off To Battle" are basically techno ground zero, with the electro influence of mid-80s to late-80s Juan Atkins productions still omnipresent. 30 years on since its original release on R&S records, 'Classics' is still as gritty and timeless a statement as ever. Pure sonic futurism!
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Last In: 2 years ago
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Last In: 2 years ago
INFODUMP Recordings, a Tokyo-based independent music label, releases a new EP produced by the label owner Takuro Hasumi. A Japanese outsider artist Pinkski created the illustration of the new EP’s cover art.
“A 3 track ep from Takuro Hasumi that dives deep into the mystical weirdness of house music. Out-there melodies and synths come together on a bed of machine funk grooves that demand you shuffle your body and mind too. My fav here is Ticktack, a house track from a wonky, chunky parallel universe.”
John Osborn (DRED RECORDS)
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Last In: 2 years ago
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Last In: 2 years ago
Na Zrak Records presents its fifth vinyl release: Various artist “Into the story” by Costin Rp, Cosmjn, Zenk and Djosh.
As first track A1 we find "love story" by Costin Rp, the lines of this track are melodic and right to open a set. This track makes you enter a parallel world. The second track, A2, we find "Bau" by Cosmjn that, thanks to his percussions and his bass line, is perfect for the center of the set, just groove that makes you dance. In the other side the third track B1 we find "Queen Drama" by Zenk, characterized by a beautiful melody line and percussions that create a spectacular groove. The last track B2 is Djosh "High bat", characterized by very dark sounds and effects.
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Zobol’s ‘Mirage’ is A record reflecting on the miss-information flying around our planet these days. It makes you think, what is right, wrong, transparent and guised? What is real and what is deception?
The A-side begins with ‘No Disguise’ consisting of booming broken kick drums and elements of positively charged future funk. The A-side concludes with the gritty, dubbed out percussion and hazy melancholia of ‘Clarity’.
The flip-side opens with the title track, ‘Mirage’ bringing aspects of electro, funk, acid and braindance to the table. Dubbed out chords, mysterious arpeggios and scattered percussion laid over a funky bassline. The release is concluded with a remarkable remix of ‘Mirage’ from the one and only, Nullptr. Who reimagines the original, taking it in a darker but equally mysterious direction.
Believe half of what you see and nothing that you hear. Except for this.
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Featuring heavily on most of Drumcode's shows due to his impeccable DJ'ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks.
Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour's territory with the help of the subtle percussion.
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Last In: 2 years ago
When you see Dr. Packer’s name on the tin you know you are in for a treat! He takes BB&Q Band’s classic “Main Attraction” and turns it with his magic into a Nu-Disco boogie-down floor fest.
Produced by Kae Willams II and with vocals by the great Curtis Hairston, the Dr. from ‘down-under’ manages to encapsulate the 80’s funk soul feel from BB& Q Band’s seminal original to carry those heady days of dancing till the sun’s up into 2023 and beyond.
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Last In: 10 months ago
Dropped Balls is the debut 12” vinyl release for Galway’s Belacqua. After previous releases on Unscene Music and Wherethetimegoes, Dropped Balls sees the Galweigan channelling his inner Sound Hack and travelling back in time to early 80’s NYC for a riotous collage of off kilter sampling, propellent drums, weeping acid and a general air of barely-controlled chaos.
Gunnish kicks things off with jagged piano riffs before charging full steam ahead into the wall of a dank basement in the Meatpacking District before Davish jumps into life with its supercharged, rolling drums. The A-side then slowly but surely descends into the washes of distorted synths and booming kicks of Youngish
On the flipside Marshall Applewhite (Yo Sucka! Detroit) drowns the stuttering funk of Gunnish in his trademark sludged out techno before the 12” takes a turn to the emotive with the transcending, slo-mo acid of release closer, Tennish.
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Last In: 2 years ago
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Last In: 2 years ago
Legendary electro producer Carl Finlow makes his return to Science Cult with a 2x12 LP on white vinyl. From start to finish “Plasmoids” delivers with expertly crafted electro. Mr Finlow’s production skills are present across a variety of styles from the cyber funk inspired “Trimonogogo” to the retro-styled “Relic”. This is an album not just for fans of Carl Finlow’s work, but a showcase of electro at its finest.
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Last In: 6 months ago
Hector Oaks, Ill Pekeno & Ergo Pro joined forces in Berlin to record their collaboration, blending the pounding beats of techno with the raw lyrics of rap. Inspired by the city's club scene, they captured the energy of their night out in Eso Es G.
As Ergo Pro put it, "Man, when we were at Tresor, it was like we were in another world. Everyone was vibing, the sweat was dripping, and we knew we had to take that energy to the studio. And look at us now - we've got "Eso Es G brx".
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Last In: 2 years ago
Hidden Orchestra ist ein imaginäres Orchester des britischen Multiinstrumentalisten, Komponisten und Produzenten Joe Acheson. Die Veröffentlichungen - meistens auf Tru Thoughts - umfassen eine Vielzahl von Gastmusikern mit unterschiedlichem musikalischen Hintergrund, die separat aufgenommen und von Acheson in seinem Studio zu einem 'imaginären Orchester' kombiniert werden, das nicht wirklich existiert. 'To Dream Is To Forget' ist sein neues Album, das erstmals auf seinem eigenen Label Lone Figures erscheint.
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Last In: 2 years ago
A new figure sashays their way into Bordello. In one hand, a bouquet of carnations, in the other a 12” record. Lauer. Philipp Lauer. Known for his incredible productions on labels like Running Back and Permanent Vacation, not to mention his collaborations, the German all around good guy delivers four gems. The title piece radiates warmth, clean drum patterns giving way to beaming synth bars with vocoder lyrics bopping to the bass. Light hi-hats and a wet snare are the fertile ground from which choral key shifts break to squelching acid in this addictively diverse work. The energy levels spike, like a cork spearing its way from a champagne bottle, for the unbridled enthusiasm of “Frizzante”. Piano stabs, pulsating percussion and an infectious groove. The Summer sun may have set, but Lauer is still at the “Playa” with his playful finale. An off-kilter melody ebbs and flows on a string of rhythms, dreamy tongue-in cheek synth play sailing this 12” off to the horizon.
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The Jolisa EP marks a significant shift in Luca dell’Orso’s sound. Although the electric hooks and rolling rhythms that characterise the dutchman’s signature style are still present, new avenues are explored. One notable change is the addition of vocals, care of the EP’s namesake: Jolisa. The opening, “Sixteen”, smoulders with a palpable intensity. Steady beats and textured pads support synth stabs as impassioned vocals recant a tale of past lessons. “Reach Out”, on the flip, is a different animal. Big and daring, chords chug next slicing snares while lyrics brim with hope. Two instrumental works balance the four tracker. “Nighttime” is perfectly sculpted with a soulful melody and clean percussion, vocoder lyrics giving a sorrowful slant to track. A true epic closes: “Tomorrow’s Already Here.” Bold keys and racing rhythms collide in this 80s steeped extravaganza, electro-disco and car chases in this incredible end. A defining EP from Luca dell’Orso.
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Last In: 2 years ago
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Last In: 22 months ago
Summertime sunshine, soaked up across two stunning tracks from Things You Say on Palm Recs. Bursting at the seams with festival energy the A side ‘Thank You Baby’ is a disco house belter, with that fist pumping feeling deep down in its soul.
On the B, ‘Play The Drums’ a hypnotic Italo disco flavoured foray into the depths. Space echoed vocals, punchy synth bass and a crisp beat will have the dancefloor in the palm of your hands.
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Last In: 2 years ago
Mind is perched on a cloud, feet grounded to the beat. Emotions use rhythm as a vehicle to share their message to the world.
Arts & SciencesVol 1 opens up with music from Matheiu and Max Jacobson for an everlasting dancefloor piece which was several times already presented to Berlin a welcoming Berlin audience. Kenji Tazaki's Eigene Zeit cools down the heat with a unique sense of depth and melody embarquing the listener into a sophisticated journey. Our dear Matt Star opens up Bside with a timeless moving piece, and Redrop closes down the house with a classic cocktail composed of 3 ounces of old school break beat, and 3 ounces of modular pads and bleeps.
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Last In: 3 months ago
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Last In: 2 years ago
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Last In: 2 years ago
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Last In: 12 months ago
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Mysterious Argentinian Deep Spectrum delivers an EP with synthpop and italo influenced music for the pool/porn movie set/dance floor/living room. Yes that's right, this is universal music, suitable for all kinds of situations. Forever Free could be an instrumental b-side of a Soft Cell or Vicious Pink record while Para? so Fiscal (fiscal paradise) holds the middle ground between an 80s soundtrack and an underground italo jam. Punch Line on the flip is a smooth dance track where this talented new artist takes it to an even more sensual level. Fans of sleazy electronic futurism and early Legowelt should not sleep on this release!
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Last In: 2 years ago
This vinyl contains analog live one-takes by DJ Lily, recorded during April to June 2023 in Gothenburg. A1, A2 & B1 rely on playfulness, whereas B2 & B3 are blistering. Sequences were made with a Syntrx, the bass module of a Pulsar23 and a modern FM synth.
Mastered by Paul Mac at Hardgroove Mastering.
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Last In: 2 years ago
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Last In: 2 years ago
Based from Detroit, ''The Artist Producer Draup'' returns with more Techno and Rap bangers. By serving some smooth synths and hard hitting bass, accompanied with a flow of effects, ''Draup'' comes up with another great release that will unite all Jitters and other dance floor lovers once again.
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Last In: 2 years ago
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Last In: 19 months ago
If you enjoy this music, then it is for you.
Our modus operandi is to provide djs and listeners with only the finest dance music possible.
We focus on intrinsic groove for your dance floor and all our music is made with high quality ingredients. A respect for what has come before, with a mission to bring fresh sounds and sonic experiences.
Underground Music, Brooklyn, NY
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Last In: 2 years ago
Vol.1[13,07 €]
Young Detroit-native Kenny Hooper steps up for his debut release on Elypsia Records with not one but three 12 inches full of prime Motor City techno and electro escapism. Titled ,,Detroit Orbiter Volume 1 - 3", each EP features four tracks, showcasing Hooper's brilliant personal take on classic Detroit sounds. The twelve tracks of the ,,Detroit Orbiter" trilogy signal the arrival of yet another Motor City talent ready to rake the world and dance floors by storm with his chunky and funkafied sonic fictions. Elypsia Records is proud to welcome Detroit's next generation!
Disponibile in Stock e pronto per la spedizione
Linda Jo Rizzo the 80s icon and former singer of the FLIRTS (produced by Bobby Orlando) stays musically true to iconic Italo Disco / Euro Disco sound!
Greatest Hits & Remixes compiles her best songs and is a must have for all fans of Linda Jo Rizzo!
Now finally available on vinyl!
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Last In: 5 months ago
Delsin is pleased to welcome the unique sound experimentalist Machine Woman, presenting a captivating five-track journey out to the glitchy fringes of techno. MW, with her force of personality, continues to push the boundaries of her practice, offering bold and innovative approaches. She skillfully interlaces her voice through disorienting processes, embodying the essence of her self-styled mechanical organism.
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Last In: 2 years ago
A side is from Mr Rêve, a tune orginally produced on his own label with the hand of Will Apocalypse... legendary track.... With its crazy outro... ambient hidden second tune.
After this full side of emotion comes the Venin 6Tem 01 B-side : Ash is the Ash... a dark tune with a long clap call intro, really good as a DJ tool... and then the tune opens on a banging downtempo Industrial new-wave feeling...
Both tunes are 130/140 BPM and both are bloody weapons to play... One side per track with a Simon The Exchange cut... You ask me if it sounds good ?
A devil project really...
ENJOY !
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Last In: 2 years ago
2023 Repress
Quote from Dr. Eargoggle: "This is the first record of two 12"s that was supposed to be an Obergman album. As always its a pleasure for Stilleben Records to release finest Electro and deepest style in the icey World of Electronic Music. Enjoy... The World is an Icey Mountain of basslines... Music nonstop!"
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Last In: 2 years ago
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Last In: 16 months ago
It's the summer of salute. The Manchester-based producer makes his debut on Steel City Dance Discs. In salute's words: "Ultra Pool is a selection of club tracks I started making as lockdown restrictions were being lifted and shows started rolling in again. Over the last few years, I've been revisiting a lot of the French House records I used to listen to as a teenager – I wanted to let that influence shine through as I'm a huge fan of that sound. I wanted a body of work that was both very high energy and harmony-heavy, and I think Ultra Pool is the perfect way to summarise where my head is at right now"
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Last In: 2 years ago
Lauri Reponen is Teakup, an electronic artist based in Columbus, Ohio who has dropped only two EPs before now - one in 2018 and one in 2002. He now steps out with his own self-titled new label and an impressive first release that shows off his artful take on techno. 'Vapor Or Floating Stone' opens up with broken beats and clattering sounds next to light, suspensory chords that bring calm to the chaos. 'Sublimation Station' again pairs busy, whirring machine sounds with lush synths that contrast nicely and 'Phase Loss & Pad' has glitchy broken beats and churning metallic texture under light-emitting synth work through which a rhythm eventually appears. Closer 'Soul Recovery Beat' completes this inventive EP with more deft designs.
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Last In: 2 years ago
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Last In: 2 years ago
- A1: Culture Club - Karma Chameleon
- A2: Ub40 - Red Red Wine
- A3: Bonnie Tyler - Total Eclipse Of The Heart
- A4: Queen - Radio Ga Ga
- A5: Frankie Goes To Hollywood - Relax
- A6: Nena - 99 Red Balloons
- A7: Paul Mccartney - Pipes Of Peace
- B1: Tina Turner - What’s Love Got To Do With It
- B2: Wham! - Wake Me Up Before You Go-Go
- B3: Philip Oakey & Giorgio Moroder - Together In Electric Dreams
- B4: Limahl - Never Ending Story
- B5: Ray Parker Jr - Ghostbusters
- B6: Lionel Richie - Hello
- B7: Simple Minds - Don't You (Forget About Me) (Forget About Me)
- C1: Eurythmics, Annie Lennox, Dave Stewart - There Must Be An Angel (Playing With My Heart) (Playing With My Heart)
- C2: Bananarama - Venus
- C3: Peter Gabriel - Sledgehammer
- C4: The Communards - Don’t Leave Me This Way (With Sarah Jane Morris)
- C5: Run Dmc - Walk This Way (Feat Aerosmith)
- C6: Bon Jovi - Livin' On A Prayer
- C7: T'pau - China In Your Hand
- D1: Pet Shop Boys - Always On My Mind
- D2: Belinda Carlisle - Heaven Is A Place On Earth
- D3: S'express - Theme From S-Express
- D6: Marc Almond & Gene Pitney - Something's Gotten Hold Of My Heart
- D7: Soul Ii Soul & Caron Wheeler - Back To Life (However Do You Want Me) (However Do You Want Me)
- E1: Tears For Fears - Sowing The Seeds Of Love
- E2: Debbie Harry - I Want That Man
- E3: Beats International - Dub Be Good To Me
- E4: Elton John - Sacrifice
- E5: Sinéad O’connor - Nothing Compares 2 U
- E6: The Clash - Should I Stay Or Should I Go
- E7: Scorpions - Wind Of Change
- F1: Shakespears Sister - Stay
- F2: The Klf - Justified & Ancient (Feat Tammy Wynette)
- F3: Snap! - Rhythm Is A Dancer
- F4: Tasmin Archer - Sleeping Satellite
- F5: Duran Duran - Ordinary World
- F6: New Order - Regret
- F7: Freddie Mercury - Living On My Own
- D4: Yazz & The Plastic Population - The Only Way Is Up
- D5: Kim Wilde - You Came
Vol 2 - Black[35,25 €]
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- A1: Avicii - Wake Me Up
- A2: Lorde - Royals
- A3: Miley Cyrus - Wrecking Ball
- A4: Pitbull - Timber (Feat Ke$Ha)
- A5: Pharrell Williams - Happy (From Despicable Me 2)
- A6: Sia - Chandelier
- A7: Paloma Faith - Only Love Can Hurt Like This
- A8: Idina Menzel - Let It Go (From Frozen)
- B1: Ed Sheeran - Sing
- B2: Hozier - Take Me To Church
- B3: Labrinth - Jealous
- B4: Mark Ronson - Uptown Funk (Feat Bruno Mars)
- B5: Little Mix - Black Magic
- B6: Rachel Platten - Flight Song
- B7: Lukas Graham - 7 Years
- C1: Justin Bieber - Love Yourself
- C2: Shawn Mendes - Stitches
- C3: Dnce - Cake By The Ocean
- C4: Christine & The Queens - Tilted
- C5: Rag N Bone Man - Human
- C6: The Chainsmokers & Coldplay - Something Just Like This
- C7: Dua Lipa - New Rules
- C8: Rita Ora - Anywhere
- D1: Portugal The Man - Feel It Still
- D4: Lewis Capaldi - Someone You Loved
- D5: Billie Eilish - Bad Guy
- D6: Tones & I - Dance Monkey
- D7: Post Malone - Circles
- D8: The Weeknd - Blinding Lights
- E1: Joel Corry - Head & Heart (Feat Mnek)
- E2: Ariana Grande - Positions
- E3: Glass Animals - Heat Waves
- E4: Olivia Rodrigo - Drivers License
- E5: Lil Nas X - Montero (Call Me By Your Name) (Call Me By Your Name)
- E6: Elton John & Dua Lipa - Cold Heart (Pnau Remix)
- E7: Sam Fender - Seventeen Going Under
- E8: Cat Burns - Go
- F1: Lost Frequencies & Calum Scott - Where Are You Now
- F2: Sam Ryder - Space Man
- F3: Lizzo - About Damn Time
- F4: Onerepublic - I Ain't Worried
- F5: David Guetta & Bebe Rexha - I'm Good (Blue) (Blue)
- F6: Sam Smith & Kim Petras - Unholy
- F7: Sza - Kill Bill
- F8: Loreen - Tattoo
- F9: Kylie Minogue - Padam Padam
- D2: George Ezra - Shotgun
- D3: Calvin Harris & Sam Smith - Promises
Vol 2 - Black[35,25 €]
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- A1: Our Love Should Last Forever - The Whatt Four
- A2: Be A Cave Man - The Avengers
- A3: Guaranteed Love - Limey & The Yanks
- A4: Lost Innocence - The Buddhas
- A5: Grey Zone - The Fog
- A6: I Need Love - The New Wing
- B1: See If I Care - Ken & The Forth Dimension
- B2: In The Heat Of The Night - Mental Institution
- B3: When It's Over - The Avengers
- B4: You're Wishin' I Was Someone Else - The Whatt Four
- B5: Flight Of The Dead Bird - Limey & The Yanks
- B6: My Dream - The Buddhas
- C1: I Told You So - The Avengers
- C2: Peddlers Of Hate - Don Hinson
- C3: Melodyland Loser - The New Wing
- C4: The Highly Successful Young Rupert White - The Chocolate Tunnel
- C5: Tomorrow Never Comes - Limey & The Yanks
- C6: You Better Stop Your Messin' Around - The Whatt Four
- D1: Shipwrecked - The Avengers
- D2: This Freedom I Have Found - Unknown Artist
- D3: Leather Coated Cottage - Limey & The Yanks
- D4: Brown Eyed Woman - The New Wing
- D5: My True True Love - The Avengers
- D6: I'll Never Let You Go - Carl Walden & The Humans
Top-rated West Coast garage sounds from the vaults of maverick genius Gary S Paxton. Acknowledged classics, tantalising obscurities and several previously unheard gems, all from the original master tapes, including tracks by Limey & The Yanks, The Avengers, The Whatt Four, The Buddhas_ among many others. Vintage garage rock is only one of the many tributaries of popular music that the maverick Gary S Paxton recorded and produced in his 1960s heyday, and compared to other genres, the off-kilter genius behind 'Alley Oop' and 'Monster Mash' was hardly prolific with it. But for a producer-engineer of his repute, it was inevitable that Paxton would cross paths with the sudden surge of teenaged rock groups that emerged in the wake of the British Invasion. We've gathered the best of them on "Lost Innocence", and for any aficionado of the genre, a treat is in store. As well as a brace of acknowledged Californian punk classics present and correct for the first time direct from master tape, this rockin' little disc also shares further booty from the Garpax vaults, including some obscurities well worthy of re-appraisal, along with completely unreleased nuggets of note. Counting among the well-known are the Avengers, Bakersfield's top dogs in the punk bracket thanks to snot-nosed missives such as 'I Told You So' and the controversial 'Be A Cave Man'. Ken & the Forth Dimension and Limey & the Yanks serve up the highly regarded items 'See If I Care' and 'Guaranteed Love' respectively, with a trio of ear-opening unissued tracks from the latter as a bonus. Riverside's Whatt Four weigh in with the popular ear-burners 'Our Love Should Last Forever' and 'You're Wishin' I Was Someone Else'. And the Buddhas' title cut is still the most eloquent ode to carnal knowledge in the entire 60s punk pantheon. Compiled by genre expert Alec Palao and originally released by Big Beat/ACE on CD only a few years back, it is now available on vinyl for the first time.
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Last In: 2 years ago
4 Bangers, 140/150 BPM, Solid in the kick and colorfull industrial sound...
Transparent sleeve and vinyl. Sleeves are serygrahied (1 by 1).
LTD 150 copies !
Happy Birthday !
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Last In: 9 months ago
dovrebbe essere pubblicato su 14.01.2024
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dovrebbe essere pubblicato su 01.02.2024
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Last In: 3 years ago
Free, Dancing . . . is the first release by a new trio with percussionist and producer Carlos Niño, luminary multi-instrumentalist Idris Ackamoor (of The Pyramids) and wizard guitarist, producer Nate Mercereau. They have been playing concerts together in California since June 2022, sharing a unique vibrant sound, findings and energetics... Including download code for the full album.
Artwork by Nep Sidhu.
dovrebbe essere pubblicato su 08.03.2024
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Last In: 2 years ago
For our 7th original release we welcome our good friend David Agrella, alongside Kompo on remix duties.
David’s a producer with a fast growing reputation and a label of his own, Agrellomatica. The label’s gathered support from a number of respected DJ’s such as Jane Fitz, Laurent Garnier, Ivan Smagghe, Francesco Farfa, Enzo Siragusa, Moxie, Ciel, Massimiliano Pagliara and we’re pleased to welcome him on Seven Hills.
The Kom Dansen EP is one of David’s darker EP’s, blending together thick growling basslines and atmospheric, psychedelic samples. 4 tracks made purely for the dancefloor, all driven by a phat 909 kick, this is music for late night sessions.
Deseo drives through twists and turns with a grooving bass, precise funky drum patterns, and a vocal recorded by the man himself. Kom Dansen hits you with a huge belly bassline, while taking you on a trip on the night train, deep into the wormhole, with an ever building momentum.
Sabotage Signals is similarly growling and deep, with spooked out synth sounds, and unsettling pad action, while Kompo’s version strips everything back, and
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Marlon Plein also known as Driven By Attraction, one half of Watching Airplanes is releasing a new solo EP on klakson! Watching Airplanes' 'blue is dope' was already one of the pleasant surprises featured on the klakson 20in20 compilation and the journey continues with 'Last Days Of Innocence'. 4 distinguished contemporary electro funk driven dance floor stompers with an ultra deep twist. Mandatory for serious record bags!!!!!!
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Last In: 2 years ago
"Recorded and produced during late night sessions from 2019-2022 while re-watching archive episodes of the German TV show Space Night from the late 90s."
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George Apergis aka EMEX, founder of Modular Expansion, returns after 2 years with a Collection of Classics! George Apergis makes his great return with a retro - italo infused banger techno track “Retrograde”. The release continues with the two first ever tracks of George Apergis, produced back in 2005 but never officially released! “Rave On” the electroclash smash hit and “Sleeping With Headphones”, a techno theme with percussive rhythms, bass synth lines and unique vocals, representing the sound of 00s. The release closes with “Back Forward” a hard kicker track with rave synth lines, percussive rhythms that goes beyond and creates a perfect rave tool.
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Last In: 2 years ago
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Last In: 2 years ago
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Last In: 2 years ago
- A1: Mista Sweet - Queensbridge To The Hague City (Intro)
- A2: Mista Sweet Feat Blaq Poet - Everything's Real
- A3: Mista Sweet Feat Tragedy Khadafi - Stand Up
- A4: Mista Sweet Feat Blaq Poet - Hit You With It
- A5: Mista Sweet Feat Big Noyd - It Ain't Safe
- B1: Mista Sweet Feat Tragedy Khadafi - Elite Era
- B2: Mista Sweet Feat Blaq Poet - Way Back In Queens
- B3: Mista Sweet Feat Tragedy Khadafi - Hood Therapy
- B4: Mista Sweet Feat Godfather Pt3 - Know Ya Enemies
- C1: Mista Sweet Feat Tragedy Khadafi & Nature - Snakes
- C2: Mista Sweet Feat Blaq Poet - Long Enough
- C3: Mista Sweet Feat Tragedy Khadafi - Queens Commander
- C4: Mista Sweet Feat Piif Jones - Cold Lesson
- D1: Mista Sweet Feat Tragedy Khadafi - Say Less
- D2: Mista Sweet Feat Capone & Craig G - Second Hand Smoke
- D3: Mista Sweet Feat Tragedy Khadafi - Stay Committed
- D4: Mista Sweet Feat Blaq Poet - Real Street Music
- D5: Mista Sweet Feat Tragedy Khadafi - Stand Up (Remix)
Mista Sweet presents: Queensbridge To The Hague City
New York City's Queensbridge aka "The Bridge" is one of the most famous and fruitful areas in HipHop.
A raw, gritty street sound with excellent lyricism is the trademark.
Where many new Rap releases seem to have lost their rawness, the double album "Queensbridge To The Hague City" brings back that original hardcore Rap.
The album is entirely produced by The Hague City's Mista Sweet, a HipHop veteran known for his production quality and superb DJ-ing.
For this release he teamed up with some of the most legendary MC's to ever do it, creating one of the rawest albums in years.
"Queensbridge To The Hague City" features: Blaq Poet (of Screwball), Tragedy Khadafdi (aka Intelligent Hoodlum), Big Noyd (rapper Noyd), Capone (of C-N-N / Capone-N-Noreaga), Nature (The Firm/Dr.Dre), Craig G (original Juice Crew), Godfather Pt3 (Infamous Mobb) and Piif Jones (Dave East affiliated).
Not to exaggerate, but "Queensbridge To The Hague City" is definitely what the worldwide hardcore heads have been longing for.
Brought to you by Redrum Recordz and Next Gems.
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Last In: 2 years ago
On his new release on Deep Shopping, Mister Bellini will take you on a trip with 6 fresh tracks packed with - funky homegrown bleeps - 100% organic vocal chops - crispy claps - fat basslines - 100% fresh beets* Whether you cut them, scratch them or just fade them in and out, this DJ-friendly record will help you drive the crowd crazy and take it to the next level! - Highly compatible with other tracks - 45rpm-ready - increased banger per record ratio Say yes and get this in your bag - don't sleep. *includes 1 fat electro beet and 1 gritty dubbed out beet
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Last In: 3 months ago
dovrebbe essere pubblicato su 15.01.2024
James Ruskin's Blueprint Records welcomes Setaoc Mass to the label's ever-increasing roster of techno artists. As a DJ and producer, Setaoc Mass is part of a select cut of young artists who are absorbing techno's legacy and carrying the torch into tomorrow. Whilst overseeing his own imprints, SK¦eleven and SKX, his releases push a galvanising brand of techno steeped in a sense of urgency, ever-propulsive with acute detailing and nods to a futuristic space-age.
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Last In: 2 years ago
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Last In: 3 years ago
- A1: Doesn't Matter (Intro)
- A2: Sei Morto
- A3: Control
- B1: Paradox In Love
- B2: Romance Espacial 2015 (Feat Vanessa Asbert)
- B3: Interlude Dancing In The Void
- B4: Default Mode Network
- C1: Now Is Here (7 30 Am Mix)
- C2: Ibex35
- C3: Apnea Central Del Sueño
- C4: Random Lyrics
- D1: Sotto Effetto A
- D2: In Memoriam (El Fin)
- D3: Los Niños Celestes
After almost 6 years of silence since “Akelarre”, Synths Versus Me, the personal musical project of Nico Cabañas, co- founder of Oráculo Records alongside the young Italian promise India Nardone. Recorded analogically in just 2 months, fluctuates in a futuristic way between different kinds of unusual dark sub styles such as industrial noise, proto- tribal, synthpunk or krautwork, and, of course, among other dance-oriented such as EBM, new beat, synthwave, electro/breakbeat or trance. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).
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Last In: 2 years ago
Trystero comprises Scottish/Luxembourgish producer Thomas Lea Clarke (aka MR TC) and Low Bat, otherwise known as one half of the formidable duo Jean-Luc. Their debut album, Sfumare e Vedere, was conceived over three days aboard Urban Boat, a 1960s barge transformed into an arts and performance space. Moored along the river just outside of Paris, the duo embarked on a joint residency, discovering their complementary creative energies and a mutual passion for all things strange and psychedelic.
As frontman, Low Bat is a fire-powered poet, his unparalleled stage presence resonating through Trystero's music. The French native and fluent German speaker has a natural flair for languages. For this project, he sings in a combination of Italian and English about love, loss, and class struggle, constructing surreal wordplay about pelicans and puttanesca. Meanwhile, Clarke's drone-lead electronic accompaniment takes its cues from sizzling acid, 1990s snap rhythms, post-punk, krautrock and shoegaze. Firmly rooted in these tripped-out genres, Trystero journeys to entirely new cosmic dimensions.
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Last In: 2 years ago
- A1: Ritzi Lee - Neutropia
- A2: Amotik - Laal
- B1: Norbak - Lucidez
- B2: Dimi Angélis - Optical Prism
- C1: Jeroen Search - Illustris
- C2: Uvb - Mortifere
- D1: Bas Mooy - Vedette
- D2: Kaiser - Disciplined Soldiers
- E1: Orphx - Slipping Through My Fingers
- E2: The Lady Machine - Concorde
- F1: Inigo Kennedy - Copperheadf
- F2: Adriana Lopez - Gradual Illusion
- G1: Quelza - La Choregraphie Du Soleil
- G2: Stanislav Tolkachev - Must Be Loud
- H1: Rene Wise - Smashing Around
- H2: Brendon Moeller - Hot Pursuit
Celebrating ten years of uncompromising devotion to techno and its bastard cousins from the fringes, Rotterdam's finest MORD and RYC team up to deliver a special four-vinyl / eight-sided kaleidoscope of a compilation, featuring some of the artists that have helped shape up both labels' identities over the years as they press on in their aim to set their very own techno utopia into stone. - Adriana Lopez, Amotik, Bas Mooy, Brendon Moeller, Dimi Angelis, Inigo Kennedy, Jeroen Search, Kaiser, Norbak, Orphx, Quelza, Rene Wise, Ritzi Lee, Stanislav Tolkachev, The Lady Machine, UVB are all present! Unfolding as a testimony to their unflaggingly resolute vision and aspirations, 'MORD x RYC' operates as an ode to their hometown of Rotterdam - the artwork itself being a direct nod to the city's iconic 'cube houses' from the 1970s, but also to the tentacular connection both MORD and RYC have developed throughout the past decade, bonding organically alongside like-minded artists and hubs from the techno internationals to expand their reach and impact. Local figure Ritzi Lee paves the way with 'Neutropia', a mind-bending, abstract-leaning head charge of frizzling electronics mixed with the unrelenting assault of a thousands bisons' pack fracturing their way into your system. Amotik follows up with the paced-up bleepy madness that is 'Laal', a proper deep and raging slice of clinical machine hoodoo, geared up for hi-velocity rumble on the dance floor and a ruthless hi-jack of your brain capacities for the duration of the track. Up with the punishing club destroyer 'Lucidez', Norbak treats us to a maelstrom of choppy hardware currents and head-spinning strong winds criss-crossing a brutalistic mindset. Dimi Angelis 'Optical Prism' is one to play some nasty tricks on the mind and alter your body functions through its evil-minded thunder of processed drum prog, noise-adjacent projections and gusty, Dantesque atmosphere. Breathing in further acid wonkiness in his typically spaced-out composition with 'Illustris', Jeroen Search has us jacking to a weirdo concert of chord dissonance and punchy percs, whereas French exponent UVB lets the hounds of rave loose on the epic-sized 'Mortifere' - a strikingly potent piece of 909-fuelled dementia that unfurls with the fierce soul of a 90s scene warrior, and future-facing bravura of newfangled classics. Taking over on the rough and unfazed 'Vedette', MORD boss Bas Mooy gives his own definition of a quality industrial chugger, club-efficient and trimmed down to its most essential palette. Kaiser goes full-on martial style on 'Disciplined Soldiers', giving us a taste of his ever surgically executed blends, flush with the usual tapestry of lysergic synth swashes and nonstop pounding drums. Canadian duo Orphx step in with the rugged and opaque 'Slipping Through My Fingers' - a much spitting glimpse of the sound they've come to advocate over the years, as raw as it proves oddly sensual, and as hypnotically entrancing as it remains mysterious to the bone. A riotous, pounding danse macabre that oozes tar fumes and heated steel, the Lady Machine's 'Concorde' is no-prisoner techno in its purest essence, tailored to whip up a frenzy in any context, any time of the day. Walking the tightrope between an elevated sense of melodicism and mastered 4x4 uproar, Inigo Kennedy here again exposes the width of his skills when it comes to carving out durably haunting, soulful techno that sure knows how to harness energy and power from the ravers' hearts, whereas Adriana Lopez 'Gradual Illusion' steers us back to a further exhausting state of sublimation, and then utter dissolution. Whiz kid Quelza pulls out a big one with 'La Choregraphie Du Soleil', a much ambitious slab of visionary techno, splattered with the kind of breathtaking arrangements and scope-breadth you'd expect from more seasoned producers. True to his high-flying standards, Ukrainian maestro Stanislav Tolkachev goes full mental style with 'Must Be Loud', a genetically modified treat that'll get your senses in a weird sense of alert, while Rene Wise dishes out a massive burner in 'Smashing Around', as ever laser-precise and textured out to impressive effect. Brooklyn's dub techno legend Brendon Moeller rounds off the package with the obsessively playful 'Hot Pursuit', sure to please all lovers of the US producer's mind-altering modular style and upstream relevancy.
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After a short hiatus on the release front, we see STRWB008 bring the next volume of our Various Artists series, Fruit Medley. Welcoming 4 Fraise newcomers from across the globe, this VA brings two moody club tools paired with two early morning cruisers which will be sure to send all Dancefloors into a whirlwind. Time to get stuck into the Medley 2.0!
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Last In: 2 years ago
- Albert Giménez - Conte Xinés
- John Lawson - Time Will Say Nothing But I Told You So
- Roberto Menabo - Il Ritorno Dell'enola Gay
- Dominique - Aquarium
- Maurizio Angeletti - Zen & The Stone Game
- Hans Reichel - Could Be Nice Too
- Mickeranno - Dai Vetri
- Axel Schultheiss - Pas De Deux
- Norman Teeling - Two Rainbows
- Bojan Drobez - Krog Na Vodi
- Gereon Piller & Gerhard Krause - Blue Winter
- Peter Finger - Second Love
- Andy Bole - That Way
- Enrico Marcandalli - Il Divano Arancione
- Dave Maddison - Phase Shift By Earth
- Martin Kolbe & Ralf Illenberger - Veits Tanz
NTS presents European Primitive Guitar, a compilation of instrumental guitar compositions, mapping out European analogues of the American Primitive Guitar movement, spearheaded by John Fahey in the 1950s. European Primitive Guitar spans works directly influenced by and responding to Fahey’s approach to composition, alongside works by artists that arrived at similar conclusions independently. The music is, at once, both starkly traditional and contemporary. This is no more evident than with the opening song on the compilation, Spanish guitarist Albert Giménez’s 1982 composition Conte Xinès. The song draws on numerous idioms of music - flamenco, jazz, ambient music, and guitar soli - within its shimmering arpeggios, culminating as a decidedly Spanish music that has collected the ephemera of the guitar’s travels before returning home. The compilation also explores wider ideas around experimentalism happening in Europe during the time of this anthology. German composer Hans Reichel not only developed new ways of playing the instrument, but also new ways of building guitars - pushing the boundary of what a guitar could be and how it could sound.
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Last In: 5 years ago
Techno legend Umek debuts on Science Cult under his electro moniker Zeta Reticula. Four high powered electro stormers lead the charge supported by a dark, pounding remix from Germany’s Tag & Wandrach and a weapons grade Electro / IDM remix from label founders Syrte and Visions Of Glosters.
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Last In: 2 years ago
- A1: Feeling Good
- A2: Ready Or Not Feat The Fugees
- A3: Doo Wop (That Thing)
- A4: To Zion Feat Carlos Santana
- B1: Fu-Gee-La Feat The Fugees
- B2: The Sweetest Thing Feat John Forte
- B3: Take It Easy
- B4: Peace Of Mind
- C1: Lost Ones
- C2: Killing Me Softly
- C3: If I Ruled The World Feat Nas
- C4: How Many Mics Feat The Fugees
- D1: So High Feat John Legend
- D2: Care For What
- D3: Angel Of The Morning
- D4: The Miseducation Of Eunice Waymon
- D5: Fu-Gee-La (Refugee Camp Remix - Bonus Track)
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Last In: 10 months ago
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Last In: 2 years ago
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Last In: 21 months ago
Released on the Cadet label in 1970, this album’s wondrous mix of spiritual and funky jazz and unique instrumentation defy categorization. Harpist Ashby adds the koto, a 13-stringed Japanese instrument to her arsenal, and her long-time arranger Richard Evans blends flutes, vibraphone, oboe, kalimba and Ashby’s own vocals into a singular and soul-affirming set.
This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.
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Last In: 16 months ago
- A1: Sincerity Commercial
- A2: Our Funeral
- A3: Pet Rock
- A4: I Hate My Best Friends
- A5: I Killed Your Dog
- A6: All The Days You Remember
- A7: 5 To 8 Hours A Day (W Wwa G)
- B1: Sometimes
- B2: R(Emote)
- B3: Uncertainty Principle
- B4: Oh Wow, A Bird!
- B5: Knead Bee
- B6: Monsoon Of Regret
- B7: Clumsy
- B8: What's That Song?
- B9: New Year's Unresolution
Multi-instrumentalist, composer, performer and curator L’Rain (Taja Cheek) returns with her third album I Killed Your Dog. Over-writing themes of grief and identity that informed her previous work, I Killed Your Dog considers what it means to hurt the people you love the most. Multi-layered in subject and form, L’Rain’s sonic explorations interrogate instead how multiplicities of emotion and experience intersect with identity. The experimental and the hyper-commercial; the expectation and the reality; the hope and the despair. “I’m envisioning a world of contradictions, as always,” Cheek explains. “Sensual, maybe even sexy, but terrifying, and strange.” Written amidst heartbreaks from the perspective of an earned maturity, I Killed Your Dog takes the sonic world laid out by L’Rain in 2021’s album Fatigue on a compelling new trajectory. Described by Cheek as an “anti-break-up” record, I Killed Your Dog takes the universal pop theme of love as its starting point – bold, bratty and even a touch diabolical – and inspects it through the form of a conversation with her younger self, untangling her relationship with femininity and the formal musical conventions that others have come to expect of her. Alongside long-time collaborators Andrew Lappin and Ben Chapoteau-Katz, Cheek has developed L’Rain into a shape-shifting entity that blurs the distinction between band and individual
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Last In: 2 years ago
Fachwerk boss Mike Denhert rolls up on TECH-UM 006 with for another heavy selection of intuitive techno jams on his 'TESTET' EP. With the focus squarely on the dance floor the Berlin-born wizard's latest creations makes for another unique voyage into cutting edge techno. Kostik with its dark wall of sound opens the release sporting an gargantuan bassline and metronomic percussion that resonates through the speakers. Freakin' Me offers a slow and low machine funk strut, with its heads-down groove and sassy vocal chops. On the flip Mike hits out hard with Mino. A heady concoction that's one part Chicago, one part Detroit, one part Berlin, coming together to create the perfect party piece. Dehnert then closes with one final gem. Sampling a broken escalator from a NYC train station, he engineers layer upon layer of mechanical madness. Creative clanging. Welding sounds and strikes like a vibrating visionary, he presents a final silvery sonic sensation.
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Last In: 2 years ago
Minor Science—aka UK-born, Berlin-based musician Angus Finlayson—makes his Balmat debut with Absent Friends Vol. III, the third installment in a shape-shifting series across a variety of formats and platforms. And with it, he pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and even rhythms.
The first two Absent Friends—a 2014 set for Blowing Up the Workshop, and a 2017 cassette and web player for Whities (now AD93)—were hybrid affairs, part DJ mix and part collage, mostly featuring music made by other people. Then, in 2020-21, Finlayson developed the project into a live show of his own material. Armed with hundreds of bespoke stems created in his studio—idiosyncratic FX chains, feedback loops through cheap rack gear, heavily post-processed field recordings, found voices, etc.—he would improvise on four CDJs, mixer, FX, and live synths, extending techniques he learned as a club DJ into a live context, accompanied by visuals by Stockholm-based artist Paul Witherden.
Absent Friends Vol. III is an album of studio versions of the music developed for the live show. But in Minor Science’s world, even a category as simple as “studio versions” is slightly opaque. “Most of these tracks weren’t ‘composed’ in the studio,” Finlayson explains: “The sounds started out as stems and source material for the live show, and might not have been intended to go together—but then through performance, they settled into shapes that worked. I then recreated those performances in the studio.” That organic process of ideation and realization might help explain the unusual coherence of the album, in which sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back. There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose, from the frozen-in-time shimmer of the opening “Introduction” through the early cuts’ studies of space and light; from the seemingly autobiographical “Summer Diary” through the rushing trance (yes, trance) arpeggios of “Contingency” and on to the dulcet denouement of the closing “Gather Your Party (Dispersed Mix).”
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Last In: 2 years ago
After more than a decade releasing quality music on prestigious labels worldwide, Italian artist Nico Lahs launches his new label, U FIT, with two new solo EPs. The first, Distant Shadows, is a 4-track EP that showcases all of Nico's skills and his ability to juggle the most diverse shades of deep house.
A package that collects proper club tracks, groovy stuff, emotional deep house, and raw and deep tunes. Simply what one would expect from Nico Lahs. Tip!
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Last In: 14 months ago
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SoHaSo keeps finding lost gems in the rich soil of the Dutch electronic underground. You might know P.A. Presents from his epic Entangled EP (1995) or his many releases on U-Trax. When SoHaSo informed if he had any dusty DAT tapes laying around from that particular period in the 90s, Peter Aarsman started digging. And found plenty of goodies. Here's six tracks which will beam you right back the last century, when names like Carl Craig, Drexciya and Bola were household names among the lovers of funky, melancholic electronica. Whether it's moody strings, otherworldly melodies or syncopated break beats, P.A. delivers on his Lost Voices EP. Like on the 4Hero-esque Drum 'n Tech or the mysterious and jumpy electro vibes on Vice. On Drop It and closing track Lost Voices the Dutch producer goes into full club modus. This is techno that used to fill up warehouses in windy harbor neighborhoods. Be sure to check the Drexiyan remix by Proxyan, who masters the art of deduction on his skeleton-like remix of Vice.
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Last In: 23 months ago
Back in 1999, label boss Ewan Jansen took receipt of demo tapes by Kai Kroker (AKA Rawell) who subsequently appeared on Red Ember’s very first compilation record ‘Deepsounds One’.
These forgotten demos (lost even to Rawell himself) plus further works from 1995-2002, span a 2LP release of deeply emotive minimal house, techno & leftfield; an earnest synthesis of minimalism and romance from Berlin in the 90s. Included also is an ambient/downbeat 6-track digital EP (including the original version of ‘Tailwind’).
Move D’s gloriously moody and life-affirming ‘90s galore mix’ of ‘Tailwind’ is a very special reunion between close friends; the pair’s last collaboration dates back to 2005 under the ‘Faked.Info’ moniker and both recorded together along with Jamie Hodge under the collective ‘Studio Pankow’.
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Last In: 5 years ago
"RTR makes a dazzling return to WeMe Records with Circle coming through with 6 new tracks. 6 ways to outline his love for playful melodies, sauntering arrangements, squelching synths. Less breakbeat, more dancefloor oriented, RTR shows off some of his best and most colourful material as of late The record is both raw and punchy, kicking into gear over and over like an old fashioned detuned drum machine loop."
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Last In: 2 years ago
unique cut, record plays inside/out and has big engraved grooves between the tracks
Rude 66 dusted off some of his vintage digital samplers and came up with probably one of the most anomalous releases of his discography. In these tracks you can hear influences of early 90s Meat Beat Manifesto and Coil weaving with the typical West-coast vocoder and synths, making "Fragmented Living" sound like it could have been produced anytime from the early days of industrial music to a few decades ahead from now. Another essential release on Pinkman.
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Last In: 2 years ago
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Last In: 2 years ago
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Last In: 2 years ago
2023 repress.
For the second release of Cartulis sub label ALT delivers a VA with some of the hottest producers around. A1 is Prince de Takicardie's new aka. A rolling stripped back track with maximum effectiveness for the dancefloor. Uruguayan DJ/Producer Cabanelas delivers A2 with Sambu y Los Morsas. A techno/house infused track with a touch of romanticism on the back.
Cartulis resident and master of the craft Z@p brings the heat to the B side with what some would feel like a resemblance to his past work for Cartulis with Tracid. After hours tip!
B2 is a techno work out by old school producers Justin Drake and Paranoid London's main man Quinn Whalley that will keep any dancefloor engaged.
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The second collection from Tancido maintained the label's aesthetic while fully embracing the dancefloor.
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St. Virus is a Covid-themed album born in Covid times. It processes the pandemic phenomenon from the aspect of the individual and sometimes of the pandemic itself on a philosophical level.
The opening track, "Isolation", takes the listener on a journey plagued by the sense of loneliness created by isolation. The ever-present melancholy slowly deepens into an overflowing anxiety without release. The eponymous "St. Virus" is a piece that considers the relationship between man and nature and the viruses that appear in it. They work in their own expected and, upon consideration, very honest way. Are we humans honest like this? Are human beings on some level similar to a virus? “Inherently Destructive” presents the idea of the unsustainability of the current situation. The events around us are fundamentally destructive for the individual person, for society and for the culture it carries. St. Virus is a personal soundtrack through Covid times. Record featuring artists are Tapani Rinne, Wimme Saari and Ville Kuukka.
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Analogical Force presents a killer EP filled with 4 tracks ranging from colourful braindance to old Viewlexx style electro .The debut of Hamburg-based Carsten Schulz aka Quadratschulz. 'Halo Welt' appropriates the space in a particular way because it bewitches you and never lets go. Fast and choppy rhythms against dreamy melodies, acidic bass lines and mind-blowing electronic exercises that will leave you wanting more. A versatile EP that will stand the test of time!
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Last In: 2 years ago
Recut & Repressed!
Tbilisi based party series Pluto’s Plan launches a new label sharing the same name. To start the things off 3 local producers collabed to merge their sounds in 1 decent wax. A stellar VA compiled EP “Starship of Charon” consists of 2 pure house, acid pumper and slow breaks. A1 and B1 house joints were delivered by the label's own Hatsvali. A2 is claimed by a very good friend of a label Toke, family member of D.ko he delivers a masterpiece with pleasing acid chops fitting any party at any given time. B2 is an unheard side of Horoom resident Hamatsuki, a smooth slow burner for early heat.
Order now. Collecting orders for repress.
Last In: 2 years ago
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Last In: 2 years ago
AirFunk is back with a very special third release AirFunk 003! The first tracks from the collaboration between Maxime dB & Aline Umber has found a home on the A side : Tribute to Malibu and Disco Sex Machine. On the B side we have two stellar groover from Sweely and Man/ipulate aka Welwert.
The 4 tracks are stamping once more the color of the label’s imprint with Pop & Disco influences!
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French production duo and live act Atomic moog debuts on the Delsin Cameron series with their Programm EP. Operating in a deep techno niche since 2015 they've put out an excellent run of mesmerizing, introvert dancefloor techno for labels like Lowless, Subosc and Norwegian techno platform Monument. Here on Delsin they crafted the next chapter of their vibrant modular quest, sub heavy and sparkling at the same time, sparsely arranged subtle techno jams.
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Last In: 2 years ago
This is the genesis point for Yugambeh Country (Burleigh, Queensland) based imprint 100 FOLD. Forward facing yet with a respectful, almost romantic eye tuned into the deepest echelons of electronica and dance music so desperate for a revisit. Healthy doses of deep, esoteric atmosphere and high-tech abstraction are treated with care and precision equally.
We are softly welcomed with the peaceful entrance of Development (Imposter Syndrome B Side Mix), guided by native fauna field recordings and foley. Electronic dub energies are glued together with tropical island paradise level ambience, waves of effortlessly full pads and lush bass pulses evaporate into mist. A moment of reflection and centring before a second act of chunky and bombastic beats, dancing in harmony with the soothing nature of it’s humble beginnings. Prototrek brings us a fat slice of deep space pastoralism, high functioning trip-hop from the deepest reaches of the cosmos. The soundtrack to an interstellar journey towards unknown frontiers and endless paradigm-shifting possibilities. starting off the B side is Liquid Rats (Environment Mix). True downtempo and psybient of the highest order. Tranquil, dynamic and effortless.
Finishing up on the B side is the insanely warehouse ready Beach Goth (A.D.H.D Re-work). Straight up late 90’s/early 00’s electro and big beat with genius level intellect, a “Need For Speed: High Stakes” type beat. High octane drums, nitrous infused breaks and laser accurate bleeps all riding a bassline with infinite torque. Sounds for hitting the accelerator deep in the night and not looking back. Big “Tokyo Drift” energy on the tubular bells near the end, sending this piece high into the stratosphere. Full dichotomous flip on the records finisher; Smoking With Laraaji. Digital whip-birds announce your arrival at this atmospheric finale, warm synthetics and naturalistic percussion closes this pentalogy in the only way that feels right. With a sense of triumph and optimism. Something we could all use more of in our lives.
This record is a deeply human experience, meticulously crafted by the artist and lovingly mastered by Smallville records alumni Moomin. The energy of the natural, terrestrial moments are shared effortlessly with an otherworldly, cosmic vision of a utopic rave society.
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Roulette Rekordz owner Poladroïd debuts on Science Cult with a 2x12 album. Driven by an enigmatic theme inspired by ancient history and mythology, we weave our way through Kraftwerk informed Electro and IDM. Truly a unique and deep musical story telling experience fit for the dance floor or for deep listening.
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First friendship, then unconditional love for the music and dancefloor. These are the secrets between the new label OCV, collaborative project between London’s OPIA Records and Cuneo’s Club Vision. From the first party together, to the endless travelling together. We knew there was only one way to go. Welcome to OCV.
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Quite an intimate affair, including never-ending, quietly glistening jams on the verge of a dancefloor and a chillout room - somber yet including a few secretly ecstatic moments. With sneaky kick drums, ringing bells, chirping birds and the smell of spores opening, the atmosphere here is quite dense, at times relentless, yet empathetic at the core. The EP comes from a classically trained painter and a tattoo artist, Stereometrix, who sets up a rather idiosyncratic set of visual and acoustic references. He's part of Penumbrum, a Warsaw night and label uniting like-minded artists from western Ukraine and Belarus, building a city within a city.
Mastered and cut by Tim Xavier at Manmade Mastering.
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Last In: 2 years ago
As it turned out, the archive with manuscripts from the C-500A dimension had sunk in the oceanic abyss of the planet Iguazu, which lies within the habitable zone and is similar in size, mass and temperature conditions to Earth. Multimeter waves could become a fatal obstacle to diving to extreme depths, not to mention the threat of decompression sickness.
When the underwater vehicle stealthily touched the bottom, the launch platform docked with the information storage. Cat started laying pipes with the help of hyperbaric welding to transfer the documents to the carrier vessel. Spacelunch was patrolling the nearby surroundings, holding a crossbow tightly in his hands and slyly exchanging glances with the nuclear moray eel.
The pneumatic mail quickly activated the reading shells, setting up a data transaction. The sonar equipment for scanning the bottom and the manipulator arms were not necessary this time, which means cryptanalysis is going to be launched in the near future.
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We are pleased to announce a momentous milestone in the history of Exit Records - EXIT 100.
To mark this special occasion, we've curated a 4 part album featuring both new and seasoned artists which is a is a testament to Exit Records' commitment to pushing the boundaries of electronic music. It features tracks from emerging talents that showcase the future of Exit while paying homage to the pioneers who have defined our sound over the years.
As we celebrate this incredible journey of music and creativity, we want to extend our heartfelt thanks to you, our dedicated supporters, for being part of the Exit Records family. Your passion for our take on electronic music has fuelled our 100 releases, and we're happy to share Part 1 of this compilation with you.
We look forward to embarking on the next chapter with you and continue pushing the boundaries whilst keeping it True To The Craft!
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On ”Loos EP”, Stockholm-based producer and DJ Ari Bald returns to Västkransen Records with three original tracks aimed for the dance floor. The record’s self-titled main track is a peaktime tune whose stabbing chords, flowing pads and hypnotizing bassline testify to Ari’s love for Kerri Chandler. On the B-side, the dreamy ”Fluff” explores the boundaries between modern Nordic disco and classic house. The record closes with ”Peachy Streets”, an 80s-leaning house track co-produced with DJ Hasse from Bike Thieves. If ”Loos EP” doesn’t get your party started, we’re not sure of what will.
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Producer Pantelis Theodoridis was introduced to us 10 years ago, when he and his band created the wonderful universe of Regressverbot, moving in minimal synth/post punk paths. Lately, under the alias Athens Computer Underground, he has been releasing compositions influenced by various electronic subcultures such as drum n bass, house and electro, introducing the acidic melodies of tb 303 as a central element of the instrumentation. Contrasting the well-polished computer music with the methodology and aesthetics of oldschool hardware sequencers and vintage synths, he creates a sound that evokes the underground moments of early acid house or the sound of labels like rephlex and breakin records.
His new 8-track album is titled To Filima (The kiss) after the eponymous poem by Maria Fili, which is included in the second track of the album and sets the tone for what to expect. Behind the d.i.y, grit-in-the-mix style production and distorted drum machines lies a divergent sensibility and upbeat yet elegiac instrumentals that make the album reminiscent of a melodic diary.
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- A1: The Statement 2 34
- A2: Remind 'Em Feat Quavo 3 21
- A3: Beach Ball Feat Bia 2 24
- A4: Ok With Cool & Dre Feat Young Thug 4 06
- A5: Could It Be You Feat Blxst & Yung Bleu 3 06
- B1: Luxury Life Feat Coi Leray / The Whole Darn Family 2 18
- B2: Big Everything Feat Dababy & T-Pain 4 00
- B3: Roboshotta Feat Burna Boy 2 01
- B4: Tings 3 07
- B5: The Return Of Mansa Musa Feat Swizz Beatz & Blackway 3 25
- C1: Stand Up Feat Jnr Choi 3 46
- C2: Open Wide Feat Chris Brown & Shenseea 2 47
- C3: Hold Up 2 13
- C4: The Hive Feat Giggs 2 49
- C5: Homage Feat Kodak Black 3 09
- D1: Legend Feat Morray 3 52
- D2: Slide 3 39
- D3: Legacy Feat Cie, Trillian & Rai4 12
- D4: If You Don't Know Now You Know Pt 2 Feat. Big Tigger 5 19
Busta Rhymes bereitet sich auf die Veröffentlichung seines 11. Studioalbums vor, das erste seit "Extinction Level Event 2: The Wrath Of God", das 2020 erschien. Das Projekt trägt den witzigen Titel "BlockBusta". Er stellt sicher, dass das Album seinem Titel gerecht wird und einen echten Blockbuster abliefert. Dazu hat die Rap-Legende drei weitere Legenden als ausführende Produzenten für das Projekt gewonnen. Pharrell, Timbaland und Swizz Beatz, drei der legendärsten Produzenten der Rap-Geschichte, sind alle an Bord, um mit Busta zusammenzuarbeiten.
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Last In: 2 years ago
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Dub-Stuy’s riddim series is a nod to tradition with a modern twist, with the label teaming up a producer with different vocalists to voice a single riddim.
The latest entry in the series comes from French producer Von D who crafted the Saga riddim exclusively for this occasion, a weighty steppers piece featuring guitar, keys, and horns. The riddim is paired with vocal turns from reggae singers Chukki Starr, Chezidek, and Jah Mason who each bring their own unique stylings to the riddim, riffing on uplifting messages of unity in the face of oppression.
As always the release includes the instrumental version, this time with a dub twist from Von D. Mastered by Bristol legend Joker.
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Last In: 2 years ago
Having firmly re-established his underground roots, through a series of killer EPs on his newly birthed imprint, 49North - the Spooky and Animated legend now turns his attention to solo album number 1 - his first ever, as Duncan Forbes.
Laying its first foundations some 5 years ago now - ‘Return Of The Strobelight Kid’ has been stealthily taking shape and developing organically ever since. And as a result, the 8 tracks which now make up the final running order, feel very much a direct reflection of all that was experienced during that time; as someone who - whilst having well and truly bought the t-shirt several times over by now - nevertheless finds themselves back on the starting grid, having to do it all over again from scratch.
But embarking on new adventures from way back on square one - is something Duncan’s no stranger to; and on this album, he invites us to join him on this journey of his, and experience all the ups, downs, twists and turns that come with such intrepid territory.
TASTEMAKER/DJ SUPPORT: Axel Boman, Steve Bug, Baikal, Ame, Len Faki, Red Axes, Agoria, DJ Sabo, Anja Schneider, Alex.Do, Oliver Huntemann, AFFKT, Smash TV, The Revenge, Joshua James, Nicole Moudaber, Tim Sweeney, John Osborn, Powel, Alexi Delano, Davide Squillace, Kasper Borke, Iron Curtis, Optimo, Musumeci, Klose One + more.
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Last In: 2 years ago
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Last In: 63 days ago
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Last In: 2 years ago
George Morel. The man behind that name stands for warm and soulful
House sounds for decades, not only for being one of the hottest DJs
around the world, but he's also a multiple gold and platinum
receiving artist with the help of his excellent production skills. Now he's back once more on Alex Flatner's label Circle Music - with a new underground hit.
'The Ride' takes the listener on a trip through oppressive basslines, kicking beats and a playful ocean of effects. Without compromising this track pulls out all the stops in terms of modern House music. And also the second track of the EP, which is titled 'Father Speech', plays with vocals, effects, and plenty of percussion elements, but without losing the track to a tribal flavor. Rather more to make it a full-bodied whole. 'In the beginning, there was House music' and George Morel has been active in the scene right from the beginning as well. His sounds are still fresh and reflect his impressions of his visits to the international clubs. This is history in the making!
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Heavy collection of west coast house classics and unreleased tracks produced by Jay Tripwire in early 00’s.
Exquisite choice of underground grooves that were played over the years by Ricardo Villalobos, Raresh, Margaret Dygas to name a few.
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Wisdom Teeth co-founder K-LONE returns with his second full length project, ‘Swells’: a kaleidoscopic and expansive record that looks to deep house, synthpop, leftfield R&B and beyond for a spellbinding masterwork of melodic electronica.
His debut LP ‘Cape Cira’ became the accidental soundtrack of the long strange summer of 2020 - its lush marimbas, hazy atmos and synthesised bird calls providing the ideal soundtrack for some much needed collective escapism. The record was widely deemed one of 2020’s standout electronic LPs, gaining glowing reviews in Pitchfork, DJ Mag, Mixmag and Resident Advisor, and ranking highly in end of year lists by Crack Magazine.
Approaching its follow up, the Brighton-based producer felt a fresh perspective was needed. Originally landing on the name ‘Swells’ as a secret pen-name to write the record under, the intention was to keep the project as separate as possible from ‘Cape Cira’ to avoid settling into familiar territories - but as the record took shape it became clear that it made perfect sense amongst his already diverse discography.
Like ‘Cape Cira’, there is a distinct and intentionally limited sound palette at play on ‘Swells’. Looping vocal cuts, rich cluster chords and undulating arpeggios sit front and centre here - as does the lo-fi plonk of of the CR78 drum machine. But while the record clearly takes influence from a range of vintage sound sources, its overall aesthetic is unmistakably contemporary. Sounds are not artificially degraded nor obscured under washes of sampled tape hiss. Rather, everything is processed with a gloss, hi-fidelity sheen. The record’s rhythms are bright, dry and snappy, and its melodies are processed with a neon poppy glow.
The producer’s unabashed love of contemporary pop music is most obviously exemplified by the appearance of British singer-songwriter Eliza Rose. The pair met for a session at a North London studio back in 2021, and the now Brit Award-nominated singer’s warm, emotive vocal takes became an immediate source of inspiration early in the record’s conception. As such, Rose’s voice is heard in various states of manipulation throughout its duration - initially as reduced and looped phrases, and then finally in full form on ‘With U’: a low-lit, dubbed-out slice of leftfield R&B that beckons comparisons with Tirzah, Little Dragon and even Erykah Badu.
Elsewhere, there are references to G-Funk (‘Oddball’), Autonomic drum and bass (‘Shimmer’), hip-house (‘Love Is’) and even Metronomy-era electro pop (‘Love Me A Little’).
As always, the true magic of K-LONE’s artistry is to present complex, subtle and original ideas in ways that feel familiar and immediate. Melodies are introduced as effortless earworms, only to be twisted out of shape into strange and unusual formulations. Looping rhythms unspool into washes of hazy, dubbed-out ambience before rebuilding themselves. Refined and endlessly creative, ‘Swells’ marks a captivating next step for a producer and record label that have both reliably positioned themselves at the very forefront of contemporary electronic music.
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Welcome to Recreational Kraut, the latest release on the recently relaunched Source Records label. This collaboration between Jordan Czamanski (aka Jordan GCZ) and David Moufang (aka Move D) links back to the ambient experimental beginnings of Source Records in the early 90s, as well as to Conjoint, a project exploring the borders of
improvised music based on ambient, experimental electronics and jazz featuring Karl Berger, Jamie Hodge, Gunter “ruit” Kraus and David Moufang. Recreational Kraut was recorded live in in three sessions in Jordan’s Amsterdam studio in 2018 and 2019. As the title suggests, the album §irts with the term and the “genre” krautrock and it’s prolonged, often improvised instrumental passages.
The equipment used in the late 60s and early 70s was often rather conventional like electric piano, old synthesizers and electric bass guitar - all present on the album’s opener “recreation parts 1-3”. The two instruments shaping the album and giving it a coherence, despite the varied styles and tempos are Czamanski’s Fender Rhodes and Moufang’s lyra-8, an 8 oscillator drone synthesizer which is played
manually via touch sensors, giving it a very expressive sometimes violin-like other times outer-worldly, atonal character. Recreational Kraut’s 11 tracks span beat-less ambient soundscapes to jazzy psychedelia, as well as hints of house, techno, broken beat and funk. Let yourself submerge in the gravitational ¦elds of Recreational Kraut
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