- A1: Original
- A2: Instrumental Mix
- B1: Terry Hunter Remix
- B2: Reel People Remix
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Accomplished NYC singer-songwriter Kelli Sae unveils joyful new single Good Feeling on 21st June 2024, the first fruit of her fourth solo artist album due early next year. Good Feeling swings, sways and shimmies with playful Latino spirit; a summer-fun delight all about seizing the day and embracing love and life. Sae’s sizzling vocals dance in and around deft keys, layered horns, tight guitar parts and, of course, that infectious percussion. Verses switch up to agile scat solos and down to emotive breakdowns – it’s the very best of feelings….
Good Feeling is produced by Chris Franck, co-founder of Da Lata, chief instigator behind Zeep, Smoke City and Batu, and long-standing mastermind for a wealth of other studio projects and remixes. The record features a talented cast of musicians including award-winning Brazilian composer Rafael Martini, who arranged and conducted the horn sections in one of Latin music’s truest heartlands Belo Horizonte.
Kelli Sae’s story has it all. An internationally acclaimed artist, she previously shone as lead vocalist for renowned jazz-funk collectives Incognito, Count Basic and Defunkt, and worked with Tina Turner, Chaka Khan, Patti LaBelle, Ashford & Simpson and Me’shell Ndegéocello among others. Born of Puerto Rican, African and French descent, Sae has soulful eclecticism in her blood. The exciting mix of sounds, cultures and influences across her three, independently-released solo albums to date is testament to this, as well as her respected forays into composing, playwrighting and stage performance.
Good Feeling is Kelli Sae’s latest impactful outing for Reel People Music, following singles Good Love, Right Now and Believe In A Brighter Day earlier this decade. The special relationship is set to blossom further over the coming months. We. Can’t. Wait.
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Released in 1965, this is Gladys Knight and The Pips’ first and only studio album for Maxx Records. Gladys and this family foursome signed with Larry Maxwell’s label in 1964, and after several successful singles, Maxwell was responsible for taking the group to Motown. Pressed here for the first time in almost six decades, 12 soul sides full of grace and grit, remastered and reissued on heavyweight virgin vinyl.
The recordings that springboarded Gladys Knight and the Pips to Motown Records. First ever reissue since the original Maxx LP in 1965 (six decades later!) Pressed on black virgin vinyl, with original artwork. Beautiful soul recordings - remastered for superior quality.
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The No Static series continues with NS12001, another essential release from the Reel People Music Group's vinyl-only label. Pressed on striking neon green 12" vinyl and strictly limited to just 300 copies worldwide, this collector's edition revives four timeless instrumentals from Blaze's legendary The Instrumentals Project, originally released on Papa Records in 2004. While the original vinyl has long been deleted and now commands premium prices on the collectors' market, No Static gives these sought-after cuts a welcome return to wax. Featuring Sapporo, Celestine Prophecy, Microboards and Astrology, this release celebrates Blaze's unmistakable blend of soulful, deep and hypnotic grooves. A must-have for DJs, house music collectors and lovers of classic underground dance music.
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In-demand, groove-fuelled producer Opolopo and 24 Carat singer-songwriter Angela Johnson join forces for the eagerly awaited album ‘Best Of Both Worlds’ – a stellar collection of uplifting, struttin’ soulful house, disco & beat-laden music.
Stockholm-based DJ-producer Opolopo can boast two decades’ worth of productions right across the soulful dancefloor spectrum for labels such as Local Talk, Z Records and Defected. His remix discography includes Gregory Porter, Jungle, Leroy Burgess and Mother’s Favorite Child. NYC native Angela Johnson was a member of acid jazz group Cooly’s Hot Box before enjoying solo success via a string of acclaimed R&B albums including They Don’t Know, It’s Personal and Naturally Me & featuring on a host of singles from Reel People Music.
The album follows previous collaborations and provides another stylish pooling of these two soulful talents. The chemistry fizzes and uplifts as ever, Johnson’s rich, fully-flavoured vocals riding confidently upon struttin’ disco, soulful house & dancefloor dynamite.
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Reel People Music breaks new ground, in more ways than one, with the launch of fresh compilation series Broken, Deep & Dope. A spin-off from acclaimed compilation brand Soulful, Deep & Dope – introduced back in 2015 – this new series sees the much-loved independent imprint pushing further at the boundaries of soulful music. All with that customary Reel People feeling.
Broken, Deep & Dope 2024, the series’ first instalment, unleashes 20 superlative examples of the soulful ‘bruk’ (broken beat), nu beat and nu jazz sound that has so innovatively informed contemporary dancefloors around the world since its inception back in late Nineties West London.
Bringing together classic cuts from the Reel People Music stable (including those by Daz-I-Kue, Monkey Brothers and Reel People) and key productions from some of its closest affiliates and biggest inspirations (such as Vikter Duplaix, Jazzanova, Bugz In The Attic, Kaidi Tatham, and Sean McCabe), this white-hot selection nips and tucks beautifully between stuttered Latin and Afro rhythms, deep house-edged jams and soaring flights of soul-jazz fancy.
Reel People Music is a label borne out of the soulful success of acclaimed collective Reel People but representing so much more. Launched in late 2009, the imprint has built a fiercely loyal international fanbase through its passion for artist development, musicianship, song-craft and authentic soulful groove.
Broken, Deep & Dope 2024, with its scattered yet compulsive beats, frisky basslines and acrobatic melodies, promises to further expand Reel People Music’s reputation for soulful depth and drama. Gathering old and new favourites from some of the world’s finest taste-making DJs and producers, this is another scorching, oh-soul essential hustle. End of.
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Foliage Records introduces Volume 2 of the new 12” Sampler Series.
Volume 2 offers four stunning cuts from the Foliage Records back catalogue for the first time on vinyl. The A side of the sampler features Jimpsters bumping Deep House rework of South African electronic producer, Thakzin and songstress Ray T’s ‘Don’t Let Me See’. Fresh from remixing Solomun, Kerri Chandler & Joey Negro, Jimpster picks up the pace, adds layers of Afro inspired percussion and creates an ethereal effect on the vocals, resulting in a club ready classic. Side A also features the stunning ‘Addicted’ by Richard Earnshaw & Kholi, a Deep House, bass heavy groover.
The B side of the sampler has the Afro anthem ‘Unification Vibration’, remixed by legendary producer Atjazz. A prolific remixer with a career spanning 20 years, Atjazz has worked with the likes of Bob Sinclar, Gilles Peterson & Jazzanova. The track is an ode to coming together in ‘our house, our only home’. The B side also contains the heavy talents of Turbojazz & Sean McCabe with their deep & dope remix of Diephuis feat. Ursula Rucker – Listen To This Drum. This remix takes things down a deeper path to the original, with a focus on the bassline and extra percussion.
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Reel People Music are excited to present a limited edition 7” Vinyl release of the Opolopo remixes of Mothers Favorite Child & Saeeda Wright’s “Purple Funk, a tribute to the legendary Prince. Of course it had to be pressed on a stunning translucent purple disc !
Music producer and songwriter Paris Toon, founder of Mothers Favorite Child, has teamed up with the ever so soulful vocalist Saeeda Wright for this updated version of Purple Funk. Saeeda Wright who previously performed and recorded with PRINCE adds delightful new layers of depth and nuance with her stylish vocals whilst the one and only Swedish fire starter Opolopo steps forward in real style to deliver his classic bounce to a remix that is set to shake global dancefloors for many a year to come.
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Volume 2 of a new 12" vinyl series from REEL PEOPLE MUSIC. 4 stunning cuts from the RPM back catalogue.
A Side on Volume 2 features the wonderful remix by OPOLOPO of ADINA HOWARD – MIND READER and the stunning remix by ROCCO RODAMAAL of KELLI SAE’s remake of the PLATINUM DOLL classic BELIEVE IN A BRIGHTER DAY.
B Side includes the ever so soulful REEL PEOPLE remix of ZO! FEAT. TAMISHA WADEN – STEAL MY JOY and also MICHAEL GRAY’s superb remix of JOE BUHDHA PRESENTS TERRI WALKER – FEEL RIGHT.
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An incredible heart 'n' soul story continues this spring with the release of Reel People's first original album in over a decade, Love2.
Produced by core collective Oli Lazarus, Mike Patto and Toni Economides, and with a fresh vocal line-up including Raheem DeVaughn, Muhsinah, Chantae Cann,
Michael Champion, Paula, Jill Rock Jones, Eric Roberson and Arrested Development's Speech, this super- fine, 10- track opus marks a further powerfulevolution of the Reel People sound.
Weaving contemporary R&B sensibilities into the collective's classic grooved-out flow, Love2 embraces the out- and- out euphoria of love but offers an entirely unique voice.
Love2 is a monumental addition to the Reel People canon, following acclaimed album releases Second Guess, Seven Ways To Wonder and Retroflection. New
songs and sounds, but the same soulful passion and craftsmanship. New friends and flourishes but the same mission to move hearts, minds and dancefloors.
First original Reel People album since 2008 !
Featuring a plethora of US Vocal talents including Raheem DeVaughn, Eric Roberson, Speech from Arrested Development, Chantae Cann, Michael Champion, Paula, Muhsinah & Jill Rock Jones
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While their trademark sound has always been flourished with plenty of nods to the past - think jazz-funk, disco, acid jazz and boogie - Reel People's career has been forged on crafting new songs and instrumentals. For their latest album, "Retroflection", they've decided to flip the script, serving up a set of covers of classic cuts with the assistance of some notable vocalists. It's a neat twist and one that results in a string of superb revisions. Check, for example, the Mica Paris-fronted take on Alicia Meyers' "I Want To Thank You", their starry version of electrofunk staple "Don't Stop The Music" (complete with sublime Angie Stone vocal), an Incognito style take on Willie Bobo's "Always There" and a riotous, scene-stealing romp through Pleasure favourite "Joyous".
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Mohammad Syfkhan is back with his second album for Nyahh Records. This collection of new recordings marks a hug milestone in Mohammad’s career as it’s the first album that features all original compositions. And with a full band! We had the great help of Syrian Cellist and composer Naseem Alatrash to help with the string arrangements. The resulting record is a beautiful journey into a timeless Middle Eastern and North African sound akin to the likes of Fairuz or Umm Kulthum with a fast Kurdish Dabke tempo.
I Love You Ireland is an incredibly personal album for Mohammad. The title alone, much like his debut ‘I Am Kurdish’ is as personal as it it’s political. To express such love for a place in music is saying, thank you for making me and family feel safe. Thank you for taking us in. A stand out track titled ‘Ah Yu Donia’ is Mohammad’s first real public moment of grieving for the loss of his son at the murderous hands of Isis. In this song he asks God why he was taken. Trying to figure the sense in the actions of fundamentalists. The strings sections are sad, but not morbid. Acting like a release or companion to the horrific reality of losing a child.
‘Al Huriya’ is Mohammad’s first attempt at using an Irish rhythm known as a Reel, as appose to his usual Middle Eastern rhythms. Again, this is a beautiful way for Mohammad to give thanks to all the musicians and supportive people his has met in Ireland since 2011.
WHO IS MOHAMMAD SYFKHAN
Mohammad Syfkhan is a Kurdish/Syrian Singer and Bouzouki player. He began
playing music in 1980 while he was in college studying nursing. When he got
his degree in 1983, Mohammad moved to the city of Raqqa, Syria where he
began working as a professional singer and started his own band, The Al-Rabie
Band which played concerts, parties, weddings and festivals all over Syria. The
Al-Rabie Band were a much sought-after group. Their live sets included Kurdish, Arabic, Turkish and some Western songs as well as Mohammad’s own original material.
Mohammad continued to play with his band while also working as a surgical
nurse until the war broke out in 2011. This unfortunately brought tragedy to
Mohammad’s family when one of his sons was killed by Isis thus threatening
the lives of the rest of his family. His family had no choice but to leave their
home and seek safety in Europe. Three of Mohammad’s sons were resettled in
Germany while Mohammad, his young daughter and wife were taken in by
Ireland. Mohammad has spoken at length of his confusion and despair with
fundamentalists and how their message is a far cry from the teachings of love
and understanding that he considers the true message of Islam.
dovrebbe essere pubblicato su 13.11.2026