Slow-Wave News

The Sixth release on Slow-Wave introduces an acid monster Dexter release, never before pressed on vinyl.

This is an exclusive vinyl series that continues to sell out in pre sale, once it’s gone, it’s gone.

Rythm Of Paradise launches his brand new label “Ritmo Adriatico” with "Divina EP", a sonic manifesto of Italian house music. This four-track journey blends the power of main stages with the warm intimacy of clubs, always driven by a profoundly Mediterranean soul. A first release that doesn't just present a sound, but tells a story.

The EP opens with main track "Divina" , powerful and immediate groove built for the dance floor, wrapped in warm atmospheres and bright pads that create a sense of high energy, with emotional breaks that reminds French Kiss sound.

Followed by its remixed version of Divina by St. David where he reimagined and elevate the impact on main stages. The bass becomes more prominent, the groove expands, and the voice became more hypnotice, without ever falling into cliché.

B1. Italia Novanta is where, Ritmo Adriatico reveals its beating heart. "Italia novanta " is a respectful and modern tribute to the golden era of Italo House, diving into the Mediterranean soul of the 90s, reinterpreted with today's power.

Closing with B2. Te Quiero where takes the dreamy atmospheres and immerses them in a deep, meditative dub treatment of spacious bass lines and captivating Italo house piano licks.

Written and Produced by Michele Lamacchia.
Mixed & Mastered by St. David

Solee - XX EP (FURV5)

Twenty years in the game. With XX, Solee celebrates two decades of shaping his own unmistakable sound. An artist who, from day one, has written and produced his music independently, XX is more than a retrospective. It’s a curated journey through the tracks that defined his career, opened doors, and left a lasting mark on dance floors around the world. From early breakthroughs to timeless anthems, XX brings together the most successful, most played, and most influential releases from the past 20 years. While the whole digital album contains 20 tracks, here is a matching vinyl EP release with the most requested Solee classics "Zebra", " Pink Panther", "Morgenrotsonate" and "Watoto".

Horsemen make their debut on Small Great Things with Southbound, a warm and colourful EP made to ease the winter blues.

Drawing from a wide palette of house influences, the record showcases the duo’s versatility and depth beyond a single formula. The release follows Horsemen’s first year as residents at Small Great House, the label’s monthly party at OXI Berlin, including its beloved summer open airs that helped shape the sound of this EP. Southbound also introduces their first collaboration with vocalist Guya.

While the A-side sets a relaxed tone with disco and jazzy influences, perfect for those summer open-airs, the B-side shifts firmly into club territory, delivering two dancefloor-proven cuts for the night.

The A-side opens with Make Me Feel Excited, an almost disco-tinged summer anthem driven by a distinctive sample. It is followed by Napoliballa, featuring Guya on vocals, a sun-soaked jazzy track with playful rhythms. The side closes with Lighter Days, a moody piano-led track that adds a deeper, more dreamy tone.

The B-side moves into club territory, with Running offering a driving, floor-focused cut led by a bold organ hook, followed by a faster, more club-oriented version of Napoliballa.

Jay Lumen is back on Footwork with his four massive floor fillers. Locomotive is a good proof of his groovy roots just like the colourful Back To Funk, while the much darker Secret Roll will lead you to Jay's raw techno side. The melodic sprayed Parallel World is a hardgroove viber shake with a characteristic bassline and it's a perfect choice to close the EP. Mind your Footwork! :)

As ever, the Belfast duo come out swinging !
Tailor-made for raucous dancefloors, a 4-way of extensions and amendments from their private stash !

A special 20th anniversary repress of one of the most sought after Sushitech releases by the UK legend Dexter! Limited copies!!

The 8th edition in the revered Semi Skimmed series...

Another surefire trio of deep digs - lovingly restored, extended and adored nuggets from the deepest crates



SUPER limited hand-stamped vinyl...

b A2 Ø phase - The Tower

Basically Ugly Edits 001 marks the debut edit collection from Basically Ugly Covers, the Rome-based half of the Pizza Club project. Zouk, afro, disco and funk—your dancefloor good vibes have served!

Inox Traxx joins Somov, drifting between deep melancholy and moments of peak-time reflection with her signature sound. Label head Ignez closes the release with a reinterpretation of Circle.

Tarkno and Remco Beekwilder return for part 2 of the SKETCHES series. With their updated formula on sound, the duo have provided 10 tracks for the dance-floor.

A new SWAY vinyl is coming your way, packed with some of our very best material. Kicking things off is Hertz & Wehbba - Ink, the Beatport No. 1 that's still riding high in the charts. Then the legendary Ken Ishii brings the heat. Next up, Hertz & Ramon Tapia deliver another high-energy collaboration. And finally, the Richie Hawtin favourite Kristian Heikkila & CDTRAX - Work, a track that's been in more or less every set over the past six months. Support also comes from Dave Clarke, Ben Sims, Kaiserdisco, UMEK, Christian Smith, Pan-Pot and Perc, just to name a few. SWAY vinyl FTW!

Departure Lounge welcomes Andy Ash to the lineup with his four-track EP, "When The Sunlight Comes." Warm and deep - Andy traverses the euphoric realm, as well as acid influences on the a-side, before a slung out b-side cements a satisfying reflection of his range. Over a year in the making, this is a truly special release, and a testament to Andy's craft. As a final touch, Flabaire closes out the record with a tasteful remix of "Sunrise Acid."

/ VINYL ONLY / baby ford signature sound for ugold series a:SNAKES AND LADDERS: ..hypnotising extra-dry-style with a little floating reprise. Getting better and better every time listening to it..again and again.... those vocals..this hook.. and lots of space between. b. side: CURFEW spheric soundtrack for your own, personal... enlightenment.

Bosconi Records proudly introduces Neon Cyberwave, the first solo EP on the label by Italian electronic visionary Miguel Herrnandez, marking a milestone in the evolution of an artist who has consistently bridged Detroit-rooted aesthetics with the experimental pulse of the European underground.

Based in the Val d’Elsa region between Florence and Siena, Miguel has forged a unique sonic identity shaped by his devotion to vinyl, his deep connection to the techno capital the “Motor City”, and his passion for deeply rooted yet still futuristic electronic culture.

His productions and DJ sets—built on a seamless fusion of raw electro, deep house attitudes, new beat flavors, and timeless grooves—have appeared on respected labels such as Bosconi, Rawax, and Norm Talley’s Upstairs Asylum. With Neon Cyberwave, he now delivers his most complete and personal statement to date.

The EP opens with “Neon Cyberwave”, a powerful acid-driven stomper built around a rolling 303 bassline, warm melodies, and an emotional breakout moment that captures both the effectiveness and the sensitivity of Miguel’s approach. It flows naturally into “Italo FM”, a track infused with Italo disco spirit—choir-like harmonies, a punchy bassline, and a groovy, ecstatic progression that turns into a genuine dancefloor trigger.

The journey deepens on the flip, where “VHS Direct Drive” introduces a dystopian atmosphere characterized by constantly shifting, unusually toned bass movements—unpredictable yet catchy, fresh yet rooted in classic electro DNA. This is followed by “Electric Soul Stranger”, where Miguel navigates Drexciyan undercurrents and subtle Gigolo-era references, balancing between straight rhythmic propulsion and broken-beat twists to create a cold, mental, transportive electro experience.

The record closes with the epic “Punky Shift”, a dramatic and powerful finale echoing the spirit of artists like The Hacker. Dramatic strings, an intense acid bassline, and a massive groove come together to shape a timeless closing track—one designed for peak emotional moments, sunrise sets, and long-lasting memories.

With Neon Cyberwave, Miguel Herrnandez has crafted a work that feels fresh yet nostalgic, classic yet forward-facing, and deeply personal. It stands as a versatile DJ weapon, a tribute to electro’s past and future, and a defining chapter in the artistic evolution of one of Tuscany’s most intriguing electronic voices.

Chapter two for Small Edits featuring Chicago edit master Rahaan!

futura continues its journey with an EP of 4 underground, raw tracks, perfect for the most attentive dancefloor

Contemporary House and Disco Culture. Dancing Bear. Ltd Vinyl Edition

Legofunk Records has returned with “Super Disco Edits”, continuing its signatureapproach of breathing new life into vintage grooves. This release fits right into the label’s niche: carefully crafted edits of classic disco and funk tracks, often extending breaks, enhancing rhythm sections, and making them more DJ-friendly while preserving the soul of the originals. Legofunk has built a reputation among collectors and selectors for digging deep and delivering versions that feel both nostalgic and fresh.

Ekman - Into the Den stays locked into his sound: raw, dark, direct.
Electro-driven tracks with heavy 303 pressure, built for the floor.

Limited Poster Edition (includes stickers).

Berlin-based producer and DJ KaioBarssalos returns to Smile Sessions with his most visceral statement yet. 'Whale' is a six-track EP built for bodies in motion : obsidian grooves that pull you under, primal percussion that speaks directly to the hips, and a low-end surge that turns a dancefloor into a ritual.

Old-school in its bones, stripped back to what matters: the kick, the groove, the trance of it all. Repetitive, hypnotic, communal. The bark of a drum that doesn't ask permission. No distractions, just tools honed for the floor, weapons a DJ can reach for at peak time and trust completely.

Mihail P – Phantom Broadcast EP

Mihail P delivers four tracks of machine-driven techno exploring classic 90s aesthetics while moving freely between electro, breakbeat and deep house sensibilities. The Phantom Broadcast EP channels the spirit of early 90s records with evolving rhythms, dubby textures and emotive chord work.

“Pulse Memory” opens with a deep electro-techno roller, constantly shifting its rhythmic framework while weaving in subtle deep house elements, recalling moments from the back catalogue of Pacific Records. “Tempest” begins with dubby 909 drums and rolling hats before unexpectedly transforming mid-track into a breakbeat sequence, eventually looping back to its original structure and closing with a distinctly Detroit-influenced finale.

On the B-side, “Cat TV” pushes the tempo to 138 BPM with breakbeat rhythms, 808 low-end pressure and constantly evolving Detroit-style chords. The track builds intensity before easing into melodic tones towards the end, creating a reflective closing passage. “Sights Unseen” blends deep house and techno foundations with a rising acid line that gradually takes center stage, supported by rolling percussion and a driving bassline that keeps the groove energetic while retaining a deep emotional core.

Functional and atmospheric dancefloor material for DJs navigating the deeper and more hypnotic corners of techno.

Long requested and previously confined to the digital realm, Spaceship Galliot and Sabre-tooth Animal now materialise on wax - pressed as a very limited 10" edition

Repress, Clear Orange Vinyl

Internationally acclaimed producer and DJ Tripmastaz is proud to announce the launch of his sublabel, Respect The Craft.Legacy, a heartfelt tribute to his early creative roots. Marking a significant milestone in his career, the first release on the new sublabel revisits and completes his unreleased projects from the early 2000s.

This series encapsulates an era of raw creativity and innovation, showcasing tracks that were originally started between 2000 and 2004. Until now, these works have remained unfinished and unheard—hidden gems from Tripmastaz’s studio archives. Through the new label, the producer has brought these ideas to life, meticulously completing each track while staying true to the essence of the time they were created.

The series bridges the past and present, blending the raw energy of the early 2000s with today’s refined production techniques. The debut release drops soon, promising a timeless tech & deep underground sound.

“This is a closure for me—an opportunity to honor my creative journey and give these tracks the life they deserve,” Tripmastaz explains. “The early 2000s were a formative period for me as an artist, and these records embody the passion and ideas that shaped my path. Completing and releasing them now feels like a full-circle moment.”

Pour Me, My Friend, The Nectar of Dionysus PCM004 is a vibrant four-track exploration of deep tech house, crafted with elegance, groove, and an undeniable sense of joy. Rooted in musicality and designed for the dancefloor, this release blends warm, jazz-tinged elements with modern production finesse, offering a rich and uplifting listening experience from start to finish.

On Side A, A1. Andrey Djackonda – Never Disappear and A2. Deep District – Back Room introduce a welcoming atmosphere built on smooth progressions, refined hi-hat work, and dreamy pad textures. The grooves are fluid and inviting, supported by strong basslines and a playful spirit that sets a positive tone from the very first moments — perfect for drawing people onto the dancefloor with ease and charm.

The B-side raises the intensity. B1. Anirr – Still Trying to Be Perfect and B2. Andrey Djackonda – Refresh shift into a more driving, peak-time energy, where tighter rhythms and increased momentum take control. These tracks carry a confident push, designed for those moments when the room is fully alive and the energy calls for a stronger, more direct connection.

Balancing warmth, groove, and power, PCM004 is a well-rounded and versatile EP — an essential addition for those who appreciate house music in its most expressive, dancefloor-ready form.

Panna Cotta Music is a division of MixCult Records

For the fifth volume of the Disco Goodies series, Sundries continues its tradition of delivering carefully hand-picked selections designed to satisfy every vinyl enthusiast, presenting a wide ranging collection of disco oriented cuts. From vocal-heavy disco edits like DJ Laurel’s “Rock The World” and Save The Robots’ “Warm Injections,” to classic disco-house fusions such as the irresistibly catchy, eyes-closed groover “Keep Me Loving U” by Gigi Croccante, and “Like A Fool” by Berlin based producer Shabi driven by Chic-style clipped guitar sample ,delivers pure dancefloor energy with character and warmth. Flipping to the B side, you’ll find the slow-mo disco jam “Keep It Coming,” a proto disco soul rework by producer Ben Jamin. GMGN closes the compilation in style, teasing out a hypnotic cut-up loop and layering it over a hazy, late-night atmosphere elevated by lush sax sections.

1

With Ackermann's latest EP for SEVEN, he delivers classic house, just a little bit faster, centered around powerful, uplifting vocals. On the B-side, we invited scene heavyweights Cinthie from Berlin and Swiss Deetron, both connected to the label from its early days.

After some time, we are back with a new release. This one moves slightly away from our usual sound to make room for a brand-new project by two outstanding artists. Please welcome to the crew the legendary San Proper together with the excellent Angelo D’Onorio. Joining forces under the name SANGELO DIPROPRIO, they deliver three vibrant house tracks designed with the dancefloor in mind. Fresh grooves, playful energy, and unmistakable personality make this EP a strong addition to the catalogue. A meeting of two distinctive styles that results in a dynamic and highly effective club release.

Originally from Florence, Italy, Elio made an impression in the Seattle underground through his deejaying at DAZED parties alongside his evolution as a producer. On his first vinyl EP, two original productions channel an early 2000s melodic minimalism with a touch for evocative composition paired with memorable grooves. A remix of each completes the record.

The title track “Still Love” opens the EP with a series of contemplative notes. As the bass stirs, the track expands, adding energy alongside the breakbeat. The synth unfurls in a melodic crescendo before pads add emotive accents.

Kurilo steps into the lab to reconstruct “Still Love” into an afterhours potion. The Ukrainian producer showcases the psychedelic and sumptuous grooves that established him as one of the finest purveyors of hypnotic tech house at Trance Pandemic. The influence of cinematic acid house washes over the driving groove.

“Vegas Jam” opens side-b and again emphasizes Elio's sense for musical composition and progression. Adding swing and jazz techniques to the synth melody, variations of the piano hook improvise blissfully above the rolling bass.

A warm yet powerful kick sets the tone for the final track of the EP. China's electro and techno wiz B.AI remixes “Vegas Jam” into a mind melting sensory stimulus. The remix gathers intensity and drive, an irresistible late night brain worm.

grip it. then let go. five is the magic number.

2026 Repress

Arjun Vagale and Oxygeno join forces on a powerful five-track EP, delivering a futuristic and high-energy statement for the White Series.

White Vinyl Repress!

Calibre announces his new album 'Tricklemore Sea', set for release on vinyl and digital on 1st May via Signature Recordings.

A deeply personal and exploratory body of work, the album moves through ambient, shoegaze, electronic, blues and folk, all subtly shaped by the low-end sensibility that has defined his music for decades. It resists easy categorisation, reflecting an ongoing interest in blending bass culture with forms that sit outside it. Following the release of 'They Want You' at the end of 2025, this new project marks a clear shift in tone. Where that record leans into intensity and forward momentum, 'Tricklemore Sea' turns inward, occupying a more introspective space. Featuring entirely his own vocals and production, it carries a more exposed and vulnerable quality.

The album has taken shape gradually, drawing from material written in the years after 'Planet Hearth'. Rather than forming around a fixed concept, it emerges as a collection of pieces connected by tone and instinct. Tracks move between simplicity and abstraction, with piano-led compositions sitting alongside field recordings, improvisations and bass-driven works. Ideas often begin quickly, then evolve over long periods of revisiting and reworking. His voice takes on a more central role throughout, bringing a heightened sense of vulnerability. Lyrics and delivery are often left open, allowing space for interpretation. His process remains fluid and instinctive, with ideas written quickly, revisited over time and combined across different periods.

Moments such as 'Little Blend' carry a quiet melancholia balanced with hope, while 'Free One' reflects on the pressures of contemporary life. The title track considers the scale of human existence within a wider universe, framing individual lives as small but meaningful within something larger. Elsewhere, 'Deflower' and 'Pigeon Luncheon' draw from recordings made in Berlin at the end of lockdown, capturing a sense of movement and return. Older material, including 'Living In Your Head' and 'Hyndsight', is recontextualised and sits naturally alongside newer work. Threads from his wider catalogue remain present. 'Able Son Dub' nods to longstanding reggae influences, while 'Bit Broken Stream' appears here in a downtempo form alongside its drum and bass counterpart from 'They Want You'. Tracks like 'United Pull' and 'Mizzle Mine' lean further into abstraction, using minimal language and space to suggest mood rather than define it.

Over more than 30 years, Calibre has built a catalogue that moves across drum and bass, ambient, dub, techno, house, jazz, soul, blues and folk. His work is marked by restraint, quiet melancholy and a singular approach that continues to evolve. Complete authorship remains central, with all vocals, lyrics and production on both 'They Want You' and 'Tricklemore Sea' created solely by him. This breadth extends into his DJ sets, where he draws heavily from his own catalogue, often performing entirely self-produced material across a wide range of tempos and styles. His ability to move between contexts has seen him play at Boomtown, Houghton and Atonal Berlin, delivering distinct sets while maintaining a clear identity.

With 'Tricklemore Sea', that identity leans toward stillness, introspection and emotional depth. It is a record that prioritises feeling over definition, holding space for ambiguity while remaining grounded in a strong sense of authorship. Each release carries an element of exposure, a moment of vulnerability in letting the work go. At its core, the album seeks to capture something fleeting but recognisable, a sense of beauty that sits just beyond language.

He describes it simply: "The river inside of me flowing into the sea."

As one of the foundational artists of Flipsight, it is only fitting that ColorJaxx gives the first major 2 x 12" gatefold statement on the label. The debut album 'In Between' of the Belgian producer gives a full overview of his trademark deep grooves with a re-invention of his club sound.

The first record is your invitation to the beach. The A-side kicks off with the ambient "Playamer", setting a scene of salt air and warm breeze. The shoreline waves combine with an electric piano groove to "Out The Door". This is where a slick trumpet gets the parole and cuts through the atmosphere, signalling to the dancefloor. "Never Enough" serves as a spiritual successor of his first EP on the label "Tales of never": shimmering guitar samples, a warm, everlasting groove, and that unmistakable "ColorJaxx" swing that we fell in love with initially.

The B-side is where Jordy catches the first hints of Spring with "Just Around" by blending uplifting trumpets and sax melodies with a fresh forward-moving baseline. "Higher" elevates the mood further with smooth rhodes keys and a jazzy piano lead. As the evening chill sets in, the first disc concludes with the literal end of the day: "The Beach Is Closed".

Time to grab the second wax out of your gatefold: leave the sand behind for the strobe light as this is where the maestro gets in club mode. "Back Then" serves as the bridge into "Discotheques," a heavy-hitting wink to the old-school Belgian club scene that shaped the underground of the early 2000's. This vibe created "Moving On," a sophisticated French-like house tune with Chris Farmer where the vocalist enters into a constant conversation with rhythmic elements, creating a versatile track that fits in any part of a DJ set.

The finale is reserved for heavy hitters: "This This" and "Disco Trouble" are pure, pumpy club rollers. Peak-time bangers designed for maximum impact, before the album dissolves into the hazy, cinematic outro of "Blurred Lines."

2026 Edition, black vinyl.



New 12" from the "Fonk" french master Dabeull, with a lot of vintage synths, 80's sounds and hairy moustache. Vintage Funk from today.

SUPREME STRIKER returns with its second release following the breakthrough success of Quasar — Ritmo Love, widely supported on dancefloors and notably played by James Zabiela, igniting crowds and confirming the label’s direction: uncompromising underground music built on culture, not trends.

The new chapter comes from Italian producer John De La Noise, delivering a powerful and deeply authentic EP entirely co-produced by Michele Lamacchia, the mind behind Rhythm Of Paradise (ROP), Love Island, 34th Floor Experience, Nu-Cleo, Qubrique, Soulvibe Inc. and many other essential projects tied to the extended SKYLAX universe. A true architect of sound, Lamacchia brings his unmistakable analog finesse and musical intelligence into every detail of this record. From the opening track, A1 — Just With U (Special Skylax Edit) sets the tone with a refined filtered house approach — balancing French touch heritage with modern underground precision. Warmth, control, and elegance without excess. A2 — Tributo Al Maestro operates as a direct transmission — a respectful and elevated nod to the legacy of Soichi Terada and Larry Levan, where rhythm becomes language and space becomes emotion. A3 — 1986 (Special Skylax Edit) pushes deeper into the source code — merging old school Italo disco, proto-Chicago house and early European electronics. With strong melodic identity and raw analog textures, the track echoes the spirit of Klein & MBO while feeling immediate and alive.

On the B side, the journey expands with Piacere D’Estate, a fluid and luminous house track built for open air systems and extended sets, followed by Città Di Frontiera, where darker tones and hypnotic structures meet urban tension. Vecchio Ritmo Italiano closes the record as a statement — rhythm as memory, rhythm as identity, reprojected forward. Across the entire EP, the production carries the aura of early ‘90s Italian and New York house — not as a reference, but as a living system. Every element is intentional. Every frequency serves a purpose. SUPREME STRIKER continues to define its path: records made for the dancefloor, for DJs, for those who understand that music is not content, but structure.

Decka's first release on Semantica is one of the strongest contributions to date from a new signing. Relentless and refined material which we understand as new techno standard moving in between classic and contemporary approach.

Still Music are proud to present the reissue of “A Message For The DJ” by one of Detroit’s finest, Delano Smith featuring the distinct vocals of Diamondancer. Featuring the now legendary remix by Jimpster, that has constantly been played since it’s initial release in 2005 by DJ’s across all scenes within the House spectrum.

Original copies of this Deep House classic are hard to come by on the second-hand market, regularly changing hands for close to £70, if you’re lucky enough to find one! Here’s your chance to get one over on those pesky Discogs sharks. Don’t delay!

A-Side: Spiralen - DJ Koze
It is said that DJ Koze creates musical universes - yet what many don't realize is this: the universe itself was created 13.8 billion years ago by DJ Koze, before he condescended to become physical matter. He was the force of gravity that held everything together - and today, as for over 35 years, he continues to surprise again and again, scattering his stardust across the night sky.
It's simply unbelievable.

"In your eyes, spirals are turning
They pull me deeper than any mind can reach
The world goes soft around its edges
And everything drifts into no man's land"
B-Side: "Wo's Patric?!?" - DJ Koze
The title says it all - fortunately, Patric is always there. So beautiful that he exists.

Toneblind returns with its second release, welcoming 26-year-old Catania native Edo Ecker and his new EP, “Fall In Love.”

With one full EP already behind him, Edo steps confidently into his next chapter, presenting a sound that bridges eras with effortless ease. Rooted in the golden age of Italian house music yet
sharpened by a modern edge, Fall In Love blends Italo and Euro house influences with his distinctive melodic touch.

Warm, romantic synth lines meet crisp, contemporary production, while subtle Mediterranean nuances nod to his heritage — adding depth and character without overpowering the groove. The
result is a record that feels nostalgic yet current, intimate yet undeniably dancefloor-driven. With its second chapter, Toneblind continues to define its path — honouring timeless influences while spotlighting a new generation shaping what comes next.

Collecting Orders For 2026 Repress

Few labels do minimal as well as Trelik and in terms of artists, Edwards is also as good as they come right now. This perfect pairing opens up with the deeply alluring 'Time' with its woozy pads and smeared chords over warm and rubbery drums. It's a hypnagogic affair then 'Vacuum Tube' has a more menacing air thanks to the wispy and unsettling synth details and clunky hooks. 'Watch Out' brings a more spangled and rubbery rhythm that has colourful details peeling off the beats and last of all, 'Stream' ups the ante with some thudding deep house and widescreen ambient synth work.

Einstein Doctor Deejay – Automatic Sex: The adrenaline of 1994 returns in an
Exclusive Edition
Get ready to reactivate your circuits: one of the cornerstones of 90s Italian techno-dance is
finally available again in a breathtaking new edition. "Automatic Sex" by Einstein Doctor
Deejay is more than just a track; it is a hypnotic journey that defined the sound of
European clubs in the mid-90s.
Originally released in 1994, the track perfectly fuses the energy of hard-trance with the
charisma of Eurodance, driven by that iconic robotic vocal sample that became a
trademark during peak-time sets in every club.
This reissue is no ordinary black vinyl. It is a meticulously detailed Picture Disc,
transforming the physical record into a true art piece for your collection.

Not long after the well-received 'Bottlemess Brunch' and 'Billa' dropped, the FLDIN2 label is back with another killer drop. This one, we're told, draws on Fold producer Rob's early immersion in pirate radio and record-collecting years in suburban London during the early 2000s. Lovers of Ben UFO, Joy Orbison and Floating Points will all be into the lo-fi designs, not to mention the irresistible garage, tech and dub swagger he packs into these jams. 'Lotion' is a crispy, tightly coiled and skeletal UKG sound underpinned with wobbly low ends and sprinkled with chopped vocal fragments that make for a ghostly groove. 'Soft Launch' is fuller, with a more boring emotional impact from the yearning vocal stabs that are teased and buried throughout the mix.

We are very happy to announce the 10th release by Fresh & Low on their own “TREASURES” series on RAWAX! This time, we have the honour of presenting something very special. It’s a split EP featuring Fever Tension—originally released on Black Vinyl Records in 1999—and Fresh Juice II, also first released on Black Vinyl Records in 2000.

Highly recommended!

We are happy to present our french friends from Kakoona Records for a split Vinyl full of talented artists and
veterans like Manu Kenton & Marco Remus.

Grant Dell’s name is woven deep into the fabric of UK underground house. As a DJ, producer, and co-founder of Swag Records, he’s been part of a movement that prioritized groove, individuality, and dancefloor connection over trends and hype. From the raw energy of early London parties to a catalogue that still resonates with diggers today, his work has always been guided by instinct and a deep respect for the roots of the music.

Still DJing worldwide and has been a wiggle regular Gems have unearthed another piece of classic underground tech house music with one of Grant Dell’s most sought-after productions. Originally released on Visitor Recordings out of Belgium.

Remastered for 2026 limited stock act fast!

The eleventh release from label Early Morning, run by Guy J, presents a three-track EP totaling 22 minutes and 23 seconds, reinforcing his position as one of the most disciplined and forward-thinking figures on the global scene. Despite intercontinental recognition, Guy J continues to approach his work with restraint and focus, treating sound not as a finished achievement but as an ongoing exploration. His imagination remains a constant source of carefully developed ideas that resonate through a restrained yet expressive intensity.

The opening track, Piece of Cake, sets the tone with confident momentum, unfolding through a precisely balanced structure where hypnotic rhythm meets expansive spatial design. Selector expands the palette with a fierce bassline drive, textured atmospheres, random squeaks, and euphoric build-up, building on the opening piece and taking the vibe into psychedelic territory.

The release concludes with Against the Wall, a composed and decisive finale. Strong rhythmic foundations, paired with suggestive female narrative vocal samples, bring the record to a resolved and coherent close.

HMC returns with 3 killer tracks for Reflector 03!

Acid Trac #1 & #3 were originally released in 1996 on the Dirty Acid Tracks label these go for big money on Discogs (if you can find a copy) a no-mercy acid assault built for peak-hour damage.

As an added bonus we have Cum On which was the flip side of Phreakin’ released in 1995.

Limited pressing act fast!

Tied returns with its next vinyl-only release, timed for the spring and summer season. Mr Chic EP brings together four groove-led House & Tech House cuts from two emerging artists: three originals by Lose Endz, alongside a remix from Velvet Velour.

“Mr. Chic” opens with a smooth combination of tight drums, warm chords, and soft pads. Subtle ’90s House references sit within a modern, functional framework, resulting in a steady, floor-focused track.

Velvet Velour’s take on “Mr. Chic” introduces his characteristic swing and rhythmic phrasing. While retaining core elements, the groove and structure are reshaped, giving the track a more dynamic, driving feel.

“Churruca” moves deeper, built around a driving groove and evolving chords that gradually unfold into a Detroit-leaning progression. The arrangement develops patiently, creating a hypnotic, immersive feel.

On “Let The Acid Begin”, a rolling 303 line introduces a rawer edge. Vocal snippets and acid textures interact with a consistent groove, keeping the track direct and effective for later hours.

Across all four tracks, the EP stays grounded in groove and function—crafted for extended play, from warm-up through to more intense moments on the floor.

down2present the fifth release.
d2e005: matthias’ beat of blades

three deep cuts by the one at the helm, which without doubt will throw you into a whirl.

Mesh Convergence debuts on Renegade Methodz with 'Never Ask Why'. A strong, club - focused 4-track EP, introducing us to his singular sonic identity with a mixture of functional and hypnotic Techno pressure.

Adventures for curious minds – new label Braintickle launches with Conversations in Dreams, a four-track EP from Amsterdam based duo Naone & denial. Naone opens the A side with “Midnight Caller” – a low-end driven cut with tight percussion and sharp hats, peppered with undulating gurgles and mutating synths. A2 is a deeper affair, carried by growling bass, choppy beats and wiggy, tripped-out samples. On the flip, denial serves up the rolling, bleeping and tribal-infused “Avoid the Voices”, where glitched-out sci-fi vocals meet tumbling drums. Finally, the shadowy, stripped-back echoes of “Silent Smoke” close out this classy, multifaceted package.

After the acclaimed Bar Mediterraneo, Massimo Di Lena and Lucio Aquilina return with People Of The Moon, expanding their sound into a space of creative freedom. The “People of the Moon” are not fictional, but a dimension within us all: a deeply personal yet universal force, an alternative mindset that emerges when freed from social constraints.



Under moonlight, the album explores anxieties and aspirations through groove and rhythm, expressed in Neapolitan, Arabic, English, Spanish, and Portuguese. It moves fluidly from Afro-Cuban influences in “Celavì” to Anatolian textures in “Ma Tu Che Bbuò”, blending highlife guitars with Nu Genea’s signature mandolins-new rhythms filtered through an Italian lens.



The first single “Sciallà” (2025) introduced this direction: dance as catharsis, not escape. The title track reflects a quiet resilience-persistent rather than triumphant. “Onenon”, featuring Tom Misch, channels Mediterranean brit-funk, while “Acelera”, with María José Llergo, evokes a flamenco-tinged pursuit of the unattainable.



“Puleza” recalls Nuova Napoli with driving energy and vintage synths, while “Shway Shway”, sung by Celinatique, captures the album’s orbital flow-measured, rich, and rhythmically complex, echoing afrobeat explorations with Tony Allen.



Melody remains central, as in “Carè”. Across ten tracks, falling, flying, and dancing merge in a suspended groove. Gabriel Prado’s “Ondas Do Mar” embodies this pull: a cyclical motion, like the tides—irresistible, transformative, and alive within us.

Within the Echosphere, every Signal is a call to be understood. Chasm divides who we were from who we have become, Trace lingers in every step, even when the path is lost and Reverie binds our dreams to reality. We are the echo of our own thoughts, reflected into infinity.

The original mix of one of the biggest ever rave-classics is on this 12”-record. And that’s not all, Mr Sam made a massive remix of one of the most groundbreaking EDM-tunes of all times.

Belgian/French DJ-producer Mr Sam turned this amazing classic in a massive peaktime trance-gem for the future. Using the iconic parts of the 1991 original and adding the well-know futuretrance sound that made him famous.

We're always excited to welcome new faces to the imprint. Although not totally new to the label, having featured on the Fragment / 1 VA back in late 2024, Quartz returns here for his first full EP release.

'Cold Voids' is ominous, yet uplifting in its own right. Nostalgic but forward thinking. Techy, deep, rolling goodness!

2026 Repress

We travel back to the early days of proper Tech House during 2003. Picture the scene, in Online Studios, Croydon, London UK and Evasive label boss teams up with his friend Simon Copleston (Iteration X).

Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.

A snapshot of UK tech house in its formative years, OLC002 finds Rob Pearson laying down the blueprint for a sound he’d continue to refine through Evasive Records. Released on Online Collective—the label arm of South London’s Online Studios—this EP captures a raw, forward-facing moment in underground dance music.

The title track Slipstream leads with intent: tight tech drums ride alongside a chopped breakbeat groove, underpinned by weighty sub bass and warped melodic textures. A fluid lead synth drives the track forward, locking into a hypnotic, evolving flow built for the dancefloor.

Vortex channels early Detroit techno through a South London lens—crisp edits, filtered drum machine rhythms, and a hypnotic vocal loop combine for a stripped, late-night roller with serious intent.

On Metaphor, Pearson taps into the spirit of early bleep and warehouse house, fusing it with late ‘90s tech house sensibilities—raw, swung, and deeply functional.

The Metaphor (Bonus Beats) rounds things off as a pure DJ tool, primed for layering and extended blends.

A sharp, authentic document of a pivotal era, Slipstream EP showcases Pearson’s early command of groove, texture, and dancefloor dynamics.

Westcoast’s vinyl imprint “Muted Noise” returns with another timeless release by Eastern Europe’s own Sapurra. Adding further depth to the record, the release also includes remixes by Adam Collins and label boss Halo Varga, both respected figures in the underground scene. Their reinterpretations bring fresh perspectives to Sapurra’s originals, reshaping the rhythms and injecting their signature sounds while preserving the essence of the tracks.

WITH “RHYTHM FOR THE NIGHT”, SASCHA DIVE RETURNS TO BONDAGE MUSIC, PRESENTING FOUR NEW ORIGINAL PRODUCTIONS ROOTED IN HIS SIGNATURE DEEP HOUSE AESTHETIC. A SOLID ADDITION TO THE CATALOGUE — VINYL ONLY.

The Sarge Returns: 4 Killer Club Reworks

The Slick One is back with another set of four electrifying tracks. This time, he dives into late ‘70s and early ‘80s classics, giving them a sleek, club-ready makeover. Expect familiar vocals, tightened grooves, and energy perfectly tuned for the dancefloor.

Featuring some of the biggest names in the scene, these mixes are designed to get any crowd moving. As always, this release is limited—grab it now buy or cry!

Born and raised in Sicily but now based in Berlin, SLV is known for his innovative approach to techno and its various shades. He has released on revered labels like Soma and received support from key industry players who respect his ability to blend old-school vibes with modern production techniques. Away from the club, he also produces music for film soundtracks, adding a sense of cinematic edge to his techno cuts and is a master of both analog and digital technologies - a true audio engineer who crafts unique, compelling sounds. Having previously featured on the labels Federation of Rytm III compilation, he returns to SHDWs Mutual Rytm imprint with his Night Echoes EP to open up October.

Graustufen opens with punch drum programming and scintillating percussion that dances atop the groove as booming bass brings serious weight down low. The superb Grand Cayman is another potent techno weapon, this time with icy synth atmospheres and eerie moods pervading the tightly programmed drums and bass to deliver an unstoppable force. Voids brings urgent funk with its hunched-over, closely stacked kicks and suspensory pads, which never let up and keep you locked in the moment, while Elastik Pho echoes a classic Detroit sound with its soul-drenched beats and serene, uplifting, beautiful hi-tek style. Last but not least, That Night shows SLVs extraordinary range as it brings some soulful vocal loops and optimistic chords over thunderous drums, which are sure to power dance floors through to euphoria. The EP includes two digital bonus cuts: Basic Uno, which is a raw, percussive and heads-down banger, and Persistence Of Memory, which is stripped-back, glitchy and dubby techno for strobe-lit warehouses.

"There is a suspicion that no one really knows how to deal with the legacy of the past." — Siarhiej Kraŭčanka

Malenčyk / Lami is a double vinyl release pairing previously unpublished archival recordings of Belarusian fiddler Stanisłaŭ Malenčyk with a response to that archive by Italian sound artist Giovanni Lami.

Stanisłaŭ Malenčyk (1928–2007) was a self-taught fiddler from a small village in Western Biełaruś, born on land that was then Polish territory. He never studied music formally and never worked on a collective farm — he supported his family solely through playing, crafting his own violins and harmonicas by hand. The music he played was made for a community: weddings, christenings, a room full of people, a shared life. As life shifted toward the cities and the village dissolved, that music lost the only place it could exist. By the end of his life, Malenčyk — nearly blind — was playing for whoever happened to be there: at the local bazaar, on district buses, moving through the aisles. He simply couldn’t stay home. He had to play.

These recordings were made by ethnographer Mykoła Kozienka in Ščučyn in 1999 and have not been released until now.

Giovanni Lami approaches this archive from a distance that could hardly be greater — geographical, cultural, temporal.

Credits:

Record 1 (Side A/B) — performed by Stanisłaŭ Malenčyk,
recorded by Mykola Kozenka in Shuchyn, Grodno Region, Belarus in 1999.

Record 2 (Side C/D) — produced by Giovanni Lami.

Mastering by Siarhej Cviki and Anton Aniščanka

Archival research by Alaksej Krukoŭski and Alaksandr Baroŭski

Cover Artworks by Volha Savič
Cover design by Ihar Jukhnievič

Project curation by Anton Aniščanka
Project assistance by Alaksiej Šumakovič

Texts by Siarhei Kraŭčanka (essay, editing, translation),
Alaksej Krukoŭski and Alaksandr Baroŭski (Malenčyk biography),
Giovanni Lami (artist statement)

With spring and summer right around the corner, Small Moves returns with it’s 7th release, this time showcasing Sweaters distinct Philadelphia sound. After the success of the Post Play EP, this 5 track EP solidifies Sweaters place as one of the top producers in the US and beyond. From House to Tech House to Breaks, this EP has got every mood covered. With lots of early support, don’t sleep on this one!

black.round.twelve returns with Dancing Tiger EP, a new vinyl release from Tagir exploring the deeper edges of Minimal House and Tech House. Rooted in the label’s vinyl-only ethos and focused curation, the record leans into long-form grooves, subtle detail and controlled movement.

The title track “Dancing Tiger” is a slow-burning minimal piece stretching across twelve minutes. Oboe-like tones and modular textures sit alongside processed vocal fragments and acoustic percussion, anchored by a steady low-end that develops with patience.
“Break It Love” moves into a more direct framework, combining vocal loops with an elastic bassline and a steady 4/4 pulse, while modular elements add texture and forward motion.
On “Off Smoke”, the structure becomes more abstract, with a repeated vocal phrase stretched, pitched and fragmented across a pumping groove. Subtle variations and underlying swing create a controlled but fluid sense of movement.

With Dancing Tiger EP, Tagir delivers a groove-led record that aligns closely with black.round.twelve’s approach, balancing functionality with detail and maintaining a clear focus on the dancefloor.

Desert planet house from inner spaces - the mountain people‘s premiere full EP outside their own imprint. Featuring sand shattering subbasses alongside vintage stabs, wobbling chords and otherworldly chanting. Something you will not dig up easily from your discogs collection and which will further enchant the children of the light.
Play or face the Gom Jabbar.

oDYSea returns with a fresh EP from rising Brazilian DJ/producer Trajano, known for his intelligent, moody grooves blending a wide range of vintage influences on a contemporary canvas.

This EP is no different, with Trajano’s three originals — the tense psychedelic acid of opener ‘Sp!re Dub’, the liquid wormhole of ‘Portal’ and the rolling trance-techno of
‘Just Feel’ — all harking back to the golden years of Spiral Tribe. Closing the EP out, French powerhouse DVDE takes ‘Spire Dub’ in a tribal-meets-EBM direction on his remix: a true dancefloor stomper.

Of Course sneaked into both Ivan Smagghe and Nic Arizona’s sets after it was encountered on Valerj’s semi-lost album (in the mountains of Corsica). It proposed a straight (hypnotic) answer to the eternal question: what is house music? A track reminiscent of the hazy days of Derrick Carter’s first European gigs, the tripped-out funk of D.I.Y., or Brett the E Texan. It spoke to them.
As a true believer in those simpler times, Roman Flügel delivers a remix, staying true to the roots of the original but elevating it to impossibly higher skies. Both Say Sorry and Midnight Pulse are more of the same: house music for those who may, at times, lost faith in it.

Repress

Micro Orbit presents the repress of the second volume of Pioneer Series, a new space program with a message of love to infinity and beyond.

Four constellations. Four rhythms. Four endless stories told without words. They don't play for us - they translate the motion of the cosmos into something we can feel. And when you listen, you disappear into their patterns, realizing you were always inside the loop.

Losh is a series of parties held at the magical Chapala lake in Ajijic and Guadalajara, Mexico, aimed at preserving the essence of underground sound and its culture. The event has hosted performances by artists such as Satoshi Tomiie, Shonky, Priku, Arapu, Markus Nikolai and more. Now, Losh is exploring new horizons with the launch of its own vinyl label. The music for this second release features tracks by Tomodachi Club owner and Real Gang founder Miller, Head Honcho of Vatos Locos Héctor, Perlon legend Dandy Jack and one of Losh Team member James Bott.

Uncle Steve brings you his new label Fluff Records.

A tight selection of moody, rolling, mysterious chunky house cuts, flowing effortlessly as one. Setting a defined tone for the label's direction, crafted with the dance floor at its core.

The Jazzcodes and Michele Chiavarini kick off this fine survey of contemporary deep house with 'Wolf Dust (Saison Rework)' which draws on jazz-inflected motifs and feeds them into a steady groove with layered keys sitting over a controlled kick pattern. 'Friday' from DJ Romain works in a more direct frame driven by looping piano stabs and clipped drums with diva vocals injecting heat. 'In The Moment' has an air of cool jazz to it with deft horns and spoken word that muse on the great genre while Saison's 'This Is A House Record' sure is that: classic drums and knotted little synths bring a warming vibe for grown-up floors.

The Jazzcodes and Michele Chiavarini kick off this fine survey of contemporary deep house with 'Wolf Dust (Saison Rework)' which draws on jazz-inflected motifs and feeds them into a steady groove with layered keys sitting over a controlled kick pattern. 'Friday' from DJ Romain works in a more direct frame driven by looping piano stabs and clipped drums with diva vocals injecting heat. 'In The Moment' has an air of cool jazz to it with deft horns and spoken word that muse on the great genre while Saison's 'This Is A House Record' sure is that: classic drums and knotted little synths bring a warming vibe for grown-up floors.

Repress 2026

DIFF007 Distributed by One Eye Witness.
All tracks Written & produced by Autokinetic in Minneapolis, Minnesota, USA.
Mastered by Tangible Air.
Designed by Felix Lücke.
Stickered cover.

DIFF008 Distributed by One Eye Witness.
All tracks Written & produced by Autokinetic in Minneapolis, Minnesota, USA.
Mastered by Tangible Air.
Designed by Felix Lücke.
Stickered cover.

After a five-year hiatus, Basic 7 returns to Tripmastaz "Respect The Craft.Enterprises" sublabel with his highly anticipated new EP. Renowned for his dynamic live sets, he delivers a solid four-track release that fuses quirky electronics with infectious dancefloor beats.

Fresh from the critically embraced full-length LP/CD, Downward Staircase now arrives in a special remix release - answering the persistent calls from supporters of Joaquin "Joe" Claussell who have been demanding a 12" single. The wait is over.

Downward Staircase is an Afro-Jazz House composition crafted in a way only Joaquin himself can manifest. Layered with masterful percussion from a host of renowned players, the groove is both infectious and deeply rooted. The rhythm section drives with purpose, creating the perfect foundation for the stunning piano work of Joaquin's longtime production partner and favored pianist. The result is a powerful Afro-dance journey - spiritual, percussive, and built to ignite dance floors wherever it's played.

But that's not all.

Also featured on this EP is another Joaquin Joe Claussell remix titled Kwelo, featuring Afro-dance originator Mr. Jephte Guillaume. A collaboration rich in heritage and forward motion, it further expands the sonic landscape of this release.

This project has been over a year in the making - a true labor of dedication and persistence. We're incredibly excited for its release, and we know our loyal following shares that excitement. In many ways, it was your continued support that helped bring this record into existence.

Don't sleep.
.
Enjoy the Journey

Drifted welcomes label founder Charlie DK to the imprint for DR007, with his debut Educator EP.

Four club-focused tracks, shifting between high-pressure, peak time energy and stripped back, low-end weighted grooves.

A release shaped over time, now ready for the dance floor.

For its third release, Tremendo Recordings brings together long-sought-after tracks by Corrie, one of UK tech house’s pioneers, drawn from his early releases on Wiggle and Bosh. Increasingly hard to find in their original form, these records return as a tribute.

Taken from releases between 2003 and 2005, this selection captures a side of Corrie that feels immediately recognisable: bold, playful and unmistakably his own.

CPEN is the alias of Chris Penny and his 'Pirates Life' EP on Seasons Recordings back in the 2000s is one of our all-time favourites. It was used on Craig Richards's fabric mix and still sounds original more than a quarter of a century on as the man behind it has gone on to work with Luke Solomon and Honey Dijon on a Grammy-winning album. It's the title cut that does it for us with the way the groove is so languid and loose as it hangs just above the floor and deep space sounds colour the airwaves. 'Song Of The Muse' is a beautiful synth scape stripped of rhythm and 'Liquid Steps' has a little more bite but still roll on nice soft kicks with life-affirming keys up top. 'Third Quarter' is a majestic post-club comedown with all of CPEN's signature synth sounds and even some brassy smears, making it an utter downtempo delight.

2 x LP 180g Vinyl in Picture Sleeve

D Train delivered a run of early-’80s hits, earning multiple chart successes and becoming a staple in iconic clubs like New York’s Paradise Garage. Their influence has endured far beyond the original fanbase—from being sampled by The Notorious B.I.G. in 1997 to appearing in Grand Theft Auto V in 2013. The Best Of The 12" Mixes, which compiles extended 12-inch versions and remixes by legendary producers Paul Hardcastle and François K, was first released on CD in 1992. Now, for the first time and exclusively for Record Store Day, Unidisc presents the collection as a double LP pressed on 180-gram heavyweight vinyl.

Menikmati is proud to welcome the prolific Daniel Meister for his long-awaited debut on the label. Known for his surgical precision and signature groove, Daniel delivers the Loose EP—a four-track masterclass in stripped-back, hypnotic minimalism.

Four masterclasses in groove, cut straight to the wax, Where Meister’s precision meets rhythm’s deep tracks. From the roll of "Loose" to "Connect’s" final beat, Hypnotic vibrations for the mind and the feet.

As always coming in different colored marbled Vinyl and only on Vinyl !

Winter Defeating Nitro Madness

2026 Repress

Demuir is a firm part of the deep house world by now and always brings sounds that are as sophisticated as his alias suggests they should be. This time, he's heading up a new EP for Selections that opens with 'Free', a percussive sound with organic, live-sounding drums that are woody and funky with smooth vocals and pads up top. Oscar P reworks it with a heavier, house-driven low end but keeps some playfulness in the trumpets. 'Fate For Faith' is a warm and steamy mix of bongos and hadn't drums with muffled beats and cosmic synth rays that reach for the stars. A cuddly dub closes down what is a heartfelt and human EP.

2 tracks
45 RPM

Compiled by Rey Colino.
Design by AJAM.