Smile your way through two songs by The Teacher Haters — in fact, we challenge you to get through these tracks without smiling. Even the name of the band invokes a chuckle as it suggests what these guys are about — and that’s the P-A-R-T-Y. Straight out of the 60s comes a group that could have been played with Sam The Sham & The Pharaohs back in the day. These whimsical works are deceptively deep as they take us to a time when garage punk fused with R&B.
Big Pig Alley is uncomplicated, and that’s what makes it great — it sounds like a bunch of college guys having a good time, writing lyrics on the spot: “If you’re lookin’ for romance, take a train, take a plane...or a raft to France.” The guys have something other than romance on their minds as they chug along on acoustic guitar and trash can drums (and possibly other things). What really makes the track, though, is the witchy background voice — the performance is loose enough, while the witch is doing his own thing entirely.
The witch returns on side B in the up-tempo, dance-ready Cut Loose. No obscure artistry here — these guys tell you exactly what the song is for in the title. In fact, just in case you missed it, they state their thesis in the opening lines: “I wanna shake all night, I wanna do it right, I wanna dance, dance, dance with you…” All of their collegiate effort is put toward getting you to move your hips in this groovy, rockabilly-flavored mix.
Snap up the mid-century college party in a box that is PP006 — and hope your tables don’t get too scuffed up from people dancing on them. The fun that The Teacher Haters had in making these tracks is all here and available to you — whether you want to go on a nostalgic trip through a 60s coed party, or host your own shindig where dancing is mandatory. Get your hands on this disc before the regents show up.
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- A1: Chasing Shadows - Deep Purple
- A2: One Way Glass - Manfred Mann Chapter Three
- A3: Hold Onto Your Mind - Andwella
- A4: Hot Pants - Alan Parker & Alan Hawkshaw
- A5: Do It - Pink Fairies
- B1: Tomorrow Night - Atomic Rooster
- B2: Taken All The Good Things - Stray
- B3: Out Demons Out - Edgar Broughton Band
- B4: For Mad Men Only - May Blitz
- B5: Back Street Luv - Curved Air
- C1: Ejection - Hawkwind
- C2: Meat Pies ’Ave Come But Band's Not ’Ere Yet - Stackwaddy
- C3: Lovely Lady Rock - James Hogg
- C4: Third World - Paladin
- C5: Taking Some Time On – Barclay James Harvest
- D1: Ricochet - Jonesy
- D2: Led Balloon - Steve Gray
- D3: Big Boobs Boogie - Slowload
- D4: Freelance Fiend - Leaf Hound
- D5: Confunktion - Dave Richmond
“Incident At a Free Festival” is a tribute to the mid-afternoon slots at Deeply Vale, Bickershaw, Krumlin, Weeley, and Plumpton – early 70s festivals that don’t get the column inches afforded the Isle of Wight or Glastonbury Fayre, but which would have been rites of passage for thousands of kids. Bands lower down the bill would have been charged with waking up the gentle hippies and appealing to both the greasy bikers and the girls in knee-high boots who wanted to wiggle their hips. And the best way to do that was with volume, riffs and percussion.
Compiled by the venerated Bob Stanley and Pete Wiggs of Saint Etienne, this is the heavier side of the early 70s they summarised on the acclaimed “English Weather” collection. There’s an air of menace and illicit thrills among tracks by Andwella, Stack Waddy and Leaf Hound (whose “Growers of Mushroom” album is worth well over £1,000). Bigger names include the rabble-rousing Edgar Broughton Band and kings of the festival freakout, Hawkwind. They are represented by their rare version of ‘Ejection’
For every mystical Tyrannosaurus Rex performance there was something like Atomic Rooster’s Tomorrow Night or Curved Air’s Back Street Luv to capture the spirit of the day and stir the loins of festival goers; the tracks on “Incident At a Free Festival” were inspired by both Chicago’s percussive wig-outs and the Pink Fairies’ anarchic spirit. The sounds were heavy and frequently funky, with a definite scent of danger. Their message was clear and simple: clap your hands, stamp your feet, hold on to your mind.
So, put on your wellies in your living room, drop the needle and enjoy...
A Break In Time ist ein Ambient-Album, das während des Lockdowns als eine Art Beruhigungstherapie / Meditationsübung geschrieben wurde. Das Projekt nahm schnell Form an, mit einer einzigartigen klanglichen Identität und einer Botschaft, die durch das Gefühl der Isolation während dieser Zeit inspiriert wurde. Das Album handelt von Zerbrechlichkeit, Naivität, dem Nachdenken über unsere Verwundbarkeit, aber auch über unsere Widerstandsfähigkeit und das Gefühl des Alleinseins und Zusammenseins. Die Entstehung dieses Albums mag weniger als ein Jahr gedauert haben, aber es ist ein Höhepunkt von Einflüssen, die bis in die frühen 90er Jahre zurückreichen, als er in Québec City aufwuchs. Damals war er einfach als Everything bekannt und trat live bei Raves und in Chill Out Rooms auf, bewaffnet mit nichts als einer 909, einem SH-101, einem Ensoniq EPS und einem Quadraverb. Seine Liebe zur Ambient-Musik ist nie verblasst. Mit frühen Einflüssen wie Carl Craigs bahnbrechendem "Landcruising", Warps "Artificial Intelligence" und Black Dog Production "Bytes" überbrückt dieses Album die Kluft zwischen hier und dort, jetzt und damals: wo die Zeit stillsteht.
Dies ist eine gemeinsame Veröffentlichung von Compost Records und Drumpoet Community.
- "A beautiful album full of spacious well crafted ambient compositions." - Peter Kruder / Peace Orchestra
Zehn Jahre "Goodbye Repentance". Im Jahr 2023 feiern Dead Lord ein Jahrzehnt ihres musikalischen Schaffens seit der Veröffentlichung ihres bahnbrechenden Debütalbums "Goodbye Repentance" (2013). Dieser Meilenstein ist ein Beweis für ihre unermüdliche Hingabe und Leidenschaft für ihr Handwerk. Nun wird die Band eine spezielle, neu gemasterte Version ihres Debütalbums veröffentlichen. Die CD und die digitale Version werden 5 bisher unveröffentlichte Bonustracks enthalten. Die Vinyl-Edition wird als 180g transp. orangefarbenes Vinyl mit einem Lyric Sheet erscheinen.
"Galt MacDermot (1928-2018) was an award-winning Canadian-American composer, pianist, writer of classical music and theatrical pieces. MacDermot also composed music for several film soundtracks (like the 1970 blaxploitation film `Cotton Comes To Harlem') and released several exceptional jazz and funk albums on his own label Kilmarnock Records. He is best known for his work on the Grammy winning 1967 musical Hair (which also produced several number-one singles like "Aquarius/Let The Sunshine In") and Two Gentlemen of Verona (1971) for which he won a Tony Award. In 2009 Galt MacDermot was inducted into the Songwriter's Hall of Fame and in 2010 he received the Lifetime Achievement Award. In 1979, MacDermot formed the New Pulse Jazz Band, which performed and recorded his original music. Galt MacDermot's music is extremely popular with collectors of jazz and funk. Working with jazz and soul musicians such as Bernard Purdie and Idris Muhammad, MacDermot created pieces that used African rhythms (he made the study of African music his speciality). In recent decades, his work has become popular with hip-hop musicians including Busta Rhymes, Ol' Dirty Bastard, Gang Starr, Action Bronson, Public Enemy, MF Doom, Madlib, J Dilla, Obie Trice, Naughty By Nature, Run DMC and Digable Planets_the list is endless. The album "Ghetto Suite" was written in 1970 and released in 1972 and is considered one of the most ground-breaking records ever issued on Galt MacDermot's Killmarnock label and consists out of a selection of songs and poems by Harlem/Bronx school children, set to Galt's music, and sung by vocalist Angela Ortega. Given That Galt's handling the music, you can bet that there's plenty of nicely executed funky touches - supported by rolling bass-work, snapping drums, and organ virtuosity. But the real charm of these groovy tunes comes from the lyrics, which have a simple and to the point way of dealing with issues of racism, poverty and other issues of the time. The story telling is surprisingly gripping even after all these years. The whole album creates an extremely personal direct sensitivity to the environment of Ghetto kids_telling us with defiantly honest intensity what it was like to be young and black, the drugs and the deaths, the topic of incarceration_or simply the fact of being battered by the frustration of Ghetto existence. Ghetto Suite is way more than an entertainment record, it has been used by teachers and counsellors to inspire and motivate the muted voices of the black inner cities_ documenting both their anguish and their triumphs. Tidal Waves Music now proudly presents the FIRST EVER vinyl reissue of this exceptional conceptual album (originally released in 1972 and a highly sought-after pricey collectable ever since) This unique record now comes as a deluxe 180g vinyl edition (strictly limited to 1000 copies) with obi strip and features the original artwork and extensive sleeve notes.
We are delighted to share a new concept classical series which is aimed at a new audience for classical music. These titles focus on composers and their most famous pieces of all time, whilst encompassed in beautiful packaging in an expressionist style which we aim to deliver for years to come. These hand-drawn artworks will have a premium feel whilst being accessible and interesting for new younger audiences.
Blues guitarist JOHNNY LAPORTE (Barrelhouse, Oscar Benton) releases his first solo album.
With twelve bluesy songs on which he proves to be an all-round bluesman. Parallel to this
album, he makes his debut as a writer with an Indian novel.
Johnny makes his debut as an accomplished singer with a slightly weathered voice. He also
presents himself as a multi-instrumentalist. Of course his guitar work is most in the
foreground. But in the quiet 'Storyteller', for example, his piano playing creates a tranquil
atmosphere. In the reggae-like 'We Gotta Tie Her Down' you can even hear a synthesizer.
In the blues ballad 'Forbidden Blues', inspired by the old 'Summertime', you can fully enjoy
his slow-hand guitar playing. Piano and guitar play a leading role in one of the two tracks
not written by Johnny on this album: a wonderful mid-tempo version of Robert Johnson's
traditional 'Ramblin' On My Mind' (from 1936).
- A1: The Star Room
- A2: Avian
- A3: I'm Not Real Ft. Earl Sweatshirt & Vinny Radio
- A4: S.d.s
- A5: Bird Call
- B1: Matches Ft. Ab-Soul
- B2: I Am Who Am (Killin' Time) Ft. Niki Randa
- B3: Objects In The Mirror
- B4: Red Dot Music Ft. Action Bronson
- C1: Gees Ft. Schoolboy Q
- C2: Watching Movies
- C3: Suplexes Inside Of Complexes And Duplexes
- C4: Remember
- C5: Someone Like You
- D1: Aquarium
- D2: Youforia
- D3: Goosebumpz (Bonus Track)
- D4: O.k. Ft. Tyler, The Creator (Bonus Track)
- D5: Claymation (Bonus Track)
10th anniversary deluxe edition of Mac Miller's second studio album Watching Movies with the Sound Off on heavyweight galaxy vinyl. Includes a bonus 10" zoetrope picture disc with bonus track "The Star Room (OG Version)" and a never before released vinyl exclusive track "The Quest."
With the release of his sophomore album, Pittsburgh native Mac Miller goes up against some of hip-hop's heavyweights to shatter the public perception and prove that he is a talented lyricist.
Miller made a name for himself several years ago with the release of his popular mixtapes , gaining a following from the party-heavy beats and whimsical rhymes. Miller's first album Blue Slide Park debuted on the charts at the number one spot of Billboard's 100 making it the first indie album to snag the number one spot since Tha Dogg Pound's Dogg Food in 1995. Despite the commercial success of BSP, Miller's debut album received mixed reviews and he was lambasted and accused of being one-dimensional. Determined to prove himself as a serious lyricist, Miller's Watching Movies With The Sound Off goes toe to toe with Cole and West. Picking up where his 2012 mixtape Macadelic left off, Miller continues his psychedelic journey through hip-hop with a more serious undertone to his lyrics.
Miller once again pulls double duty and puts on the producer's hat of his alter ego Larry Fisherman. The 21-year-old handles most of the production on the album but he enlists the help of several others including Pharrelll Williams, Diplo, The Alchemist, Clams Casino, Flying Lotus and more. It's clear Miller has grown just as much as a producer as he has as a rapper. Sonically, WMWTSO is a complex and challenging conglomerate of trippy, acid-laced sounds that mesh well with Miller's laidback flow.
WMWTSO may seem like a far leap from his debut album, but with the several projects released in between the two albums, Miller has been on this path for a while. Accomplishing the goal of proving he's more than a flash in a pan and can make more than party hits, Miller's sophomore album WMWTSO holds its own against his colleagues that share the same release date. A must have on vinyl for any fan!
"Coyote" ist Dylan LeBlancs fünftes Studioalbum und das erste, das er selbst produziert hat. Aufgenommen wurde es in den legendären FAME Studios in Muscle Shoals, Alabama, mit einem handverlesenen Ensemble weltberühmter Studiomusiker, darunter Fred Eltringham, bekannt für seine Arbeit mit Ringo Starr und Sheryl Crow, Pianist Jim "Moose" Brown, der schon mit Bob Seger gearbeitet hat, und Bassist Seth Kaufman, gefeiert für seine Beiträge zu Lana Del Reys Songs. Das Album ist halb autobiografisch, halb Konzeptalbum und dreht sich um die Figur des Coyote, eines Mannes auf der Flucht, der sich von seiner Vergangenheit befreien will.
Das zweite Soloalbum von 1987 erwies sich als ihr internationaler Durchbruch: Die Single 'Heaven Is A Place On Earth' erreichte weltweit Platz 1. Es folgten 'Circle In The Sand', 'I Get Weak' und 'World Without You', allesamt britische Top-40-Hits. Das Album wurde in den USA und Australien mit Platin und in Großbritannien mit dreifachem Platin ausgezeichnet, was einem Umsatz von fast einer Million Exemplaren entspricht. Diese Neuauflage wurde von Cicely Balston bei AIR Mastering von den Original-Stereobändern mit präzisem Half-Speed-Mastering geschnitten. Beim Half-Speed-Mastering handelt es sich um eine Vinyl-Schnitttechnik, die die Groove-Genauigkeit und die Transiente-Informationen verbessert und ein detailliertes Stereobild mit einem natürlichen Hochfrequenzgang erzeugt. LP gepresst auf 180Gr. Vinyl inkl. Obi-Strip und wattierter Innenhülle. Dazu mit allen Lyrics und Credits auf der 4-seitigen Beilage.
repress !
Zero 7 were formed in 1997 by producers Henry Binns and Sam Hardaker. In 2001 their debut album Simple Things was released selling over a million copies to date and was nominated for the Mercury Music Prize. They released their second album When It Falls in 2004.
When It Falls was a Top 10 album, peaking at no.4 in the UK album charts and spent 24 weeks in total in the charts. It has sold over a quarter of a million copies. Stateside the album entered the Billboard Dance/Electronic chart at #3 and stayed in the Top 20 of that chart for almost thirteen months.
Singles taken from the original album include Home featuring Tina Dico, and Warm Sounds featuring Mozez. Sia and Sophie Barker also feature on the album, with tracks such as Somersault (a UK Top 100 single), In Time and Speed Dial No. 2.
The vinyl LP has been discontinued and second-hand copies of the original pressing are changing hands on Ebay and Discogs for upwards of £100!
This vinyl only When it Falls re-issue will mirror the original release, cut over 4 sides and using the original artwork but now pressed on heavyweight 180g vinyl. Cutting is by engineer Kevin Metcalfe using his original cutting notes.
When It Falls is a timelessly classic album from a seminal electronic band and the essential soundtrack to any laidback summer chilling.
Jeigo dropped a thrilling debut album Cerulean back at the end of 2022, worked in a tune with Elkka for her DJ-Kicks mix and also remixed Bicep not long ago.
Now he follows all that up with a firing four-track EP on Tread Records that again collides different club sounds, great samples and hooky melodies. 'Hatchet's Cave' is hands-in-the-air house euphoria with blistering drums and warped pads, then 'Move X' is a gritty tech bouncer and 'Compulsions' is a bubbly one with crisp hits.
Nervous Horizons label boss Anunaku remixes the title track into a bass-heavy banger and four locked grooves feature on this 12" for adventurous DJs to play with.
Volume 3 of the TRUST XY recombination series again sees four unique artists channel sonic echoes from the label's past. Stenny is up first, the Italian producer whose name is synonymous with Ilian Tape's much acclaimed crossover of techno and bass music. He complements the deep pads of Versalife's 'Nova Prospekt' with a scorching bass line and rolling breaks programmed in his unmistakable style. Canadian producer and Planet Euphorique label owner D.Tiffany is a champion of complex percussions and an obvious choice to rework Alex Cortex's percussive electro anthem 'We Run Your Life'. Her take chops and warps Cortex's vocals around a twitching techno beat that's both experimental and effective. Side B has UK electro and breakbeat pioneer Clatterbox return to TRUST, reshaping one of the very first Microthol tracks into modern form. At his hands 'Intertronic' turns into a bleeping and hissing, snarling and growling electro bass monster. Lastly Delsin's dub master and TRUST alumni VC-118A takes on 'Tides' by /DL/MS/, replacing the original's sparse funk with a low slung dub techno groove that serves as the foundation for perpetually cascading ebbs and flows of lush and dreamy soundwaves.
- A1: Jean-Michel Jarre X Martin Gore - Brutalism Take 2 05 00:00
- A2: Jean-Michel Jarre X Brian Eno - Epica Extension 04 29:00
- A3: Jean-Michel Jarre X Deathpact - Brutalism Reprise 04 28:00
- A4: Jean-Michel Jarre X French79 - Epica Take 2 05 32:00
- A5: Jean-Michel Jarre & Adiescar Chase - Synthy Sisters Take 2 03 12:00
- B1: Jean-Michel Jarre & Armin Van Buuren - Epica Maxima 05 17:00
- B2: Jean-Michel Jarre & Nina Kraviz - Sex In The Machine Take 2 05 02:00
- B3: Jean-Michel Jarre & Nsdos - Zeitgeist Take 2 05 11:00
- B4: Jean-Michel Jarre & Irène Drésel - Zeitgeist Botanica 05 48:00
"OXYMOREWORKS", ist eine Sammlung von Kollaborationen mit anderen Künstlern zusammen mit Jean-Michel Jarre. Das neunstückige Werk umfasst Überarbeitungen von Stücken aus seinem 2022 erschienenen Album OXYMORE'. Jeder Track wurde von Jarre in direkter Zusammenarbeit mit den jeweiligen Künstlern komponiert und produziert. Das Ergebnis ist eine unverwechselbare neue Version, die das kollektive Können der beiden Musiker zur Geltung bringt. Das Album umspannt dabei ein breites Spektrum elektronischer Genres. Jean-Michel Jarre sagte über die Kollektion: "OXYMORE hatte einen besonderen Platz in meinem Herzen, da es eine wirklich einzigartige klangliche Reise antrat. Mit der tiefen Freude an der Zusammenarbeit mit anderen Künstlern, ganz ähnlich wie bei meinem vorherigen Projekt Electronica, wollte ich eine neue Perspektive für meine Musik schaffen. Ich habe meine Hand nach Musikern ausgestreckt, von deren unterschiedlichen Talenten ich glaubte, dass sie eine faszinierende Dimension in jeden Track einbringen würden. OXYMOREWORKS ist ein Zeugnis für die Kunst der Zusammenarbeit; eine lebendige Sammlung musikalischer Dialogen." OXYMORE wurde im Oktober 2022 veröffentlicht. Es ist konzeptionell sein bisher ehrgeizigstesund bahnbrechendstes Album und die erste kommerzielle Veröffentlichung dieser Größenordnung, bei der Mehrkanal- und binauraler Sound (räumliches 3D) vollständig zum Einsatz kommen. Jarre produzierte, komponierte, nahm auf und mischte in 360-Grad-Audio in den "Innovation"-Studios von Radio France.
- A1: Unknown Artist – Ringing Of The Bells
- A2: Bing Crosby – White Christmas
- A3: Rosemary Clooney – Jingle Bells
- A4: Zion Harmonizers – When Jesus Was Born
- A5: The Golden Gate Quartet – Fit The Battle Of Jericho
- A6: Mahalia Jackson – Silent Night
- A7: Ray Conniff – Santa Claus Is Coming To Town
- A8: Jerry Butler – Holy Night
- A9: Mitch Miller – What Child Is This
- B1: Bang – Last Christmas
- B2: Savannah Care – All I Want For Christmas Is You
- B3: Helping Hand – Do They Know It's Christmas
- B4: Robin Salms – Jingle Bell Rock
- B5: Brice Seagul – Driving Home For Christmas
- B6: Mel Roberts – Mistletoe And Wine
- B7: Don Leighton – Happy Xmas, War Is Over
- C1: Unknown Artist – Glockengeläute Der Wieskirche, Des Doms Zu Münster, Des Ulmer Münsters Und Des Straßburger Münsters
- C2: Berliner Mozartchor – Stille Nacht, Heilige Nacht
- C3: Unknown Artist – Jesu Geburt
- C4: Stuttgarter Hymnus-Chorknaben – Uns Ist Ein Kindlein Heut Geboren
- C5: Unknown Artist – Die Weisen Aus Dem Morgenland
- C6: Radio-Sinfonieorchester Stuttgart – Pastorale (Der Messias)
- C7: Stuttgarter Hymnus-Chorknaben – Vom Himmel Hoch Da Komm Ich Her
- C8: Berliner Mozartchor – O Du Fröhliche
- D1: Unknown Artist – Glockengeläute Des Limburger Doms
- D2: Chor Der Staatsoper Wien – Adeste Fidelis - Herbei, Oh Ihr Gläubigen
- D3: Berliner Mozartchor – Ihr Kindelein Kommet
- D4: Berliner Mozartchor – Zu Bethlehem Geboren
- D5: Dresdner Kreuzchor – Es Ist Ein Ros' Entsprungen
- D6: Berliner Mozartchor – Kling Glöckchen Klingelingeling
- D7: Unknown Artist – Süßer Sie Glocken Nie Klingen
- D8: Leipziger Thomanerchor – Fröhliche Weihnacht Überall
- D9: Berliner Mozartchor – O Tannenbaum
- D10: Berliner Mozartchor – Leise Rieselt Der Schnee
- D11: Unknown Artist – Schneeflöckchen
- D12: Berliner Mozartchor – In Dulci Jubilo
- D13: Unknown Artist – Ringing Of The Bells
- C9: Radio-Sinfonieorchester Stuttgart – Pastorale (Weihnachtoratorium)
- C10: Unknown Artist – Glockengeläute Der Dome Zu Aachen, Regensburg, Würzburg
- A1: Unknown Artist – Ringing Of The Bells 1 27
- A2: Bing Crosby – White Christmas 3 05
- A3: Rosemary Clooney – Jingle Bells 2 38
- A4: Zion Harmonizers – When Jesus Was Born 2 24
- A5: The Golden Gate Quartet – Fit The Battle Of Jericho 2 39
- A6: Mahalia Jackson – Silent Night 5 05
- A7: Ray Conniff – Santa Claus Is Coming To Town 2 27
- A8: Jerry Butler – Holy Night 2 50
- A9: Mitch Miller – What Child Is This 2 05
- B1: Bang – Last Christmas 4 29
- B2: Savannah Care – All I Want For Christmas Is You 3 55
- B3: Helping Hand – Do They Know It's Christmas 3 36
- B4: Robin Salms – Jingle Bell Rock 2 11
- B5: Brice Seagul – Driving Home For Christmas 3 38
- B6: Mel Roberts – Mistletoe And Wine 3 48
- B7: Don Leighton – Happy Xmas, War Is Over 3 29
+ CD
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome. Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic. This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album. Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak. Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. Vinyl LP limited to 500. Comes in UV Glossy Varnish picture sleeve.
Original[11,72 €]
In 2021, Los Angeles trio Gabriels arrived in a whirlwind with the loose-limbed vintage soul jam of ‘Love & Hate In A Different Time’, a song that could have dropped in almost any era. A stone-cold classic, it introduced a band so much more than just the sum of their supremely talented parts.
For the first time, ‘Love & Hate In A Different Time’ is now getting a special 7 Inch release with a previously unreleased live version of ‘Spanish Harlem’ recorded at BBC Maida Vale studios for a Gilles Peterson 6 Music session.
Just a handful of live shows deep, the spotlight swings and lands squarely on vocalist Jacob Lusk. A man who demands attention with a presence and voice of a gospel choir. That rich vocal swoops and soars through the pitches effortlessly matched by an on-stage persona that’s intensely likeable.
A bonafide star by anybody’s reckoning. Two acclaimed EPs deep and yet barely out of second gear, Gabriels have moved beyond mere promise to become one of 2022’s most essential new acts.
Press / PR:
“One of the most spectacular voices you will hear this year... Set to be 2022’s word-of-mouth hit” - The Guardian
“A sound that’s unlike anything else out there” – The Times
SOLD OUT every headline live show in 2021 and 2022 so far in seconds. Gabriels will also support Celeste on her sold out UK tour in the spring of 2022.
Love And Hate In A Different Time was playlisted at 6Music Arielle Free’s TOTW on Radio 1, other supporters included Annie Mac, Nick Grimshaw and Adele Roberts
Syncs with Reebok and Gucci campaigns
Breaking Act - Sunday Times Culture feature
Included in The Guardian’s 2022 Tips
NME Radar feature & NME 100: Essential Emerging Artists For 2022
KCRW’s 2021 Breakthrough Artist
Ones To Watch – The 25 Artists to Watch
Fire and water collide again: On her latest album "Wandering Through Time", Swiss sorceress ASHTAR opens up a menacing yet ethereal world of opposing forces, fans of emotional yet dirty Blackened Doom Metal should willingly enter. ASHTAR - a duo at first - emerged on the scene in 2015 with their critically acclaimed debut album, "Ilmasaari", voted by Tom G Warrior (Celtic Frost, Triptykon) as one of his favorite albums of the year in Deaf Forever magazine The follow-up, "Kaikuja", released in 2020, took the project's unique blend of black and doom metal to the next level. Since then, ASHTAR has shared the stage with renowned bands such as Inter Arma, Primordial, Bell Witch, Bolzer, and Schammasch.
Now, with "Wandering Through Time", frontwoman Witch N. takes the helm as a one-woman band, pushing the limits of her creative expression to new heights. On her latest offering, she aims to express the darkness, power, and magic of most notably female forces in nature in a saturnine and poetic way. The deeply personal songs take listeners on a journey through the darkest corners of the human soul while embracing the beauty of the natural world. They never fail to showcase Witch N.'s accomplished songwriting and her talents in delivering tortured, gritty screams as well as super- heavy, leaden guitar riffs. Consequently, she names metal masters such as Winter, Darkthrone, and Black Sabbath as her major influences.
From the gloomy and depressive "Into the Gloom" to the tragic tale of the Waterman in "The Submerged Empire", each track is a cathartic work of art. The lyrics transcend metal-cliches of fantasy and lore by telling stories about personal growth, finding soulmates within a cold world, and keeping one's own inner black flame alive. Recording and mixing of the album were handled by V. Noir at Inferno Studio in Switzerland. He also provided additional guitars and jaw harp. The album was mastered by Greg Chandler (Esoteric) at Priory Recording Studios in Birmingham, UK. The front cover photo was captured by Raphael Wolf, while Anti Graphic laid his skilled hands on the new logo design. For Fans of: Oranssi Pazuzu, Wolvserpent, Mizmor, Mantar, Blut aus Nord, Dark Buddha Rising, Eagle Twin, Glorior Belli




















